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Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)

Here is a toast for valentine
Valentine in all seasons perennial
Where angst of money for love  
Cradled utopian capitalism,
It is once again in the city of Omurate
In the south most parts of Ethiopia
On the borders of Kenya and Ethiopia
Where actually the river Ormo enters Lake Turkana,
There lived a pair of lovers
With overt compassion for one another
The male lover was an origin of Nyangtom,
A cattle rustling Nilotic kingdom
While the female lover was a descendant of King Solomon
The Jewish children which King Solomon aborted
Because their mother was an Ethiopian African
They now form substantial part of the Ethiopian population
Their clan is known as Amharic, they speak subverted Yiddish,
These lovers were good to one another
Sharing secrets and all other stuffs that go with love.

Both the lovers were fatherless
They had lost their fathers through early death
They only had the mothers, who were again sickly
Their mothers coughed a whole night with whoops
And when in the wee of the night, when temperatures go low
The mothers breathe with wheezing sound
Like peasant music from African violin,
They didn’t eat with good appetite
They always left irritating chunks on the plates,
But they all puked mucus from their mouths
And of course with a very sickening regularity.

The menace of sick mothers intervened with love freedom
Among the inter-compassionate lovers
They did not have time for real active love
I will not mention recurrent missing of ceremonies
Fetes that are bound to go with valentine day
The lovers were bored to their teeth
They don’t knew when gods will come to unyoke them.

Especially the male lover, was most perturbed
His mother looked sorriest
With a scrofulous look on her old aged African face
She looked like a forlorn erstwhile cattle rustler
She ever whined in pain like a trapped hyena
Her son the male lover even began apologizing
To the female lover for such environmental upsets
Hence an African proverb that;
No love is possible with impaired judgment.

One day in the wee of the night
With no electricity nor any source of light
Darkness engulfing each and every aspect of the city
Confirming the hinterland of Africa
The female lover woke up from the sleep
And she never heard the usual wheezing breathes
That her mother often made in such hours,
Feat of suspicion gripped her
She jumped out of her bed to where her mother was
On feeling her, she found her dead, cold like a black member
She was already past the rigor mortis stage of death process
African chilliness had frozen her like a poikilothermic creature.

She wept but not in the uproarious groan
In that instinctive Jewish shrewdness
She did not announce nor inform her lover of her mother’s death
She only washed and groomed the cadaver of her mother
She made a headscarf around the head of dead mother
She even placed reading glasses on her face
On her mother’s dead torso she wrapped a dress
The most expensive of all bought from Egypt,
In the same wee of the night
She carried cadaver of her mother on her shoulders
The way a poor Nigerian farmer would carry a stem of banana
And walked slowly by slowly for a distance of a hundred kilometers
Down ***** into Kenya towards the city of Todanyang in Turkana County
Todanyang was a busy city, but silent and minus people in the night
The king of this city was called Lapur the son of Turkanai
And the law that Lapur passed in this city was archaic
It was; an eye for an eye, a tooth for a tooth, a Jew for a Jew
A pokot for a pokot, a samburu for a samburu
It was simply the law with nothing else
Other than clauses of measure for measure
And clauses of *** for tat instantaneously administered,
On reaching the market she placed her mother standing
Being supported on a sign post at the bus stage
In pose similar to that of an early morning traveler,
She sat a side like a prowling spider awaiting foolish fly
They way an African ***** exposes its red ****
And when the hen comes to peck
It traps and closes the head of the hen
Deeper into its ****,
At that bus stage there was a hotel
Owned by a Rwandese refugee
From the foolish clan of the Hutu
He had ran away from the genocide
In his country, he was also the perpetrator
And thus he was a runaway from the law *** hotelier
His name was Chapuchapu, meaning the quick one,
When Chapuchapu opened the hotel for the early customers
The female lover walked into the hotel
With innocence on her face like all the Jews
She placed an order for two mugs of coffee
And two pieces of bread
When Chapuchapu had placed food on the table
The female lover shrewdly instructed Chapuchapu
To go and hold the hand of the woman standing at the sign post
To bring her into the hotel for morning tea,
Chapuchapu in his unsuspecting charisma
With a mad drive to make money that morning
He dashed out as instructed with his foolish notion
That the customer is the queen, which is not
He grapped the standing cadaver with force
On pulling her to come along
The cadaver tumbled down like a marionette
Everything falling away; headscarf and glasses
Chapuchapu was overtaken by awe
The female lover was watching
Like the big brother in the Orwellian satire, 1984.
When the cadaver of her mother fell
She came out of the hotel
Screaming like a hundred vehicles
Of St John Ambulance
And two hundred Kenyan vehicles of fire brigade
And three hundred Kenyan cash transfer vehicles,
She was accusing Chapuchapu for being careless
Careless in his work that he had killed her mother,
Swam of armed humanity in Turkana loinclothes
Began pouring in like waters of Nile into Mediterranean
Female lover improved the scale of her screaming
Chapuchapu like a heavyweight idiot was dumbfounded
Armed people came in their infinite
Finally king Lapur arrived on his royal donkey
That his foot soldiers had only rustled
From Samburu land a fortnight ago,
The presence of the king quelled the hullabaloo
The king asked to find out what had happened
Amid sops the female lover narrated how
Chapuchapu the hotelier had killed her mother
Through his careless helter skelter behaviour
The king sighed and shouted the judgment
To the mad crowd; an eye for a……….!?
The crowd responded back to the King
In a feat of amok value;
For an eye you mighty Lapur son  ofTurkanai,
The stones, kicks, jabs began rainning
In volleys on an innocent Chapuchapu
Amid shouts that **** him, he came here to **** people
The way he killed a thousand fold in Rwanda.

The sopping female lover requested the king
That his people wait a bit before they continue
Then the king waved to the people to stop
Chapuchapu was on the ground writhing in pain
When the King asked the female lover what was the concern
She requested for pay from Chapuchapu not people to **** him
Chapuchapu accepted to pay whatever the price that will be put
Female lover asked for everything in hundreds;
Carmel, money, Birr, sheep, goats, donkeys, cows
Name them all they were in hundreds
Chapuchapu and his family were saying yes to every demand
And they rushed to bring whatever was said
The payments exhausted Chapuchapu back to square zero
The female lover carried everything away
The cadaver of her mother on her shoulder
She disappeared into the forest
and buried her mother there.

When she arrived home she found the male lover
He looked at her overnight change in fortune in stupefaction
He didn’t believe his eyes, it was a dream
Sweetheart, where have you gotten all these?
Questioned the male lover
Sweetie darling there is market for dead women
At Todanyang in the Turkana County of Kenya
I killed my sickly mother and carried her cadaver
As a trade ware to Todanyang
Whatever I have that you are looking at is the proceed,
Can my mother fetch the same? Asked the male lover
Of course yes, even more
Given the Africanness of your mother
African cadavers fetch more than the Jewish ones
At Todanyang market,
The male lover was now overtaken
By strong urge for quick riches
Was not seeing it getting evening
That day for him was as long as a whole century
He was anxious and restless more tired of a sickly mother
When evening fell he was already ready with the butcherer’s tools
He didn’t have nerves to wait till the wee of the night
As early as eleven in the evening he axed his mother’s head
Into two chunks of human skull spilling the brains in stark horror
Blood streaming like a rivulet all over the house
The male lover was nonchalant to all these
He was in the full feat of determination
To **** and sell his mother to  get the proceeds
With which he could foot the bills of valentine day.

He stuffed the headless blood soaked torso
Of his mothers cadaver in the sisal bag
He threw it to his bag
And began going to Todanyang
The market for human dead bodies
He went half running and half walking
With regular whistling of his favourite poem;
Ode to my Jewish lover
He reached Todanyang in the wee of the night
No human being was in sight
All people had gone as it was late in the night
He then slept in the open with dead body of his mother
Stuffed in the sisal bag beside him
Wandering night dogs regularly disturbed him
As they came to bite at smelling curdled blood
But he always scared them away.
As per the male lover he overslept till five in the morning
But when he woke up he unhesitatingly began to shout
Advertising his ware of trade in foolish version;
Am selling, the body of my mother, I have killed,
I killed her myself, it is still fresh, come and buy,
I will give you’re a bargain price,

When the morning came
People began crowding around him
As he kept on shouting his advertisement
Also Lapur the king came
He was surprised with the situation,
He asked the male lover to confirm
Whatever he was shouting
The male lover vehemently confirmed,
Then the law of an eye for an eye
Effortlessly took its course
Lapur  ordered his people, in a glorious royal decree
To stone the male lover to death
And bury him away without ceremony
Along with his mother in the sisal bag
In the wasted cemetery of villains
The same way Pablo Neruda
Had to bury his dead dog behind the house,

On hearing the tidings
About what had befallen her lover
The female lover had to send out a long giggle
Coming deep from her heart with maximum joy
She took over the estate of the male lover
Combined with hers,
All the animals and everything she took,
She made her son the manager
The son whom she immaculately conceived
Without any nuptial experience in the usual Jewish style
And their wealth multiplied to vastness
And hence toxic valentine gave birth to capitalism
Jim Sularz Jul 2012
© 2011 (by Jim Sularz)
(The true tale of Frank Eaton – “Pistol Pete”)

At the headwaters of the Red Woods branch,
near a gentle ***** on a dusty trail.
On an iron gate, at the Twin Mounds cemetery,
a bouquet of dry sunflowers flail.

In a grave, still stirs, is a father’s heart,
that beats now to avenge his death.
Six times, murdered by cold blooded killers,
six men branded for a son’s revenge ….

Rye whiskey and cards, they rode fast and hard,
the four Campseys and the Ferbers.
With malicious intent, they were all Hell bent
to commit a loving father’s ******.

When the gunsmoke had cleared, all their faces were seared,
in the bleeding soul of a grieving son.
Ain’t nothin’ worse, than a father’s curse,
to fill a boy with brimstone and Hell fire!

Young Eaton yearned and soon would learn,
the fine art of slinging lead.
Why, he could shoot the wings off a buzzin’ horsefly,
from twenty paces, lickety split!

Slightly crossed eyed, Frank had a hog-killin’ time,
at a Fort Gibson shootin’ match.
Upside down, straight-on and leanin’ backwards,
he out-shot every expert in pistol class.

By day’s end when the scores were tallied,
Frank meant to prove at that shootin’ meet.
That he would claim the name of the truest gun,
and they dubbed him - “Pistol Pete.”

In fact, Pistol Pete was half boy, half bloodhound,
a wild-cat with two 45’s strapped on.
In District Cooweescoowee - bar none,
he was the fastest shot around!

Pistol Pete knew his dreaded duty had now arrived,
to hunt down those who killed his Pa.
He vowed those varmints would never see,
a necktie party, a court of law.

Where a man is known by his buckskin totem,
in hallowed Cherokee land.
There, frontier justice and Native pride,
help deal a swift and heavy hand.

Pete was quick on the trail of a killer,
just south of Webber’s Falls.
Shannon Champsey was a cattle rustler,
a horse thief, and a scurvy dog!

Pete ponied up and held his shot,
to let Shannon first make a move.
The next time he’d blinked, would be Shannon’s last,
to Hell he’d make his home.

With snarlin’ teeth and spittin’ venom,
Pete struck fast like a rattlesnake.
Two bullets to the chest in rapid fire,
was Shannon’s last breath he’d partake.

Pete galloped away, hot on the next trail,
left Shannon there for a vulture's meal.
Notched his guns, below a moon chasing sun,
and one wound to his soul congealed.

There’s a saying out West, know by gunslingers best,
that’ll deep six you in a knotty pine casket.
One you should never forget, lest you end up stone dead,
“There’s always a man – just a shade faster.”

Doc Ferber was next to feel Pete’s hot lead,
“Fill your hand, you *******!”
With little remorse, Pete shot him clear off his horse,
left him gunned down in a shallow ditch.

After getting reports, Pete headed North,
to where John Ferber hunkered down.
A Missouri corner, in McDonald County,
filled with Bible thumpers in a sinner’s town.

Pete rode five hundred miles to shoot that snake,
with two notches, he welcomed a third.
He carried his cursed ball and chains,
to **** a man, he swore with words.

But John Ferber was plastered, and he didn’t quite master,
deuces wild, soiled doves and hard drinkin’.
Someone else would beat Pete, the day before they’d meet,
sending John slingin’ hash in Hell’s kitchen.

There’s a night rider without a father,
under a curse to settle a score.
In all, six murderous desperados,
Three men dead - now, three men more ….

Pistol Pete was now pushin’ seventeen,
just a young pup, but no tenderfoot.
With two men in the lead, he was quick on his steed,
to **** two brothers who killed his kin.

Pete rode up to their fence, with a friendly countenance,
spoke with Jonce Campsey, but asked for Jim.
“There’s a message from Doc, that you both need to hear,”
Pete readied his hands – both guns were cocked!

Pete continued in discourse, and got off his horse.
all the while in an act of pretense.
Jim came to the door and Pete read them the score,
and shot them both dead in self-defense.

With the help of the law, they verified Pete’s call,
then gathered any loot they found.
Laid Jim and Jonce out, in their rustic log house,
and burnt them both and the house to the ground.

Might have seemed kind of callous, but weren’t done in malice,
that those boys were burnt instead of swingin’.
They just sent them to Hell, sizzlin’ medium well,
besides, it “saved them a lot of diggin’.”

There was one man to go, he’d be the last to know,
that a hex is an awful thing.
That a young boy would grow, with a curse in tow,
to **** a man, was still a sin.

Pete garnered his will, with the best of his skills,
to take on the last of the Campsey brothers.
It would be three to one, Wiley and two paid guns,
Pete knew his odds were slim and he shuddered.

At nearly twenty-one, Pete knew he may have out-run,
his luck as the fastest gun.
This would be the ultimate test of his shootin’ finesse,
only a fool would stay to be outgunned.

But Pistol Pete weren’t no liver lilly,
and he loaded up his 45’s.
He rode into town with steely nerves,
maybe no one, would come out alive!

Pete knocked through that swingin’ bar-room door,
Wiley stood there with a possum eating grin.
He said, “Hey there kid, who the Hell are you?”
and Pete shouted, “Frank Eaton! You killed my kin!”

All four men drew quick, with guns a’ blazing,
Wiley got plugged first from two 45’s.
The bar-room crowd dispersed in a wild stampede,
everywhere, ricochetin’ slugs whizzed by!

When the shootin’ had stopped, there was just one man standin’
all four men got plugged, includin’ Pete.
But only a shot-up boy rode out of town that day,
and a Father’s curse, that played out complete –
was a bitter mistress to bury….

At the headwaters of the Red Woods Branch,
near a gentle ***** on a dusty trail.
On an iron gate, at the Twin Mounds cemetery,
a bouquet of morning glories flail.

In a grave, still deep, is a father’s heart,
that lays quiet in a peaceful sleep.
And six men dead, who now burn instead,
compliments of Pistol Pete!
This is another one of my Historical poems.   A true story about Frank Eaton, an eight year old, who witnessed the shooting death of his father.    Frank Eaton was encouraged to avenge his father's death and by the time he was 15 years old, he learned to handle a gun without equal in Oklahoma territory.   You can read about this man by obtaining a copy of his book  -  "Veteran of the Old West - Pistol Pete (1952).   Born in 1860, he lived to be nearly 98 years old.   My poem describes the events surrounding Pistol Pete hunting down the outlaws that killed his father.    I hope you enjoy the story.

Jim Sularz
Danny Valdez Dec 2011
I keep coming across these guys
on the bus
walking the streets
they’re just about everywhere
I am.

Sitting across from one of ’em
on the city bus
spooks me down to my core.
They’ve got slicked back
greasy hair
that’s turning gray,
tanned skin from walking in the sun
too much.
Old-style tattoos up and down
their arms
that are blurry and faded green
women’s names are no longer legible
in the little banner around
a simple heart tattoo.
I always wonder where
their women went
cause they never have one
next to them.

Sitting across from this guy,
he takes a good look at me too.
My slicked back, greasy hair, pale skin, and new old-style tattoos.
It’s like he’s lookin’ back
and I’m lookin’ forward
to a future that just might end up
being my own.
I see these men
down & out,
rolling ****** Top Tobacco cigarettes
with brown & yellow fingertips
pregnant little toothpick smokes
with loose ends that spill tobacco
all over their laps
on their faded grey-used-to-be-black
rustler jeans
the cheap kind from K-Mart.
I see these men
and it terrifies me
to think
that could be me and my future.
It could be me.
If I don’t get my **** together.
Cause
right now
today
as I get ready to pull this sheet
from the typewriter and catch the
2:48 p.m. bus
I am going nowhere
Fast.
**** me.
Kurt Philip Behm Dec 2016
Translation,
  the executioner of emotion,
  —and rustler of graves

(Chicago Illinois: Water Tower with Studs Terkel—July, 1977)
in the south,
the drawl is just one
of many a
sad love song

sad?

aye,
a trickery,
it’s a
rhythm rustler,
rhythm hustler,
a vipers innocuous,
a woman’s poem
poisonous spoken

this fool northern boy,
lay on the grass,
at her feet,
attentive
smiling
cause he loves listening
to the drip drip,
of the warming venom
seeping in to his cold,
codified northern veins
and his fooling ways
Brent Kincaid Apr 2016
When I was a little kid
My friends and I would play
At cowboys and Indians
In the barn with forts of hay.
We crafted guns from sticks
We found about the farm
And though we shot each other
We managed to come to no harm.

Bang, bang, bang! I got you!
No you didn’t, you missed!
The bullet whizzed by me!
You can’t see me in the mist!

Of course, if we were Indians
The same rules held true there.
You never managed to **** us
We never took your hair.
But, we knew we were villains
Because cowboys were king.
We didn’t even question it.
It was that sort of thing.

Bang, bang, bang. I got you!
Cowboys don’t ever cry.
We twist and dodge you redskins
So, don’t even bother to try.

Holding invisible reins, we rode
On our noble painted steeds.
We pretended it was the old West
Here in our playground of weeds.
Some of us had play weapons
Santa had brought to the lucky
But forcing improvisation only
Made us a lot more plucky.

Bang, bang, bang. I shot you.
You ***** lowdown rustler.
Oh, we thought of every dodge.
What young, clever hustlers.
Sharon Talbot Jan 2019
Perhaps his duality would always be
Irreconcilable,
For had he not been made this way
by genetic chance?
A hulking man with gardener's shirt
and biker's leather pants?
He might speed along a coastal highway,
Wind in his greasy hair,
Unchopped Harley shivering,
Eyes watering from the wind,
or was it because of sheer depth of soul?
As he peeled along, avoiding fatal curves,
Did his thoughts of roses blooming
keep him from launching himself
into the fog?
Were the droplets on his face,
full of salt from the sea,
the same as those he saw
in the morning dew on his flowers?
He was a not a Hunter Thompson,
who might return home to drink and write
reams of rage against the foul Effendi,
who beset him at night
after descending from their mansions.
Yet he too needed respite and beauty,
an Owl Farm in his mind,
Or a hotel on Sunset Boulevard,
Safe under the canopy, among the palms,
His security, not a typewriter
but a garden of perfect roses
that he would tend and breed,
Keeping beauty alive to feed
His hidden desire for peace and order.
Like an old man in the country,
The “rose rustler”he played
Lived in a little house,
His unassuming paradise,
with a cat, as secretive as him,
a lone goldfish in a bowl,
who looked out each day on
manicured paths and brick walls,
worthy of any English manor,
with acres of flowers,
dozens of colors...
but every single one a rose.
This whole thing sprang out of a title from a photo site, combined with an excellent book I read, "Freak Kingdom", by Timothy Denevi, about Hunter Thompson's "Ten years of fighting against American Fascism". If you read this, it would help to listen to Elvis Costello's "Brilliant Mistake" simultaneously!
Breeze-Mist Apr 2017
The
Internet
Is the wild west
Of the modern era, with
Vast, open space, laws with few sheriffs
Fights between groups rights and religious beliefs
Unknown connections waiting, and some rustler's crime rings
And a presence of *** overlooked when this is taught to kids
Brent Kincaid Jul 2018
Dear Donald, wait. strike that.
You cattle rustler in a black hat,
You cheated and you lied to us
On just about a daily basis.
You made a list of promises
Of what you would do for us
But you did the exact opposite
Meaning not a single word of it.

Half of us settled on you to be
The man with enough responsibility
To make our country great but yet
There wasn’t much wrong with it.
We can’t say that today, can we?
You and your cabinet detest reality.
You make claims and even worse
Most of what you say is in reverse.

Now you’re off kidnapping kids
With no shame for what you did.
You steal babies and fly them away
And charge voters a thousand a day!
And if that wasn’t far enough off track
You charge parents to get them back.
Then you insist someone else is to blame.
Ugly man, why no sense of shame?

You have taken our country down.
You went from an political clown
To an arch criminal like we’ve never seen.
For decades you smiled in glossy magazines.
Now you’re applauding dictators and
Your cabinet is a robber baron’s band.
You deserve to be put into a prison
If any of our lawmakers had wisdom.

So, this is your Dear Donald letter
Bad motor scooter, and a worse go-getter,
Telling you a ferocious goodbye.
Take it as a fact, and don’t lie.
If there is a bit of integrity remaining,
We’ll **** on you and tell you it’s raining.
Uzo Okoli Jan 2021
The intentions of the colour speak ill.
As the designer weeps in tears
The white is a filthy colour of all
As the double green symbolises hunger.

The great groundnut pyramids stand as statutes.
Termites scavenge the remnants.
Who can stop the difficulties of the nation?
A patriot, coward, cattle rustler or an alien!

The blood of the unsung heroes
Colour the flag of the nation
Bemoaning signs of failed leadership.
Who led the actions of 10102020?
The Camouflage, Alausa, Aso Rock or the Unseen forces!

Men suffer from avarice
Crowd symbolises poverty
Likening to the extortions of palliatives
Under the framework of bureaucracy.
Patrick Kennon Sep 2017
A slash of a smile, kimono stripped shoulders
Koi scale tattoos, Okinawa rainy day blues
Drown yourself in *****, fight 'till you lose
Pale skinned pathological lover
Soulstone hustler, rustler & bustler
Revolving revolvers under samurai dusters
Wild west Tokyo rose blessed
Handwritten love letters on a desk, kiss sealed
A bowl of cornmeal, these things we steal
A lovelock of hearthsouls, sous chef gazpacho
Tasty cannibal nachos, eating hearts in a palm grove
Children gathered round a stone
The feeling of truly being alone
Making tools from your enemies bones
More brutal than any historical score
We sleep, we snore, 2+2=4, once, no more
Coconuts falling on the shore for eternity
Every blade of grass is holy to me
It's the bullet we see that gets us
We can all love each other is we let us
Balloon powered spaceships, liftoff
Raise your sails on the submarine
Big, square, wheels on your SUV
Life is like a tree, just growing
Forget all your worries, let's just get going
He could be an ogre with -
five and a half teeth and ferocious
breath
He drank Old Milwaukee every -
night an will most likely die with a
can in his hand
His cause of death will be consumption
His liver will be a 'pickled mess'
He bathed from April till August
Gnawing on country ham and instant coffee -
at four thirty every morning wearing untied boots ,
Rustler jeans with a flannel shirt
He would down two Goody powders before leaving
the house an heading to work
Didn't give a **** for being couth but -
he was a "shaman" whenever I positively
needed 'the truth'* ...
Copyright November 28 , 2017 by Randolph L Wilson * All Rights Reserved
Whether a totally
tubular ordinary day, or...hmm...
perhaps at the
approach of yuletide,
one need not go

far and wide
across the webbed world
to experience being unified,
this quasi motto maxim of sorts
analogous to auld

sanity clause trailguide
motivates me to
seek if necessary
all the way to Telluride
to attempt Swiss-side

enlightenment with every stride,
thus please feel free
and clear to chat streamside
ideally at springtide,
yea your welcome, yes do

respond to this snide
loner if game to chess das side
to accompany this gadabout
(once pawn a time) rook
key nada so longfellow

wordsworth king rustler,
yup, who still attests
to occupy ringside
available vacancy for queenside
guest of honor, (gnome hatter

if ye happen tubby pride
full favoring an effeminate
poetic guy), also...provide
ding no aversion toward
this moon face planetwide,

Martian hood doth bleach blonde
his hair with peroxide,
this lapsed lose zoo lee
errant knight well,
that could pose a minor

drag) hubble restraint,
I would override,
but actually this ring
around the collar, (sans whiskey
perspiration at noontide),

drunkard, (that's when
my late morning gets broken)
yea...way offset from nationwide
conformity, nonetheless huff
fain tuff fellowship with me,

a chap who doth not arise
before the crack of noon
lest inside his noggin
oozes like a mudslide,
(which on May 31, 1889

washed away Johnstown, Pennsylvania),
the **** burst (like
a Led Zeppelin),
and roared down the mountainside
triggered (human sited) landslide

decimating, leveling, and uprooting,
every friggin gabled
house along hillside,
which essentially created massive graveside.
curt hissy Matthew Scott Harris
who wishes ewe well
to make $cents of the following
mumbo jumbo lettered gumbo.

Hip puck crease see
(ad hoc) key hide dee claim
haint how my noggin
comports itself to take aim,
cuz ear lee aire two
yeast tar dies ague
this hue more us,
in fame muss wordsmith
cure rafting re: son hubble rhyme
doggone cur rafted twin tee ****
hound day hove March
(twenty second of)
tooth house sin twenty two,

(Lifer til death date woo eth death)
an hon nah - bell and clapper bloke
mostly silly key ping (faw) lame
fee bill word tangler,
rustler, mangler, a (name)
grossly misunderstood
acts ill rod gunmetal read rose,
but wean mice elf (in tha same
deep blue sea of
sigh bore space), and tame
ghost of Noah Web stir,
(the "Father of American 
Scholarship and Education").

Mine whole foods (bran)
whole *** graphic image gleefully 
danced like cranberries...
er Shuga plums
buff fore my ayes 
gent lee guy ding even odd lil old
me - disc hum bob yule hated thoughts.

He winked, blinked, and nod did 
'pon every hip proved high fen -
phen hated dub bill loon
colon out fe fie fo fum...

Thus sigh prose seeded 
to brac kit this hen
speckled, pecked, choppy 
ram bulling miss sieve.

Now Kenya boll weave me, i.e.
nope heart tickle to rhyme, 
nor rheas zen, 
hex planes this alien ak queue men?

Thus ice elf seal heck head 
(i.e. spoiler alert selected)
top pick dis gobbledygook de 'zure 
one long in the tooth 
in dent charred papa, who war 
rents, through his 
Engle hush patois rue brick 
mishmash heavy sack crow sank
fill low so fickle road dough mont aid
e'en when deep
into Davy Jones's Locker 

(as taut tummy
by ma gram marred paw, 
he called home and leaved all his life
in Southeastern pence hull Vanya), 
tutoring, this war reed 
red word smith (screeching) 
viva veneer real with no dis ease: 
a broadcast inter gnash shin null plea
from puissant amazing

dragon hill though me
heretofore jest playfully peppering 
this poetic prey lewd pray zing gibberish,
boot ice till dune hot
take for grant (yule hiss sees)
who hit high robe hurt eel lee
cogent, fluent, intelligent,
lambent, overt, reverent...
succinctness, thus strictly for sport
(maya tip pickle mowed

dis hopper end dee)
inure inca ling hued bait tour
ring ship for fools (who russian,
where angels dare toot red),
and back to feeble poetic effort
sum er re: all reed dears mite ache -
against hub bull telescoping confusion
your understandable hub
jake shun accepted.
Ryan O'Leary Jul 2018
The Truth
About Lucey.


Look at that knife,
out on the street,

carnivore carcasse
dripping red meat.

Beside, a fair lady
she’s ever so neat,

Dressed for a ball
from top to her feet.

She’s Lucey and pretty
not there just to greet,

She’s a rustler at night
she does five every week.

On Saturday she sharpens
the knives by a creek,

On Sunday there’s mass
When after they're meek.

They talk of good Lucey
in a low kind of speak,

It is always their mystery
as to why she's so sleek.

Then home for the roast
the end of week treat,

But nobody knows from
who's lamb they eat!
Laurence Feb 2019
'Post partum, delinquent breathe'
sat on the stools pretending we're The Sitwells
as a cloth runs swift across the table and sprays me with a not-so-fresh fragrance of
botany and wheat
scribbling down notes like a crazed gunman firing nothing but blanks
the schiz comes to talk for a while as the pauper
though i'd prayed for him to be the king
as my pockets were emptied by the pickpocket of tiananmen square as I was
ruffling through wet paper the night before and pulling out nothing but the edges of what should've been
It was time for me to play the jester as the taste of clarity was beginning to wear off
I swoop into a pack like a suave greyhound and attempt to charm the hind drinks off of them
nice to meet you sympathy, and same to you ol' barley
I bounce like a pinball and act like a screwball from tilter to corners of the smoking area
hoping to hit a jackpot of double whiskey or wine for a half decent limerick
but I just get flung, passed ****** - I **** passed the wings of the corridor and back to the haunting grounds
Dylans singing to me in the corner though the speakers blare Marley
I spot schitz being mocked by a suited neanderthal so I break his legs with my eyes
he drags his club foot towards me and I spoon feed him the irony
a rustler intervenes and we stand either side of the bar like a half baked western
the pelicans balance their cups on the beaks of one another
and I begin to swoon
as an old friend asks me where the lover is
I explain how she burned my tower of poetry that I held so dear and so I burned her soul
cashing in a smoke I crack a smile and make a joke
we laugh and ditch dylan for a *** of hot stew served by caligula's wife
followed by a round of the usual brevity
the rest is a blur.
Kurt Philip Behm Jan 2019
The University rustler’s aim
  herding and stealing…  
  hot irons from within

Professorial larcenous B.S. campaign
  letters branded
  to deceive and convince

The doctor licentiate
  disguised as Jesse James
  his gang riding shotgun up top

If they ever tally up all the things
  they’ve unlearned, they will shoot
  at each other—dumbstruck

(Villanova Pennsylvania: April, 2015)
Sean Fitzpatrick May 2014
Rattle and roll
it's on the run,
Asks the neighbor's girls
what's gone for fun?

Reel, reel,
it's packing peace,
hangin' up the rifles
cattle's been gone,
rustler's muscle
now's shootin' craps,
please me evening
with a thunderclap.

Lookin' out my window
it's empty sanded,
from another view
handle's been handed,

Wind, wind,
******* away,
bring me river water
another day,
I'm hoppin' on in,
don't need no more,
water's turned black
but air's glowin blue,
gonna ride a train
away from here,
take me back tonight
so I can follow the deer.

Leavin' yellow flowers
for the ones who cried,
it's alright dear, it's alright,

They're takin' back the train
to be here tonight,
we'll be talkin' bout the party
like it's outta sight.
This poem is not to share, but to learn from. True love is not communicating mindfulness towards darkness, but rather forgoing talk of darkness altogether in lieu of joy for life, joy for all of which makes life. - 5/31/13

Open for reconsideration?

— The End —