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Paint me a picture
Of your skin
Does it bronze beneath the sun?
Or sizzle and blush
Like your cheeks
When you’re in love?
Is it soft to the touch
Like when your palms graze
The smooth surface of water?
Or rough around the edges
Like your favorite book
And its lovingly worn corners?
Does it melt in the heat
Like sweet syrupy treats
Dripping through your fingers?
Or does it welcome the winter
With wide open arms
As if greeting a lover?
Paint me a picture
Of your skin
i dread the day you learn
for the first time that
you can't just love all
the darkness in me away

and no matter how much
you care i will still toss
and turn at night and scars
might still appear on my skin

i dread the day you realize
that you can't cure me
and sometimes all you can do
is stand next to me and
hold my hand through fog
pouring out of my ears so black
and thick we can't even see
each other's faces

i dread the days i can't
get out of bed
the days you want to
take me out and all
i can manage is a prettified
shell of myself

i dread the day you learn
that sometimes no matter
how hard i try i still can't
pull myself together

the day you learn that
there isn't an answer
you can give that will
save me from my fears

you aren't the first person
who has tried to love the
darkness inside away
my family and friends
have given it their all
but someday you too will learn
that if love could
cure mental illness
the world would be
a much better place
copyright 8/6/18 b. e. mccomb
Almost asleep when my phone ticked;
'A notification,' it says.
Your name was there, you liked my photo.
And my stomach drowned in butterflies—
Scratch that—moths, surely they're moths.
Stronger, buzzier, like your power
To occupy and stay in my brain
With that single heart emoji beside your name.
Thinking that the double tap
Is as if you love me just the same.
These days have ebbed
as Love's swell was checked:
the waters in some places
- all but dammed!

But now at last
I sense the rising tide
and thank Temese
for the current's turn;
now following that great writhing snake
to where its pulsing head will rake;
over the mucky soiled watery beds
of Woolwich
Greenwich
Limehouse
- and under -
Tower Bridge

     To that great gloating sight
                A crown of a billion lights
     Blazing day and night:
                And somewhere within
     In the slick oily warmth
                Our flood tides mesh,
     As over each other we wash.

Hard thrusts
wicked deep cuts
given and received
are recorded in that great mirror smoked!
where with a tug and a shove
on the banks
in the streets
through the loopy twists
everything prospers in the glow
as the decades decaying flow;
each ***** bud
red with new blood
one after t'other
flowers
before their purple petals scatter.

Let's on the luck o' the dice
(you 'n' me!)
ride out
on the flotsam and jetsom
that has carried us this far
and as pleases
merge.
London, a city with a rhythm, the Thames, which I sailed upon one Saturday morning - not a soul at this end of this magestic river, this city, in which I have lived for forty years...And love - a wonderful woman - and how I desire us to pull at each other as tides do, tugging at each other, two flows running over reeds and muddy shelves searching for each other in the cool green depth.
Lick my lips
Cradle my face
Gaze into my eyes
And tell me I'm safe
What's it take
These days

To write a poem

That makes the world go mad
That brings the crowds to their feet
That spreads like wildfire
Through a dry winter forest

Is it those excessively long words?
The ostentatiously loquacious
Platitudinous ramblings
Of an insecure mind aspiring
To authentic intellect?

Is it perhaps...
     the "creativity"
               of      varied      spacing
  or...    could it be..... the lack
                              of capitalization
               the loathsome little letters
               screaming out
                         hey, look at us!
         ... or maybe it's
               the punctuation marks,
     littered, haphazardly
          through the text
                    (whether used correctly)
               or, theyre not?!
     despite worrds mispeled
          and a grammar might is broken
   can these gimmicks increase interest
        though miswritten or misspoken?

Is the trick alliteration
Whose bite brightly bids us
To center on the snappy sounds?
Although all along
     unvoiced underneath
Ideas idle in the isles
   (or perhaps the aisles)
Of the mind
To meld and craft and bind
Our thorough thoughts
And worthy words
Into lines
Which
Heard by herds
Raise the
                  Praise for which we
                  Privately, desperately
                  Pray

Maybe it's a magical mix
Of splendid in-your-head rhythm
Marvelous meter that perfectly clicks
Flowing smoothly without schism

Well-spaced stanzas
Well-used time
Well-crafted phrases
Well-thought-out rhymes

Well, maybe not...
     those gems are often ignored
     cast-aside, unread, even abhorred

Why?

Because the modern world
doesn't need your rules
your restrictions
your regulations
your misguided boundaries
your oppression
your antiquated ideas
   of "the right way"
   to write
   to speak
   to act
   to live
   to (fill in the blank)

No, what the modern world needs
is
Negation!
Contradiction!
Resistance!
Revolt!

And poetry whose words
Say the same thing
Repeat the same meaning
Echo the same lyrics
Rephrase the same thoughts
But in an ever-so-slightly
Different
Varied
Altered
Adjusted
Changed up way

Line
After line
Of synonyms
          over
               and
                    over
                         and
                              over
                                   again

-----

What's it take
These days

To not give in
To narcissism's spiral?

But more importantly:
What's it take

To make my poem go viral?
Only halfway cynically written, I swear!
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