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Steve Page Sep 2018
Let there be colour
Let there be shape
Let the air be filled
with sound and scent

Let colours and shapes
Let sounds and scents
be blended together
with roaring intent

Go soak in the sights
and relish the shapes
go embrace the new
come and escape
Inspired by a young designer. https://www.ellamaestatham.com
Steve Page Sep 2018
It's so loud - like a thunder
like the storm of the girl she was
quick as lightning and gone

It's so loud
louder than ever
I don't remember her heart
being so loud
so proud of my little girl

I didn't find enough time
to listen to her
to listen to her heart
to listen to her heart beats

I didn't find moments to hold her
I could have told her
- look after your heart
it's so easily snatched away

I didn't hold her
---- hear her
--------- dance with her
nearly enough to know her heart
I wasn't nearly father enough

Listen
listen to her heart
with so much more life to give
with more life to live

Listen to me
Prompted by a you tube video of a bereaved father listening to the heart his daughter donated to a young man in need to a transplant. He stood there with a doctor's stethoscope against the guys chest and sobbed.
Steve Page Sep 2018
(Voice of the Swan by Eric Idle from Monty Python.)

Don't you ignore me,
I could break your arm you know.
I could cut you down with a well placed puncture wound.
I've got important friends, oh yes,
I'M protected by royal statute.
Oh, I see, NOW I have your attention.
NOW you're taking notice.
Well, just you listen,
you might get away with your cheek with those common Mallards,
but don't think it will wash with me.
Now, give me some of that there cake
and perhaps I'll leave you be.
From an exercise at a poetry meet up in London's Southbank. We were shown a picture of a swan straining it's neck up towards the bank. I imagined some cake out of shot.
Steve Page Sep 2018
Community -
it's not so much a social force
it's not out to coerce
it's an embrace
and in the end
that's what it's all about
it's a focus on people
it's a focal point on community
a common unity of those entwined
common folk connected and over-lapped
those over-wrapped by common loves
securely bound by common ties
occupying common ground
filling common space
with a wrap-around embrace
that lasts a tight hold longer
that ignores odd body odour
an embrace that lasts
a whole lot together
-  It's what we have
in common
Not sure about the structure of this one.  I compose on a phone screen a lot (rather than on paper or desktop), which leans me toward shorter lines and this has shorter lines than most of my wittering. Anyhow, I may try it again once I get to a desktop.  
#2 Now edited with slightly longer lines and a little reworking, but not much.
Steve Page Sep 2018
Waiting
will always be for me the most effective
(albeit the most frustrating)
of all the means of time travel.
You won't find me in those new fangled machines.
(You don't know when you'll end up.)
Just leave me be.
I'll wait now and see you later.
A twist on my grandmother's distrust of escalators. She preferred the stairs. "You won't get me on there, no thank you. I'll walk."
Steve Page Sep 2018
The forest of legs swayed in the moving shadows beneath the chatter over head, each threatening to block our path and crush our attempt to get to the first fallen crisps of the party season, which as yet laid undisturbed.

We weaved and advanced as fast as their legs allowed, eager to scavenge the waiting bounty before they were trampled underfoot by the oblivious adults who were intent on a seasonal ritual of their own that went on high over our heads.

We emerged unscathed at the edge of the forest and raced across the open parquet to the cover of the drapped, white topped trestle tables catching our breaths and crunching our snatched crisps planning our next move toward the plateau above.

Our scout had reported rich pickings, but when we looked around, seeking signs of our brave advance party, we could find no trace beyond a half eaten volovant and what might have been regurgitated mushroom. We shook our heads in despair at their folly. Every kid knows to stick to crisps and to processed meats, avoiding anything that might contain vegetables. We saw an open French window just beyond the trestles and heard plaintive heaves that had a distinct 6 year old strain.

We checked each other's resolve and saw on each other's faces that we believed our mission was more important than any one stomach. With a maturity that would have surprised our parents, we pushed the plight of our friend to the back of our minds and focused on the task at hand.

We each reached up with practiced stealth, taking only a second to check the food on offer and with a speed bred into us by the curse of older siblings, we each grabbed our prize.

Acknowledging the hazards of the return journey we devoured the meat at hand and with hyena grins savoured our just rewards. While our fallen friend heaved once more, we saluted one another: the season had started better than any of us could have hoped.
With thanks to Poetry Journal for the inspiration. And, yes, I acknowledge it's not poetic.  But it was fun to write.
Steve Page Sep 2018
I see you there, keep looking at me
but I'm not sure what it is you see

I’ve no canvas, I’m left unframed
so let me help you with my name

I'm no-one's 'boy', I'm not 'hey you'
my name's Mister, it's 'Mister New'

I've got old scars, raw scars too
but I'm not sure, it's clear to you

wounds can only go so deep
there's only so long that they can bleed

you see me ‘wounded’, black and blue
but save your pity - that's all about you

I've grown taller through broken skin
my roots sink deeper than you've ever been

when you're up close you'll see it's true
my fresh healed skin's a real break through

I've got a name, so I'd thank you
when you address me, say 'Mister New'
Prompted by a painting, Wounded Man, by Paola Fratticci for Ealing's Art Trail.
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