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Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
In a quiet, pleasant meadow,
Beneath a summer sky,
Where green old trees their branches waved,
And winds went singing by;
Where a little brook went rippling
So musically low,
And passing clouds cast shadows
On the waving grass below;
Where low, sweet notes of brooding birds
Stole out on the fragrant air,
And golden sunlight shone undimmed
On all most fresh and fair;--
There bloomed a lovely sisterhood
Of happy little flowers,
Together in this pleasant home,
Through quiet summer hours.
No rude hand came to gather them,
No chilling winds to blight;
Warm sunbeams smiled on them by day,
And soft dews fell at night.
So here, along the brook-side,
Beneath the green old trees,
The flowers dwelt among their friends,
The sunbeams and the breeze.

One morning, as the flowers awoke,
Fragrant, and fresh, and fair,
A little worm came creeping by,
And begged a shelter there.
'Ah! pity and love me,' sighed the worm,
'I am lonely, poor, and weak;
A little spot for a resting-place,
Dear flowers, is all I seek.
I am not fair, and have dwelt unloved
By butterfly, bird, and bee.
They little knew that in this dark form
Lay the beauty they yet may see.
Then let me lie in the deep green moss,
And weave my little tomb,
And sleep my long, unbroken sleep
Till Spring's first flowers come.
Then will I come in a fairer dress,
And your gentle care repay
By the grateful love of the humble worm;
Kind flowers, O let me stay!'
But the wild rose showed her little thorns,
While her soft face glowed with pride;
The violet hid beneath the drooping ferns,
And the daisy turned aside.
Little Houstonia scornfully laughed,
As she danced on her slender stem;
While the cowslip bent to the rippling waves,
And whispered the tale to them.
A blue-eyed grass looked down on the worm,
As it silently turned away,
And cried, 'Thou wilt harm our delicate leaves,
And therefore thou canst not stay.'
Then a sweet, soft voice, called out from far,
'Come hither, poor worm, to me;
The sun lies warm in this quiet spot,
And I'll share my home with thee.'
The wondering flowers looked up to see
Who had offered the worm a home:
'T was a clover-blossom, whose fluttering leaves
Seemed beckoning him to come;
It dwelt in a sunny little nook,
Where cool winds rustled by,
And murmuring bees and butterflies came,
On the flower's breast to lie.
Down through the leaves the sunlight stole,
And seemed to linger there,
As if it loved to brighten the home
Of one so sweet and fair.
Its rosy face smiled kindly down,
As the friendless worm drew near;
And its low voice, softly whispering, said
'Poor thing, thou art welcome here;
Close at my side, in the soft green moss,
Thou wilt find a quiet bed,
Where thou canst softly sleep till Spring,
With my leaves above thee spread.
I pity and love thee, friendless worm,
Though thou art not graceful or fair;
For many a dark, unlovely form,
Hath a kind heart dwelling there;
No more o'er the green and pleasant earth,
Lonely and poor, shalt thou roam,
For a loving friend hast thou found in me,
And rest in my little home.'
Then, deep in its quiet mossy bed,
Sheltered from sun and shower,
The grateful worm spun its winter tomb,
In the shadow of the flower.
And Clover guarded well its rest,
Till Autumn's leaves were sere,
Till all her sister flowers were gone,
And her winter sleep drew near.
Then her withered leaves were softly spread
O'er the sleeping worm below,
Ere the faithful little flower lay
Beneath the winter snow.

Spring came again, and the flowers rose
From their quiet winter graves,
And gayly danced on their slender stems,
And sang with the rippling waves.
Softly the warm winds kissed their cheeks;
Brightly the sunbeams fell,
As, one by one, they came again
In their summer homes to dwell.
And little Clover bloomed once more,
Rosy, and sweet, and fair,
And patiently watched by the mossy bed,
For the worm still slumbered there.
Then her sister flowers scornfully cried,
As they waved in the summer air,
'The ugly worm was friendless and poor;
Little Clover, why shouldst thou care?
Then watch no more, nor dwell alone,
Away from thy sister flowers;
Come, dance and feast, and spend with us
These pleasant summer hours.
We pity thee, foolish little flower,
To trust what the false worm said;
He will not come in a fairer dress,
For he lies in the green moss dead.'
But little Clover still watched on,
Alone in her sunny home;
She did not doubt the poor worm's truth,
And trusted he would come.

At last the small cell opened wide,
And a glittering butterfly,
From out the moss, on golden wings,
Soared up to the sunny sky.
Then the wondering flowers cried aloud,
'Clover, thy watch was vain;
He only sought a shelter here,
And never will come again.'
And the unkind flowers danced for joy,
When they saw him thus depart;
For the love of a beautiful butterfly
Is dear to a flower's heart.
They feared he would stay in Clover's home,
And her tender care repay;
So they danced for joy, when at last he rose
And silently flew away.
Then little Clover bowed her head,
While her soft tears fell like dew;
For her gentle heart was grieved, to find
That her sisters' words were true,
And the insect she had watched so long
When helpless, poor, and lone,
Thankless for all her faithful care,
On his golden wings had flown.
But as she drooped, in silent grief,
She heard little Daisy cry,
'O sisters, look! I see him now,
Afar in the sunny sky;
He is floating back from Cloud-Land now,
Borne by the fragrant air.
Spread wide your leaves, that he may choose
The flower he deems most fair.'
Then the wild rose glowed with a deeper blush,
As she proudly waved on her stem;
The Cowslip bent to the clear blue waves,
And made her mirror of them.
Little Houstonia merrily danced,
And spread her white leaves wide;
While Daisy whispered her joy and hope,
As she stood by her gay friends' side.
Violet peeped from the tall green ferns,
And lifted her soft blue eye
To watch the glittering form, that shone
Afar in the summer sky.
They thought no more of the ugly worm,
Who once had wakened their scorn;
But looked and longed for the butterfly now,
As the soft wind bore him on.

Nearer and nearer the bright form came,
And fairer the blossoms grew;
Each welcomed him, in her sweetest tones;
Each offered her honey and dew.
But in vain did they beckon, and smile, and call,
And wider their leaves unclose;
The glittering form still floated on,
By Violet, Daisy, and Rose.
Lightly it flew to the pleasant home
Of the flower most truly fair,
On Clover's breast he softly lit,
And folded his bright wings there.
'Dear flower,' the butterfly whispered low,
'Long hast thou waited for me;
Now I am come, and my grateful love
Shall brighten thy home for thee;
Thou hast loved and cared for me, when alone,
Hast watched o'er me long and well;
And now will I strive to show the thanks
The poor worm could not tell.
Sunbeam and breeze shall come to thee,
And the coolest dews that fall;
Whate'er a flower can wish is thine,
For thou art worthy all.
And the home thou shared with the friendless worm
The butterfly's home shall be;
And thou shalt find, dear, faithful flower,
A loving friend in me.'
Then, through the long, bright summer hours
Through sunshine and through shower,
Together in their happy home
Dwelt butterfly and flower.
Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)

Once upon a time in the city of Omurate
In the southern part of Ethiopia
Omurate that is on Ethiopian boundary with Kenya
There were two prosperous animal families
Living side by side as good neighbours
in glory and pomp of riches
Each family was ostensibly rich
And rambunctious in social styles
They were the families of African rat family
And the Jewish cat family; the city belonged to them
They all enjoyed stocks of desert scorpions from Todanyang
From the savanna desert of Northern Kenya,
The two families also enjoyed to feed on desert locusts
On which they regularly fed without food squabbles
                               Locust themselves they flew from Lowarang to Omurate
From Lowarang a desert region in Kenya, to their city of Omurate
Sometimes the Jewish cat family enjoyed an extra dish
In form of puff adder flesh, especially the steak of the puff adder muscle
Puff adder were cheaply available in plenty at the lakeshore,
Lakeshores of Lake Turkana
At point which river Ormo enters into Lake Turkana
So the cat was happy and relaxed
Even it rarely mewed,  
Neighbours never often heard its mewing sound
The rat also enjoyed plenty of milk with no strain
Easily gotten from the rustled cattles
Cattle rustled by the Merilee; a warrior tribe in Omurate.

That day the cat had gulped milk since morning
Even its stomach was bulging
Like that of Kenyan state officer
The rat had milk all over the house
In the kitchen, milk allover
In the sitting room, milk in abundance
In the wash, room milk all through
On the bed, milk and stuffs of milk
The rat was bored with nothing to be enticed
Sometimes plenty of milk can become a bother
The rat mused to itself in foolish African empathy
That may be the cat is starving in pangs of hunger
With nothing to drink, or may be it has no milk
When the milk is rotting here in my house
It is un-African for food to rot in your house
When the neighbour’s belly is not full,
On these thoughts the rat washed its legs, and hands
Finished up with its face,
Put on its white short trouser and a green top
It stuffed its tail inside its white short trouser,
The rat poured milk into two pots,
each *** was full to the brim
It carried one in its left hand
And balanced another on its head
In its right hand was an African walking stick
For the elders known as Pakora
The rat took off to the home of the cat
In full feat of animal love and philanthropy
Whistling its favourite poem;
An Ode to a good neighbour,
Walking carefully lest it spills brimful milk,
It entered into the house of the cat without haste
Neither knocking nor waiting to be told come in
In that spectacular charisma of a good neighbour,
When the cat saw the rat it giggled two short giggles
And almost got choked by indecision
For it had been long since this happened,
Since the cat had dine on milk leave alone rat meat
The rat said to the Jewish cat that my brother
Have milk I have brought for you
Have it and sip here it is; the real milk,
In devilish calmness the cat told the rat;
Put it for me on the table, thank you,
But my friend Mr. rat don’t go away; there is more
More for you to help me in addition to milk,
Continue my brother Mr. Cat, how can I help you?
Don’t call me your brother; bursted the cat,
For it is long since I ate the rat meat
And you know rat meat is our stable food
In a frenetic feat of powerlessness the rat was confused
In attempt to save itself
it pleaded that my dear elder, I was
Only having plenty of milk in my house
And to us African rats, it is a taboo
To have a lot of food in your house
When the neighbour’s belly is not full
So I only brought you the present of Milk
Please have it and drink,
Without taciturnity the Cat retorted in persistence;
I know and I am thankful for your good manners
But remember with us Jewish cats it is heinous sin
Forget of a taboo, it is blasphemy against the living
God for one of us to leave the rat free from our house
For you rats are the only stable and kosher food God blessed for us
The Jewish rat family all over the world
So shut up your mandibles, I am to eat you first
Then I will take milk later as a relish.

With its herculean paw the cat crushed the rat
With mighty of the leopard culture
Throwing away the white trouser
And green top from the torso of the rat
The cat ate the rat with voracity of the devil
After which it punctuated its mid day appetite
With slow and relaxed sipping of milk
Slowly and slowly as it felt its internal greatness
And hence the African proverbial cry that;
Behold foolish angst kills the African rat!
Mitchell Jun 2012
The night rested in a humid Spring night as the cable cars
And taxi cabs lazily made their way around the
Soft and silent streets of the city. Stray cats and dogs
Picked away at half-eaten lunch meat and
three day old bread as the moon slowly began to rise.
The restaurants that lined the alley ways and
Side streets were filled with the Saturday evening crowd. The
Clinking echoes of wine glasses and dinner plates spilled
Out onto the sidewalk and into the street. The passerby's would
Occasionally turn their heads to look inside, some envious that they
Were not smiling and drinking and eating that night. Across the
Street and throughout the town, lonely men drank from half empty
Beer mugs, wondering where their passion had gone.

On the corner of Barry and 3rd stood a man alone with
A suitcase in his hand. He wore tattered brown dress
Shoes - two years too old - a black neck tie with a half
Button-up T-shirt and a pair of dark brown slacks he had
Bought from Goodwill for $3. His free hand hung open,
Letting the night breeze snake around his fingers. There
Were the stars above him that shone down onto the street
And the sidewalk and a few spotted puddles that had
Built up from an earlier rain. On the corner of Barry and 3rd
There was only one thing to do with one's time, and that
Was to stand around and think of where to go to next.

Up on 17th, there was a bar the man had heard of
From a woman who had tried to pick him up at the bus
Station, some kind of ******* that was really only looking
For a couple of free drinks and a packet of cigarettes. The man
Thought of this place, and weighed back and forth if it would
Be advantageous to wander up there and see if he couldn't
Find someone to shack up with for the night.
He decided it would be.

As he passed the busy restaurants, listening to the insides
Of the building and its occupants churn like silverware
In a blender, he remembered he had placed a half-loaf
Of bread inside of his suitcase.
He stopped on a rough concrete stoop of a Catholic
Church, where above him, stood a large wooden cross.
Around the cross were plaster sculptures of baby angels and
Gargoyles and a snaking vine made of black stone that made
Its way around the cross, tying itself around the center
Where the horizontal met the vertical, and continued
To spin around and around until it reached the top.
At first, the man thought it was some
Kind of snake signifying Adam and Eve, which was all
He really knew about religion, the basic kid stories, but
When looking closer, realized that it was only an innocent
Plant seeking a spot of sun.

The man placed his suitcase on the 3rd step of 8, where he
Then sat on the 4th. He leaned his weathered, bent back against
The hard stone concrete and listened to the faint cracks
Of his spine inside his body. He realized that he hadn't sat d
Down and relaxed since he had gotten off the train. He threw
His head back in a exaggerated and child-like yawn, and felt the warm tears
Of bashful exhaustion fill the sockets of his heavy eyes. The night was
Warm and he unbuttoned the top two buttons of his shirt
To let the air blow over his sweat drenched chest.

"There are certain times to be alone in life," He mused
To himself, "And I do believe that I have
Found one of them."

In a room above him the window was wide open
And the curtains danced outside with the wind. A head
Poked out from the window sill and peered down to
Look at the man musing, but did not say anything. The man
knew nothing of the stranger's eyes above him and felt
No other presence around him, other than the passing taxi
Cabs and street walker's and - if you counted the one's inside
The church - the saints and the angel's and God that lived
In holy silence enshrined behind him.

"There are things in life that are never meant to be
Solved," he philosophized, "And maybe I am
One of those things. When I think of my life, my entire
Life here on Earth, I don't think I ever found
A straight line to follow that I was ever comfortable
With...not one straight line I could follow that would
Bring me true happiness or a sense of accomplishment.
Now, am I bad in feeling this way? Am I no good
For never feeling that the good ain't ever good enough?
I do my laundry like everybody else and I walk the
Street just the same, but, there is something else that
Smells and feels and can taste the eternity in all things
That makes me restless so I can't sleep sometimes, forces
Me to stare into black infinity with only a mind I feel
That I will never truly meet. There has got to be a word
For whatever feeling this is, but I can't seem to think of it now."

The head above that had poked out before ******
A dark object out the window. It wavered for a moment
In the still warm air of the night, then, whooshing and
Splashing down, a full bucket of water cascaded down
on the man's head and suitcase. The man sat frozen, unsure
Whether it was from the Heaven's itself and paused before
He began to swear and curse at the tenant above him.

"You rat **** eating vanilla ice cream eating convict!" he
Screamed up towards the apartment complex, "I'm going
To come back with a gallon of gasoline, 10,000 tooth-picks, and
Find out your favorite magazine subscription and bring 1,000
Those by, and burn this place down - gifts and all!"

His voice
Echoed in the street
And down the darkened alley-way,
Where the bums of the city
Slumbered, not hearing a sound
Of the rant the man in the now wet
Two year old dress shoes rambled
On with; for bums sleep with
Absolute peace with their lack of
Care or fear of time.

"At last," he muttered underneath his dripping hair,
"I am released unto the Earth for what I truly am: A hung
Sheet - fresh out of the washer - meant only to be
Basking in the moonlight so to be dried by
Morning for the house-guests in the evening."

The man snapped his fingers,
Clicked his tongue, and looked up,
Once more trying to spot the culprit, until
Another bucket of water came crashing
Down upon him.

"QUIET DOWN THERE,"
The voice from above hollered,
"THERE AIN'T A SINGLE WORD ANYONE
IN THIS BUILDING WANTS TO HEAR
RIGHT NOW! CHILDREN ARE SLEEPING AND
THE OLD ONE'S ARE WATCHING THIER PROGRAMS!"

The man ran his hands through his dripping wet hair
And flicked the droplets of water out onto the street. His
Suitcase, which sat to the right of him, was soaked as well and
The man worried about the single baguette he had stored
In there in case he had gotten hungry. He knew it was ruined
Now, but was happy that there was only an extra pair
Of 50 cent socks and an undershirt he had found underneath
A bridge on the way into the city. He cocked his head up to the open window.

"You speak for everyone here in this building?" He
Asked the black and blotchy figure above him.

"I speak for everyone that doesn't have the nerve or
The cajones or the energy to holler down at you at
This Un-Godly hour, if that's what your asking."

"They vote you into that position?" He asked, prodding them.

"No vote. I'm a volunteer," they defended.

"Ha. Always going to be some kind of
Volunteer when there's power involved."

"Isn't power, it's responsibility."

"Responsibility," the man repeated, chewing the
Word in his mouth, seeing it spelled out in his mind.
"Responsibility is quite a subjective thing: some people
Take a liking to it and never want to stop being responsible and
In charge, and some just don't want none of it and
Would rather lay back in the sun and act
Like their in charge, while whoever believes
Their power works under'em and for'em; which one are you?"

"Neither. I'm just here trying to ward off some
Rambling *** with what looks like nothing but a
Suitcase and some old clothes and shoes."

"Well," he said, "You must have some pretty good
Eye-sight in this setting dark, because that's
All I got at the moment."

"Where you hail from?" the voice asked.

"Originally I hail from here, but where I was
Before I hailed from as well. To tell you the truth, I don't
Truly know - that's a good question."

The man tilted his chin up slightly and
Rolled over his response. The question had
Dropped an icy fire into the pit of his stomach and filled it
With hundreds of gnawing, fluttering butterflies; he
Hadn't thought about home in a long time and
Had forgotten why he had even chose to show-up in the first place.

"I'm here for reasons I can't seem to remember at the moment,"
The man admitted to the voice above and to himself.

"Can't remember?" the voice laughed, "How
You gonna' forget why you came home?"

"Don't know," he said, shaking his head," Just
Can't seem to recollect it."

"Scary thing."

"Yes, indeed."

They both paused as a taxi cab passed slowly by. It stopped
And honked its horn trying to signal the man to see
If he needed a ride. The man waved his hand to send the
Cabby off and looked down at his wet clothes and suitcase. The
Chill of the night had gotten its way into his skin and
He noticed that his teeth were chattering and his feet were
Beginning to shake. He worried about getting sick because he
Wouldn't be able to buy any medicine if he did. He looked up
To see the figure still looking down at him in silence. Suddenly,
An object fell, back and forth in the air like a feather,
Down towards the man and onto the stoop where he stood.
It was a blanket and wrapped inside was a tattered pillow.

"Bring it back if you want," the voice called out to him, "Don't
Even care if you sleep on the stoop, but, it's a little wet, as you know."

"There a park around here?"

"Down two blocks and a left. You'll see it."

"Thanks for your kindness," he said looking up at the window.

"Thanks for your silence," the voice said stubbornly.

The man brushed off the remaining water on his clothes
And suitcase and tried to squeeze the water out his hair.
He picked up his suitcase and wrapped the blanket around
His body and fitted the pillow underneath his arm. He walked
Two blocks up from where the figure had told him and took a
Left, illuminated by the stark orange and white street lights. He looked
Around after he took the left and spotted a small children's park
With a few benches spotted along the sidewalk that snaked through it.
He picked a bench near a water fountain, unbuckled his belt and took
Off his wet pants and laid down, wrapping the thick wool blanket
Around his body. He placed his suitcase underneath the bench and
Positioned the pillow so it fitted gently under his head. After he
Closed his eyes and rested for five minutes, he reached down to
Touch his suitcase. He felt the cool, damp leather of it, and
Quickly wrapped himself back up into the blanket,
Eagerly awaiting for dawn to rise and bring warmth back to his body.

At dawn, the sun painted the man's body with dark yellow streaks
of sunlight, heating his body up so much that when he woke, his
Clothes were close to dry again. The small patch of grass and
Weeds underneath him rustled with the wind and the sounds
Of the street a few blocks away drifted into his ear. He stirred
Inside of his blanket but did not rise. The pillow had fallen
To the ground throughout the night, but the man was too tired
To reach for it and kept his head on the hard wooden surface of the bench.
While lying there, half awake, the man thought of the figure that
Had been speaking to him from their window the night before. He
Knew he must return the blanket and pillow, but he was unsure
Whether he should bring something else. He had no money -
No money to spare at least - so he chose to bring only the
The things that were leant to him back, hoping that would suffice.

He shifted his position on the bench and saw through a crack of
The bench, that there were children already playing on the playground
Behind him, their parents leaning over their porches watching them; they
Didn't even seem to notice or care about the man sleeping on the bench.
The man felt embarrassed about this and rolled over to avoid the
Gaze of the parents and any of the children that may have spotted him. He
Laid on his back, his head atop the worn but comfortable pillow, and
Gazed up into the blue sky that was clear save a few passing milky
White clouds, that hovered above him like colossal globs of marshmallows.
He hoped in his mind that he remembered where the house the was that
Had been kind enough to give him the blanket and pillow and he wished
That he had paid more attention to the street signs and physical objects
Surrounding the building. All the man could recall were the bright neon
Orange light posts, a long line of thinly pruned circular bushes, a few
Mailboxes that stood as if attention on the sidewalk of the street, and
Numerous houses that all looked the same when he passed them in the night.
He knew he needed to find the house but was too comfortable to rise and
Too scared of the failure of ever finding the house and the thought
Of carrying around the blanket and pillow made his face flush a deep red.

The man rose cooly, as if rising from a nap spent on a couch in his
Summer cottage that rested on the bank of some far off river somewhere.
He looked over to the children and the parents up on their porches, but
Still, none of them paid him any mind. This relieved him. He was allowed
To be a shadow and embraced the idea of being anonymous rather
Than feeling the helplessness one feels when no one sees you. He folded
The blanket neatly like his mother had taught him to do ever since
He was a little boy, and instinctively fluffed the ***** pillow, even though
It was far beyond repair already. The sun was just peaking over the tops of
The ramshackle apartment buildings and he noticed that he had been
Sleeping in what looked like a very poor part of town; in the night, it
Looked like every other park corner where the elderly would to
Think about their past and the children would play with their present.

"Night and day are two different worlds," the man muttered
To himself, "Some people belong in one and some
The other; I wonder...which one am I?"

He looked up towards the sun and squinted, feeling a
Small droplet of sweat make its way down his right cheek. He
Wiped it away with his fingertip and brought it to his mouth -
He was terribly thirsty and his stomach rumbled within him. He
Had noticed the night before on the way to the park, a sign
For a bakery, but was not sure whether it was open or not because
The night was too dark to reveal any signs of it. The man had 10 dollars to
His name and knew he could buy two loaves of bread for at least 50 cents
If he haggled with whoever was running the place. They would be sure
To see his condition and help him if he showed them a little of the money he had.
There was also a childish charm to the man that he would bring out whenever
He truly was in need - he never liked abusing this gift, if one could call it that -
But in times of desperation and starvation and dehydration, he was
Forced to use it and mustered as much courage up to do so.

He walked through the path that had brought him to the park and
Made a right down the street towards the bakery and possibly the
House where he had been given the blanket and pillow. There was
No one on the street save a few alley cats and dogs and all the window
Blinds were down to block out the intense shining sun rising in the sky. There
Was a light breeze passing through the trees that cooled the man off. He
Had begun to sweat from holding the pillow and blanket so close
To his body, and wished he could have the nerve just to throw it in a
Garbage can and make his way to the neighborhood where he had been told
About the bar, but his conscious weighed him down, so he carried on.

He walked a block down the street and found the bakery on the other side
Of the street. He crossed and saw there was an old woman inside.
He checked his pockets for any spare change and opened his wallet
To make sure the 10 dollars was still there. He needed water and something
To put in his belly and he whispered a prayer before he went inside of the bakery.
When he pushed the door to enter though, it wouldn't budge - it was locked. The
Woman behind the counter turned her head and looked at the man, who
shook her head and waved him off. The man knocked gently on the glass
Door, but the old woman just kept waving and shooing him off like an animal. The
Man checked the clock inside and saw that
Ghazal Aug 2015
Nestled in a cosy little corner,
Blooming out from an old branch,
The newest offspring- young,
slender, fresh, entranced
By something never experienced before,
Unfurled himself in joyous glory,
And absorbed the single sweet drop
That drenched his welcoming body.
The other leaves chuckled lovingly
And the birds chirped at the display,
The entire tree rustled with glee watching
The little one rejoice on his first rainy day.
Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)

Here is a toast for valentine
Valentine in all seasons perennial
Where angst of money for love  
Cradled utopian capitalism,
It is once again in the city of Omurate
In the south most parts of Ethiopia
On the borders of Kenya and Ethiopia
Where actually the river Ormo enters Lake Turkana,
There lived a pair of lovers
With overt compassion for one another
The male lover was an origin of Nyangtom,
A cattle rustling Nilotic kingdom
While the female lover was a descendant of King Solomon
The Jewish children which King Solomon aborted
Because their mother was an Ethiopian African
They now form substantial part of the Ethiopian population
Their clan is known as Amharic, they speak subverted Yiddish,
These lovers were good to one another
Sharing secrets and all other stuffs that go with love.

Both the lovers were fatherless
They had lost their fathers through early death
They only had the mothers, who were again sickly
Their mothers coughed a whole night with whoops
And when in the wee of the night, when temperatures go low
The mothers breathe with wheezing sound
Like peasant music from African violin,
They didn’t eat with good appetite
They always left irritating chunks on the plates,
But they all puked mucus from their mouths
And of course with a very sickening regularity.

The menace of sick mothers intervened with love freedom
Among the inter-compassionate lovers
They did not have time for real active love
I will not mention recurrent missing of ceremonies
Fetes that are bound to go with valentine day
The lovers were bored to their teeth
They don’t knew when gods will come to unyoke them.

Especially the male lover, was most perturbed
His mother looked sorriest
With a scrofulous look on her old aged African face
She looked like a forlorn erstwhile cattle rustler
She ever whined in pain like a trapped hyena
Her son the male lover even began apologizing
To the female lover for such environmental upsets
Hence an African proverb that;
No love is possible with impaired judgment.

One day in the wee of the night
With no electricity nor any source of light
Darkness engulfing each and every aspect of the city
Confirming the hinterland of Africa
The female lover woke up from the sleep
And she never heard the usual wheezing breathes
That her mother often made in such hours,
Feat of suspicion gripped her
She jumped out of her bed to where her mother was
On feeling her, she found her dead, cold like a black member
She was already past the rigor mortis stage of death process
African chilliness had frozen her like a poikilothermic creature.

She wept but not in the uproarious groan
In that instinctive Jewish shrewdness
She did not announce nor inform her lover of her mother’s death
She only washed and groomed the cadaver of her mother
She made a headscarf around the head of dead mother
She even placed reading glasses on her face
On her mother’s dead torso she wrapped a dress
The most expensive of all bought from Egypt,
In the same wee of the night
She carried cadaver of her mother on her shoulders
The way a poor Nigerian farmer would carry a stem of banana
And walked slowly by slowly for a distance of a hundred kilometers
Down ***** into Kenya towards the city of Todanyang in Turkana County
Todanyang was a busy city, but silent and minus people in the night
The king of this city was called Lapur the son of Turkanai
And the law that Lapur passed in this city was archaic
It was; an eye for an eye, a tooth for a tooth, a Jew for a Jew
A pokot for a pokot, a samburu for a samburu
It was simply the law with nothing else
Other than clauses of measure for measure
And clauses of *** for tat instantaneously administered,
On reaching the market she placed her mother standing
Being supported on a sign post at the bus stage
In pose similar to that of an early morning traveler,
She sat a side like a prowling spider awaiting foolish fly
They way an African ***** exposes its red ****
And when the hen comes to peck
It traps and closes the head of the hen
Deeper into its ****,
At that bus stage there was a hotel
Owned by a Rwandese refugee
From the foolish clan of the Hutu
He had ran away from the genocide
In his country, he was also the perpetrator
And thus he was a runaway from the law *** hotelier
His name was Chapuchapu, meaning the quick one,
When Chapuchapu opened the hotel for the early customers
The female lover walked into the hotel
With innocence on her face like all the Jews
She placed an order for two mugs of coffee
And two pieces of bread
When Chapuchapu had placed food on the table
The female lover shrewdly instructed Chapuchapu
To go and hold the hand of the woman standing at the sign post
To bring her into the hotel for morning tea,
Chapuchapu in his unsuspecting charisma
With a mad drive to make money that morning
He dashed out as instructed with his foolish notion
That the customer is the queen, which is not
He grapped the standing cadaver with force
On pulling her to come along
The cadaver tumbled down like a marionette
Everything falling away; headscarf and glasses
Chapuchapu was overtaken by awe
The female lover was watching
Like the big brother in the Orwellian satire, 1984.
When the cadaver of her mother fell
She came out of the hotel
Screaming like a hundred vehicles
Of St John Ambulance
And two hundred Kenyan vehicles of fire brigade
And three hundred Kenyan cash transfer vehicles,
She was accusing Chapuchapu for being careless
Careless in his work that he had killed her mother,
Swam of armed humanity in Turkana loinclothes
Began pouring in like waters of Nile into Mediterranean
Female lover improved the scale of her screaming
Chapuchapu like a heavyweight idiot was dumbfounded
Armed people came in their infinite
Finally king Lapur arrived on his royal donkey
That his foot soldiers had only rustled
From Samburu land a fortnight ago,
The presence of the king quelled the hullabaloo
The king asked to find out what had happened
Amid sops the female lover narrated how
Chapuchapu the hotelier had killed her mother
Through his careless helter skelter behaviour
The king sighed and shouted the judgment
To the mad crowd; an eye for a……….!?
The crowd responded back to the King
In a feat of amok value;
For an eye you mighty Lapur son  ofTurkanai,
The stones, kicks, jabs began rainning
In volleys on an innocent Chapuchapu
Amid shouts that **** him, he came here to **** people
The way he killed a thousand fold in Rwanda.

The sopping female lover requested the king
That his people wait a bit before they continue
Then the king waved to the people to stop
Chapuchapu was on the ground writhing in pain
When the King asked the female lover what was the concern
She requested for pay from Chapuchapu not people to **** him
Chapuchapu accepted to pay whatever the price that will be put
Female lover asked for everything in hundreds;
Carmel, money, Birr, sheep, goats, donkeys, cows
Name them all they were in hundreds
Chapuchapu and his family were saying yes to every demand
And they rushed to bring whatever was said
The payments exhausted Chapuchapu back to square zero
The female lover carried everything away
The cadaver of her mother on her shoulder
She disappeared into the forest
and buried her mother there.

When she arrived home she found the male lover
He looked at her overnight change in fortune in stupefaction
He didn’t believe his eyes, it was a dream
Sweetheart, where have you gotten all these?
Questioned the male lover
Sweetie darling there is market for dead women
At Todanyang in the Turkana County of Kenya
I killed my sickly mother and carried her cadaver
As a trade ware to Todanyang
Whatever I have that you are looking at is the proceed,
Can my mother fetch the same? Asked the male lover
Of course yes, even more
Given the Africanness of your mother
African cadavers fetch more than the Jewish ones
At Todanyang market,
The male lover was now overtaken
By strong urge for quick riches
Was not seeing it getting evening
That day for him was as long as a whole century
He was anxious and restless more tired of a sickly mother
When evening fell he was already ready with the butcherer’s tools
He didn’t have nerves to wait till the wee of the night
As early as eleven in the evening he axed his mother’s head
Into two chunks of human skull spilling the brains in stark horror
Blood streaming like a rivulet all over the house
The male lover was nonchalant to all these
He was in the full feat of determination
To **** and sell his mother to  get the proceeds
With which he could foot the bills of valentine day.

He stuffed the headless blood soaked torso
Of his mothers cadaver in the sisal bag
He threw it to his bag
And began going to Todanyang
The market for human dead bodies
He went half running and half walking
With regular whistling of his favourite poem;
Ode to my Jewish lover
He reached Todanyang in the wee of the night
No human being was in sight
All people had gone as it was late in the night
He then slept in the open with dead body of his mother
Stuffed in the sisal bag beside him
Wandering night dogs regularly disturbed him
As they came to bite at smelling curdled blood
But he always scared them away.
As per the male lover he overslept till five in the morning
But when he woke up he unhesitatingly began to shout
Advertising his ware of trade in foolish version;
Am selling, the body of my mother, I have killed,
I killed her myself, it is still fresh, come and buy,
I will give you’re a bargain price,

When the morning came
People began crowding around him
As he kept on shouting his advertisement
Also Lapur the king came
He was surprised with the situation,
He asked the male lover to confirm
Whatever he was shouting
The male lover vehemently confirmed,
Then the law of an eye for an eye
Effortlessly took its course
Lapur  ordered his people, in a glorious royal decree
To stone the male lover to death
And bury him away without ceremony
Along with his mother in the sisal bag
In the wasted cemetery of villains
The same way Pablo Neruda
Had to bury his dead dog behind the house,

On hearing the tidings
About what had befallen her lover
The female lover had to send out a long giggle
Coming deep from her heart with maximum joy
She took over the estate of the male lover
Combined with hers,
All the animals and everything she took,
She made her son the manager
The son whom she immaculately conceived
Without any nuptial experience in the usual Jewish style
And their wealth multiplied to vastness
And hence toxic valentine gave birth to capitalism
Forth into the forest straightway
All alone walked Hiawatha
Proudly, with his bow and arrows,
And the birds sang round him, o’er him,
“Do not shoot us, Hiawatha!”
Sang the robin, the Opechee,
Sang the blue bird, the Owaissa,
“Do not shoot us, Hiawatha!”

Up the oak tree, close beside him,
Sprang the squirrel, Adjidaumo,
In and out among the branches,
Coughed and chattered from the oak tree,
Laughed, and said between his laughing,
“Do not shoot me, Hiawatha!”

And the rabbit from his pathway
Leaped aside, and at a distance
Sat ***** upon his haunches,
Half in fear and half in frolic,
Saying to the little hunter,
“Do not shoot me, Hiawatha!”

But he heeded not, nor heard them,
For his thoughts were with the red deer;
On their tracks his eyes were fastened,
Leading downward to the river,
To the ford across the river,
And as one in slumber walked he,

Hidden in the alder bushes.
There he waited till the deer came,
Till he saw two antlers lifted,
Saw two eyes look from the thicket,
Saw two nostrils point to windward,
And a deer came down the pathway,
Flecked with leafy light and shadow.
And his heart within him fluttered,
Trembled like the leaves above him,
Like the birch-leaf palpitated,
As the deer came down the pathway.

Then, upon one knee uprising,
Hiawatha aimed an arrow;
Scarce a twig moved with his motion,
Scarce a leaf was stirred or rustled,
But the wary roebuck started,
Stamped with all his hoofs together,
Listened with one foot uplifted,
Leaped as if to meet the arrow;
Ah! the singing, fatal arrow,
Like a wasp it buzzed and stung him!

Dead he lay there in the forest,
By the ford across the river;
Beat his timid heart no longer,
But the heart of Hiawatha
Throbbed and shouted and exulted,
As he bore the red deer homeward,
And Iagoo and Nokomis
Hailed his coming with applauses.

From the red deer’s hide Nokomis
Made a cloak for Hiawatha,
From the red deer’s flesh Nokomis
Made a banquet in his honor.
All the village came and feasted,
All the guests praised Hiawatha,
Called him Strong-heart, Soan-ge-taha!
Called him Loon-Heart, Mahn-go-taysee!
BOOK I

     Deep in the shady sadness of a vale
Far sunken from the healthy breath of morn,
Far from the fiery noon, and eve's one star,
Sat gray-hair'd Saturn, quiet as a stone,
Still as the silence round about his lair;
Forest on forest hung above his head
Like cloud on cloud. No stir of air was there,
Not so much life as on a summer's day
Robs not one light seed from the feather'd grass,
But where the dead leaf fell, there did it rest.
A stream went voiceless by, still deadened more
By reason of his fallen divinity
Spreading a shade: the Naiad 'mid her reeds
Press'd her cold finger closer to her lips.

     Along the margin-sand large foot-marks went,
No further than to where his feet had stray'd,
And slept there since.  Upon the sodden ground
His old right hand lay nerveless, listless, dead,
Unsceptred; and his realmless eyes were closed;
While his bow'd head seem'd list'ning to the Earth,
His ancient mother, for some comfort yet.

     It seem'd no force could wake him from his place;
But there came one, who with a kindred hand
Touch'd his wide shoulders, after bending low
With reverence, though to one who knew it not.
She was a Goddess of the infant world;
By her in stature the tall Amazon
Had stood a pigmy's height: she would have ta'en
Achilles by the hair and bent his neck;
Or with a finger stay'd Ixion's wheel.
Her face was large as that of Memphian sphinx,
Pedestal'd haply in a palace court,
When sages look'd to Egypt for their lore.
But oh! how unlike marble was that face:
How beautiful, if sorrow had not made
Sorrow more beautiful than Beauty's self.
There was a listening fear in her regard,
As if calamity had but begun;
As if the vanward clouds of evil days
Had spent their malice, and the sullen rear
Was with its stored thunder labouring up.
One hand she press'd upon that aching spot
Where beats the human heart, as if just there,
Though an immortal, she felt cruel pain:
The other upon Saturn's bended neck
She laid, and to the level of his ear
Leaning with parted lips, some words she spake
In solemn tenor and deep ***** tone:
Some mourning words, which in our feeble tongue
Would come in these like accents; O how frail
To that large utterance of the early Gods!
"Saturn, look up!---though wherefore, poor old King?
I have no comfort for thee, no not one:
I cannot say, 'O wherefore sleepest thou?'
For heaven is parted from thee, and the earth
Knows thee not, thus afflicted, for a God;
And ocean too, with all its solemn noise,
Has from thy sceptre pass'd; and all the air
Is emptied of thine hoary majesty.
Thy thunder, conscious of the new command,
Rumbles reluctant o'er our fallen house;
And thy sharp lightning in unpractised hands
Scorches and burns our once serene domain.
O aching time! O moments big as years!
All as ye pass swell out the monstrous truth,
And press it so upon our weary griefs
That unbelief has not a space to breathe.
Saturn, sleep on:---O thoughtless, why did I
Thus violate thy slumbrous solitude?
Why should I ope thy melancholy eyes?
Saturn, sleep on! while at thy feet I weep."

     As when, upon a tranced summer-night,
Those green-rob'd senators of mighty woods,
Tall oaks, branch-charmed by the earnest stars,
Dream, and so dream all night without a stir,
Save from one gradual solitary gust
Which comes upon the silence, and dies off,
As if the ebbing air had but one wave;
So came these words and went; the while in tears
She touch'd her fair large forehead to the ground,
Just where her fallen hair might be outspread
A soft and silken mat for Saturn's feet.
One moon, with alteration slow, had shed
Her silver seasons four upon the night,
And still these two were postured motionless,
Like natural sculpture in cathedral cavern;
The frozen God still couchant on the earth,
And the sad Goddess weeping at his feet:
Until at length old Saturn lifted up
His faded eyes, and saw his kingdom gone,
And all the gloom and sorrow ofthe place,
And that fair kneeling Goddess; and then spake,
As with a palsied tongue, and while his beard
Shook horrid with such aspen-malady:
"O tender spouse of gold Hyperion,
Thea, I feel thee ere I see thy face;
Look up, and let me see our doom in it;
Look up, and tell me if this feeble shape
Is Saturn's; tell me, if thou hear'st the voice
Of Saturn; tell me, if this wrinkling brow,
Naked and bare of its great diadem,
Peers like the front of Saturn? Who had power
To make me desolate? Whence came the strength?
How was it nurtur'd to such bursting forth,
While Fate seem'd strangled in my nervous grasp?
But it is so; and I am smother'd up,
And buried from all godlike exercise
Of influence benign on planets pale,
Of admonitions to the winds and seas,
Of peaceful sway above man's harvesting,
And all those acts which Deity supreme
Doth ease its heart of love in.---I am gone
Away from my own *****: I have left
My strong identity, my real self,
Somewhere between the throne, and where I sit
Here on this spot of earth. Search, Thea, search!
Open thine eyes eterne, and sphere them round
Upon all space: space starr'd, and lorn of light;
Space region'd with life-air; and barren void;
Spaces of fire, and all the yawn of hell.---
Search, Thea, search! and tell me, if thou seest
A certain shape or shadow, making way
With wings or chariot fierce to repossess
A heaven he lost erewhile: it must---it must
Be of ripe progress---Saturn must be King.
Yes, there must be a golden victory;
There must be Gods thrown down, and trumpets blown
Of triumph calm, and hymns of festival
Upon the gold clouds metropolitan,
Voices of soft proclaim, and silver stir
Of strings in hollow shells; and there shall be
Beautiful things made new, for the surprise
Of the sky-children; I will give command:
Thea! Thea! Thea! where is Saturn?"
This passion lifted him upon his feet,
And made his hands to struggle in the air,
His Druid locks to shake and ooze with sweat,
His eyes to fever out, his voice to cease.
He stood, and heard not Thea's sobbing deep;
A little time, and then again he ******'d
Utterance thus.---"But cannot I create?
Cannot I form? Cannot I fashion forth
Another world, another universe,
To overbear and crumble this to nought?
Where is another Chaos? Where?"---That word
Found way unto Olympus, and made quake
The rebel three.---Thea was startled up,
And in her bearing was a sort of hope,
As thus she quick-voic'd spake, yet full of awe.

     "This cheers our fallen house: come to our friends,
O Saturn! come away, and give them heart;
I know the covert, for thence came I hither."
Thus brief; then with beseeching eyes she went
With backward footing through the shade a space:
He follow'd, and she turn'd to lead the way
Through aged boughs, that yielded like the mist
Which eagles cleave upmounting from their nest.

     Meanwhile in other realms big tears were shed,
More sorrow like to this, and such like woe,
Too huge for mortal tongue or pen of scribe:
The Titans fierce, self-hid, or prison-bound,
Groan'd for the old allegiance once more,
And listen'd in sharp pain for Saturn's voice.
But one of the whole mammoth-brood still kept
His sov'reigny, and rule, and majesy;---
Blazing Hyperion on his orbed fire
Still sat, still *****'d the incense, teeming up
From man to the sun's God: yet unsecure:
For as among us mortals omens drear
Fright and perplex, so also shuddered he---
Not at dog's howl, or gloom-bird's hated screech,
Or the familiar visiting of one
Upon the first toll of his passing-bell,
Or prophesyings of the midnight lamp;
But horrors, portion'd to a giant nerve,
Oft made Hyperion ache.  His palace bright,
Bastion'd with pyramids of glowing gold,
And touch'd with shade of bronzed obelisks,
Glar'd a blood-red through all its thousand courts,
Arches, and domes, and fiery galleries;
And all its curtains of Aurorian clouds
Flush'd angerly: while sometimes eagles' wings,
Unseen before by Gods or wondering men,
Darken'd the place; and neighing steeds were heard
Not heard before by Gods or wondering men.
Also, when he would taste the spicy wreaths
Of incense, breath'd aloft from sacred hills,
Instead of sweets, his ample palate took
Savor of poisonous brass and metal sick:
And so, when harbor'd in the sleepy west,
After the full completion of fair day,---
For rest divine upon exalted couch,
And slumber in the arms of melody,
He pac'd away the pleasant hours of ease
With stride colossal, on from hall to hall;
While far within each aisle and deep recess,
His winged minions in close clusters stood,
Amaz'd and full offear; like anxious men
Who on wide plains gather in panting troops,
When earthquakes jar their battlements and towers.
Even now, while Saturn, rous'd from icy trance,
Went step for step with Thea through the woods,
Hyperion, leaving twilight in the rear,
Came ***** upon the threshold of the west;
Then, as was wont, his palace-door flew ope
In smoothest silence, save what solemn tubes,
Blown by the serious Zephyrs, gave of sweet
And wandering sounds, slow-breathed melodies;
And like a rose in vermeil tint and shape,
In fragrance soft, and coolness to the eye,
That inlet to severe magnificence
Stood full blown, for the God to enter in.

     He enter'd, but he enter'd full of wrath;
His flaming robes stream'd out beyond his heels,
And gave a roar, as if of earthly fire,
That scar'd away the meek ethereal Hours
And made their dove-wings tremble. On he flared
From stately nave to nave, from vault to vault,
Through bowers of fragrant and enwreathed light,
And diamond-paved lustrous long arcades,
Until he reach'd the great main cupola;
There standing fierce beneath, he stampt his foot,
And from the basements deep to the high towers
Jarr'd his own golden region; and before
The quavering thunder thereupon had ceas'd,
His voice leapt out, despite of godlike curb,
To this result: "O dreams of day and night!
O monstrous forms! O effigies of pain!
O spectres busy in a cold, cold gloom!
O lank-eared phantoms of black-weeded pools!
Why do I know ye? why have I seen ye? why
Is my eternal essence thus distraught
To see and to behold these horrors new?
Saturn is fallen, am I too to fall?
Am I to leave this haven of my rest,
This cradle of my glory, this soft clime,
This calm luxuriance of blissful light,
These crystalline pavilions, and pure fanes,
Of all my lucent empire?  It is left
Deserted, void, nor any haunt of mine.
The blaze, the splendor, and the symmetry,
I cannot see but darkness, death, and darkness.
Even here, into my centre of repose,
The shady visions come to domineer,
Insult, and blind, and stifle up my pomp.---
Fall!---No, by Tellus and her briny robes!
Over the fiery frontier of my realms
I will advance a terrible right arm
Shall scare that infant thunderer, rebel Jove,
And bid old Saturn take his throne again."---
He spake, and ceas'd, the while a heavier threat
Held struggle with his throat but came not forth;
For as in theatres of crowded men
Hubbub increases more they call out "Hush!"
So at Hyperion's words the phantoms pale
Bestirr'd themselves, thrice horrible and cold;
And from the mirror'd level where he stood
A mist arose, as from a scummy marsh.
At this, through all his bulk an agony
Crept gradual, from the feet unto the crown,
Like a lithe serpent vast and muscular
Making slow way, with head and neck convuls'd
From over-strained might.  Releas'd, he fled
To the eastern gates, and full six dewy hours
Before the dawn in season due should blush,
He breath'd fierce breath against the sleepy portals,
Clear'd them of heavy vapours, burst them wide
Suddenly on the ocean's chilly streams.
The planet orb of fire, whereon he rode
Each day from east to west the heavens through,
Spun round in sable curtaining of clouds;
Not therefore veiled quite, blindfold, and hid,
But ever and anon the glancing spheres,
Circles, and arcs, and broad-belting colure,
Glow'd through, and wrought upon the muffling dark
Sweet-shaped lightnings from the nadir deep
Up to the zenith,---hieroglyphics old,
Which sages and keen-eyed astrologers
Then living on the earth, with laboring thought
Won from the gaze of many centuries:
Now lost, save what we find on remnants huge
Of stone, or rnarble swart; their import gone,
Their wisdom long since fled.---Two wings this orb
Possess'd for glory, two fair argent wings,
Ever exalted at the God's approach:
And now, from forth the gloom their plumes immense
Rose, one by one, till all outspreaded were;
While still the dazzling globe maintain'd eclipse,
Awaiting for Hyperion's command.
Fain would he have commanded, fain took throne
And bid the day begin, if but for change.
He might not:---No, though a primeval God:
The sacred seasons might not be disturb'd.
Therefore the operations of the dawn
Stay'd in their birth, even as here 'tis told.
Those silver wings expanded sisterly,
Eager to sail their orb; the porches wide
Open'd upon the dusk demesnes of night
And the bright Titan, phrenzied with new woes,
Unus'd to bend, by hard compulsion bent
His spirit to the sorrow of the time;
And all along a dismal rack of clouds,
Upon the boundaries of day and night,
He stretch'd himself in grief and radiance faint.
There as he lay, the Heaven with its stars
Look'd down on him with pity, and the voice
Of Coelus, from the universal space,
Thus whisper'd low and solemn in his ear:
"O brightest of my children dear, earth-born
And sky-engendered, son of mysteries
All unrevealed even to the powers
Which met at thy creating; at whose joys
And palpitations sweet, and pleasures soft,
I, Coelus, wonder, how they came and whence;
And at the fruits thereof what shapes they be,
Distinct, and visible; symbols divine,
Manifestations of that beauteous life
Diffus'd unseen throughout eternal space:
Of these new-form'd art thou, O brightest child!
Of these, thy brethren and the Goddesses!
There is sad feud among ye, and rebellion
Of son against his sire.  I saw him fall,
I saw my first-born tumbled from his throne!
To me his arms were spread, to me his voice
Found way from forth the thunders round his head!
Pale wox I, and in vapours hid my face.
Art thou, too, near such doom? vague fear there is:
For I have seen my sons most unlike Gods.
Divine ye were created, and divine
In sad demeanour, solemn, undisturb'd,
Unruffled, like high Gods, ye liv'd and ruled:
Now I behold in you fear, hope, and wrath;
Actions of rage and passion; even as
I see them, on the mortal world beneath,
In men who die.---This is the grief, O son!
Sad sign of ruin, sudden dismay, and fall!
Yet do thou strive; as thou art capable,
As thou canst move about, an evident God;
And canst oppose to each malignant hour
Ethereal presence:---I am but a voice;
My life is but the life of winds and tides,
No more than winds and tides can I avail:---
But thou canst.---Be thou therefore in the van
Of circumstance; yea, seize the arrow's barb
Before the tense string murmur.---To the earth!
For there thou wilt find Saturn, and his woes.
Meantime I will keep watch on thy bright sun,
And of thy seasons be a careful nurse."---
Ere half this region-whisper had come down,
Hyperion arose, and on the stars
Lifted his curved lids, and kept them wide
Until it ceas'd; and still he kept them wide:
And still they were the same bright, patient stars.
Then with a slow incline of his broad breast,
Like to a diver in the pearly seas,
Forward he stoop'd over the airy shore,
And plung'd all noiseless into the deep night.

BOOK II

Just at the self-same beat of Time's wide wings
Hyperion slid into the rustled air,
And Saturn gain'd with Thea that sad place
Where Cybele and the bruised Titans mourn'd.
It was a den where no insulting light
Could glimmer on their tears; where their own groans
They felt, but heard not, for the solid roar
Of thunderous waterfalls and torrents hoarse,
Pouring a constant bulk, uncertain where.
Crag jutting forth to crag, and rocks that seem'd
Ever as if just rising from a sleep,
Forehead to forehead held their monstrous horns;
And thus in thousand hugest phantasies
Made a fit roofing to this nest of woe.
Instead of thrones, hard flint they sat upon,
Couches of rugged stone, and slaty ridge
Stubborn'd with iron.  All were not assembled:
Some chain'd in torture, and some wandering.
Caus, and Gyges, and Briareus,
Ty
Frisk Jan 2016
“Big change, huh? Bet you could take some awesome shots here, Max.”

Max nodded, only hearing the last part of Warren’s sentence. Truth was, she was distracted by how beautiful this place was. If Max stood at the end of the street, she could get a killer depth-of-field perceptive image by aiming towards the long and skinny winding roads being enveloped by the building’s shadows. San Diego seemed to flourish with art and photography culture, and great opportune shots to shoot photographs.

“Earth to Max.” That seemed to knock her out of her thoughts. *****, focus.
“Are you going to go swimming with me and Brooke?”

From the look on Brooke’s face, she was hoping to God that Max said no. Brooke is the relationship equivalent of a boa constrictor, and she wasn’t sure how this hasn’t dawned on Warren yet. “I’m not sure. Maybe. Let me unpack first.”

After Kate dropped out of going to San Diego Comic Con last second, Max was nearly going to join her when Warren practically begged her to come. Coming back to the present - equipped with her suitcase and messenger bag - Max lingered behind the couple by several feet. This was her way of trying to avoid the reminder that she was third-wheeling with a boy who used to have a very awkward crush on her and his salty girlfriend.

“I’m going to go down to the pool.” Warren said, sliding his key card into room #228, turning his head to face Max before opening the door. “Maximillian, are you sure you don’t want to join us?”

“Like I said, I’ll think about it.”

The moment the three of them walked in, Brooke and Warren beelined for the restroom with their bathing suits in hand. Once they came out, Warren had a blue and black plaid board short swimsuit on whereas Brooke came out with a highlighter-colored graffiti two piece.  “Alright, Mad Max. We’re out of this joint. Catch us at the pool if you need something or want to swim. If not, we’ll be back in an hour.”

Max waved them off, digging through her bag for that bathing suit. The crimson colored ruched one-piece vintage bathing suit sat abandoned at the bottom of her matching vermillion suitcase. Down below at the pool area, she could hear screaming and laughing and splashing of the pool water. Max got up from her suitcase, and opened the curtain enough to look out at the hotel pool. Several other people were down there, pushing the time limit very close to closing in an hour from now. Come on, Max, you’re really going to let your whole adventure be ruined by the usual high-strung Brooke?

**** it.

Max nabbed the swimsuit from the hidden corners of her suitcase, stripping herself down to pull the swimsuit onto her body. Once the swimsuit was on, she turned her waist feeling the soft fabric conform to her small but still vaguely prominent curves. Max can remember Mom always saying that she looked good in red, so she recommended a red one-piece since Max doesn't have the confidence to show her stomach to anyone.

Well, except her best friend Chloe. They used to take bubble baths together as toddlers so it used to be the most natural thing in the world to get dressed in the same room together. It must have been a better time, where there were no insecurities. Now Max has trouble calling her up without her finger freezing up as she attempts to type the very last digit of Chloe’s phone number into her phone.

As Max turned around in the mirror, she noticed how her lack of a rear end was a lot more distinguishable in red. Wowser, Max thought, this looks really good on me.

“Wowser.” Max said aloud to her reflection, and threw on a bathrobe.

It must have been ten minutes into Warren and Brooke swimming when Max opened up the pool gate, entering the vast perimeter of the pool area. There were significantly less people around the pool, where most of the people still inside the pool area were kids our age. “Max, you’re here!”  

This made two teenagers stop in their tracks as they were opening up the pool gate at the other end of the pool to leave. One of them whipped around so fast that it was a blur of blue hair.  “Wait…”

“Is that…Max Caulfield? It looks a lot like her.” Rachel asked to Chloe, who hung her jaw open in disbelief. No ******* way.

Furrowing her eyebrows, she watched Max drop the robe on a nearby chair. Like an awkward penguin, Chloe watched her best friend waddle up to the pool edge & cannonball into the waters below oblivious to the two girls standing at the gate watching her. “You’re going to wake up the neighbors and the owner of this hotel's parents forty miles away, Warren!”

“Do you want to go say hi to her?” Rachel asked Chloe.

As Chloe decided on actually going to surprise her, Max's friend said something that made Chloe change her mind in a split second.

“How would you know? Besides, you’ll eventually forgive me for that once you meet the entire cast of Star Trek tomorrow, Max.” Warren yelled at Max, and Chloe did a small grin as she turned away from her best friend, closing the gate on both of the girls.

“No. Guess the oblivious nerd is going to Comic Con too.“ Chloe took one last look at Max before going back inside the hotel with Rachel Amber at her tail. "Do you think she'll recognize me in cosplay?"

"Probably not. Unless I drop the bomb on you guys."

“Shhh. I don’t need you ruining my surprise party, *******.”

Max, Brooke, and Warren weren’t in the pool for long, since Warren bumped his head into the side of the pool while doing laps with Brooke. They had to get out, and put an ice pack on Warren’s sore bump on his head. “Now how am I going to cosplay the 11th Doctor? I need to gel my hair back, but I have this gargantuan bump on my head.”

“We’ll figure it out, sweetie.” Brooke said, and Max nearly gagged.

Max went back to the hotel room first, since being around Brooke made her want to strangle her.  This whole third-wheeling thing was annoying, and Max was regretting coming alone without Kate as her faithful chauffeur. Nonetheless, she wasn’t going to let that ruin her trip. She was here to have fun. And to take a bunch of photographs, of course.

The next morning around 4:00 am, Max was rudely awoken by Brooke who shoved her in her shoulder. “Get up, Max. We’re leaving in thirty minutes from now.”

Was that necessary? Max thought, crawling out of bed. From the bathroom, she could hear Warren fretting over the mammoth-sized bump on his head as both of them got dressed in their cosplay outfits. “Okay. That hurt a lot. Ow, ow, ow.”

“Oh, is there anything I can do to help?”

“Shut up, guys.”

Feeling slightly irritable from the loud ruckus Brooke and Warren were making in the other room Max rolled out of bed. She rustled through her suitcase for a pair of skinny jeans and a white t-shirt with the print of a doe on the front. Once she had her clothes, she stood up to walk into the restroom to change when she noticed the ending result of both of her companions.

Brooke’s multicolored dark hair was pulled down in waves framing the scarlet dress with a black belt fastened around her waist. As for Warren, his usually shaggy brown hair was gelled back for his cosplay. She had to admit, he looked handsome in his mahogany jacket, red bow-tie and matching suspenders, and the cotton collared button-up he wore underneath. For a cosplay of The Eleventh Doctor and Clara Oswald, it was quite impressive how close they looked like the actual characters of the TV show Doctor Who.

“Take a picture of us, Max!” Warren said in a chirpy voice.

“On it.”

Max pulled out her camera, and pointed it at the couple who held up peace signs together. Once the picture rolled out, the couple split apart to put on the finishing touches of their cosplay.  As for Max, all she had to do was throw on her clothes. There wasn’t a lot of work in dressing up like normal people. Besides, she’s never really been a fan of cosplay.

If you want to count dressing up as pirates with her best friend Chloe on Halloween five years ago cosplay, then yeah, Max has cosplayed several times before.

“Max, hurry your *** up. It looks like the amphitheater is getting crowded from here.” Warren yelled from outside the bathroom door towards Max, who sloppily tied her shoes.

As they exited out of the large double doors of the four star hotel, Warren and Brooke took the crosswalk, pointing out people cosplaying as characters from TV shows or video games. They were smiling and laughing, leaving Max to third-wheel again. Instead of lingering on it, Max put in her headphones and turned on Crosses by José González tuning them out.

“Where is the line?” Max asked Warren as they approached the crowded complex filled with restaurants on one side and the amphitheater on the other side. Tents were set up here, even.

“This is what I call natural selection. If you come prepared with prior knowledge on how this works, you can conquer this haphazard looking line.” Warren spread his arms out, motioning towards the crowd that was rapidly growing in size.

“Let’s go, Warren.”

“Wait!”

Like an octopus, Brooke latched onto Warren dragging him into the depths of the growing sea of people. After three painful hours of waiting, Max felt the crowd start to lighten up around her as excited but deafening chatter filled the air of the surrounding herd of people. Everyone was clamoring loudly, quickly rushing into the open doors with their San Diego Comic Con day pass thrown around their neck.

As soon as Max received hers, she eagerly threw her day pass around her neck. After buying a small breakfast sandwich from a booth, Max decided to start people watching. Some of the cosplays made her laugh like the Darth Vader cosplayer leading a conga line of faithful storm troopers, taking long confident strides.

Max took several photographs of several different cosplayers, ranging from Doctor Who, Scott Pilgrim vs The World, The X-Files, Breaking Bad, Undertale, Magic: The Gathering, and Family Guy. When it started getting crowded, she got up from her chair and entered the large archway into the convention center filled with colorful tents and cosplay galore.

Wielding her camera bag close to her waist, Max carefully maneuvered her way through the sea of people as she took a look at the booths. Suddenly, the throng of people became too much for Max. An elbow into Max's side pushed her into the left side of her waist, throwing her into a booth.

“Hey, are you alright?”

Max’s eyes glanced up towards a blue-haired girl cosplaying as Pris from Blade Runner, who had grabbed her waist. Something about her was actually kind of familiar, however, Max couldn’t tell. “You hit that table pretty hard.”

Max felt the warmth from her waist leave slowly. “This crowd is suffocating. I need a place to breathe around here. It’s too claustrophobic for my liking.”

“Are you alone or something? Because I could always use company in my tent. It gets hella boring inside this tent sometimes.”

“Do you say that to all of your customers?” Max asked, chuckling nervously at the blue-haired cosplayer’s comment.

“No.” She mumbled something under her breath that Max didn’t quite catch. “I mean – unless you’re uncomfortable with it. I’ve seen people faint multiple times from claustrophobia here.”

Since her head was bent down over a sketch she was doing in a journal, the only way Max could tell that the girl was blushing was by how red her ears had gotten. The realization that the girl became a nervous wreck all of a sudden after that comment had made Max’s day already.

“Maybe you’re right. I should just sit down. There’s no places to sit around here, though.”

The blue-haired girl patted the armrest of the empty fold-out chair behind the table. “This is Rachel’s chair, but Rachel is helping out with the convention rave for later. She’s on the committee or some ****.”

“Coworker?”

“And an annoyance at times.” Max went around the table, taking a seat in the chair the girl patted. It was itching at her brain that there is something about this girl that is so nostalgic.

Suddenly, a long brunette-haired girl billowed through the back curtains of the booth, where Max saw a tattoo chair in the back along with an extended table with clutter everywhere. “Chloe, do you have my phone? I really need it right now.”

Wait a second. “Chloe?”

“Great. Thanks a lot, Rachel. You ruined the element of surprise.”

"No ******* way!"

After Chloe handed the phone to Rachel, Max followed with her first impulse, throwing her arms around Chloe. Immediately, Chloe laughed as Max nuzzled her head into Chloe's shoulder blade. Max could feel the initial excitement pounding in her chest as Chloe tightened her grip on her as well. “Get a room, Chloe.”

“I will shove this combat boot so far up your *** –”

“Okay, I’m leaving. I need to call Frank and see when he was going to get here.” Rachel stated matter-of-factly, then added as she was leaving, “Hope you have a fun reunion.”

Once Chloe let go of Max, she held onto her arms staring into her face. “Wowser. This is crazy. You’re dressed as Pris from Blade Runner. That is definitely my ****.”

“I hope so. Someone asked me if I’m cosplaying Ramona Flowers from Scott Pilgrim vs. The World. Now I will accept that misunderstanding because Ramona Flowers is my woman crush.” Chloe glanced over at Max, changing the mood merely by narrowing her eyes at the brunette. “Alright, are you going to explain why you didn’t call or text me for five years?”

It was so sudden that Max suddenly felt inferior to Chloe. "I'm sorry. My parent's decision to suddenly move to Seattle wasn't my choice."

"That's not a good enough reason." Chloe attempted to change the tone of the mood lighter, since this wasn't exactly the place to discuss that. "So what's up with you? Living it up here in San Diego or something?"

"I - uh - moved back to Arcadia Bay. Two months ago."

"Without a phone call, telling me that you moved back." Chloe pressed her lips together, annoyed. "Nice one, Caulfield. That's just ******* peachy."

Max started to get a little irritated herself. "Look, I'm sorry. Can we just drop it?"

"I’m sorry, Max. I don’t want to be the ******* to ruin your day. In fact, this was the complete opposite impression I was going for. If you want to punch me for being such an annoying rat, go right on ahead.” Chloe pointed at the bicep of her left arm.

I shook my head – chuckling as Chloe kicked back her chair – propping her feet onto the table cluttered with various types of artwork. There was a dozen pieces of art here, but I noticed Chloe was really into abstract watercolor paintings. Mostly Chloe did sketches of characters from TV shows and video games and painted it in watercolor. One of the paintings in particular caught my eye.

Of course – like all of Chloe’s paintings – it was strikingly beautiful: In front of an obsidian background was a butterfly with eye-popping azure wings. One of the wings seemed to be slightly blurred to give more definition to the closest wing. “Wow, you’re a real artist.”

“I’m also a tattoo artist. If you want to get a tattoo, just hit your girl up. It’s on the house for you.” Chloe said, holding out her arm to show me. “Rachel helped me with both designs.”

Chloe had a beautiful sleeve on her arm and a tattoo on the top of her hand of a red chrysanthemum. Max traced the red ribbon detail on her arm tattoo with one finger, making Chloe shiver. “Dude, you can look, but you can’t touch the tats.”

“Sorry, it’s beautiful.”

“Hopefully it will still look beautiful when I look like the human equivalent of a raisin when I’m 80.” Chloe joked, holding out her arm in front of her face. “How about it, Max? Wanna get tatted up by your best friend Chloe? It might be a great experience for you, hippie. No gang related tattoos, though.”

“Yeah, because I’m totally a part of a gang.”

The smile that lit up Chloe’s face sent Max into a comatose state of delirium. Her eyes focused in on Chloe like a lens, taking shots in her head so she didn’t forget this moment with her best friend. For once, Max was having fun. “You’re still a ******* geek. That’s good news.”

“Always.”

Chloe shook her head before getting up. “Alright, so do you want a tattoo or not? This is your final offer, Max. Don’t let it go to waste.”

“I don’t know. You know I’m scared of needles.”

“Still?” Chloe grabbed Max’s shoulders. “Come o
Joey Zimmerman Dec 2010
Sitting by this creek
It’s 10 p.m. on a Wednesday
School night
Our 6-pack of Bud Lit being
twisted within the twigs
dying grass rustled beneath the feet of us
Two young eager friends

This is what we do with our memories
Take photos from mind drips
Paint it on paper
Made from the years
“Good Times” carved in my walls
Our walls

Now this ain’t some,
“I’m gonna miss you so much!”
“Please call when you can!”,
*******.
Man you’ll be in my head
In my dreams
We’ll go outside
Pick up my old ball glove
Dust off the smoke
Although I was never that good
Man this is what we did

Childhood friends
Roommates in college
You’ll be my neighbor when I’m 45
And my roommate again at Timber Ridge Retirement Home
I’m looking forward to
Harassing the nurses with you

You’re my friend dude
I do have lots of friends
But you’re only one I ask advice from
I swear if I ever murdered someone
I’d ask you to help me hide the body

Now let’s enjoy this
Count stars like high school gossip
There’s only one thing left to do
“Let’s destroy this beer”
Pennsylvania, 1948-1949

The garden of Nature opens.
The grass at the threshold is green.
And an almond tree begins to bloom.

Sunt mihi Dei Acherontis propitii!
Valeat numen triplex Jehovae!
Ignis, aeris, aquae, terrae spiritus,
Salvete!—says the entering guest.

Ariel lives in the palace of an apple tree,
But will not appear, vibrating like a wasp’s wing,
And Mephistopheles, disguised as an abbot
Of the Dominicans or the Franciscans,
Will not descend from a mulberry bush
Onto a pentagram drawn in the black loam of the path.


But a rhododendron walks among the rocks
Shod in leathery leaves and ringing a pink bell.
A hummingbird, a child’s top in the air,
Hovers in one spot, the beating heart of motion.
Impaled on the nail of a black thorn, a grasshopper
Leaks brown fluid from its twitching snout.
And what can he do, the phantom-in-chief,
As he’s been called, more than a magician,
The Socrates of snails, as he’s been called,
Musician of pears, arbiter of orioles, man?
In sculptures and canvases our individuality
Manages to survive. In Nature it perishes.
Let him accompany the coffin of the woodsman
Pushed from a cliff by a mountain demon,
The he-goat with its jutting curl of horn.
Let him visit the graveyard of the whalers
Who drove spears into the flesh of leviathan
And looked for the secret in guts and blubber.
The thrashing subsided, quieted to waves.
Let him unroll the textbooks of alchemists
Who almost found the cipher, thus the scepter.
Then passed away without hands, eyes, or elixir.


Here there is sun. And whoever, as a child,
Believed he could break the repeatable pattern
Of things, if only he understood the pattern,
Is cast down, rots in the skin of others,
Looks with wonder at the colors of the butterfly,
Inexpressible wonder, formless, hostile to art.


To keep the oars from squeaking in their locks,
He binds them with a handkerchief. The dark
Had rushed east from the Rocky Mountains
And settled in the forests of the continent:
Sky full of embers reflected in a cloud,
Flight of herons, trees above a marsh,
The dry stalks in water, livid, black. My boat
Divides the aerial utopias of the mosquitoes
Which rebuild their glowing castles instantly.
A water lily sinks, fizzing, under the boat’s bow.


Now it is night only. The water is ash-gray.
Play, music, but inaudibly! I wait an hour
In the silence, senses tuned to a ******’s lodge.
Then suddenly, a crease in the water, a beast’s
black moon, rounded, ploughing up quickly
from the pond-dark, from the bubbling methanes.
I am not immaterial and never will be.
My scent in the air, my animal smell,
Spreads, rainbow-like, scares the ******:
A sudden splat.
I remained where I was
In the high, soft coffer of the night’s velvet,
Mastering what had come to my senses:
How the four-toed paws worked, how the hair
Shook off water in the muddy tunnel.
It does not know time, hasn’t heard of death,
Is submitted to me because I know I’ll die.


I remember everything. That wedding in Basel,
A touch to the strings of a viola and fruit
In silver bowls. As was the custom in Savoy,
An overturned cup for three pairs of lips,
And the wine spilled. The flames of the candles
Wavery and frail in a breeze from the Rhine.
Her fingers, bones shining through the skin,
Felt out the hooks and clasps of the silk
And the dress opened like a nutshell,
Fell from the turned graininess of the belly.
A chain for the neck rustled without epoch,
In pits where the arms of various creeds
Mingle with bird cries and the red hair of caesars.


Perhaps this is only my own love speaking
Beyond the seventh river. Grit of subjectivity,
Obsession, bar the way to it.
Until a window shutter, dogs in the cold garden,
The whistle of a train, an owl in the firs
Are spared the distortions of memory.
And the grass says: how it was I don’t know.


Splash of a ****** in the American night.
The memory grows larger than my life.
A tin plate, dropped on the irregular red bricks
Of a floor, rattles tinnily forever.
Belinda of the big foot, Julia, Thaïs,
The tufts of their *** shadowed by ribbon.


Peace to the princesses under the tamarisks.
Desert winds beat against their painted eyelids.
Before the body was wrapped in bandelettes,
Before wheat fell asleep in the tomb,
Before stone fell silent, and there was only pity.


Yesterday a snake crossed the road at dusk.
Crushed by a tire, it writhed on the asphalt.
We are both the snake and the wheel.
There are two dimensions. Here is the unattainable
Truth of being, here, at the edge of lasting
and not lasting. Where the parallel lines intersect,
Time lifted above time by time.


Before the butterfly and its color, he, numb,
Formless, feels his fear, he, unattainable.
For what is a butterfly without Julia and Thaïs?
And what is Julia without a butterfly’s down
In her eyes, her hair, the smooth grain of her belly?
The kingdom, you say. We do not belong to it,
And still, in the same instant, we belong.
For how long will a nonsensical Poland
Where poets write of their emotions as if
They had a contract of limited liability
Suffice? I want not poetry, but a new diction,
Because only it might allow us to express
A new tenderness and save us from a law
That is not our law, from necessity
Which is not ours, even if we take its name.


From broken armor, from eyes stricken
By the command of time and taken back
Into the jurisdiction of mold and fermentation,
We draw our hope. Yes, to gather in an image
The furriness of the ******, the smell of rushes,
And the wrinkles of a hand holding a pitcher
From which wine trickles. Why cry out
That a sense of history destroys our substance
If it, precisely, is offered to our powers,
A muse of our gray-haired father, Herodotus,
As our arm and our instrument, though
It is not easy to use it, to strengthen it
So that, like a plumb with a pure gold center,
It will serve again to rescue human beings.


With such reflections I pushed a rowboat,
In the middle of the continent, through tangled stalks,
In my mind an image of the waves of two oceans
And the slow rocking of a guard-ship’s lantern.
Aware that at this moment I—and not only I—
Keep, as in a seed, the unnamed future.
And then a rhythmic appeal composed itself,
Alien to the moth with its whirring of silk:


O City, O Society, O Capital,
We have seen your steaming entrails.
You will no longer be what you have been.
Your songs no longer gratify our hearts.


Steel, cement, lime, law, ordinance,
We have worshipped you too long,
You were for us a goal and a defense,
Ours was your glory and your shame.


And where was the covenant broken?
Was it in the fires of war, the incandescent sky?
Or at twilight, as the towers fly past, when one looked
From the train across a desert of tracks

To a window out past the maneuvering locomotives
Where a girl examines her narrow, moody face
In a mirror and ties a ribbon to her hair
Pierced by the sparks of curling papers?


Those walls of yours are shadows of walls,
And your light disappeared forever.
Not the world's monument anymore, an oeuvre of your own
Stands beneath the sun in an altered space.


From stucco and mirrors, glass and paintings,
Tearing aside curtains of silver and cotton,
Comes man, naked and mortal,
Ready for truth, for speech, for wings.


Lament, Republic! Fall to your knees!
The loudspeaker’s spell is discontinued.
Listen! You can hear the clocks ticking.
Your death approaches by his hand.


An oar over my shoulder, I walked from the woods.
A porcupine scolded from the fork of a tree,
A horned owl, not changed by the century,
Not changed by place or time, looked down.
Bubo maximus, from the work of Linnaeus.


America for me has the pelt of a raccoon,
Its eyes are a raccoon’s black binoculars.
A chipmunk flickers in a litter of dry bark
Where ivy and vines tangle in the red soil
At the roots of an arcade of tulip trees.
America’s wings are the color of a cardinal,
Its beak is half-open and a mockingbird trills
From a leafy bush in the sweat-bath of the air.
Its line is the wavy body of a water moccasin
Crossing a river with a grass-like motion,
A rattlesnake, a rubble of dots and speckles,
Coiling under the bloom of a yucca plant.


America is for me the illustrated version
Of childhood tales about the heart of tanglewood,
Told in the evening to the spinning wheel’s hum.
And a violin, shivvying up a square dance,
Plays the fiddles of Lithuania or Flanders.
My dancing partner’s name is Birute Swenson.
She married a Swede, but was born in Kaunas.
Then from the night window a moth flies in
As big as the joined palms of the hands,
With a hue like the transparency of emeralds.


Why not establish a home in the neon heat
Of Nature? Is it not enough, the labor of autumn,
Of winter and spring and withering summer?
You will hear not one word spoken of the court
of Sigismund Augustus on the banks of the Delaware River.
The Dismissal of the Greek Envoys is not needed.
Herodotus will repose on his shelf, uncut.
And the rose only, a ****** symbol,
Symbol of love and superterrestrial beauty,
Will open a chasm deeper than your knowledge.
About it we find a song in a dream:


Inside the rose
Are houses of gold,
black isobars, streams of cold.
Dawn touches her finger to the edge of the Alps
And evening streams down to the bays of the sea.


If anyone dies inside the rose,
They carry him down the purple-red road
In a procession of clocks all wrapped in folds.
They light up the petals of grottoes with torches.
They bury him there where color begins,
At the source of the sighing,
Inside the rose.


Let names of months mean only what they mean.
Let the Aurora’s cannons be heard in none
Of them, or the tread of young rebels marching.
We might, at best, keep some kind of souvenir,
Preserved like a fan in a garret. Why not
Sit down at a rough country table and compose
An ode in the old manner, as in the old times
Chasing a beetle with the nib of our pen?
“Give me of your bark, O Birch-Tree!
Of your yellow bark, O Birch-Tree!
Growing by the rushing river,
Tall and stately in the valley!
I a light canoe will build me,
Build a swift Cheemaun for sailing,
That shall float upon the river,
Like a yellow leaf in Autumn,
Like a yellow water-lily!

“Lay aside your cloak, O Birch-Tree!
Lay aside your white-skin wrapper,
For the Summer-time is coming,
And the sun is warm in heaven,
And you need no white-skin wrapper!”

Thus aloud cried Hiawatha
In the solitary forest,
By the rushing Taquamenaw,
When the birds were singing gayly,
In the Moon of Leaves were singing,
And the sun, from sleep awaking,
Started up and said, “Behold me!
Gheezis, the great Sun, behold me!”

And the tree with all its branches
Rustled in the breeze of morning,
Saying, with a sigh of patience,
“Take my cloak, O Hiawatha!”

With his knife the tree he girdled;
Just beneath its lowest branches,
Just above the roots, he cut it,
Till the sap came oozing outward:
Down the trunk, from top to bottom,
Sheer he cleft the bark asunder,
With a wooden wedge he raised it,
Stripped it from the trunk unbroken.

“Give me of your boughs, O Cedar!
Of your strong and pliant branches,
My canoe to make more steady,
Make more strong and firm beneath me!”

Through the summit of the Cedar
Went a sound, a cry of horror,
Went a murmur of resistance;
But it whispered, bending downward,
“Take my boughs, O Hiawatha!”

Down he hewed the boughs of cedar,
Shaped them straightway to a framework,
Like two bows he formed and shaped them,
Like two bended bows together.

“Give me of your roots, O Tamarack!
Of your fibrous roots, O Larch-Tree!
My canoe to bind together.
So to bind the ends together,
That the water may not enter,
That the river may not wet me!”

And the Larch, with all its fibres,
Shivered in the air of morning,
Touched his forehead with its tassels,
Said, with one long sigh of sorrow,
“Take them all, O Hiawatha!”

From the earth he tore the fibres,
Tore the tough roots of the Larch-Tree,
Closely sewed the bark together,
Bound it closely to the framework.

“Give me of your balm, O Fir-Tree!
Of your balsam and your resin,
So to close the seams together
That the water may not enter,
That the river may not wet me!”

And the Fir-Tree, tall and sombre,
Sobbed through all its robes of darkness,
Rattled like a shore with pebbles,
Answered wailing, answered weeping,
“Take my balm, O Hiawatha!”

And he took the tears of balsam,
Took the resin of the Fir-Tree,
Smeared therewith each seam and fissure,
Made each crevice safe from water.

“Give me of your quills, O Hedgehog!
All your quills, O Kagh, the Hedgehog!
I will make a necklace of them,
Make a girdle for my beauty,
And two stars to deck her *****!”

From a hollow tree the Hedgehog
With his sleepy eyes looked at him,
Shot his shining quills, like arrows,
Saying, with a drowsy murmur,
Through the tangle of his whiskers,
“Take my quills, O Hiawatha!”

From the ground the quills he gathered,
All the little shining arrows,
Stained them red and blue and yellow,
With the juice of roots and berries;
Into his canoe he wrought them,
Round its waist a shining girdle,
Round its bow a gleaming necklace,
On its breast two stars resplendent.

Thus the Birch Canoe was builded
In the valley, by the river,
In the ***** of the forest;
And the forest’s life was in it,
All its mystery and its magic,
All the lightness of the birch-tree,
All the toughness of the cedar,
All the larch’s supple sinews;
And it floated on the river
Like a yellow leaf in Autumn,
Like a yellow water-lily.

Paddles none had Hiawatha,
Paddles none he had or needed,
For his thoughts as paddles served him,
And his wishes served to guide him;
Swift or slow at will he glided,
Veered to right or left at pleasure.

Then he called aloud to Kwasind,
To his friend, the strong man, Kwasind,
Saying, “Help me clear this river
Of its sunken logs and sand-bars.”

Straight into the river Kwasind
Plunged as if he were an otter,
Dived as if he were a ******,
Stood up to his waist in water,
To his arm-pits in the river,
Swam and shouted in the river,
Tugged at sunken logs and branches,
With his hands he scooped the sand-bars,
With his feet the ooze and tangle.

And thus sailed my Hiawatha
Down the rushing Taquamenaw,
Sailed through all its bends and windings,
Sailed through all its deeps and shallows,
While his friend, the strong man, Kwasind,
Swam the deeps, the shallows waded.

Up and down the river went they,
In and out among its islands,
Cleared its bed of root and sand-bar,
Dragged the dead trees from its channel,
Made its passage safe and certain
Made a pathway for the people,
From its springs among the mountains,
To the water of Pauwating,
To the bay of Taquamenaw.
David Beltran May 2011
It must be buried under the skin,
what makes your body tremble.
What makes your taste consistent,
just here for me to use.

You came on bended broken knees,
spread on top of a rustled bed.
You left with empty breaths,
blushing sweat, and blends of regret.

Your smile speaks so well of you,
but your dignity hides it under covers.
With a twinkle in your eye,
and a flicker of your smile.
Gave me battered pleas,
just to have you pleased.

Crude interpretation of sounds and breaths,
Legs loose with a rug dress.
Working record rhythms of nervous lips,
heavy syllables swaying off those hips.

Your hands and wrists like chords,
pressed around my skull and neck,
mangling hair and skin with defect.
And that?
That is the steadfast scar I have,
from loving you.
Although love doesn't pass through here anymore.
Comment & Critique please.
CH Gorrie Jul 2013
Have you heard of the
gardens clandestines grow?

The neighbors have, although
until today the gardens were usual, not a
pastime no one would seriously guess.
The flowers are conceptual homonyms
bordered by Boxwood africans
no breadwinning cardinal would bless
with its roost.
                         Grass beneath a golden ninebark
is slightly depressed where some pistol was.
For the past few years the neighbors have wondered daily What the hell is it this guy does?
What, with him always vaguely mumbling "...lots of business trips." It's dark
now, blood spatter coagulates on the picket fence.
                                                          ­                               Four tire streaks on the road,
the responding policemen kept it hushed, speaking in code
to disembodied voices on a radio. Not much more than a glance
and shrug at the neighbors' concerned inquiries.
One consensus formed: he was deep
in consequences from promises he couldn't keep.
This was speculative, of course.
                                                         The palm trees
rustled above their heads. "Maybe he was a clandestine,"
one of the neighbors remarked
as another dismissively barked,
"Ridiculous! He kept a garden!"
1
Who will honor the city without a name
If so many are dead and others pan gold
Or sell arms in faraway countries?


What shepherd's horn swathed in the bark of birch
Will sound in the Ponary Hills the memory of the absent—
Vagabonds, Pathfinders, brethren of a dissolved lodge?


This spring, in a desert, beyond a campsite flagpole,
—In silence that stretched to the solid rock of yellow and red mountains—
I heard in a gray bush the buzzing of wild bees.


The current carried an echo and the timber of rafts.
A man in a visored cap and a woman in a kerchief
Pushed hard with their four hands at a heavy steering oar.


In the library, below a tower painted with the signs of the zodiac,
Kontrym would take a whiff from his snuffbox and smile
For despite Metternich all was not yet lost.


And on crooked lanes down the middle of a sandy highway
Jewish carts went their way while a black grouse hooted
Standing on a cuirassier's helmet, a relict of La Grande Armée.


2
In Death Valley I thought about styles of hairdo,
About a hand that shifted spotlights at the Student's Ball
In the city from which no voice could reach me.
Minerals did not sound the last trumpet.
There was only the rustle of a loosened grain of lava.


In Death Valley salt gleams from a dried-up lake bed.
Defend, defend yourself, says the tick-tock of the blood.
From the futility of solid rock, no wisdom.


In Death Valley no hawk or eagle against the sky.
The prediction of a Gypsy woman has come true.
In a lane under an arcade, then, I was reading a poem
Of someone who had lived next door, entitled 'An Hour of Thought.'


I looked long at the rearview mirror: there, the one man
Within three miles, an Indian, was walking a bicycle uphill.


3
With flutes, with torches
And a drum, boom, boom,
Look, the one who died in Istanbul, there, in the first row.
He walks arm in arm with his young lady,
And over them swallows fly.


They carry oars or staffs garlanded with leaves
And bunches of flowers from the shores of the Green Lakes,
As they came closer and closer, down Castle Street.
And then suddenly nothing, only a white puff of cloud
Over the Humanities Student Club,
Division of Creative Writing.


4
Books, we have written a whole library of them.
Lands, we have visited a great many of them.
Battles, we have lost a number of them.
Till we are no more, we and our Maryla.


5
Understanding and pity,
We value them highly.
What else?


Beauty and kisses,
Fame and its prizes,
Who cares?


Doctors and lawyers,
Well-turned-out majors,
Six feet of earth.


Rings, furs, and lashes,
Glances at Masses,
Rest in peace.


Sweet twin *******, good night.
Sleep through to the light,
Without spiders.


6
The sun goes down above the Zealous Lithuanian Lodge
And kindles fire on landscapes 'made from nature':
The Wilia winding among pines; black honey of the Żejmiana;
The Mereczanka washes berries near the Żegaryno village.
The valets had already brought in Theban candelabra
And pulled curtains, one after the other, slowly,
While, thinking I entered first, taking off my gloves,
I saw that all the eyes were fixed on me.


7
When I got rid of grieving
And the glory I was seeking,
Which I had no business doing,


I was carried by dragons
Over countries, bays, and mountains,
By fate, or by what happens.


Oh yes, I wanted to be me.
I toasted mirrors weepily
And learned my own stupidity.


From nails, mucous membrane,
Lungs, liver, bowels, and spleen
Whose house is made? Mine.


So what else is new?
I am not my own friend.
Time cuts me in two.


Monuments covered with snow,
Accept my gift. I wandered;
And where, I don't know.


8
Absent, burning, acrid, salty, sharp.
Thus the feast of Insubstantiality.
Under a gathering of clouds anywhere.
In a bay, on a plateau, in a dry arroyo.
No density. No harness of stone.
Even the Summa thins into straw and smoke.
And the angelic choirs fly over in a pomegranate seed
Sounding every few instants, not for us, their trumpets.


9
Light, universal, and yet it keeps changing.
For I love the light too, perhaps the light only.
Yet what is too dazzling and too high is not for me.
So when the clouds turn rosy, I think of light that is level
In the lands of birch and pine coated with crispy lichen,
Late in autumn, under the hoarfrost when the last milk caps
Rot under the firs and the hounds' barking echoes,
And jackdaws wheel over the tower of a Basilian church.


10
Unexpressed, untold.
But how?
The shortness of life,
the years quicker and quicker,
not remembering whether it happened in this or that autumn.
Retinues of homespun velveteen skirts,
giggles above a railing, pigtails askew,
sittings on chamberpots upstairs
when the sledge jingles under the columns of the porch
just before the moustachioed ones in wolf fur enter.
Female humanity,
children's snots, legs spread apart,
snarled hair, the milk boiling over,
stench, **** frozen into clods.
And those centuries,
conceiving in the herring smell of the middle of the night
instead of playing something like a game of chess
or dancing an intellectual ballet.
And palisades,
and pregnant sheep,
and pigs, fast eaters and poor eaters,
and cows cured by incantations.


11
Not the Last Judgment, just a kermess by a river.
Small whistles, clay chickens, candied hearts.
So we trudged through the slush of melting snow
To buy bagels from the district of Smorgonie.


A fortune-teller hawking: 'Your destiny, your planets.'
And a toy devil bobbing in a tube of crimson brine.
Another, a rubber one, expired in the air squeaking,
By the stand where you bought stories of King Otto and Melusine.


12
Why should that city, defenseless and pure as the wedding necklace of
a forgotten tribe, keep offering itself to me?
Like blue and red-brown seeds beaded in Tuzigoot in the copper desert
seven centuries ago.


Where ocher rubbed into stone still waits for the brow and cheekbone
it would adorn, though for all that time there has been no one.


What evil in me, what pity has made me deserve this offering?


It stands before me, ready, not even the smoke from one chimney is
lacking, not one echo, when I step across the rivers that separate us.


Perhaps Anna and Dora Drużyno have called to me, three hundred miles
inside Arizona, because except fo me no one else knows that they ever
lived.


They trot before me on Embankment Street, two hently born parakeets
from Samogitia, and at night they unravel their spinster tresses of gray
hair.


Here there is no earlier and no later; the seasons of the year and of the
day are simultaneous.


At dawn ****-wagons leave town in long rows and municipal employees
at the gate collect the turnpike toll in leather bags.


Rattling their wheels, 'Courier' and 'Speedy' move against the current
to Werki, and an oarsman shot down over England skiffs past, spread-
eagled by his oars.


At St. Peter and Paul's the angels lower their thick eyelids in a smile
over a nun who has indecent thoughts.


Bearded, in a wig, Mrs. Sora Klok sits at the ocunter, instructing her
twelve shopgirls.


And all of German Street tosses into the air unfurled bolts of fabric,
preparing itself for death and the conquest of Jerusalem.


Black and princely, an underground river knocks at cellars of the
cathedral under the tomb of St. Casimir the Young and under the
half-charred oak logs in the hearth.


Carrying her servant's-basket on her shoulder, Barbara, dressed in
mourning, returns from the Lithuanian Mass at St. Nicholas to the
Romers' house in Bakszta Street.


How it glitters! the snow on Three Crosses Hill and Bekiesz Hill, not
to be melted by the breath of these brief lives.


And what do I know now, when I turn into Arsenal Street and open
my eyes once more on a useless end of the world?


I was running, as the silks rustled, through room after room without
stopping, for I believed in the existence of a last door.


But the shape of lips and an apple and a flower pinned to a dress were
all that one was permitted to know and take away.


The Earth, neither compassionate nor evil, neither beautiful nor atro-
cious, persisted, innocent, open to pain and desire.


And the gift was useless, if, later on, in the flarings of distant nights,
there was not less bitterness but more.


If I cannot so exhaust my life and their life that the bygone crying is
transformed, at last, into harmony.


Like a Noble Jan Dęboróg in the Straszun's secondhand-book shop, I am
put to rest forever between tow familiar names.


The castle tower above the leafy tumulus grows small and there is still
a hardly audible—is it Mozart's Requiem?—music.


In the immobile light I move my lips and perhaps I am even glad not
to find the desired word.
Mitchell Apr 2014
Carrie walked down to Fell street through the park. He leaned upon his faithful cane which was split, splintered, and water logged from being left out on the back porch in the rain where he sat every night before bed. His free arm swung by his side, his hand spread wide open, letting the sun warm his palm. His other arm was constricted with his muscles tight as his hand gripped the polished wooden ball handle. Carrie's skin seemed to envelop the ball there was so much of it. The cane and Carrie were one whenever they walked together.
He passed the Japanese Tea Gardens. He had been there many times. He remembered the strong taste of the green tea he had been served and how energized he felt after his third cup. He remembered the sturdy wooden table and chair he sat on while over looking the crystal clear koi ponds, the seaweed underneath the water reaching up to the sun for nutrients like the hands of the long dead. He remembered how the children had gathered near the water as mothers watched them feed the fish food they were not to be fed, anxiety cramping their smooth skin as they watched to make sure they didn't slip in. The waitresses were all so gentle, so quiet, caring for whatever Carrie had wanted. In that solitary moment, he had felt like a newly appointed king, the 5 acres of garden his domain.
The gates were closed for the day, with many frowning tourists sitting on the steps that lead inside. Carrie figured they had been confused by the times but yearned to tell them if they stood on the street, they could still see the ancient replicas the blood red pagodas, stone lanterns, bamboo stalks, and cherry blossom trees which were just beginning to bloom. There was so much one could see from the street. But, Carrie trudged past them, figuring they would not understand an old man trying to show them beauty from afar.
A long line of benches stood before Carrie after he passed the garden. He sat down next to a young, Chinese couple. They both held a map and were looking at it upside down and sideways. Carried smiled. They were speaking rapidly, laughing sporadically, turning the map around and around in a circle as if they were both at the helm of a sinking ship. He wondered what they were so confused about - had they never read a map before? But then, he realized, they were probably on vacation and in love, maybe even on their honeymoon. He laughed, thinking, They're confused about everything.
A few minutes passed and soon the young couple was gone. Carrie sat with the cane between his legs, both of his hands drooped over the handle. In front of him, like a painting, were London plane and Scotch elm trees lined up in symmetrical rows and the Rideout Fountain. Carrie could see the water was still except for when a light breeze brushed over the water or a child threw a hand full of coins in to make a wish. Their hair reflected the bright rays of the sun. The sky was empty, save a few scattered flying birds going to where Carrie knew not where.
He closed his eyes and listened only to the sounds around him: tires rolling along the smooth concrete road; people chattering behind and in front of him; a door closing; the rustling of leaves from a sharp gust of wind; a car horn; a sneeze; two lovers embracing, their kisses sounding like the steps of kitten paws in the sand. Carrie opened his eyes and cast his gaze aside to the left. There was another old man. His back was bent, his cane was worn, and his legs wobbled with every step, much like Carrie's. The man was alone and dressed in a heavy grey sweater, a pair of beige trousers, and simple brown shoes. Carrie wondered where this man was going and at such slow pace. Why was he alone? Who had he been with before? Where was he coming from?
Carrie then realized he was leaning so far forward from the bench, he almost fell off. He ****** his cane out, catching himself, and pushed himself back. He looked around to see if anyone had noticed his mistake. Twenty or so asian people were crowded like sardines inside of the bus stop terminal. They all looked to be avoiding the sun, uninterested in whatever Carrie looked to be doing. The 44 roared by, stopped in front of the crowd, where they all laughed, giggled, and preceded to jumble in. Carrie looked over his shoulder, sure someone was right there keen to make a comment, but there was no one. He sighed, relieved. Being old and falling down with no way to get yourself back up was one of Carrie's biggest fears. The other, of course, was spiders.
Once Carrie reorientated himself, he looked up to see where the other old man was. He was gone. Carrie stood up, his knees shaking slightly. He jammed his cane down to steady himself and took a step forward. His eyes strained from the sun, which was beating down on him now, hotter than it was before. He took a slow step forward, then another, and then another. Once he got in the rhythm, his mind didn't have to focus on it as much. He could let it wander to wherever it wanted to. Sometimes, he let it wander to death, sometimes to past lovers, and sometimes to his late wife, Patty, but never very long on her.
He stopped to catch his breath and wipe his brown. Next to him stood a dark lime green statue of a lion. It was miniature and sun stained. The teeth were dull and the eyes were blank. It was very beautiful and Henry realized he had never seen a lion in the wild, only at the zoo. He wondered if they were any different out in Africa or wherever they were the most and if they roared the same. The one's he had seen at the zoo were sluggish and lazy; almost depressed. He could see why, being cooped in there all day long with only your wife to talk to.
"That wouldn't be so bad," thought Carrie, "To be trapped in a cage with the one you love. That's marriage, isn't it? Isn't that love?"
A cough startled him out of his meandering, love provoked thought. Sitting on a bench across the street where the apple cider press statue stood, was the old man Carrie had seen before. He was hunched over, fishing something out of his bag. Carrie wavered back and forth, watching the old man. A noise rustled behind him and Carrie slowly turned his head to see what it was. Two children were running around the fountain, splashing water at one another.
"Nothing to speak of," grumbled Carrie, "Wasting water all the same."
Carrie turned back around and saw that the man had pulled out a shiny, red and green apple. The man bit into it slowly, taking his time as he broke the outer skin of the apple so the juices spurt into his mouth. Carrie's stomach rumbled when a hard gust of wind hit his back, forcing him to step forward. He put out his cane and felt the peg slide and grind over the rough concrete. A man behind him reached out to help, but Carrie waved him away, mumbling that he was fine and that he didn't need any help. The man on the bench hadn't paid him any notice. The apple in front of him was all he needed. Carrie walked to the other side of  apple cider statue opposite the man and sat down roughly, for the man looked up from his apple a little wide eyed and a little annoyed. Carrie smiled awkwardly at him, but it came out more like a frown. The man relaxed his face, slowly letting it become blank while a line of apple juice rolled down over his lip. He licked it up, coughed, and went back to studying the intricacies of the half-eaten apple.
The mans face, Carrie saw, was *** marked and dented, like a car that had just been through the worst of accidents. His eyes were barely visible behind what seemed like hundreds and hundreds of creases, wrinkles, chicken's feet. The man's bulbous nose was an obvious sign that he was or had been a serious drinker. It was swollen and red, drooping from the mans face like a glob of honey that just wouldn't fall. The lips were creases of an old pair of jeans that had been left out in the sun. Though Carrie couldn't see his hair because the man wore a large, dapper styled hat on his head, he wouldn't doubt there wasn't much of anything under there. The old man was anything but beautiful, but Carrie, who had been staring at the man out of the corners of his eyes while pretending to look at the apple cider statue, could not look away. He was utterly fascinated with how the man held himself. Why was he so ****** interested that apple? Had he never seen one before? Carrie then thought the man was homeless, so he must be crazy, but when he had walked over before, Carrie hadn't smelled the usual musty musk that homeless people give off. He had smelled like nothing, usually meaning he slept in a bed and showered regularly. Then, in the midst of Carrie staring at the man's unbelievably shiny brown loafer, he said something.
"What you looking at there?" asked the man. He was hiding his ragged face behind the apple. A few pieces fell to the ground below. Carrie could see the bite marks were mere nibbles, like a rabbit had been eating it.
"Hm...I...uh," stammered Carrie. He looked up into the sky, trying to spot a bird to hide where his gaze truly had been, then looked down at the ground. There was a tiny pebble that resembled a hermit crab. He focused on that until the man asked the same question again.
"Were you staring at me, my friend?"
My friend, Carrie thought, He thinks I'm his friend? How on Earth did we get to there? I barely know him. I'll say something. He paused. Well, say something!
"I was staring at your apple there," Carrie mumbled, "It's a very nice looking apple."
"It's very tasty," he nodded, looking back it, admiring the colors of the skin that had yet to be bitten in. "Would you like some?" He stretched the half-eaten apple out to Carrie.
"Oh," Carrie laughed, startled, "I'm fine. Quite full." He patted his stomach.
"Are you sure? It's almost dinner time."
Carrie looked the man up and down, then smiled, "I'm fine. I ate just earlier."
"Oh really, where did you eat?" The man inched forward on the bench and rested his eyes on Carrie, waiting for an answer. Carrie's lip quivered with the thought of having to come up with a quick lie. The man had placed the apple back in his bag and was completely focused on Carrie's lie.
"Well, you see, there's a great place up past Lincoln Way toward the beach. I go there all..."
"Lincoln Way!" exclaimed the man, "You can make it all the way up there!"
Carrie was flattered. He could walk far past Lincoln way and up any of the side streets, if he had the energy, but had never been congratulated for the fact. Carrie shifted back and forth in his seat, blushing for being thought of so highly.
"With this cane," Carrie said, tapping the ground with the end, "I can go almost anywhere."
"Wow. Where'd you get it?"
"My son gave it to me when I first started showing signs of getting old," said Carrie, "It was kind of like a joke at first, but then, I really needed to start using it, and I've been attached to it ever since."
"That's nice," the man nodded, "I bought mine for 50 cents down at Salvation Army. You know the one on 3rd?"
Carrie said that he did.
"Spent 50 cents on this thing four years ago and it has taken quite a beating, but still, it works and looks fine as you can see."
"Doesn't look so bad."
"Well thank you, I appreciate that."
The two of them paused, looked each other up and down, then found something other than themselves to look at. Carrie noticed the soft lines of the man in the statue twisting the cider press and how his muscles were as detailed as a real man's. He had never seen so much physicality in a statue before. It really looked like this man was pressing apples in front of his eyes. Carrie was at a loss at how one captured that feeling of true action in stillness. He looked up to where the statues face was and saw that the eyes were cast down to where the press was tightening. He thought maybe the man was thinking if he stared to where he was working, he would twist harder. The statues hair was soft and smooth in the sun. Carrie followed the statues legs down, past the flat stomach and taught ab muscles, to the feet which were pressed into a large stone so to get more leverage. The veins on the feet were almost pulsating with blood and strength. They seemed to rise and fall with what Carrie imagined would be the mans heartbeat, if he had one. He didn't quiet understand why the man was had to be naked, but figured it was for the sake of art. Carrie was not an artist, but with the free time that was allowed to him by growing old, he was starting to appreciate what he saw, feel it a little more often, then when he had no time at all when he was young and busy. He wasn't sure which he enjoyed better: being old and feeling more or being young and always with something to do.
The man had let his eyes wander from Carrie, to the small statue of a boy. His mouth was pressed up to the spicket where the apple juice was being pressed from above. He imagined the statue of the man above the boy was his father or at least he wished that it was. The boys skin was very smooth and reflected the sun softly up back into the mans face. He looked closer at the face of the boy and saw that it was a silent kind of contentment. The man took out the apple from his bag, took a bite, and offered it again to Carrie.
"Take a bite," he persisted, "Sitting in front of this statue, looking at this little boy drink up that apple juice has to be getting you thirsty."
"I'm really fine," said Carrie, smiling uneasily.
"Come on. You don't gotta' worry about me."
Carrie paused, really thought what he was so scared about, and then admitted that was only uncomfortable because of this stranger's hospitality. He hadn't obliged a kind gesture in a long time.
"Alright," he said, "I'll have a bite."
"There you go!" The man handed the apple over to Carrie.
He took a bite and let the cool juices jump into his mouth. A small dribble ran down his cheek, where he quickly wiped it away with his sleeve. He didn't want to look like a slob, much like the man had looked when he first began eating it. Carrie looked down at the apple, nodded, and handed it back to the man.
"It's," he started, still chewing, "Very good. Thank you...I'm sorry, I don't know your name."
"Symon," he said, taking a bite of the apple, which was almost gone, "Symon with a Y."
"Thank you Symon."
"You're welcome..." he paused, "I never did get yours."
"Oh," he laughed, "I'm sorry. I'm Carrie."
They both reached forward and shook hands. Carrie hadn't sat with another man and talked with them since he'd buried Patty. After that, it had grown hard to shake hands with anybody he knew. Maybe it's easier with him because he's a stranger? Carrie thought, Maybe I should meet more strangers? Probably go and get yourself killed. That's a funny thought. I never thought I'd go by getting murdered. I always figured I'd let time take me, rather than the hands of another. He doesn't look like a killer anyway. He's got to be older than me. He's definitely slower. Look at his hand shaking. Your hand doesn't shake. Does it? Carrie looked down at his right hand which was resting on the handle of his cane. Solid as a rock, Carrie mumbled to himself, As a rock.
"What was that?" Symon blurted, eyeing Carrie, "Where'd you go?"
"Just thinking."
"Bout' what?"
"Whether my hand was shaking or not."
"My hands shakes all the ****** time. It's like one of those kitchen timers or chattering teeth you twist, it goes for a while, and then eventually goes off, but me, never. No, never this hand never stops shaking. Got a ******* mind of its own."
Symon raised his right hand so Carrie could see. Sure enough, it was shaking like a leaf in a tree ready to fall off. The shake wasn't violent, but definitely noticeable next to a hand that was still. It was more a buzz than anything else. Carrie couldn't imagine Symon writing his name down and coming out eligible.
"How do you write your name? Does it get all messed up?" Symon looked at him, then looked away. Carrie froze, realizing he may have just asked a very touchy subject.
"Huh?" Symon asked, looking back. "I got something in my eye real quick. I didn't even hear what you said."
"Oh," Carrie stammered, "What I said was..." Symon cut him off.
"I'm just joshing yah!" Symon shouted, "Course I can write my name! Whenever I put pen or pencil to paper, the shake usually calms down. Don't know why, but it does. I never ask que
..."Una selva oscura."--Dante.


Awake or sleeping (for I know not which)
  I was or was not mazed within a wood
  Where every mother-bird brought up her brood
    Safe in some leafy niche
Of oak or ash, of cypress or of beech,

Of silvery aspen trembling delicately,
  Of plane or warmer-tinted sycamore,
  Of elm that dies in secret from the core,
    Of ivy weak and free,
Of pines, of all green lofty things that be.

Such birds they seemed as challenged each desire;
  Like spots of azure heaven upon the wing,
  Like downy emeralds that alight and sing,
    Like actual coals on fire,
  Like anything they seemed, and everything.

Such mirth they made, such warblings and such chat
  With tongue of music in a well-tuned beak,
  They seemed to speak more wisdom than we speak,
    To make our music flat
  And all our subtlest reasonings wild or weak.

Their meat was nought but flowers like butterflies,
  With berries coral-colored or like gold;
  Their drink was only dew, which blossoms hold
    Deep where the honey lies;
Their wings and tails were lit by sparkling eyes.

The shade wherein they revelled was a shade
  That danced and twinkled to the unseen sun;
  Branches and leaves cast shadows one by one,
    And all their shadows swayed
In breaths of air that rustled and that played.

A sound of waters neither rose nor sank,
  And spread a sense of freshness through the air;
  It seemed not here or there, but everywhere,
    As if the whole earth drank,
Root fathom deep and strawberry on its bank.

But I who saw such things as I have said,
  Was overdone with utter weariness;
  And walked in care, as one whom fears oppress
    Because above his head
Death hangs, or damage, or the dearth of bread.

Each sore defeat of my defeated life
  Faced and outfaced me in that bitter hour;
  And turned to yearning palsy all my power,
    And all my peace to strife,
Self stabbing self with keen lack-pity knife.

Sweetness of beauty moved me to despair,
  Stung me to anger by its mere content,
  Made me all lonely on that way I went,
    Piled care upon my care,
Brimmed full my cup, and stripped me empty and bare:

For all that was but showed what all was not,
  But gave clear proof of what might never be;
  Making more destitute my poverty,
    And yet more blank my lot,
  And me much sadder by its jubilee.

Therefore I sat me down: for wherefore walk?
  And closed mine eyes: for wherefore see or hear?
  Alas, I had no shutter to mine ear,
    And could not shun the talk
  Of all rejoicing creatures far or near.

Without my will I hearkened and I heard
  (Asleep or waking, for I know not which),
  Till note by note the music changed its pitch;
    Bird ceased to answer bird,
And every wind sighed softly if it stirred.

The drip of widening waters seemed to weep,
  All fountains sobbed and gurgled as they sprang,
Somewhere a cataract cried out in its leap
    Sheer down a headlong steep;
  High over all cloud-thunders gave a clang.

Such universal sound of lamentation
  I heard and felt, fain not to feel or hear;
  Nought else there seemed but anguish far and near;
    Nought else but all creation
  Moaning and groaning wrung by pain or fear,

Shuddering in the misery of its doom:
  My heart then rose a rebel against light,
  Scouring all earth and heaven and depth and height,
    Ingathering wrath and gloom,
  Ingathering wrath to wrath and night to night.

Ah me, the bitterness of such revolt,
  All impotent, all hateful, and all hate,
That kicks and breaks itself against the bolt
    Of an imprisoning fate,
  And vainly shakes, and cannot shake the gate.

Agony to agony, deep called to deep,
  Out of the deep I called of my desire;
  My strength was weakness and my heart was fire;
    Mine eyes that would not weep
Or sleep, scaled height and depth, and could not sleep;

The eyes, I mean, of my rebellious soul,
  For still my ****** eyes were closed and dark:
  A random thing I seemed without a mark,
    Racing without a goal,
  Adrift upon life's sea without an ark.

More leaden than the actual self of lead
  Outer and inner darkness weighed on me.
  The tide of anger ebbed. Then fierce and free
    Surged full above my head
  The moaning tide of helpless misery.

Why should I breathe, whose breath was but a sigh?
  Why should I live, who drew such painful breath?
Oh weary work, the unanswerable why!--
    Yet I, why should I die,
  Who had no hope in life, no hope in death?

Grasses and mosses and the fallen leaf
  Make peaceful bed for an indefinite term;
  But underneath the grass there gnaws a worm--
    Haply, there gnaws a grief--
Both, haply always; not, as now, so brief.

The pleasure I remember, it is past;
  The pain I feel is passing, passing by;
  Thus all the world is passing, and thus I:
    All things that cannot last
  Have grown familiar, and are born to die.

And being familiar, have so long been borne
  That habit trains us not to break but bend:
Mourning grows natural to us who mourn
    In foresight of an end,
  But that which ends not who shall brave or mend?

Surely the ripe fruits tremble on their bough,
  They cling and linger trembling till they drop:
I, trembling, cling to dying life; for how
    Face the perpetual Now?
  Birthless and deathless, void of start or stop,

Void of repentance, void of hope and fear,
  Of possibility, alternative,
  Of all that ever made us bear to live
    From night to morning here,
  Of promise even which has no gift to give.

The wood, and every creature of the wood,
  Seemed mourning with me in an undertone;
  Soft scattered chirpings and a windy moan,
    Trees rustling where they stood
And shivered, showed compassion for my mood.

Rage to despair; and now despair had turned
  Back to self-pity and mere weariness,
With yearnings like a smouldering fire that burned,
    And might grow more or less,
  And might die out or wax to white excess.

Without, within me, music seemed to be;
  Something not music, yet most musical,
Silence and sound in heavenly harmony;
    At length a pattering fall
Of feet, a bell, and bleatings, broke through all.

Then I looked up. The wood lay in a glow
  From golden sunset and from ruddy sky;
  The sun had stooped to earth though once so high;
    Had stooped to earth, in slow
Warm dying loveliness brought near and low.

Each water-drop made answer to the light,
  Lit up a spark and showed the sun his face;
  Soft purple shadows paved the grassy space
    And crept from height to height,
  From height to loftier height crept up apace.

While opposite the sun a gazing moon
  Put on his glory for her coronet,
Kindling her luminous coldness to its noon,
    As his great splendor set;
  One only star made up her train as yet.

Each twig was tipped with gold, each leaf was edged
  And veined with gold from the gold-flooded west;
Each mother-bird, and mate-bird, and unfledged
    Nestling, and curious nest,
  Displayed a gilded moss or beak or breast.

And filing peacefully between the trees,
  Having the moon behind them, and the sun
Full in their meek mild faces, walked at ease
    A homeward flock, at peace
  With one another and with every one.

A patriarchal ram with tinkling bell
  Led all his kin; sometimes one browsing sheep
  Hung back a moment, or one lamb would leap
    And frolic in a dell;
Yet still they kept together, journeying well,

And bleating, one or other, many or few,
  Journeying together toward the sunlit west;
  Mild face by face, and woolly breast by breast,
    Patient, sun-brightened too,
  Still journeying toward the sunset and their rest.
I.

  When to the common rest that crowns our days,
  Called in the noon of life, the good man goes,
  Or full of years, and ripe in wisdom, lays
  His silver temples in their last repose;
  When, o'er the buds of youth, the death-wind blows,
  And blights the fairest; when our bitter tears
  Stream, as the eyes of those that love us close,
  We think on what they were, with many fears
Lest goodness die with them, and leave the coming years:

II.

  And therefore, to our hearts, the days gone by,--
  When lived the honoured sage whose death we wept,
  And the soft virtues beamed from many an eye,
  And beat in many a heart that long has slept,--
  Like spots of earth where angel-feet have stepped--
  Are holy; and high-dreaming bards have told
  Of times when worth was crowned, and faith was kept,
  Ere friendship grew a snare, or love waxed cold--
Those pure and happy times--the golden days of old.

III.

  Peace to the just man's memory,--let it grow
  Greener with years, and blossom through the flight
  Of ages; let the mimic canvas show
  His calm benevolent features; let the light
  Stream on his deeds of love, that shunned the sight
  Of all but heaven, and in the book of fame,
  The glorious record of his virtues write,
  And hold it up to men, and bid them claim
A palm like his, and catch from him the hallowed flame.

IV.

  But oh, despair not of their fate who rise
  To dwell upon the earth when we withdraw!
  Lo! the same shaft by which the righteous dies,
  Strikes through the wretch that scoffed at mercy's law,
  And trode his brethren down, and felt no awe
  Of Him who will avenge them. Stainless worth,
  Such as the sternest age of virtue saw,
  Ripens, meanwhile, till time shall call it forth
From the low modest shade, to light and bless the earth.

V.

  Has Nature, in her calm, majestic march
  Faltered with age at last? does the bright sun
  Grow dim in heaven? or, in their far blue arch,
  Sparkle the crowd of stars, when day is done,
  Less brightly? when the dew-lipped Spring comes on,
  Breathes she with airs less soft, or scents the sky
  With flowers less fair than when her reign begun?
  Does prodigal Autumn, to our age, deny
The plenty that once swelled beneath his sober eye?

VI.

  Look on this beautiful world, and read the truth
  In her fair page; see, every season brings
  New change, to her, of everlasting youth;
  Still the green soil, with joyous living things,
  Swarms, the wide air is full of joyous wings,
  And myriads, still, are happy in the sleep
  Of ocean's azure gulfs, and where he flings
  The restless surge. Eternal Love doth keep
In his complacent arms, the earth, the air, the deep.

VII.

  Will then the merciful One, who stamped our race
  With his own image, and who gave them sway
  O'er earth, and the glad dwellers on her face,
  Now that our swarming nations far away
  Are spread, where'er the moist earth drinks the day,
  Forget the ancient care that taught and nursed
  His latest offspring? will he quench the ray
  Infused by his own forming smile at first,
And leave a work so fair all blighted and accursed?

VIII.

  Oh, no! a thousand cheerful omens give
  Hope of yet happier days, whose dawn is nigh.
  He who has tamed the elements, shall not live
  The slave of his own passions; he whose eye
  Unwinds the eternal dances of the sky,
  And in the abyss of brightness dares to span
  The sun's broad circle, rising yet more high,
  In God's magnificent works his will shall scan--
And love and peace shall make their paradise with man.

IX.

  Sit at the feet of history--through the night
  Of years the steps of virtue she shall trace,
  And show the earlier ages, where her sight
  Can pierce the eternal shadows o'er their face;--
  When, from the genial cradle of our race,
  Went forth the tribes of men, their pleasant lot
  To choose, where palm-groves cooled their dwelling-place,
  Or freshening rivers ran; and there forgot
The truth of heaven, and kneeled to gods that heard them not.

X.

  Then waited not the murderer for the night,
  But smote his brother down in the bright day,
  And he who felt the wrong, and had the might,
  His own avenger, girt himself to slay;
  Beside the path the unburied carcass lay;
  The shepherd, by the fountains of the glen,
  Fled, while the robber swept his flock away,
  And slew his babes. The sick, untended then,
Languished in the damp shade, and died afar from men.

XI.

  But misery brought in love--in passion's strife
  Man gave his heart to mercy, pleading long,
  And sought out gentle deeds to gladden life;
  The weak, against the sons of spoil and wrong,
  Banded, and watched their hamlets, and grew strong.
  States rose, and, in the shadow of their might,
  The timid rested. To the reverent throng,
  Grave and time-wrinkled men, with locks all white,
Gave laws, and judged their strifes, and taught the way of right;

XII.

  Till bolder spirits seized the rule, and nailed
  On men the yoke that man should never bear,
  And drove them forth to battle. Lo! unveiled
  The scene of those stern ages! What is there!
  A boundless sea of blood, and the wild air
  Moans with the crimson surges that entomb
  Cities and bannered armies; forms that wear
  The kingly circlet rise, amid the gloom,
O'er the dark wave, and straight are swallowed in its womb.

XIII.

  Those ages have no memory--but they left
  A record in the desert--columns strown
  On the waste sands, and statues fallen and cleft,
  Heaped like a host in battle overthrown;
  Vast ruins, where the mountain's ribs of stone
  Were hewn into a city; streets that spread
  In the dark earth, where never breath has blown
  Of heaven's sweet air, nor foot of man dares tread
The long and perilous ways--the Cities of the Dead:

XIV.

  And tombs of monarchs to the clouds up-piled--
  They perished--but the eternal tombs remain--
  And the black precipice, abrupt and wild,
  Pierced by long toil and hollowed to a fane;--
  Huge piers and frowning forms of gods sustain
  The everlasting arches, dark and wide,
  Like the night-heaven, when clouds are black with rain.
  But idly skill was tasked, and strength was plied,
All was the work of slaves to swell a despot's pride.

XV.

  And Virtue cannot dwell with slaves, nor reign
  O'er those who cower to take a tyrant's yoke;
  She left the down-trod nations in disdain,
  And flew to Greece, when Liberty awoke,
  New-born, amid those glorious vales, and broke
  Sceptre and chain with her fair youthful hands:
  As rocks are shivered in the thunder-stroke.
  And lo! in full-grown strength, an empire stands
Of leagued and rival states, the wonder of the lands.

XVI.

  Oh, Greece! thy flourishing cities were a spoil
  Unto each other; thy hard hand oppressed
  And crushed the helpless; thou didst make thy soil
  Drunk with the blood of those that loved thee best;
  And thou didst drive, from thy unnatural breast,
  Thy just and brave to die in distant climes;
  Earth shuddered at thy deeds, and sighed for rest
  From thine abominations; after times,
That yet shall read thy tale, will tremble at thy crimes.

XVII.

  Yet there was that within thee which has saved
  Thy glory, and redeemed thy blotted name;
  The story of thy better deeds, engraved
  On fame's unmouldering pillar, puts to shame
  Our chiller virtue; the high art to tame
  The whirlwind of the passions was thine own;
  And the pure ray, that from thy ***** came,
  Far over many a land and age has shone,
And mingles with the light that beams from God's own throne;

XVIII.

  And Rome--thy sterner, younger sister, she
  Who awed the world with her imperial frown--
  Rome drew the spirit of her race from thee,--
  The rival of thy shame and thy renown.
  Yet her degenerate children sold the crown
  Of earth's wide kingdoms to a line of slaves;
  Guilt reigned, and we with guilt, and plagues came down,
  Till the north broke its floodgates, and the waves
Whelmed the degraded race, and weltered o'er their graves.

XIX.

  Vainly that ray of brightness from above,
  That shone around the Galilean lake,
  The light of hope, the leading star of love,
  Struggled, the darkness of that day to break;
  Even its own faithless guardians strove to slake,
  In fogs of earth, the pure immortal flame;
  And priestly hands, for Jesus' blessed sake,
  Were red with blood, and charity became,
In that stern war of forms, a mockery and a name.

**.

  They triumphed, and less ****** rites were kept
  Within the quiet of the convent cell:
  The well-fed inmates pattered prayer, and slept,
  And sinned, and liked their easy penance well.
  Where pleasant was the spot for men to dwell,
  Amid its fair broad lands the abbey lay,
  Sheltering dark ****** that were shame to tell,
  And cowled and barefoot beggars swarmed the way,
All in their convent weeds, of black, and white, and gray.

XXI.

  Oh, sweetly the returning muses' strain
  Swelled over that famed stream, whose gentle tide
  In their bright lap the Etrurian vales detain,
  Sweet, as when winter storms have ceased to chide,
  And all the new-leaved woods, resounding wide,
  Send out wild hymns upon the scented air.
  Lo! to the smiling Arno's classic side
  The emulous nations of the west repair,
And kindle their quenched urns, and drink fresh spirit there.

XXII.

  Still, Heaven deferred the hour ordained to rend
  From saintly rottenness the sacred stole;
  And cowl and worshipped shrine could still defend
  The wretch with felon stains upon his soul;
  And crimes were set to sale, and hard his dole
  Who could not bribe a passage to the skies;
  And vice, beneath the mitre's kind control,
  Sinned gaily on, and grew to giant size,
Shielded by priestly power, and watched by priestly eyes.

XXIII.

  At last the earthquake came--the shock, that hurled
  To dust, in many fragments dashed and strown,
  The throne, whose roots were in another world,
  And whose far-stretching shadow awed our own.
  From many a proud monastic pile, o'erthrown,
  Fear-struck, the hooded inmates rushed and fled;
  The web, that for a thousand years had grown
  O'er prostrate Europe, in that day of dread
Crumbled and fell, as fire dissolves the flaxen thread.

XXIV.

  The spirit of that day is still awake,
  And spreads himself, and shall not sleep again;
  But through the idle mesh of power shall break
  Like billows o'er the Asian monarch's chain;
  Till men are filled with him, and feel how vain,
  Instead of the pure heart and innocent hands,
  Are all the proud and pompous modes to gain
  The smile of heaven;--till a new age expands
Its white and holy wings above the peaceful lands.

XXV.

  For look again on the past years;--behold,
  How like the nightmare's dreams have flown away
  Horrible forms of worship, that, of old,
  Held, o'er the shuddering realms, unquestioned sway:
  See crimes, that feared not once the eye of day,
  Rooted from men, without a name or place:
  See nations blotted out from earth, to pay
  The forfeit of deep guilt;--with glad embrace
The fair disburdened lands welcome a nobler race.

XXVI.

  Thus error's monstrous shapes from earth are driven;
  They fade, they fly--but truth survives their flight;
  Earth has no shades to quench that beam of heaven;
  Each ray that shone, in early time, to light
  The faltering footsteps in the path of right,
  Each gleam of clearer brightness shed to aid
  In man's maturer day his bolder sight,
  All blended, like the rainbow's radiant braid,
Pour yet, and still shall pour, the blaze that cannot fade.

XXVII.

  Late, from this western shore, that morning chased
  The deep and ancient night, that threw its shroud
  O'er the green land of groves, the beautiful waste,
  Nurse of full streams, and lifter-up of proud
  Sky-mingling mountains that o'erlook the cloud.
  Erewhile, where yon gay spires their brightness rear,
  Trees waved, and the brown hunter's shouts were loud
  Amid the forest; and the bounding deer
Fled at the glancing plume, and the gaunt wolf yelled near;

XXVIII.

  And where his willing waves yon bright blue bay
  Sends up, to kiss his decorated brim,
  And cradles, in his soft embrace, the gay
  Young group of grassy islands born of him,
  And crowding nigh, or in the distance dim,
  Lifts the white throng of sails, that bear or bring
  The commerce of the world;--with tawny limb,
  And belt and beads in sunlight glistening,
The savage urged his skiff like wild bird on the wing.

XXIX.

  Then all this youthful paradise around,
  And all the broad and boundless mainland, lay
  Cooled by the interminable wood, that frowned
  O'er mount and vale, where never summer ray
  Glanced, till the strong tornado broke his way
  Through the gray giants of the sylvan wild;
  Yet many a sheltered glade, with blossoms gay,
  Beneath the showery sky and sunshine mild,
Within the shaggy arms of that dark forest smiled.

***.

  There stood the Indian hamlet, there the lake
  Spread its blue sheet that flashed with many an oar,
  Where the brown otter plunged him from the brake,
  And the deer drank: as the light gale flew o'er,
  The twinkling maize-field rustled on the shore;
  And while that spot, so wild, and lone, and fair,
  A look of glad and guiltless beauty wore,
  And peace was on the earth and in the air,
The warrior lit the pile, and bound his captive there:

XXXI.

  Not unavenged--the foeman, from the wood,
  Beheld the deed, and when the midnight shade
  Was stillest, gorged his battle-axe with blood;
  All died--the wailing babe--the shrieking maid--
  And in the flood of fire that scathed the glade,
  The roofs went down; but deep the silence grew,
  When on the dewy woods the day-beam played;
  No more the cabin smokes rose wreathed and blue,
And ever, by their lake, lay moored the light canoe.

XXXII.

  Look now abroad--another race has filled
  These populous borders
blushing prince Oct 2017
Suburbia greeted me with pale hands in my late teens.
She was a wasteland in a mini skirt; in its’ own right it could be called a Cave with Plato egregiously driving his brand-new Prius 90 miles an hour saying “this is really living as long as you don’t look back” and all you can do is nod your head vigorously because the twisted **** that had settled surreptitiously in your baby lungs was giving you daylight hallucinations. My endeavors didn’t end there when they should have.
There was something uncanny about the way streetlights gave you the eternal glare. Of creating ordinary neighborhood streets appear like you’ve been there before in a dream, in another body. In a dazed stupor the sounds of a television and a light coming from a garage is forgiving in your misguided attempts to be comfortable in a foreign space. It could almost feel like home when your repressed trauma keeps resurfacing while you’re trying to introduce yourself. Almost.
In these polite badlands with everything uniformed the people I met were always trying to stand out from the serene landscapes. Sitting in plaid couches I was giddy playing the nihilist. Rerun episodes of Portlandia playing but all I remember from that smoky room were brown pants that looked extremely crisp to the touch and I wanted to reach out my hands and see if they would crunch under the paperweight of my heavy palms. I didn’t but I’m sure they would’ve emitted the sound of potato chips being eaten in a frenzy.
When I wasn’t walking through dark rooms feeling through what could have been hallways, a family’s living room or the cool gates of hell I was meandering my way through drowsy parties where boys with the names like Dusty and Slaughter were prevalent. Each with their own bizarre story about how they stole their parents’ money one night and took off spontaneously. Driving all the way to Nevada with nothing but half a tank of gas and one pack of cigarettes. You could almost pinpoint their personalities by the type of cigarettes they smoked. Most of them holding different colored American Spirits. Had I been smarter I would have asked for a light and a smoke. Never mind that I was always deadly afraid that I had some undiagnosed lung disease and that asphyxiation was my biggest fear or that I had a pack of Marlboro black menthols in my purse that were over a year old. I found my corner sitting in a worn outdoors chair. The ones where the armrest comes built in with a cupholder. My beer ice cold sitting awkwardly sideways while I tried to consider why the host of the party was wealthy yet so hostile. My favorite party game was the one where I took hit after hit of joints being passed around until I was crazy glued to my chair and my brain started to feel like a lagoon that continued to melt into a Campbell’s soup I once had as a child. Everyone completely unaware of the horror that the house had become to me. Somewhere in the distance I was acutely aware of who I would go home with, why my ventures into the suburbs had sparked my intrigue in the first place. The only reason why I had endured feeling like a spider watching a **** film and why I had lost my virginity just a day before. I was a displaced specimen thinking about her ***** in a room of 30 people or more.
lol my experience with rich suburban kids
Melissa U May 2012
There was a time when the Owl was the lover of Sound.
Sound was a beautiful creature, full of laughter and life and raucous vitality.
Sound loved the Owl, and the Owl loved Sound.  
They would perch in the trees together, laughing, listening to the calls of the peepers and the crickets yells.
Sound would joke, maybe I’ll leave you, go live with them.
        The Owl would laugh, who would you go to? Who could love you more than I?
Time passed, and they were in love.
But Sound began to notice a change.
        The Owl became sickly, thin, gaunt.  Laughs turned to coughs, jokes to weak smiles.
        The Owl didn’t eat.  How could he, when Sound accompanied him on all of his hunts? The Owl didn’t sleep.  Sound may have loved the night best, with its echoes and reverberations in the dark, but daytime was also filled with Sound’s calls, and the Owl could not tear himself away.
Sound begged the Owl, go, eat, sleep!  The Owl didn’t listen.  He refused to leave Sounds side.
        Sound knew that seeing the Owl like this hurt more than being separated from him.
That night, the Owl slept.
He slept all night and all day and when he awoke, it was night once more.
        He rustled his feathers, but, to his surprise, Sound was not there.  
He opened his beak to call forth.  But Sound was still absent.
He searched all throughout his home, becoming increasingly frantic.  Sound was gone.
The Owls pain and confusion rushed forth.  He opened his beak silently again, then threw himself into flight.
        Sound did not accompany him there, either.
The Owl flew all night.  His eyes grew large from searching, his hearing keen, and he stretched his neck looking every way looking for Sound.
As morning broke, the Owl returned to the perch he had shared with his love.  He listened to the calls of the peepers and the crickets yells, alone.  He closed his now- wide eyes, and, from the depths of his being, he crafted a reply, a plea, a call.
        “Who”
Who could love you more than I…
I went out to the hazel wood,
Because a fire was in my head,
And cut and peeled a hazel wand,
And hooked a berry to a thread;
And when white moths were on the wing,
And moth-like stars were flickering out,
I dropped the berry in a stream
And caught a little silver trout.

When I had laid it on the floor
I went to blow the fire aflame,
But something rustled on the floor,
And some one called me by my name:
It had become a glimmering girl
With apple blossom in her hair
Who called me by my name and ran
And faded through the brightening air.

Though I am old with wandering
Through hollow lands and hilly lands,
I will find out where she has gone,
And kiss her lips and take her hands;
And walk among long dappled grass,
And pluck till time and times are done
The silver apples of the moon,
The golden apples of the sun.
Melissa E Pike May 2014
Sunshine glowing through the windows upon your fresh appearance
Hair rustled from nighttime twists
Body rejuvenated and pleading for soft contact
A light kiss to your full lips
My hand memorizing every inch of your inner thigh
Admiring your flawless physique
Listening to your gentle breaths of satisfaction
Tasting you
Feeling you tense up until you exhale and release peacefully
Your heart pulsating through my ear as I lay on your chest
Whispering sweet words of compassion
Attempting to show my devotion to you
My adoration for you
Sheena Snell Jun 2010
In the darkness of the night she looks to the moon for help, falling to her
knees she prays.  Seeing the darkest of nights she feels more alone then she ever has.  The hairs on the back of her neck rising she raises to her feet and runs, knowing there is something deadly wrong.

Hearing footsteps up ahead he rushes on ahead praying to the stars that the girl hi is after has not rushed to far ahead.  Leaves crunching under his feet he hurries on panting and gasping for breath, heart beating loudly he surely thinks that if she were near she would be able to hear the beating.

Her eyes glowing like the eyes of a cat, she feels her reflexes going into full affect as she runs as fast as a cheetah.  She pounces up into a tree hissing at the figure behind her.  Her emerald green eyes glowing in the darkness she sees the figure stop and bend over their knees to catch their breath she assumes.  Getting into attack position she sits and waits.

Looking up ahead in the darkness he sees the bright green eyes in a tree staring dead at him, feeling shivers go down his spine he slowly goes forward not knowing what to expect.  The coolness of the night tightens around him making him shiver with cold and fear.

Waiting, waiting, and stalking she sits on a limb looking down on the figure.  No know that it is a man that has come after her.  Her hind legs drawn
tight with adrenaline she still waits for the right moment to pounce.

Fear clutching his heart he fears for his life and the girls.  Looking up in the tree where he had first seen the green eyes he sees them again staring at him once again.  He stands there not moving just looking.  Could it be, he wonders.  No, it could not be the girl he is after.  Could the legend he has heard be true?

Her claws digging into the bark of the tree she hisses down at the man just standing there, she can smell the fear off of him knowing that it is not her he fears, but the thought of loosing her to the panther that she has become.  
Growling she leaps down onto the ground and circles him growling and hissing under her breath.

Seeing the large cat jumps down from the tree he stands perfectly still not longer fearful.  As the panther circles him he watches the sleek black body moving, noting the powerful muscles within the legs.  Not daring to move he sits and waits.

Shock that he would sit down she stops and walks to the front of him and sits down herself.  Looking into his gray eyes feeling her soul tinge she lays to her stomach and waits to see what he'll do next.

Not knowing how to react he stares into her emerald green eyes as she stares into his.  How could a sweet beautiful girl all of a sudden turn into a dangerous cat?  He quietly and slowly rises to his feet as the panther jumps to hers he stands still not knowing what she will do if angered.

As he stares into her eyes her soul feels weird once again.  She is angered that he had the nerve to stand and still not be afraid.  As she lunges to her feet she growls, daring him to be afraid.

The wind howls through the trees as he watches the panther as she growls he knows that she is extremely angered.  What is he to do?  He cannot make himself feel something he has no need for.  He knows that she wants him to be frightened yet he cannot, for he knows in his soul that she will not harm him.

Growling she tackles him to the ground.  Pinning him down she looks into his gray eyes feeling that tingling sensation through her soul once again.  She hisses at him for making her feel this way.

No longer fearing for him or the girl’s life he lays pinned to the ground feeling the panther’s hot breath on his face, he waits for her next move.

With the moon high in the sky and the wind blowing she fears that the time has come where she will have to return back to her normal body form.
She growls one more time at the man on the ground and races off into the darkness growling all the while as she runs feeling the wind on her face.

Stunned at just what happened he jumps to his feet and takes off after the panther not wanting to lose it.  Desperately trying to remember the legend that his grandfather had told him the night before about the panther girl.  He looks up into the stars and sees them in a pattern of a panther.

Still racing through the night hearing her own breathing growing heavy and her hair flying behind her wildly as she runs.  Knowing that she has
returned.  Hoping that she will feel the power of the panther again.

Now remember the legend of the panther girl he recalls it so he will be prepared when he comes up on her again.  His grandfather had told him that long ago a young girl had wondered into the forest for comfort after her mother's death.  She had asked for protection of the lord above, and he had given it to her by when the night is dark and the moon is high with the stars bright, only when she be either afraid for her life or when she would just want to feel the cool wind flowing through her black fur, would she turn into the black powerful panther.

Gasping for air she stops and looks around feeling cornered she climbs a tree once again for protection.  She sits and thinks of her mother that she had lost long ago.  Thanks to the angels above she had found protection and comfort.  She looks down and sees the man that has been after her coming down the trail.  She sits and watches him, wondering what he sees in her.

His legs feeling ready to give out he knows he must rest if he is to be of any good in searching for the girl, he drops to the ground and leans against the tree starring off into the distance wondering where the panther girl
was now.  He hopes and prays she is not to far off.  Feeling sleep take over him he has now power to resist, he falls into a dream filled sleep of running panthers.

Feeling more trapped then she has ever felt she looks down again and still the man sleeps under the tree.  How is she to get out of the tree without waking him up?  Looking for an escape route and finding none, she quietly climbs down the trunk of the tree leaping over the sleeping man.  She stands in front of him and looks him dead in the face while he sleeps.  Seeing a scar along his neck she shudders now knowing that it is he.

Opening his eyes he is starring at the beautiful girl that he had helped so long ago, no remember why the eyes of the panther were so familiar, it is she, the panther girl.  He reaches out his hand, hoping that she will take it.

Seeing his eyes open she blinks like the deer caught in the brightness of the light.  It could not be the man she had to look to for help that long ago, no it could not be.  The scar on his neck however says so otherwise.  He extends his hand to her she gently takes it not knowing what else to do.

He is the lord from the heavens that gave her the power to turn into the panther.  He is the lord that his grandfather talked about.  He came to her
when she prayed up to the heavens for protection and came down to show her that there was hope and that he would indeed help her, scratching his neck she had sat there crying and watching his neck bleed, taking her wrist he had slit it to mingle their blood together, and there he stood chanting.  And that is how she became the panther girl for he was the panther man.

Dropping to her knees she sits in front of him again, once again as she did three years ago.  Looking into those warm hopeful gray eyes, she smiles at him knowing he will not harm her for he is her father.

Rising to his feet he gently pulls her to hers.  Taking his daughter in his arms he whoppers that the time has come for them to finally go home.  Looking to the moon he growls as his fur is rustled by the wind.

Feeling free once again standing on all fours by her father she races through the **** of a new day with her blood father finally going home.
In Nineva, in melted days of yore,
In a very distant verdant realm
Of a shadowy enchanted Moor,
There rolled a nectar stream.

And whoever ever drunk from it
Whilst the sun rained her golden light,
Craved nevermore to drink nor eat
But perpetually dwelt in delight.

Once, upon her banks strolled a couple
Majestically holding each other's hand.
Golden robbed with plush ribbons purple,
All the way from a very far away land

Where dwelleth many a mandrill,
A realm of many a precious stone
And many a verdant rolling hill,
Though creatures there all but forlorn.

King and queen of Merindrill they were,
On a golden quest for perpetual youth
Akin to the luster of many a fiery star
Whose mystery none knows the truth.

Though the stream galloped in gladness,
Though meadow larks chirped in ecstasy,
A roving wind eerily rustled in sadness
As it danced about aspen leaves all sassy.

All birds of evil omen graced the heaven
Whilst darkling clouds blotted heavens' bed
But unto none did it seem a bad omen.
Dyadic ravens perched upon their head.

"Quaff, quaff, oh quaff not from the river,"
Unto the king quoth the first raven.
"In that river deep thou shalt dwell forever,"
Unto the queen quoth the second raven.

"Quaff, quaff, oh quaff not," they didst spoof
At the ravens whilst as quick as drops of rain
Plummeting from earths' eternal dewy roof,
In such haste, they quaffed again, and again.

And 'tis for that reason that all men know
From the ***** of that sweet rollin' river
Did the fanciful couple now as cold as snow
Ever leave, but there dost live forever.



©Kikodinho Edward Alexandros,
Los Angeles, California, USA.
06/Nov/2018.
#Tales Of Nineva  #Fantasy #Adventure

#Merindrill is a realm of darkling woods far away from from the mighty land of Nineva.

Nineva is a magical kingdom in Kiko's legendarium - a miscellany of tales of mystery and macabre like you've never heard of. Tales such as, "The Mystery Of Lenore," "Woods Have Eyes," "The Dwarf Of Nineva," The Novelty Tea ***," "The Witch's Cauldron," "Jazabel The Witch," "The mandrill of Merindrill," among so many others yet to be posted here.
Akemi Feb 2017
Lily marked the gravestone. A white streak across grey cobble, the crumbling visage of a turning sky reflected in the puddle beside her. New dusk brimmed grey gold, a heady dust galloped with the rising easterly winds, a white streak across grey skies. Lily marked the edge of her notebook, nine-past-ten, the end of second period, a break in consciousness, then a tang of blood from her swollen gums. Lenin rose above the rooftops, a hand brushed her forehead as the paramedics left, a black bag.

The answer was heat death, compartmentalised energy, like fireworks falling into darkness. Burning rice, spilt coffee, Ain’s smile. Nights on counter, pad paper, day old rain. Lily fell into a nightmare, smooth black, a single light dissipating as the universe died. She spat blood, missed the bus and collapsed on the walk to school.

It was the anniversary. Setting sun, plumes of white, the exit sigh of a wasted day. Lily woke hours later. She returned to an empty home, suffocated in a dream and rose four hours too early for school. Climbing the roof, she watched the sun rise, grey and formless.

There was ash in the hallway to class, the remnants of the incense from yesterday’s memorial, pencil shavings from the forest, fingers blurring out of definition like the trees around her, the soft empty breath of loose soil. Ain came to the store on a night like this, wind gathered silent around her frame. They found themselves atop a bus shelter, lights rising from a sea of nothingness.

Eight-forty-five, the chalk felt heavy in Lily’s hand, white dash across infinity, city blackout. Everyone went to see the dam, cracked pavement, Ain dripping blood, Lily wreathed in ravens. Below the river, forest spirits wove among power lines, bird bones cracked beneath the soles of children, motes rose. Lily lost sight of Ain, the dam broke and children cheered.

Time passed. Ceaseless time.

Lily drifted through petroleum smoke, dashi, the burning husks of gods. She watched the river ryū sweep through her street, turbid with the broken heads of graves, mad with phantoms. She visited memories yet to form, nurseries of dust, cosmic return of the infinite perceiving itself. She cried, remembering everything, the smell Ain’s wet hair, ricochet of a glass bottle, Lenin’s dirt-smeared skin, the birth and death of the universe; mother unable to afford pad paper, sakura bursting the sky pink, couples riding past on too expensive bikes, father drunk on sake. Ribbons of light danced around Lily, a playful susurration, feeding her more and more memories.

Isn’t it beautiful? Existence burning through itself? A departure with no ending, no beginning, no becoming? Haven’t you lived a full life? Won’t you live it again?

Lily screamed. Split dam flooded the empty grave. The same smell of soy, dust and sweat every day. Lack birthed in the space between, like teeth, lacuna bleeding. Nightmares and old memories pouring out like a knife. Ryū stiffened, red streak across the sky, tail burying into the earth. Rice steam filled the air, a passing train carried Ain and Lily into the city, crowds of smoke, her crescent eyes reflected in a storefront, the eyes her mother loved. April awakening of the forest gods, cool spring rustled the hair around her neck, a humid breath descended from the mountain to the lake. Warm rain fell in sheets, city smudged out of focus, bokeh lights departing, Ain’s wet skin—

The city retracted; a whimper escaped her mouth; her fingers passed through power lines, wood smoke, pavement; seasons collapsed, superimposed like holograms, snow and humus; gyoza steamed, air sirens blared beneath the shadow of foreign planes; kodama rose as ancient trees reclaimed the land; volcanic blasts shook the ocean, AI sped to singularity; reality vanished like light falling off a mirror and Lily ceased to feel.

Space is illusory.

Lily.

It travels ceaselessly through itself.

Lily, stop.

And we don’t exist.

Lily grinned, rising from the reeds, a cattail in each hand. She sped towards a screaming Ain, who tripped on a willow root, and began bopping relentlessly.

“Lily!” Ain cried, squirming on the ground. “Lily, stop!”

Lily grinned, rising from the reeds, a cattail in each hand. She sped towards a screaming Ain, who tripped on a willow root, and began bopping relentlessly.

“Lily!” Ain cried, squirming on the ground. “Lily, stop!”

Lily grinned, rising from the reeds, a cattail in each hand. She sped towards a screaming Ain, who tripped on a willow root, and began bopping relentlessly.

“Lily!” Ain cried, grabbing Lily’s wrists. “Haven’t we done this enough?”
[3] time is a flat circle perceiving itself
/
[1] hellopoetry.com/poem/1554623/the-end-came-a-long-time-ago
/
[2] hellopoetry.com/poem/1798516/an-echo-of-ain
/
CH Gorrie Jun 2013
There were six horses,
Abaco Barbs - black, white, tan -
enclosed in my Olympus's lense.

The camera reached through deadwind
that whipped the Huey's window,
painted a staggered line where the herd had been.

It was fall 1977,
Abaco's Independence Movement had ended;
Oliver and WerBell were gone,

having run off like photographed horses -
distant, almost ignorant of me (at some point,
they must've assumed there were wildlife

photographers inside Abaco). It was fall
1977:
the ornamental Allamanda still rustled in deadwind;

the starfruit still ripened and fell. It was fall
1977 and that country
was nearly the same as it'd always been.
"The Abaco Barb is an endangered strain of the Spanish Barb horse breed found on Great Abaco Island in the Bahamas. The Abaco Barb is said to be descended from horses that were shipwrecked on the island during the Spanish colonization of the Americas and the Caribbean. The population of wild Abaco Barbs that run free on Great Abaco once numbered over 200 horses. The Abaco Barb is found in different colors than the European/African Barb, including pinto (including the relatively uncommon splashed white), roan, chestnut, black and other colors. They range between 1.32 to 1.47 m (13.0 to 14.2 h)."

"The Abaco Islands lie in the northern Bahamas and comprise the main islands of Great Abaco and Little Abaco, together with the smaller Wood Cay, Elbow Cay, Lubbers Quarters Cay, Green Turtle Cay, Great Guana Cay, Castaway Cay, Man-o-War Cay, Stranger's Cay, Umbrella Cay, Walker's Cay, Little Grand Cay, and Moore's Island. Administratively, the Abaco Islands constitute five of the 31 Districts of the Bahamas: North Abaco, Central Abaco, South Abaco, Moore's Island, and Hope Town. Towns in the islands include Marsh Harbour, Hope Town, Treasure Cay, Coopers Town, and Cornishtown."

"In August 1973, shortly after the Bahamas became independent, the Abaco Independence Movement was formed as a political party whose stated aim was self-determination for the Abaco Islands within a federal Bahamas. In October 1973, AIM published a newsletter to launch it's campagn for 'self-determination through legal and peaceful political action'. AIM proposed that all Crown land on Abaco would be placed in a land trust. Each citizen would receive a one acre home lot from the trust plus shares giving them an income from land sales and leases. The land trust would enter into a joint venture to develop a 60 sq mile free trade zone. When AIM was formed by Chuck Hall and Bert Williams, they contacted an American financier named Michael Oliver, who through his libertarian Phoenix Foundation agreed to support AIM financially. The Phoenix Foundation had previously sought to establish a libertarian enclave in the South Pacific, the Republic of Minerva. AIM's first convention, held on February 23 1974, was addressed by John Hospers, the Libertarian Party's 1972 US presidential candidate. Hospers was later refused entry to the Bahamas. The maverick British MP Colin Campbell Mitchell also visited Abaco to offer support."

"Michael Oliver (born 1930) is a Lithuanian immigrant of Jewish descent, Las Vegas real estate millionaire, and political activist. He was the founder of the micronation project the Republic of Minerva, a failed attempt to create a sovereign state in the South Pacific in 1972. In the following decades, Oliver and his Phoenix Foundation were also involved in similar projects on the Bahamian island of Abaco and in Vanuatu with the New Hebrides Autonomy Movement (MANH) which was done by financing an insurrection. He also published a manifesto of his libertarian beliefs. Oliver is prohibited to enter in Vanuatu and his nation-building projects seem to be on hiatus."

"Mitchell Livingston WerBell III, (1918–1983), was an OSS operative, soldier of fortune, paramilitary trainer, firearms engineer, and arms dealer.In 1972 WerBell was approached by the Abaco Independence Movement (AIM) from the Abaco Islands, a region of the Bahamas, who were worried about the direction the Bahamas were taking and were considering other options, such as independence or remaining a separate Commonwealth nation under the Crown in case of the Bahamas gaining independence (which they did in 1973). AIM was funded by the Phoenix Foundation, a group which aims to help build truly free micronations. The AIM collapsed into internal bickering before a coup by Werbell could be carried out."

^http://en.wikipedia.org/wiki/Barb_horse
^http://en.wikipedia.org/wiki/Abacos
^http://en.wikipedia.org/wiki/Abaco_Independence_Movement
^http://en.wikipedia.org/wiki/Michael_Oliver_(real_estate)
^http://en.wikipedia.org/wiki/Mitchell_WerBell
Anais Vionet Aug 2023
Our summer fellowships are over! We learned a lot - for instance - how summer’s a lot less fun when you’re hemmed-up, inside working. I mean, we preesh’d the clinical experience, the learning, and especially how good these fellowships will look on our med-school applications - seriously - but there were a hundred rules - aren’t rules incompatible with summer?

Hmm, Ok, let’s see, something poetic..

As the summer sun's blistering radiance waned, shadows,
muscled by sunrays to the marginal edges and corners,
gradually spread, like water - soothing, lenifying and assuaging
simmered nerves with their refreshing, canopied touch.

If sunlight scorched with heat, twilight soothed and gentled,
while varnishing, the dimming world with rainbow, event-horizons,
larger, more inventive, colorful and glorious than any mere mortal art.

Night gradually squeezed, unseen, through those vivid sunset cracks,
and refreshing night-air, drawn in by the last, escaping updrafts of heat,
rustled cooling relief to weary workers seeking the solace of evening and home.

back to unpoetic realities..

When work was finished, we’d retreat from the heat, racing up to the rooftop pool, like two happy porpoises out of school.

Whoever invented poolside food delivery, should win the Nobel Prize for ‘thank you very much.’ We wouldn’t go back to our rooms until it was dark and we’d started to prune.

Now, we’ve a month to relax before our Junior year begins. We got letters from Yale that said, “As upperclassmen..” “Upperclassmen!” We shouted as we danced in hand-holding circles, singing, “Upperclassmen, upperclassmen, upperclassmen, upperclassmen. upperclassmen.”  
We’ve grown so much at Yale.
BLT Marriam Webster word of the day challenge: Assuage: “when the intensity of something unpleasant is lessened”

hemmed-up = trapped
preesh’d = appreciated
event-horizons = when the horizon is an artistic event
The glowing jacinth sun was just beginning its descent,
casting long, flittering shadows on horse and rider alike.
Although the horse was young, he walked
with an air of importance,
like a racer entering the track.
As the playful breeze rustled the viridian leaves,
his muscles tensed.
He perked up like a toy soldier,
watching the purpling sky with wary eyes,
the amaranthine clouds reflected in those deep sable orbs.

As he trotted about like a fairy,
his russet coat shone vibrantly in the setting sun,
a body of twinkling rubies set in amber.
The sprite padded softly on the ground
with the delicate nature of a hummingbird,
he had a stride like a river of sweet milk and honey.

The chestnut dreamer skipped across the ground
like notes across a page,
his song light and airy.
he tiptoed and pirouetted,
his three pearly stockings dancing
like the melodious keys of a piano.

Her cinnabar savior bounded over the fences
like a prancing stag,
and his dainty ears pricked forward
as his chocolate-brown eyes fixed on the obstacle ahead.
As he jumped, he lit up with a bravery
that could have been felt all throughout the arena.
Had the two not been alone,
the entrancing sight would have been easily able to charm his way
into the hearts of even the stoniest of onlookers.

With a gleeful snort,
the sunny gelding seemed to fill the air
with good-natured laughter.
The rider reached down to give him a pat,
and he brightened at her touch,
the pet like a kiss on his glossy ginger neck.

And as the last of the daylight filtered away
into the velvety mazarine sky,
his neck stretched down and his walk slowed.
Satisfied with their ride, the two made their way back inside,
surrounding by the growing darkness.
Jacob Mayhew Nov 2012
Today we didn’t talk at all.
That was har,
But they say it will be good for me.
At least when I know in full how far I fall
From your graces.
Looks like I’ll be up ‘till around three.

The night gives no mercy to the sad,
No rest for the weary,
Only deepens the soul searching thoughts that
Always seems to mix the good and bad
Within the dark.
So sleep flees as the mouse from the car.

It’s him isn’t it? He has me beat.
What about him
Compliments you so well? Where do I fail?
Does he bleed ink for you upon a sheet
of paper? Past open
Red. Reading of a future that slowly grows pale.

I bet this is all just self fulfilling prophecy,
That I **** us with my pen.
Tell me, where is the problem with love at this age?
(****) there, that word again, it keeps coming up from the sea
Of rhetoric in me.
Just appears in ink; dark as death upon this page.

If I don’t understand, how can I feel it?
There is little reason,
At least that is how it now appears.
No don’t get up and go away, please, just sit
And hear me out.
Just very quick before it all disappears.

People say many things about what beauty is not,
But not what is it.
We are, thus, confused for a while:
They stop at what the zeitgeist calls 'hot,'
Never looking further.
Or perhaps going just far enough to see a smile.

If it were your smile, that would suffice,
But you don't stop there.
You open up a past that is hard to bear,
And yet every day you go on, not being tempered like ice.
Not everyone could do that.
That one time I dyed the roots of your hair,

You saw a small piece of my soul,
And showed me tender eyes.
Hope rustled in the fallen, dead leaves of my past.
So you started to fill in, bit by bit, the hole
I've had for years.
That weekend we started something I hop'd would last.

But back to beauty, you are its personification--
and I a troll.
You always worry about others, not you.
People flock to you for a feeling of elation,
Fulfilled for a bit.
You have a joviality of spirit that is so true

As to turn a gray sky blue again.
Why you? Why me?
Why and how did it ever come to this?
It seems you are a Muse to me, all this from pain.
Always you asked
If I was fine, I lied and told you all was bliss.

Is it unfair to ask you if you will be mine,
that I may be yours?
I know I said December, but it hurts too much now.
Don't answer yet. Until you do I can pretend it's fine.
More to say that you should know,
But don't let what follows change how

You answer. At least feel no guilt or fear.
I won’t lose you.
But until next year I might have to leave, go away--
Excepting your play, I hold you to dear
to miss that.
When I'm ready I will come back, one day.

If you need me in that time, just text me
saying so.
Or you know where I live, my door's open.
God, this is hard, I can't just flee.
But I need space...
Not that you have held me in any pen;

Just that I'm a fool and wait for
any response from you.
It would seem I am bad for us...
Ben Jones Apr 2014
Peter built a paper boat
To set afloat upon the sea
And visit spots of hidden coast
Where not a ghost of man would be
He painted letters on her bow
Which soon would plough and skip and trot
Between the waves which rose and fell
The letters spelled ‘Forget Me Not’

He bid his love a fond goodbye
The tide was high when he embarked
And drifted from his lonely cove
While weather drove and seagulls larked
His course was set, horizon bound
For solid ground and ****** shore
When darkness fell he made a bed
'Goodnight' he said and nothing more

His fast was broken elegantly
Delicately poached, his eggs
His freshly laundered morning clothes
Were hung in rows on paper pegs
He cut a furrow, straight and true
Across the blue, towards the sun
But in the distance, lightning spat
As thunder rattled, eddies spun

The tempest threw a wall of ice
Like careless dice, they clattered down
The sails dropped amid the squall
The hatches all were battened down
A curse was uttered through the storm
Its evil born on salty spray
With gusting arms of icy wet
It threw Forget Me Not away

He coughed awake, all caked in sand
Upon a strand of desert beach
Forget Me Not had run a-ground
But safely found the water's reach
He walked ashore and found a glade
Within it, made a paper home
And origami wings, he built
To never wilt and ever roam

He felled the tree and smote the ground
A frame, he wound of paper string
His garden flourished all around
Each sight and sound of ever-spring
The flowers jostled in their beds
And turned their heads to follow him
He kept his distance from the blue
In case the view should swallow him

An evil creature stalked the trees
It dined on bees and butterflies
On owls and cats, it liked to sup
To gobble up and gluttonize
With paper sword, he killed the beast
And cooked a feast to celebrate
A rain cloud sought to disagree
But quick was he to remonstrate

He flew his island, shore to shore
And kept a score of fire flies
They hung imprisoned in a glass
The light they cast could hypnotise
With nothing left to see or do
He flew up to the highest spot
And carved into a single tree
Remember me, forget me not

His boat remade and set a-sail
The heavens pale with early dawn
Upon his bed, he sat inert
With paper curtains neatly drawn
His charts uncharted, compass blunt
A currant bun, to satiate
A world of peril out to sea
To skillfully negotiate

Some time to contemplate the past
And backward cast the here and now
The Merfolk sang a siren song
And leapt along beside his bough
They guided him to foreign ports
Where shady sorts in cider soak
The tales they told were sizeable
And risible, the words they spoke

He folded down his paper boat
Into a coat of paper lace
And set the ocean to his back
The open track, he turned to face
The way he took was through a copse
The swaying tops of mighty pines
Leant form and rhythm to his pace
Upon his face were thoughtful lines

To either side, the shadows grew
No more, the blue shone through the boughs
And branch and bracken, driven wide
Were cast aside as careless vows
He chanced upon a quiet nook
A winding brook, it scurried by
It seemed a place where time would bide
While either side it hurried by

So dining sparse on only bread
He laid his head upon the ground
A lullaby the branches sighed
Was far and wide, the only sound
He deftly pitched a paper tent
And in it, spent a weary night
A whisper echoed in his ear
It lingered near, beyond his sight

So many weeks of rambling
Through bramble and through briar patch
And pausing for an hour at best
With feet to rest and breath to catch
The summer season on the wane
With autumn rain, attention pinned
To pounce on unsuspecting shoulder
Ever colder rose the wind

Above the adolescent fruit
Fed by the roots of ancient trees
Gave promise of a juicy crop
But yet to drop, they simply tease
Upon a morning laced with dew
A shadow grew and fell across
The spongy ground rose underfoot
And boulders jutted through the moss

The space between the trunks expanded
Saplings stranded on the scree
And whispers carried on the air
From places where they couldn't be
A sheer cliff now blocked the way
A ***** gray and smothering
Against, there thrived a mess of vines
With jagged spines their covering

He found a cave and ventured in
A desperate grin upon his lips
His chattering of nervous teeth
Was lost beneath the endless drips
Reverberating ceaselessly
Increasing with each fall of foot
A passageway and crooked path
By wrath of ancient water, cut

The arid air was felt to shift
And Peter sniffed a musky trace
The passage opened wide and tall
It sprawled into a massive space
The walls were smooth as beetle hide
But all inside was bathed in black
The flies were putting up a fight
But solid night was biting back

A tower carved from stalactite
In spite of probability
Was looming from the cavern top
And from it dropped futility
A spring of purest liquid gloom
Within, there bloomed an evil thirst
For those who drank a thimble worth
Would tread the earth, forever cursed

The cavern floor was laced with dust
A powdered crust of rotted skin
As Peter neared the central spire
The fire flies grew weak and thin
But all across the distant dark
There lit a spark and sprang a flame
That burst from ancient blackened lamp
To banish damp and shadow shame

A scrabbling amid the murk
As forward, lurked a breaking wave
Of decomposing denizens
The citizens of Evergrave
With sinew bared through rotted hide
The flesh inside was yellowing
From every throat that still remained
There shot a baneful bellowing

They forced him to the tower's tip
From which the drip of night was thrown
Gruesome stairs he climbed in haste
Of interlaced and knotted bone
A dire tunnel led within
The light was thin and shadow thick
A deathly door he tumbled through
And fell into a bloodied slick

Within was rank and heavy air
Like foxes lair where hunters slept
The walls, from living flesh, were stitched
The carpet twitched as Peter stepped
The Zombie Queen sat on her throne
Of flesh and bone of Underlands
She rested on its gory arms
Which raised their palms and held her hands

The creature laughed and cocked her head
A single thread of drool there hung
Between her lips and fear crowned
The single sound which echoes sung
The living walls, they tensed and strained
As terror reigned and ichor dripped
And when the monarch of the dead
Inclined her head, the stitches ripped

She spoke in harsh and bitter tones
As withered crones do curses bloom
The fate of Peter turned to dread
His soul, the dead would soon entomb
A single card he had to play
On such a day, in such a spot
He grinned and bid the rotting queen
‘Your time has been, forget me not’

His folded coat he casted wide
And from inside, a paper storm
Within the flurry, shapes were made
As wings were splayed and talons formed
A paper dragon rustled forth
And in his jaws, the queen he caught
He turned on the assembled dead
Within his head, a single thought

Peter climbed between the wings
Where paper rings he’d fastened there
Gave safety for the coming fight
And all the night, he nestled there
Until the dragon fell asleep
Upon a heap of smitten foes
And Peter robbed the deathly hoard
Each room explored on stealthy toes

He shunned the dark and met the day
And made away for higher ground
Along a path of narrow ledges
Razor edges, upwards wound
A trail, he scaled around the peak
Of Raven’s Beak the mighty mount
Up slopes which claimed so many lives
And widowed wives beyond his count

He stood atop the pinnacle
Where clinical, the ****** snow
Reflecting in the autumn light
Lent all a white and eerie glow
The frost had chilled his fleshy core
His eyes absorbed the scenery
A distant shoreline tugged his soul
A long unfolding memory

Of home and of his fireside
His future bride would tarry there
The tiny church upon the sand
He’d always planned to marry there
He took his dagger from his sock
Into the rock at just that spot
He carved upon the highest stone
I turn to home, forget me not

The knotted land that lay between
Had never been abode to man
The name it took was infamous
And ominous: The Neverspan
Its valleys tinkered with the eye
A fractured sky shone crookedly
Above a wood of vacant trees
That clawed the breezes hookedly

The setting sun would lead the way
Through lands which lay in wait for him
To bare him forth, a paper horse
To keep a course and gait for him
The blackness trickled from the bark
The  tangled dark enshrouded him
And songs in long forgotten tongues
About him hung and clouded him

He journeyed through the Ebonmire
Though fire failed to kindle there
His breath before him writhed in blight
And turned to fight the rancid air
Through many months of loneliness
And bitterness of solitude
He conquered the abandoned wood
And silent stood in gratitude

He forayed through the hill and plain
As on the wane the winters hold
The grass had shaken off the snow
Its Icy glow had turned to gold
A paper hat he now prepared
For as he fared, the rain endured
His horse was crumpled in the wet
No living vet would see it cured

The seasons tumbled mindlessly
And rivalry removed his haste
A sallow band of Neverbeast
By shadow greased and interlaced
With paper sword, he lay in wait
To penetrate each haggard hide
And when their blood was deftly spilled
A phial he filled for sake of pride

The sun became his only guide
His face belied his weariness
With little left to raise his soul
Above the cold and dreariness
Until the second summer passed
And sunset cast a silhouette
The outline of a tiny church
Was perched beside a maisonette

A flutter leapt about his heart
And wide apart, his eyes were flung
As Peter ran with tired limbs
The heavens dimmed and crickets sung
He reached his open garden gate
His face elated, turned to woe
As through the window he could see
His bride to be would not be so

A gentleman stood at her side
His bride adorned in happiness
And though it burned in Peter’s chest
His wrath would rest in idleness
So with a final fleeting peek
He turned to seek a worthy cause
Before he left he knelt before
His former door and seemed to pause

He fled upon his paper wings
As many things he’d yet to see
A myriad of foreign faces
Distant places he should be
He sailed the sky and sought the sand
His native land he soon forgot
Behind, he left a single note
And on it wrote: Forget me not
rohith Jul 2010
At the patio i sat
gazing at the blazing blackness
of inevitable strokes of
a glorified paint brush!
Entangled by the utmost masochism
my muscles rustled with ignorance
as the sky rumbled like a **** ghost
trying to tune the infernal chaos
that got demoralized and dehumanized
in the silence of darkness
that devastated the darkness of silence!
Steams of intolerable poignancy
curled around
like ignited demons
trying to tantalize my fears!
Trying to materialize the scene
the storm flashed in rage
ravishing the darkness
dazzled the impatience of night
as it rained in my heart
whose fragrance
lured my innocence.
Sierra R May 2011
Tall, slender
Silhouetted against the sky
Rustled by a light breeze
Green fronds wave
At Mina birds swooping by.
Mina bird, Mina bird
What do you see,
Perched up on top of
That tall palm tree?

Slender, strong
Swaying in the breeze
Little songbirds find food
In the pock-marked, gray trunk
Of the tall palm trees.
Oh, what made those marks
So many, and deep
Into which tasty bugs
Like to creep?

Strong, flexible
With a heavy top
From which coconuts
With smiling faces
Like to drop.
Plop! Plop! Plop!
Watch your head!
Sir Isaac Newton
Would be dead.
Leaves rustled and hot winds blew
My shirtless chest glistened in the hot sun
While men's strong backs strained against dock and lift

And as I walked to water's edge
Your naked form would rise to greet me
Those haunting eyes, full ******* and wanton hips
Beckoned me, "Come to me Sir.  All that I am is yours"

Yet she was a spirit, a nymph
Not meant for union with mortal men
So as my arms parted cool waters, I heard her cries
"I am so sorry Sir" as she disappeared forever into the depths
Cassie Mae Dec 2010
there was a stillness in the air.

no leaves rustled.
no frost crackled.

no air stirred.
no birds sung.

i didn't blink.
i didn't breathe.
i didn't feel my heartbeat.

there was a stillness in the air
to echo the lull within my chest.

no tears boiled atop my open eyelids.
no sobs escaped my tranquil lips.

there was stillness in the air.
Cassie Mae Writings 2010
Once upon a time a long way away
The Prince married the Wizard's daughter
Within the Queen's garden they said their vows
Wonderful day in the land of Stohyer

Then came the black witch and let it be known
Her pale white skin sent shivers through the crowd
Her voice cackled making the guests tremble
Thy firstborns blood will make my skin shine proud

To the Wizard's cave they sought his advice
There his red haired daughter told of their plight
Then with dagger he cut each of their hair
Mingled hair in cauldron opened the sight

The clear water began to boil and churn
When it calmed down it was like a birds eye view
This sight was flying fast over the land
To the far corners of the land they flew

Then the sight did still, showing a great bear
The bear looked up at them giving a growl
Come ask me kindly as he showed loose claws
The King understood the bears words in growl

Then sight flew to show an old grand dragon
The dragon saw them and bellowed great flame
Come ask me kindly showing pile of scales
The Prince understood the words from the flame

Then the Queens garden to a strong old tree
The tree swayed and the wind rustled the leaves
Come ask me kindly showing huge walnut
The Queen understood rustling of the leaves

Leaving Wizard and daughter safe in cave
The king rode hard and fast to see the bear
The Prince climbed up high to meet the dragon
The Queen to her garden asked tree to share

Once returned they gave the gifts to Wizard
The bear gave claw of a great warrior
Dragon gave the scale of the first dragon
Placed in walnut shell to protect Stohyer

Wizard sealed the shell and gave to daughter
Keep warm and with you always my daughter
When you are with child it will crack open
Revealing a protector of Stohyer

The red haired Princess took care of the shell
The Princess kept it with her everywhere
Then one morning she awoke to cracking
With husband they watched a hatching to share

It cracked a little here and then more there
Revealing something they had never seen
A bearlike furry ball with a long tail
Stretching out little horns could now be seen

The eyes of the Prince and Princess went wide
Something beautiful and new was now there
Looking up at them with green dragon eyes
The Princess cuddled Teddy Dragon Bear
Second poem of the Black Witch Saga
r Jul 2014
Your sweet lips
taste just like hers
I've tasted them before
Tasty honey lipstick
on top of yours
You rustled me
out of her door
Now you're on the inside
taking more than I could give
Sighing with your lips
on top of hers
She's wanting more
Give her another kiss for me
then hurry home
and kiss me with her lipstick
while I think of her
on top of yours.

r ~ 7/18/14
\¥/\
|    ♡♥♡
/ \
Robert Zanfad Mar 2011
Edgar Allen settled evenings in the room at the rear
at a desk by the window where he could hear
breeze-rustled sycamore leaves sleeping
behind the neighbor’s house next door

through night’s florescent blue moon light,
its mist through low leaden clouds
he imagined the phantom he named Lenore,
and remembered lost Annabelle Lee  
amore he'd left laid alone aside a blackened sea

hers, the voice of a tree speaking, hushed,
like distant waves rushed upon shore,
faintly whispering heart-secrets
the ardent couldn’t keep evermore

was it she who sighed with love’s breathless lips
to flicker the flame of a tortured oil lamp’s light
the words born laboring children
with pen put in service to cover past rent,
refill an empty flask of verdant absinthe
for a nine-dollar-half-column poem -
fodder for fickle romantics to tear over
before a performance of Bellini’s new Norma

hardened, our modern hearts
fattened on diets of swollen bellies
that belie the dour misery of starving
they’ve grown sclerotic and cynical,
hungry for suffering flavored substantial -
a greasy disaster to stain the paper wrapper
enclosing depths of the human condition


sophisticates, we dismissed puerile appetite
for honeyed songs of longing,
the ornamented confections of jealous angels
old drunken poets sang
until dark full comes, alone, and we’re small again

then shadows still speak to starry skies
and fairy tales may come alive
to suspend belief with secret dreams
of the dear, lost Annabelle Lee
In an annual tradition that ended in 2009, a mysterious stranger would place three roses on Edgar Allen Poe's grave to commemorate his birthday.

— The End —