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Chain-link clatters,
her small pickup nosing through.
We’re here for a refrigerator,
her new apartment,
first time I’m meeting anyone in her family.
She’s beautiful,
nervous in the passenger seat,
told me her brother used to be a skinhead.
Now: better, odd jobs,
an Asian wife.

Sparse walls, half an office building
pretending to be a home.
A baby crawls on the kitchen floor.
Mei: tired eyes, lipstick,
business suit, late for work.

Her brother just waking up,
empty malt liquor cans,
talking too fast,
about jobs, about not sleeping.
I’ve seen this math before:
people who struggle to get their life straight,
their day straight, their time straight.

The fridge is light as air,
a few condiments rattling inside.
We slide it out:
black square on the linoleum.
The square bursts,
roaches bloom and scatter at my feet.

Thinking: pick up the baby.
Mei already has her,
no expression,
like this scene’s happened
a hundred times before.

"We’ll keep the fridge outside,
- just a day,
use boric acid, no smell."
I smile when I say it,
like I’m just talking about a squeaky hinge.
Inside it, insects crawl around the compressor.
My girlfriend looks away, down.

Fifteen years from now:
A faraway post online,
in memoriam,
her brother beaten to death.
The baby, the family, now
gone from the map of my life.

Only the black square remains,
still crawling
in the back of my mind.
There is a thing I wanted so much--
a thing always denied.
The evil and the angelic made a pact

and placed this desire in my heart
like a ticket hidden in a boot
worn by someone desperate in a station.

I tell people this desire is over--
that I visit its grave on holy days
to leave woven weeds,

but there is no grave because it is not dead--
only paralyzed like an aster when there is no wind,
no sun, no moon, no garden.

There is someone coming up the stairs
to hurt my heart, and they are so lit with beauty,
such an ordinary marvel.

The hallway floor is wood, the light there yellow in autumn.
It is morning, but the birds are mute.
My heart stops, the visitor walks past, the world ends,

but no one notices. There is no fool like an old fool,
no desire that cannot exalt or destroy,
over and over, in silence, like Shiva in a recurring dream.
Drunk, we walked west to the ocean,
drop soup and sake,
sloshing in our guts.

You would marry in twenty days.
I stayed close,
swallowing the words
that would’ve ruined it all.

In seven years,
I will have a son.
You will bury yours.
We will wonder - quietly -
if souls can be traded,
if grief moves
like a current
between blood that is not blood.

The tide was electric,
a woman waded in,
cupped bioluminescence
like an ember from the deep.

We stood apart from the others,
two men
bone-wet and wind-bit,
trying to scratch our names
into blue light,
signatures gone
before the next wave came.

I never told you the future.
I let the dark reclaim our feet.
You laughed,
drunk and perfect,
and I looked away
as the sea
turned the sand
back to stone.
Harry bends over the grill,
beefy with years of drink
and culled anger,
scrubbing until silver shines,
a bullet waiting for my shift.

He believes if the French Toast is perfect,
she will appear in a halo of steam,
peacoat and Mary Janes,
ready to forgive the life they never had.

Outside Brother Juniper’s,
Peachtree Street is a kingdom
of late century's lost:
druggies, rent boys, drag queens,
pimps preaching Jesus
to the homeless in Piedmont Park.
The smell of grease stitches it all together.

Inside, fluorescent light
makes faces soft as wet clay,
ready to be remade by morning.
French fries sizzle like whips,
blintzes bleed cherry onto chipped plates,

and Tati, round as a blessing,
delivers soup to the sobbing girl
whose mascara becomes a confession.

I clock in,
busting knuckles and boots,
young, stupid,
just trying to keep up with him.
I know he wants her to return.
I know she won’t.
I know he’s getting older.

I watch Harry’s grace and sweat,
watching the city believe
in one last plate of salvation.

At dawn,
he’ll stumble across the street,
feed the jukebox Ray Charles,
and search the sidewalks
for her red hair in every stranger.
From a sugar bowl womb,
came the World's Sweetest Girl--
Me.

I'm like a vision at lake side,
talking rot to the swans--
and oh how I do go
on
and
on.

I am formed of the frilly, the feminine, the fine--
thanks to old Daddy down the anthracite mine.

One step,
two step,
three step, five;
I'm made out of honey from an old bee hive.
Work bee,
fly bee,
sleep bee, then
sink that stinger if he tries it again.

Church on Sunday, Monday do the wash.
See if it sticks or scrubs right off.
Do you think I'm pretty?
Everybody does--

ask around,
ask Alice,
ask sweetly,
ask the swans.
brimstone jump rope chant
Cree‑cree, Cree‑cree,
Papa Limbo,
Lè ou vini,
pa janm antre.

Papa Limbo,
tall and thin,
Creeping ‘round my house again.
Tip‐toe, tip‐toe,
can’t come in,
Salt and brick dust on my skin!

Metcha’ a man
inna’ crooked hat.
Sleeps all day with a one‐eyed cat.

Sings me a tune through his busted tooth,
’bout-a girl he lost
in a photo booth.

Jump, kid, jump.
Don’tcha fall.
Rusty nails
Rusty nails
stickin’ in a doll.

Gonna clap twice,
Spin a skirt around,
Listen to him moan like-a jail-house hound.

Trip that rope
hear his call
He’s still collectin’ girls for his picture wall.

Cree‑cree, Cree‑cree,
Papa Limbo,
Lè ou vini,
pa janm antre.

Clap two times,
spin about,
Papa Limbo,
you get out!

Red dust, white salt, slam the door,
Shadow can’t cross
my floor no more!
Jump Rope Chant (Creole) inspired by Shay Caroline Simmons https://hellopoetry.com/poem/5129264/from-a-sugar-bowl-womb/
Sixteen,
skin baked with brine and chlorine,
Top 40 hissing in my Walkman.

The girl found me first,
barefoot on the sandy trail,
tears spilling, pointing back to the sea.
A jellyfish sting, she couldn’t say it,
just clung to my leg like kelp.

Her mother rose from the dunes,
black bikini, tan lines,
two beach bags gnawing her wrists.
coconut oil, salt, chipped Jackie O shades.
She sighed, called the girl dramatic,
drifted home on scraping sandals.

Their world leaked into ours,
adjacent green bungalow
with fronds rattling like bones,
oranges sagging into white fuzz,
ATV ruts torn through the yard.
Rob polishing his Camaro,
coughing through pollen and Skoal,
swearing he saw a gator the size of a boat
slide into the canal at dusk.

She’d wander up, black bikini,
thighs shining,
shadow falling across my pool chair.
“Hey, you see my kid?” she’d ask,
leaning close,
the scent of Coppertone
and Marlboro Gold
fogging my thoughts.

I’d shift polite, church-boy manners,
“No, ma’am,”
She’d smile
at the clumsy hormones
rising off me
like steam.

Nights were bonfires,
oranges softening to flies,
Rob coughing in his driveway
while the pool light hummed and flickered.
Her shadow swam on the walls,
slick as the gator sliding into dusk.
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