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Elijah Bowen Dec 2019
people **** people
with nothing but fingers and hair
and their very heavy breath.
their breath like a crow beak
before crucifixes of straw. like a tightening banishment of a lung.
remember when we would blow it
onto our car window and create that
consistent mirth of fog to
begin in?

the bodies riddled with bullets that flank
the highway are no such thing.
the schoolchildren lying face down in the corner of the closet are no such thing.
they are just winter coats with schoolchildren to fill them
for the time being.
no amputation of what’s mine
will aid them into the grave.
no mass communication grief. so
why would you call it a mass grave when in truth it was just a pit i dug to fill with crowds of people who died under the pretense that they had previously done so,
that nothing was new under the sun.

and when people **** people like people
do with their instruments
as ways of extending themselves into the world and into the marrow of our body
obliterating organs of people with their stretching of the muscular rib, shoulder.
one eye closes firmly.

it’s nothing but a hand gun
as if to say a hand eats the gun
and makes it whole.
as if to say the reinforced metal door
exit plan for people who are being killed by other people clicked shut and locked
15,000 years ago and i can’t quit slamming what’s left of me into it.

your kid is very dead.
but then again so is mine.
suppose they killed each other.
suppose they both made the mistake of dragging their small, stupid bodies through the trajectory of another body in the first place. in the chip aisle of a gas station maybe. in theaters this christmas.
in the midst of a good song that began playing on the lobby radio
just a minute before,
oh yeah before,
things really got going.

i saw people killing people
on television the other day
with their
whole bodies,
devouring themselves like surgical gloves
slick with oiled consumption
and bleeding out
and i could do nothing.
some kids died just because
and they told me so and i was told nothing could ever help them because they were just people and they were dying.

“breaking news” ended up just being people again.
in those moments, i was eating breakfast.
our houses were very quiet and needed me in all of them, grandfather clock over CNN, clarifying what has already been
committed and committed again.
the cipher was others lost blood.
Elijah Bowen Dec 2019
i rather like the taste of men

on the brink of something.

mere seconds away.

i like the brininess of their belly.

the dead drop to their pelvis

and i so like it when

my gaze is in grease dollops

sly and

cut, by morning, onto their thighs.

this is no accident, because god creates

for worship and i am meant to be.

god creates me right now and tomorrow

and if you ask him, he will tell you that

i am no light touch, no wind-chime

brush in the mississippi november.

i am a rollicking thing.

i lean on you like truants on brick walls

chew up all the toothpicks

of all the diners from here to oakland.

i drum the earth with a flex as

tense as a cymbal and recline

in the suddenness of peeping eyes.

hourly,

i will cut my teeth on you,

romp to the city of men,

and feed.
Elijah Bowen Apr 2019
hate sings a love song,
blithe, pretty, little tune
in honor of its heritage.
hate sings sweetly, a song
of marches and hangings,
of ghettos and slavery
it hums admiration for its people.
it sings of this land.
the majestic peaks and playful meadows.
it sings, with love, of blood-drenched cotton and  
trenches adorned with crooked bodies.
it sings of its forefathers-  
the conquistadors and pioneers.
saintly butchers and child rapists.
hate paints it’s history holier than the Sistine Chapel,  
singing blindly like a hymn.

hate sings a love song,  
possessive and vicious.  
it scrawls the lyrics on
subway walls and sycamore trees.
it sings in symbols and metaphors,
accompanied by the beat of temple gunshots and kicks to the ribcage.
hate sings through the pulpit and the pew,
clipping it’s verses from a holy book,
it sways to the rhythm of “Amens” and “Hallelujahs”

hate breathes down my neck and yours,
knocking door to door,  
bearing music with a message,  
it weeds out the undesirables one by one.
for the greater good,
hate tortures children therapeutically,
and executes those presumed guilty.
it erases generations
in concrete rooms  
and in the bellies of ships.  
it explodes homes,
smashes panes of glass,
and burns every convenient symbolism.
hate roves and rages and spits and howls,
singing the song of a beautiful future.
Elijah Bowen Apr 2019
I burn **** between my lips.
one by one.
******* them down with skill.
Skull to lungs,
ashes to ashes.
I am the smoke of myself that  
gathers deep inside
and prowls out, darkly
like faceless men at night
sunken in city pavement,  
pacing towards desire.
And so the word saunters and spirals,
clouding upwards
from my red hot tongue.
I watch it as it leaves me.
I lick my lips of the sting,
and ash drips on my shoe.
I take a deeper breath.
and look ahead.
perhaps smiling,
perhaps darkly.
As it twists itself into nothingness,
sinking headlong,  
like the private history that it is,
into the ignorant, pretty sky above.
The use of the word "***" here is, of course, meant to be a double-entendre. I swear I'm not British, nor do I have an affinity for cigarettes.  ;-)
Elijah Bowen Apr 2019
the ******* claw at the bone-
their skull cap bastille,  
domed in like ants under a bowl,
whispering and itching,
searching for any crack or hole...
They are possessed.
and so they pulse like an enemy drum
Hostile and sonorous,
Pounding the mind with a beat.
Release, release, release...
My myriad, my
beautiful collection  
of muddled madmen, transients every one,
How clumsily they lust,  
and with sweet earnest,
for the lines of my notebook
or the empty air around my lips.
Some I swallow deep to still the frenzy,
Suffocating language in my stomach.
Others I concede to spill out into life,
I am indiscriminate.
watch the lucky ones stumble and run like blood,  
towards liberation by bated breath.
Elijah Bowen Apr 2019
Here in America,
we improvise morgues
as needed.
in the cafeterias
or by the lockers,
near the ticket booths,
and at the altars.
We divvy up the dead.
Tally them
and report the number
like an answer.
13, 20, 49, 58, 6
Every death count
a timely national shock.
Almost as if  
our well-televised  
monthly tragedy
was ever anything less
than a game of roulette.
anything less than a matter of time
and time and time again.
Covering them each
with our bed sheets,
we try and stifle it.
Do our best to
staunch the the sights,
the noises,
(“just like chairs falling”)
the names
that keep bleeding out
onto our thoughts  
and tongues,
Far too much and
too often
not to choke on.

Here in America,
we’ve learned that  
horror is level-headed.
It is debatable.  
It is pangless.
It seeps, deep to the core,
perverting with a silent smile.
the steady, feverish dread
weaving itself into the mundane.
the “god help us”  
annulled by the
“respectfully disagreed”
the nightmare that lies  
always just underneath,
and just out of mind,
Until it insinuates itself
Again and again...

Here, in America
We line the bodies,
death slumped, and  
bled out on the pavement.
We arrange them-
Side by side.
Most are missing things-
a hat, a piece of face.
one shoe, a dulled pencil
(fill in C)
phones
buzzing on the ground
lit up with unread messages
(“Please call me”)
They are missing-
an upcoming  
7th birthday party,
(Star Wars themed)
They are missing-
their vacations.
their first dates.
their college applications.
job interviews.
kids.
fiancées.
Lined up lifeless,  
they are missing
far too many things  
to gather.
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