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Ribbons of purple and gold
Scatter across the sky
Against rose colored buildings
Like a Monet painting

Hot pink sundown

A bright golden ball slowly lowers
Another day is closing
Nighttime awaits in the wings

Hot pink sundown

There’s a small  sliver of moon
Sitting high up in the sky
Against the gray blue backdrop
Almost invisible

Hot pink sundown

The air is crisp and cool
It’s wintertime once again
Animals and people bundled up
Staying off the cold

Hot pink sundown

Small white lights abound
Decorating a terrace
A remnant of the season past
Offering a welcome feeling
Darkness is not far behind
Welcoming in a new night

Hot pink sundown
jeffrey robin  Mar 2015
sundown
jeffrey robin Mar 2015
well I knew

Somethin was wrong

Went to see all a my friends

But they'd packed up and gone

TWO GHOSTS talkin in the shadows

Was all that was left

SOME THINGS are so painful

But ya just can't forget

RACIN SUNDOWN ACROSS THE COUNTRY

|~~|

the rain it was fallin

Was no where to hide

Just guessed on my own

It was my turn to die

It seemed kinda simple

but the thought I had failed

Filled me with sorrow

So I braced up my will

TO RACE SUNDOWN ACROSS THE COUNTRY

|~~|

I started screaming

CAN'T YA SEE WHAT ' S COMIN DOWN !

best pick up yer senses

And get the hell outa town

The Pig Men are comin

It's you they'd enslave

So if you treasure freedom

Know this is the Last Day

TO RACE SUNDOWN ACROSS THE COUNTRY

|~~|

Yeah

I

Knew

that  Somethin was wrong .........
mark john junor Jun 2014
the folded man
sat creasing the edges of his wallet sized heart
and stared off into the romantic night
full of lovers embracing
and others who silently wished for a hand to hold

he waited for her soft footsteps
but she just sat in her bedroom mirror brushing her hair
thinking of some boy from long ago
sundown was just that kind of girl
trade your temptations today for the empty promise of yesterday
she will stay here another season
maybe he will pass this way
maybe the storm clouds gathering will go away

the harlots all dance with unacquainted tenderness
not all embraces are done with joy
call it a sundown's choice cause its a bad one
and the gambler brushes dust off his neat appearances
each detail of his solitude lie must be cared for
lest it crumble and expose hes just a green kid
from illinois
we all put the best face we can
some just take it too far

she went to the picture show
and looked for familiar faces in the crowded hall
but the folded man had already slipped away
with one of the harlots
who will make a pretty bride someday
everybody gets a second chance
they just may not want it once they get it

she brushed the ashes from her clothes
they fell like thin snowfall on spring day
a last taste of winters hand
out of the burnt shell of the dancehall at dawn we came
the thick smoke splayed out on the thin wind
wound its way past catching the dust and
making the sunlight a dull brown
she looked at me with tears for eyes
asked me to take her from this place
everybody gets a second chance
they just may not want it once they get it
(her name, what the hell was her name...something childish like tranquility)
Toni Seychelle Feb 2013
The ground beneath the stiff leaves is frozen. The cold, brisk air invades my lungs, I exhale, my breath visible. I step over fallen branches and tugged by thorny vines. A red tail hawk screeches overhead, this is a sign of good luck. There is no path, no trail to mark our way, just an old, flat railroad bed surrounded by walls of shale, blown up for the path of the train so long ago. The only ties to remind of the rail are the rotting, moss covered ties that once were a part of a bridge that would have carried the train over a small creek between two steep hills. I see a fox burrow, and it's escape hatch is one of the hollowed railroad ties. I want to be a fox... The trek down this hill is not easy, thorny blackberry bushes and fallen trees impede progress. At the bottom, the small, bubbly creek is frozen at the edges, traveling under rocks and continuing its ancient path. I look up the hill that I just descended, and wonder how the return will go. Keep moving. The next hill will be easier, there are no thorny tangles, just treacherous leaf litter that will give under my feet if I don't find the right footing. The trick is to dig my boots into the ground as if I'm on steps. These hills are steep. Finally at the top, I look back at this little spring valley, I'm not that high up, but what view. Here, there is a dilapidated tree stand, falling apart from years of neglect and weather. Surrounded by deep leaf litter, there is a patch of rich dark earth, a buck has marked his spot, his round pellets are nearby. The saplings catch my hair as I walk by, and at these moments I am thankful for this cold snap that took care of the ticks. A creepy feeling takes over me, so thankful for this snap. A few feet further, as I watch where I am walking, another tussled bit of earth and I notice some interesting ****. It's furry and light grey; I poke it with my stick and find a small skull when I turn a piece over. Owl. I continue my walk, I didn't come here to play with poo. The last time I took this hike was three years ago, on a similar frigid day. It was a lot easier to make it through the shale valleys. Last summer, a wind storm felled trees and took out power for two weeks. The evidence of that derecho is clear here in this untouched forest. I remembered a tree, which now is a fallen giant, that had lost it's bark. The bark had separated and laid around this tree like a woman's skirt around her ankles. Now the tree lies with it's bark. I pass another tree I recognize whose branch extends out but zig zags up and down, as if it had three elbows. The tree signifies my next move, to descend from the flat railroad bed, down to a creek that flows through the tunnel that would have carried the train. The creek is considerably larger than the last creek I could step across. Descending towards the creek leads me over moss covered rocks and limbs, still bearing snow. Outside the tunnel, the hill walls are large stones, covered in a thick layer of moss, some of which has started to fall off due to heaviness. There's a sort of ice shelf in the creek, it's three layers thick and can support my one hundred and twenty pounds. Laying across the creek is another derecho-felled tree. Some sort of critter has crawled on this, using it to avoid the water below and as a short cut up the hill. His claw marks are covering the the limb, a few are more clear, it looks as if the creature almost slipped off. His claw marks show a desperate cling. I walk through the tunnel, in the mud and water; the creek echoes inside. I look above. There are drainage holes lining the ceiling, one is clogged by a giant icicle. I imagine the train that used to ride over this tunnel, I pretend to hear it and feel the rumbling. The last time we were here, we found cow skeletons. We placed a few heads on branches and one over the tunnel. We stuck a jaw, complete with herbivore teeth, into the mossy wall and a hip bone on a sapling. The hip bone reminded us of Predator's mask in the movie. All these bones are turning green. When I was here before, there was a bone half submerged in the creek; I had taken a picture of it but today, it isn't here. I'm sure it was washed away. After our exploration of the previous visit, we turned back. We are cold again, can't stay in one place too long. I climb through the deep leaf litter and over the rocks back to the railroad bed. Passing all the things I've already seen and spotting things I missed. I find two more fox burrows. They utilized the shale rock and burrowed underneath the jutting formations. Hidden coming from the south, the gaping openings seem welcoming from the north. My friends, the spelunkers and climber, want to descend into the darkness but I remind them, it is an hour to sundown, our trek is hard enough with overcast daylight. Wisdom prevails. We pass a tree, we didn't notice before, that was struck by lightening. The cedar tree was split in two and fell down the shale wall. I see the evidence of the burn and a smoldered residue at the base. Nature has a cruel way of recycling. The downed tree still has snow on it and the path of a raccoon is visible, I like the paws of *****. Though the way is flat, the walls of shale tower above us, limiting routes. At one point I can't see through the fallen trees I have to pass through. I have to crab walk under, crawl over, duck again and find my way around the thorny collections of bare black berry bushes. Finally into a clearing, still surrounded by sharp shale, there is another wall covered in inches of thick, healthy moss. I place my hand, taking time to stroke the furry wall. My hand leaves an imprint. I wonder how long that will last.. Back down the steep hill up and up the thorny tangle. I know I'm on the right path up, I see the fox's hole through the railroad tie, and his entrance burrow up the hill. Going down was definitely easier. The summit is literally overgrown with thorns, there is no clear path through. It is, again, impossible to see through the tangle of limbs and saplings and more thorns. Somehow we make it through. We are close to breaking off this path. We know this by the remains of a cow skeleton that more than likely fell from the top of the shale cliff. Femurs and ribs and jaws abound. On the last trip, we placed a hip bone in the "Y" of a sapling. The young tree has claimed it, growing around it. We add a piece of jaw to the tree's ornamentation and move on. We climb down from the railroad bed to our car - parked on the side of the road with a white towel in the window so that no one suspects a group of people walking through private property, past faded NO TRESPASSING signs.

When I undress for bed later, there are many small scratches up and down my legs from those ****** thorny vines. I'm okay with that, it's better than searching for ticks in my head.
I couldn't write a 'poem' about this hike. It was too full of nature.
Sundown
Sundown it’s another night
And I’m crying
My spirit is dying

My tears have been vanquished to a secret place
Where only those without form can taste them
Those with it, they call it a waste
It’s so lonely, lonely

Just then I remembered why I chose the hard way
Why I rejected wearing a fancy tux with a "pretty pink bow tie" and hiding behind mmoma's legacy
I remember clearly how and why I chose to write my own story
And to build my very own dynasty of success 

With no options and no money
Floating along with the debris
My only friends are the trees
Sundown it’s another night

And I’m trying
But dreams can only get you so far
Sinking like quicksand in the tar
Wink one last time at the stars

It’s so lonely, lonely
With no people and no true home
Floating along with the breeze
Waiting for sun-up to put me at ease
deepest thoughts when was down and my spirit was fading
Anais Vionet  Jun 2022
sundown
Anais Vionet Jun 2022
Its sundown, the day’s been reduced to a crack of lavender and fiery pinks along the Massif des Maures mountains. This evening we’re sipping cocktails at “Les Toits,” the Hôtel de Paris’ rooftop restaurant. The French would call this a lounge.

Les toits translates as ‘the roofs’ and its stunning view overlooks the provincial rooftops that ***** down the foothills to the gulf of Saint-Tropez and it’s world-famous beaches. The well lit boats are settling down and dropping anchor for the night as we complete our orders and get our second round of drinks.

This has been the best vacation. I think we’ve all reclaimed our calm after a tense freshman year. We’ve been at the beach for 10 days. Leong and Sunny are actually tan, Lisa and my hair are half a tone lighter and Bili’s black skin has taken on gorgeous, purple-ish highlights.

I’ve known Lisa now for ten months, but we share a deep connection that seems older. Lisa’s lovely, brazen, and naturally flashy, without trying. Unfortunately, though, Lisa draws men like a keig-light draws moths - whether she’s looking for them or not - I don’t envy her that. Young men, middle aged men, old men.

Lisa said it started when she was 13. She’d be in a store or restaurant with her mom or dad and a lady would introduce herself, “Hi, I’m with the Ford, or Elite, or IMG, or DNA modeling agency, has your daughter done any modeling?” And another business card would be wasted. Her mom nodded as she recalled this sordid past.

Attention just shifts to her, the party comes to her, she can’t seem to avoid it. About every 30 minutes some man comes over and introduces himself to us (to her). This man owns a local night club, would we (she) be his guest? (He’s looking at her like desert) This guy owns a yacht - “that one, there,” he points it out, in his Russian oligarch voice - he clicks a fob on his keychain and the lights blink. Oh, sure, join a strange foreign man on his yacht, what could go wrong?

There are 8 of us girls at the table with Charles, our escort and confidant. He’s a 50-ish, red headed ex-NYC-cop who just sits there quietly and sips his drink like James Bond. He seldom says anything. I lean in to him and say, “Maybe they think you're her ****?!” Leong coughs in her drink and Charles gives me the same, serious, “behave yourself” look I’ve gotten since I was 9.
BLT Marriam Webster word of the day challenge: confidant: someone to whom secrets are entrusted.
Lucy Tonic  Aug 2012
Sundown
Lucy Tonic Aug 2012
Sundown it’s another night
And I’m crying
But my tears have been vanquished to a secret place
Where only those without form can taste them
Those with it, they call it a waste
It’s so lonely, lonely
With no options and no money
Floating along with the debris
My only friends are the trees
Sundown it’s another night
And I’m trying
But dreams can only get you so far
Sinking like quicksand in the tar
Wink one last time at the stars
It’s so lonely, lonely
With no people and no true home
Floating along with the breeze
Waiting for sun-up to put me at ease
r May 2016
Blue as the geography
of footprints across the dunes
quiet as the white music
of a silent moon
like the wind blowing
the soul off the water
the shadows go out
and are lost in the evening
I conclude the hypothesis
of sundown making no sound
while night climbs the vines
where lowing sadness abides
the ritual of tides pulls me under.
Rhianna  Mar 2014
Silhouette
Rhianna Mar 2014
At sundown the world becomes a silhouette.
The horizon line of a busy city,
Mountain tops that go on for miles,
Animals that roam free in the desert,
Plants and trees that grow every day.

At sundown the world becomes a silhouette.
A simple outline,
A dark shadow,
No detail,
Just silent figures, shaded by the sun.
Nat Lipstadt Sep 2018
“leave at your own chosen speed”

always,
Dylan inserts a phrase that haunts,
indestructible permafrost,
played in slow and ever slower reverb all life long,
for it’s intuitive and you recognize it too well
as the best companion to the sour ending of another love affair

(but! this one differs; called love yourself)

the sad of a dying love, remembering the steady drift away,
capped by a casual remark that doesn’t sting but
cuts a Y on your chest, a lover’s coroner courtesy,
the bad humours permitted to at long last healthy escape

you’re staggered but say nothing for
speed
is a changeable elf, a mischievous devil,
requiring constant monitoring cause you moving,
but the speed limit alway a reflection of the road you’re on

speed is a tag along to show the overall fit still works,
though now far from the obvious and familiar
and the inspiration modifies,
so you retrofit untill the parts are incapable of
bending to new demands, contours unfamiliar, old plans no good

“leave at your own chosen speed”

for I am leaving you as I leave myself,
beaches erode,  lighthouses corrode, the salt cannot be refused,
the earth demands your return as the lease is deemed
non-renewable and the space where the date shall be inserted,
is parcel of the contract and though blank, certain to be fulfilled

the body erodes, the ***** parts corrode,
and this season of the new year^ comes with the usual disclaimer
recited on the tenth day from today

‘who will live, who will die,’^^

taught to you as a young-in, a child who can comprehend
even before manhood arrives, comprehend that life ends,
all good things and it ain’t no use, born compromised, but
“don’t think twice, it’s alright”

the slate you have written overdue for a prudent clean wet erasure,
so you begin to leave at your own chosen speed,
which is kind of nice, even cool, organizing your papers,
write with contented softness that so long eluded,
now come easy heady peasy

after a life of reciting poetry, good bad and always too long,
the pressure is on and off, side by side, even a dimming bulb
sheds some light, revealing what yet needs revealing


that Day of Atonement annual visitor,^^^ he/she of impish humors,
makes Pandora play a new station,
‘dimming of the day,’
reminder that it gave you a piece of an unowned heart to hold,
leased temporarily but the temp is roaring,
who, boo hoo, for you?

life and love is all about leaving,
the pen in penitent gone dry, no refills in this new world,
wish that **** rooster would stop crowing at
the break of sundown,^^^^  when I'll be gone
I'll be travelling on, for when the new day begins,
that’s my own signature personal gravestone marker,
the sundown poet
------------------------------------------------------------­-------



~the first day of the new year on the Jewish calendar
  Mon, 10 September 2018 =  1st of Tishrei, 5779

  Rosh Hashana 5779
^ see https://en.m.wikipedia.org/wiki/Yom_Kippur

^^ see poem  https://hellopoetry.com/poem/1833523/for-leonard-cohen-who-by-fire/

^^^ see poem https://hellopoetry.com/poem/462537/how-i-observed-the-day-of-atonement/

^^^^ jewish law says the day begins at sunset till the next sundown
The distant hollow of the high mountain pass
swallows the setting sun as it steals away southbound
behind the coastal mountain's tangerine sunset hued silhouettes
Mulberry plashed shadows pointing northward
across the evergreens outstretched dimming,
beneath the waning fade of each fleeting eventide

Sundown ebbing asunder the wafting daylight,
each gloaming of the day, helplessly a moment sooner past,
transfixed further south beyond yesterday's passing azure
The lazy days of summer escape unbounded,
nomadic as the sea I've seen sail away before;
evanescent as the beauty of the bloom summer days beheld
and the memory of the fragrance they exhale

The nebulous weight of the gravity is consciously denied
by the truths a human heart beholds
A moment’s epiphany afflicts like a rogue wave in a calm sea;
the only thing my heart ever wanted remains out of reach

Everything my heart needs consciously surrendering
to the poignant passing moment's beauty,
the falling sun at distance sets more suddenly now
Lost in the undeniable certainty
life's imminent season's change

Eyes drawn stubbornly from presence to a sky so far away,
knowing there'll be no restitution for the welling sense of loss...
A bitter sweet song mummers in the silence of the absorbing spell,
summer's sun stained pages of watermarked soul scribbles,
time tattooed reparation for the indelible ache
of a harsh grey winter loneliness

Perhaps too familiar, this whelming Déjà vu
that tears my soul;     that tugs at these roots
but cannot sever their sacred grasp
But for now, eyes fixed to the sun's
inevitable tightening tether hence —
to wear weary each fraying thread's  impending break

Each sunset leans a deeper angle southward
as it slips down through the firwood shadows;
illuminating other faraway latitudes
far beyond the distant horizon skies

The preordained continuum unfolding what will be ...


someone you used to know ... September 11, 2017 ... 7:30 PM
An old man walked slowly into the dark
A man so thin, with so little skin and shining bone; he was almost a skeleton:
Two shots, till
Sundown

// *verse

In the dust and the heat, where the devils and the angels meet
And after nights on the run, being chased by the sun
One hand shoots the whiskey,
The other hand shoots the gun

// verse
The trail of life has a devil in the road
Two shots left, no time to reload
Temptation got me on the run
Shoot the whiskey or shoot the gun?

Two shots, till
Sundown

. . .
Work in progress

— The End —