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James Joyce  Jun 2009
Nightpiece
Gaunt in gloom,
The pale stars their torches,
Enshrouded, wave.
Ghostfires from heaven's far verges faint illume,
Arches on soaring arches,
Night's sindark nave.

Seraphim,
The lost hosts awaken
To service till
In moonless gloom each lapses muted, dim,
Raised when she has and shaken
Her thurible.

And long and loud,
To night's nave upsoaring,
A starknell tolls
As the bleak incense surges, cloud on cloud,
Voidward from the adoring
Waste of souls.
GaryFairy Sep 2015
what makes a person worthy or worthless?
murmuring burden and hearse certain curses
first in the furnace for the hurt or the nervous
on verges of searches for earthly purpose

what makes a people deceiving and evil?
mistreating their equal and beating the feeble
bleeding of demons and beasts of the lethal
there's a reason to believe in eden of peaceful

what makes a person worthy or worthless?
versus urges emerge first on the surface
bird of the furthest turns and then merges
on verges of surges of a worthy purpose
i worked with "er" and long "e" vowel sounds
“Oh, let’s go up the hill and scare ourselves,
As reckless as the best of them to-night,
By setting fire to all the brush we piled
With pitchy hands to wait for rain or snow.
Oh, let’s not wait for rain to make it safe.
The pile is ours: we dragged it bough on bough
Down dark converging paths between the pines.
Let’s not care what we do with it to-night.
Divide it? No! But burn it as one pile
The way we piled it. And let’s be the talk
Of people brought to windows by a light
Thrown from somewhere against their wall-paper.
Rouse them all, both the free and not so free
With saying what they’d like to do to us
For what they’d better wait till we have done.
Let’s all but bring to life this old volcano,
If that is what the mountain ever was—
And scare ourselves. Let wild fire loose we will…”

“And scare you too?” the children said together.

“Why wouldn’t it scare me to have a fire
Begin in smudge with ropy smoke and know
That still, if I repent, I may recall it,
But in a moment not: a little spurt
Of burning fatness, and then nothing but
The fire itself can put it out, and that
By burning out, and before it burns out
It will have roared first and mixed sparks with stars,
And sweeping round it with a flaming sword,
Made the dim trees stand back in wider circle—
Done so much and I know not how much more
I mean it shall not do if I can bind it.
Well if it doesn’t with its draft bring on
A wind to blow in earnest from some quarter,
As once it did with me upon an April.
The breezes were so spent with winter blowing
They seemed to fail the bluebirds under them
Short of the perch their languid flight was toward;
And my flame made a pinnacle to heaven
As I walked once round it in possession.
But the wind out of doors—you know the saying.
There came a gust. You used to think the trees
Made wind by fanning since you never knew
It blow but that you saw the trees in motion.
Something or someone watching made that gust.
It put the flame tip-down and dabbed the grass
Of over-winter with the least tip-touch
Your tongue gives salt or sugar in your hand.
The place it reached to blackened instantly.
The black was all there was by day-light,
That and the merest curl of cigarette smoke—
And a flame slender as the hepaticas,
Blood-root, and violets so soon to be now.
But the black spread like black death on the ground,
And I think the sky darkened with a cloud
Like winter and evening coming on together.
There were enough things to be thought of then.
Where the field stretches toward the north
And setting sun to Hyla brook, I gave it
To flames without twice thinking, where it verges
Upon the road, to flames too, though in fear
They might find fuel there, in withered brake,
Grass its full length, old silver golden-rod,
And alder and grape vine entanglement,
To leap the dusty deadline. For my own
I took what front there was beside. I knelt
And ****** hands in and held my face away.
Fight such a fire by rubbing not by beating.
A board is the best weapon if you have it.
I had my coat. And oh, I knew, I knew,
And said out loud, I couldn’t bide the smother
And heat so close in; but the thought of all
The woods and town on fire by me, and all
The town turned out to fight for me—that held me.
I trusted the brook barrier, but feared
The road would fail; and on that side the fire
Died not without a noise of crackling wood—
Of something more than tinder-grass and ****—
That brought me to my feet to hold it back
By leaning back myself, as if the reins
Were round my neck and I was at the plough.
I won! But I’m sure no one ever spread
Another color over a tenth the space
That I spread coal-black over in the time
It took me. Neighbors coming home from town
Couldn’t believe that so much black had come there
While they had backs turned, that it hadn’t been there
When they had passed an hour or so before
Going the other way and they not seen it.
They looked about for someone to have done it.
But there was no one. I was somewhere wondering
Where all my weariness had gone and why
I walked so light on air in heavy shoes
In spite of a scorched Fourth-of-July feeling.
Why wouldn’t I be scared remembering that?”

“If it scares you, what will it do to us?”

“Scare you. But if you shrink from being scared,
What would you say to war if it should come?
That’s what for reasons I should like to know—
If you can comfort me by any answer.”

“Oh, but war’s not for children—it’s for men.”

“Now we are digging almost down to China.
My dears, my dears, you thought that—we all thought it.
So your mistake was ours. Haven’t you heard, though,
About the ships where war has found them out
At sea, about the towns where war has come
Through opening clouds at night with droning speed
Further o’erhead than all but stars and angels,—
And children in the ships and in the towns?
Haven’t you heard what we have lived to learn?
Nothing so new—something we had forgotten:
War is for everyone, for children too.
I wasn’t going to tell you and I mustn’t.
The best way is to come up hill with me
And have our fire and laugh and be afraid.”
Reasons to live?
give me one.
Go on,
tell me how good this life can be
tell me some lies and please set me free
from these feelings I get
and let me believe
breathe into me hope
show me then how to cope with the stress.

I'm a mess
that's not new
I don't know what to do or
how to do if I did and tell me your secret
I will do as you bid.
Let me stand on the verge
purged of despair
surging with get up and go.

On the verges where go only sad men,I know quite a few
when the life that they knew came a falling apart and the plans that they had became dreams that went bad
ending up on the heap in the scrapyard they keep one foot on the edge of insanity because that's one of the ways they can jump in and out of the haze that fills their hearts with such longing for what was once long ago
On the verges, I know quite a few.

So breathe into me something more than I've got
just give me one more little shot
at the bullseye
I
want to go on with a heart filled with something so strong they'll hear it beat in the Islands which are my lands where my ancestors live
give me one breath.

One lesson to learn
don't burn all your bridges unless you can swim
don't jump off tall buildings you know you can't win and it's one down and all down or we all drown in apathy.
I don't want your sympathy
don't want your largesse
I have no need to impress you or dress you in compliments embellished non sentiments
just give me a lead
give the poor boy a hand at the trough let me feed
give me breath
let me breathe
It's fresh air and a vision I need
and the ability
to swim.
John F McCullagh Oct 2015
Jeudi, 21 Février, 1788, NYC

Il a été dit que la science progresse un décès à la fois. Pour Jeune Docteur Richard Bayley, professeur aspirant des études anatomiques, ce fut littéralement le cas. Il avait besoin d'un approvisionnement constant de cadavres récemment décédés pour ses recherches, et ce fut la raison pour laquelle il était là, la négociation avec les trois voleurs de corps dans le sous-sol de l'hôpital de New York.
"Il ya une jeune femme, Margaret La Stella, décédé jeudi dernier, et qui repose dans le complot de sa famille dans le cimetière de l'église de la Trinité." Ceci est le corps, je dois, pour ma recherche, et je suis prêt à payer le taux en vigueur pour vos services. "
Quel improbable trio étaient ces hommes debout avec lui. Leur chef, James, était un géant d'un homme robuste, près de six pieds de haut, ses deux compagnons étaient des nains par comparaison, à peine cinq pieds chacun. "Rafe ici est un bon pour crocheter les serrures sur les portes de fer et Alfie est rapide avec une pelle en bois. Il les ressuscite dans une hâte: «Je vais pousser le corps dans une brouette et de vous rencontrer de retour ici pour livrer la marchandise et récupérer notre argent. Vous aurez à payer un peu plus que vous le feriez pour un pauvre ou un nègre ".
Il était une négociation rapide et le docteur assez rapidement convenu à son prix, laissant James à se demander si il aurait dû demander plus. Eh bien, une bonne affaire est une bonne affaire, et une médaille d'or chacun Guinée était bon salaire pour un travail obscur de la nuit.
Ils défilaient sur puis, laissant le jeune Richard à ses pensées. Bientôt, très bientôt, il serait de nouveau afficher Margaret. Bientôt son corps allait abandonner ses secrets pour lui et il serait apprendre la mort avait pris celle qui avait été si belle et si jeune. Il n'y avait rien à faire pour lui maintenant, sauf à attendre. Il est assis avec une tasse de thé et a tenté de se distraire avec le journal du soir.
Body Snatchers, ou Resurrectionists, comme ils préfèrent être appelés, sont en mauvaise réputation en cette année de notre Seigneur 1788. gens souhaitent en général tourner un oeil aveugle quand le corps de certains pauvre a fini sur la table de dissection. Un bien faire femme blanche avec une famille était généralement prévu pour se reposer tranquillement. Encore James et ses deux petits complices connaissaient leur entreprise et vous faire le travail rapide de celui-ci sur cette nuit.
James arrêta son cheval et le chariot bien en deçà de la Trinité, ne voulant pas porter trop d'attention à eux. Il serait monter la garde à la porte du cimetière avec une brouette tandis que ses deux complices petits glissa à l'intérieur et fixés au corps.
Trinity Church cimetière était à côté du site de l'ancienne église qui avait brûlé dans le grand incendie de New York du 76 '. Le doyen actuel de l'église avait accumulé des fonds destinés à la construction d'un second, plus grandiose église de la Trinité, mais encore la construction avait pas encore commencé. L'absence de l'église physique devrait signifier pas de gardien et un cimetière qui serait totalement déserte sur une nuit la mi-hiver froid. Avec seulement une lune décroissante pour l'éclairage, les trois hommes étaient dépendants de lanternes à main qui ont donné peu de lumière et à côté de pas de chaleur lorsque les vents du sud de Manhattan serraient à la gorge comme un spectre vengeur.
"Et c'est parti. Rafe se rendre au travail cueillette de la serrure, tandis que je l'aide avec Alfe la bêche et les couvertures. "
«Je vais avoir besoin d'une longueur de corde, trop mate, à nouer autour du corps et le faire glisser le long de la tombe."
Ils ont été surpris par le cri plaintif d'un grand corbeau noir qui a été perché sur la porte du cimetière de fer et qui semblait être en regardant leurs activités avec curiosité et méfiance.
«Je dois la porte ouverte, allez, Alfe, je ne veux pas être là plus longtemps que je le dois."
James regarda les deux hommes petits happés leurs lanternes et des outils et ont disparu dans les ombres du cimetière de Trinity.
Ils ont trouvé la tombe récemment fini de la fille La Stella rapidement, et Alfe commencé tout de suite avec sa pelle de bois pour creuser le cercueil de son lieu de repos temporaire. Il a travaillé tranquillement, mais ses travaux ne vont pas complètement inaperçu.
"Mate, Prêtez-moi un coup de main et nous allons la faire sortir d'ici. Jetez la corde ".
Rafe a fait comme il a été soumissionné. Il a également ouvert sa lanterne et l'agita en un signal à James que le travail était presque terminé. James n'a cependant pas été le seul qui a vu le signal.
Comme le corps a été exhumé une lueur d'or attira l'attention de Alfe. Je t avais un anneau sur les cadavres quitté l'annulaire.
Grave voler était considéré comme une infraction plus grave que trafic de cadavres, mais sûrement pas l'un allait remarquer petit anneau d'or disparu. Quoi qu'il en soit ce corps allait retrouver tell disséqué et articulé, il avait entendu on fait bouillir la chair de l'os de fournir un squelette complet pour l'étude. Personne ne les payait pas assez d'argent à son retour ici quand le bon docteur avait fini avec son travail.

Était-ce juste imagination- de Alfe ou fait froid main morte des cadavres lui semblent se battre pour l'anneau avant qu'il arracha libre. Immédiatement, cependant, toutes les pensées de l'or est devenu secondary- il y avait des problèmes en cours de réalisation
"Vous là, montrez-moi vos mains!" Il y avait un garde dans les motifs de la chancellerie, un peu de malchance qu'ils avaient pas compté sur. Rafe, pas un héros, sa réaction immédiate a été de tourner et courir. Il lâcha la corde et le corps de la jeune fille se laissa retomber dans le trou, près de piégeage Alfe dans une étreinte indésirables.
Alfe bondit de la tombe ouverte et renversé le grand mince tombe garde qui semblait un peu plus d'un squelette lui-même. Il a entendu le crieur public dans la distance la sonnette d'alarme. Alfe a abandonné toute idée de récupérer le corps de la jeune fille et avait l'intention d'évasion. Comme il sauta de la porte, il pouvait entendre la garde frénétiquement essayant de charger son fusil. Alfe besoin de plus de distance. Il a dû se rendre à James à la porte.

Un fusil à âme lisse est une arme la plus fiable et à beaucoup plus que 100 verges pour atteindre un succès était plus de chance que d'habileté. Alfe entendit à peine la décharge de l'arme, mais la douleur dans son dos était difficile à ignorer. James l'a attrapé avant qu'il ne tombe, mais il est vite devenu évident pour les deux que Alfe ne fallut pas longtemps pour ce monde.
James et Rafe ont travaillé rapidement pour obtenir Alfe dans la brouette et le roue de l'écart. Le gardien tentait de recharger mais la distance et l'obscurité devenait leur ami. Il ne serait pas obtenir un deuxième coup avant qu'ils ont fait à la voiture.
Pour le docteur Bayley il semblait que les Resurrectionists étaient de retour plus tôt que prévu il, mais le corps dans la couverture était pas le corps qu'il avait prévu de recevoir.

«Il y avait un garde posté à la chancellerie en face du cimetière. Il faut avoir vu l'un de nos lanternes et est sorti pour enquêter. Il descendit un coup à nous pauvres Alfe obtenu dans le dos. "
Richard regarda par-dessus le corps de Alfe, le nouveau sujet du Royaume des morts. «Combien voulez-vous pour ce corps?" Ils ont conclu rapidement leur affaire, James ne fait pas tout à fait aussi bien qu'il aurait pour le corps de la jeune femme, mais divisées deux façons il serait suffisant pour obtenir de lui un endroit pour dormir et nourriture et la boisson en plus. Alfe allait être un homme difficile à remplacer, mais il y avait beaucoup d'hommes durs bas près des docks qui feraient le travail et ne pas trop parler aux mauvaises personnes.
Il pensait qu'il ne serait pas bientôt d'accord pour ouvrir la tombe d'un dame. Les corps des pauvres ne sont pas si étroitement participé.

Bientôt Docteur Bayley avait le corps d'Alfe déshabillé et lavé et prêt sur la table. Dans sa vie relativement brève ce corps avait rarement eu assez à manger et trop de gin à boire. Les dents qui lui restaient étaient jauni et il y avait des signes de maladie des gencives. Richard était sur le point de faire la première incision dans la poitrine quand il a remarqué une lueur d'or dans la main droite crispée.

Il était un anneau; il était la même bague qu'il avait donné sa Margaret quelques semaines avant. Juste quelques semaines avant la mort l'avait prise de lui. Il ne savait pas qu'elle avait été enterré avec lui. Richard a tenu le petit anneau dans sa main et a commencé à pleurer amèrement, dans la connaissance cruelle qu'il ne reverrait jamais son visage, pas dans cette vie ou la prochaine.
A short story, in French, based on a grave robbery that took place on Thursday February 21, 1788 in Trinity graveyard in New York City.
mark john junor Nov 2013
her afternoon daydream
done for the day is now folded
as the sun slips behind the trees
the lush green leaves burn with golden light
as afternoon gives way to night
clouds once fat with rain from the sea
now race to the west
seeking the mountains where
ground touches sky

her afternoon daydream wiped away
by her lips a neon red gloss movement
these two dreadlock angels
sunbathing ******* in our backyard
on the verges of my mind
no words to her glances
just checking on a tapping old crow
tapping the inky surface of a tablet
tapping tapping
her afternoon face appears suddenly
at my shoulder as she slips me a kiss
tapping at the portals of my soul

the sun having set
the trees now only rustling shapes framed
against the stars
the lush green leaves
burn with the fainter glow of distant suns
as my heart burns faintly for distant loves
but it is my woman
her dreadlocked patchouli scented body
wrapped around me
its her in my heart
its her who burns brightly in me
who ignites me
to burn with the golden glow of
a setting sun
Jess Brady  Sep 2015
ABC Drugs
Jess Brady Sep 2015
Always acrimonious about allowing anyone around.
Baneful behavior caused by a belligerent boy in the background.
Crack doesn't **** if you're careful, they coerce.
Don't do drugs and use your dollars to disperse.
Elude every emotion except empty and exhausted.
Forget every feeling that he fabricated and fostered.
Glassy eyes look guilty and glimmer groggily.
Halcyon is halted, heave into havoc hazily.
Iniquity makes insatiable impulses inherent.
Justify joints with Jane as joy jaunts without judgement.
Killer Ketamine kisses knock-out keen knowledge.
Lovesick, lonely, loveless, led towards the ledge.
Marijuana manipulated meditation makes musing mystical.
Nebulous nadir needs nicotine for nostalgia and nirvana neurochemicals.
Oxycontin as an oasis for obtrusive obstinance.
Panacea is a parody of popping pills, the provinence.
Secret street corners selling shrooms and speed.
Troubled tired teen talks about truth and tragedy.
Ubiquitous umbrage under unfathomable urges.
***** vacates vulnerable verges.
Wail and woefully wallow in **** while waning my whit.
Yield and yearn for yao, yes you can stand it.

Puff puff pass.
Puff puff laugh.
It's funny how the drugs lasted longer than our love has.
A poem exploring the use of drugs to escape heartbreak.
Elliot A  Nov 2013
Come, Darling.
Elliot A Nov 2013
Come darling, emit your sweet scent
Entice me around your flowing stem
Permit me to nestle upon your soft verges
To run hands through your vibrant colours
To dance, embraced as one, we blur
Spinning our deathly spin
Drowning in glorious, lustful sin

Come darling, reveal all you hide
Your vulnerable side
Shed that hard exterior shell
Fill my senses until overwhelmed

We waltz to the tune played
Many times before, oh how it has played!
Resting our heads on shoulders ledge
With a supple movement so slight

We swirl lightly, ever so slightly
Headed down to rest
Until the sun does rise again
And we repeat, nay, we play our lovers rhythm again
Nat Lipstadt Feb 2014
Erase All Brinks

*The title and the realization of this poem, commissioned unknowingly today by Pradip Chattopadhyay.  This poet's banner is empty, no history, no philosophy of life, no self-aggrandizement. He lets his poems do his walking, share-telling of his steep and steppe plains, journeys through the poetic minutiae of the city street, the hallowed hallways of his plain people who speak in meter and rhyme.  Thankfully, he lets us walk in the footsteps of his eyes, letting us sink into the soft sands of his visionary visions.  As I commence this essay, unknowing where it will begin, nor it's inevitable end, I pray I do his commission, and him, the justice and the honor due them.

~~~~~~~~~


Brink: the edge or margin of a steep place or of land bordering water; any extreme edge; verge;a crucial or critical point, especially of a situation or state beyond which success or catastrophe occurs.

~~~~~~~~~


if we would we could,
erase all the brinks,
write but of the simple,
mysteries of men and their marigolds,
speak only of daily treasures so oft,
overlooked and left unpronounceable
as merely common

if but could, would we not
do away, dull the extremes,
unsharpen the gorges and the verges,
no melodrama, but only mellow,
let life be more than lurching from
success into catastrophe,
the difference tween the two,
only a finale tally

boring?
walk the precise precipices of the daily
with eyes open, there be enough small plates
to satisfy the gourmand's need for beauty,
comedy and tragedy, all well supplied

take the cancer-struck, the love-unrequited,
the grandpa's passing, the joyous adoration of new births,
these hillocks, un-green valleys, mountain ranges of life will
n'ere be ended and will beg us, nay, demand of us
write!

in between, and of the days of in-between,
far the greater, more the numerous,
keen and ken, sift the softer edges of diurnal
takes and tales of simpler majesties,
write me in meter
of the meter man
who totals
your usage of the world,
your measured presence here,
in words of watts and volts

speak to me of a hard week's pay,
the working man's lunchbox,
his rules of thumbs for living clean,
wives, who through endless henpecking,
remind husbands that they are beloved,
endlessly,
of sneezes and mustard fields

Let us erase all the brinks,
scribble me words birthed in everyday
inkblots, mine the veins of the wonders of real life,
put aside the cutting of woeful veins that bleed your
demanding need to be paid attention,
to right now

step back from the brinkmanship of the dramatic,
find the sensitivity of the sensible shoes daily worn,
use your talents to celebrate your talents,
there will be plenty days when the tally ends red,
and you will be more skilled, better comprehending
the special needs of those days,
to speak and tell of the uncommon,
if only we practice to
write, speak well of the common
A Pradip passing comment outs a passable poem...
Raven Feels Mar 2022
DEAR PENPAL PEOPLE, on the verges of spring:)


not all about that
yet all about me
the sleights redeemed too flat
taking things slowly

my stance
out of that delusional hand
still the intro of that kingdom dance
shook the sight demolishing one land

that debatable glance
the spark of something so vivid
scratched the hint of a chance
not my story & still not a person of livid

yet the better
some women listening to her weather in impact
yet delivering their letters
& they get a hold of a glorious contrast


                                                                              ------ravenfeels
Caroline Grace Jan 2014
We are in the middle of a recession. It'***** us all in some way or another.
It's happened in the past - history repeating itself.
The elderly have seen it all before. They remember the queues for food,
where everyone got their fair share, when it was gone, they had to make do.

My friend has been laid off from work, and the cottage she rents is to be sold
by the landlord. He's feeling the pinch too, so has no choice.
It's a small place with two rooms, but, she tells me, at least she has a roof over her head –
for now.

As we sit together under the bare trees, she pours it all out. Her future looks gloomy,
like the sky – cumulus building. That's when the rain starts.
My friend's mascara begins to run in inky streaks. She wipes her cheeks with a kleenex
as best she can, before we hurry to shelter in a nearby cafe.

We are the only people in there. As we wait, the owner tells us he's closing down
at the end of the week, that customer numbers have dwindled and those who do come,
sit with an expresso for hours on end, watching the T.V. -
that way, they're saving on fuel.

We take our coffees over to the window. The rain has eased off a little,
so we sit watching the puddles reflect an oppressive sky.

My friend explains how she may have to leave the area to look for work,
like so many have already done.
I tell her she can stay with me until she finds another place, that this is where she belongs,
where we can all help one another however difficult things might get.

Our voices chime around the empty cafe echoing the sentiments of so many people.

Stepping into the street, we are met by the dazzle of wet cobbles.
Grass verges sparkle with fresh rain, and a tangerine tree, dripping with fruit
droops over a solid iron gate, its bobbing lanterns shining with the colour of sun.

copyright © Caroline Grace 2014

— The End —