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"sancho" poems
Speaking of how these Ladies of the Night must hate Daylight Savings Time since the sun doesn’t set until nine, and the cloying summer scent of honeysuckle drowns the smell of their knock-off Gucci Guilty. Except there’s that one A.M. Pro who works the whole stretch in front of The Towing and Recovery Museum from 7 something till lunch. She’s tried to keep a low profile, but is hoping to meet that one lonesome soul who needs to get blown at ten o’clock in the ******* morning. Sometimes I wave at her when I drive by, wishing her the best, whatever that may look like... The fasten seatbelt warning light is flashing on my dashboard but I’m buckled in, rest assured. That’s probably important, but it’s like what Don Q whispered to Sancho through the Spanish gloom: “I need you.”
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Feb 12, 2016
Feb 12, 2016 at 2:29 PM UTC
International Sisterhood of Daytime *** Workers (or A Union Song for Hookers)
I'm the macho! no one dares! share your indultos, body bares. enter the club, all eyes on me! I have a new tattoo, do come and see. do you have something, then speak, yes you may. try your luck, watch what you say! give me a bottle, twenty five years solero. come my darling, oh **** sombreros! I am the macho, Senior Sancho! human toro, ultimate pistolero!
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Nov 2, 2010
Nov 2, 2010 at 7:17 AM UTC
Senior Sancho
Fighting demons Bursting bubbles He's in my head Among the rubbles Seeing that most things get done He works at it from moon till sun He tilts at windmills only he can see Please meet.... Don Quixote My affliction or my soul hearing voices takes its toll Fighting what may not be there And if it's not, why should I care? Before the windmills in my mind Don Quixote....you will find An empty veldt of muddled thoughts On a crooked road to nowhere A wasteland of x's and noughts With no way to get there A wilderness of abstract themes And wishes that I need share The guardian of what I write Tilting windmills in my minds air Hidden loves Broken hearts So much to do just where to start No Sancho Panza by his side In my head he's stuck inside Keeping madness at arms length Don Quixote...my minds strength Unfinished tales Broken dreams So little time Or so it seems A wayward soldier on his way What windmills will he fight today? The thoughts I write reveal what's me Allowed outside by Quixote An empty veldt of muddled thoughts On a crooked road to nowhere A wasteland of x's and noughts With no way to get there A wilderness of abstract themes And wishes that I need share The guardian of what I write Tilting windmills in my minds air
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Dec 30, 2013
Dec 30, 2013 at 1:00 PM UTC
Quixote in my mind
Staring at the ceiling sky Past lover's faces Eyes Dotting The midnight moonless skies Stars twinkling Their light having been cast Many light years ago Each one for their time Had in their eyes - for me - The golden glow Meteor showers of montage sequences faces scenes times fly by Trailing ribbons in the ceiling skies The dots when taken together Tho eons passed and separated Pieces and bits form constellations Eros Aphrodite The Mother Sancho Panza in drag disguise A female Damocles and her sword The Companion Star, still glowing here in the Western sky Looking backwards in time Their presence was once present Now, all have vanished Moved on to other places in space and time Aware of all I have been given All I've learned Remembering I loved each one And when the moon is right and the ceiling is dark and there is no sleep for me tonight Their light still shines On my ceiling night sky.
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Jan 1, 2016
Jan 1, 2016 at 11:25 AM UTC
Planetarium
I mean, it felt like I was a dead fish Or something, left to rot out there in the sun, Left there on purpose, you know, like it was A threat—and Charles, it stinks—you know that?— —the stench of all those old thoughts— Yeah, thoughts…you know, Like guppies maybe, sturgeon, or flounder. You laugh? Why? Fish can think, can’t they? They flounder. Suppose as we grow old the ancient thoughts Appear as songs a child might sing—sotto voce. Suppose they’re like the masks the actors wore In some Commedia dell’Arte farce, Or like the web a spider strings across A road, hidden, dark, all subtle tension, The strands still wet with the coagulate air… Too wet to breath, Charles, way too wet. There’s more. Suppose a face inside that mask Looks back, looks out. Suppose the rings run circles round The eyes, for fear. Suppose it’s an old face of yours, Charles, smiling too, with all that sullen pride You once were so capable of…so proud. This is not the Lone Ranger, kimosabi. Not Zorro either. Man is least himself When he talks in his own person. So let’s Try on that mask, shall we? One for you and one for me. Masks aplenty, masks abound, Masks askance… There, it fits. Welcome, Charles. Welcome back. And welcome ghost. …a ghost to prompt you in your mask, a ghost off stage, and hoarse from shouting, diaphanous, just like the real thing: for curiously, at that moment while he is in you, in situ, as it were, I will be left au naturel—yeah, me—king for a day. We were all meant to crawl away from the sea, were we not? …and I count the collective ghosts here too, Charles… … atavistic, frightened, unaneled, and openly integumentary (thus, open to the sea, but repellant to air) —owls, Orion, a star-scarred sky, too cold to breath that night, too cold not to, eh, Charles? Like Don Quixote and Sancho Panza, like Hamlet and Horatio, out with the watch, in search of ghosts and fathers… ghosts and fathers, Charles. You remember that? Back then, when you used to listen to me when I spoke. You did listen, then, Charles when I said things, right? All those old thoughts… When I could sing… Charles?
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Feb 15, 2010
Feb 15, 2010 at 8:52 AM UTC
Charles?
I mean, it felt like I was a dead fish Or something, left to rot out there in the sun, Left there on purpose, you know, like it was A threat—and Charles, it stinks—you know that?— —the stench of all those old thoughts— Yeah, thoughts…you know, Like guppies maybe, sturgeon, or flounder. You laugh? Why? Fish can think, can’t they? They flounder. Suppose as we grow old the ancient thoughts Appear as songs a child might sing—sotto voce. Suppose they’re like the masks the actors wore In some Commedia dell’Arte farce, Or like the web a spider strings across A road, hidden, dark, all subtle tension, The strands still wet with the coagulate air… Too wet to breath, Charles, way too wet. There’s more. Suppose a face inside that mask Looks back, looks out. Suppose the rings run circles round The eyes, for fear. Suppose it’s an old face of yours, Charles, smiling too, with all that sullen pride You once were so capable of…so proud. This is not the Lone Ranger, kimosabi. Not Zorro either. Man is least himself When he talks in his own person. So let’s Try on that mask, shall we? One for you and one for me. Masks aplenty, masks abound, Masks askance… There, it fits. Welcome, Charles. Welcome back. And welcome ghost. …a ghost to prompt you in your mask, a ghost off stage, and hoarse from shouting, diaphanous, just like the real thing: for curiously, at that moment while he is in you, in situ, as it were, I will be left au naturel—yeah, me—king for a day. We were all meant to crawl away from the sea, were we not? …and I count the collective ghosts here too, Charles… … atavistic, frightened, unaneled, and openly integumentary (thus, open to the sea, but repellant to air) —owls, Orion, a star-scarred sky, too cold to breath that night, too cold not to, eh, Charles? Like Don Quixote and Sancho Panza, like Hamlet and Horatio, out with the watch, in search of ghosts and fathers… ghosts and fathers, Charles. You remember that? Back then, when you used to listen to me when I spoke. You did listen, then, Charles when I said things, right? All those old thoughts… When I could sing… Charles?
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59
My body has begun its chorus of holy fertile futures, it was time to stop praying for the apocalypse, we had begun to grow old. This return to my oceanic blood provokes ol' Sancho's proverbs. I become a dreamer of goats all around as I find our common nature in the salty blood of the earth. After so many years of gathering salt, from youthful pupils wild on becoming Oedipus, I finally swallowed my heart, -it had been leaping into other ribs then panicking at the site of another cage, and damaging the very thing that had become its home. I decided I couldn't bear another ****** How did this need for love become butchery? So, I recalled the ocean the way the abyss gave life to my salty motion, I've emptied my sorrow into the sea and became free. Now, my heart swims in mortal infinity. The apocalypse has come and gone. My land has begun to sing with renewal.
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Mar 20, 2014
Mar 20, 2014 at 11:22 AM UTC
S. Southern Salt
Historia de mujeres en grupo que se matan cargándose de la risa porque saben que hay algo más especial. Kumiko, era pelirroja ansiana de 76 años con ojos verdes, tenía elegancia al caminar en su casa de madera, y era extraordinaria al hacer te sencha traído de un horizonte. Kumiko tenía nueve hijos, una mama llamada Dera, que tenía 98 años y se relacionaban muy bien, más que amigas. Un día se enamoraron las dos de una niña caminando por el parque las hizo mal pensar que la historia no varía, se entrega y se apasiona. Que sería de la elegancia? Porque se murió la elegancia en los ciencuenta, que le paso a las actrizes cuando los ojos ya no lloran, cuando acaban de matar a los gatos en Haití y los amantes de Cortázar se mueven en su cuento. Si conocéis esa historia eres Sancho y el es más chistoso que el. El hombre de la Triste Figura es serio, como un árbol sin nombre o la Pampa sin lluvia.
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Jun 8, 2014
Jun 8, 2014 at 4:01 PM UTC
Grupo suicida:
My friends are dropping like flies, and by dropping, I mean dying. I mean no longer trying to fly in a world that wanted them grounded. Perry drowned, and Greg was found on Highway 6 hit by a minivan—vodka in hand. They say the best laid plans of mice and men oft go astray—that’s an understatement. My life plays out like a scene from  Dante’s Inferno. Abandon all hope. A month back, Kristin dies from too much dope. Tibbs goes out from a   stroke or some kind of strange brain malfunction. I did C.P.R. at the great wall, the junction where the drunks drink and the dreamers scheme. It doesn’t work—he goes into a coma. No more roaming the streets with my Sancho, no more beating the heat with stolen wine in the   summer slick shade by the river, trying to save the last sliver of our   humanity—only to walk head long into a ****** up destiny. Providence can be a punk *** ***** when it wants to be. See, I’m not fooled by life’s strong arm tactics, one day my friends are fine; the next, they’re in caskets—and I’ll   be a basket case when it’s all said and done. **** standing still and ****   the sun. **** the moon and the stars and the ****** and the bars. **** This silly world I’m done.
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Feb 28, 2023
Feb 28, 2023 at 7:10 AM UTC
Dead Friend's Rap
I remember walking miles with our blackies (big garbage bags) They were full of cans, a nickel a piece. We were poor aluminum cowboys. Kind of like Don Quixote and Sancho. Chivalry wasn't our thing, but we didn't shy away from it either. We certainly had our share of adventures, and misadventures too. We headed East into the glorious tangerine and lavender sky of our La Mancha/Iowa City. We should be chasing windmills, and ***** and cigarette butts; except late one Summer day, providence ended it all. We sat behind our castle (which closely resembled a grocery store.) Your face went pallid and you fell on me. I did C.P.R until the ambulance arrived. You didn't make it. I hope there are adventures in Heaven, my aluminum cowboy.
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Jan 27, 2021
Jan 27, 2021 at 7:23 AM UTC
Aluminum Cowboys
I golfed with Byron yesterday. And no, he didn't "kick my *** as promised. It's always an edifying round with Byron. On the links he looks more like Dorf than Frodo. Sometimes I glimpse the top of his head when he's in the rough, or see a cloud of sand, like the Roadrunner hitting the ground after the inevitable fall. Our conversation (his conversation)  gamuts from his re-constructed porch to life on Mars. He'd like to build a porch on Mars. He is an Everyman almanac. His back swing is like a tilting windmill, and I, his Sancho, suggesting which club to use. In fairness, he makes some remarkable shots. Here are some I've heard: "To pinch one off, inhale, then cough." This sums up Byron's intestinal fortitude. He takes heavy doses of codeine and morphine for his back. "Don't swab your ears with asparagus spears." This is the extent of Byron's relationship with veggies. He's more a plant man. "During *** if she wiggles her toes, she's still wearing ***** hose." Byron gives a full belly laugh at the double entendre. "If you pick your nose choose the best plastic surgeon." Yeah, I know. Cute. Byron himself sports a double car garage. "Men who manscape must **** or go ape." Pure irony for Byron. Nothing sharper than the bearded axe approaches his iron. "Ladies, when you quin manicure, design it with a touch of ***** That's Byron. Discrete, gentle and quizzical. "If you ********** get to the point. Don't hesitate." Byron would never admit to such self-indulgence. It was a gorgeous golf day. Byron seems to make the sun shine a little brighter. He promises, next time, he'll kick my ***
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Jun 7, 2014
Jun 7, 2014 at 9:34 AM UTC
Byron II Speaks
I golfed with Byron yesterday. And no, he didn't "kick my *** as promised. It's always an edifying round with Byron. On the links he looks more like Dorf than Frodo. Sometimes I glimpse the top of his head when he's in the rough, or see a cloud of sand, like the Roadrunner hitting the ground after the inevitable fall. Our conversation (his conversation)  gamuts from his re-constructed porch to life on Mars. He'd like to build a porch on Mars. He is an Everyman almanac. His back swing is like a tilting windmill, and I, his Sancho, suggesting which club to use. In fairness, he makes some remarkable shots. Here are some I've heard: "To pinch one off, inhale, then cough." This sums up Byron's intestinal fortitude. He takes heavy doses of codeine and morphine for his back. "Don't swab your ears with asparagus spears." This is the extent of Byron's relationship with veggies. He's more a plant man. "During *** if she wiggles her toes, she's still wearing ***** hose." Byron gives a full belly laugh at the double entendre. "If you pick your nose choose the best plastic surgeon." Yeah, I know. Cute. Byron himself sports a double car garage. "Men who manscape must **** or go ape." Pure irony for Byron. Nothing sharper than the bearded axe approaches his iron. "Ladies, when you quin manicure, design it with a touch of ***** That's Byron. Discrete, gentle and quizzical. "If you ********** get to the point. Don't hesitate." Byron would never admit to such self-indulgence. It was a gorgeous golf day. Byron seems to make the sun shine a little brighter. He promises, next time, he'll kick my ***
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After a tortuous hour of math (algebra to be exact) I start dinner; Middle Eastern stew: Cardamom, Coriander, and turmeric. Cooking is a little like math, but much more like art. My mind begins to ease as Bach pumps out one of his symphonies from the CD player. The stew boils, and I want to go outside and play, chase windmills. Where's Sancho? Dulcinea's here, frustrated by my inept ability in the equation game. I ******* despise algebra. Where's the Bluebird, the Sunflower, Bukowski or Eugene O'Neil? I want to smell a six-week-old puppy, taste Van Gogh yellow, **** until I can't walk, and ease my way into old age. Vivaldi plays his victorious song. And I know I'll conquer the numbers game, but probably not before it drives me crazy; actually, it's a short putt.
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Jan 19, 2021
Jan 19, 2021 at 7:46 AM UTC
A Short Putt
-¡Rey don Sancho, rey don Sancho!,   no digas que no te aviso, que de dentro de Zamora   un alevoso ha salido; llámase Vellido Dolfos,   hijo de Dolfos Vellido, cuatro traiciones ha hecho,   y con esta serán cinco. Si gran traidor fue el padre,   mayor traidor es el hijo. Gritos dan en el real:   -¡A don Sancho han mal herido! Muerto le ha Vellido Dolfos,   ¡gran traición ha cometido! Desque le tuviera muerto,   metiose por un postigo, por las calle de Zamora   va dando voces y gritos: -Tiempo era, doña Urraca,   de cumplir lo prometido.
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945
Romance del rey don sancho
Rey de los hidalgos, señor de los tristes, que de fuerza alientas y de ensueños vistes, coronado de áureo yelmo de ilusión; que nadie ha podido vencer todavía, por la adarga al brazo, toda fantasía, y la lanza en ristre, toda corazón.Noble peregrino de los peregrinos, que santificaste todos los caminos con el paso augusto de tu heroicidad, contra las certezas, contra las conciencias y contra las leyes y contra las ciencias, contra la mentira, contra la verdad...¡Caballero errante de los caballeros, varón de varones, príncipe de fieros, par entre los pares, maestro, salud! ¡Salud, porque juzgo que hoy muy poca tienes, entre los aplausos o entre los desdenes, y entre las coronas y los parabienes y las tonterías de la multitud!¡Tú, para quien pocas fueron las victorias antiguas y para quien clásicas glorias serían apenas de ley y razón, soportas elogios, memorias, discursos, resistes certámenes, tarjetas, concursos, y, teniendo a Orfeo, tienes a orfeón!Escucha, divino Rolando del sueño, a un enamorado de tu Clavileño, y cuyo Pegaso relincha hacia ti; escucha los versos de estas letanías, hechas con las cosas de todos los días y con otras que en lo misterioso vi.¡Ruega por nosotros, hambrientos de vida, con el alma a tientas, con la fe perdida, llenos de congojas y faltos de sol, por advenedizas almas de manga ancha, que ridiculizan el ser de la Mancha, el ser generoso y el ser español!¡Ruega por nosotros, que necesitamos las mágicas rosas, los sublimes ramos de laurel Pro nobis ora, gran señor. ¡Tiembla la floresta de laurel del mundo, y antes que tu hermano vago, Segismundo, el pálido Hamlet te ofrece una flor!Ruega generoso, piadoso, orgulloso; ruega casto, puro, celeste, animoso; por nos intercede, suplica por nos, pues casi ya estamos sin savia, sin brote, sin alma, sin vida, sin luz, sin Quijote, sin piel y sin alas, sin Sancho y sin Dios.De tantas tristezas, de dolores tantos de los superhombres de Nietzsche, de cantos áfonos, recetas que firma un doctor, de las epidemias, de horribles blasfemias de las Academias, ¡líbranos, Señor!De rudos malsines, falsos paladines, y espíritus finos y blandos y ruines, del hampa que sacia su canallocracia con burlar la gloria, la vida, el honor, del puñal con gracia, ¡líbranos, Señor!Noble peregrino de los peregrinos, que santificaste todos los caminos, con el paso augusto de tu heroicidad, contra las certezas, contra las conciencias y contra las leyes y contra las ciencias, contra la mentira, contra la verdad...¡Ora por nosotros, señor de los tristes que de fuerza alientas y de ensueños vistes, coronado de áureo yelmo de ilusión! ¡que nadie ha podido vencer todavía, por la adarga al brazo, toda fantasía, y la lanza en ristre, toda corazón!
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1k
Letanía de nuestro señor don quijote
Rey de los hidalgos, señor de los tristes, que de fuerza alientas y de ensueños vistes, coronado de áureo yelmo de ilusión; que nadie ha podido vencer todavía, por la adarga al brazo, toda fantasía, y la lanza en ristre, toda corazón.Noble peregrino de los peregrinos, que santificaste todos los caminos con el paso augusto de tu heroicidad, contra las certezas, contra las conciencias y contra las leyes y contra las ciencias, contra la mentira, contra la verdad...¡Caballero errante de los caballeros, varón de varones, príncipe de fieros, par entre los pares, maestro, salud! ¡Salud, porque juzgo que hoy muy poca tienes, entre los aplausos o entre los desdenes, y entre las coronas y los parabienes y las tonterías de la multitud!¡Tú, para quien pocas fueron las victorias antiguas y para quien clásicas glorias serían apenas de ley y razón, soportas elogios, memorias, discursos, resistes certámenes, tarjetas, concursos, y, teniendo a Orfeo, tienes a orfeón!Escucha, divino Rolando del sueño, a un enamorado de tu Clavileño, y cuyo Pegaso relincha hacia ti; escucha los versos de estas letanías, hechas con las cosas de todos los días y con otras que en lo misterioso vi.¡Ruega por nosotros, hambrientos de vida, con el alma a tientas, con la fe perdida, llenos de congojas y faltos de sol, por advenedizas almas de manga ancha, que ridiculizan el ser de la Mancha, el ser generoso y el ser español!¡Ruega por nosotros, que necesitamos las mágicas rosas, los sublimes ramos de laurel Pro nobis ora, gran señor. ¡Tiembla la floresta de laurel del mundo, y antes que tu hermano vago, Segismundo, el pálido Hamlet te ofrece una flor!Ruega generoso, piadoso, orgulloso; ruega casto, puro, celeste, animoso; por nos intercede, suplica por nos, pues casi ya estamos sin savia, sin brote, sin alma, sin vida, sin luz, sin Quijote, sin piel y sin alas, sin Sancho y sin Dios.De tantas tristezas, de dolores tantos de los superhombres de Nietzsche, de cantos áfonos, recetas que firma un doctor, de las epidemias, de horribles blasfemias de las Academias, ¡líbranos, Señor!De rudos malsines, falsos paladines, y espíritus finos y blandos y ruines, del hampa que sacia su canallocracia con burlar la gloria, la vida, el honor, del puñal con gracia, ¡líbranos, Señor!Noble peregrino de los peregrinos, que santificaste todos los caminos, con el paso augusto de tu heroicidad, contra las certezas, contra las conciencias y contra las leyes y contra las ciencias, contra la mentira, contra la verdad...¡Ora por nosotros, señor de los tristes que de fuerza alientas y de ensueños vistes, coronado de áureo yelmo de ilusión! ¡que nadie ha podido vencer todavía, por la adarga al brazo, toda fantasía, y la lanza en ristre, toda corazón!
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Ser en la vida romero, romero sólo que cruza siempre por caminos nuevos. Ser en la vida romero, sin más oficio, sin otro nombre y sin pueblo. Ser en la vida romero, romero..., sólo romero. Que no hagan callo las cosas ni en el alma ni en el cuerpo, pasar por todo una vez, una vez sólo y ligero, ligero, siempre ligero. Que no se acostumbre el pie a pisar el mismo suelo, ni el tablado de la farsa, ni la losa de los templos para que nunca recemos como el sacristán los rezos, ni como el cómico viejo digamos los versos. La mano ociosa es quien tiene más fino el tacto en los dedos, decía el príncipe Hamlet, viendo cómo cavaba una fosa y cantaba al mismo tiempo un sepulturero. No sabiendo los oficios los haremos con respeto. Para enterrar a los muertos como debemos cualquiera sirve, cualquiera... menos un sepulturero. Un día todos sabemos hacer justicia. Tan bien como el rey hebreo la hizo Sancho el escudero y el villano Pedro Crespo. Que no hagan callo las cosas ni en el alma ni en el cuerpo. Pasar por todo una vez, una vez sólo y ligero, ligero, siempre ligero.           Sensibles a todo viento           y bajo todos los cielos,           poetas, nunca cantemos           la vida de un mismo pueblo           ni la flor de un solo huerto.           Que sean todos los pueblos           y todos los huertos nuestros.
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939
Romero sólo...
I don't practice Santeria I ain't got no crystal ball Well, I had a million dollars but I, I'd spend it all. If I could find that Heina, and that Sancho that she's found. Well I'd pop a cap in Sancho & I'd slap her down. What I really wanna know, mah baby, mmmm... What I really wanna say I can't define. Well it's love, that I need. Ohh... My soul will have to, wait till I get back, find a Heina of my own. Daddy's gonna love one and all. I feel the break, feel the break, feel the break and I gotta live it up. Oh, yeah, uh huh. Well I swear that I. What I really wanna know, ahh baby. What I really wanna say I can't define, got love make it go. My soul will have to... [Instrumental Break] Ooooo... What I really wanna say, mah baby. What I really wanna say is I've got mine, and I'll make it, oh yes I'm coming up. Tell Sanchito that if he knows what is good for him he best go run and hide. Daddy's got a new Forty-Five. And I won't think twice to stick that barrel straight down Sancho's throat. Believe me when I say that I got somethin' for his punk *** What I really wanna know, mah baby. Ooh What I really wanna say is there's just one, way back, and I'll make it, yeah. My soul will have to wait, yeah, yeah, yeah.
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Oct 10, 2014
Oct 10, 2014 at 11:22 AM UTC
Santeria (by sublime)
¡Rey don Sancho, rey don Sancho,   ya que te apuntan las barbas, quien te las vido nacer   no te las verá logradas!       Don Fernando apenas muerto,    Sancho a Zamora cercaba, de un cabo la cerca el rey,   del otro el Cid la apremiaba. Del cabo que el rey la cerca   Zamora no se da nada; del cabo que el Cid la aqueja   Zamora ya se tomaba; corren las aguas del Duero   tintas en sangre cristiana. Habló el viejo Arias Gonzalo,   el ayo de doña Urraca: -Vámonos, hija, a los moros   dejad a Zamora salva, pues vuestro hermano y el Cid   tan mal os desheredaban.       Doña Urraca en tanta cuita   se asomaba a la muralla, y desde una torre mocha   el campo del Cid miraba.
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786
Romance xii de doña urraca, cercada en zamora
-Morir vos queredes, padre,   ¡San Miguel vos haya el alma! Mandastes las vuestra tierras   a quien se vos antojara: diste a don Sancho a Castilla,   Castilla la bien nombrada, a don Alfonso a ***   con Asturias y Sanabria, a don García a Galicia   con Portugal la preciada, ¡y a mí, porque soy mujer,   dejáisme desheredada! Irme he yo de tierra en tierra   como una mujer errada; mi lindo cuerpo daría   a quien bien se me antojara, a los moros por dinero   y a los cristianos de gracia; de lo que ganar pudiere,   haré bien por vuestra alma.   Allí preguntara el rey:   -¿Quién es esa que así habla? Respondiera el arzobispo:   -Vuestra hija doña Urraca. -Calledes, hija, calledes,   no digades tal palabra, que mujer que tal decía   merecía ser quemada. Allá en tierra leonesa   un rincón se me olvidaba, Zamora tiene por nombre,   Zamora la bien cercada, de un lado la cerca el Duero,   del otro peña tajada. ¡Quien vos la quitare, hija,   la mi maldición le caiga! Todos dicen: «Amen, amen»,   sino don Sancho que calla.
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753
Romance xi de la infanta doña urraca, que se fue para cabezón a quejarse muy malamente al rey su padre
Sobre el muro de Zamora;   vide un caballero erguido; al real de los castellanos   da con grande grito:   -¡Guarte, guarte, rey don Sancho,   no digas que no te aviso, que del cerco de Zamora   un traidor había salido; Vellido Dolfos se llama,   hijo de Dolfos Vellido, si gran traidor fue su padre,   mayor traidor es el hijo; cuatro traiciones ha hecho,   y con ésta serán cinco! Si te engaña, rey don Sancho,   no digas que no te aviso.   Gritos dan en el real:   ¡A don Sancho han mal herido! ¡Muerto le ha Vellido Dolfos;   gran traición ha cometido!   Desque le tuviera muerto,   metióse por un postigo, por las calle de Zamora   va dando voces y gritos:   -¡Tiempo era, doña Urraca,   de cumplir lo prometido!
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747
Romance xv del caballero leal zamorano y de vellido dolfos, que se salió de zamora para con falsedad hacerse vasallo del rey don sancho
idealistic,I smile to be deluded by realism as the windmill slaps my *** again, romantic chivalry my duty saving damsels righting wrongs In La Mancha in the archives my story resides , and i have not been sleeping much, reading causing my brain to dry , as a result excuse my being quick to anger, whenever I feel Dulcinea is in danger. and, it has been many an innkeeper who has knighted me and many a beating I have taken left in the gutter as the priest decides which of my books to burn in an effort to dull my ardor, ferocious giants loom disparaging my squire calling him unintelligent and greedy, to them I shall draw my sword, to the death To my squire's defense, I ride!! Sancho will be governor, and my Dulcinea is crying.
0
Jan 10, 2016
Jan 10, 2016 at 11:42 PM UTC
exceedingly
You got through to her on Facebook. In the real world she wouldn't have given you a second look. She said she could talk to you about things she couldn't talk to anyone else about. In the real world she wouldn't walk with you anywhere she could walk about with me. Singing is something you had in common. Children is what we have in common. Your duet with her in church was mediocre on your part. The wedding day she and I shared was wonderful and created something someone like you should never have been able to part. You live a dream that will never come true. So you destroy my dream that came true. Someday I will forget that you exist. Sorry Sancho but reality does exist and some day you will wish you were able to resist.
0
Jan 29, 2013
Jan 29, 2013 at 10:46 PM UTC
FU Sancho
De aquí no se va nadie. Mientras esta cabeza rota del Niño de Vallecas exista, de aquí no se va nadie. Nadie. Ni el místico ni el suicida. Antes hay que deshacer este entuerto, antes hay que resolver este enigma. Y hay que resolverlo entre todos, y hay que resolverlo sin cobardía, sin huir con unas alas de percalina o haciendo un agujero en la tarima. De aquí no se va nadie. Nadie. Ni el místico ni el suicida. Y es inútil, inútil toda huida (ni por abajo ni por arriba). Se vuelve siempre. Siempre. Hasta que un día (¡un buen día!) el yelmo de Mambrino -halo ya, no yelmo ni bacía- se acomode a las sienes de Sancho y a las tuyas y a las mías como pintiparado, como hecho a la medida. Entonces nos iremos todos por las bambalinas. Tú, y yo, y Sancho, y el Niño de Vallecas, y el místico, y el suicida.
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590
Pie para el niño de vallecas, de velázquez
Asleep on your belly, or, alternately, on your side, on me; the first night - the first full night - with the promise of coffee in the morning and not only allusions to it. Your full weight on my thigh, which I’d never tolerate in any night past, but kept awake by the two scant hours of partial sleep I had and admiration of your neckline, the province of your back, golden boughs embroidered under thin hair part umber, part gold itself, cast on the pillow your left hand and its short fingers partially unearthed, nested in a hillock of brown coverlet and blue curlicues, opening and closing. Hushed, I sip a drink and read a poem as you murmur in sleep “yes” to whatever invitation the one in dreams extends. The one in dreams; he may be me. Gold from a summer that has not happened yet, surer with a barbecue, ready to paint a white thigh emerging from a sheet, a better rendering than mine of the one spot you missed shaving. He may be the husband of Scheherazade, prodding one more story, one more night at a time. You’ve a cobra in a willow basket. It’s not a murmur. It isn’t “yes”. It’s a gourd flute the land of dream gave you, and I am not the servant of the realm, or gold at all, or worth my silk curtains. One thousand or one thousand one; I can’t change, not overnight. I won’t know, nor ask, but the snake isn’t transfixed. It’s only waiting. One day, I’ll appear in print. The small merchant in Barataria with whom Sancho Panza speaks. You’ll describe those sheets or some such other linens I have for sale - an intimate detail of my home, returning the favor of having appeared here. It will win a prize you never knew you were competing for and a dozen men in memory will whistle down “yes”.
0
Mar 27, 2018
Mar 27, 2018 at 10:25 AM UTC
Over-the-Counter Non-Drowsy Claritin
Asleep on your belly, or, alternately, on your side, on me; the first night - the first full night - with the promise of coffee in the morning and not only allusions to it. Your full weight on my thigh, which I’d never tolerate in any night past, but kept awake by the two scant hours of partial sleep I had and admiration of your neckline, the province of your back, golden boughs embroidered under thin hair part umber, part gold itself, cast on the pillow your left hand and its short fingers partially unearthed, nested in a hillock of brown coverlet and blue curlicues, opening and closing. Hushed, I sip a drink and read a poem as you murmur in sleep “yes” to whatever invitation the one in dreams extends. The one in dreams; he may be me. Gold from a summer that has not happened yet, surer with a barbecue, ready to paint a white thigh emerging from a sheet, a better rendering than mine of the one spot you missed shaving. He may be the husband of Scheherazade, prodding one more story, one more night at a time. You’ve a cobra in a willow basket. It’s not a murmur. It isn’t “yes”. It’s a gourd flute the land of dream gave you, and I am not the servant of the realm, or gold at all, or worth my silk curtains. One thousand or one thousand one; I can’t change, not overnight. I won’t know, nor ask, but the snake isn’t transfixed. It’s only waiting. One day, I’ll appear in print. The small merchant in Barataria with whom Sancho Panza speaks. You’ll describe those sheets or some such other linens I have for sale - an intimate detail of my home, returning the favor of having appeared here. It will win a prize you never knew you were competing for and a dozen men in memory will whistle down “yes”.
Continue reading...
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Give me chariot with horses, bearing likeness of Pegasus, I would soar on their wings, reaching top of mount Parnassus. I would leave the Rocinante under care of Sancho Panza, I'd forget of Dulcinea, drop romance unfinished stanza. My poetic inspiration would uplift me over prose, I would stretch my hands in trying to embrace the sinful Earth. All the planet's mortal dwellers I would make cry, pray and curse. May my art of playing lyre be Apollo's cheering worth. As reward God gives to Poet magic gift of divine seer, To foretell its own fortune to the readers and his peers. But the poetry is powerless, can't protect the bard from death, Will not shield from fateful ending, will not hide from cruel chase. Pity is, but wings of glory can not change life's fatal bound. Will not notice that dead rider dropped from saddle and fell down, Horses will continue running with their cruel pace in keeping. Only Muse, the Dulcinea, will shed tears in mournful weeping.
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May 29, 2016
May 29, 2016 at 5:41 PM UTC
Give me chariot with horses
Lazima uchoose, dooh ama doze Lazima uchoose, respect alarm ama uisnooze Lazima uchoose, ujitume ama ulose Lazima uchoose, ujibuild au ***** Izi ndo vitu hamtaki kuambiwa, izi ndo the truth Mnataka niseme life ni smooth but Leo siwasooth Sherehe Sheria ndio inamaliza mayouth Ukilewa vuguru, Hadi hunaga matooth Daily unadial pedi ukidai Mali Jipende buda na for sure utafika mbali Imagine ukiwa diani ukiorder wali Si lazima buy iyo jumu expe ati ju ni Kali Picha ya Kenyatta Kwa walanje ndo unafaa kusaka Jipe goals Ka Sancho, salah au saka Mulla mob, nine lives Ka paka Usijitreat Ka trash we si takataka But anyway maisha ni yako Chaguo ni lako Ntaachia apo ju naskia mtu Kwa mlango Am sure ni peng Fulani utoka pango
0
Mar 4, 2023
Mar 4, 2023 at 3:52 PM UTC
Chagua (choose)