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Martin Narrod May 2014
"I know your vexed great spirit, miles away, a gentler more playful you thrives on a journey of life. There among a ridge, the plateau where you dance, leaping, ripping yourself out of the air,escaping towards the light. Free from the weight which chastises and locks you up. Out of the medicine cabinet quaffing your deepest breaths, urging your hours shorter and shorter. You cascade like glass buttons scattered on the desert floor, let those wet cloths be forgotten, may your sorrow disappear amidst that great arenose simoom.  When the ghibli makes you stutter before the bright outlook you once displayed, do not forget to visit the flowers that bring you the most  peace of mind"------------------------------------------------------------­------------------------------ It's here. In the pile-ons, wrapping around your head like a cool, wet bandage, keeping out a headache, or the rancorous guilt of an ugly night. It sits on the top-layer of your forehead, beading off in fresh droplets of self-pity, uncomfortable and self-defeating restlessness and despair. I rub it with my hands, removed each new wave of desperation and soothing your hairline with a swath of my hand. I raise up, your cucumber colored walls, that bright pink bedspread, nothing different ever changes. The masonite paintings still there, that old familiar **** carpet, a thatch-work of menage-a-tois and fifth grade-style arts and crafts. The light bulb has been out for six years, third drawer right-side down is still stuck, a mystical blow dryer blocks it closed, and the door won't ever quite close- I take a shower with the world wide opened and you trailing a fastening steep. And so your fever rises, your feet soak in a tepid iron clad bed frame while your mind rattles against your skull. Thirty days have past, lifeless, echoing in this wicked upstairs chamber. The West Wing. Slatted blinds, the white dresser, the Chanel books, the pool party photos, the blue swim-meet t-shirts, the fake gold trophies and the true gold hairs on your head, my fingers dash across your forehead again meeting your brow with the cool folded washcloth, I reach for your back and you turn, slightly rolling; something routine, unsteadied, even wicked limps in a stress ball inside your bottom lip. It's just a quiver. Nothing different ever changes. It's the devil inside, and I am nowhere to go. Maybe midnight or maybe twilight. Every hour of morning is another hour of night I'm ever taking my sleep back into. I don't count the days, just mark them in the thoughts of worry that flurry through in brief thoughts. I am obsessed with care-taking now. Three hours have passed since I showered you out of your black party dress and sparkly Gucci slip-skirt, since I took bits of post-digested food from your hair, held your nose with a tissue and told you to blow it all out, again, another night of building a sick room and sauna. I never tire, I just make arrangements, I build a small room and I wait the weight out. Nothing different ever changes, and I don't expect the unexpected or dare to meet your smile again.-----------------------------------------------------------­------------------------------ Three months ago, thrifting on Valencia and 26th Street. Walking from Blue Bottle to the Bay then to the Breakers. I climb atop A Buena Vista with man Adam, you scale a mountain-sized hill with your teal green and cherry red Nikes. We make a photograph in front of white dogwood blossoms overlooking a steep Ravine to the East. A bird chirps, a homeless woman barks, and four children smoke cigarettes and joints in a treetop. Every ***** goes up and down, each footstep dithering amidst our biduous ascent. I buried you last Thursday beneath the dogwood, your cherry red and teal green gym shoes planted at your doggerel.
High on a mountain of enamell’d head—
Such as the drowsy shepherd on his bed
Of giant pasturage lying at his ease,
Raising his heavy eyelid, starts and sees
With many a mutter’d “hope to be forgiven”
What time the moon is quadrated in Heaven—
Of rosy head, that towering far away
Into the sunlit ether, caught the ray
Of sunken suns at eve—at noon of night,
While the moon danc’d with the fair stranger light—
Uprear’d upon such height arose a pile
Of gorgeous columns on th’ uuburthen’d air,
Flashing from Parian marble that twin smile
Far down upon the wave that sparkled there,
And nursled the young mountain in its lair.
Of molten stars their pavement, such as fall
Thro’ the ebon air, besilvering the pall
Of their own dissolution, while they die—
Adorning then the dwellings of the sky.
A dome, by linked light from Heaven let down,
Sat gently on these columns as a crown—
A window of one circular diamond, there,
Look’d out above into the purple air
And rays from God shot down that meteor chain
And hallow’d all the beauty twice again,
Save when, between th’ Empyrean and that ring,
Some eager spirit flapp’d his dusky wing.
But on the pillars Seraph eyes have seen
The dimness of this world: that grayish green
That Nature loves the best for Beauty’s grave
Lurk’d in each cornice, round each architrave—
And every sculptured cherub thereabout
That from his marble dwelling peered out,
Seem’d earthly in the shadow of his niche—
Achaian statues in a world so rich?
Friezes from Tadmor and Persepolis—
From Balbec, and the stilly, clear abyss
Of beautiful Gomorrah! Oh, the wave
Is now upon thee—but too late to save!
Sound loves to revel in a summer night:
Witness the murmur of the gray twilight
That stole upon the ear, in Eyraco,
Of many a wild star-gazer long ago—
That stealeth ever on the ear of him
Who, musing, gazeth on the distance dim,
And sees the darkness coming as a cloud—
Is not its form—its voice—most palpable and loud?
But what is this?—it cometh—and it brings
A music with it—’tis the rush of wings—
A pause—and then a sweeping, falling strain,
And Nesace is in her halls again.
From the wild energy of wanton haste
Her cheeks were flushing, and her lips apart;
The zone that clung around her gentle waist
Had burst beneath the heaving of her heart.
Within the centre of that hall to breathe
She paus’d and panted, Zanthe! all beneath,
The fairy light that kiss’d her golden hair
And long’d to rest, yet could but sparkle there!

Young flowers were whispering in melody
To happy flowers that night—and tree to tree;
Fountains were gushing music as they fell
In many a star-lit grove, or moon-light dell;
Yet silence came upon material things—
Fair flowers, bright waterfalls and angel wings—
And sound alone that from the spirit sprang
Bore burthen to the charm the maiden sang:

  “Neath blue-bell or streamer—
    Or tufted wild spray
  That keeps, from the dreamer,
    The moonbeam away—
  Bright beings! that ponder,
    With half-closing eyes,
  On the stars which your wonder
    Hath drawn from the skies,
  Till they glance thro’ the shade, and
    Come down to your brow
  Like—eyes of the maiden
    Who calls on you now—
  Arise! from your dreaming
    In violet bowers,
  To duty beseeming
    These star-litten hours—
  And shake from your tresses
    Encumber’d with dew

  The breath of those kisses
    That cumber them too—
  (O! how, without you, Love!
    Could angels be blest?)
  Those kisses of true love
    That lull’d ye to rest!
  Up! shake from your wing
    Each hindering thing:
  The dew of the night—
    It would weigh down your flight;
  And true love caresses—
    O! leave them apart!
  They are light on the tresses,
    But lead on the heart.

  Ligeia! Ligeia!
    My beautiful one!
  Whose harshest idea
    Will to melody run,
  O! is it thy will
    On the breezes to toss?
  Or, capriciously still,
    Like the lone Albatross,
  Incumbent on night
    (As she on the air)
  To keep watch with delight
    On the harmony there?

  Ligeia! wherever
    Thy image may be,
  No magic shall sever
    Thy music from thee.
  Thou hast bound many eyes
    In a dreamy sleep—
  But the strains still arise
    Which thy vigilance keep—

  The sound of the rain
    Which leaps down to the flower,
  And dances again
    In the rhythm of the shower—
  The murmur that springs
    From the growing of grass
  Are the music of things—
    But are modell’d, alas!
  Away, then, my dearest,
    O! hie thee away
  To springs that lie clearest
    Beneath the moon-ray—
  To lone lake that smiles,
    In its dream of deep rest,
  At the many star-isles
  That enjewel its breast—
  Where wild flowers, creeping,
    Have mingled their shade,
  On its margin is sleeping
    Full many a maid—
  Some have left the cool glade, and
    Have slept with the bee—
  Arouse them, my maiden,
    On moorland and lea—

  Go! breathe on their slumber,
    All softly in ear,
  The musical number
    They slumber’d to hear—
  For what can awaken
    An angel so soon
  Whose sleep hath been taken
    Beneath the cold moon,
  As the spell which no slumber
    Of witchery may test,
  The rhythmical number
    Which lull’d him to rest?”

Spirits in wing, and angels to the view,
A thousand seraphs burst th’ Empyrean thro’,
Young dreams still hovering on their drowsy flight—
Seraphs in all but “Knowledge,” the keen light
That fell, refracted, thro’ thy bounds afar,
O death! from eye of God upon that star;
Sweet was that error—sweeter still that death—
Sweet was that error—ev’n with us the breath
Of Science dims the mirror of our joy—
To them ’twere the Simoom, and would destroy—
For what (to them) availeth it to know
That Truth is Falsehood—or that Bliss is Woe?
Sweet was their death—with them to die was rife
With the last ecstasy of satiate life—
Beyond that death no immortality—
But sleep that pondereth and is not “to be”—
And there—oh! may my weary spirit dwell—
Apart from Heaven’s Eternity—and yet how far from Hell!

What guilty spirit, in what shrubbery dim
Heard not the stirring summons of that hymn?
But two: they fell: for heaven no grace imparts
To those who hear not for their beating hearts.
A maiden-angel and her seraph-lover—
O! where (and ye may seek the wide skies over)
Was Love, the blind, near sober Duty known?
Unguided Love hath fallen—’mid “tears of perfect moan.”

He was a goodly spirit—he who fell:
A wanderer by mossy-mantled well—
A gazer on the lights that shine above—
A dreamer in the moonbeam by his love:
What wonder? for each star is eye-like there,
And looks so sweetly down on Beauty’s hair—
And they, and ev’ry mossy spring were holy
To his love-haunted heart and melancholy.
The night had found (to him a night of wo)
Upon a mountain crag, young Angelo—
Beetling it bends athwart the solemn sky,
And scowls on starry worlds that down beneath it lie.
Here sate he with his love—his dark eye bent
With eagle gaze along the firmament:
Now turn’d it upon her—but ever then
It trembled to the orb of EARTH again.

“Ianthe, dearest, see! how dim that ray!
How lovely ’tis to look so far away!
She seemed not thus upon that autumn eve
I left her gorgeous halls—nor mourned to leave,
That eve—that eve—I should remember well—
The sun-ray dropped, in Lemnos with a spell
On th’ Arabesque carving of a gilded hall
Wherein I sate, and on the draperied wall—
And on my eyelids—O, the heavy light!
How drowsily it weighed them into night!
On flowers, before, and mist, and love they ran
With Persian Saadi in his Gulistan:
But O, that light!—I slumbered—Death, the while,
Stole o’er my senses in that lovely isle
So softly that no single silken hair
Awoke that slept—or knew that he was there.

“The last spot of Earth’******I trod upon
Was a proud temple called the Parthenon;
More beauty clung around her columned wall
Then even thy glowing ***** beats withal,
And when old Time my wing did disenthral
Thence sprang I—as the eagle from his tower,
And years I left behind me in an hour.
What time upon her airy bounds I hung,
One half the garden of her globe was flung
Unrolling as a chart unto my view—
Tenantless cities of the desert too!
Ianthe, beauty crowded on me then,
And half I wished to be again of men.”

“My Angelo! and why of them to be?
A brighter dwelling-place is here for thee—
And greener fields than in yon world above,
And woman’s loveliness—and passionate love.”
“But list, Ianthe! when the air so soft
Failed, as my pennoned spirit leapt aloft,
Perhaps my brain grew dizzy—but the world
I left so late was into chaos hurled,
Sprang from her station, on the winds apart,
And rolled a flame, the fiery Heaven athwart.
Methought, my sweet one, then I ceased to soar,
And fell—not swiftly as I rose before,
But with a downward, tremulous motion thro’
Light, brazen rays, this golden star unto!
Nor long the measure of my falling hours,
For nearest of all stars was thine to ours—
Dread star! that came, amid a night of mirth,
A red Daedalion on the timid Earth.”

“We came—and to thy Earth—but not to us
Be given our lady’s bidding to discuss:
We came, my love; around, above, below,
Gay fire-fly of the night we come and go,
Nor ask a reason save the angel-nod
She grants to us as granted by her God—
But, Angelo, than thine gray Time unfurled
Never his fairy wing o’er fairer world!
Dim was its little disk, and angel eyes
Alone could see the phantom in the skies,
When first Al Aaraaf knew her course to be
Headlong thitherward o’er the starry sea—
But when its glory swelled upon the sky,
As glowing Beauty’s bust beneath man’s eye,
We paused before the heritage of men,
And thy star trembled—as doth Beauty then!”

Thus in discourse, the lovers whiled away
The night that waned and waned and brought no day.
They fell: for Heaven to them no hope imparts
Who hear not for the beating of their hearts.
Jon Shierling Feb 2015
They found themselves in that part of the city by accident. Arguments and resentment can cause that sort of aimless wandering, but it's always strange when the two are too stubborn to pull away and wander as individuals. The smells and the sounds shook them out of their thoughts, nutmeg and incense, rhythm and laughter of an unfamiliar hue. In front of them was the source of the music and motion, dimly lit in a recess of the street, but with the unmistakable scent of life pouring out of it. Drawn forward, as if by some invisible force, they entered that bar we resident ex-pats call L'Serpent Rougue.

Cushions and carpets and hookah smoke, dim lamps and cinnamon and coffee, above all the beat of the drums. Drums of all shapes and sizes, Darbouka's most numerous, played by toothless old men and bare chested youths, pounding out sound that got into the blood and burned the heart. They had no words for it, this throbbing in the chest. Barely through the door and already they felt the urge to loosen clothes, remove shoes, partake of unknown sensations. They were seated in a corner towards the back by a middle-aged man who gave them that appraising look purveyors of delights save for those they recognize as novices. Hossam didn't ask their order, immediately brought strong Turkish coffee and a double hosed brass hookah. He also guessed, correctly, that both of them drank whiskey. They sat back in their cushions, closer than they had been for weeks, and drank of that place as they would have of a complex wine or the work of a master painter.

Faces gazed unclothed out of lamplight, shorn of the daytime business-as-usual mask, bidding the couple to do likewise and share in this freedom. This sheer, abject celebration of humanity was something they had never seen or truly comprehended, something more in the way of an abstract idea like physics or the Trinity. But to have it here, now, ****** upon them in such a place was such a shock that perhaps they may yet have shied from it and fled, but it was at that moment that the music changed to a new tempo. Hossam excused himself from the bar and, picking up the Oud propped in a corner, took his place among the musicians.

Simoom was said to be the most beautiful woman in the city, and to have seen her that night, anyone would have believed it. Eyes not quite midnight, but the kind of dark blue that comes just before the sun hints at it's rise. Skin that rich olive color which moves all people deep inside, reminding them in a round about way of the days when the abundant harvest was a reason for rejoicing. The very ideal of grace as she took her own sacred place within the circle of the drummers.

Hossam began a melody, so worn with time and use that one could see the years fall from his body, could see through time to the passion that had always driven his music. And the drummers, young and old alike, followed slowly, almost hesitantly in his wake, as if unsure that they should try and accompany the wellspring flowing from his fingertips. But Simoom, she knew this song, this timeless outflowing, and matched every undulation, every direction Hossam poured out of his instrument and his heart. He played like some Sufi dervish caught up in ecstasy, flames of music which she danced through as a Jinn of the Hejaz.

All of this, the two almost estranged lovers became a part of. In one of those mysterious and unquantifiable facets of human experience, their finite lives became something else. This warmth they had never known suddenly reached out its arms and embraced them. In the midst of that dark place they had found their love descending into, by some chance or will or what have you, they arrived at what some might call a...what's the term...oh yes, "Den of Iniquity". This is the miracle: the differences and petty quarrels, resentments hidden for months, the weight of mundane life, all of the pinpricks upon the heart that lovers unknowingly bestow upon each other fell away, just as the passion of the Oud shed years from Hossam.

They left L'Serpent Rougue with his arm around her waist and her hand in his back pocket, smiling and open to the world. The walk home was itself a new adventure. They danced arm in arm in the middle of the street to a homeless man who played the fiddle, sang the words to their favorite '90s songs as they climbed up the apartment stairs.

Who cares what the landlord says anyway?

She had one of those Chinese calligraphy sets, and she had practiced with it in the years since it was given to her. Practiced that art almost as if it was the only thing that truly belonged to her. As if her entire identity was composed of beliefs ****** upon her by some outside force save for this. Little did she know that this conviction about being an almost carbon copy of ideas not truly his own was a feeling also held by her lover.

That night at the bar and in the street, he saw something in her that he had never witnessed before. The moment when after they got home he took off his shirt and asked her to get the brush and ink was close to forcing him to recede back into a shell. The memories of a person he used to be, fallen far away. But then she smiled and pushed him back upon that rickety bed. She took that brush and ink, painted her soul onto his secret places, and he did the same in turn to her.
I was seventy-seven, come August,
  I shall shortly be losing my bloom;
I've experienced zephyr and raw gust
  And (symbolical) flood and simoom.

When you come to this time of abatement,
  To this passing from Summer to Fall,
It is manners to issue a statement
  As to what you got out of it all.

So I'll say, though reflection unnerves me
  And pronouncements I dodge as I can,
That I think (if my memory serves me)
  There was nothing more fun than a man!

In my youth, when the crescent was too wan
  To embarrass with beams from above,
By the aid of some local Don Juan
  I fell into the habit of love.

And I learned how to kiss and be merry--an
  Education left better unsung.
My neglect of the waters Pierian
  Was a scandal, when Grandma was young.

Though the shabby unbalanced the splendid,
  And the bitter outmeasured the sweet,
I should certainly do as I then did,
  Were I given the chance to repeat.

For contrition is hollow and wraithful,
  And regret is no part of my plan,
And I think (if my memory's faithful)
  There was nothing more fun than a man!
Denel Kessler Feb 2016
Simoom*, desert wind
from ravaged realms
through spacious skies
bear every sacred grain
to enduring fields
where amber waves
root in the fruited plain
sweet mercy nourish
shed its grace on thee
reveal our good
through brotherhood
from wasteland
to the sea.
*Credit to Katharine Lee Bates, whose words, first written in 1893 as a poem, later become the lyrics for "America, the Beautiful".
Martin Narrod Jul 2018
Flits of crepuscular longing across the simoom in the night. For with samiel at the helm, all hell will take us for sloth. Firstly, a schism overtakes the wind, backsliding the doorstep of Lucifer’s kin. Keep an eye on the door’s of ewes. The child angered by sky will surely lust for the hedonists imbue. Then the rattle shakes, pelting trunks of lye, chafing the goons of the dawn and choking from the ***** in our young. Aristotle bakes yore, and relief takes the pen, until the quietness of the impala becomes transfixed by our brethren. Then sores take the skin by trial. Eagerly rushing towards the venomous trails, and only then does the bandit bemoan the pain. Only then will the hungered and hungry peel back their fingers for fare, there where the flocks lay in wait and in pairs. Here where the melancholy of revenge, fills our quivers with children’s tears. Only then do we make haste for the shade, otherwise the sun will cook our hides to the colors of the day, then we will lay quiet too. Maybe then we’ll be overtaken by the Xombie Moon.
Farah Taskin Oct 2023
There are pandemics,
epidemics,enmity,
earthquakes, floods,
famine, wildfire,
volcanic eruptions,
cyclones,simoom,
tornadoes,hurricanes,
peril, disease, death,
war,weapons,moreover,
oppressors in this planet
Do you want and love peace?
Earth is not the suitable place to live
for you.
Abhishek Gautam Apr 2020
I burned myself down
To light up the other's room
Forgot that my flame was way too bright
And burned up the whole ******* room
Still miss the days I used to sleep at 10
Never knew when it shifted to 4
Never knew this is how my life will bloom
Turned to a disaster it goes boom
Sitting on the edge in a barroom
Instead of holding onto the glass
My hand's holding  onto my own doom
On my mind is the dust on a few old simooms.
I'm always a student
Never stopped the learning
It's the life for which I'm paying the rent
Failure is my earning
Unstoppable blaze of mine is bright burning
Got the table-turning
Enemies are now running
Blood stopped the draining
Got fighter on my forehead as and engraving.
Falling a thousand
Getting up puls one
My backfoot's stood strong on my land
My life's been a rand
Lived on the edge always on the end.
Skip trimble Mar 2018
Dawn is an eclipse
Yawning from deep repose.

Light coughed up, a shimmer and a burp
Then a glister, a small belch
Followed by a hurricane, a furnace glow
Escalated to a simoom, a sunscaped lightning struck optical blast.

Occultation sun shine blindness
To darknesss hidden.

Dawn unleashed is an eclipse to darknesss looming
Until evening’s return
Stygian kisses quell,
Regenerate sleep and dreams, mending ways
Windless gloaming waxes.

Night is an eclipse
Awakening from thin poise.
amal Oct 2020
dark hollow orbs
are crossed by the simoom of ignorance
The ears are not enough
And where there is neither day nor night ..
they Creepingly
Fumble with sharp rock heads
To draw a map in touch memory.
Great horn laments
So they point their ears towards the sky ...
The lovebird flies, running away, breaking leagues of flame like a black arrow
To pollute the purity of sadness
orbs sign without no goale
Confusion pours out of the sweat of sins
and horn laments
Behind the crowds
There are mountains of skulls
And in front of them the darkness of their orbs
And above them the horn groans
And below them are Fangs of rocks like butcher knives.
creeping slowly
Ants overtake them
Lizards, spiders and birds
And the monsters prey on the last of them..and keep howling and besiege them ...
Sometimes they leave them to propagate
Desert hurricanes accumulate sand particles inside their orbs..
They wipe it off with their swollen fingers.
it comes out with some blood, mucus and pus.
and worms that grow in the hollow of exhausted bodies..
They are still productive despite everything ...
Still

— The End —