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πšƒπš’πš–πšŽ πšŒπš˜πš–πšŽπšœ πšŠπš—πš  πš˜πš‹πšœπšŒπšžπš›πšŽπšœ πš–πš’ πš•πš’πšπš‘πš,
πš†πš’πšπš‘ 𝚊 πš–πš’πšœπš‹πšŽπšπš˜πšπšπšŽπš— πšπšŽπšœπšŒπšŽπš—πš.
πš€πšžπšŠπš—πšπšžπš– πšπš›πšžπšπš‘πšœ πš‹πšŠπš›πšŽ πš’πš—πš πšŠπš›πš πšœπš’πšπš‘πšπšœ;
πšƒπš‘πšŽ πšœπšŒπš’πšŽπš—πšŒπšŽ 𝚘𝚏 πš–πš’ πšœπš˜πšžπš•β€™πšœ πš•πšŠπš–πšŽπš—πš.

π™΄πš—πšŽπš›πšπšŽπšπš’πšŒ πš™πšŠπš›πšπš’πšŒπš•πšŽπšœ πš πš’πšπš‘ πš•πšŠπšπšŽπš—πš πšπš˜πš›πšŒπšŽ,
π™Έπš— πš™πš›πš˜πš‹πšŠπš‹πš’πš•πš’πšœπšπš’πšŒ, πšœπš’πš•πšŽπš—πš πšπš•πš˜πš .
π™Ήπšžπšœπš 𝚊𝚜 πšπš‘πšŽ πš–πš’πš—πš πš πš˜πšžπš•πš πšπš’πš—πš πš’πšπšœ πšŒπš˜πšžπš›πšœπšŽ,
πšƒπš‘πšŽ πšπš’πšŽπš•πš 𝚘𝚏 𝚠𝚊𝚟𝚎𝚜 πš‘πšŠπš•πšπšŽπš πšπš•πš˜πš .

πš„πš—πšŒπšŽπš›πšπšŠπš’πš—πšπš’ πš’πš— πšπš‘πšŽ πš‘πšŽπšŠπš›πš 𝚘𝚏 𝚏𝚊𝚝𝚎,
π™³πšŽπšπšŽπš›πš–πš’πš—πšŽπš πšŽπšŸπšŽπš›πš’ πš–πšŽπšŠπšœπšžπš›πšŽπš πšœπš’πšπš—.
πšƒπš‘πšŽ πšœπšžπš™πšŽπš›πš™πš˜πšœπšŽπš 𝚜𝚝𝚊𝚝𝚎𝚜 πšŠπš πšŠπš’πšπšŽπš,
π™Έπš— πš™πš˜πš’πšœπšŽπš πš™πš˜πšπšŽπš—πšπš’πšŠπš•, πšπš’πšŸπš’πš—πšŽ.

𝙰 πšπš›πšŠπšžπš–πšŠ πšœπšπš›πšžπšŒπš” πš πš’πšπš‘ 𝚊 πšœπšžπšπšπšŽπš— πšœπš™πšŠπš›πš”.
𝙰 πšœπš‘πš˜πšŒπš” πšπš‘πšŠπš πšœπš‘πšŠπšπšπšŽπš›πšŽπš πšπš‘πšŽ πš‹πš˜πšžπš—πšπšœ.
πšƒπš‘πšŽ 𝚠𝚊𝚟𝚎 πšπšžπš—πšŒπšπš’πš˜πš—πšœ πšœπš™πš•πš’πš πš’πš— πšπš‘πšŽ πšπšŠπš›πš”,
πš†πš’πšπš‘ 𝚊  πšπš›πšŠπšŒπšπšžπš›πšŽπš πš‘πš˜πš•πš•πš˜πš πšŽπš πšœπš˜πšžπš—πš.

πšƒπš‘πšŽ πš˜πš‹πšœπšŽπš›πšŸπšŽπš›'𝚜 𝚐𝚊𝚣𝚎, πš˜πš—πšŒπšŽ πš›πšŽπš–πš˜πšŸπšŽπš,
π™±πš•πšŽπš—πšπšŽπš πšπš‘πšŽ 𝚜𝚝𝚊𝚝𝚎𝚜 πš’πš—πšπš˜ πš˜πš—πšŽ.
𝙰 πš—πšŠπšπšžπš›πšŠπš• πš˜πš›πšπšŽπš› 𝚠𝚊𝚜 πšπš’πšœπšŠπš™πš™πš›πš˜πšŸπšŽπš,
π™°πšœ πšπš‘πšŽ πššπšžπšŠπš—πšπšžπš– πšπš‘πšŽπš— πšŒπšŠπš–πšŽ πšžπš—πšπš˜πš—πšŽ.

π™½πšŽπšžπš›πšŠπš• πš™πšŠπšπš‘πšœ, πš˜πš—πšŒπšŽ πšŒπš•πšŽπšŠπš› πšŠπš—πš πš‹πš›πš’πšπš‘πš,
π™±πšŽπšπšŠπš— 𝚝𝚘 πšπš πš’πšœπš 𝚊𝚝 πšπš‘πšŽ πš‹πšŽπšŠπš–πšœ.
πšƒπš‘πšŽ πš™πš›πš˜πš–πš’πšœπšŽπš 𝚍𝚊𝚒 𝚐𝚊𝚟𝚎 𝚠𝚊𝚒 𝚝𝚘 πš—πš’πšπš‘πš,
πšƒπš‘πšŽ πšœπšŽπš•πš, πš˜πš‹πšœπšŒπšžπš›πšŽπš to πšπšŽπšŸπšŽπš› πšπš›πšŽπšŠπš–πšœ.

πš‚πšžπš‹πšŠπšπš˜πš–πš’πšŒ πš›πš’πš™πš™πš•πšŽπšœ, πš˜πš—πšŒπšŽ πš’πš— πšœπš’πš—πšŒ,
π™½πš˜πš  πšœπšŒπšŠπšπšπšŽπš›πšŽπš 𝚝𝚘𝚘 πšπšŠπš› πš’πš—πšπš˜ πšπš’πš–πšŽ.
π™Όπš’ πšπš•πšŽπšŽπšπš’πš—πš πš‘πš˜πš™πšŽ πš‹πšŽπšπšŠπš— 𝚝𝚘 πšœπš‘πš›πš’πš—πš”,
π™°πšœ πš–πš’ πš’πš—πš—πšŽπš› πšŠπš›πšπš πš˜πš›πš” πš•πš˜πšœπš πš’πšπšœ πš•πš’πš—πšŽπšœ.

πš†πš’πšπš‘πš’πš— πš–πš’ πš–πš’πš—πšπšœ πš•πš’πš–πš’πš—πšŠπš• πšœπš™πšŠπšŒπšŽ,
πš†πšŠπšœ πšŠπš—πš˜πšπš‘πšŽπš›'𝚜 πšœπš‘πšŠπšπš˜πš  𝚌𝚊𝚜𝚝.
πš†πš‘πšŠπš 𝚠𝚊𝚜 πšœπšŽπšŒπšžπš›πšŽ, πš‘πšŠπš πš‹πšŽπšŽπš— πšπš’πšœπš™πš•πšŠπšŒπšŽπš,
πš†πš’πšπš‘ 𝚊 πšπš›πšŽπšŠπš– 𝚘𝚏 𝚊 πšπš’πš–πšŽ, πšžπš—πš™πšŠπšœπšœπšŽπš.

πšƒπš‘πšŽ πš–πš’πš—πš, 𝚊 πšœπšπš›πšžπšŒπšπšžπš›πšŽ πš˜πš—πšŒπšŽ πš›πšŽπšπš’πš—πšŽπš,
π™±πš›πš˜πš”πšŽ πšπš˜πš πš— πšžπš—πšπšŽπš› πšπš›πšŠπšžπš–πšŠβ€™πšœ πš πšŽπš’πšπš‘πš.
π™Έπšπšœ πš™πšŠπš›πšπš’πšŒπš•πšŽπšœ 𝚞𝚜𝚎𝚍 𝚝𝚘 πš‹e πšŠπš•πš’πšπš—πšŽπš,
π™½πš˜πš  πšπš›πš’πšπš, πš•πš˜πšœπš πš’n πšπš›πšŠπšŒπšπšžπš›πšŽπš 𝚜𝚝𝚊𝚝𝚎.

π™²πš˜πš—πšπšžπšœπš’πš˜πš— πš•πš’πšŸπšŽπšœ πš πš‘πšŽπš›πšŽ πšπš›πšžπšπš‘ πš‘πšŠπš πšπš πšŽπš•πš•πšŽπš.
π™Όπš’πš—πšžπšπšŽπšœ πš‘πšŠπšžπš—πš πš–y πš–πšžπšπšŽπš πšπš›πš’πšŽπš.
πšƒπš‘πšŽ πš•πšŠπš πšœ 𝚘𝚏 πš—πšŠπšπšžπš›πšŽ, πš—πš˜πš  πš˜πšŸπšŽπš› πšπš‘πš›πš˜πš πš—,
π™»πšŽπšŠπšŸπš’πš—πš πšœπš‘πšŠπš›πšπšœ 𝚘𝚏 πš–πš’ πš™πšŠπšœπš πš‹πšŽπš•πš’πšŽπšπšœ.

𝙸'πš– 𝚊 πš‚πšŽπš—πšπš’πšŽπš—πš πšŸπšŠπš™πš˜πš›; 𝚊 πšπš‘πš˜πšœπš πš’πš— πšπš•πšžπš‘,
π™½πš˜ πš•πš˜πš—πšπšŽπš› πšŠπš—πšŒπš‘πš˜πš›πšŽπš 𝚝𝚘 πš–πš’ πšŒπš˜πš›πšŽ;
πšƒπš‘πšŽ πšœπš™πšŽπšŒπšπš›πšŠπš• πš–πšŠπšπšπšŽπš› lays 𝚝𝚘 πš›πšžπšœπš,
π™»πš’πš”πšŽ πšπš‘πšŽ πš›πšŽπš–πš—πšŠπš—πšπšœ 𝚘𝚏 πš–πšŽ πšπš›πš˜πš– πš‹πšŽπšπš˜πš›πšŽ.

π™²πšžπš›πšœπšŽπš 𝚝𝚘 πšπš‘πšŽ πšŸπš˜πš’πš, 𝚝𝚘 πš›πšŽπš–πšŠπš’πš—,
π™Έπš— πšπš›πšŽπšŠπš–πšœ πšπš‘πšŠπš πš πš’πš•πš• πš—πšŽπšŸπšŽπš› 𝚌𝚎𝚊𝚜𝚎.
πšƒπš‘πšŽ πšœπšπšžπš‹πš‹πš˜πš›πš— πš™πšžπš•πšœπšŽ πš’πš— πš–πš’ πšŸπšŽπš’πš—πšœ,
π™±πš›πš’πš—πšs my πšπš˜πš›πšœπšŠπš”πšŽπš— πš‘πšŽπšŠπš›πšπš‹πšŽπšŠπšπšœ.

πš†πš‘πš’ πš‘πšŠπšœ πšπš’πš–πšŽ πš˜πš‹πšœπšŒπšžπš›πšŽπš πš–πš’ πš•πš’πšπš‘πš,
πš†πš’πšπš‘ πšπš‘πš’πšœ πš–πš’πšœπš‹πšŽπšπš˜πšπšπšŽπš— πšπšŽπšœπšŒπšŽπš—πš?
πš€πšžπšŠπš—πšπšžπš– πšπš›πšžπšπš‘πšœ πšπšŠπš›πš”πšŽπš— πšœπš’πšπš‘πš,
The πšœπšŒπš’πšŽπš—πšŒπšŽ 𝚘𝚏 πš–πš’ πšœπš˜πšžπš•β€™πšœ πš•πšŠπš–πšŽπš—πš.

♦ Đerek Ξ›braxas ♦
"πšƒπš‘πšŽ πš€πšžπšŠπš—πšπšžπš– π™±πš˜πšžπš—πš π™Ώπš˜πšŽπš"
glass Nov 2024
just about eye height

the second board from the left of the splintered shelf in the shed
and its just about why i

stand beside the wasps nest in calm sweat like palms melt somewhere in my pockets
but its more about the time by

which i find a trowel on the wall beside the power that ive always needed to decide to recall
because its really when my mind dies

that i find that such denial can be freeing although always seeming fleeting
and thats the moment with my eyes wide

stuck inside the shed
101524
glass Dec 2024
at the bus stop with a juice box
and a heart full of love.
on the pavement an arrangement
of impersonal hugs.
how i miss you when im with you
and what it used to be like.
over blue ice saying white lies
ill be quiet tonight.
120924
Tina RSH Apr 2021
I have had to dig my heart deep
with the shovel of your cruelty
buried our memories with stifled weeps
and in that,still, I find a kind of beauty

Some say I'm a slave to love, to others I'm only a fool
Neither know to have loved alone is a rare gift
For my heart is an engine and love is its fuel
with my feet on the ground, not hovering nor adrift.

It is with grief now that I bid you farewell
but who says in that there is no charm?
Our times together now in another time dwell.
A time that can cause none any more harm
Ariel Wadyese Feb 2020
He’s been going through these phases.
Because everyday he lives his mind changes, rearranges.
Swear it’s just like a seed,
oh yes it’s growing indeed.
But unlike Adam and Eve,
he keeps the fruits on the trees, sheesh.

His mind’s been neglected for a minute,
started reading all these books and yet that still ain’t fix it.
Trying to figure out the world, the universe and the pearls.
All the beauty in the matrix can be found in a girl, or a diamond.
The stars and constellations of Orion,
yes it does get deeper think we need a little silence.

Phases.

Swear he’s been going through these phases,
because everyday he lives his mind needs homeostasis and patience.
I think he needs it for his phases,
each year I age it’s like I grow a couple faces, replacements.

For all the egos he was raised with,
with mad foundations Neanderthals couldn’t β€œcave in”.

β€œcave in”.
β€œcave in”.
A poem about the progression we all go through in life through the lens of an analytical mind. R.A.P. ( Rhythm and Poetry )
John McCafferty Jan 2020
Aspire to respire
Find a frame from deep beneath
Calm the calling to concede
Push beyond lessons learnt
Grown in ways
which blood can't reach
Silent whispers in rhythmic beat
(@PoeticTetra - instagram/twitter)
D Nov 2019
there's no one quite like it
the voice in your head
it tells you you're pretty
than tells you you're dead
there for you in silence
there for all the pain
it picks up the pieces
it cut out of your brain
sick with the flu and gotta wake up at 6 am.
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