Never should I love,
For never will you love me.

Never will your deep, blue eyes
Look in mine and read my mind,
Like a psychic running her fingers along the lines of my palms.
Palms that belong to hands you’ll never hold,
And handle with care like you would antique china
And at the same time grip with a firmness that tells me you’ll never let go.
You’ll never let go because you’ll never wrap your soft,
warm arms around me in the first place.
Your soul will never entangle with mine and fill that void
Left by a **** sliced deep within me.

A **** left by my father’s youth,
And my mother’s faith,
Whose knife cut out their acceptance for me
And gouged out my trust in them.

Can’t you see that you are the antidote to my lifelong suffering?
The Accutane to my welted face,
The braces to my crooked teeth,
The nitro to my aching heart
The rhino to my bulging nose
The morphine to my broken mind,
The running to my fading health
Running, running, running away
Far away from this broken house
Where your dreams never do come true and
Where you come out to yourself alone in the bathroom and
Where they can’t ever know the truth because my house is
Where God resides in the attic and
Where Jesus is the only one you should let in your room at night and
Where The Holy Spirit has possessed us all to live a lie because my house is
Where lifelong love is dead at the delivery room
And who is there to blame but me?

Who is there to blame but me?

But none of that matters to you.
It can’t matter to you,
Because all you do is love
And love
And love
And love
And love.

But you never love me.

Each year I have known you
I have reached out farther than the last,
Yearning for something I could never obtain.
Fifteen pushes past Fourteen,
Both of whom fall short of Sixteen’s growing arms,
Which are narrowly outpaced by Seventeen’s spindly, wirey fingertips.

Every Year’s efforts have met the same fate;
Failing to reach their target they instead grasp fruitlessly
Into a dark, brewing storm,
Full of tears,
And of crackling sparks of hope
That are met with the resounding booms of fate
Telling me that I am doomed to be alone.

Telling me that never should I love,
For never will you love me.

But I never listen.
Because I know you too well.
And I know that someday,
Someday soon,
You’ll make the happy accident
Of stepping too close to my many straining hands,
And I’ll pull you near to me
And you’ll realize that you never loved her at all.

And that you always,
always have loved me.

-The Boy Who Loves You Too

dunedin. friday, three, afternoon.
set from home under a blue sky
with full& prepared pack,
a somewhat empty stomach,
and a necessity to get away from the city.
hiking boots tread asphalt down to the depot,
where, in thirty-seven minutes punctuated
by plastic seats grafted to a wall
and a mildly disjunct group of small or
big-time travellers, the naked bus
pulled in, a hematite centipede
crawling into the lot. it was a bus,
no complaints. all others' bags
stowed, twenty seven bucks outta pocket
and swung into the front-right-window seat,
bid a farewell to the beat-down
pub across the road and onto the one-way
merging into a highway and outta
town the dark bug skittered, on
schedule or something resembling it.
behind the driver, the sun came through
around the beam in the window. warm patterns
laid on skin, the countryside's broad expanse:

cylindrical bales of hay scattered about
paddocks, dark late-autumn florets of flax
on roadsides, plumes of white smoke from
bonfires in townships as small as a thumbnail,
hedgelines of eucalyptus, pine; russet streaks
through bark of single gum trees stood
off-centre in fields. sticky-wooded hillsides
punctured by fire breaks roll almost forever
and back. the rushing sound of passing cars
through the 3/4-golden ratio of the driver's
ajar window; twenty-first century mansions
verging on out-of-place. saplings emerging,
bracketed, through verdant grass patches.
museum abbatoirs. toitoi like hen's plumage
lining drainage ditches. another Elizabeth st-
(how many could be counted out by now?) tidy
front yards and milton liquorland through this
small town. an everpresent tilting sun. fields
of flowered nettle. s-bends through pancake layers
of hills. a delapidated gravel quarry at stony
creek. deer farms, sheep farms, bovine farms, alpaca
farms (favourite); another bonfire seen down a
long gulley; a power substation, all organized
tangles. a two-four 300m before the bridge into

balclutha. 4.40pm.
across the road into the i-site
two friendly ladies circle locations
to make (got a car) or try to make (on foot),
offering a ride in half an hour,
leave it to chance.
across another road, drifter's emporium
(that's the name, no joke) got a knife
to open up cans- bought no cans, brought
no cans, still nice to have one anyway.
down the road, 200ml from unichem, waste
no time, turn ninety degrees, cross a
railway, then outta town in a sec. first
photo: half highway, half clutha river. fine
shot. sit down, watch the water couple mins,
head down the road. red-black ferns radiate
under willows down the riverbank. metal
bumper-bars keep legs on, the road rolls
gentle turns, diverges from the river. stick
to the former, faster that way. no intentions
of hitching. just wanna walk. and walk. and
walk. guy yells out a car window. envy,
likely. who cares. apple tree hangs over
a dry ditch. pick a small one, gone in
a minute. probably ain't sprayed. been
eating ice-cream dinners more often'n
not the last coupla weeks- isn't much
the stomach won't or can't handle anymore,
anyway.

odours of decay from the freezing works.
seagulls sound out nearby.
typical.

down the road, the reek of death fades
out. back to grass. sit in some of the
tall stuff, under a spindly tree. put down
some ink, a handful of asst. nuts. 'bout
thirteen fingers of daylight left. no idea
if the coast is further than that. little
care. down the road the land flattens out,
decent sign. the junction was a fair bit
past reckoned, though. flipped a chunk
of bark (too lazy to get a coin out) to
figure whether the coast was worth it. bark
said no, went out anyway. gotta see the sea,
keeps you sane. past a lush native
acre or two- some lucky ******'s front lawn-
changed mentality, slung out a thumb (first
time). beginner's luck, kid straight outta
seventh form pulls over in a mustard-yellow
*******' kinda beach-van. was headin' out
to the coast, funnily enough. had been up
in raglan (surf central, nz), back down with
the 'rents now, though. out kaka point, only
one of his age, he reckoned, no schoolhouse
there, just olds. was going to surf academy,
pretty apt. little envious.

the plains spread out and out, ocean just
rose up out of a field. there's nothing
more perfect. gentle waves stroke the sands,
houses stare intently out at the mingling of
blues. one cloud hovers so far away it doesn't
even exist. down the other end of kaka point,
back on solid ground, walking into a gorge, laments
about not choosing the coastal route. but owaka
is the new destination, bout 11ks, give or take
(5ks later, sign says another 15.. some give). nothing
coulda beat that sight anyway, stepping outta
a van onto that pristine beach.

entry: gorge route to owaka. seven.
late light painted the tops of hills absolute
gold. thought maybe this way ain't so bad. beside a
converging valley, phone got enough reception
for dad to get through. said in balclutha coulda
got a room with a colleague. too far out now. lost
him in the middle of a sentence about camera film.
surprised to have even got that far. road wound
troughlike through the bottom of the gorge, became
parallel to a cute little stream. climbed down chickenwire
holding the road in place, ****** in it (had to).
clambered back up, continued walking as the occasional
campervan rolled on by. took a photo of the sun perched
on a hilltop, sent it to mel. dunno why. anxieties
over the perfect sunrise picture came frequently,
a goal become turmoil. the gorge flattened out,
and soon in countryside my fears allayed. round
a corner in picturesque nowhere, found my shot.
sat in long grass. stole it. sighed. ate a handful
of nuts. moved on. {about eight}

dark consumed the surrounding gentle-rolling hills,
nowhere near owaka, which was probably the tiny bundle
of lights nestling a little below the foot of a
mountain in the distance (not too far off, in
reality). near the turnoff to surat bay (was heading
there, plans change) a ute honks. taken as friendly.
a right turn instead of a left, farmsteads lit
up in fireplace tones, the sound cows make at
dusk. it got colder. would one jersey be sufficient?
hoepfully. stars began pinpricking the royal blues of the
night sky in its opening hues. eight-fourty-ish slugged
back about 3/4 of the syrup, along with half of a box
of fruit medley (so **** delicious), in light of dull
calf aches becoming increasingly apparent. needed
to walk a helluva lot more. ain't one for lettin'
nothing get in the way of that. lights in the distance
became the entry sign for a camp-site. no interest,
head on. past another farmhouse, stars came out in
packs. three cows upon a slight hilltop. next junction
pulled left a good eighty degrees and was on the
straight to owaka. less than two minutes later,
a dog-ute pulled to a halt and offers up a ride down
most of the stretch. didn't say no.

still stable, as two pig-hunters tell
of their drive back from picking up a couple
pig-dogs somewhere north. they were heading
out bush to shoot, thought they'd seen
another guy they'd picked up a couple weeks
ago, who'd taken 'em out somewhere they
couldn't remember. paranoia grips, but
the lads are fairly innocuous. they say it's
dangerous out here, gotta be ballsy walking
middle of the night, no gun, no dog,
all by yourself. wasn't worried, got nothing
to lose anyway (still, this sets helluva
mood). by a turnoff a k outta owaka, dropped
off. said probably all that'll be open there
is a pub, if that. bid luck and set their way.
above, the whole sky is covered with shining
glitter. down a dip and turn, **** in the
middle of the road. an ominous sign indicating
the outskirts of

owaka. approximately 9.40pm

my head loosens as i approach. the lights
form across a small valley i can't verify
exists or not between dog barks i mistake
for the yells of drunkards and lights
pirouetting from cars behind me. i slow
down i don't want to do this.

owaka is terrifying. plastic.

the street corners thud like cardboard. i
walk past a garden of teapots, a computer
screen inside the house glares through the
window pane bending breathing outward. there
is nobody here, still there is a feeling
like there's people everywhere, flocking
in shadows. a silhouette moving in a
distant cafe doorway. the sound of teeth,
of darkness fallen. thick russian tones
sound from a shelf of a motel. eyes
everywhere, mostly mine. i stop only round
a bend and down near a police station, yet
feeling no more safe, sitting in a gutter to
send mel my plans, to tell myself my plans.
i want to be nowhere again. i am soon nowhere.

out of breath, out the other end of owaka,
the sick streetlights fade into comforting
dark nestled between bunches of indistinct
treelines. the feeling of safety lasts but
twenty minutes, where another dip in the
road leads through a patch of bush, in which
gunshots ring periodically and laughter and
barking rings through. breaking down, it takes
five minutes to resolve and keep going. ain't
got nothing to lose, anyway. boots squeak like
diseased hinges all down the road. hadn't
noticed beforehand, the only thing noticed
now. an impending doom hangs thick like fog,
the thought of being strung up like an
underweight hog. walking faster and
not much quieter, the other side of the
bush couldn't have come sooner. the fear
lasts until the gunshots are distant nothing.
still alive, still out of breath, still
fairly ****** up, there's no comfort like the
sound of nothing but the occasional insect's
chirp. vestiges of still water came around
a corner and just kept coming as the golden
moon sung serenity all over. finally, a peace
came to rest over the landscape. sitting by
the road with a clear view of the moon's light
sheathed in the waters, the stars above wreath
a cirrus eye to watch over the marshland
plants leading into the placid waters of

catlins lake, west. ten fifty-one.
crossing a one-way bridge over a river winding
its way into the lake, another turning point
decision arose: continue down the highway
along the river, or head straight out and
toward the coast again. having resolved to
make it to a waterfall by dawn, and the latter
offering a possibility of this, the decision
made itself. turning back around the other side
of the lake, the road wound a couple times
up a gentle ***** out and up from the valley
at the tail of the lake, and into a slightly
more elevated valley. the country roads ran
easily and smooth, paved roughly but solid.
not a car came by for kilometers at a time.
lay on the road past a turnoff for quarter
of an hour letting serenity wash over, the
hills miniscule in comparison to home, the
sky motionless, massive thin halo about the
moon. walking on, night-birds called from
time to time (no moreporks, though. not until
dawn), figuring out how to whistle them back.
a turnoff to purakaunui bay strongly
considered and ultimately ignored; retrospectively
a great call, considering the size of the detour.
hedgerows of macrocarpa, limbs clearly cut
haphazard where once they'd hung over the
road. occasional 4wd passing, always a 4wd,
be it flash new or trusty old. you'd need
one out here. have no fun, otherwise.
monolithic pine-ish hedge bushes, squatting
giants. once, a glimmering in the sky, a
plane from queenstown (assumedly) almost
way too far to make out. the colossus of
the one human-shaped shadow cast down
from the moon to my boots. how small
a thing in this place. swamped out by
the beauty of this neverending valley.
breathless.

the road turned, not quite a hairpin,
but not entirely bluntly, a welcome
break from the straight or gentle
sway, and five minutes turned to dirt.
had to lay down again- legs screaming
by this point for rest. still, they
had nothing against pressing on. dad
taught me to just keep going. that's
the thing about walking. stop for a
little bit and you're good to go
again. pushing for the fall was probably
overkill, but no worry now. dirt road
felt so right after a good 20+ks of
asphalt, only infrequently punctuated
by roadside moss or thin grass. it
was as if beginning again (well,
kinda, if only with as much energy).
having downed only a litre of water
(leaving only half a litre more), a
litre of fruit juice and about 100
grams of assorted nuts since more
than twelve hours ago by this point,
it should have been a shock to
still be going by this point. don't
really need that much anyway, though.
gone on less for longer. hydration,
anyway, was the least of all worries,
the air being thick with water, ground
fog having been laid down hours ago.

up the dirt track, more cows. they make strange
sounds at night. didn't know anything yet,
though. that's still to come. a ute swang past
going the other way, indiscriminate hollers
from the passenger-side window. waved back
cheerily. so far from anything to be anything
but upbeat now. not even the heavy shroud of
tiredness could touch that, yet. the track wound
on forever. was stopping every half-kilometer
to stand and stretch, warding off the oncoming
aches. the onset was unwieldy, though. didn't
have long. past a B&B;, wondered whether anyone
actually ever stayed there (surely would, who'd
not revisit this place over and over once they'd
discovered it?)- certainly would've, having the
cash (apparently parts of "lion, witch and the
wardrobe" were filmed here. huh). further on, the
road turned back to seal, unfortunately, but
with small promise- surely, at least fairly
close by this point. turning a corner, a small
and infinitely beautiful indent against the bush,
a small paddock bunched up against it, stream
wound against the bases of trees, all lit by
the clear tones of a now unswathed moon, sat
aside the road. it was distilled perfection.
it was too much, just had to keep goin' or
risk shattering that image. next turn was
a set of DOC toilets, an excellent sign. must be
basically sitting on the path entry now. searched
all 'round the back for it, up the road, nothing.
not entirely despondent but bewildered, moved
forward and found a signpost. the falls were now
behind? turned around and searched even more
thoroughly, quiet hope turning to desperation
by the silent light of the moon. finally,
straight across the road from the toilets,
was the green and gold sign, cloaked in
darkness under clustering trees, professing
a ten-minute bushwalk to the

purakaunui falls. saturday. 1.32 am.**
venturing into the bush by the dull light
of a screen of a dying phone, the breeze
made small movements through the canopy. it
couldn't have been any more tranquil. edging
way through the winding cliffish track through
dense brush, the sound of a trickling stream
engorged into a lush symphony of water. crossing
a single-sided bridge across an unseeable chasm,
twinkling from the ferns behind became apparent.
turning off the dull light, the tiny neon bulbs of
glow-worms littered the dirt wall risen up about
half a metre, where the track had been cut out.
my heart soared. all heights of beauty come
together. continuing down the path, glow-worms
litter the surroundings and the rushing of
water comes to a roar. at a look-out platform
above the falls, nothing can be seen save a
slight glisten. down perilous steps (wouldn't
be too bad if you could actually see 'em) the
final viewing platform lay at level with the
bottom of the falls. they stood like a statue
in the dark, winding trails of thin white wash
through the shadows hung under trees. left
speechless from something hardly made out, turned
around and back up the stairs to where the
glowing dots seemed their most concentrated.
into the ferns above, clambered through and
around moss-painted tree trunks and came to rest
a couple hundred metres from the trail, under
a fern, under a rata. packed everything but
a blanket from nan into the bag, laid it out
on curled leaf litter and folded up into it,
feet too sore to remove 'em from boots, curling
knees up into the blanket and tucking a hand
between 'em to keep it warm. only face and
ankles exposed, watched the moon's light trickle
through canopy layers for a few hours, readjusting
tendons in legs as they came to ache. sleep (or
something resembling it) set in, somewhere
around four.

some time slightly before six, the realisation
that my legs had extended and become so cold that
they'd started cramping all the way through hit,
coupled with the sounds coming through the bush.

At a streetfair downtown
A 5-dollar coupon in hand
We used to buy a skinny tree
Potted up in an old rusty can

It may have looked less than promising
So leggy and light as a feather
Tentatively thought did it have roots?
Our first purchase we made together

We planted our tree in the yard
That spindly gumbo-limbo
But native to our Florida
It knew just how to grow

Just like I’d envisioned its shade
A canopy against fierce heat
Protecting us from that relentless sun
It’s now grown twenty-five feet

Six years have passed us by now
And risking sounding sappy
We’ve grown, too, as has our love
The tree and we are happy

i asked her, does it look the same?
she gave me that funny look she gets
whenever i say or do something a little dim
it's a mirror image for a reason she said

in the mirror i see muscles, and strength
hips a little too wide and fleshy
but still muscular,
strength all the way down

but when i reflect on myself,
no mirror necessary
it is never the same

i don't feel as strong as i could
don't look as sharp and sturdy as i could
those fleshy sides, too soft
for a battle-hardened brain
and turbulent thoughts

i need angles, i need straight lines
but there's nothing straight about me
and that's half the problem

and the other half
is that i hate the softness that lingers
but everybody else loves it
and i don't want to be warm and
able to be cuddled

i want hard edges
and nimble, spindly fingers;
when i play my chords
i want my bones to tap the strings

and when sadness sheathes itself within me
i want eyes as dry
as my eczema-bitten hands

Some trees are harder to climb, some have spindly branches that break with each step you take. Some trees are too high up that the fear of falling enables you to climb. Life is like a tree, sometimes life has spindly branches that break. Sometimes the fall is too great to take another step. But sometimes the climb is worth it, because the view is beautiful.

Returned flush with excitement,
From a six-mile bike ride,
On a day near perfect,
Out along the river,

Temp in mid seventy's
not a cloud in the sky.

Beside the river I ride,
the water summer calm flat,
Scents of wet mossy rocks,
and dogwood trees non relenting.
The perfume of the Valley,
the River damp, sweet and pure.

Ride as I did the trails,
some on paved surface.
most on wood chips and dirt.

Shifting gears to suit the,
changing terrain and the
resources within my aged knees.  

The wind from my speed,
blows refreshingly in my face,
Dark glasses slipping down my nose,
yet keeping sun glare from blinding.

I pass some people,
I smile and wave,
they reply in kind,
Maybe we even
exchange brief
verbal greetings,
Some lost in a blur
of movement.

Easy for us all to smile,
we are happy in our work.

Half way there,
I stop for a drink,
Ease my burning legs.
The spot I pick is under  
cover of a huge old walnut tree.
It's massive umbrella shade,
an embracing sanctuary.

Across the way, a little lake,
On the far bank there stands a
metal skeleton outline of three
buildings that once stood there.
This recreated site of the first
European settlement in Oregon,
Clear back in the year of 1837.

Methodist Missionaries they
were, came overland West,
from North East by wagon.
Bringing so they thought,
Needed "Civilization" to the
poor "heathens" here about.
Almost as always a very,
mistaken, arrogant notion.

There effort lasted only
four years, the locals
responding not so well to
their well intending invitation.

In historical retrospect,
one can not but applaud
their self scarifies, hardship
and strife, some of them even
died still trying.

However they did open
the door, to a new beginning,
Be it for good or ill.
Soon other settlers
made the long journey.
Becoming "Oregon Or Bust"
for many.  

As I reflect sitting beneath
this tree those early people
no doubt planted,
from seed or sapling,
brought so far to this
new land of beginning.
It stands here still,
176 years later,
a wonderful living,
still growing testament
to human efforts of trying.

The breeze livens,
stirs sweet pungent
scents of brackish water,
forest, and Valley,
hints of crocus,
ripe black berries and
summer flowers blooming,
All these scents mingle,
and grow ever stronger.

Off in the near distance,
a strengthening breeze whispers,
Approaching through forest trees
coming ever closer and nearer.
Reaching me in a refreshing
gust that lasts for only a minute.
The sweat upon my face
cooling at it's touch. As I smile,
in grateful acknowledgement.

I have seen this day,
two kinds of squirrels
one red, one grey colored.
Coveys' of doves taking flight,
from my approaching bike,
And birds of many description,
A Red Tailed Hawk on wing,
Harassed by two small pursuit birds
protecting their nests from him.
A huge Bald Eagle diving for fish.
And one of my very favorites,
a spindly legged Blue Heron.
Standing in mud, fishing.
Even a smart fox,
scurrying back to hide
in the foliage, too shy
and too fast to be viewed
for too long by a human.

Thankful as I am,
for this one more
glorious day of living,
In the ***** of nature
so inspiring, so splendid.
I embrace Life and in return,
it grants me, continuation.

I plan on returning soon,
maybe tomorrow if my legs
let me.

"there is a type of jellyfish that lives forever," you once told me.
and i found myself wishing that we could be those jellyfish,
so we can float on these waves
for the rest of our days
and these spindly legs of ours will always stay intertwined.

How doth thou wake with an aching need?
For femmes and games and **** loads of ****?
To he who dost appreciate the weight of a lass
As spindly and petite with one hell of an ***?
Dost thou think for a mo...
That the only love felt tis that of a ***
Thou wast the only one left in the bar
With an overdose of E and a fool hearty scar
Nay my dear boy as one could only believe
A fuckboi thou art, and a fuckboi thou'll be

To the two boys who think I owe them something.
My heart doesn't belong to either of you,
and your spindly fingers clenching it
don't look enough like ribbon
to fool me into thinking that
my love is a gift to you.
To the two of you,
so willing to give me
your monthly allowances of text messages
yet not your loyalty.
For thinking that an "honest" apology
fixes me having to question why
just me was never good enough
for either of you.
You were both greedy,
you always wanted more.
Now run free and fill your stomach with all the flavours that will burn your taste buds and scorch your tongue.
To both of you for being willing enough to open my box with a key that I never gave you,
rifle through my thoughts and feelings,
and not even open your ears to them,
leaving the lid off
and the contents strewn across your floor.
For offering to help me pick them back up again,
but only because my "small, little arms" are not strong enough to carry my own weight that I've carried for
fifteen years on my own.
Here's to both of you for putting me down about being small.
That is NOT my fault.
I have a mighty big cathedral for a heart and a generous brain
and that's all within 5"2.
It doesn't make you any bigger than me
(metaphorically).
Your few feet advantage doesn't give you
the power above me,
even if you can see the roots of my hair in more detail
than you would ever care to observe
the fault lines of my cracked smile.
Boys are being taught that
to love me
is to fix me,
that I am some kind of messy enigma,
a project, a goal.
I'm just a girl with a family, a girl with a head, with a spiders web of veins and a lifetime of lessons that I'm opening my arms and my heart to.
You mistake yourself for a lesson,
when I'm fully qualified to teach myself.

You diagnose yourselves
as "depressed".
Mental illness is not an accessory,
nor a quirk to make you seem more vulnerable to me.
Don't brandish it in the air,
it is not a weapon against me.
It doesn't make you adorable,
or some kind of cuddly bear boy.
Everything that's
"killing you"
is just as toxic to me.
You set my skin into blue flames
because I won't give myself to you.
No,
no,
no.
I'm tangled in my rejection,
and it thickens.
I can't be with you out of pity.
My guilt, raging deep within my bowels,
marching violently through my organs,
exploding into a supernova of
thinking that love and guilt are almost the same thing.
"I'll do anything",
I don't want anything from you.
"I'll write you a poem because I know how much you love that."
I also love being respected but neither of you ever gave me that.
My craft is not a tool of trickery,
and your words not a trance.
"I'm not like him".
But you still act like my skin is a carpet to your home,
and you walk across it with muddy boots.

You think you're a blanket to keep me warm,
but you ended up suffocating me.
To the boys who think I owe you them something,
go home.

Leo

Leo with the spindly frame, Leo with the too short days and endless nights, Leo who walks like a shadow darting across the walls hardly daring to be seen, a boy avoiding crowds, arms crossed in knots, sits in a room 8 years too young, thumbing through the infinite pages of life's mysteries, holds smooth black stones in open palms to the rain at the edge of those long and winding roads that are lined with tunnels of trees and pillars, takes matches between his teeth to splinter the tongue that so badly wants to speak.

Leo, harsh or gentle, tries to wrap his arms around cold air, too close to nothing, still never falters. Holds his upper lip stiff as a board, closes his chest like a cupboard filled with terrible secrets, shakes his furrowed brow, mumbles nothing's to the carpet, tiptoes down the stairs that groan under his fragile weight, because tonight, like so many nights before, he has to help the broken girl under boxes and brass pipes, sort through the mess of her head with the man in his own, gives her polished rocks to rub between her fingers to quell the demons, but he knows he cannot help.

Leo in those battered bones, with peeling fingertips, crammed into little glass vials, filled to the brim with waters and weeds, mouth corked with a cap so tight that a whisper could barely escape if it tried. Leo in hands as cold as death itself, skin so pale and clear that you can see the little thump of a heartbeat, and the stream of ice blue blood through thread-like veins creating a web of eyes, lips, voices, hands, a spindly frame that could collapse upon itself with a single blow. Leo whose eyes are sharp as arrows,  words striking off that flint stone tongue, flicking sparks into the gasoline soaked pages, dripping with rage, lighting a fire that will never be silenced, hands curled into fists that tremble in fear of what they might do. Leo who's greatest fear is the second voice inside his head,  another life he has to lead, another mask he has to wear, sits screaming behind that too familiar phlegmatic face, that strained jaw so sharp I'm sure he's accidentally cut himself on it before, Leo with too nice shelves, the untied shoes, presses his lips into a firm line, wavers oceans in that cracking voice, puts one finger to the screen and disappears without a sound.