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Oh dessert zephyrs- take me, whisk me away from the vice of man and his cities
Take me to the dunes and caves- where I shall sleep on stone and eat locusts and honey
Oh desert zephyrs- fend off the men and who pursue me- for I detest all publicity
Oh desert zephyrs- send my prayers to Lady Abro, and tell her to take me soon and quick
For I took refuge in the heat of Chazan’s hearth- to burn off thoughts of lust and money
Oh desert zephyrs- belay my prayer; they’re here to stay. Bring us then to eat- bread and milk

And o, they say they follow me into the dunes of the Jashad, there are three of them here
The first- offered me his sash and fine clothes. I say that we are here now here to turn away from that
The second- offered himself to me as ganymede. I say we run and from lust to steer clear
The third- his treasure- I valued the most. He offered me his obedience. Night came, and we sat
And as we sat, I told them why I came to Jashad. ‘I came to seek Chazan and his heat’
‘And also Lady Abro and her patience.’ for the day is short and the night is long, very long

For as soon as we have come away from Ritacene, Phalgacene comes and meets us head on
And I dare not stay in the fire of foolish men when the night ends and dies to the fires of dawn
But much is lost in the play of the Twins, for now let me tell you their tale, my dear new friends-
Ritacene is the goddess of all that is order, and her twin Phalgacene, the goddess of all chaos
They mirror their father and uncle- Palcion and Retisbond- he who brings life and he who ends
Retisbon of the Limits cannot bear child- so Palcion bears twins, and gives Phalgacene to him

Palcion’s creations all float at random. And so Ritacene, with her many hands, arranges them all
Retisbon strips them of being, so Phalgacene chews them with her many sharp teeth for death
All that is created was a thought by Palcion, which were then designed by Ritacene’s many hands
All that dies is called to come to Retisbon, and their bodies torn apart by the jaws of Phalgacene
And so, all that Ritacene designs is order, which is a vision of nature and its divine creation
And to resist her designs is a tune of chaos, to which man marches to the jaws of Phalgacene.

As to not upset her sister, Phalgacene swore to swallow those who live and die as she designed
As to not starve her sister, Ritacene gave those who resisted design for her to chew and devour
When men live in peace, we live by the design of Ritacene and so die gently by Phalgacene
But as you see, man has used the designs of Ritacene for crime, greed, lust, power, and evil-
And so, Ritacene shall grow angry and Phalgacene shall grow fat and the darkness will follow
The rhythm of nature will be obscured and war shall overcome- the wrath of the Twin goddesses

Lady Abro and Chazan, the sky King, and their children- the seasons- will take ear of Ritacene
Times will grow dark just like the Sky- Winter and Autumn shall fatten as their siblings grow thin
The darkness and cold shall go one for longer, while summer and spring will never yonder!
Man cannot eat his gems and gold, nor his women and slaves, though he could go on and try!
Man cannot come to his governor, for the coward has fled, with the city’s coffers and food!
Man will **** man for what little is left, and  what little is left for man- a banquet for Phalgacene

‘In the desert, he sit on the lips of Phalgacene. There is already little to begin with, yet some live’
I take a cactus by the hand and break it open for the three- ‘here is our water, and this- our food’
I take a locust and put it in my mouth. ‘Here lies the realm closest to Phalgacene.’ I tell the three
‘Yet in this realm, we are safest- for the food of the twin of chaos will go over our heads’ I said.
‘Go back!’ I tell them. ‘Go and bring back only what I tell you: Your names, papyrus, and reed’
‘We shall jot down the history of the world and all that ever has and will!’ I'll tell them.’

They brought back their names- the three where
Barzan, meaning calligraphy
Valkar, meaning letters
Homet- meaning ‘meaning’
three scribes stood with their master,
Eebrhu, whose name meant language
A book of foundations by the desert religious leader, Eebrhu. Along with three students, Eebrhu set out to make a poem of the history of the world and of the gods. In this first chapter, the relationship of the Twin goddesses are explained.
Palcion and Ratisbon stood amidst eachother forever-
the father of being and the bringer of non-being stood
And as they stood, time and her efforts in vain, they she could not weather
Palcion and Retisbon looked upon the first to move between them
named the consequence of being and unbeing- Abro, meaning passage
Abro could topple walls and reduce mountains, all while light as a feather

Abro was not the mother of peace, nor the maiden of chaos-
The former was Ritacene- daughter of Palcion, whom he named after his brother
The latter was Phalgacene, daughter of Retisbon, who named her after the other
Abro was the steed of Phalgacene, who pulled her chariots and made her spears fly
Abro was also the bull of Ritacene, who plowed her fields and grew her wheat
And when the sisters argued, Abro would sit between them and wait, and stare at the sky

Abro would count the faces of the sky, and found the sky to be beautiful
‘I am Chazan- servant of Palcion and Retisbon,'’ the sky said. ‘I carry the weight of them both”
‘I am Abro- the eldest of the goddesses Ritacene and Phalgacene’ she told him
‘You are such a strong and fair woman,’ Chazan said. ‘To keep your youngers from conflict’
‘I do no such thing’ said Abro. ‘They are twins, and as above, they are as two as they are one’
‘They, like their fathers, are two faces of one disk-’ she went on ‘and so conflict they do not risk’

‘And you Chazan?’ Abro asked him. ‘What of you, and why above all made but below makers?’
‘I am the throne of the creator of creators and destroyer of destroyers’ he said to Abro.
‘I conceal the made from their maker and the maker from what they’ve made’ he went on
‘I hide the destruction from their destroyer- I herald the light of being and death’s shade.’
‘I find you beautiful-’ said Abro. ‘What say you to be my groom? What say you I be your bride?’
And in that, the swords of Phalgacene glowed bright, and Ritacene’s crops began to die

Chazan’s hair began to grow short and loose, and the face of the sky burst into flames
The air began to heat and the sky’s blue began to lighten- Chazan’s skin became like glass
Abro saw Chazan- his skin pink, orange, green, and cerulean- his two eyes, the sun and moon
‘You lie to me, Abro-’ he said aloud. ‘How can you say I'm beautiful when this is what I am?’
‘Everchanging, ever new- I will shed a thousand skins, but you will still be you’ he told Abro.
‘How can you have a husband, whose faces change, and whose memory of you with it fades?’

And so, Abro stood, and faced the sky. Her legs began to grow tired, and so she went away.
Chazan, seeing this, fell into misery. The sky darkened and the the winds blew strong
The fields of Ritacene were reduced to lakes of mud, while rust grew on Phalgacen’s wheels
Chazan was in tears. His hair grew long and wispy and from them- water crashed into the earth
Then Abro returned, with the beast Malzaphaiatan- whom she borrowed from her sisters
Malzaphaiatan was a beast that plowed fields and pulled chariots and on it, Abro sat and waited

Abro’s sisters made more of these beasts, and soon their numbers would become the land
They’re backs fertile and their stampedes would causes quakes, but upon them Abro sat
Abro sat and waited for Chazan to calm down- and upon Malzaphaiatan she would wait
Chazan, upon seeing Abro, lightened and was delighted. “You have returned! I am elated!‘
He ran through the sky and to the ground at such speed, which created lighting and thunder
He ran to hold Abor and lay with her on Malzaphaiatan- and in their bliss was born Spring.

Chazan would soon change face again- and the air began to heat and the sky would lighten
The glow of Phalgacene’s metal and the drooping of Ritacene’s plants all heralded one thing-
“Abro’s lover was angry.” in his rage, he remembered Abro not, and so Abro stood and went.
She borrowed Zapharagaz from her sisters- a steed of of great speed- delicate and deadly
Zapharagaz carried Phalgacene’s navy, and fed the fields and water wheels of Ritacene
Abro drove Zapharagaz across the herds of Malzaphaiatan so that Chazan may drink

Across the backs of the herds, she carved waterways, canals, and cisterns with Zapharagaz
The tracks of Zapharagaz made rivers and from the places it rested, were oceans and lakes
Abro made a chalice from clouds and gave it to her lover Chazan to drink- and he was calmed
This face of Chazan knew Abro not- but found her beautiful. ‘Be my bride, oh Lady of Time!’
‘Be my bride and this entire kingdom of fire and light shall be as yours as it is mine!’
‘I shall be your bride, and you shall be my groom!’ and so they lay together and bore Summer

Chazan would not change face again, and his memory of Abro would persist, yet he was sad.
‘Abro, my love- Queen of the Sky as I am its King; does it not hurt when I forget you at times?’
‘Chazan, my love- King of the sky who made me its queen; I love you and all your faces.’
‘How could you? What if I forget you in those faces? What would become of us and of life?’
‘I will still love you’ she said. ‘And each of your faces, what face may come, will call me its wife’
And so in a gentle breeze and lingering warmth, Chazan used the sun and breeze on the land

He took the Clouds away, but stunted the heat of the sun. He dried the leaves of Ritacene-
He put the soldiers of Phalgacene to rest and told them to return to their wives and families
He blew across the sea and into land to create the first wind and waves, and so he began
And so with a gentle breeze and lingering warmth, the harvest began and produce came
Upon the backs of the herd- Chazan painted a golden portrait of Abro, and it was beautiful
And so in a gentle breeze and lingering warmth, the two lay once more and bore Autumn

As Abro awoke, she found her husband away from her embrace. Chazan was not away though.
Chazan could simply not be seen. Droplets of hard, cold water fell on Abro’s hands. They spelt:
‘Who are you? I am Chazan, king of the sky. Who are you, why are you here?’ said the snow.
‘I am Abro, Lady of Time, first daughter of the twin Kings of Creation and Destruction’ she said.
‘I am the eldest child of Palcion and Retisbon. I am the eldest to Ritacene- goddess of order’
‘And of Phalgacene- goddess of chaos.’ she boasted. ‘You are in the presence of the gods’

‘You were drunk, and in your stupor, took me to your bed.’ Abro wanted to know what he’d say.
‘Forgive me! I am king of the sky, but humble servant first to the Twin Kings- how do I repent? ’
‘You shall have to wed me! For we shall both be punished if the Twins find out!’ Abro told him.
Abro, despite her love for Chazan, wanted to be wed. And so, the king of the sky wed her.
Chazan froze the waters for them to walk on and donned the land white in snow- as did Abro
Ordained as husband and wife by the twin gods, Chazan and Abro were wed- and bore Winter.

The children of Chazan and Abro would be the essence of the seasons who played together-
Spring, the fastest and most beautiful of the siblings, ran ahead of her brothers and sisters-
Summer, the strongest but largest, ran behind Spring, but could not catch up to her however
Autumn came next and often called for Winter, and came to soothe Summer of his blisters
Winter- however, walked and did not run. He carried with him coal, which he marked with.
Soon, he would not run at all. He would sit and wait like Abro, and forget to run like Chazan

This is why the Spring is so well loved, yet feels as if it passes too fast and too quickly at times
And why Summer is so hot, yet most of the work must be done under its heat and weather
And why Autumn brings peace, and in its golden banquet bring good food, harvests, and wine
And why Winter and all its snow, darkness, coldness and blight seems to drag on forever
And yet in Winter, the only well that does not freeze over is the well that draws forth black ink
And so the myth of seasons finds its Author in the hands of the cold. Behold- the Song of Winter
the myth of the seasons, the story of the lady of time and the king of the sky, and the twin goddesses of order and chaos found the Epic of Ioleksa

this is the second part of the first analects of winter
In the hearth of all and none,
there stood two-
Who were as one
In the hearth of all and none
There stood two-
who too, where none

Both, like eyes, to a thought not yet thought
The two stood there and were-
And yet at the same time- were not
But one awoke, and in awaking bore thought
And from then on the thought of not,
Was there, and forevermore, all but naught

The other, angered by the thought
Stood and and found his brother awake
And from there the birth of twins
Of blindness and seeing, of knowing and sleeping
He was thought, life, existence and being
He was not, death, nonexistence, nonbeing

And the awoken named himself Palcion, meaning infinite
And from there he ran across the none and brought being
From here to there, he brought what, whos, hows, and wheres
And he named his brother Retisbon, which pertained to limit
And he followed his brother- picking up the things he made and left
All his whats, whos, hows, and wheres- stripping them of being

And then Palcion grew tired, and went to sleep on his brother’s lap,
Retisbon, still awake, guarded his brother in his slumber-
And in his slumber, he stripped all his creations of being
Upon Palcion awakening, Retisbon then grew tired, falling too on his lap
Palcion, then awake, guarded his brother in his slumber-
And in his slumber, he thought to continue to make and make

Retisbon awoke, across his brother now, who then was busy making-
In front of Palcion, all he made, which Retisbon thought of breaking-
He made, he broke- he gave being, and he stripped them of it-
And so the myth of  Palcion the Infinite, and Retisbon of the Limits-
Being made into all, and all soon stripped of being- the first of all natures

And from this came time,
And from that came worlds,
And from there all that will ever be in it.
the creation myth of a mythology known as the Epic of Ioleksa

this is the first part of the first analects of winter
Juhlhaus May 2019
Gravel mounds in the mist
Are the mountain ranges of fantasy,
Spring green, eerie seen
Through commuter train windows.

Pitched roofs recede
Into infinite distance,
And junkyard parking lots are legion
In the gray suburban obscurity.

Factories and landfills loom,
Monuments and mausoleums,
The labor and the leavings
Of the little colossi.
Musing on the view from a morning commuter train.
Lyn-Purcell Aug 2018
II.
To love pales in comparison of being loved,
but to love and be loved in turn?
Truly puissant, indeed.

III.
Though on the thread of life, the ink will spill
but never fades away. Now I see. If all I am
is to be nothing but a memory, the least
I can do is to make it a good one for the
future seeds.
Memory can slip and slide, but these words,
my words, that I have painted will remain.
More excerpts from my poetry book, 'Mythos', that was privately published in the final year of university. Again, it's already copyrighted so no one can take or use it without my permission! Looking at it now, I do see it's potential, so I'm slowly dusting it off. It's basically like my Jasmine Pearls poem...only longer. Oh boy lool
Love you all!
Have a great night/day! ^-^
Lyn ***

© Section from Chapter 'Part VI: Rising Postlude' in 'Mythos' by Lyn-Purcell.
All rights reserved.
Lyn-Purcell Aug 2018
I ask you to mother me greatly, memory.
I ask you to father me strongly, experience.
I ask to strengthen me gradually, time.
I ask you to hone and refine me, wisdom.
This is excerpt from my poetry book, 'Mythos',  that was privately published in the final year of university, which I'm sharing here. It's already copyrighted so no one can take or use it without my permission. I remember when I gave my lecturer the final draft for revision, he said this section stood out to him the most. I'm thinking maybe I should polish this manuscript also and publish it publicly! Let me know what you think! Criticism is welcome.
Love you all!
Be back soon!
Lyn ***

© Section from Chapter 'Part VI: Rising Postlude' in 'Mythos' by Lyn-Purcell.
All rights reserved.
Fumbletongue Oct 2017
A tooth! my first!
exclaimed the small boy
Eyes filled with tears
of pure simple joy

He ran to his mom
clutching it tight
and burst in the room
squealing with delight.

Many questions he asked
one after another
about the tooth fairy
perplexing his mother

She listened intently
with him on her knee
"write them all down
for the fairy to see"

The boy set to his task
with paper and pen
and slowly wondered
where to begin

"Where are you from?"
"What do you do with the tooth?"
"How do you fly?"
Please tell me the truth

With the letter all done
he placed it under his pillow
then slid into bed
just like a minnow

He fell fast asleep
dreaming his dreams
and awoke the next morning
with a jubilant scream

A reply he did find
under his head
He opened it fast
to see what it said

"A time long ago
there was a boy just like you
who saved us from tragedy
when humans were new"

"Great battles were fought
with creatures of all kind
and magic was something
quite easy to find"

"But humans grew old
and got very greedy
then corrupted themselves
into something quite needy"

"Power corrupts
unless you're quite wise
We could all see the signs
no more light in their eyes"

"They tricked us quite often
and hunted us down
stealing our magic
for their own crowns"

Centaurs and Fairies
Dragons and Elves
Among many others
started saving themselves"

"We learned how to hide
here in plain sight
by changing our vibration
so as not to fight"

"Then a spark in the dark
flashed bright and true
and we knew in that instance
just what to do"

"A child was born
innocent and pure
with him knowing
He was our savior"

"A secret he hid
within his own tooth
a secret of magic
the heart has in youth"

"Magic that courses
through children like you
who understand love
in all of it's hue's"

"The teeth we collect
and crush into powder
to Help us retain
our magical power"

"For magic is something
that comes from within
of pureness and love
but not evil or sin"

"A warning there is
and hear it you must
If you force a tooth out
it will turn to rust"

"Powder from teeth
forced out before ready
corrupt the pure magic
making it unsteady"

"This kind of magic
creates creatures not nice
Like goblins and trolls
so always think twice"

"Now let me be clear
about all that I've said
Feel with your heart
and not with your head"

"Face and embrace
The beauty of you
Believe in the magic
and let it accrue"
kiley g Mar 2016
shimmering face
dewy eyes
trembling lips
shivering thighs
toeing the edge;
the poverty line
devotion or obsession?
i need a sign

thrilling fall
death’s chase
spectating
his heart’s haste
rush to the drop
i go in your place
twin pools of red
a championless race
The archaic Mythologies
Were well depicted ventures of Human
Spirit to verily present acts of the absolute Nutness
An astute of a compelling question Still
Much relevant in today's lmplicit
Deconstruction of  Committing
A moral Excession.

Old Greeks came to a betwixt paradox when compairing
the two ulterior motives:  
~ a completely mad passionate love
~ a sharp cold blooded oportunistic love
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