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Kaitlyn Jun 2018
(an ekphrastic poem based on the painting Nighthawks by Edward Hopper)

Four
solemn faces,
doused in gold,
like moths to flame,
seek warmth from the cold.
Darkness leers, but harsh light shields
these lonely creatures from their feelings untold.

One
diner desolate,
a waiter old,
and three weary visitors
are portrayed. The scene unfolds.
Most eat under the sunlight, unlike
these nighthawks who flocked from their households.

Some
loneliness darkens
hearts like blindfolds;
nighthawks’ hearts aren’t exceptions.
The woman red and bold,
the man in shadows, and another
man with a cigarette in his hold

are
isolated together.
They are controlled
and defined by solitude.
They don’t belong. No mold
fits them. They only have a
diner, each other, and lonesome souls unconsoled.
spysgrandson Oct 2012
Aunt Gracie took me there
for a philly and five cent cee-gar
old enough to fight,
old enough to puff on that stogie
she said
(and not much more)
I spun my stool like I was on a carnival ride
(had only one beer with Uncle Lon, but your first beer is the best)
and Gracie looked at me
like I was still the kid
who broke her basement window
with a bad pitch
when I was ten
yeah, I was, still that boy
seven years later
in that glass box of light
humming in the concrete night
big round Gracie smilin’ at me,
looking like she was gonna cry
she had signed those papers
lied with that pen
making me old enough to be a killer
and smoke that cigar, I suppose
the couple eating eggs and bacon
asked if I was shipping out
six AM, yes sir
the woman smiled like Gracie
the man nodded his head, said
**** a *** for me
sure thing, sure thing
me thinking killing one of them
would let me live,
forever,
forever, and wouldn’t be any different
from playin’ God with bee-bees and birds
which I had done a time or two
with my Daisy
cook put my philly in front of me
his eyes locked on the counter
like someone condemned
to never hold his head up high
and trapped in that diner
forever,
forever feeding
me and other nighthawks
who come to this place
the last space of light
in the hungry night
thanks for the sandwich, I said
he said that’s free
but the man eatin’ eggs
said it’s on me
cook didn’t look at the man
went to cleaning some pan
was then I noticed he limped
bad
I asked how he got hurt
he kept his eyes on his sink
said, it was a long time
before this night
were you born that way?
nobody born this way son
Gracie’s elbow nudged mine
but sixteen and full of all
of one beer, I was gonna keep askin’
how--
it was a long time
before this night
I know, but how--
guess you’ll know
soon enough
we were
clawing our way
from a French trench
filled with gas and gasps
of boys with your face
too dead to cry, too dead to scream
when those machine gunners cut loose
what I got was some good luck
and one of those big rounds
in my knee
Gracie’s elbow moved away
she put her hand on my leg
(my hand was on my philly, limp and still)
you got shot by the Krauts in the Great War?
he didn’t say anymore
and I didn’t eat my meal
 
Gracie was good to me,
I know she wrote all the time
but we didn’t always get our mail
on those big ships, many men
would leave their suppers on the floor
in all that stink of seasick
they taught me to play cards
told me jokes, gave me smokes
Lucky Strikes
we were going to some place
with a funny sounding name
Ee-wa Gee-ma, Ee-wa Gee-ma
at night, when I would look
at the black bottom of the bunk above me
I would see
someplace green, Ee-wa, sunny, Gee-ma
someplace with curling trees
and birds for my daisy to shoot at
other nights, in that dark,
in that stale stink of tobacco and puke
I would see the humming light
of the diner that night, wishing
I had eaten that philly sandwich
and smoked that cigar
(which I left by the plate)
I would think of Gracie
and how she begged me
to confess my sins
(to the recruiting sergeant)
to come back
safe, whole, she said
(but I didn’t know what whole meant)
after that, I heard only the voices of men
some barking orders and commands
others whimpering,
whispering
in the same dark
ship of steel
 
 
when I saw the grey rocks
and flak-filled sky, and heard
the swoosh of surf
and the thunder
of our ships’ guns
and some rat-tat-tat
from the invisible holes
I knew I knew,
nothing yet of hell
 
Happy, we called him
was dead
all nineteen years of him
on that **** hole of beach
his guts strewn across the sand
(his life story I guess)
making their peace with *****
and the red and black blood
of other boys and men
who played cards
and flipped open their Zippos
to light my smokes
told me jokes
and laced their boots with me
that very morning
 
by the time
the ramp fell
I spotted Happy
my stinging eyes stuck
to his shredded belly
we, all of us, fell forward
into the shallow Pacific
ran, with all our gear clanging
to dunes high enough to hide
to hide,
but only long enough
to catch our breath
and smell cordite, fear-sweat,
and burned flesh
we did not take time to gag
over the dunes we went
told to make it to a rock
some twenty of us
to a rock no bigger than Lon’s ‘36 coupe
by the time we hid behind the rock
only eight of us hunched there
the others were where?
didn’t know, didn’t care
I had my piece of rock
rounds kept poppin’ off
the other side
from all those invisible holes
filled with slant eyed demons
my ears were ringing
when I heard the corporal say
start putting fire on that hole
what hole, what hole, what hole
the words were stuck somewhere
deep inside, not in my throat
but they were there
trying to ask him where
what hole? what hole
(I thought for a moment about Gracie and coming back whole?)
the corporal, OK, I forgot his **** name
he wasn’t in my platoon
he said put some fire on that hole
one more time
but then when he got up to shoot his M-1
something made his helmet fly off
and most of him went to the ground
the part that didn’t go out the back of his head
Tommy grabbed my arm
(Tommy taught me that four of a kind beats a full house)
and said something
and said it again
over there, over there
OVER THERE
when I looked where he was looking
I saw them, one with a tan helmet,
the other with a shiny black head of hair
Tommy was trying to point his M-1
at those **** who were firing
their 92 machine gun
at those boys on the beach
I pointed my M-1 at them too
but my hands were shaking too bad to aim
Tommy aimed I think
and we both kept shootin’ at those ****
who finally just looked like they went to sleep
but they never woke up
but neither did the other six boys
who were hiding behind that rock with us
because as soon as Tommy and me
started shootin’ at those ****,
they turned that 92 at us
but all those boys were in front of us
pressed so tight against that stingy rock
they couldn’t breathe
or move
even enough
to get their M-1 carbines
turned
in the right direction
so when those **** turned that 92
on the bunch of us
Tommy and I were in the right place
behind six poor boys
who couldn’t move
and got their young bodies
peppered with every round
that come from the hot barrel
of that *** 92 machine gun
once those two *** boys were asleep
I felt something warm on my arm
it was blood from Hector’s face
but Hector didn’t have a face left
part of it was on my sleeve
I think
but I didn’t look
Hector was in my squad
and he wore a Saint Christopher
to keep him safe
Hector didn’t lose all his head
like I heard Saint Christopher did
but most of it
and if that pendant
and all his mama’s prayers
didn’t keep him safe
I guess nothing could
 
I don’t remember when
I was able to sleep
through a whole night
without wakin’ up
thinking about
Hector, the corporal
and the other five boys
who died right there
behind the rock
there were a million other rocks
where boys
“went to sleep”
only they didn’t wake up
feeling Hector’s warm blood
on their arms
shivering
before it even got cold,
dry, and black
 
Gracie told me
the diner closed
she didn’t know why
but now
when I can’t sleep
and walk the pavement
in the middle of the city night
I go to that dark corner cafe
looking for the buzzing light
I want my cigar I did not smoke
and once again hear the words
the limping man spoke
I don’t have any more questions
he won’t want to answer
but if I did
they might be stuck
down inside
not in my throat
but deeper
where things churn
but don’t ever get seen or heard
I do wonder
if those other boys
at the rock,
and those other rocks,
all those other rocks
are taking these lonely late night walks
or if they had talked
with a limping man
who fed them for free
who thought he was lucky
and spoke words
no young eager bird killers
could yet understand
Nighthawks refers to a 1942 Edward Hopper painting of a corner diner and was the inspiration for the first and last stanzas
Lysander Gray May 2013
The silent street erupted around me the moment I sat down,
a thunder rumbles in the distance
but only reveals a passing truck.

The white swan drifts past
without elegance.

I watch the youths drive by on fish lane
as the silent score of stoplights
play to an impersonal audience-
tonight the pizzicato is on time.

----

The air is dense with quiet conversation
of nighthawks
and the splash  of luck
on a steel  tray.

Elegant servants of style remove the unwanted things.

12:30
The air has cleared,
alone again
with two fat asians.

When did boring become stylish?

GET ME OUT  OF HERE!!

"It is truly a free nation that offers pancakes 24/7"

----

Normally, the solitude of wandering a sleeping city would elicit poetry.
Tonight only nothing comes out.

Not the people nor the smells or secret music. Only the flicker  of a dying neon sun assuring me,
that the parking is open.

----

1:00 am.

A woman in a pink burkha enters a white car, only to be driven off into the night, followed by two taxis.

There are ancient trees twisting their tops through the modern facade. For eras, much like fashion are discarded by finicky time.

They have stood as silent sentinels for longer than I have breathed, and with any hope, they will stand as soldiers long after I  come to pass. These reminders of the ravages of time.

I loved a girl who lived  here once.
She lived in an apartment that overlooked the city
and had  ******* like two soft moons
that tasted like honey.

1:40 am.

Other nighthawks wander as wastrels through the quiet Autumn night,
with a slow, soft  gait one never see's in the rush of day.
If all evenings carried a beat, it would be thus:
a slow jazz drum.

"...psssssh-bop! pssssh-bop! pssssh-bop!...."
would sound the echo of every evening heart
throbbing slow with power.
"...psssssh-bop! pssssh-bop!..."

The car's carry  white  blood cells to  the  suburban arteries.
Taxi's are cancer.

I walk
northbound.

----

Cold beer at 2am.

Faintly lit menagerie
an open cage containing
nighthawks.

Well spoken Eastern girls
corporate white boys
two old tradesmen,
one on a smartphone with a rosary around his soft large neck.
The antique street curves away toward the river,
sloping up
then down
I follow it with my eyes.


And run them back
to the fairylights.
They hang like glowworms
or constellations.

Glowworms hang like constellations, the inside of their cave  is the same fleeting feeling of being alone with the universe, it being caressed by your eyes.
For you are its lover and its mirror.
Inside the glowworm cave, I felt like the universe and everything reflected  itself in miniature. That to look upon their hanging, blue stars you saw everything else.
I was trapped in Brisbane one evening from 'round midnight till 6am and kept a journal of my experiences, thoughts and rambles of the night in a stream of consciousness style.

Part 2: http://hellopoetry.com/poem/brisbane-street-sketch-2/
Part 3: http://hellopoetry.com/poem/brisbane-street-sketch-3/
Part 4: http://hellopoetry.com/poem/brisbane-street-sketch-4/
Part 5: http://hellopoetry.com/poem/brisbane-street-sketch-5/
3 am in a diner inside of Nowhere
we gather like the dead sipping coffee.
We're lost souls. We love bright light
flickering florescent and neon spelling
our message to the dark night. We are
nighthawks who travel your dreams.
spysgrandson May 2013
nighthawks devouring prey
know nothing of judgment day
envy them
I want to thank Star Toucher64, sean brown, and so many others for keeping this 10 word poem form alive--after only a few months here, we had a collection of more than 1000--somehow, during the "reconfiguration" of Hello Poetry, that collection became inaccessible--I am glad people are still contributing to this form
you are a lover of
the night

you see
what the day is
too shy to reveal
The Village was nearly swallowed by darkness,
Until I stumbled upon a fresh fluorescent light,
Emitting an eerie glow out of a subtle all-night diner.
Suddenly, eyeballs projected a noir-style movie.
This unique heaven lit a cemented pathway,
Which led toward nowhere but American desolation.
Exploration of blank stores was not an option;
A disconnected joint across the open street was obvious.
The cornered beacon called to me as if dreams lived,
Though the seamless wedge of glass deflected observation,
Onto the viewer I represented, isolated from the anonymous.
Lungs were not interested in Phillies, only graveyard shift.
The scene held four strangers shut in spacious congregation.
The figures filled in the white void with physical presence,
While each owl was remotely lost in their own thoughts.
Was it the tragedy that occurred at Pearl Harbor,
Possibly the hopelessness World War II offered?
Could it have been the disappearance of happy innocence in ’42?
Hopper alone can probably discover a whole to the loss of words.
Somehow the constructed simplicity was overwhelming:
When late night minds meet morosity yet still produces beauty.
Subjected into one, the loneliness of a large city can exist too.
1975 Art Institute is tactic for Odysseus to put off dealing with real world also investigate range of visual techniques gay instructor fruitlessly endeavors to ****** him he enjoys several affairs with beautiful girls yet Bayli haunts him main building of school is connected behind Art Institute of Chicago Odysseus spends lots of time looking at paintings Edward Hopper’s “Nighthawks” Gustave Caillebotte’s “Paris Street Rainy Day” Ivan Albright’s “Portrait of Dorian Gray” Jackson *******’s “Greyed Rainbow” Georgia O’Keeffe’s “Black Cross New Mexico” Francis Bacon’s “Figure with Meat” Pablo Picasso’s “The Old Guitarist” Balthus’s “Solitaire” Claude Monet’s “Stacks of Wheat” Paul Cezanne’s “The Bathers” Vincent Van Gogh’s “Self-Portrait” Edouard Manet’s “The Mocking of Christ” Henri Toulouse-Lautrec’s “At the Moulin Rouge” Robert Rauschenberg’s “Photograph” Mary Cassatt’s “The Child’s Bath” Peter Blume’s “The Rock” Ed Paschke’s “Mid America” Grant Wood’s “American Gothic” Jasper John’s “Near the Lagoon” and John Singer Sargent James McNeill Whistler Diego Rivera Marsden Hartley Thomas Eakins Winslow Homer his 2nd year at Art Institute involves student teaching during day then at night working as waiter at Ivanhoe Restaurant and Theater gay managers teach him to make Caesar salad tableside and other flamboyant tasks wait staff are all gay men once more Odysseus experiences bias from homosexual regime he is assigned restaurant’s slowest sections it bothers him the way some gay men venomously condescend women and their bodies Odysseus loves women especially their bodies he thinks about how much easier his life would be if he was gay in 1976 the art world is managed by gay curators gay art dealers he wonders if he could be gay yet not realize it can a person be gay but not attracted to one’s own ***? Ivanhoe hires variety of night club acts one night he watches Tom Waits perform on piano in lounge Odysseus feels inspired in 1977 he graduates with teacher’s certification he considers all the sacrifices teachers make and humiliating salaries they put up with he does not want to teach candidly he feels he has nothing yet to teach teaching degree was Mom’s idea Odysseus wants to learn grow paint after Art Institute he flip-flops between styles his artwork suffers from too much schooling and scholastic practice it takes years to find his own voice he has tendency to be self-effacing put himself down often he will declare what do i know? i’m just a stupid painter one topic artists do not like talking about is their failures how much money they cost creation requires resource paint and canvas can be expensive how much money is spent on harebrained ideas that never pan out? most artists resort to cheap or used materials few can afford their dreams he gets job selling encyclopedias that job lasts about 5 weeks then he finds job selling posters at framing store on Broadway between Barry and Wellington Salvador Dali Escher Claude Monet prints are the rage his manager accuse him of lacking initiative being spacey after several months he gets laid off he finds job waiting tables during lunch shift at busy downtown restaurant other waiters are mostly old men from Europe they play cards with each other in between shifts teach Odysseus how to carry 6 hot plates on one arm and 2 in his other hand the job is hectic but money is good experience educates differently than books and college a university degree cannot teach what working in the real world confronts people learn most when they are nobodies he reads Sartre’s “Being And Nothingness” he wants to discover who he is by finding out who he is not often he rides bicycle along lakefront taking different routes sometimes following behind an anonymous bicyclist possibly to come across new way he does not know or to marvel at another person’s interest

truth is this life is too difficult for me the violence hatred turf wars tribalism laws judgments practices rules permits history i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world i’m sorry am i repeating myself i apologize i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world god please protect teach me strength courage fairness compassion wisdom love i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world

buy divinity purchase devotion earn reward points own 4 bedroom loft with roof garden deck porch pool parking in paradise’s gated community pay for exclusive membership into sainthood become part of inner circle influence determine fate destiny of everything step up to the plate sign on the line immortalize yourself feel the privileges of eternal holiness i’m living inside a nightmare inside a nightmare inside a nightmare hello? i am dizzy in my own self-deceptions lost in my own self-deceptions alone in my own self-deceptions there was a time once but that time is gone there was a place once but that place has vanished there was a life once but that life is spent remember when things were different truth is i’m weak skittish anxious alienated paranoid scared to death pagan idiot stop

breath deeply push stale air out imagine kinder more respectful loving world please god do your stuff angels throw your weight around clean up this mess planets align stars shine ancient spirits raise your voices magic work there are words when spoken can change everything words rooted to spiritual nerves if voiced in  particular order secret passwords capable of setting off persuasions in the mind threads to the heart if a person can figure out which words what order tone of voice rate of pronunciation time of day then that person can summon powers of the supernatural Isis goddess of celestial sway of words whisper secret earth water fire air reveal your alchemy winter spring summer autumn teach about passages patterns sublime eastern western sun fickle moody moon unveil your heavenly equation north south east west  beat the drums blow winds show the path to healing path of the heart blood dirt hair *** bare the mystery of your trance dance the ghost dance sacred woman with ovaries cycles flow smell beautiful girl eyes sweetness strange awkward skinny scruffy boy great bear spirit bird jumping fish wise turtle where are you why is there no one to back me? jean paul sartre what was your last thought before you died? was it nausea? nothingness? or a wish?
Vinyldarling Feb 2019
we always think about what we did with our lives
and what did it get us.
for me I gained nothing more than musings at 3am
in a forgotten spot in a forgotten town.
I was always welcomed with the smell of stale coffee that hadn’t been brewed fresh since lunch merely ten hours before.
It wasn’t a friendly welcome but it was a welcoming.

here, in this small lit up space,
I found myself disappear into something else
No longer was I was person in a cubicle, answering phones,
submitting numbers into a tired system.
I was someone who although couldn’t beat insomnia,
I made it apart of my life.
I would learn about others
and mold myself from my own clay into something new.
I made it a point to learn from my tired mind and thoughts,
I made sure I made not sleeping soundly through the night worth it.

It was always somber; just a tear stained cheek away from being devastating;
I found my home here
in the lit up shop on the corner of Sullivan and Orchard;
Where I would always be greeted by the smell of stale coffee that hadn’t been brewed fresh since lunch merely ten hours before.
CharlesC  Oct 2013
Nighthawks
CharlesC Oct 2013
A lonely scene
By Edward Hopper
Bright light and
Clear glass..
Our perspective is
Outside in..
We see enclosed
In darkened frame
Lingering characters
Seated alone in
Clarity and precision
Cold and forlorn..
It's the polarity
Light and shadow
Before they find
The connection
of These...
See Edward Hopper's
Nighthawks on
Google Images or
polarityinplay.blogspot.com
Zajan Akia  Jul 2012
Nightlife
Zajan Akia Jul 2012
Hanging around the old cabaret,
where nighthawks steal glances
at the curators of tired eyes,
the walking dead take leave
of their senselessness
entering blurred reality

Someone calls for another round
shouting fire down his throat as

A dart nicks the narrow space between
two fates and falls to the floor
avoiding both,
leaving him in a rage

She pockets the change they left her
or forgot, while
laughs infuse the acrid smoke,
ricocheting into nothing
Where we live it is no desert for the rains still fall.
Where we live the cacti stand tall,
proud and green Men and Women
defending rocky slopes of heaven.
Where we live the bat flies with the nighthawks,
dog fights at twilight against hordes of insects.
The lizard and snake fear a Greater Roadrunner
who laughs at passing cars, for it shall outlive
The Petrol Race centuries forward.

The Sunrise seems like The Mountains'
live birth to a bright blazed star.
The Sunset bombs a horizon
filmed with faraway layers of dust.
The milk cloud of stars and cosmic debris.
The Moon rising, a pale beacon beyond The Mesquite.
Allen Page  Feb 2015
Death
Allen Page Feb 2015
Pandas are fluffy.  Labradoodles are…
Bake the road, crush the world.
Richard Feynman, Freddie Mercury?
Can you be unique?

We are defined not by ourselves
but by the Television set
by the media
by our leaders

What the hell is this Orwellian nightmare?
Do we exist independently?
Individuality is discouraged
unless you have money

This postmodern splash
The drones of nighthawks, flapping by the shores
The shores of Calavera, of San Luis Obispo
If the mountains drifted out to sea

Let the toaster rule you.
Let the media.
Not like you can stop them.
Wheee! Ride, piggy, ride!

— The End —