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LaNette Urbin Jul 2012
Unfaded love from ages past
It is time to let go at last, at last
Make is so my heart stops burning
For pleasure it is yearning, yearning

Faded happiness, lost years ago
Weights my soul, it feels so low, so low
You gave up and I let you go

We were dead wrong
And now I'm dead gone.
In the midst of sea, we scream
Where are humans?
Where are super humans?
None to respond to our desperate scream,

In the midst of a sea, we are
A deserted island
One that can most likely be submerged or
Reach shores unlikely
By the events, we remain helpless
Being human less and with inhumanness



We, at the brink of death & last inch of hope
Expect miracles and wonders
Nature fails us
Kills our expectations, fills more sorrow

Nature fills our body with
Slow approaching death,
We remain as a secluded mass of useless disposed waste,
On a world that has a place for all the flora & fauna


Modern nations-the epitomes of peace
Wash their hands away remain
A hopeless, useless, helpless puppet

Ostracized from our ancestral land
Vehemently opposed and reluctantly accepted
We remain a displaced alien
In their eyes.

There are nations,
But where are humans? Where are humans?

A hope puts us to survive,
Where we leave a message,
As we get back to the graves.

We send the waves of final message; we fall,
Not as a disposed waste,
But as a Phoenix that falls as a nutrition,
For the soil,
To revive an infinite and eternal humanity
That stands tall as an undestroyable banyan tree
Unshakable on any crises

For humanity, we give ourselves
As dare-doers and daring self-killers.
Let's harvest the human hearts
With the ever rising flames
And give back
Our future generations the homes.
We lost and dreams we wished

With a thin ray of distant hope,
We dream to give our future generations
A world that has no,
Hopelessness of being helpless.
We assert
We are helpless, but not hopeless
This is a poem written by me on refugees, who struggle to live their life. This poem is written as a mind voice of the refugees, who escape from their home nations due to war, to save their life. They get to other nations through sea. Other neighborhood and distant nations do not give them a place to live, naming them as the terrorists and a threat to their national security. These refugees utter these lines being struck in the midst of a sea, travelling with a damaged boat. As the damaged boat further gets deteriorated, they start dying by slowing submerging into the sea. Their voices on humanity and desperate screams to save their life, fills the sea. Final lines display that they are helpless, but not hopeless.
Sequestered  Sep 2018
Unfaded
Sequestered Sep 2018
helplessly, I watched
the sun set before
it even rose,
dewdrops faded
like vulnerable dawn
afraid of the noon
that never came...

yet, why do I feel lost
amongst sweet dream,
oblivion in your arms
and forgotten
amongst my a forever
once promised?

you were a mirage
but the heartache you left
was real and hurting...
you left hope hopeless
still I am a believer;
my scars your reminder.
vircapio gale Apr 2013
before it falls i dilate
with electric scent, spine-hairs
string her possibilities as kites
to tug my summon ground--
lilt, wave and spiral
distant mischief to a head.
i rumble on the vista, far, and,
on occasion of a social clearing hum,
chance aloneness on a hill
to watch the herald lake and trees, nets
secure themselves as emblems to my storied lust.
apsara, i
breathe you in in strokes
submit unconscious rhythm of imaginal delights
made real to last beyond experience of time
descended of the clouds
sea rich, heavy, sultry
you unroll an atmospheric fate:
my lust to span the sky, irrupt an earthen,
orgiastic zenith of all things--burst fantastic quell
in pale continuum your pedestal allays

floating hair as long as frantic overcast
horizon length
and indistinct of rain..
green, blue continents of eyes, mists
suspend ecstatic sway
in areolae breeze,
my hands the brimming cups
to gather, spill
bright ****** drops
into the signal essence rising,
center rhythm of a liquid bounce
that shines in belly-button crescent moon--
each gust a lapping of the sky-clad ache of moonlit summer leaves,
another sudden adolescence lost and gained--
falls on me, dripping
legs to wrap and draw in
every ***** blade of grass--
saturate the lingam i am living in--
enveloped in vaginal dance of pressure
pulling on the earth i am
an arching back
and skyward ******

begun before a time historians belie
wind genie, yoni,
full of all i ever willed..
how rare appearance has to be,
knowing you unique
to whimsically revise
your lightning shape akin
exotic form to fit my changing own
and yet you don't exist, my eyebrow says
between horizon-cracks
and patter of the gale--
bolts to spread dark syrup
through my veins..
i am intent on having you
to let you have me as your first and last
--being young
i am intent on twining my virginity to you,
to pierce my own hymenal dome--
slick with yearning, thundering
in moan across the hills and puddled tennis courts
undulating to my concord whim
your rivuletted ***** of the gods, goddesses --gulped between inhaling--
eyes that roll pineal
genesis denuded of a crime, apparel
gone insane delight
of endless tempest ***--
the purge cascades a vacuum in each vessel..
limp on writhing grass
euphoric in a space of never having been

what soul i have
her visitation marked--
with gridless memories unfaded by the games a decade
striates on the mind. i made
her more than what my way would make of her
and less for what my symbols lose;
i call her muse,
and forfeit right to call her anything again.
i am the burning key and lock
our chastity attained and lost
in vaporous blurring of all stars
rewinking in the gossamer above






.
apsara: a female spirit of the clouds and waters
Carlo C Gomez Apr 2021
Metropolis is dust,
the smoke of unfaded coffin nails,
she's a sensual bonfire
littered landscape,
the burning lust running in my veins
between safety and risk,
circumcising the stage
where Dylan went electric.
~
"I didn’t belong to anybody then or now.”

Swing-shifting to mercenary mode,
but sinking my face value
by ordering takeout religion,
sharing a cab with Hepatitis C,
and all those sky-high boxes
and rectangles
—existing in one, spending nights
with her in another.
~
"Oh, lay me down to sleep
upon the trickery of time."

~
Departing summer hath assumed
An aspect tenderly illumed,
The gentlest look of spring;
That calls from yonder leafy shade
Unfaded, yet prepared to fade,
A timely carolling.

No faint and hesitating trill,
Such tribute as to winter chill
The lonely redbreast pays!
Clear, loud, and lively is the din,
From social warblers gathering in
Their harvest of sweet lays.

Nor doth the example fail to cheer
Me, conscious that my leaf is sere,
And yellow on the bough:—
Fall, rosy garlands, from my head!
Ye myrtle wreaths, your fragrance shed
Around a younger brow!

Yet will I temperately rejoice;
Wide is the range, and free the choice
Of undiscordant themes;
Which, haply, kindred souls may prize
Not less than vernal ecstasies,
And passion’s feverish dreams.

For deathless powers to verse belong,
And they like Demi-gods are strong
On whom the Muses smile;
But some their function have disclaimed,
Best pleased with what is aptliest framed
To enervate and defile.

Not such the initiatory strains
Committed to the silent plains
In Britain’s earliest dawn:
Trembled the groves, the stars grew pale,
While all-too-daringly the veil
Of nature was withdrawn!

Nor such the spirit-stirring note
When the live chords Alcæus smote,
Inflamed by sense of wrong;
Woe! woe to Tyrants! from the lyre
Broke threateningly, in sparkles dire
Of fierce vindictive song.

And not unhallowed was the page
By wingèd Love inscribed, to assuage
The pangs of vain pursuit;
Love listening while the Lesbian Maid
With finest touch of passion swayed
Her own æolian lute.

O ye, who patiently explore
The wreck of Herculanean lore,
What rapture! could ye seize
Some Theban fragment, or unroll
One precious, tender-hearted scroll
Of pure Simonides.

That were, indeed, a genuine birth
Of poesy; a bursting forth
Of genius from the dust:
What Horace gloried to behold,
What Maro loved, shall we enfold?
Can haughty Time be just!
The shell of objects inwardly consumed
Will stand, till some convulsive wind awakes;
Such sense hath Fire to waste the heart of things,
Nature, such love to hold the form she makes.
Thus, wasted joys will show their early bloom,
Yet crumble at the breath of a caress;
The golden fruitage hides the scathèd bough,
****** it, thou scatterest wide its emptiness.
For pleasure bidden, I went forth last night
To where, thick hung, the festal torches gleamed;
Here were the flowers, the music, as of old,
Almost the very olden time it seemed.
For one with cheek unfaded, (though he brings
My buried brothers to me, in his look,)
Said, 'Will you dance?' At the accustomed words
I gave my hand, the old position took.
Sound, gladsome measure! at whose bidding once
I felt the flush of pleasure to my brow,
While my soul shook the burthen of the flesh,
And in its young pride said, 'Lie lightly thou!'

Then, like a gallant swimmer, flinging high
My breast against the golden waves of sound,
I rode the madd'ning tumult of the dance,
Mocking fatigue, that never could be found.

Chide not,--it was not vanity, nor sense,
(The brutish scorn such vaporous delight,)
But Nature, cadencing her joy of strength
To the harmonious limits of her right.

She gave her impulse to the dancing Hours,
To winds that sweep, to stars that noiseless turn;
She marked the measure rapid hearts must keep
Devised each pace that glancing feet should learn.

And sure, that prodigal o'erflow of life,
Unvow'd as yet to family or state,
Sweet sounds, white garments, flowery coronals
Make holy, in the pageant of our fate.

Sound, measure! but to stir my heart no more--
For, as I moved to join the dizzy race,
My youth fell from me; all its blooms were gone,
And others showed them, smiling, in my face.

Faintly I met the shock of circling forms
Linked each to other, Fashion's galley-slaves,
Dream-wondering, like an unaccustomed ghost
That starts, surprised, to stumble over graves.

For graves were 'neath my feet, whose placid masks
Smiled out upon my folly mournfully,
While all the host of the departed said,
'Tread lightly--thou art ashes, even as we.'
Lily Audra  Jan 2019
Tree Trunks
Lily Audra Jan 2019
It's the smells,
The woody, earthy laden lift in the air.
A scent guilded in memories of twigs breaking under feet,
As I walk to the One Stop with my dad,
Wet, amber leaves stuck to his holey shoes,
The air is damp and unfaded, but lightly coated in the smoke from his roll up.

The smell,
More floral now,
Warm, heavy rain drip dropping onto vast leaves in Mexico,
The floor drier and peppery compared to it's English cousin,
My eyes locked onto the stars through pointed dancing clouds,
As if the sky has been dipped in glitter and laid out to dry in the jungle.

And now its moss,
Moss and pine and your hair.
It's both of us gazing through the foliage to catch the eye of a bird,
Our fingers brushing and clinging,
I can feel my mouth lift,
As you pull me towards your nose,
And whisper 'I love us.',
We walk,
Warm in one another's stories,
With wet socks,
And pink cheeks,
We inhabit the trees.
tread  Nov 2012
Cosmic Hobbyist
tread Nov 2012
Speak of the arrows which collapse unfaded through the gates of gated gratuities
Expansive perpetuity
Leading to the loose leaf paper falling from empty trees in the dead of an autumnal night
Moonlight,
Clouded contact lenses

Mills billowing, malls bellowing
"Open for busy-ness! Open for busy-ness!"

Unzipping jackets with a smile that says
"From the ends of endings, I have always begun with an eternal grin while you slept on my knees and I dreamed of things smaller than the precipice of the period at the end of this sentence."

This never loved that
And that never loved this
Because they soon discovered 'This' was not this, and 'That' was not that
They were all There together, and discovered an 8 kicked sideways was an honesty beyond promises
And angrily, I remember wondering what had ever come over the all of us that wanted nothing more to do with anger

Had we stormed off in all directions, reading to seek in veins for a blood that was unfounded in the deadly hallows of happy mathematics?
Or were we simply throwing words together in the hopes of sounding surreal?

Sometimes I feel psuedo when I write, when I know I'm quite as real as anyone else.
I just need to struggle with the words more honestly, I suppose.

Perhaps I need to struggle more honestly with myself.
As Kerouac said,
“My whole wretched life swam before my weary eyes, and I realized no matter what you do it's bound to be a waste of time in the end so you might as well go mad.”

I need to go mad.

I need to quit my job and be here and all over here without a worry for the ideas
Yesterday, tomorrow
It is only ever today.

It doesn't need to make sense. It doesn't need to oblige my mother and father with a proper philosophical argument as to why I want to be here, because all they've ever been is 'there,' with the best intentions at heart I know, but without ever coming back down to Earth and letting their worries waft away like the smell of fresh, metallic rain during the Ides of March.

They failed the exam of the lilies which did not accept the parental "this is the way it is."
It is only the way it is because we are too cowardly to endorse our wildest dreams.

We do not wish upon stars, and if we do, it is because we wish upon those stars to help us get out of there, when all we have to do to escape there is to be here like a sudden clash of thunder upon a bobby-pin that has been pricked into the arm out of an innocent curiosity which all the There-Afters would call strange, while the Here-Nows would smile and nod at such beautiful sincerity.

At such pristine reality.

All the logical arguments my father confers upon me during our Grand Cosmic Debates always feel gently serious. He does not wish to convert me, nor to convince me.

He simply tries to pull me gently back into his reality, which sits reinforced by the rest of the global nay-sayers and There-Afters.

Why is it that my parents never had the courage to go mad?

Why was it nothing but a literary curiosity to them?

Why do they still continue to believe that one cannot simply run off into the sunset with a cosmic sense of reckless abandon?


The human race is nothing but a grand conviction.
The words themselves look to say, "Now, here here young one! You are a part of our great label. You owe us. We have been measuring since the day of your birth."
It's like we are born, and hopped through hoops until satisfaction meets the empty stomach to tell it that it must be full. So we struggle to fill, but it always becomes empty again. We seek to devour and consume and listen to the creased minds of our parents as they confer to us their common notion of sense which truly senses nothing beyond nonsense.

All of this makes me feel like I'm jogging on a sidewalk of soap.

And I'm sleepy.

We all work too hard, even when we're not at work.

We feel the affluenzic pull of occupation.

Not because we occupy our occupations,
but because our occupations occupy us.

I am a Cosmic Hobbyist

For the infinite round of nowever and always again.
a poem written last July; published on my blog, but never released on Hello Poetry as I often forgot of its existence until I ran into it again from time to time.
CC  Apr 2015
Unfaded
CC Apr 2015
There is a wonder I have of creatures
The sky is ridden with stars
Can they see them?
And do they wonder and awe at the dots on what should be a blank sky

There is a wonder I have of mine
Is their dreaming before the dawn of time?
Are we dreaming in utero?
Who created our dreams?
Was there ever a time we did not exist
Is the past but a figment?
ConnectHook  Apr 2020
Vargas Girl
ConnectHook Apr 2020
Crabalocker fishwife, pornographic priestess
Boy, you’ve been a naughty girl, you let your knickers down
...
                           John Lennon

A carnal muse and fallen sprite
I’ll paint for you, in flattering light.
My model’s sensuality
Shall trump all dull reality;
Inspired by Womankind’s raw truth,
Life-drawing class heats up, uncouth.
Still, I am sure some stiff-necked *****
Shall smear my heartfelt lay as lewd.

Edenic exile sought by men,
Receive this tribute from my pen
And keyboard, played inexpertly
By one who knows you rapturously
As a muse of Aztec/Latin race
Prodigious in your works and grace:

Born Ruth Ayon, in God-Knows-Where,
She overwhelms in underwear—
And shedding that, turns good men bad,
Makes angels fall and gods go mad.
Los Angeles (and that’s the joke)
Is where this cherub went for broke
Cashing in her soul for action,
Soreness, ***** and tumefaction.

Laurie Vargas, mouth full of ***,
Spread for us now your Aztec ***
Your sultry contours hypnotize;
The laughter in your ******* eyes
Brings music from Tenochtitlán
And opens windows to Aztlán
You smile, unlike those other *****
Who merely grimace. Gringa butts
Are less audacious than your own . . .
Their charms are better left unknown.
Your cheeks in tan proportion shine
Embodying some rare truth divine.
(Through Poetry, I’ll make them mine.)

I must speak forth of what I found—
Though standing on unholy ground,
Here I behold your lively art . . .
Your unpierced flesh has lanced my heart.
Whereas most stars are tattooed, jaded
Your bright aspect shines, unfaded.
Clad in campesina thread
While moaning on your torrid bed,
Adorned in homespun broidered blouse
In some vaquero‘s rancho-house
Or naked as Mexica dawn,
Bespattered like a dewdropped lawn,
Spurting with some panting plumber
In an endless *****-summer,
You glow, like honey dipped in light
And undulating Latin night.
Your burning bush, much-trafficked place,
Recalls the Red Sea’s parted space
No less than your beatific face.

An unrepentant Magdalene,
You plunge into each graphic scene.
Madonna of the varied act
You swell, engorge, dilate, contract
And play the part with crazy wit
Suckling madly at your own ***.
The way you can accommodate
What barely seems to satiate
With pure abandon, leaves us awed,
As mesmerized, your name we laud,
(With one hand—harder to applaud !)

Will you survive to have regrets
When raw desire no longer gets
Your body hot with inner flame?
When *** has ceased to call your name?
I wonder if you’ve found such paths
Of flesh and pimping sociopaths
A route to riches, gain, and pleasure
Or mere sacking of your treasure.
At the end of your sweaty day,
Is there more than a harlot’s pay?

I wish you well—and hope in time,
When life has left you less sublime,
You’ll find your way to God through Christ
And learn of what was sacrificed
To free you from your sordid fame
Where sinners hail your glorious shame.
Laurie Vargas was born in 1983
in Los Angeles, California, as Ruth Ayon.
(Some sources indicate Guadalajara Mexico as her birthplace)

Visit her terrible glory:
https://www.youtube.com/watch?v=m6pyZ0rGfnM
Oh! mihi præteritos referat si Jupiter annos.
    VIRGIL.

Ye scenes of my childhood, whose lov’d recollection
  Embitters the present, compar’d with the past;
Where science first dawn’d on the powers of reflection,
  And friendships were form’d, too romantic to last;

Where fancy, yet, joys to retrace the resemblance
  Of comrades, in friendship and mischief allied;
How welcome to me your ne’er fading remembrance,
  Which rests in the *****, though hope is deny’d!

Again I revisit the hills where we sported,
  The streams where we swam, and the fields where we fought;
The school where, loud warn’d by the bell, we resorted,
  To pore o’er the precepts by Pedagogues taught.

Again I behold where for hours I have ponder’d,
  As reclining, at eve, on yon tombstone I lay;
Or round the steep brow of the churchyard I wander’d,
  To catch the last gleam of the sun’s setting ray.

I once more view the room, with spectators surrounded,
  Where, as Zanga, I trod on Alonzo o’erthrown;
While, to swell my young pride, such applauses resounded,
  I fancied that Mossop himself was outshone.

Or, as Lear, I pour’d forth the deep imprecation,
  By my daughters, of kingdom and reason depriv’d;
Till, fir’d by loud plaudits and self-adulation,
  I regarded myself as a Garrick reviv’d.

Ye dreams of my boyhood, how much I regret you!
  Unfaded your memory dwells in my breast;
Though sad and deserted, I ne’er can forget you:
  Your pleasures may still be in fancy possest.

To Ida full oft may remembrance restore me,
  While Fate shall the shades of the future unroll!
Since Darkness o’ershadows the prospect before me,
  More dear is the beam of the past to my soul!

But if, through the course of the years which await me,
  Some new scene of pleasure should open to view,
I will say, while with rapture the thought shall elate me,
  “Oh! such were the days which my infancy knew.”

— The End —