I thought it right to assess some antidepressants, which philosophers are more inclined to call mood enhancers.
This was during my foray into human enhancement, substances intended to enhance physicality, cognition or mood. Nootropic compounds concern the latter two categories.

The most commonly prescribed mood enhancers are serotonin reuptake inhibitors (SRIs), but it takes over a week for these compounds reach their peak effect.
Thus I approached them with the notion that a limited dosage might point to their character, though  not reveal. These considerations in mind, I set about acquiring a few miscellaneous anti-D's.

Fluoxetine was the first successful selective serotonin re-uptake inhibitor (SSRI), better known by its original brand-name Prozac. Fluoxetine has an acute biological half-life of between 1-3 days. Presence of a trifluoromethyl group on the compound deserves note, I wonder what the presence of electronegative fluorine atoms add to the psychoactive flavor of a compound (subjective effects).
I administered a single dose by mouth, there was some indication of subjective character. Light serotonergic sensations and seemingly benign mood-dampening, there is a ****** towards the positive. Waking headspace relatively uninteresting. Observed hints of oneirogenesis, did not manifest in enough character to be detailed - a sort of vivid, 'pulsive wandering, more pronounced in contrast to its waking character.
Good experiment, interesting results.
Ligand     Ki (nM)   Ki (nM)
Target      Flx            Nflx
SERT        1               19
NET         660           2700
DAT         4180         420
5-HT2A   200           300
5-HT2B    5000         5100
5-HT2C    72.6          91.2
α1             3000         3900
M1            870           1200
M2            2700         4600
M3            1000         760
M4            2900         2600
M5            2700         2200
H1            3250         10000

Sertraline is another popular SSRI, also known by it's original brand-name Zoloft. Sertraline has a variable half-life, on average 26 hours.
It's metabolite, desmethylsertraline, has a half life between 62-104 hours but is a far less potent Serotonin Releasing Agent (SRA).
The presence of two chlorine atoms is interesting. The usual, phenomenal serotonergicity is present and pushing towards the positive.
Some nausea, particularly when hungry (this disappeared after some minestrone soup). Some faintness after physical exertion. This dose did not promote onirogenesis. There was a moment of cognitive distortion when the proportions of a focal object seemed to be growing in-and-out, shifting in size.
Site                 Ki (nM)
SERT              0.15–3.3
NET               420–925
DAT               22–315
5-HT1A       >35,000
5-HT2A          2,207
5-HT2C          2,298
α1A        ­        1900
α1B                 3,500
α1D                 2,500
α2                  477–4,100
D2                  10,700
H1                  24,000
mACh           427–2,100
σ1                   32–57
σ2                   5,297

Escitalopram is an SSRI commonly prescribed for major depression and generalised anxiety. It is the (S)-stereoisomer of citalopram. The biological half-life is of escitalopram is between 27-32 hours.
I administered a dose and thought the phenomenal serotonergicity less apparent than fluoxetine but then gastro-intestinal disturbance was noted, I surmised it has a high affinity for 5-HT2C.
Any oneiric qualities were not readily apparent after a single dose, relatively little visual imagery which is understandable given its lack of affinity for 5-HT2A. I found this to be philosophically interesting. Mood elevation observed in bursts of conversation and as odd sensations, possible mental discomfort.
Ligand,
Recptr     Ki (nM)
SERT       2.5
NET        6,514
5-HT2C   2,531
α1            3,870
M1           1,242
H1           1,973

Venlafaxine is a selective serotonin-norepinephrine reuptake inhibitor (SNRI). Venlafaxine and its metabolites are active for about 11 hours.
Initial subjective effects similar to a very light empathogenic stimulant. Perception of altered attention-span/increased reflexive response; energizing yet paradoxically much yawning.
Ligand,  Vnfx      Dvnfx
Recptr    Ki(nM)  Ki(nM)
SERT  ­    82           40.2
NET       2480        558.4

Tianeptine is a tricyclic antidepressant (TCA) with an unusual mechanism of action. It is an atypical agonist of the μ-opioid receptor and has been described as a (selective) serotonin reuptake enhancer (SRE). It has a short duration as sodium salts [prescribed form] of between 2-4 hours but as sulfate this can be notably extended, some of its metabolites are active for longer than tianeptine itself.
Definitely anxiolytic, quite artificial; possible aphrodisiac. I find its opioid activity dissuading, requires caution.
Site          Ki (nM)
MOR       383–768 (Ki)
                 194 (EC50)
DOR      >10,000 (Ki)
                 37,400 (EC50)
KOR      >10,000 (Ki)
                 100,000 (EC50)
All other transporter/receptor/sub-receptor values are >10,000 (Ki).

Bupropion is a norepinephrine-dopamine reuptake inhibitor (NDRI) with affinity for some nicotinic receptors. Bupropion and its metabolites are active for between 12-36 hours. Interestingly it is a substituted cathinone.
Initial subjective effects similar to a fairly light stimulant. Perception of increased attention-span and improved cognition. It is an onirogen that is neutral in quality, enhancing vivid dreaming (a boon of its nicotinic affinity which is counteracted if the stimulant component impinges on sleep). Completely absent of serotonergicity, curious.
The N-tert-butyl group's effect is most interesting, how it affects metabolism and to what extent ROAs alter pharmacokinetics.
I took 150mg ******, as extended and as instant release (the latter was more pronounced). I thought an altered pharmakinetic profile might result from bypass of hepatic metabolism, so I tried 25mg insufflated and felt as if there was effect that it differed slightly from oral ROAs, but also worried that its metabolic fate is thence unknown (compare to the neurotoxic 3-CMC). What of other bupropiologues,
for example, 3-Methyl-N-tert-butyl-methcathinone? Indeed.
                        Bupropion    R,R-Hydroxybuprpn   Threo-hydrobuprpn
AUC               1                     23.8                                  11.2
Half-life         11 h                 19 h                                 31 h
IC50 (μM)
DAT               0.66                  inactive                          47 (rat)
NET               1.85                   9.9                                  16 (rat)
SERT              inactive          inactive               ­            67 (rat)
α3β4 nic         1.8                   6.5                                   14 (rat)
α4β2 nic         12                     31                                   no data
α1β1γδ nic     7.9                    7.6                                  no data

Moclobemide is a reversible inhibitor of monoamine oxidase A (RIMA), its monoamine oxidase inhibition lasts about 8–10 hours and wears off completely by 24 hours. Inhibiting the decomposition of monoamines (e.g. serotonin, norepinephrine and dopamine) increases their accumulation at an extracellular level. It tends to suppress REM sleep and so it lacks oneirogenic properties.
Feeling of well-being, less constrained by the usual anxieties; openness. Relatively unnoticeable side-effects when diet is carefully managed. Made the mistake of eating a cheese and turkey sandwich (i.e. foodstuff rich in tryptophan/tyramine), indications of serotonergicity later became apparent: feelings of overheating and flushing, slight sweating, racing thoughts and anxious discomfort. A stark reminder of Shulgin's old adage: "there is no casual experiment".
Combination with a select few tryptamines (not 5-MeO-xxT) should be safe, and synergistic (perfect for pharmahuasca); reputed to potentiate GHB. However, generally it is extremely dangerous to combine with serotonergic drugs.

I get accused of a lot of things at first glance

"You're simplistic, you're hiding something

You have no convictions, you don't think deeply"

Usually by those who I consider to be on intellectual crutches

If you're gonna come up to talk to me from a religious context

from a spiritual context

from a hierarchical, metaphysical, eat this **** popsicle mindset

Don't expect me to swallow

Don't expect me to talk

You won't like what I have to say

Because really you just want me to agree with you

If you want me to respect your framework

When you have nothing but the claims of quacks

and the feelings you gleaned from your last psychedelic trip

to back you up

While I have to sit back and listen to how I'm close minded

Close minded for wanting some real truth in this universe

unfiltered, raw, verifiable, and in my hand

and that anything other than that is a spray paint over

my true awakening

Then I guess I'll just have to be that *******

to die for these intellectual sins

The Eldest Son of Matt, hater of pretense

Hypocrite to the highest level

Build me up into a figure of idolatry

Just like you do with the rest of your ego cases

Priests, Gurus, Rabbis, Rockstars, Poet sensations

Tell me how wonderful it is to listen to them

Tell me how I should be more in touch with a tree

Tell me how I don't dream

When all my life is but that

Tell me how I'm not deep when you make no attempt to learn

Who I am, and where I have come from

Misinterpret my teachings, and claim me to feel

As if I was the newest son of god

When all I want is for people to get beyond blinders

and love each other, and to get beyond the metaphysical rat race

Tell me that I'm supposed to live and let live

While you jam your beliefs down my throat

and expect me to respect getting philosophically tea bagged

******* to the crucifix

and asking me to repent for my search for truth

Nervous. Boot heels click clack up steps. Walk around back.
Step in.  People in pockets everywhere. Swerve straight to cooler.
Take a beer. Cracks open with crisp click. Drink drink drink. Ellipse of friends block out world.

Finish beer. Talking a little louder now. Confidence enough to walk to cooler
alone and grab more beers. See Steph and stop to chat. Move on. Keep on drinking the whole way back.

Two and a half beers and I’m starting to feel it. The excitement, the loosening of social limits. The loosening of myself. Boy whose name starts with a “C” but I just can’t remember starts talking to us. He’s kind of cute.

My fourth beer drains down my throat and I’m laughing at a joke. I’m friendly, people are friendly. The world is all kindness.

My sixth(and three fourths) beer in my hand, my head starts to droop and my hips are swaying of their own accord. It’s like the sky has puppet strings, twisting me side to side. The beat controls me, the world whispers my movements. Who whispers to the earth is beyond me.

…am I on my seventh or my eighth beer? People walk off to dark corners, hands on hips and ******* and chests. Still I dance somewhere in the vast dim basement. Still I twirl, rhythm gone but gravity still clinging to the movements.

But where am I? What am I doing here on this dance floor, on this city-planet floating or falling or patiently waiting on the ice-slicked footsteps of space? The world is spinning as it pirouettes around the sun, the sun circling a superstar, that star swirling around the center of the galaxy, spinning like a top in the rest of the full dark silk of space, stars clapping and nebula soaring and supernovas shattering, guests all to the raves of light years. I dance on earth’s doormat drunk and spinning, feeling a giant in my world and a broken bottle in the worlds of others. Oh god, in the words of that song that’s beating in the bones of the earth and the air in my lungs, can we get much higher?

I feel
so many feelings
all the time.

I am
a feeling being.

I need
to feel
to understand
the meaning of my experiences
in comparison to my needs and aspirations.

But
my feelings
happen intuitively
and prior to careful evidence-based reasoning
and so my feelings are not philosophically reasonable
and so my feelings are dangerous
if I use my feelings to define what reality is.

I protect myself
from unphilosophical unreasonable feelings
by never enacting my feelings,
by never reacting motivated by feelings;
rather I use my feelings
only as information
that I am having feelings
and so my needs and aspirations
may be affected in some way
by my experiences
which led to my feelings;
then I reflect
on my experiences
to philosophically reasonably discover
how it is most useful for me to feel
to achieve my optimal joy an happiness.

Philosophically, Camus is known for his conception of the absurd. Perhaps we should clarify from the very beginning what the absurd is not. The absurd is not nihilism. For Camus the acceptance of the absurd does not lead to nihilism (according to Nietzsche nihilism denotes the state in which the highest values devalue themselves) or to inertia, but rather to their opposite: to action and participation. The notion of the absurd signifies the space which opens up between, on the one hand, man’s need for intelligibility and, on the other hand, 'the unreasonable silence of the world' as he beautifully puts it. In a world devoid of God, eternal truths or any other guiding principle, how could man bear the responsibility of a meaning-giving activity? The absurd man, like an astronaut looking at the earth from above, wonders whether a philosophical system, a religion or a political ideology is able to make the world respond to the questioning of man, or rather whether all human constructions are nothing but the excessive face-paint of a clown which is there to cover his sadness. This terrible suspicion haunts the absurd man. In one of the most memorable openings of a non-fictional book he states: “There is but one truly serious philosophical problem and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy. All the rest – whether or not the world has three dimensions, whether the mind has nine or twelve categories – comes afterwards. These are games; one must first answer” (Camus 2000:11). The problem of suicide (a deeply personal problem) manifests the exigency of a meaning-giving response. Indeed for Camus a suicidal response to the problem of meaning would be the confirmation that the absurd has taken over man’s inner life. It would mean that man is not any more an animal going after answers, in accordance with some inner drive that leads him to act in order to endow the world with meaning. The suicide has become but a passive recipient of the muteness of the world. “...The absurd ... is simultaneously awareness and rejection of death” (Camus 2000:54). One has to be aware of death – because it is precisely the realization of man’s mortality that pushes someone to strive for answers – and one has ultimately to reject death – that is, reject suicide as well as the living death of inertia and inaction. At the end one has to keep the absurd alive, as Camus says. But what does it that mean?

In The Myth of Sisyphus Camus tells the story of the mythical Sisyphus who was condemned by the Gods to ceaselessly roll a rock to the top of a mountain and then have to let it fall back again of its own weight. “Sisyphus, proletarian of the gods, powerless and rebellious, knows the whole extent of his wretched condition: it is what he thinks of during his descent. The lucidity that was to constitute his torture at the same time crowns his victory. There is no fate that cannot be surmounted by scorn” (Camus 2000:109). One must imagine then Sisyphus victorious: fate and absurdity have been overcome by a joyful contempt. Scorn is the appropriate response in the face of the absurd; another name for this 'scorn' though would be artistic creation. When Camus says: “One does not discover the absurd without being tempted to write a manual of happiness” (Camus 2000:110) he writes about a moment of exhilarated madness, which is the moment of the genesis of the artistic work. Madness, but nevertheless profound – think of the function of the Fool in Shakespeare’s King Lear as the one who reveals to the king the most profound truths through play, mimicry and songs. Such madness can overcome the absurd without cancelling it altogether.

I do love
But it ain't quite
like the Discovery Channel!!!

I want so much more than
the collective desire of Park Avenues

I believe like,

With exactly no doubt
like zero are the hours
which can never count
upon the seamlessness
of my perceptions

I do but I don't
I am and therefor not

I talk in mirrored tongues
I observe in uncanny detail

Micro and macro all a flow
overly ever rushing torrents
moving galaxies about

Pouring in
more rushes out

You can picture it
over the mighty edges of
and rushing to, fro and about
every swirling an obstacle stout

Though such knows not
one another in such ways
inseparable upon one journey

As She manifests from her he, Self
He's giving for he gets the She of,

An ever persuasive passionate,

Play... .. .

Greater than the dreams

We know of love yet
Shy to conceive

They, their passion
.........
  .....
   ...
    "
    '
We inwardly receive

Those torrential lovers
pourings do spillover
and on and over
and rush upwards
ah ever more easily!!!

Vast sensualities
******* rhythms
of this a, Our universe
in micro exotic intoxicating
allure, irresistibly entwining
the smallest tastes and teases
of songbirds loving symphonies

As butterfly and a bee in the ever
sweet scents of psychedelic sighting
wavings in ever inviting ever ripening
ever flows of heavens manna sweets, but
sours the way short where some say sinners
ought never see or be, though such is silliness see,

For such shy glimpses of what is less than momentary
which is not countable, when our greatnesses will carry on
beyond our redemptions of what only we shall see clearly so
simply, one day twas the dark night of a soul, here blasphemed
about the sacredness of all ever evident being so close found fondly,

Sweetly, though lost in those ever aching wishes of our journeying together

Would death be ****** abandonment at all a freaky thing unconceived
dark night of the great light conceived viewed in our ever grace and beauty
but she lets you feel her he's and all the glory, all the glory an unrealized being
in all our collectiveness has not yet seen but in the depths of where it's consider dark
for simple decisions we all have and must have made to function here, there

and at all,
at once...

No time, no space, no EMC squared's
yet in Newtonian fashion the soul spirit remains
carries on in infinite motion and motions of our choosings
and for better and worse we do all about the same for we
were never thrilled about all the separation we discovered
in reluctance and or in blessed joys of great companies
of loving hearts, eyes, ears, arms with tender loving
caring hands of nurture enough twas enough for
you are still here now and those who have not
have forgiven all other misguidance eagerly
when it is easily found tis only our own
choice to be and set free freely

And I can want any petty desire too
and put myself up for adoption to,

The petting zoo
and you...

For hell yeah I want to be here
all the way and with you
my wayfarers

I Do...

do do dee da da
oo la la and ma mama

childs all of such grace
we oft just call gods

And greater love seen
dispensed philosophically
by self proclaimed atheism's

Denialism can rather be the truth
of atheism, self pitying so deeply
resenting the here now for some
overly wishful thinkings and
of mournful emotionalism's
about the 'it just ain't fairs'

Beware they will take you
to their wheres, wearing
their wares of self hate
while glossfully
painting in
glitterings
of fools
gold

Feign not thou
we are co conspirators
already decidedly agreed
agreeably dancing on the sharp
end of one pointed pin, hand holding

But remember if we were ever shaken
off of binding bonds ever closefully as
the chasms of divergences really are

We still ever dance ever lightly on
the everly fine poignancy of pin

And the illusion of being
garden casted for some
shamefully blameful
denials of the snakes
sly fashion to even
ones need of feed

And or wither from
the long and short
of journey with
the ever's of

here now...

Paradise
Perfectly

Paradoxically

In our
every
way

So I am
in great hunger
greater thirst firstly

For the one great illusion
desert stricken for not seeing
the forest of paradise for every
tree and every grace of all possibility

Without such would come from impossibility*

Once Again...

To some it’s all conjectural,
Philosophically conceptual.
You think you’re intellectual
But your reasoning is ineffectual.
Reviled both by heterosexuals
Insulted as well by homosexuals
And some ugly issues contractual
We are the besmirched bisexuals.

While it is the opposite of equality
It is the essence of our reality,
A warped straight-centric morality
Based on a Christianist plurality.

The straights tell us we must decide
Then put the other gender aside.
The complaints range far and wide
Even gay people opt to deride.
We don’t feel welcomed anywhere inside.
Why doesn’t tolerance coincide
When nobody seems to take our side?
It’s freedom, get on the bus and ride.

While it is the opposite of equality
It is the essence of our reality,
A warped straight-centric morality
Based on a Christianist plurality.

We know, after years of research
Gender choice is not learned in church.
It can be shaped with rods of birch
But those are better for birds to perch.
Denying us freedom is an ugly lurch
Past including truth in a morality search.
Back to when we were ruled by a church
And any variance was besmirched.

While it is the opposite of equality
It is the essence of our reality,
A warped straight-centric morality
Based on a Christianist plurality.

People regard *** differently:

Some see *** as a commodity; to be exchanged for favors and things.
Some see *** as a medium for emotive and spiritual expression.
Some see *** as merely a means to a purely biological end.
Some see *** as a good time and not much else.
Some see *** as a set of diminishing returns.
Some see *** as an escape from themselves.
Some see *** with a keyboard and mouse.
Some see *** as a communion of Temples.
Some see *** as something not to discuss.
Some see *** as just another thing to do.
Some see *** as a battleground for Lust.
Some see *** as an extra long shower.
Some see *** as profane and obscene.
Some see *** an personal preference.
Some see *** as ages-old Dogma.
Some see *** as Heterosexuality.
Some see *** as all that there is.
Some see *** as uncomfortable.
Some see *** philosophically.
Some see *** as a distraction.
Some see *** as meaningless.
Some see *** as a way of life.
Some see *** as a good time.
Some see *** as metaphor.
Some see *** as necessity.
Some see *** as a luxury.
Some see *** as a game.
Some see *** as Mythic.
Some see *** as a drug.
Some see *** as Virtue.
Some see *** as Logic.
Some see *** as Good.
Some see *** as Love.
Some see *** as Lust.
Some see *** as Evil.
Some see *** as Sin.

Few see *** the same way:

How do you see ***?
The only right answers for you are yours.

How do you see ***?
From the first person, or perhaps third?
Is *** a vicarious thing, or is it personal?

How do you see ***?
Is promiscuity absurd?

How do you see ***?
Can your ****** life affect others?

How do you see ***?
Does it matter who it's with?
Does it matter with how many?
Does it matter how rapidly?
Does it matter why?
It sure does to me.

Does it matter for how long?
Does it matter how often?
Does it matter where?
Does it matter when?
Not with the right person.

Upon a midnight’s visage airy,
T’was a lake frozen by fairy,
…and weighing on mind’s tonnage bearing?
There for ice’ opaqueness winter’s seized,
…and arms encased in rime; trees.

“Oh my,”

At dark of sky thought the eye of something troubling upon my mind?

And the frosty cloudy glass,
Take to it upon my axe,
…and the sting of shards will pass.
And will I eat at last.

Thusly, thrusting through the skull, wettened, weakened for the cold.

…and burden carry I with me,
So encased in rime is he,
Doth make of fishing’s night a chore,
Something that I do abhor!
…and stare I did into that sea,
…my frory breathe in imagery,
Dismay it did fluster me, when my eye captured by Sea,
...and in whirling thoughts could reflection see?
…and something else came back with me.

Pool with drops, light curves, dark rings; in vapid mind now find nothing...

T’was a misty sheen seen after showers?

A damp muggy place of reflecting hours,
Typhoid strange did make snowing;
The Asteraceae of my wilted flowers,
…and that Wren philosophically sings,
…and at lake a lone be -ing,

Appearing peering my soliloquy, I am therefore I into thee.
…and fixed calm stared back at me,

“What pray tell I Enquiry?”

Did something else look back at me?

...and glaring gaze thus did see, something I had hid from me,
…and gawking in my mind did ogle; a malevolence of thought once frugal...

A gaping, oscillating, pierced Abyss, forced farther back into consciousness...

Deeper in and further still,
Climb atop Old Arthur’s hill,
…and the winged Raven’s nearer, reflected on me in my mirror?
…and time did pass turning frozen dying, icy tears of sadness from my crying,

…so did silent Hume release, all the pain that’s troubling me; whilst frozen frame thus held in peace?

I fell forward and felt submerged,
Both characters, both now have merged.
And that creature which accompanied me?

Found a solace back in wine dark sea.

It's kinda funny, in this Language,
that the following two words should rhyme:

Rise and Demise

To me, it sort of implies a correlation:
philosophically rationalized
linguistic ties;
phonetic lies,
the phonetics lie.
Which lie? Will I clarify?

Certainly not!

For it is
double entendre;
maybe more, maybe less.
But nevertheless, the moral of the story is:

[this] Language is kinda funny.

The fearless ones
are fanning out
into the woods.

Others are huddled
in smartly constructed
camouflaged blinds.

These self styled
eco-warriors
brave the cold
and the discomforts
of inclement weather.

They keep a
watchful eye
over the stale
remains of
Dunkin Donuts,
bagels and
bacon grease
they cleverly
scattered
outside their
deadly bivouac.

These bold ones
eagerly finger the
barrels of their high
powered rifles,
palming the smooth
wooden stocks with
warm naked hands.

They itch to squeeze
the trigger but discipline
and fortitude inform
the vigilance of these
sentinels of sustainability.

They philosophically muse
about restorative balance
and the paradox of killing
in order to survive.

Another day has broken
over the New Jersey Highlands.

The hunt for bear is on.
Let the mammalian cleansing begin.

jbm
Oakland
12/6/10

Music Suggestion: Radiohead, Hunting Bears

She

I'm waiting for the man I hope to wed.
I've never seen him - that's the funny part.
I promised I would wear a rose of red,
Pinned on my coat above my fluttered heart,
So that he'd know me - a precaution wise,
Because I wrote him I was twenty-three,
And Oh such heaps and heaps of silly lies. . .
So when we meet what will he think of me?

It's funny, but it has its sorry side;
I put an advert. in the evening Press:
"A lonely maiden fain would be a bride."
Oh it was shameless of me, I confess.
But I am thirty-nine and in despair,
Wanting a home and children ere too late,
And I forget I'm no more young and fair -
I'll hide my rose and run...No, no, I'll wait.

An hour has passed and I am waiting still.
I ought to feel relieved, but I'm so sad.
I would have liked to see him, just to thrill,
And sigh and say: "There goes my lovely lad!
My one romance!" Ah, Life's malign mishap!
"Garcon, a cafè creme." I'll stay till nine. . .
The cafè's empty, just an oldish chap
Who's sitting at the table next to mine. . .

He

I'm waiting for the girl I mean to wed.
She was to come at eight and now it's nine.
She'd pin upon her coat a rose of red,
And I would wear a marguerite in mine.
No sign of her I see...It's true my eyes
Need stronger glasses than the ones I wear,
But Oh I feel my heart would recognize
Her face without the rose - she is so fair.

Ah! what deceivers are we aging men!
What vanity keeps youthful hope aglow!
Poor girl! I sent a photo taken when
I was a student, twenty years ago.
(Hers is so Springlike, Oh so blossom sweet!)
How she will shudder when she sees me now!
I think I'd better hide that marguerite -
How can I age and ugliness avow?

She does not come. It's after nine o'clock.
What fools we fogeys are! I'll try to laugh;
(Garcon, you might bring me another bock)
Falling in love, just from a photograph.
Well, that's the end. I'll go home and forget,
Then realizing I am over ripe
I'll throw away this silly cigarette
And philosophically light my pipe.

* * * * *

The waiter brought the coffee and the beer,
And there they sat, so woe-begone a pair,
And seemed to think: "Why do we linger here?"
When suddenly they turned, to start and stare.
She spied a marguerite, he glimpsed a rose;
Their eyes were joined and in a flash they knew. . .
The sleepy waiter saw, when time to close,
The sweet romance of those deceiving two,
Whose lips were joined, their hearts, their future too.