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 Mar 2016
Harry Randle-Marsh
You’re your own idea
written in blood and electricity.
You’re Pulcinella. You’re judy.
You’re someone else’s description
of light
imagined alive.
You’re temporary.
You’re the dream in a Jivaro head.
There’s the ceiling of a skull
just above your clouds
and even further out
there's another.
You’re pock-marked, wood-wormed
with thoughts,
words,
that you’ve been taught
on you, like tattoos
and shared birthmarks.

You’re picture-framed
in my eye sockets
flipped and made
understandable
and only some of you
oozes
through
like the sun
below the surface of the sea.
You’re me
and i’m you
swirling in each other’s boundaries
like the Tao and oily water
and the point between the colours in rainbows.
You’re infinite to mayflies.
You’re an explosion’s leftovers.
You died last time I saw you
and reformed in the doorframe
when I came around again.
You’re the world’s re-used love letter
from ****** to organised organism
incubated in original sin
the kiln
making Russian dolls from living things.
You’re the seed of a ghost.
You only existed since this morning
and yesterday’s you woke up
and is now out haunting.
You’re both here, and there, and here
a string vibrating
a seismograph
a tree ring
Earth’s music
playing
and playing
and playing.
All the things I know about people I don't know.
 Mar 2016
Just Melz
She lost her mind caught in a web of lies laced with deceit
Tangled in knots made of suicidal thoughts left on the concrete

She lost her heart in the aftermath of an unrequited love
With more passion and pain than she could ever have dreamed of

She lost her soul to a man she didn't know and can never get it back
Crying inside and constantly on the verge of an anxiety attack

She lost her faith in life with so little to show for all that she'd done
Burning all the bridges she'd carefully built, fading away from everyone
 Mar 2016
Nigel Finn
Auden wrote "weep for the lives your wishes never led."
But I think it's better to be happy instead.
Why need I shed tears and feel such regret?
I've the rest of my life to achieve better yet.

I might not be sportsman, I might not be a star,
I may not be rich or drive a flash car,
I may not be known in my own local bar,
But who is to say that I won't travel far?

"Wheat is wheat" Van Gogh once said,
"Even if, at first, like grass it seems."
I've amazing things inside my head,
And I can paint my dreams

And oh, my friends! The things I dream
Would make you laugh and cry
As they focus on the age-old theme;
The persistant question- Why?
Sometimes I'm the cat who's got the cream,
Others; a web entangled fly.

It matters not much what I do,
Much more so what I think,
So to quote the great W.C.Fields;
"I believe I'll have a drink."
“If I am worth anything later, I am worth something now. For wheat is wheat, even if people think it is a grass in the beginning.”― Vincent van Gogh

When Van Gogh was a young man in his early twenties, he was in London studying to be a clergyman. He had no thought of being an artist at all. he sat in his cheap little room writing a letter to his younger brother in Holland, whom he loved very much. He looked out his window at a watery twilight, a thin lampost, a star, and he said in his letter something like this: "it is so beautiful I must show you how it looks." And then on his cheap ruled note paper, he made the most beautiful, tender, little drawing of it.

When I read this letter of Van Gogh's it comforted me very much and seemed to throw a clear light on the whole road of Art. Before, I thought that to produce a work of painting or literature, you scowled and thought long and ponderously and weighed everything solemnly and learned everything that all artists had ever done aforetime, and what their influences and schools were, and you were extremely careful about *design* and *balance* and getting *interesting planes* into your painting, and avoided, with the most astringent severity, showing the faintest *acedemical* tendency, and were strictly modern. And so on and so on.

But the moment I read Van Gogh's letter I knew what art was, and the creative impulse. It is a feeling of love and enthusiasm for something, and in a direct, simple, passionate and true way, you try to show this beauty in things to others, by drawing it.

And Van Gogh's little drawing on the cheap note paper was a work of art because he loved the sky and the frail lamppost against it so seriously that he made the drawing with the most exquisite conscientiousness and care.
 Mar 2016
Eriko
dripping rose red
clung to the curves,
the hips and *******

laced backs peeking
to shoulder blades
and pinprick skin

echoing clasping heels
ripple of fine fabric
bouncing jazz music

dazzling yellow lights
bare neck and white teeth
arms tucked to the side

fiercely dazzling
 Mar 2016
Ignatius Hosiana
For
you're
                              a treasure
                &     I dig you
                     could
               explain
            why
                   they
                        claim
                  I am
                        a
              Gold digger
 Mar 2016
Francie Lynch
On the Emerald Isle when the brier's green,
Occur strange sights seldom seen.
There's golden rainbows and small clay pipes,
And wee folk dancing every night.

I've heard stories of the leprechaun, but
Before I see 'em they're usually gone.
Yet one green misty night in the brier,
I saw them jigging round the fire.

Sean and I were in green Irish woods,
Gathering shamrocks and just being good.
While searching near a hidden creek,
We heard faint giggles from fifty feet.

Near the giggles grew a small green fire,
Perhaps six inches high - no higher.
We crouched low for a better look,
To our surprise we saw a small green cook.

He wore a tall green hat and pulled-up socks,
And stirred a *** of simmering shamrocks.
Smoke curled from his pipe of clay,
Why, I remember his grin still today.

A band of gold encircled his brim,
My little finger seemed bigger than him.
He had golden buckles and a puggish nose,
Glimmering eyes and curly toes.

Sweet music floated on wings of air,
Fifty-one leprechauns were dancing near.
They passed the poteen with a smack of their lips,
As each in turn took a good Gaelic sip.

Suddenly the gaiety quickly slowed down.
Sure we were that we'd been found.
But they all looked north with reverent faces,
Bowed their heads, stood still in their places.

The banshee's wailing was heard afar,
O'erhead the Death Coach had a full car.
The wee folk respect, it must be said,
Erin's children when they're dead.

Soon flying fast through the green night air,
We spied King Darby hurrying near.
He rode atop his beloved steed,
O'er dales and glens, woods and mead.

His hummingbird lighted on a leaf,
And all the wee folk knelt beneath.
With a golden smile he waved to all,
To officially begin The Leprechaun Ball.

Tiny green fiddlers fiddled their fiddles,
That sounded just like ten thousand giggles.
Dancers danced on mists of green,
Pipers piped, but none were seen.

They danced and ate and passed the ladle,
And kicked up their heels to Irish reels.
We enjoyed the sight late into the night,
But suddenly they gave us a terrible fright.

They saw us cowering behind the trees,
So they cast a spell which made us freeze.
We'd heard what happens to caught spies,
That now are spiders, toads or flies.

Well, old King Darby drew us near,
Sean and I were in a terrible fear.
With a grin and a snap he made us small,
And requested our presence at the Leprechaun Ball.

We reeled and laughed with our new found friends,
'Til the green mist lifted to signal the end.
With a glean in his eye the good King said:
"'Tis sure'n the hour yous be abed."

He waved his shillelagh to return our height,
Wished us well and bade good-night.
And as they rode the winds away
I suddenly remembered it was St. Patrick's Day.

I'm sure the lot of you think me a blarney liar, but that night I assure you
I danced 'round a green fire.
A fav I re-post every St. Paddy's Day.
 Mar 2016
Stefan Michener
I am my sober side
Not the one you see
Drinking a slow suicide
I am not really me

I am my sorrier side
Not the one you hear shout
Deserving some soap inside
A foul insincere mouth

I am my somber side
Not the one laughing
Ignorant and amused
living In worlds of nothing

I am my depressed side
Not the one you feel
Tickling your fancy down the slide
I hide my face and kneel

I am my repressed side
Not the one you sense
Has hope in Hell on the outside
Of my lily-white fence
 Mar 2016
Ignatius Hosiana
We must be
             bypassing
    each other
         along these
streets our
       eyes locked
      to our phones
     smiling to
the humour in
someone's
   consolation about
being single
           on their
  Facebook status
    otherwise
        what
            explains this
               delay in
               our encounter?
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