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R Nov 2018
We are not scarecrows.

We know this, and yet
we can be mistaken for them, on
dark nights when legal actions ****.

We are not scarecrows, because
Scarecrows are used to scare crows and we
are used to scare someone - ourselves - into staying silent.

We are Not scarecrows, but someone passing by would see
both in an equal light, not quite human but trying.

We are not scarecrows, because at least we can
Vote where scarecrows only stand but Scarecrows are not told they
Can't serve their country or use the correct locker room.

We are not scarecrows because scarecrows can't hear
Slurs and whispers behind them like caws of a bird who only needs to survive.

We are not scarecrows but maybe we are,
Reduced to sacks of lifelessness that may as well be hay because it's a lot harder to find a story with me in it then a story with scarecrows.

We don't want to be scarecrows.
I whistle for the Scarecrow to lead the way right after Neur decided to leave. It begins to form a black mist/smoke like essence in the middle of where I stand then it unifies and creates a Scarecrow with red eyes and it makes noise and flies slowly in front of me. Finally it lands in a mysterious cave where I stand in awe as I see ...there the Scarecrow stands on top of a crystalline rock emanating from the entrance of the cave itself. I walk in and I feel an eerie feeling go down my gut...something tells me to look immediately to the right. So when I do there it is the mystical impenetrable rock Aziel was talking about. Then just then I feel a sense of ease and Aziel says telepathically..."So my not what are you waiting for destroy the rock and retrieve the relic." So all the sudden I feel a sudden deepening defining feeling in my chest and I acquire the powers of Darkness for the first time in my quest for revenge is paying off. I command my whole arm to become a sledgehammer and hit the rock directly and it cracks in a half...there stands a beautiful glowing base with a fancy top on it ...made out of red diamonds and showered in Gold. Then I am relieved. "I got it" I tell Aziel telepathically. Then Aziel responds worried ... "Come as quickly as you can because I believe the Goddess is onto you...plus I cannot sustain you with the power of Darkness only 45 more minutes. Therefore,  come friend for you will be handsomely rewarded. " As I am getting out of the cave I hear galloping coming up the path I came. Then to my bewilderment Boom there stood a huge 32 ft tall ElderGloomTree It looked at me and it had a sweet berry like strawberry like scent in the Air it smelled beautifully nice.
The middle of the tree there was a mouth like sideways and it opened inside it slowly took out it's tongue and there was a small what looked like a mustard seed with rainbow like colors all over. There that little seed grew before my very eyes in the matter of split seconds and formed the shape of a beautiful glowing young woman with beautiful green skin and black hair with blue red and white stripes on the hair color. She spoke to me kindly and softly her breath smelled like fresh mint...I was astounded. Frank: "Yyyoouu...mmuusstt....bbb..e..." I stuttered... Nabyah: "Yes Young Mortal I am Nabyah many call me the Goddess Of The Forest Of Whispers. What are you doing here...what is that your carrying and oh one last question...I heard from Neur you was seeking me." Frank: "Indeed I am Frank Deltoro and I am here to request something from you...in return I'll do something you want done. If it's under my power and will to do so I will aid you." Nabyah: " I want to aid my tribe of centaurs and the remote Cyclop  village of Vlakazamuk & Chalekathan *
  We want to stop the killing of Centaurs and the human captures from capturing Cyclops and making them work enslaving all Cyclop population or sometimes brutally **** them and practice known as
Davalkaj Shamanism.

You humans and your inventions to destroy our home-world and natural habitat. Tell me what makes you think I'm going to help You? Should I **** you for trespassing my forest?" Frank: "Well... I didn't come to fight but if i must we can clash but I would rather we handle the situation like 2 Grown up adults here well you for one am sure have lived thousands of years now but hey...help me and I will do my best to remove the curse." Nabyah: " Fine but do come ...come close to me I will kiss you in the lips once and you shall have my blessing..." Aziel shouts telepathically: "Use the power of the Dark to see if she is giving you a curse or a blessing...if you take the kiss and become enchanted well since the power of Darkness is in you it will be removed. But if it's a curse I shall take it and renew your power by some. So either way it's safe go ahead kiddo...I know you want those lips. Get em" I just nod. Then wow I kiss the Goddess and it's by far the most romantic thing that's ever happened to me in my 25 yrs of living. I felt a holy power showering over me then the power of the Dark was immediately removed.
Then all the sudden she makes a beautiful hymn comes out of her mouth and a fairy about 3ft tall with 6 wings flying in mid air hands Nabyah a gorgeous engraved Vial of blood. "Here is what you seek warrior; proceed carefully not only benevolent souls and entities linger here. I leave the area as soon as she hands me the vial of blood. I get about 50 ft away from the area and the power of Darkness consumes me I transform to a Giant Bat and head back to Aziel.
In the Castle am greeted with pleasure and I hand him the vial of Goddesses blood. There and then he drinks the elixir of blood and before my very eyes he regains his youth and full power. Then there stands 5'7 Sharp look young man about 20 to 21 years of age. He disappears and reappears behind me tapping me on the shoulder. Aziel: "Frank I am in complete debt with you for only and even though we do not agree nor do I love him any but thanks the Lord...you helped me regain my full vampiric power. Ahhh it feels amazing. Hahaha  he embraces me in a warm hug.  Now what do you desire my mortal friend?
I think deeply..."I want to help the Goddess remove the curse from the forest." Aziel: "I usually don't meddle in human affairs but I am making an exception I'll help you as long as your willing to help me destroy the Order " Frank: "Does this mean I must look for the Relics Neur Blackthorn asked me to get ...since I got the vial I don't really need to do it no more right?" Aziel: " I'll let you borrow the power of Darkness for 6.5 more hrs till morning comes" Frank: "Thanks Aziel once again for letting me gain more power and knowledge."

~ *Meanwhile


At a very remote location deep in the heart of the Forest Of Whispers lived Bethilda Wood. She has lived in a old ruined cabin for 700+ yrs also she is known as The Elder Witch *Empress Of Darkness
known to bestow powerful spells and hexes but also with the gift of healing and releasing souls back to the Almighty One. A young Wiccan woman comes up young in age her skin tan/white heading toward the old rugged cabin...then pauses whistles a delightful melody and a staff appears.  Having been trained in the field of magic this young witch is been taken under Bethilda's wing. Bethilda:  Adrianna  darling come I have a surprise for you. Follow me to the pond of *Greater Enchantment. Adrianna: So... I heard you became the High Dark Empress 1200 years ago. Bethilda: Yes that is true I been a Witch for the past 1600 years or so. I survived the middle ages the dark ages and the years of enlightenment.  It's something I been willing to be all my life for I meet the man who carries my heart a young man known as The Count Of the Night. Dracula! We fell in love and I bore 3 of his children who so I have heard inherited the gift of becoming a vampire and they inevitably became vampires, more like the 3 princes of the night. Vladimir my first born Aziel my middle child and Uriel the youngest of the three. I been on the quest of finding Jesus Tears a small opaque flower the color of silver to complete my spell and relinquish Vladimir's soul to the mortal realm fit it into a red diamond and transfer it's soul essence into a freshly dead human body. With that he will come back to the World of the living and redeem himself and take revenge on the Order. Adrianna: I will help you. I will find this flower you'll see. So then they practiced spells from there on out.

~ Meanwhile

Its 1 a.m. and Frank heads out to seek the Ancient Relic. With the complete power of Darkness at his disposal he sends out 3  scarecrows to look for areas of interest in the Forest Of Whispers. Two of the  scarecrows come back one doesn't so that last one got killed by someone's power. Frank communicates telepathically to Aziel. Frank: I think someone is onto us Aziel guard the Castle it might be the Order. Aziel: already got it covered buddy. Then Frank feels a very strong power slowly emanating from the Southeast part of the Forest Of Whispers.  Frank transforms to a bat and heads there. As he gets there the small village of Chalekathan...
He who has been destroyed there stood a mysterious figure in the middle of the havoc a mysterious strong power could be felt from him. Mysterious Man: Hello adventurer my name is Navarro Castle-worth I am the Warlock of the *Tower Of Frejoird
where I was trained to use magic and rituals to summon strong deities into this plane of existence.  I got here too late someone had destroyed the village before I got here. Frank: Right ...my name is Frank Deltoro and how do I know your not the one who destroyed the village? Why should I trust you? Navarro: Young friend...I do not desire battle but if it's necessary I will satiate your thirst for battle...Navarro Summons his staff and says some words and a Huge Nightmarish Creature that looks like a dog with a fog of Darkness surrounds the Creature. Frank summons the power of Darkness and since its 1:33 a.m he gains the *Wings Of the Desolate Count which makes his power two fold. There Frank stood looking at Navarro in the eyes and him looking at Frank with perspicacity. All the sudden a trembling can be felt and a Huge Cyclop comes out of the Wilderness. Mysterious Cyclop: Hold one moment ...this man is telling you the truth young Mortal. Frank: Woah a Cyclop what how did you get here? Frank loses his fighting stance and so does Navarro...My name is *Jhino Velvermount I am from the Tribe Of Chalekathan* known Village Of the Largest Cyclop population. "Come I show you what the Witch Of the Tavern Of Doom Dragons* done her name is ...whispers Bethilda N. Lement. Raised originally in Sweden in the small farming town of Wrellender* learned Martial Arts Of Taijutsu and Ninjutsu. Able to control Lighting/Air/Water/Fire/Metallic energies. Coming from a family that practiced Zetzou Buddhism. Who are thought at a very young age to control the Chi* Energies of the body how to practice Re-Vitalizing and Re-Energizing the Chi to be able to stay in a meditative/active blending of consciousness with the subconscious to make Ninjutsu possible. She is known to have rested 1322-1555 A.C. about 250 not been too active but her Great Grandmother. Nayya M. Element who was born 1119 A.C. in the same village one of the co-founders of it who placed the curse on the Forest Of Whispers and it's being sustained by her Great Granddaughter Mrs. Lement. Now me and Navarro follow Jhino to the Village. We go thru extensive difficult paths that leave me tired for an excruciating 5 hrs of walking. Finally arrive at the village... and there is about 30-40 Thousand Cyclops gathered around the Village to hear Gromm ElderLord of the Village Of Chalekathan. Gromm: My stance stands I am here to protect my people from the evil that has left this village wrecked record in the past 300 years. I will NOT allow Bethilda to wreak havoc here no longer. There Me and Navarro and Jhino stand behind the large crowd waiting for the speech to end. The speech finally ends and strong Cyclop incense is burn to allow other high ranking tribe members to know the Elders speech ended. <br>
<br>
~Meanwhile in Aziel's Castle~
"Hello" a young woman with Long Red Hair that hits the ground as she walks White Pearl Eyes with Black Pupils and with a Long  *Black Ceremonial Dress known as Akashaic Black Tunic Of the Dark Empress from the Land Of Necromancers.
There appeared in a Dark WindAziel Governale in a White Taxedo like Suit Welcome Home... Iris Senteno ...Oracle Of the Shadows Of the most powerful Magicians from the Tower Of Frejoird. I have seen your prodigal human who's name is Frank Deltoro...handsome young man who encountered Navarro in The Forest Of Whispers. Will he be trouble? Or shall I eliminate his presence?"
Aziel: No he is working for me...you shall have him without delay at the end.

                         ~To Be Continued
Work in progress.
K Balachandran Dec 2011
scarecrows seek
fashion make over;
gargoyles crave
beauty care.
The most ill treated lot, everywhere, the poor gargoyles and harried scarecrows, need to be treated fairly, after long last, you would agree.No more prejudice, be ethical , give these two a much needed make over, at the earliest..ye good people, world over...
Logan Robertson Jul 2018
A black crow's darting eyes
spans the wheat field
and an orange pumpkin patch.
She sees
tall grasses of brown
seedlings,
bristling in the wind,
soon to be bushels of grain
and a pumpkin pie that she never savored.
She sits, atop her tree perch,
at times warm and storybook,
hidden by tree branches,
and at times out of harm's way
and infamy.
Her friends, the sun, and clouds in concert,
dancing along.
Her other friends bring alms and smiles.
Life is so good at times.
Down the road sits a mill
next to a waterfall
and a cabin,
with reindeer horns
hanging above the doorway.
She is in her element, happy,
carrying for her nestlings.
Back and forth her parental eyes dart
the hilly fields, a smoked filled chimney, and her babies,
all crawling with sustenance and awe.
Storybook.
A mother feeding a worm to her baby.
Storybook.
Off to her side is not a blind eye
watching her,
scary stick figures of
straw tucked under red shirts and hats,
with a tied tinfoil strips dotting
her eyes and tease.
Scarecrows, cease.
At times life is good nature, hand in hand,
knock on wood.
If only life could be circumspect.
Than darkness filling the light
and a stutter of life.
For a sad page is turned,
pause
... tears.
Then, feathers fall.
Hers.
The sound of a thud.
Silence and tears of her friend's swelling.
A baby's cry, missing her mother.
More orphaned tears.
Who would be this despicable?
On that rogue day.
A kick of a donkey,
an ***,
one bad rock on her path,
breaks the air,
as three little elementary kids were walking along
to school.
One, me, with a rock in his hand,
taking aim at her perch
and the death of the black crow's pages.
I confess.
... Bless me, Father, for I have sinned
it has been fifty years since
my last confession ...
a Tom Sawyer-like childhood gone worse.
I repent.
Some fifty years later I think of those first cairns,
including stealing the reindeer horns and milling
my brother and sister's storybook.
Waterfalls
stream tears, and a sorry boat
rowed downstream
sadly
thereafter.

Logan Robertson

7/25/2018
dj Oct 2012
Justice is a *****
With claws
Miles and miles and miles
Guillotine jaws
And when she throws the book at you
It's 1000 pounds
With a curse in every clause.

And when those swords
Turn in on you
It's miles and miles of claws
To wring you out
In a razorblade chokehold you won't ever

forget.
RIP
Michael R Burch Dec 2020
LOVE POEMS by Michael R. Burch

These are love poems by Michael R. Burch: original poems and translations about passion, desire, lust, ***, dating and marriage. On an amusing note, my steamy Baudelaire translations have become popular with the pros ― **** stars and escort services!



Sappho, fragment 42
translation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains
uprooting oaks.



Preposterous Eros
by Michael R. Burch

“Preposterous Eros” – Patricia Falanga

Preposterous Eros shot me in
the buttocks, with a Devilish grin,
spent all my money in a rush
then left my heart effete pink mush.



Sappho, fragment 155
translation by Michael R. Burch

A short revealing frock?
It's just my luck
your lips were made to mock!



Sappho, fragment 22
loose translation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



Negligibles
by Michael R. Burch

Show me your most intimate items of apparel;
begin with the hem of your quicksilver slip ...



Warming Her Pearls
by Michael R. Burch

Warming her pearls,
her ******* gleam like constellations.
Her belly is a bit rotund ...
she might have stepped out of a Rubens.



She bathes in silver
by Michael R. Burch

She bathes in silver,
afloat
on her reflections ...



****** Errata
by Michael R. Burch

I didn’t mean to love you; if I did,
it came unbid-
en, and should’ve remained hid-
den!



Are You the Thief
by Michael R. Burch

When I touch you now,
O sweet lover,
full of fire,
melting like ice
in my embrace,

when I part the delicate white lace,
baring pale flesh,
and your face
is so close
that I breathe your breath
and your hair surrounds me like a wreath ...

tell me now,
O sweet, sweet lover,
in good faith:
are you the thief
who has stolen my heart?



The Effects of Memory
by Michael R. Burch

A black ringlet
curls to lie
at the nape of her neck,
glistening with sweat
in the evaporate moonlight ...
This is what I remember

now that I cannot forget.

And tonight,
if I have forgotten her name,
I remember:
rigid wire and white lace
half-impressed in her flesh ...

our soft cries, like regret,

... the enameled white clips
of her bra strap
still inscribe dimpled marks
that my kisses erase ...
now that I have forgotten her face.



Moments
by Michael R. Burch

There were moments full of promise,
like the petal-scented rainfall of early spring,
when to hold you in my arms
and to kiss your willing lips
seemed everything.

There are moments strangely empty
full of pale unearthly twilight
―how the cold stars stare!―
when to be without you is a dark enchantment
the night and I share.



The Communion of Sighs
by Michael R. Burch

There was a moment
without the sound of trumpets or a shining light,
but with only silence and darkness and a cool mist
felt more than seen.
I was eighteen,
my heart pounding wildly within me like a fist.
Expectation hung like a cry in the night,
and your eyes shone like the corona of a comet.

There was an instant . . .
without words, but with a deeper communion,
as clothing first, then inhibitions fell;
liquidly our lips met
―feverish, wet―
forgotten, the tales of heaven and hell,
in the immediacy of our fumbling union . . .
when the rest of the world became distant.

Then the only light was the moon on the rise,
and the only sound, the communion of sighs.



Righteous
by Michael R. Burch

Come to me tonight
in the twilight, O, and the full moon rising,
spectral and ancient, will mutter a prayer.

Gather your hair
and pin it up, knowing
that I will release it a moment anon.

We are not one,
nor is there a scripture
to sanctify nights you might spend in my arms,

but the swarms
of stars revolving above us
revel tonight, the most ardent of lovers.



Once
by Michael R. Burch

Once when her kisses were fire incarnate
and left in their imprint bright lipstick, and flame,
when her breath rose and fell over smoldering dunes,
leaving me listlessly sighing her name ...

Once when her ******* were as pale, as beguiling,
as wan rivers of sand shedding heat like a mist,
when her words would at times softly, mildly rebuke me
all the while as her lips did more wildly insist ...

Once when the thought of her echoed and whispered
through vast wastelands of need like a Bedouin chant,
I ached for the touch of her lips with such longing
that I vowed all my former vows to recant ...

Once, only once, something bloomed, of a desiccate seed―
this implausible blossom her wild rains of kisses decreed.



For All that I Remembered
by Michael R. Burch

For all that I remembered, I forgot
her name, her face, the reason that we loved ...
and yet I hold her close within my thought.
I feel the burnished weight of auburn hair
that fell across her face, the apricot
clean scent of her shampoo, the way she glowed
so palely in the moonlight, angel-wan.

The memory of her gathers like a flood
and bears me to that night, that only night,
when she and I were one, and if I could ...
I'd reach to her this time and, smiling, brush
the hair out of her eyes, and hold intact
each feature, each impression. Love is such
a threadbare sort of magic, it is gone
before we recognize it. I would crush
my lips to hers to hold their memory,
if not more tightly, less elusively.



Le Balcon (The Balcony)
by Charles Baudelaire
loose translation by Michael R. Burch

Paramour of memory, ultimate mistress,
source of all pleasure, my only desire;
how can I forget your ecstatic caresses,
the warmth of your ******* by the roaring fire,
paramour of memory, ultimate mistress?

Each night illumined by the burning coals
we lay together where the rose-fragrance clings―
how soft your *******, how tender your soul!
Ah, and we said imperishable things,
each night illumined by the burning coals.

How beautiful the sunsets these sultry days,
deep space so profound, beyond life’s brief floods ...
then, when I kissed you, my queen, in a daze,
I thought I breathed the bouquet of your blood
as beautiful as sunsets these sultry days.

Night thickens around us like a wall;
in the deepening darkness our irises meet.
I drink your breath, ah! poisonous yet sweet!,
as with fraternal hands I massage your feet
while night thickens around us like a wall.

I have mastered the sweet but difficult art
of happiness here, with my head in your lap,
finding pure joy in your body, your heart;
because you’re the queen of my present and past
I have mastered love’s sweet but difficult art.

O vows! O perfumes! O infinite kisses!
Can these be reborn from a gulf we can’t sound
as suns reappear, as if heaven misses
their light when they sink into seas dark, profound?
O vows! O perfumes! O infinite kisses!

My translation of Le Balcon has become popular with **** sites, escort services and dating sites. The pros seem to like it!



Les Bijoux (The Jewels)
by Charles Baudelaire
loose translation by Michael R. Burch

My lover **** and knowing my heart's whims
Wore nothing more than a few bright-flashing gems;
Her art was saving men despite their sins―
She ruled like harem girls crowned with diadems!

She danced for me with a gay but mocking air,
My world of stone and metal sparking bright;
I discovered in her the rapture of everything fair―
Nay, an excess of joy where the spirit and flesh unite!

Naked she lay and offered herself to me,
Parting her legs and smiling receptively,
As gentle and yet profound as the rising sea―
Till her surging tide encountered my cliff, abruptly.

A tigress tamed, her eyes met mine, intent ...
Intent on lust, content to purr and please!
Her breath, both languid and lascivious, lent
An odd charm to her metamorphoses.

Her limbs, her *****, her abdomen, her thighs,
Oiled alabaster, sinuous as a swan,
Writhed pale before my calm clairvoyant eyes;
Like clustered grapes her ******* and belly shone.

Skilled in more spells than evil imps can muster,
To break the peace which had possessed my heart,
She flashed her crystal rocks’ hypnotic luster
Till my quietude was shattered, blown apart.

Her waist awrithe, her ******* enormously
Out-******, and yet ... and yet, somehow, still coy ...
As if stout haunches of Antiope
Had been grafted to a boy ...

The room grew dark, the lamp had flickered out.
Mute firelight, alone, lit each glowing stud;
Each time the fire sighed, as if in doubt,
It steeped her pale, rouged flesh in pools of blood.



The Perfect Courtesan
by Michael R. Burch

after Baudelaire, for the courtesans

She received me into her cavities,
indulging my darkest depravities
with such trembling longing, I felt her need ...

Such was the dalliance to which we agreed—
she, my high rider;
I, her wild steed.

She surrendered her all and revealed to me—
the willing handmaiden, delighted to please,
the Perfect Courtesan of Ecstasy.



Invitation to the Voyage
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

My child, my sister,
Consider the rapture
Of living together!
To love at our leisure
Till the end of all pleasure,
Then in climes so alike you, to die!

The misty sunlight
Of these hazy skies
Charms my spirit:
So mysterious
Your treacherous eyes,
Shining through tears.

There, order and restraint redress
Opulence, voluptuousness.

Gleaming furniture
Burnished by the years
Would decorate our bedroom
Where the rarest flowers
Mingle their fragrances
With vague scents of amber.

The sumptuous ceilings,
The limpid mirrors,
The Oriental ornaments …
Everything would speak
To our secretive souls
In their own indigenous language.

There, order and restraint redress
Opulence, voluptuousness.

See, rocking on these channels:
The sleepy vessels
Whose vagabond dream
Is to satisfy
Your merest desire.

They come from the ends of the world:
These radiant suns
Illuminating fields,
Canals, the entire city,
In hyacinth and gold.
The world falls asleep
In their warming light.

There, order and restraint redress
Opulence, voluptuousness.



What Goes Around, Comes
by Michael R. Burch

This is a poem about loss
so why do you toss your dark hair―
unaccountably glowing?

How can you be sure of my heart
when it’s beyond my own knowing?

Or is it love’s pheromones you trust,
my eyes magnetized by your bust
and the mysterious alchemies of lust?

Now I am truly lost!



Passionate One
by Michael R. Burch

for Beth

Love of my life,
light of my morning―
arise, brightly dawning,
for you are my sun.

Give me of heaven
both manna and leaven―
desirous Presence,
Passionate One.

Manna is "heavenly bread" and leaven is what we use to make earthly bread rise. So this poem is saying that one's lover offers the best of heaven and earth.



Second Sight
by Michael R. Burch

I never touched you―
that was my mistake.

Deep within,
I still feel the ache.

Can an unformed thing
eternally break?

Now, from a great distance,
I see you again

not as you are now,
but as you were then―

eternally present
and Sovereign.



After the Deluge
by Michael R. Burch

She was kinder than light
to an up-reaching flower
and sweeter than rain
to the bees in their bower
where anemones blush
at the affections they shower,
and love’s shocking power.

She shocked me to life,
but soon left me to wither.
I was listless without her,
nor could I be with her.
I fell under the spell
of her absence’s power.
in that calamitous hour.

Like blithe showers that fled
repealing spring’s sweetness;
like suns’ warming rays sped
away, with such fleetness ...
she has taken my heart―
alas, our completeness!
I now wilt in pale beams
of her occult remembrance.



Love Has a Southern Flavor
by Michael R. Burch

Love has a Southern flavor: honeydew,
ripe cantaloupe, the honeysuckle’s spout
we tilt to basking faces to breathe out
the ordinary, and inhale perfume ...

Love’s Dixieland-rambunctious: tangled vines,
wild clematis, the gold-brocaded leaves
that will not keep their order in the trees,
unmentionables that peek from dancing lines ...

Love cannot be contained, like Southern nights:
the constellations’ dying mysteries,
the fireflies that hum to light, each tree’s
resplendent autumn cape, a genteel sight ...

Love also is as wild, as sprawling-sweet,
as decadent as the wet leaves at our feet.



Violets
by Michael R. Burch

Once, only once,
when the wind flicked your skirt
to an indiscrete height

and you laughed,
abruptly demure,
outblushing shocked violets:

suddenly,
I knew:
everything had changed

and as you braided your hair
into long bluish plaits
the shadows empurpled,

the dragonflies’
last darting feints
dissolving mid-air,

we watched the sun’s long glide
into evening,
knowing and unknowing.

O, how the illusions of love
await us in the commonplace
and rare

then haunt our small remainder of hours.



Smoke
by Michael R. Burch

The hazy, smoke-filled skies of summer I remember well;
farewell was on my mind, and the thoughts that I can't tell
rang bells within (the din was in) my mind, and I can't say
if what we had was good or bad, or where it is today.
The endless days of summer's haze I still recall today;
she spoke and smoky skies stood still as summer slipped away ...



How Long the Night
(anonymous Old English Lyric, circa early 13th century AD)
translation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast―
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Shattered
by Vera Pavlova
translation by Michael R. Burch

I shattered your heart;
now I limp through the shards
barefoot.



Snapshots
by Michael R. Burch

Here I scrawl extravagant rainbows.
And there you go, skipping your way to school.
And here we are, drifting apart
like untethered balloons.

Here I am, creating "art,"
chanting in shadows,
pale as the crinoline moon,
ignoring your face.

There you go,
in diaphanous lace,
making another man’s heart swoon.
Suddenly, unthinkably, here he is,

taking my place.



The Darker Nights
by Michael R. Burch

Nights when I held you,
nights when I saw
the gentlest of spirits,
yet, deeper, a flaw ...

Nights when we settled
and yet never gelled.
Nights when you promised
what you later withheld ...



Moon Poem
by Michael R. Burch
after Linda Gregg

I climb the mountain
to inquire of the moon ...
the advantages of loftiness, absence, distance.
Is it true that it feels no pain,
or will she contradict me?

Originally published by Borderless Journal (Singapore)

The apparent contradiction of it/she is intentional, since the speaker doesn’t know if the moon is an inanimate object or can feel pain.



If
by Michael R. Burch

If I regret
fire in the sunset
exploding on the horizon,
then let me regret loving you.

If I forget
even for a moment
that you are the only one,
then let me forget that the sky is blue.

If I should yearn
in a season of discontentment
for the vagabond light of a companionless moon,
let dawn remind me that you are my sun.

If I should burn―one moment less brightly,
one instant less true―
then with wild scorching kisses,
inflame me, inflame me, inflame me anew.



Because You Came to Me
by Michael R. Burch

Because you came to me with sweet compassion
and kissed my furrowed brow and smoothed my hair,
I do not love you after any fashion,
but wildly, in despair.

Because you came to me in my black torment
and kissed me fiercely, blazing like the sun
upon parched desert dunes, till in dawn’s foment
they melt, I am undone.

Because I am undone, you have remade me
as suns bring life, as brilliant rains endow
the earth below with leaves, where you now shade me
and bower me, somehow.



Stay With Me Tonight
by Michael R. Burch

Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.
And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine
and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.
And so lead me back tonight
through bright waterfalls of light
to where we shine as one.



Insurrection
by Michael R. Burch

She has become as the night―listening
for rumors of dawn―while the dew, glistening,

reminds me of her, and the wind, whistling,
lashes my cheeks with its soft chastening.

She has become as the lights―flickering
in the distance―till memories old and troubling

rise up again and demand remembering ...
like peasants rebelling against a mad king.



Medusa
by Michael R. Burch

Friends, beware
of her iniquitous hair―
long, ravenblack & melancholy.

Many suitors drowned there―
lost, unaware
of the length & extent of their folly.



Daredevil
by Michael R. Burch

There are days that I believe
(and nights that I deny)
love is not mutilation.

Daredevil, dry your eyes.

There are tightropes leaps bereave―
taut wires strumming high
brief songs, infatuations.

Daredevil, dry your eyes.

There were cannon shots’ soirees,
hearts barricaded, wise . . .
and then . . . annihilation.

Daredevil, dry your eyes.

There were nights our hearts conceived
dawns’ indiscriminate sighs.
To dream was our consolation.

Daredevil, dry your eyes.

There were acrobatic leaves
that tumbled down to lie
at our feet, bright trepidations.

Daredevil, dry your eyes.

There were hearts carved into trees―
tall stakes where you and I
left childhood’s salt libations . . .

Daredevil, dry your eyes.

Where once you scraped your knees;
love later bruised your thighs.
Death numbs all, our sedation.

Daredevil, dry your eyes.



Mingled Air
by Michael R. Burch

for Beth

Ephemeral as breath, still words consume
the substance of our hearts; the very air
that fuels us is subsumed; sometimes the hair
that veils your eyes is lifted and the room

seems hackles-raised: a spring all tension wound
upon a word. At night I feel the care
evaporate—a vapor everywhere
more enervate than sighs: a mournful sound

grown blissful. In the silences between
I hear your heart, forget to breathe, and glow
somehow. And though the words subside, we know
the hearth light and the comfort embers gleam

upon our dreaming consciousness. We share
so much so common: sighs, breath, mingled air.



Elemental
by Michael R. Burch

There is within her a welling forth
of love unfathomable.
She is not comfortable
with the thought of merely loving:
but she must give all.

At night, she heeds the storm's calamitous call;
nay, longs for it. Why?
O, if a man understood, he might understand her.
But that never would do!
Darling, as you embrace the storm,

so I embrace elemental you.



Duet, Minor Key
by Michael R. Burch

Without the drama of cymbals
or the fanfare and snares of drums,
I present my case
stripped of its fine veneer:
Behold, thy instrument.

Play, for the night is long.



honeybee
by Michael R. Burch

love was a little treble thing―
prone to sing
and (sometimes) to sting



don’t forget ...
by Michael R. Burch

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.

The opening lines were inspired by a famous love poem by e. e. cummings. I have dedicated this poem to my wife Beth, but you're welcome to dedicate it to the light-bending person of your choice, as long as you credit me as the author.



Sudden Shower
by Michael R. Burch

The day’s eyes were blue
until you appeared
and they wept at your beauty.



She Was Very Strange, and Beautiful
by Michael R. Burch

She was very strange, and beautiful,
like a violet mist enshrouding hills
before night falls
when the hoot owl calls
and the cricket trills
and the envapored moon hangs low and full.

She was very strange, in a pleasant way,
as the hummingbird
flies madly still,
so I drank my fill
of her every word.
What she knew of love, she demurred to say.

She was meant to leave, as the wind must blow,
as the sun must set,
as the rain must fall.
Though she gave her all,
I had nothing left . . .
yet I smiled, bereft, in her receding glow.



Isolde's Song
by Michael R. Burch

Through our long years of dreaming to be one
we grew toward an enigmatic light
that gently warmed our tendrils. Was it sun?
We had no eyes to tell; we loved despite
the lack of all sensation―all but one:
we felt the night's deep chill, the air so bright
at dawn we quivered limply, overcome.

To touch was all we knew, and how to bask.
We knew to touch; we grew to touch; we felt
spring's urgency, midsummer's heat, fall's lash,
wild winter's ice and thaw and fervent melt.
We felt returning light and could not ask
its meaning, or if something was withheld
more glorious. To touch seemed life's great task.

At last the petal of me learned: unfold.
And you were there, surrounding me. We touched.
The curious golden pollens! Ah, we touched,
and learned to cling and, finally, to hold.



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.

And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf―
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain―
golden and humble in all its weary worth.



Heat Lightening
by Michael R. Burch

Each night beneath the elms, we never knew
which lights beyond dark hills might stall, advance,
then lurch into strange headbeams tilted up
like searchlights seeking contact in the distance . . .

Quiescent unions . . . thoughts of bliss, of hope . . .
long-dreamt appearances of wished-on stars . . .
like childhood’s long-occluded, nebulous
slow drift of half-formed visions . . . slip and bra . . .

Wan moonlight traced your features, perilous,
in danger of extinction, should your hair
fall softly on my eyes, or should a kiss
cause them to close, or should my fingers dare

to leave off childhood for some new design
of whiter lace, of flesh incarnadine.



Redolence
by Michael R. Burch

Now darkness ponds upon the violet hills;
cicadas sing; the tall elms gently sway;
and night bends near, a deepening shade of gray;
the bass concerto of a bullfrog fills
what silence there once was; globed searchlights play.

Green hanging ferns adorn dark window sills,
all drooping fronds, awaiting morning’s flares;
mosquitoes whine; the lissome moth again
flits like a veiled oud-dancer, and endures
the fumblings of night’s enervate gray rain.

And now the pact of night is made complete;
the air is fresh and cool, washed of the grime
of the city’s ashen breath; and, for a time,
the fragrance of her clings, obscure and sweet.



A Surfeit of Light
by Michael R. Burch

There was always a surfeit of light in your presence.
You stood distinctly apart, not of the humdrum world―
a chariot of gold in a procession of plywood.

We were all pioneers of the modern expedient race,
raising the ante: Home Depot to Lowe’s.
Yours was an antique grace―Thrace’s or Mesopotamia’s.

We were never quite sure of your silver allure,
of your trillium-and-platinum diadem,
of your utter lack of flatware-like utility.

You told us that night―your wound would not scar.
The black moment passed, then you were no more.
The darker the sky, how much brighter the Star!

The day of your funeral, I ripped out the crown mold.
You were this fool’s gold.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.



Unfoldings
by Michael R. Burch

for Vicki

Time unfolds ...
Your lips were roses.
... petals open, shyly clustering ...
I had dreams
of other seasons.
... ten thousand colors quiver, blossoming.

Night and day ...
Dreams burned within me.
... flowers part themselves, and then they close ...
You were lovely;
I was lonely.
... a ****** yields herself, but no one knows.

Now time goes on ...
I have not seen you.
... within ringed whorls, secrets are exchanged ...
A fire rages;
no one sees it.
... a blossom spreads its flutes to catch the rain.

Seasons flow ...
A dream is dying.
... within parched clusters, life is taking form ...
You were honest;
I was angry.
... petals fling themselves before the storm.

Time is slowing ...
I am older.
... blossoms wither, closing one last time ...
I'd love to see you
and to touch you.
... a flower crumbles, crinkling, worn and dry.

Time contracts ...
I cannot touch you.
... a solitary flower cries for warmth ...
Life goes on as
dreams lose meaning.
... the seeds are scattered, lost within a storm.



Chloe
by Michael R. Burch

There were skies onyx at night ... moons by day ...
lakes pale as her eyes ... breathless winds
******* tall elms; ... she would say
that we loved, but I figured we’d sinned.

Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray ...
all the light of that world softly dimmed.

Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.

What I found, I found lost in her face
while yielding all my virtue to her grace.



If You Come to San Miguel
by Michael R. Burch

If you come to San Miguel
before the orchids fall,
we might stroll through lengthening shadows
those deserted streets
where love first bloomed ...

You might buy the same cheap musk
from that mud-spattered stall
where with furtive eyes the vendor
watched his fragrant wares
perfume your ******* ...

Where lean men mend tattered nets,
disgruntled sea gulls chide;
we might find that cafetucho
where through grimy panes
sunset implodes ...

Where tall cranes spin canvassed loads,
the strange anhingas glide.
Green brine laps splintered moorings,
rusted iron chains grind,
weighed and anchored in the past,

held fast by luminescent tides ...
Should you come to San Miguel?
Let love decide.



Vacuum
by Michael R. Burch

Over hushed quadrants
forever landlocked in snow,
time’s senseless winds blow ...

leaving odd relics of lives half-revealed,
if still mostly concealed ...
such are the things we are unable to know

that once intrigued us so.

Come then, let us quickly repent
of whatever truths we’d once determined to learn:
for whatever is left, we are unable to discern.

There’s nothing left of us here; it’s time to go.



The Sky Was Turning Blue
by Michael R. Burch

Yesterday I saw you
as the snow flurries died,
spent winds becalmed.
When I saw your solemn face
alone in the crowd,
I felt my heart, so long embalmed,
begin to beat aloud.

Was it another winter,
another day like this?
Was it so long ago?
Where you the rose-cheeked girl
who slapped my face, then stole a kiss?
Was the sky this gray with snow,
my heart so all a-whirl?

How is it in one moment
it was twenty years ago,
lost worlds remade anew?
When your eyes met mine, I knew
you felt it too, as though
we heard the robin's song
and the sky was turning blue.



Roses for a Lover, Idealized
by Michael R. Burch

When you have become to me
as roses bloom, in memory,
exquisite, each sharp thorn forgot,
will I recall―yours made me bleed?

When winter makes me think of you―
whorls petrified in frozen dew,
bright promises blithe spring forsook,
will I recall your words―barbed, cruel?



Nothing Returns
by Michael R. Burch

A wave implodes,
impaled upon
impassive rocks . . .

this evening
the thunder of the sea
is a wild music filling my ear . . .

you are leaving
and the ungrieving
winds demur:

telling me
that nothing returns
as it was before,

here where you have left no mark
upon this dark
Heraclitean shore.



First and Last
by Michael R. Burch

for Beth

You are the last arcane rose
of my aching,
my longing,
or the first yellowed leaves―
vagrant spirals of gold
forming huddled bright sheaves;
you are passion forsaking
dark skies, as though sunsets no winds might enclose.

And still in my arms
you are gentle and fragrant―
demesne of my vigor,
spent rigor,
lost power,
fallen musculature of youth,
leaves clinging and hanging,
nameless joys of my youth to this last lingering hour.



Your Pull
by Michael R. Burch

for Beth

You were like sunshine and rain―
begetting rainbows,
full of contradictions, like the intervals
between light and shadow.

That within you which I most opposed
drew me closer still,
as a magnet exerts its unyielding pull
on insensate steel.



Love Is Not Love
by Michael R. Burch

for Beth

Love is not love that never looked
within itself and questioned all,
curled up like a zygote in a ball,
throbbed, sobbed and shook.

(Or went on a binge at a nearby mall,
then would not cook.)

Love is not love that never winced,
then smiled, convinced
that soar’s the prerequisite of fall.

When all
its wounds and scars have been saline-rinsed,
where does Love find the wherewithal
to try again,
endeavor, when

all that it knows
is: O, because!



The Stake
by Michael R. Burch

for Beth

Love, the heart bets,
if not without regrets,
will still prove, in the end,
worth the light we expend
mining the dark
for an exquisite heart.



The One True Poem
by Michael R. Burch

for Beth

Love was not meaningless ...
nor your embrace, nor your kiss.

And though every god proved a phantom,
still you were divine to your last dying atom ...

So that when you are gone
and, yea, not a word remains of this poem,

even so,
We were One.



The Poem of Poems
by Michael R. Burch

for Beth

This is my Poem of Poems, for you.
Every word ineluctably true:
I love you.



BeMused
by Michael R. Burch

You will find in her hair
a fragrance more severe
than camphor.
You will find in her dress
no hint of a sweet
distractedness.
You will find in her eyes
horn-owlish and wise
no metaphors
of love, but only reflections
of books, books, books.

If you like Her looks …

meet me in the long rows,
between Poetry and Prose,
where we’ll win Her favor
with jousts, and savor
the wine of Her hair,
the shimmery wantonness
of Her rich-satined dress;
where we’ll press
our good deeds upon Her, save Her
from every distress,
for the lovingkindness
of Her matchless eyes
and all the suns of Her tongues.

We were young,
once,
unlearned and unwise . . .
but, O, to be young
when love comes disguised
with the whisper of silks
and idolatry,
and even the childish tongue claims
the intimacy of Poetry.



There’s a Stirring and Awakening in the World
by Michael R. Burch

There’s a stirring and awakening in the world,
and even so my spirit stirs within,
imagining some Power beckoning—
the Force which through the stamen gently whirrs,
unlocking tumblers deftly, even mine.

The grape grows wild-entangled on the vine,
and here, close by, the honeysuckle shines.
And of such life, at last there comes there comes the Wine.

And so it is with spirits’ fruitful yield—
the growth comes first, Green Vagrance, then the Bloom.

The world somehow must give the spirit room
to blossom, till its light shines—wild, revealed.

And then at last the earth receives its store
of blessings, as glad hearts cry—More! More! More!

Originally published by Borderless Journal



POEMS ABOUT POOL SHARKS

These are poems about pool sharks, gamblers, con artists and other sharks. I used to hustle pool on bar tables around Nashville, where I ran into many colorful characters, and a few unsavory ones, before I hung up my cue for good.

Shark
by Michael R. Burch

They are all unknowable,
these rough pale men—
haunting dim pool rooms like shadows,
propped up on bar stools like scarecrows,
nodding and sagging in the fraying light . . .

I am not of them,
as I glide among them—
eliding the amorphous camaraderie
they are as unlikely to spell as to feel,
camouflaged in my own pale dichotomy . . .

That there are women who love them defies belief—
with their missing teeth,
their hair in thin shocks
where here and there a gap of scalp gleams like bizarre chrome,
their smell rank as wet sawdust or mildewed laundry . . .

And yet—
and yet there is someone who loves me:
She sits by the telephone
in the lengthening shadows
and pregnant grief . . .

They appreciate skill at pool, not words.
They frown at massés,
at the cue ball’s contortions across green felt.
They hand me their hard-earned money with reluctant smiles.
A heart might melt at the thought of their children lying in squalor . . .
At night I dream of them in bed, toothless, kissing.
With me, it’s harder to say what is missing . . .



Fair Game
by Michael R. Burch

At the Tennessee State Fair,
the largest stuffed animals hang tilt-a-whirl over the pool tables
with mocking button eyes,
knowing the playing field is unlevel,
that the rails slant, ever so slightly, north or south,
so that gravity is always on their side,
conspiring to save their plush, extravagant hides
year after year.

“Come hither, come hither . . .”
they whisper; they leer
in collusion with the carnival barkers,
like a bevy of improbably-clad hookers
setting a “fair” price.
“Only five dollars a game, and it’s so much Fun!
And it’s not really gambling. Skill is involved!
You can make us come: really, you can.
Here are your *****. Just smack them around.”

But there’s a trick, and it usually works.
If you break softly so that no ball reaches a rail,
you can pick them off: One. Two. Three. Four.
Causing a small commotion,
a stir of whispering, like fear,
among the hippos and ostriches.



Con Artistry
by Michael R. Burch

The trick of life is like the sleight of hand
of gamblers holding deuces by the glow
of veiled back rooms, or aces; soon we’ll know
who folds, who stands . . .

The trick of life is like the pool shark’s shot—
the wild massé across green velvet felt
that leaves the winner loser. No, it’s not
the rack, the hand that’s dealt . . .

The trick of life is knowing that the odds
are never in one’s favor, that to win
is only to delay the acts of gods
who’d ante death for sin . . .

and death for goodness, death for in-between.
The rules have never changed; the artist knows
the oldest con is life; the chips he blows
can’t be redeemed.



Pool's Prince Charming
by Michael R. Burch

this is my tribute poem, written on the behalf of his fellow pool sharks, for the legendary Saint Louie Louie Roberts

Louie, Louie, Prince of Pool,
making all the ladies drool ...
Take the “nuts”? I'd be a fool!
Louie, Louie, Prince of Pool.

Louie, Louie, pretty as Elvis,
owner of (ahem) a similar pelvis ...
Compared to you, the books will shelve us.
Louie, Louie, pretty as Elvis.

Louie, Louie, fearless gambler,
ladies' man and constant rambler,
but such a sweet, loquacious ambler!
Louie, Louie, fearless gambler.

Louie, Louie, angelic, chthonic,
pool's charming hero, but tragic, Byronic,
winning the Open drinking gin and tonic?
Louie, Louie, angelic, chthonic.

I used poetic license about what Louie Roberts was or wasn't drinking at the 1981 U. S. Open Nine-Ball Championship. Was Louie drinking hard liquor as he came charging back through the losers' bracket to win the whole shebang? Or was he pretending to drink for gamesmanship or some other reason? I honestly don't know. As for the word “chthonic,” it’s pronounced “thonic” and means “subterranean” or “of the underworld.” And the pool world can be very dark indeed, as Louie’s tragic demise suggests. But everyone who knew Louie seemed to like him, if not love him dearly, and many sharks have spoken of Louie in glowing terms, as a bringer of light to that underworld.



My wife and I were having a drink at a neighborhood bar which has a pool table. A “money” game was about to start; a spectator got up to whisper something to a friend of ours who was about to play someone we hadn’t seen before. We couldn’t hear what was said. Then the newcomer broke—with such force that his stick flew straight up in the air and shattered the light dangling overhead. There was a moment of stunned silence, then our friend turned around and remarked: “He really does shoot the lights out, doesn’t he?” — Michael R. Burch



Rounds
by Michael R. Burch

Solitude surrounds me
though nearby laughter sounds;
around me mingle men who think
to drink their demons down,
in rounds.

Now agony still hounds me
though elsewhere mirth abounds;
hidebound I stand and try to think,
not sink still further down,
spellbound.

Their ecstasy astounds me,
though drunkenness compounds
resounding laughter into joy;
alloy such glee with beer and see
bliss found.

Originally published by Borderless Journal



Poems about Fathers and Grandfathers



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they've become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Sanctuary at Dawn
by Michael R. Burch

I have walked these thirteen miles
just to stand outside your door.
The rain has dogged my footsteps
for thirteen miles, for thirty years,
through the monsoon seasons...
and now my tears
have all been washed away.

Through thirteen miles of rain I slogged,
I stumbled and I climbed
rainslickened slopes
that led me home
to the hope that I might find
a life I lived before.

The door is wet; my cheeks are wet,
but not with rain or tears...
as I knock I sweat
and the raining seems
the rhythm of the years.

Now you stand outlined in the doorway
―a man as large as I left―
and with bated breath
I take a step
into the accusing light.

Your eyes are grayer
than I remembered;
your hair is grayer, too.
As the red rust runs
down the dripping drains,
our voices exclaim―

'My father! '
'My son! '



Sunset
by Michael R. Burch

for my Grandfather, George Edwin Hurt Sr.

Between the prophecies of morning
and twilight's revelations of wonder,
the sky is ripped asunder.

The moon lurks in the clouds,
waiting, as if to plunder
the dusk of its lilac iridescence,

and in the bright-tentacled sunset
we imagine a presence
full of the fury of lost innocence.

What we find within strange whorls of drifting flame,
brief patterns mauling winds deform and maim,
we recognize at once, but cannot name.



Sailing to My Grandfather
by Michael R. Burch

for my Grandfather, George Edwin Hurt Sr.

This distance between us
―this vast sea
of remembrance―
is no hindrance,
no enemy.

I see you out of the shining mists
of memory.
Events and chance
and circumstance
are sands on the shore of your legacy.

I find you now in fits and bursts
of breezes time has blown to me,
while waves, immense,
now skirt and glance
against the bow unceasingly.

I feel the sea's salt spray―light fists,
her mists and vapors mocking me.
From ignorance
to reverence,
your words were sextant stars to me.

Bright stars are strewn in silver gusts
back, back toward infinity.
From innocence
to senescence,
now you are mine increasingly.

Note: Under the Sextant's Stars is a painting by Benini.



Salat Days
by Michael R. Burch

for my grandfather, Paul Ray Burch, Sr.

I remember how my grandfather used to pick poke salat...
though first, usually, he'd stretch back in the front porch swing,
dangling his long thin legs, watching the sweat bees drone,
talking about poke salat―
how easy it was to find if you knew where to look for it...
standing in dew-damp clumps by the side of a road, shockingly green,
straddling fence posts, overflowing small ditches,
crowding out the less-hardy nettles.

'Nobody knows that it's there, lad, or that it's fit tuh eat
with some bacon drippin's or lard.'

'Don't eat the berries. You see―the berry's no good.
And you'd hav'ta wash the leaves a good long time.'

'I'd boil it twice, less'n I wus in a hurry.
Lawd, it's tough to eat, chile, if you boil it jest wonst.'

He seldom was hurried; I can see him still...
silently mowing his yard at eighty-eight,
stooped, but with a tall man's angular gray grace.

Sometimes he'd pause to watch me running across the yard,
trampling his beans,
dislodging the shoots of his tomato plants.

He never grew flowers; I never laughed at his jokes about The Depression.

Years later I found the proper name―'pokeweed'―while perusing a dictionary.

Surprised, I asked why anyone would eat a ****.
I still can hear his laconic reply...

'Well, chile, s'm'times them times wus hard.'



All Things Galore
by Michael R. Burch

for my grandfathers George Edwin Hurt Sr. and Paul Ray Burch, Sr.

Grandfather,
now in your gray presence
you are

somehow more near

and remind me that,
once, upon a star,
you taught me

wish

that ululate soft phrase,
that hopeful phrase!

and everywhere above, each hopeful star
gleamed down
and seemed to speak of times before
when you clasped my small glad hand
in your wise paw

and taught me heaven, omen, meteor...



Attend Upon Them Still
by Michael R. Burch

for my grandparents George and Ena Hurt

With gentleness and fine and tender will,
attend upon them still;
thou art the grass.

Nor let men's feet here muddy as they pass
thy subtle undulations, nor depress
for long the comforts of thy lovingness,

nor let the fuse
of time wink out amid the violets.
They have their use―

to wave, to grow, to gleam, to lighten their paths,
to shine sweet, transient glories at their feet.
Thou art the grass;

make them complete.



Be that Rock
by Michael R. Burch

for my grandfather George Edwin Hurt Sr.

When I was a child
I never considered man's impermanence,
for you were a mountain of adamant stone:
a man steadfast, immense,
and your words rang.

And when you were gone,
I still heard your voice, which never betrayed,
'Be strong and of a good courage,
neither be afraid...'
as the angels sang.

And, O! , I believed
for your words were my truth, and I tried to be brave
though the years slipped away
with so little to save
of that talk.

Now I'm a man―
a man... and yet Grandpa... I'm still the same child
who sat at your feet
and learned as you smiled.
Be that rock.



Of Civilization and Disenchantment
by Michael R. Burch

for Anais Vionet

Suddenly uncomfortable
to stay at my grandfather's house―
actually his third new wife's,
in her daughter's bedroom
―one interminable summer
with nothing to do,
all the meals served cold,
even beans and peas...

Lacking the words to describe
ah! , those pearl-luminous estuaries―
strange omens, incoherent nights.

Seeing the flares of the river barges
illuminating Memphis,
city of bluffs and dying splendors.

Drifting toward Alexandria,
Pharos, Rhakotis, Djoser's fertile delta,
lands at the beginning of a new time and 'civilization.'

Leaving behind sixty miles of unbroken cemetery,
Alexander's corpse floating seaward,
bobbing, milkwhite, in a jar of honey.

Memphis shall be waste and desolate,
without an inhabitant.

Or so the people dreamed, in chains.



Keep Up
by Michael R. Burch

Keep Up!
Daddy, I'm walking as fast as I can;
I'll move much faster when I'm a man...

Time unwinds
as the heart reels,
as cares and loss and grief plummet,
as faith unfailing ascends the summit
and heartache wheels
like a leaf in the wind.

Like a rickety cart wheel
time revolves through the yellow dust,
its creakiness revoking trust,
its years emblazoned in cold hard steel.

Keep Up!
Son, I'm walking as fast as I can;
take it easy on an old man.



My Touchstone
by Michael R. Burch

for my grandfather George Edwin Hurt Sr.

A man is known
by the life he lives
and those he leaves,

by each heart touched,
which, left behind,
forever grieves.



Joy in the Morning
by Michael R. Burch

for my grandparents George Edwin Hurt Sr. and Christine Ena Hurt

There will be joy in the morning
for now this long twilight is over
and their separation has ended.

For fourteen years, he had not seen her
whom he first befriended,
then courted and married.

Let there be joy, and no mourning,
for now in his arms she is carried
over a threshold vastly sweeter.

He never lost her; she only tarried
until he was able to meet her.

Keywords/Tags: George Edwin Hurt Christine Ena Spouse reunited heaven joy together forever



Poems about Mothers and Grandmothers



Dawn
by Michael R. Burch

for my grandmothers Lillian Lee and Christine Ena Hurt

Bring your peculiar strength
to the strange nightmarish fray:
wrap up your cherished ones
in the golden light of day.



Mother's Day Haiku
by Michael R. Burch

for my grandmothers Lillian Lee and Christine Ena Hurt

Crushed grapes
surrender such sweetness:
a mother’s compassion.

My footprints
so faint in the snow?
Ah yes, you lifted me.

An emu feather ...
still falling?
So quickly you rushed to my rescue.

The eagle sees farther
from its greater height:
our mothers' wisdom.



The Rose
by Michael R. Burch

for my grandmother, Lillian Lee, who used to grow the most beautiful roses

The rose is—
the ornament of the earth,
the glory of nature,
the archetype of the flowers,
the blush of the meadows,
a lightning flash of beauty.

This poem above is my translation of a Sappho epigram.



The Greatest of These ...
by Michael R. Burch

for my mother, Christine Ena Burch, and the grandmother of my son Jeremy

The hands that held me tremble.
The arms that lifted
fall.
Angelic flesh, now parchment,
is held together with gauze.

But her undimmed eyes still embrace me;
there infinity can be found.
I can almost believe such infinite love
will still reach me, underground.



Arisen
by Michael R. Burch

for my mother, Christine Ena Burch

Mother, I love you!
Mother, delightful,
articulate, insightful!

Angels in training,
watching over, would hover,
learning to love
from the Master: a Mother.

You learned all there was
for this planet to teach,
then extended your wings
to Love’s ultimate reach ...

And now you have soared
beyond eagles and condors
into distant elevations
only Phoenixes can conquer.

Amen

Published as the collection "Love Poems by Michael R. Burch"

Keywords/Tags: love, Eros, ******, erotica, passion, desire, lust, ***, dating, marriage, romance, romantic, romanticism
everything is all right now
it's okay
everything is the way it's supposed to be

go to sleep
you're good enough
close your eyes

close your eyes
take off your clothes
you're good enough

take off your clothes
i'm thinking of ending things
yesterday i woke up on the phone

buildings rearranged

all the scarecrows
and everything
everything's ending.
i don't know if this is good, i'd appreciate feedbacfjsdf;osdlyesterday i woke up on the phone listening to the radio eysteday i fell asleep in the pool witheiswek it all in its right place Confused Yet?

Sorry if this is difficult and esoteric, thats the pointi don't know if this is good, i'd appreciate feedbacfjsdf;osdlyesterday i woke up on the phone listening to the radio eysteday i fell asleep in the pool witheiswek it all in its right place Confused Yet?

Sorry if this is difficult and esoteric, thats the point. Things are just somewhat difficult and lonely, and it's hard to articulate it. nevertheless, i try.
Andrew Rueter Mar 2018
I was raised in the wild
With all the defiled
So my mood was mild
While bodies were piled

I was a lonely coyote
The other creatures didn't know me
Because I slinked in the shade
To avoid their detection
Loneliness is what I had to trade
To pass their inspection

Other animals couldn't brave the weather
Or their fragile arteries were severed
They laid there dead
I wondered if they ever lived
It went to my head
What this world can give
I saw the buzzards
Ring their buzzers
Then the maggots fed on their brain
While not understanding their pain
These images did me no good
While I was stuck in the woods
And I couldn't see the forest through the trees
I was lost
If I didn't find a home by winter I would freeze
In the frost

I tried to find a home in hollowed trees
But I was chased out by a bunch of bees
And the darkened caves
Seemed like shallow graves
When that's where bats play
But peaceful open meadows
Left me susceptible to attack
Everything seemed mellow
So I had to watch my back

Winter was approaching
And I saw no solutions
The cold air encroaching
Like frigid pollution
But my shady luck shifted
Once I was graciously gifted
A powerful and majestic horse
That put me on a better course
I ride the steed with a leather saddle
Made of skin stripped off simple cattle

It took the strength of an ox
To hold down this fox
Yet my domestication
Calls for celebration
Because now I live in a house
Without having to hide like a mouse
I can strut like a peacock
With a bird of my flock

It's a form of animal husbandry
Because you're in love with me
I'm the insistent critter
From a different litter
That saw life wither
From damage inner
I was a raccoon digging through the trash
Now I'm a phoenix rising from the ash

You're an agricultural guy
So vultures circle the sky
Looking to harvest your bountiful crop
They must smell death underneath it
Their presence makes my heart drop
And all I want to do is defeat it
But even as they get near
You remain here
We stand together as scarecrows
In a defensively unified paired row

This is the delightful day
You end all my wild ways
And eliminate my suffering
With your animal husbandry
Can be found in my self published poetry book “Icy”.
https://www.amazon.com/Icy-Andrew-Rueter-ebook/dp/B07VDLZT9Y/ref=sr_1_1?keywords=Icy+Andrew+Rueter&qid=1572980151&sr=8-1
I step outside and feel my nose crinkle
Look to the sky and watch the V’s fly south
Walk through the woods and hear the leaves whistle
Take a deep breath and taste fall in my mouth.

A start to the happiest time of year
Everything’s changing like wind where it blows.
Squirrels hide acorns, scarecrows create fear,
Pumpkins make faces at kids and their clothes.

Delectable treats in bags and buckets,
Scary films to watch on the edge of your seat.
Kids running around creating ruckus,
Stomping on leaves in the street with their feet.

Lets not forget Oktoberfest and beer;
Where people gather ‘round to celebrate
A special event that’s held every year,
Something so special you can’t replicate.

Delicious mystery looms in the air
While evil spirits meander ‘round town.
Libra gives the torch to Scorpions heir
And leaves pile up into one big mound.

The autumn harvest is now creeping up
Making food to put on everyone’s plate.
A great time of year where change is a must
Because without change, nothing can be re-made.
Brandon Barnett Mar 2014
I can't seem to forget all the ways I loved
the wrong hearts for so many days past
and I can't seem to erase the brutal memories my mind won't let go of
after learning that false love exists and that it's deep wounds last

fear has become the background to my every new desire
and every soft affection I have now needs a gasp of air
it puts a chill on my every new beginning's fire
and it repeats it's horrible lesson that life is never fair

keep me safe from the wretched redundant reminders
and keep for me my heart, the abandoned waif
and make the days spent away from hope a bit kinder
please keep my pains locked away, behind walls, in your strongest safe

I've no innocence left to give a new lover
there's no whole pieces of who I was left to fit back together
I don't have a way to hold you that won't smother
and I don't seem to have any beliefs that the past won't sever

there are no blank pages left in this soul
and I can't see bright days for it coming
not because of age, but because of loss, I feel so old
and overcome by the sad rhythm I alway catch myself humming

tired from treading oceans, I sink with pockets full of stones
and I am alone in ways only sea floors know
so I become the drowning and suffering and fractured bones
to survive I learn to hate, with black hate I can't seem to let go

after the purity that's been lost could I still be worth saving?
could I ever be seen as silver to be polished?
could I really be anything you've been craving,
after all of the past infliction has demolished?

the dreams of possibly still having spiritual love just tease me
and etch the permanence of it's absence in dark inked tattoos
and I hurt knowing that no kiss and no touch and no *** can release me
because any time spent together is just a closeness askew

so I turn the next bottle on it's head to see the bottom
knowing I could've have health and my baby son's love
but somehow I pushed summer colors into a fading autumn
and chose a life of lament for everyone I disposed of

now ambitions fade like stained glass at sunset
and my dreams choke down the realities of each day
and this heart in poverty pays only pennies of it's lonely debts
while the words and poems come out obtuse no matter what I say

my existence and it's damnable persistence
is more than the daily revisions of my self can survive
so I put the ice in another numbing glass
thinking of the younger me and the ways I use to thrive

kiss me, tell me I am worth loving, say I can find guiding light
grab me, hold me, tell me I am worth never sleeping alone at night
deliver me, come rescue me, give me a sanctum away from the spite
save me dear someone, please, convince me I can stop the bleeding after this fight
Megan Jones Sep 2015
“Put pressure on it, it needs more pressure”
Holding your wounds shut
That senseless force is what took you away
Pressure- to be... whilst not desiring to be
You saw the clouds moving in greyscale
I saw the hills below scattered in shades of green,
Cavernous, shadowed, cryptic, familiar-

We were advised to go as the crow flies
I cried to a nameless God that your crow’s feet
Were from insurmountable happiness, not the pressures endured
I’ve forgotten much since the storm some-178 weeks ago
Though my body remembers yours over and over again
My skin has yours imprinted, correlated
Forged into one point on the axis between here and there
You the X, I the Y

The Earth crept between the crevices, curling
Through the distance between the Right radius and ulna
Elbows breaking knuckles, blood remains to be spilt
Blood doesn’t connect, if anything it merely separates

Scarecrows don’t help much when the crops won’t grow this year
Ants crawled out of the barrel of a shotgun
Observing the process of cleaning bones after tragedy

Follow the moss to find your way North with no direction-
Sometimes on the other side it’s not greener,
It’s more terrifying than ever before
Terrain untouched, unspoiled, sacred-

Climb up the trees with me, find your quiet
We won’t carve our names but we’ll find our niche
You’ll have quills and I’ll have armor
Not even the thought of stolen arrows,
Lost time through distance,
Or perhaps a slew of chemical imbalances
Can reach us up here
I chose to glue your pieces back together with mud and straw
Taken from the fallen, the loved and now distant memories

You may be an abandoned military base offshore
What was once used by many-
Witnesses life again, life of a different kind
The vegetation will ease its way into the cracks
Constructed when the foundation began to decay
It has a beauty of its own, one of self-sustainment
An everlasting beauty that connects itself
To the surrounding extravagance, often times ignored,
Death isn’t the only way to be forged into nature, remembered

Fear doesn’t always win, nor death do us part so soon
I hope your skin and bones remember before the end
Approaching my village:

        Don't know about the people,
        but all the scarecrows
        are crooked.
Leal Knowone Feb 2015
trippin' to sleep after the departure of the ******* puppets & scarecrows from new depth of perception.
dreaming will into existence. The day of the dinosaurs has *** and gone. We are but Tourist on this trip, So lets just watch the flowers bloom. Floating on the mist of a cold summer moon. such horrors everywhere to discuss,Lets us breath in the beauty all around us.
...........
WordWerks Feb 2013
In the bleakest part of winter.
When earth is covered with snow,
A sentry of masculine gender
Stands without a sign of woe.

How is it snow men always smile?
The scenery isn't great.
Though they most often dress with style,
They are always overweight.

Magic silk hats hide their bald heads.
Their carrot noses aren't cute.
Beady eyes seem pixilated.
They don't even own a suit.

So, why do these guards always smile?
What can they all smile about?
To contrast, scarecrows are most vile,
With a look that's all worn out.

Scarecrows got the cerebral part,
But it wasn't an even trade.
For what snowmen got was a heart,
In the love with which they're made.
Keep warm!
Leal Knowone Dec 2015
Tripping' to sleep after the departure of the ******* puppets & scarecrows from new depth of perception.
dreaming will into existence. The day of the dinosaurs has come and gone.
We are but Tourist on this trip, So lets just watch the flowers bloom. Floating on the mist of a cold summer moon.
Lets us breath in the beauty all around us.
Triangles in the night sky,visions in our eyes
Circles around us,psychic tyranny
Beauty even in death. Its good to be alive
Transition your day to night, in the realm of dreams, but this vision is reality
Hal Loyd Denton Jan 2012
Hits ^ Misses
In this telling will recount close calls of different ones and some guilt and though most have raised your
Children now the children’s children your admiration doubled the worries real. Our class just had the
class reunion well we did it seems a test run three of us one we hadn’t seen in thirty years met up at
Decatur ******* Barrel close to six hours later we stumbled out we had a lot to talk about. Now for the
Next session like an old mountain men Rendezvous were adding a lot more Monroe, Jefferson, St. and
One pine street rep in fact where the first story happened in lees orchard the emblem between the titles
Is significant now any one can play paint ball but let me show how Jefferson played two Lakers and a
Denton one almost didn’t come out alive we wore the standard neighborhood issue rebel outfits heavy
Coats extra rags for padding and a head band pulled down as low as possible for our only eye protection
And the rule no head shots BB guns fully loaded let the game commence it was a bit terrifying sight
Three scarecrows slowly advancing looking for a target that’s when the real terror when one was marked
The problem I was carrying a toy bow but the arrow was mounted with a hunting tip it was blue and
Looked like a razor blade but thicker but I’m sure you could shave with it sharp gleaming silver along the
Edge for a weak it had been shot into sheds soft trees but over in the orchard it just bounced off of the
Hard apple trees and it looked like the road sign showing a straight but curvy road ahead so with those
Facts and the only fact that made it even try to be a real bow it had a hand grip that thickened it right in
The middle in all the under growth Jerry walked out in the open walking away from me so mathematics
Distance speed his steps mine halted just like the race with the train at a dead run you still was doing a
Whole lot of figuring you don’t learn that in class so I raised the bow when I let it go it was a move in
Archery where you’re just laying it down to get to the target with his dads leather bomber jacket on with
That thick padding and those rags and the arrow just bouncing off the trees by now no problem well he
Took the last step he didn’t know it but that step was across death’s threshold and he made it to
Continued life because I hit him right where I aimed in the back a lot of padding but no body fat instead
Of the arrow innocently hitting his jacket and bouncing off and dropping to the ground there was a
Thunk and a scream of pain and terror it wasn’t cupid in the woods Geri it was stupid I ran up he was getting
The coat off arrow still attached just the tip pierced his skin it didn’t feel like a bug bite believe me as I
Said ever thing factored in and the greatest divine protection it wasn’t a heart shot but if I hadn’t given
Him the last step it would have passed more than half way through destroying vital organs. He was ok but
Retribution was swift and instant I beat it out of there like a rabbit but the no head shot rule was out
Both of them bounced multiple B Bees off the side and back of my head I remember the sounds and
Feelings they gave and my thoughts were blood is thicker than water I told you I know how to run.

Now my turn we were down in Bill’s yard this time we were upgraded we had a thirty pound pull fiber
Glass bow from archery class headed by Mrs. Summers the old country girl teacher remember her
Paddle and she loved to let it sing its favorite song sting ***** sting so any way the pain of those years
Have faded we didn’t know it but we were about to make our own song I’m stuck in you. The stage set
Everyone in place when you shoot a bow in the yard you’re going to come across this problem the arrows
Will slide into the ground right at dirt level and then sew themselves up completely with grass as you
Look down something like looking for night crawlers except its day no flashlight and it doesn’t involve
Worm *** education so the fishing just involves finding the arrow this means is preferably done without
One of the shooters down field with his head down looking for said arrow but what a thrill and your
Friend Bill has done just that shot another one to help find the first one well you look up and he is out in
The street doing a mime act flailing his hands jumping up and down his mouth is moving but nothing is
Coming out I might be a little slow on the up take as they say but I got it death was on the wing I was its
intended victim what could I do if I ran right I could run right into it left was the same possibility dive
On the ground get an arrow right below your head in the neck doing what it does with the ground I
Already heard the devil way those guys **** gators in the Everglade’s by ramming a wire down there
Spine While still alive I didn’t want that experience or the other show where the guy said the worst way
To **** is with a bow not only the arrow head but the shaft creates trauma to the nerves and I couldn’t
jump straight up in the air no one wants to have their legs spread apart at a time like this so I did the
Only thing left I followed Bill’s bird dance routine turned sideways to make less of a target and then
Started bobbing my head up and down as I held it sideways looking for the biggest shaft I would get in
Life the more I looked nothing except bill became more agitated then twenty feet straight out in front of
Me there it was how curious and weird where was the beautiful yellow shaft and the two orange
Feathers with the green guide feather yes I remember everything just like the shoot out in the orchard
When people become intense everything is different those Laker boys normally weren’t that good of
Shots and I was mighty interested in this particular arrow and it didn’t glide the way it looks from the
Shooter it was wobbling and only the front was visible and it was black you don’t have to worry an
Animal will never see anything this wasn’t chicken this time Still life was being played for and I won so
When the arrow got close enough believe me I never took my eye off of it I gave it the disdain of the
matador I just bent from the waist back out of the way and let it stick harmlessly behind me in the
Ground well there is more hits and misses but they are more about guns and cars and I’m at twelve
Hundred and forty one words already so keep an eye on the children it’s a dangerous world.
TC Apr 2013
Scuzzy film on a scalding riptide,
Bare sinew woven like scaffolding,
Catcalling as warm-and-fuzzies
Mince by like so many exposed marble legs
Passing construction sites.
Crimped by a polaroid viewfinder,
I sit alone and click-click-click
With folded memories in my pocket.

Let me just set the record straight:
I’m still in love with our contrails,
But you can go **** yourself.
We were helter-skeltering kids
Rivulets of caustic devotion
Sweltering down our skeletons,
Fly away with me again, please
I’m seeing synonyms for you
In every ally-cat hymnal
This gutter throat can sputter out
Seeing scarecrows bound by wicker muscles
Shivering in a windfarm
Powered by all those doors you slammed
Snapping together like worn
Rubber bands warm summer hands --
Dance with me, you were
The most perfectly human
I've ever felt.

Is that Listerine rolling out of your mouth
In waves of empty bottles once meant for me?
Off of your shoulders like a cape,
A swindler, eyeing you
Like you’re trying to sell me cutlery.
Exchange glances that are
Trailmix crumbling between couch cushions,
Rubbing shoulders with waspy relief,
Tendrils of comfort had me gripped by the biceps
Spread eagle like a petrified starfish
Till I lashed out at you with bullwhip arms
Because my own back had been too hard to reach lately,  

Mirrored
Ad Infinitum.
Your tongue looks like a mirror,
Stick it out at me,
We always did look more than alright together
People stared on the subway,
Called us starry-eyed without a trace of irony.
Back in the day when you made me happier
Than something I don’t even have a metaphor for,
Just happy. Happy needs no metaphors.

I still check my reflection every once in a while
Never know if we’ll collide again anyway,
Best to be prepared but instead I
Drift aimfully towards a catacomb of eyelash wishes
And equally corny ******* I never believed in,
Still don’t,

It was getting at us, though,

Rubbing sandy fists down to the core
Instead of holding hands
Crunchy apple shell
Skin friction,
Bite the seed,
1,000 angry pomegranate teeth,
Chapped lips like crustacean shells,
Aligned like eye-freckles
Me looking like an unused punching bag,
You somewhere off in the distance,
A fading marble of plasticine light
On my wavering horizon.

Because yeah, you broke my ******* heart
You were novacane cruel and selfish
And so immature it stunned me
But you also taped it back into my chest
On the day we met so I guess we’re even.

It’s funny, already I can’t quite remember your voice,
the shape of my name in your mouth,
how you laughed,
but every word  you ever said
is still carved onto the back of my hand
like a roadmap towards all the ways
you showed me how to love myself.

Still rubbing them away with your scalding riptide,
All those words you said about forever,
Now just shackles,
So gladly did I submit to yours,
I still hate those ornery devices
Even now when,
They’re curled at my feet
Like broken wings.
Mosaic Jun 2015
I'll be on the front lines
Fighting fireflies on a Golf Course
With a butterfly net

Collecting ghosts in mason jar
to plant back on the cemetery
The crows are making nests
in the skull of your family

They accidentally put
the wrong name on yours
And in Latin!
It's ok though, because you're
(were) Are?  a nihilist

The river Nile is the
best stream of consciousness
Known to man and of
Course that's where you drowned
your metaphorical thoughts
While you hung yourself above
a treadmill trying to pretend
you wanted to be a better
man

But you only ran away

The Stonehenge is the front gate
to your home
          It's made from
      billboards and
Pictures of static
When you're dead you
                        Live in White Noise

You're turning my lights
on and off
               as I'm trying to sleep
haunting me in
my over easy eggs
making the yolk run
in words "Miss me?"

And of course I do
But you are as good a my imaginary friend

When I'm walking in the
park with all the scarecrows
you make the dandelions
float, no amount of
wishes is bringing you back

I know boards of wood are
easier to you than the termites
eating the tumor in my brain
          from the insanity you're causing me

So instead I paper mache my
room with love letters from you
that got lost in the mail
because you stole them for me
A banksy bankrupt in original thought

I'm building a tiny forest
             of matches
If I can't sleep I'm joining you

So you pack your bags, hobo
style but with
Picnic baskets and dead leaves
Seancing yourself
With the crystal ***** of my eyes

I lost you in some newspaper ad
about a Home for sale
Does it come with a family?
How is that legal?
But I lost you because I bought the wrong copy and couldn't find that one blurry word that was you saying
Good morning

I lost you at sea
  And in my dreams
      And to your own hands
   And to my own memory

I'm dancing with wolves
Called Alzheimer's
because I'll die
with a disease of age
Instead of house burning, building leaping
Front Page

Then we'll go live in abandoned
amusement parks with creaky
Ferris wheels turning
Like you in your grave
And me with the Cycle of Life
There's always a love story with death
Tim Mansour May 2015
What will we think when the straw men are frayed
Pushed them aside, with their crow-eating ways
Shall we cease seeking a more perfect us, then
Shall we be talking of honesty, darkened

Take sunshine, and whether
this night or forever—
The stars in our darkness
will paint all our days.
'Talk of pluck!' pursued the Sailor,
Set at euchre on his elbow,
'I was on the wharf at Charleston,
Just ashore from off the runner.

'It was grey and ***** weather,
And I heard a drum go rolling,
Rub-a-dubbing in the distance,
Awful dour-like and defiant.

'In and out among the cotton,
Mud, and chains, and stores, and anchors,
Tramped a squad of battered scarecrows--
Poor old Dixie's bottom dollar!

'Some had shoes, but all had rifles,
Them that wasn't bald was beardless,
And the drum was rolling Dixie,
And they stepped to it like men, sir!

'Rags and tatters, belts and bayonets,
On they swung, the drum a-rolling,
Mum and sour.  It looked like fighting,
And they meant it too, by thunder!'
Michael R Burch Feb 2021
SELF REFLECTIONS

These are poems about mirrors, images, self-image, reflections and self-reflection. How do we see ourselves differently than other people see us? Why do our impressions of ourselves sometimes end up like so much shattered glass?



Self Reflection
by Michael R. Burch

for anyone struggling with self-image

She has a comely form
and a smile that brightens her dorm ...
but she's grossly unthin
when seen from within;
soon a griefstricken campus will mourn.

Yet she'd never once criticize
a friend for the size of her thighs.
Do unto others—
sisters and brothers?
Yes, but also ourselves, likewise.



Reflections
by Michael R. Burch

I am her mirror.
I say she is kind,
lovely, breathtaking.
She screams that I’m blind.

I show her her beauty,
her brilliance and compassion.
She refuses to believe me,
for that’s the latest fashion.

She storms and she rages;
she dissolves into tears
while envious Angels
are, by God, her only Peers.



Is the mirror unkind
by Michael R. Burch

To your lovely brown eyes is the mirror unkind,
revealing far more than reflections defined
in superficial glass, so lacking in depth?
Is the mirror unkind, at times, darling Beth?

What you see my dear, I see different by far,
as our sun from Centauri is just a “small” star,
but here it brings life and warms each day’s start.
Oh, and a mirror can never reveal a true heart.



On Looking into Curious George’s Mirrors
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon aka Seamus Cassidy

Maya was made in the image of God;
may the reflections she sees in those curious mirrors
always echo back Love.

Amen



The Mistake
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

All your life, O Ghalib,
You kept repeating the same mistake:
Your face was *****
But you were obsessed with cleaning the mirror!



Shattered
by Vera Pavlova
loose translation/interpretation by Michael R. Burch

I shattered your heart;
now I limp through the shards
barefoot.



Radiance
by Michael R. Burch

for Dylan Thomas

The poet delves earth’s detritus—hard toil—
for raw-edged nouns, barbed verbs, vowels’ lush bouquet;
each syllable his pen excretes—dense soil,
dark images impacted, rooted clay.

The poet sees the sea but feels its meaning—
the teeming brine, the mirrored oval flame
that leashes and excites its turgid surface ...
then squanders years imagining love’s the same.

Belatedly he turns to what lies broken—
the scarred and furrowed plot he fiercely sifts,
among death’s sicksweet dungs and composts seeking
one element that scorches and uplifts.



Downdraft
by Michael R. Burch

for Dylan Thomas

We feel rather than understand what he meant
as he reveals a shattered firmament
which before him never existed.

Here, there are no images gnarled and twisted
out of too many words,
but only flocks of white birds

wheeling and flying.

Here, as the sun spins, reeling and dying,
the voice of a last gull
or perhaps a lost soul,

echoes its lonely madrigal
and we feel its strange pull
on the astonished soul.

O My Prodigal!

The vents of the sky, ripped asunder,
echo this wild, primal thunder—
now dying into undulations of vanishing wings . . .

and this voice which in haggard bleak rapture still somehow downward sings.




Resemblance
by Michael R. Burch

Take this geode with its rough exterior—
crude-skinned, brilliant-hearted ...
a diode of amethyst—wild, electric;
its sequined cavity—parted, revealing.
Find in its fire all brittle passion,
each jagged shard relentlessly aching.
Each spire inward—a fission startled;
in its shattered entrails—fractured light,
the heart ice breaking.



Wonderland
by Michael R. Burch

We stood, kids of the Lamb, to put to test
the beatific anthems of the blessed,
the sentence of the martyr, and the pen’s
sincere religion. Magnified, the lens
shot back absurd reflections of each face—
a carnival-like mirror. In the space
between the silver backing and the glass,
we caught a glimpse of Joan, a frumpy lass
who never brushed her hair or teeth, and failed
to pass on GO, and frequently was jailed
for awe’s beliefs. Like Alice, she grew wee
to fit the door, then couldn’t lift the key.
We failed the test, and so the jury’s hung.
In Oz, “The Witch is Dead” ranks number one.



Mirror
by Kajal Ahmad, a Kurdish poet
loose translation/interpretation by Michael R. Burch

My era's obscuring mirror
shattered
because it magnified the small
and made the great seem insignificant.
Dictators and monsters filled its contours.
Now when I breathe
its jagged shards pierce my heart
and instead of sweat
I exude glass.



Polish
by Michael R. Burch

Your fingers end in talons—
the ones you trim to hide
the predator inside.
Ten thousand creatures sacrificed;
but really, what’s the loss?
Apply a splash of gloss.
You picked the perfect color
to mirror nature’s law:
red, like tooth and claw.



Mending Glass
by Michael R. Burch

In the cobwebbed house—
lost in shadows
by the jagged mirror,
in the intricate silver face
cracked ten thousand times,
silently he watches,
and in the twisted light
sometimes he catches there
a familiar glimpse of revealing lace,
white stockings and garters,
a pale face pressed indiscreetly near
with a predatory leer,
the sheer flash of nylon,
an embrace, or a sharp slap,
. . . a sudden lurch of terror.

He finds bright slivers
—the hard sharp brittle shards,
the silver jags of memory
starkly impressed there—
and mends his error.



The Poet
by Michael R. Burch

He walks to the sink,
takes out his teeth,
rubs his gums.
He tries not to think.

In the mirror, on the mantle,
Time—the silver measure—
does not stare or blink,
but in a wrinkle flutters,
in a hand upon the brink
of a second, hovers.

Through a mousehole,
something scuttles
on restless incessant feet.

There is no link
between life and death
or from a fading past
to a more tenuous present
that a word uncovers
in the great wink.

The white foam lathers
at his thin pink
stretched neck
like a tightening noose.
He tries not to think.



POEMS ABOUT POOL SHARKS

These are poems about pool sharks, gamblers, con artists and other sharks. I used to hustle pool on bar tables around Nashville, where I ran into many colorful characters, and a few unsavory ones, before I hung up my cue for good.

Shark
by Michael R. Burch

They are all unknowable,
these rough pale men—
haunting dim pool rooms like shadows,
propped up on bar stools like scarecrows,
nodding and sagging in the fraying light . . .

I am not of them,
as I glide among them—
eliding the amorphous camaraderie
they are as unlikely to spell as to feel,
camouflaged in my own pale dichotomy . . .

That there are women who love them defies belief—
with their missing teeth,
their hair in thin shocks
where here and there a gap of scalp gleams like bizarre chrome,
their smell rank as wet sawdust or mildewed laundry . . .

And yet—
and yet there is someone who loves me:
She sits by the telephone
in the lengthening shadows
and pregnant grief . . .

They appreciate skill at pool, not words.
They frown at massés,
at the cue ball’s contortions across green felt.
They hand me their hard-earned money with reluctant smiles.
A heart might melt at the thought of their children lying in squalor . . .
At night I dream of them in bed, toothless, kissing.
With me, it’s harder to say what is missing . . .



Fair Game
by Michael R. Burch

At the Tennessee State Fair,
the largest stuffed animals hang tilt-a-whirl over the pool tables
with mocking button eyes,
knowing the playing field is unlevel,
that the rails slant, ever so slightly, north or south,
so that gravity is always on their side,
conspiring to save their plush, extravagant hides
year after year.

“Come hither, come hither . . .”
they whisper; they leer
in collusion with the carnival barkers,
like a bevy of improbably-clad hookers
setting a “fair” price.
“Only five dollars a game, and it’s so much Fun!
And it’s not really gambling. Skill is involved!
You can make us come: really, you can.
Here are your *****. Just smack them around.”

But there’s a trick, and it usually works.
If you break softly so that no ball reaches a rail,
you can pick them off: One. Two. Three. Four.
Causing a small commotion,
a stir of whispering, like fear,
among the hippos and ostriches.



Con Artistry
by Michael R. Burch

The trick of life is like the sleight of hand
of gamblers holding deuces by the glow
of veiled back rooms, or aces; soon we’ll know
who folds, who stands . . .

The trick of life is like the pool shark’s shot—
the wild massé across green velvet felt
that leaves the winner loser. No, it’s not
the rack, the hand that’s dealt . . .

The trick of life is knowing that the odds
are never in one’s favor, that to win
is only to delay the acts of gods
who’d ante death for sin . . .

and death for goodness, death for in-between.
The rules have never changed; the artist knows
the oldest con is life; the chips he blows
can’t be redeemed.



Pool's Prince Charming
by Michael R. Burch

this is my tribute poem, written on the behalf of his fellow pool sharks, for the legendary Saint Louie Louie Roberts

Louie, Louie, Prince of Pool,
making all the ladies drool ...
Take the “nuts”? I'd be a fool!
Louie, Louie, Prince of Pool.

Louie, Louie, pretty as Elvis,
owner of (ahem) a similar pelvis ...
Compared to you, the books will shelve us.
Louie, Louie, pretty as Elvis.

Louie, Louie, fearless gambler,
ladies' man and constant rambler,
but such a sweet, loquacious ambler!
Louie, Louie, fearless gambler.

Louie, Louie, angelic, chthonic,
pool's charming hero, but tragic, Byronic,
winning the Open drinking gin and tonic?
Louie, Louie, angelic, chthonic.

I used poetic license about what Louie Roberts was or wasn't drinking at the 1981 U. S. Open Nine-Ball Championship. Was Louie drinking hard liquor as he came charging back through the losers' bracket to win the whole shebang? Or was he pretending to drink for gamesmanship or some other reason? I honestly don't know. As for the word “chthonic,” it’s pronounced “thonic” and means “subterranean” or “of the underworld.” And the pool world can be very dark indeed, as Louie’s tragic demise suggests. But everyone who knew Louie seemed to like him, if not love him dearly, and many sharks have spoken of Louie in glowing terms, as a bringer of light to that underworld.



My wife and I were having a drink at a neighborhood bar which has a pool table. A “money” game was about to start; a spectator got up to whisper something to a friend of ours who was about to play someone we hadn’t seen before. We couldn’t hear what was said. Then the newcomer broke—with such force that his stick flew straight up in the air and shattered the light dangling overhead. There was a moment of stunned silence, then our friend turned around and remarked: “He really does shoot the lights out, doesn’t he?” — Michael R. Burch



Rounds
by Michael R. Burch

Solitude surrounds me
though nearby laughter sounds;
around me mingle men who think
to drink their demons down,
in rounds.

Now agony still hounds me
though elsewhere mirth abounds;
hidebound I stand and try to think,
not sink still further down,
spellbound.

Their ecstasy astounds me,
though drunkenness compounds
resounding laughter into joy;
alloy such glee with beer and see
bliss found.

Originally published by Borderless Journal

Keywords/Tags: mirror, image, images, imagery, self, self-image, self discovery, fear of self, self control, self harm, reflection, reflections, reflecting, glass, mrbref
Nat Lipstadt Apr 2023
yes, in full possessive of all the typical, ****** wearing-out diminishments and diminutions

so no surprises, that I’m squinting to see my own personal
street signs two blocks ahead, in case a dreaded left turn be
required

I hear eventually what your thinking, by the second, third rep, I am fully informed of your opinion and am left wondering why people blather rather than win some, with  
a winsome smile

but it  catches me unaware that my voice, (its tones, notions,and colorations) is softer, though not purposed or so intentioned,this is puzzling, so wrestle for the whys, as is my wont, for explicating my existence be my full time employment and time is  overly plentiful and it’s steady evaporation is not the diet I am needing or even
embracing

perhaps, (always a multi-perhaps), mine aging grants an edge-softening, the brain regulates away the shouting urgency of what seemed important, demandy &needy for immediate attention, has a natural implant subtly started subtracting and governs my always was voluble but less-than-valuable insistence to be heard above the raucous din of the world~is~ending~
scarecrows

perhaps, it is something simple physic, but I deny that
escapism excuse, for yet, my bellyful laughter still loudest I know especially, at the ironical, comical of my mirror image rightly making fun of my vanity and even yet today, on a busy city street my senior YO! still summons taxis  to appear from
blocks away

perhaps, he flatters himself, his soon to be required stick will be so big, the need to speak softly intuitively concomitant, but that’s a lie as  he has no stick as of yet, ‘cept for the one he himself, he hisself, penetrated & perpetrated up his own ****

perhaps, just the intuitive or learned wisdom to think slower, talk lower, excise the waste of haste that plagues  the modern life, all that quiet, buttery yet uncool logic persuasion triumphs over the no-reasoned- shouting-pretense to be everybody’s exercised right
to be stupid

so many possible perhaps that this  listing is making me too, 
list to one side; perhaps, the list is so lengthy it requires a conservation of energy, and sotto voce approach to the so-much-of-everything
yet unanswered,

but perhaps,
I  just have less to say and
it comes out of me,
softer and wiser…ha!

perhaps, time has worn me down into a…
**a modulated man
Sat Apr 16 2023
nyc
Zak Krug Jan 2012
Let’s start from the beginning…
Serenaded by celestial scarecrows.
I’m drawing crosses on
bathroom shower curtains.
Steaming with potential, semi-permanent.
A blue Bible lies next to me.
Then again I’m surrounded on all sides
by dozens of Coke cans, laced with
stale beer.
Caution: Instant *** machine just add alcohol.
Please fill this prescription, signed with
The Cross.

I’m dancing with visions of myself.
Proverbs guiding my life.

Walking

Walking through the same patterns of their life.
Trying to find outlets of expression.
How expressive can I be in a basement?
On the hand I have a great life,
on the hand I want more.
Adam Smith curse guide me!

Not with child, thank you.

Thank you.

Dancing with the universe, a dance of time.
Don’t cry wondering gypsy.
I choose neither the mountains nor the beach.
I like them both.
Which wilderness is wild?
I will live amongst the stars, or so I hope…

This white room is making me regret
the wine.
If you could only see what I’ve done.
Weaving written words.

Lies.

All lies.

They’re all lies.
Every single one of them soldier.

Don’t you understand?
Viva!
Live!

This x-ray of my life.
Let keep it to ourselves.
Hiding these skeletons in a deck of cards.
There word were supposed to be art.
Maybe a portrait written on the walls.
Praying every night (Maybe I’m asking for too much).
Side street catholic, hidden.
Never cut in front of the buffet line.
Ears ringing, my decent.
Maybe madness is the Jester’s path to
madness.
Or maybe it’s the other way around.

I’m getting older and older.

But am I getting wiser and wiser?

Hello good sir! How are you?
Yes, it is a fine day outside today.
Looking into a mirror.
Maybe I’m hiding between words.
Hiding too much.
Why not?
Maybe it’s for the best…
Lets go!
Chase the white picket, two story.
What’s my story you ask?
It’s being written, erased, re-wrote.
Just look up the summaries.
You’ll get bored easily, figure out the ending.
I did.
I’m on top!
Paper bridges crumbling into

whiskey rivers.
Which reminds me of a story…

I’ve never been a good storyteller
Please help me.
Hear me.
Screaming through ink.
I could write about that, but…
I already did, you’ll have to find it.
Between these lines.
Maybe I’m drowsy, should have
enlisted your help.
This helps. Thank you Lord.

Cameras flashing, every day is
A new day.
Every time I see you’re eyes I dream
in romantics.
Maybe this is my new day.

Maybe.

I tend to learn lessons, the hard way.
In life we must take changes and
repay them.
I’m feeling…

The keys to our hearts
lie in the secrets unshared.
I’m a walking contradiction…
I have a lot of keys, and lies.

Let the water wash over you.
This is my hope!
Flying on the back of television signals,
blinded by daytime programming.
We’re ruining our visions.
Creativity is dying.
This is my manifesto to…
Will you read it?
Front to back (I wouldn’t).
High speed chase crashing into pen and paper.
Don’t be sorry.

What would you do?

What would you think?

Why should I care?

Anxious.

Anxious.

Anxious.

Oh…if they only knew.

Am I putting too much stock in to
Materialistic consequences?
Please put your phones on vibrate!
This is a lecture!
Change your ways while you’re this age.
What am I learning you ask?
How to…what are you learning?
I don’t have a lesson plan.

Laughable poetry.
I used to be articulate.
With a sailor mouth.
Oh yes! My vocabulary is crude.
Then again so is this poetry.
So is my life.
Classroom experience is my real world.
Put that on a resume.
Don’t write poetry. No one will read it.
That’s what you’re told.

Queens the questionmaster. (I ask a lot of questions)
Lucky you!
Let’s go back to moments.
Put our trust in technology. Ignorant.
Pouring out my feelings into empty chalices.
This is something I will not do.
Wait.
Forget what you’ve been told and read.
Please.
Thank you.
It’s all I know. I guess.

Church lights bearing down on snakeskin lies.
Collection plates.
Am I jumping around too much?
This isn’t poetry?
I’m sorry I don’t think I asked for your opinion.
I did?
Oh…Well thank you for your input.
Let’s begin
At the end.
Oh how cliché can you be.
You’re so unoriginal.
Not using punctuation correctly.
Rebellious youth.
Next you be talking about peace, love, harmony, serenity, happiness…

Hear me! (no)

Look at me, answering myself at
1am, drunken hours.
Critique this!
Peace, love, harmony, serenity, happiness.
Not in this poem.

Wait.

O.K maybe a little.

Pouring over the top of my beer stein.
Snake skin wrapped around my fingers.
I hope.
Let the right foot touch first, then
You’ll have good luck
Trust me. I’m an expert.
I’m hopeful.
Kneeling by my bedside.

Speak.

Speak now of forever or forever hold your peace.

It’s your choice.

You are responsible for your actions.

This is making me feel better.
I hope this crosses over.
I hope you’re understanding this.
Or maybe I hope you aren’t, then I can keep it to myself
You are?
Good, because its getting past my bedtime.
Growing weary of questioning.

Mankind,
Womankind,
Humankind.

Help me on this journey of life.
My solemn prayer.
I think I’m losing myself.
Maybe I am already gone.
Replaced.
I am this mirror image.

Hello.
How are you doing today?

I’m fine thank you.
Today
Sunday
Slows

Today
Apathy
Grows.

Today
Indolent
Desires

­Today
Scarecrows
Stand

Today
Talents
Wane

Today
Numbness
Reigns­

Today
Sloth
Drove

Today
Just
Froze

Today
Good
Failed

Today
Evil
Grows


All that is necessary for the triumph of evil is that good men do nothing.
Edmund Burke
© JLB
Dante's Purgatorio he had portrayed the penance for acedia (sloth/listlessness) as running continuously at top speed.
I walk alone contemplating the scenery of an abandoned castle
Beside the Forest of Whispers an amazing view am baffled
I contemplate the thought if I should walk inside or not
All the sudden I hear a voice in my head inviting me to come in
I gather all my courage and enter the castle
I stop briefly to look at the entrance of the castle itself
It has Two Giant Stone Cyclops statutes and a huge metal door
The scenery is captivating yet am a bit nervous to press on
I look everywhere but there is no one there and I get closer to the entrance...

Without warning I see the huge metal doors begin to slowly open
Lots of dust and smoke emanate from the ground as they slowly sway open
I think to myself (What's going on this is just weird) I hear the voice again...
"Come inside adventurer I have something for you" I carefully step inside the Abandoned Castle
Inside the Majestic Palace it's beautiful...I carefully examine everything insight
A Old Painting with a Young Man dressed in an 1800's Draco Tunic (Black & Red Colors)
A Gorgeous Staircase that looks like it has been recently cleaned and polished
Many pieces of Marble Art all over the Main Hall Room -The part of the Castle am in- and many doors up the staircase and where I recently occupy
I ask the voice "Who are you?" and it replies (The voice itself sounds a little rusty and hoarse a bit old in fact) "I am Aziel Count Of the Darkness the 3rd Prince of the Night, I have lived here in my Castle for 750 years" As I survey the Main Hall Room in the middle of the room above the stairs that lead to the second part of the Castle itself there hangs the painting I briefly looked at. It's a huge painting a beautiful masterpiece carefully detailed and crafted with a young man dressed in a handsome Draco Tunic. His long dark hair deep black eyes and the black and red garments his wearing truly make him stand out and make him look like a Count of the Night...I think to myself (Could this be him...Aziel?) and just as soon as that thought came to mind I heard the voice again..."Yes that is me Adventurer the one portrayed in that painting is me, now tell me may I have the pleasure of knowing your name?" then I swiftly reply "My name is Frank Deltoro" As I get closer to the painting ...
All at once five scarecrows come out of no where ...from various parts of the Castle I assume and they all get together and commence to form a shape...about 10 ft from me.

Then I realize the form it's human and there I stand in awe it's an Old brittle man shirtless with silver eyes his skin pale as chalk and his pants wore out and thorn down. I get closer and closer to him then am about 3 ft from him and he says "Stop right there...I want to request something from you my mortal friend." Then he proceeds to speak again "Hello Frank my name is Aziel Governale. I am one of the 3 princes of the Night. My 2 brothers Vladimir my Elder Brother and Uriel my younger in fact the youngest sibling of us 3 reside in different abandoned sites long forgotten by mankind. It's 1933 in England in the remote sites of the burned down village of Qwutzentok. It was 13 years ago that the Order Of the Silver Knights burned down the village due to their iniquity and blasphemy against the one true God Almighty. The village conducted dark rituals to try to revive the Lord of the Night my Father...Dracula, but their attempts where in vain and futile. I still command to some extent the power of the night but my powers have been weakened by the Order of the Silver Knights and their Holy Crusade to conquer and extinguish the Night forever. I have hid here for 700 years after a Silver Knight known as Joshua Villamont defeated me and I was cast into hell periodically until I was revived with a blood ritual from a woman known as Elizabetha a young mortal woman who had fell in love with me when I was a mortal man. (He pauses for a second) (I analyze him head to toe as he speaks but I am in bewilderment and tremendous fear.) -He begins to speak again-

"I want to extract revenge on the Order regain all my power and might as one of the princes of the Night and revive my dear Elizabetha. She was killed by a Silver Knight back in the year 1225. I had just become a Prince of the Night and shortly after the Order raided our family and killed me or so they thought in the process...my Father had about 12 years of being dead and my 2 other brothers where no where to be found. We had all been scattered by the Order. I had been a Vampire only for about 3 years and then I was defeated by the Order and cast into hell and she rescued me and saved me. We stayed together for a while but I was too weak to make her a vampire and then the Order raided me once more and killed her. Now I want her back and I want revenge...you understand?"

Deltoro: "Yes I understand. But why should I help you?"
Aziel: "Due to the fact you have some distrust and hatred in your heart towards the Order. You was denied to become one of them due to your visual impairment in your left eye you can only see blurs and part of your right hand it's movement is restricted due to your born defect you can't move 2 fingers from your right hand. To be exact those fingers are your index and your pinky finger."
Deltoro: -Stands there in complete awe and shock- "How how...ummm...how did you...know?"
Aziel: "Am a Count of Darkness I can read man's hearts. I control to some extent telepathy. I can read 97.5% of individuals. It's a perk you get for being a Count."
Deltoro: "Fine...you have swayed me I will help you. But wait why can't your brothers help you if you can telepathically talk to them both?"
Aziel: "Oh mere human. Vladimir is dead...he was extinguished by the Order. Uriel I do not know his whereabouts I know he isn't in England. Therefore am here alone practically...it just I finally got an opportunity to extract revenge so that's it's exactly what I plan to do."
Deltoro: "OK so what must I do?"
Aziel: -Thinks to himself for a minute- "Have you heard of the so called Goddess Of The Forest?"
Deltoro: "Oh yes I heard that myth before Nabyah The Goddess Of the Forest Of Whispers."
Aziel: "It's not a fairy tale you know she exists and she is in the heart of the forest itself. All you must do is convince her to give you some of her blood willingly and if she isn't cooperative you must take the blood from her anyway and bring it to me."
Deltoro: "But she must be a powerful deity am sure she is going to fight back if I try to do such a thing."
Aziel: "Well ...those are the risks you must take in order for me to grant you my reward."
Deltoro: "Very well challenge accepted. I'll depart now."

(And so Frank Deltoro departs swiftly towards the Forest)

KEY

Draco Tunic= A Robe worn by Counts back in the 1800's. It displays Dragon scales in them. Only the true Counts of the Night had real Dragon scales placed on them however.

The Order Of the Silver Knights= Founded in 1000 the first millennium by King Nathan Bulderaux III. It fights the powers of Darkness ever since it's formation. It became famous after defeating the High Lord Dracula King of Darkness and vanishing his soul into hell.



                                                                                                      ->TO BE CONTINUED...
This short story going to consist of 5 individual Acts I,II,III,IV,V Finale. It's going to make it to the best sellers in NY Times short stories.
Taylor Smith Mar 2013
I need you
To tell me it’s okay. I’m allergic to hay and scarecrows do their job.
Get me high, cheer me up. Let’s go on a trip.
Show me around munchkin town and their residents might lead us to the wizard. We might get stuck in a blizzard but I’ll refuse to let that cold, white powder outshine my shoes. See, I’m done with the blues. You can tickle my sore, ruby red feet. Force out of me a fluttering laugh. We’ll go somewhere over the rainbow and back. Sing me a song and I’ll try to follow along
This yellow brick road.
Pass up each rest stop but you can take me to gift shops. You can buy me a stuffed lion. Unless you’d rather the zoo. I did always need a little spontaneity to live courageously.
But who cares?
I do. Because if I only had a brain, I’d think to grease up my tin friend and give him my… a heart.
There’s a start!
I don’t wanna stop this groove in my heart… I mean… my ruby shoes, but life isn’t all emerald castles, chimney tops, and lemon drops. Over the rainbow there is no *** of gold and behind the green curtain there’s no all-seeing wizard.
Only a selfish leprechaun who sees no further than his own lashes.
nivek Jul 2015
Man has scrabbled in the dirt all his life
preparing a patch for growing
food for his belly
at the risk of losing everything
he sprays the world for profit
like a cat marking bounderies
He keeps the starving out his field of dirt
with scarecrows and blasts from his shotgun
riding the stock market he counts his money.
Joe Bradley Jan 2017
The moon dangled hard through the city
and the moth-lamps hummed discord with the wetness.
The dripping stars like accidents in spilt milk,
waited for a mop.

Walking home I hallucinated men
coiled up with the smoke-stacks.
They pressed through the brickwork and
as shadows flickered in the street-light.

Though my torch cut them down like saplings
and the moon ripped off their heads like scarecrows,
each man was a sermon,
a vastness straining the borders of sight.

A tailored uselessness hung there arms,
waspish currents tore from their mouths.
Starlings turned on their cross-wind,
as messengers of some sleeveless silence.

The moonlight fell on them like whorls,
like hurricane petals, hostile
were the shopsigns, they moved backhandedly.
The gulls raged. The crows filled silence they left.

The shadows all danced to the back of my head.
And when I turned they were gone.
I'm plucking for life and a body.
That shrinks the world to their size.
Arlo Disarray Feb 2016
my life was blown to smithereens
along with my pathetic dreams
everybody tries to tell me
"it's not as bad as it seems"

everybody knows nothing
nobody knows anything
we're all just scarecrows waiting
for somebody to fill our heads with a brain

for whatever it's worth, I always loved you
but my words hold no value
because my forked tongue is a master of deceit
and the opinions I hold are ever-changing
with the sight of the stars
and each sunrise I see

never love a poet
'cause wouldn't you know it?
we're all a little crazy
some would say passionate
but really, we're just a bit mad
Danielle Rose May 2013
There are always pieces missing
Something left unknown
To leave one reaming
draining the fruits left forlorn

Turning stone to find bugs as if the plane was rigged
Creepy crawling scarecrows up the stage inside my head
As I begin double taking every passing thought
An inception reflection hurling me to push on
Changing every pattern in the hopes for true starts

An opposition forms inside my bleeding heart
A rejection for the progression of doomsdays little songs
Trust that when you're not looking you're a part of catering business
and in our world today it truly is survival of the fittest

In breath taking moments clarity strikes me hard
In setting myself apart I feel less hallmark
I do not adapt to the world at large for I am small town garb
I'd rather adapt to space than aim to please like stars
Jackson Jones May 2013
Someday they’ll look back here
and tell each other,
that the end started with us.
We are the plateau kids, the ones who lost it;
We who watched the new millennium
sink into place as our monument to apathy.
The derivative of a derivative is our only construct left standing now.
The de-evolution of a soul, spiraling out,
becoming thinner and thinner the farther it reaches,
leaving us hollow scarecrows
still guarding the dead field.

We are a generation of potentiality,
lost in twisting teeth.  Clockwork gears
churns us out, hollow men pushing hollow men
through and out doors, into a world of excessive emptiness.
Fertile though the mind may be, it’s lost on us.
We are the spectators of progress, the ones who watch and
laugh and drink and **** and snort and smoke
and post and pop and dance and steal and die.

Beauty stopped with us,
and all was lost.
working draft
Aurora Feb 2020
R.J Calzonetti


Screaming cross the skyscraper’s windbreaker tapering

Aether vapour- trailblazing ****-sapien wafers

Of machinations psychotropic doppelgängers

Aristotle throttling menagerie’s philosophically hypnotic obelisks

Mind-boggling astronomical chronological esophagus

Antioxidants phosphorus catastrophic mitochondria

Beyond anaconda onomatopoeia

Of hallucinogenic Armageddon biblical umbilical cords

Swarming northern lights of aurora borealis

The chalice a battleground of Evangelion belladonna

Metalica candelabra swallowing the monochrome Hanukkah

Of a cold winter’s eldritch disintegration photosynthesis

Of innocent infinity stretching wretched beckoning requiem

The words that fall upon my page, are really just a shallow grave

Of the dawn of nighttime in my eyes, calm upon the twilight sun

Wrong is done draped on the blood moon wraiths

Skyscraped fields dusk a hollow thud below the dunes

That thumps the consumption of our fate, fumes to glow in darkness loom

Left blind in light of day you cannot see, the little pieces silver sheen

For blinding light may fade to grey, and I will never have my way

Nightfalls on another daybreak, dawning darkness, sundown on another day

Twilight plays with sparkling haze, the sky a wildfire made ablaze in patchwork scarecrows

Who etch rainbows black as a heart of coal, sold flatlining railroads

Gold wraithlike halos of stained-glass cathedrals unreal in the fever-dream of human beings

Bleeding Elysium from the seabed of dead worlds, gourds of incorporeal cornucopias

Born orchestra morsels of sorrowful oracles predicting crucifixion of ellipsis’ antithesis


(MC) Aurora


Absonant  as my pen writes the twilight, the red swallowed on horizon and bright

As through a sea of blood under my feet and shrinking mast of my mighty ship

A shadow I make on that red snow and peep into my heart’s hollow

It’s deep as much as my pen spake of grief.

I blinded in that last light and hurled like a beast dreading the songs of holy lies

That have just pained in bright and made me grieve.

They dragged me on my wings and deplumate  me as so fallen humans

They wrenched my limbs and rive my heart out and flinger me in air and I laid forever

On the stones that dank my blood.

I wait for the troth  of  demise but betrayed as it didn’t come to detract,

I laid when the horizon grinned red on my face and poured the last ale

And brutally drank the last sip of me.



R.J Calzonetti


People are sleeping under the blankets of a tranquil streetlamp

A sunflower in the damp bed of concrete

Soon they’ll be pushing up daisies

Underneath the foundation of what I stand for

Nip the bud of the flower pedalling the root of all evil like fallen leaves

Breeding paraplegic freedom from the pollen melancholic

Anarchistic polycrystalline shapeshifters drifting vilified

Buried alive like asphalt constellations crowning metallic gallows alcoholic in my solitude

See the clouds bury the ground in half a heaven’s heartbeat

Limbo’s limitless abyss the photosynthesis of the sepulchral diablo

Revenants of redemption dancing with death

Evanescent in its bioluminescent crescent moon spooning illuminated illustrations

Of Himalayan mayhem cremated avarice of ethereal onomatopoeia unravelling catacombs in God’s palindromes

Homeopathic saplings decapitated in the dismembered September wastelands defibrillator

Invigorating the nightshade white wraiths plane-walkers of Apocrypha documenting entropy

Pent up sentience avenging the endless demigods of discombobulated proclamations nocturne graceless, octaves eldritch, evangelic

Elegant elevators to flights of staircases where the air is fragrant with the fragments of stagnant stained glass asterisks

Written gospels to masquerade hostage to the faith the man misplaced the sacred hate, the passageways of apathy apostrophe

Apartheid of serpentine survivors carving smiles on the sidewalks

Farming diamonds and their detox

Arming giants like a phoenix

Carnal nihilists with their secrets

Stardust quiet as the bleachers

Start defiant still a reject

Art discipled to our freedom

Shattered hearts pick up the pieces

Jigsaw puzzles, smothered treasons

Sow the seeds and **** the reaper

Even legions rhyme and reason

Tattered flags without a penance

Good men do not go to heaven

Buy your burden at 7-11

Your exit is the only the next entrance

Resurrection prepubescent

Asymmetric biomechanics

Anguish to be reprimanded

Megalomaniac in our sabbath

Living life is just a sentence

Psalms of seance death’s senescence

Baptize vengeance lest it ventures into heaven

Ventriloquist omniscience of rhythmic equilibrium

Earthly hurricanes reemerging insurgent as the sugarcane purgatory

Primordials metamorphosis contorting rigour Mortis oracles horoscope cloaked in cloaca hallucinations

Induced irradiated amalgamated retaliatory incorporeal chlorophyll

Born from the sorcerers' spell, the cathedral of doubt

The only darkness is within oneself, light shed within a holy shell

Isolation is a lonely hell, scythes of moonlight blight of bells

Nightingales fail to halo word of mouth

Enveloped in the clouds cast shadows hex

But resurrection cannot hide from the eyes of death

Fresh as babies breath

Rank as the body festers effigies

Bless the Nephilim the questions beck

And call for some god to collect the rest

Is there any answer?

Even growth can be a cancer

Lifeless corpses once were dancers

Devils waltz on top of canopies

Heaven’s hands have touched serenity

****** brands that crushed His enemies

Stained glass sanguine dismantled entropy

Calamity ran dry insanity dabbling in humanity

Unravelling the candy wrapper saplings of happiness

Pitch black irradiant dull edges sharpening archangels, darkness reincarnating

Blinding bioluminescent glistening abyssal rakshasa sarcophagus parting monarchies

Metamorphosis coruscating fornication immortalization Tartarean

Reverberating ****-sapien scintillating hurricanes palpitation circulating ricocheting oblivion

Shining crepuscular homunculus dully illustrious

Sunless avatars, mannequins of Abaddon stygian as fallen leaves on the breeze of Avalon Evangelion

Incarceration breeding Elysium’s jailors in the cathedral of double helixes

Bethlehem's’ new genesis of Lucifer’s crucifixion

Brighter than a fallen star

Mourning in the dark

Doppelganger apostles night stalkers of phosphorous

Pockmarked arcanum bloodstained in gravestone Salem

Where the braves’ halos dined on maelstroms alone

Heirs succeeding failures of the empty throne

Filled with nothings’ own

Brimming bound by Babylonian poems

Deus ex Machina's apocalypse coughing prophets of Samsara blossoming diabolic

Life is but a Holocaust

Death the moment God forgot

Breath the only psalm we sought

Kept within a hollow box

Shedding devils, angelic, lost

Finding metamorphosis


(MC) Aurora


A world often synonymous with beauty on the horizon,

Meet my eyes you mourned demon load the strength on thee.

Crestfallen light on your wrist burns down your girth

And you can plead, just plead your twilight sun.

Watch the dead sea swallow you in the salts of agony

And drown in the anguish, hundreds of angelic bloodsheds,

Press hold of the thumbprints on your throat, you can't roar.

Sore lugubrious melancholy aired atmosphere,

And downhearted souls dispirited dragons dragged along.

The sob grim hiding in a blue funk rusty smog choking wind,

The nyctophilliac animals howl long the cold-blooded love song

In your lungs and burn.

It's the twilight sun,

Just that twilight sun.
By Aurora & R.J.Calzonetti

— The End —