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kevin hamilton Sep 2018
break me on the wheel
while the wheel spins
argentia road
and all i see are crows
gorging in the open field
and severed cornstalks everywhere

this night
i burned your clothes
beneath the palest stars
to cherry embers for my bed
love, i dreamed of empty graves
and the undivided moon

such a fragile thing
to sigh for the sake of breathing
no more, no more
i am claimed by blood-soaked hands
and my resolve is dead
kevin hamilton Sep 2018
true death and restless spirits
i remember all of their names
like they were mine
and the charity of cold
chimes forever
in a sea of salt

kicked down the cemetery gate
and kissed the ground
forgive me now
for the pain i caused
that night, canis minor wept
and all was dust

i am the one
who fell from dark
into an even greater void
Reggine Sumiyama Sep 2018
Here I scatter the ashes of our Wednesdays
and throw dirt on our names because we fell into a stupor of unsaid goodbyes and insincere apologies.

I take my time trying to unclench my fist,
after all, release is only sweet when you feel suffocated.

I always made sure to adjust my grasp to your comfort,
present my entirety as if you owned more than a half of what I used to be.
I remember you in things that have no heartbeat, but a pulse of regret and anger that devours it, and to think you swore you would keep me alive.

In Binondo, you taught me how to eat street foods, walk in the crowded places, sit still on taxi rides,
and feel beautiful even when you kept your eyes off me.
You believed in slow motion, and the magic of lugaw at 12AM,
I watched you in a fascinated haze.
Too unsure of the light.

In Fairview, I told you that I cry during movies and laughed at the way you spun me around in the theater. Hand on my waist for good measure. I showed you claw machines and photobooths,
at least remember me.
I held your hand the first time, bled on
a piece of paper you read on the way to Quiapo, and all the long rides have made me feel empty ever since.

In Ilocos, I gave you a warm kisses on your cheeks when you took me
to church the first time, head spun just at the right angle for when
I walk down the aisle in a dress with you waiting at the end of it,
not knowing that in 4 years, I’d come back at someone
else’s wedding, begging on my knees at silent altars to keep you
even with my faith hanging from my fingertips. You still left.

In Intramuros, I see you in every nook and crevice,
in the holes, in the walls with Lechon Kawali, in quiet places we
claimed are for ourselves. In street vendors, ATM machines,
and pedestrian lanes too dangerous to walk on. Nowadays,
I shut my eyes in the backseat, afraid to see a shadow of who
I thought you were whenever I am near.

In Pasay there are people to see and places to walk
through to cover the tracks of almost lovers, a pair of shoes
to buy, impatience on my throat, and kisses on cheek as a cure
for my silence and satiation for the hunger below your navel.

In EDSA, we locked more than just lips, ate street Palitaw,
knocked three times on wooden doors, even lit candles to be sure,
that we would keep each other for good. Someone must have
knocked harder, the wind must have swept our fire out,
and we were fools to think promises were as simple as padlocks
that rust and break in the rain. How I never told you that I pictured
us in a million other bus rides that night. The road could never
have been shorter than the infinite one you promised.

In Pandacan, you wanted a life with me  
with nights in bed, the sickening kind of happiness harrowing
the peace we always knew we had. You held me close
and by the early hours of the morning you swore you’d meet me
again when the clock strikes twelve on a different year. I think
you left your love for me in that two-bedroom suite, and
wouldn’t it be wise if I left mine right next to yours, folded
and hung before the stain of resentment covered it whole?

In between the hurt and madness, memories of us
unfolding without grace on the table, I loved you.

You knew what you were doing when you let go of me to hold
onto someone else that was never as sure as I was of you,
and I wake up in sweat at 3AM thinking I never really knew.

Now we are in places we’ve never been, and I dry
swallow the hurt that swells even when I no longer touch it.
There are spaces I no longer need to be filled because I got used to being hollow
even when I was next to you
and now that I don’t have to be there anymore
it makes it easier to forget you ever happened, and I will tiptoe my way out of these places until I no longer feel you everywhere.
Arielle Aug 2018
I hate that I have this fear inside
Even though I try to hide
This fear will never leave my side
No matter how many times I've tried
I can't seem to shake it from my mind
You're like the ghost that is always near
That is constantly reminding me why I fear
It's still a work in process but I felt like I wanted to show it as I work on it ... March 4th 2018 is a day I will never ever forget .
Andrew Rueter Mar 2018
I argue
To harm you
The protective computer screen
Allows me to be rude or mean
Without feeling your pain
So it becomes a game
Or a simulation of fame
If I can ignore the shame

The tread is wearing off the tire
After the internet stripped
The rubber off the telephone wire
And we lost our loose grip
After being shocked
By the rest of the flock
Their existence
Shows a difference
That is hard to accept
We're not what we expect

We push the boundaries of communication
But we can't handle the technology
I feel it gives me social immunization
But I feel the darkness follow me
And swallow me
Until I'm wallowing
Yet I don't know why
I try to ignore it
Only if it gets me high
Will I be for it

This utilitarian keyboard
Should help me see more
Instead it transcribes my anger
As I turn into an electric stranger
The words on my pixelated screen
Do not reflect my childhood dreams
But the bitterness of dreams being crushed
My petulant reactions are thoughtlessly rushed
And I represent my views in a negative way
Until I'd be more useful with nothing to say

There is a need for empathy
In the electronic discourse
Right now there is only entropy
And words without remorse
Spoken from a high horse
That looks down on peasants who own it
It's also a slave but doesn't even know it
So it arrogantly trots along
Never admitting that it's wrong
Until it hears the slithering snakes rattle
Then it doesn't mind wearing a saddle
But the venom has already been injected
And its mind becomes hopelessly infected

We argue without blinking
We argue without thinking
We argue with poor logic
Our ignorance we flaunt it
Until the internet is haunted
Can be found in my self published poetry book “Icy”.
https://www.amazon.com/Icy-Andrew-Rueter-ebook/dp/B07VDLZT9Y/ref=sr_1_1?keywords=Icy+Andrew+Rueter&qid=1572980151&sr=8-1
Gary Brocks Aug 2018
Verse 1

Why do I have this haunted feeling?
Something is moving in the shadows.
Working secretly tides flow,
as night steals past the day.
A voice is singing to silence,
a thousand petals falling windblown,
the still earth will lie strange, unknown,
a tolling bell brings on the night.

In the fullness of a falling tear,
In the garden of remembered time,
In the silence sung before the song,
Life will find you there.

Verse 2

What moves a fallen leaf to swirling?
Couples are speaking words of love songs.
In the hour of the dawn's glow
a rose will scent the night.
Moonbeams will stir the waving waters,
while feathered wings caress the breezes,
and your heart sings to pierce the dark,
a falling star will shed it’s light...

In the fullness of a falling tear,
In the garden of remembered time,
In the silence sung before the song,
Life will find you there.

With the turning of the heaven's sky,
With the dancing of the seasons by,
With the yielding of a lover's sigh,
Life will find you there,
Life will find you there

When darkness spreads from near to far,
In the cascade of a falling star
In the motion of a bird in flight
In the sweetness of your lovers light…
With the beating of your yearning heart.

Copyright © 2007 Gary Brocks
150630F

This is a love poem to life, after almost losing mine.
While American in sensibility, this poem is an homage to Portuguese Fado music.
It has been has set to music by Jesse Elder: THE GARDEN OF TIME, Lyrics GARY BROCKS, Music JESSE ELDER
An unmixed studio recording (Gary Brocks, Vocals; Jesse Elder, Piano) is available by contacting Gary Brocks.
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