A pair of glasses, shattered,
On the floor of a room that remembers nothing.
They weren’t mine, but I miss them anyway.
No one ever claimed what they left behind.

There was no sound,
Just the cold shape in the corner.
A chair pulled slightly back,
As if someone thought twice, then disappeared.

Dust settled like it had been listening.
I traced something into the glass with my finger.
A name? A date?
It didn’t stay long.

There are things I meant to say.
And one thing I never should have.
A hand I almost reached for, I shot in the dark.
A book for all, a book for none.

Does my clarinet  
blame herself  
when she  

screeches?  

I asked her —  
careful  
not to press  
the wrong buttons.  

She hummed along,  
nodded  
like a good girl.  

(𝘞𝘩𝘺 𝘪𝘴 𝘵𝘩𝘢𝘵?)

I’m the one  
who blows  
down her throat,  
pressing keys  
until she forgets  
how to breathe.  

Her voice cracked —  
guilt hung in the air  
like smoke.  

"𝘪 𝘰𝘯𝘭𝘺 𝘦𝘤𝘩𝘰 𝘸𝘩𝘢𝘵 𝘺𝘰𝘶 𝘱𝘶𝘵 𝘪𝘯,"
she whispered.  
"𝘮𝘺 𝘷𝘰𝘪𝘤𝘦 𝘸𝘢𝘴 𝘯𝘦𝘷𝘦𝘳 𝘮𝘪𝘯𝘦."

I strike her notes harder.  
She chokes out bits,  
broken pieces  
that only make me angrier.  

Your wheezing is because  
you’re fragile.  
Cheap.  
Not because of me.  

(...𝘳𝘪𝘨𝘩𝘵?)

"𝘪 𝘸𝘢𝘯𝘵 𝘵𝘰 𝘴𝘰𝘶𝘯𝘥 𝘣𝘦𝘢𝘶𝘵𝘪𝘧𝘶𝘭 𝘧𝘰𝘳 𝘺𝘰𝘶,"
she sobbed.  

And I  
almost told her —  
𝘆𝗼𝘂 𝗮𝗹𝗿𝗲𝗮𝗱𝘆 𝗱𝗼.

But the truth  
lodged in my throat,  
behind the breath  
that made her scream.

When I sat at my laptop one day, I heard my windows flip out. They weren’t happy with their salary.
  “Ours is too high! Give us less!”
  “Yeah, you’re spoiling us!”

I went on with my everyday tasks, however, I told myself:
  “Wait, why would I give them a salary, even?”

So I stopped paying them for at least 6 hours.

The next day, they were cloudy.

I said:
  “Where’s the sunlight?”

They responded:
  “Our salary is too low! Give more!”

I was, to be fair, extremely confused, yet it made sense. I opened a window halfway, and they groaned. I sprayed them with glass cleaner, and they wept.

I said:
  “Why do you always complain?”

The windows finally opened themselves, slowly, and said something that opened my eyes:
  “Because labor with no meaning is torture.”

Lazy *******.

I don’t want to die for you to be left a widow.
  Not you.
  Not the fire in my room’s curtains,
  Not the scream in the sink,
  Not the glue that binds my lungs shut.

You, who wears my pulse like cologne.
You, who adores migraines.
You, who talks in-between my unfinished sentences.

The fever I despise yet love.
The sea I drink until I drown.
The taste of unfinished violence.
The vow carved into my spine.
The addiction I romanticize.
The hunger that signs my name when I can’t.
The dumb idea that razors its way through my thoughts.

  My wildness I swore I could hold,
  I’d rather die every day of my life,
  If it means I will die with you.

I took note of your scathing criticism.
It’s the best joke of the century.
Hell, even of the millennium!

  “You should’ve learned how to change.”

Change? CHANGE?!

I changed so hard I broke the mirror
And swallowed the shards for breakfast!
  (The taste is particularly exquisite)
  (Taste? Heck, you can call it a rebranding!)
  (With a side of narcissism and a pinch of performance — natural for an artist!)
    (Believe me — it digests easier)
    (And leaves less of an aftertaste)

I became:
  Gene Kingstone,
  Ásgeir Geirmundsson,
  Frodo Clayhanger,
  Rakin Badr Shamoon,
  Ouya Ishikawa,
  René Bérubé,
  Sargent Fresne,
  Fabien Giroux.

Eight names, a thousand apologies.
Eight lives, and not a single one wasted.

Look at the barrel you set aflame!
And I’m the neologism you feared to create.

I was standing in the fields one day, like I usually would be doing, legs deep in grass, the wind nudging my ears with things I hadn’t yet lived. The sky above me was in a shade of grey I couldn’t name.

  “The weather is beautiful today.”

That’s when the horse appeared.

He jumped, upright, landing with the brutality of a ballet dancer, although he shouldn’t know how to. He had only two legs, thin and humanlike, and one of its molars, impossibly large, vibrated, producing a melody I couldn’t recognise, yet somehow remembered.

It leaned close. His breath smelled like burnt tobacco and languages. Then it said:

  “But Aleksejs…”

Terrifying in its intimacy.

And just like that, it was gone.
No sound. No dust. No hoofprints in the grass.

Nothing.
  Nothing.
    Nothing.

I stood there, frozen.
Not cold.

Later, when I woke up (though I couldn’t say for sure when the dream began or if it had ever truly ended or even started), I sat on the edge of my bed and told myself:

  “Was it me he was talking to?”

Frankly, no one answered. But the top left corner of the ceiling pulsed once, lightly,
And for some reason, I took that as a yes.

A: A pump?
B: A pulse.
A: A ****?
B: A nurse.
A: A dump?
B: A purse.
A: A lump?
B: A curse.

A: An illiterate curse? Like the King of Suicide-Land?
B: Yes, and his land beyond this limited veil.
A: You mean my curtains?
B: The agreement you signed while asleep.
A: I don’t remember.
B: You weren’t supposed to. That’s how contracts work here.
A: So I signed away my thoughts?
B: Just the ones with teeth.
A: I liked those. They bit back when I cried.
B: That’s why they were taken.

A: And the King?
B: He governs with a broken wristwatch and a hymnal full of typos.
A: Sounds professional.
B: His grimoire is made of expired passports.
A: How charming.
B: He doesn’t speak anymore. Just shivers.
A: I think I’ve heard of him! When the showerhead told me—
B: That’s his embassy. In your bathroom.

A: Is this real?
B: You’re asking the wrong room.
A: The wrong room?
B: Yes. This room only answers while wearing someone else’s shoes. Try the hallway, it lies best.

A: And my dress?
B: Tomorrow evening.
A: Does it bleed?
B: Only when you wear it backwards.
A: That’s the only way I wear anything now.
B: Good. Then you’ll fit right in.

A friend once told me
  “Don’t lean on people, they always move and you’ll fall.”
    But what if?

What if I leaned with a knife in my ribs
  Just to keep it straight?
What if their shoulder was made of plastic,
  And I liked the noise it impregnated me with?
What if falling was softer than standing still,
  And comfort was found in bruises?
What if all I ever wanted
  Was someone to move?
  But toward me, not away?

Every second is a bomb for the ice cream man to produce.
Inconsistent shaking? Have some neon.
Make the creamsicle's go to waste.

You park beside the morgue and hum in F minor,
Melting coins into syrup for the children who never drank alcohol.
A girl trades her elbow for one pistachio and a half.
A boy eats time by the hour (soft-serve style).

The sun peels back its citrus skin in ****** motion.
Flies memorize everything. Everything.
The truck grows legs and no one ever asks for change.

I opened a letter addressed to no one
And found a wet map of my own grin.
The postmark said “Somewhere Between”
And the ink ran like a guilty priest.

The ceiling hummed its usual sermon:
  “You are a question your mirror asks gently.”
I nodded, chewing on glass-handled scissors,
Waiting for the floor to finish deciding its shape.

A horse walked in, dressed as my therapist.
She whined,
  “Your trauma wears a wedding dress.”
I asked for a refund
  And received a gun filled with sleep.

Behind the curtain:
  Someone’s mother melting into a fax machine,
  My ex spelling “forgiveness” with her teeth,
  A child screaming “I’m your future, father!”
  While drawing on a body bag.

I stood there,
  Drenched in six contradictory versions of myself,
Clutching a plunger and a birth certificate.

Someone whispered,
  “Your voice is a privilege.”

And all my response to that was:
  “Shut up louder.”