Submit your work, meet writers and drop the ads. Become a member
🙏
OUR LIFE, A RIVULET

Our life is like a rivulet; going through a constant change; dashing alone, through paths difficult n rough

Picking up many relationships on the way, some good, some bad, some mild, some angry n gruff

Needs a rivulet to turn into a  river; n then to reach her destination final, to the Sea  so mighty, really huge !

Rest she just cannot, it's a winding journey, meandering, but there is no going back, no refuge !

A bumpy jumpy childhood, followed by a carefree or stressful youth; then perhaps it flows smoothly for a while;

She sometimes gets a chance to happy be; to gracefully flow; and at life, satisfactorily smile

Then again as youth recedes,  relatives also part, into many factions at the delta, she is now broken !

These parts big and small, all into the mighty ocean submerge; it is now that a rivulet, that has turned into a river is, finally unified, in Heaven awoken.

Armin Dutia Motashaw
Hilda Nov 2012
You must wake and call me early, call me early, mother dear;
To-morrow 'ill be the happiest time of all the glad New-year;
Of all the glad New-year, mother, the maddest merriest day;
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

There's many a black, black eye, they say, but none so bright as mine;
There's Margaret and Mary, there's Kate and Caroline:
But none so fair as little Alice in all the land they say,
So I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

I sleep so sound all night, mother, that I shall never wake,
If you do not call me loud when the day begins to break:
But I must gather knots of flowers, and buds and garlands gay,
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

As I came up the valley whom think ye should I see,
But Robin leaning on the bridge beneath the hazel-tree?
He thought of that sharp look, mother, I gave him yesterday,--
But I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

He thought I was a ghost, mother, for I was all in white,
And I ran by him without speaking, like a flash of light.
They call me cruel-hearted, but I care not what they say,
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

They say he's dying all for love, but that can never be:
They say his heart is breaking, mother--what is that to me?
There's many a bolder lad 'ill woo me any summer day,
And I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

Little Effie shall go with me to-morrow to the green,
And you'll be there, too, mother, to see me made the Queen;
For the shepherd lads on every side 'ill come from far away,
And I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

The honeysuckle round the porch has wov'n its wavy bowers,
And by the meadow-trenches blow the faint sweet cuckoo-flowers;
And the wild marsh-marigold shines like fire in swamps and hollows gray,
And I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

The night-winds come and go, mother, upon the meadow-grass,
And the happy stars above them seem to brighten as they pass;
There will not be a drop of rain the whole of the live-long day,
And I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

All the valley, mother, 'ill be fresh and green and still,
And the cowslip and the crowfoot are over all the hill,
And the rivulet in the flowery dale 'ill merrily glance and play,
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

So you must wake and call me early, call me early, mother dear,
To-morrow 'ill be the happiest time of all the glad New-year:
To-morrow 'ill be of all the year the maddest merriest day,
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

New Year's Eve

If you're waking, call me early, call me early, mother dear,
For I would see the sun rise upon the glad new-year.
It is the last new-year that I shall ever see,—
Then you may lay me low i' the mold, and think no more of me.

To-night I saw the sun set,—he set and left behind
The good old year, the dear old time, and all my peace of mind;
And the new-year's coming, mother; but I shall never see
The blossom on the blackthorn, the leaf upon the tree.

Last May we made a crown of flowers; we had a merry day,—
Beneath the hawthorn on the green they made me Queen of May;
And we danced about the May-pole and in the hazel copse,
Till Charles's Wain came out above the tall white chimney-tops.

There's not a flower on all the hills,—the frost is on the pane;
I only wish to live till the snowdrops come again.
I wish wish the snow would melt and the sun come out on high,—
I long to see a flower so before the day I die.

The building-rook'll caw from the windy tall elm-tree,
And the tufted plover pipe along the fallow lea,
And the swallow'll come back again with summer o'er wave,
But I shall lie alone, mother, within the mouldering grave.

Upon the chancel casement, and upon that grave of mine,
In the early morning the summer sun'll shine,
Before the red **** crows from the farm upon the hill,—
When you are warm-asleep, mother, and all the world is still.

When the flowers come again, mother, beneath the waning light
You'll never see me more in the long grey fields at night;
When from the dry dark wold the summer airs blow cool
On the oat-grass and the sword-grass, and the bullrush in the pool.

You'll bury me, my mother, just beneath the hawthorn shade,
And you'll come sometimes and see me where I am lowly laid.
I shall not forget you, mother; I shall hear you when you pass,
With your feet above my head in the long and pleasant grass.

I have been wild and wayward, but you'll forgive me now;
You'll kiss me, my own mother, upon my cheek and brow;
Nay, nay, you must no weep, nor let your grief be wild;
You should not fret for me, mother—you have another child.

If I can, I'll come again, mother, from out my resting-place;
Though you'll not see me, mother, I shall look upon your face;
Though I cannot speak a word, I shall harken what you say,
And be often, often with you when you think I'm far away.

Good night! good night! when I have said good night forevermore,
And you see me carried out from the threshold of the door,
Don't let Effie come to see me till my grave be growing green,—
She'll be a better child to you then ever I have been.

She'll find my garden tools upon the granary floor.
Let her take 'em—they are hers; I shall never garden more.
But tell her, when I'm gone, to train the rosebush that I set
About the parlour window and box of mignonette.

Good night, sweet-mother! Call me before the day is born.
All night I lie awake, but I fall asleep at morn;
But I would see the sun rise upon the glad new-year,—
So, if you're waking, call me, call me early, mother dear.

Conclusion.

I thought to pass away before, and yet alive I am;
And in the fields all around I hear the bleating of the lamb.
How sadly, I remember, rose the morning of the year!
To die before the snowdrop came, and now the violet's here.

O, sweet is the new violet, that comes beneath the skies;
And sweeter is the young lamb's voice to me that cannot rise;
And sweet is all the land about, and all the flowers that blow;
And sweeter far is death than life, to me that long to go.

I seemed so hard at first, mother, to leave the blessed sun,
And now it seems as hard to stay; and yet, His will be done!
But still I think it can't be long before I find release;
And that good man, the clergyman, has told me words of peace.

O, blessings on his kindly voice, and on his silver hair,
And blessings on his whole life long, until he meet me there!
O, blessings on his kindly heart and on his silver head!
A thousand times I blest him, as he knelt beside my bed.

He taught me all the mercy for he showed me all the sin;
Now, though my lamp was lighted late, there's One will let me in.
Nor would I now be well, mother, again, if that could be;
For my desire is but to pass to Him that died for me.

I did not hear the dog howl, mother, or the death-watch beat,—
There came a sweeter token when the night and morning meet;
But sit beside my bed, mother, and put your hand in mine,
And Effie on the other side, and I will tell the sign.

All in the wild March-morning I heard the angels call,—
It was when the moon was setting, and the dark was over all;
The trees began to whisper, and the wind began to roll,
And in the wild March-morning I heard them call my soul.

For, lying broad awake, I thought of you and Effie dear;
I saw you sitting in the house, and I no longer here;
With all my strength I prayed for both—and so I felt resigned,
And up the valley came a swell of music on the wind.

I thought that is was fancy, and I listened in my bed;
And then did something speak to me,—I know not what was said;
For great delight and shuddering took hold of all my mind,
And up the valley came again the music on the wind.

But you were sleeping; and I said, "It's not for them,—it's mine;"
And if it comes three times, I thought, I take it for a sign.
And once again it came, and close beside the window-bars;
Then seemed to go right up to heaven and die among the stars.

So now I think my time is near; I trust it is. I know
The blessèd music went that way my soul will have to go.
And for myself, indeed, I care not if I go to-day;
But Effie, you must comfort her when I am past away.

And say to Robin a kind word, and tell him not to fret;
There's many a worthier than I, would make him happy yet.
If I had lived—I cannot tell—I might have been his wife;
But all these things have ceased to be, with my desire of life.

O, look! the sun begins to rise! the heavens are in a glow;
He shines upon a hundred fields, and all of them I know.
And there I move no longer now, and there his light may shine,—
Wild flowers in the valley for other hands than mine.

O, sweet and strange it seems to me, that ere this day is done
The voice that now is speaking may be beyond the sun,—
Forever and forever with those just souls and true,—
And what is life, that we should moan? why make we such ado?

Forever and forever, all in a blessèd home,—
And there to wait a little while till you and Effie come,—
To lie within light of God, as I lie upon your breast,—
And the wicked cease from troubling, and weary are at rest.

**~By Alfred Lord Tennyson 1809—1892~
Education Gives Luster to Motherland

Wise education, vital breath
Inspires an enchanting virtue;
She puts the Country in the lofty seat
Of endless glory, of dazzling glow,
And just as the gentle aura's puff
Do brighten the perfumed flower's hue:
So education with a wise, guiding hand,
A benefactress, exalts the human band.

Man's placid repose and earthly life
To education he dedicates
Because of her, art and science are born
Man; and as from the high mount above
The pure rivulet flows, undulates,
So education beyond measure
Gives the Country tranquility secure.

Where wise education raises a throne
Sprightly youth are invigorated,
Who with firm stand error they subdue
And with noble ideas are exalted;
It breaks immortality's neck,
Contemptible crime before it is halted:
It humbles barbarous nations
And it makes of savages champions.
And like the spring that nourishes
The plants, the bushes of the meads,
She goes on spilling her placid wealth,
And with kind eagerness she constantly feeds,
The river banks through which she slips,
And to beautiful nature all she concedes,
So whoever procures education wise
Until the height of honor may rise.

From her lips the waters crystalline
Gush forth without end, of divine virtue,
And prudent doctrines of her faith
The forces weak of evil subdue,
That break apart like the whitish waves
That lash upon the motionless shoreline:
And to climb the heavenly ways the people
Do learn with her noble example.

In the wretched human beings' breast
The living flame of good she lights
The hands of criminal fierce she ties,
And fill the faithful hearts with delights,
Which seeks her secrets beneficent
And in the love for the good her breast she incites,
And it's th' education noble and pure
Of human life the balsam sure.

And like a rock that rises with pride
In the middle of the turbulent waves
When hurricane and fierce Notus roar
She disregards their fury and raves,
That weary of the horror great
So frightened calmly off they stave;
Such is one by wise education steered
He holds the Country's reins unconquered.
His achievements on sapphires are engraved;
The Country pays him a thousand honors;
For in the noble ******* of her sons
Virtue transplanted luxuriant flow'rs;
And in the love of good e'er disposed
Will see the lords and governors
The noble people with loyal venture
Christian education always procure.

And like the golden sun of the morn
Whose rays resplendent shedding gold,
And like fair aurora of gold and red
She overspreads her colors bold;
Such true education proudly gives
The pleasure of virtue to young and old
And she enlightens out Motherland dear
As she offers endless glow and luster.
This little rill, that from the springs
Of yonder grove its current brings,
Plays on the ***** a while, and then
Goes prattling into groves again,
Oft to its warbling waters drew
My little feet, when life was new,
When woods in early green were dressed,
And from the chambers of the west
The warmer breezes, travelling out,
Breathed the new scent of flowers about,
My truant steps from home would stray,
Upon its grassy side to play,
List the brown thrasher's vernal hymn,
And crop the violet on its brim,
With blooming cheek and open brow,
As young and gay, sweet rill, as thou.

  And when the days of boyhood came,
And I had grown in love with fame,
Duly I sought thy banks, and tried
My first rude numbers by thy side.
Words cannot tell how bright and gay
The scenes of life before me lay.
Then glorious hopes, that now to speak
Would bring the blood into my cheek,
Passed o'er me; and I wrote, on high,
A name I deemed should never die.

  Years change thee not. Upon yon hill
The tall old maples, verdant still,
Yet tell, in grandeur of decay,
How swift the years have passed away,
Since first, a child, and half afraid,
I wandered in the forest shade.
Thou ever joyous rivulet,
Dost dimple, leap, and prattle yet;
And sporting with the sands that pave
The windings of thy silver wave,
And dancing to thy own wild chime,
Thou laughest at the lapse of time.
The same sweet sounds are in my ear
My early childhood loved to hear;
As pure thy limpid waters run,
As bright they sparkle to the sun;
As fresh and thick the bending ranks
Of herbs that line thy oozy banks;
The violet there, in soft May dew,
Comes up, as modest and as blue,
As green amid thy current's stress,
Floats the scarce-rooted watercress:
And the brown ground-bird, in thy glen,
Still chirps as merrily as then.

  Thou changest not--but I am changed,
Since first thy pleasant banks I ranged;
And the grave stranger, come to see
The play-place of his infancy,
Has scarce a single trace of him
Who sported once upon thy brim.
The visions of my youth are past--
Too bright, too beautiful to last.
I've tried the world--it wears no more
The colouring of romance it wore.
Yet well has Nature kept the truth
She promised to my earliest youth.
The radiant beauty shed abroad
On all the glorious works of God,
Shows freshly, to my sobered eye,
Each charm it wore in days gone by.

  A few brief years shall pass away,
And I, all trembling, weak, and gray,
Bowed to the earth, which waits to fold
My ashes in the embracing mould,
(If haply the dark will of fate
Indulge my life so long a date)
May come for the last time to look
Upon my childhood's favourite brook.
Then dimly on my eye shall gleam
The sparkle of thy dancing stream;
And faintly on my ear shall fall
Thy prattling current's merry call;
Yet shalt thou flow as glad and bright
As when thou met'st my infant sight.

  And I shall sleep--and on thy side,
As ages after ages glide,
Children their early sports shall try,
And pass to hoary age and die.
But thou, unchanged from year to year,
Gayly shalt play and glitter here;
Amid young flowers and tender grass
Thy endless infancy shalt pass;
And, singing down thy narrow glen,
Shalt mock the fading race of men.
Flow down, cold rivulet, to the sea,
     Thy tribute wave deliver:
No more by thee my steps shall be,
     For ever and for ever.

Flow, softly flow, by lawn and lea,
     A rivulet then a river:
Nowhere by thee my steps shall be
     For ever and for ever.

But here will sigh thine alder tree
     And here thine aspen shiver;
And here by thee will hum the bee,
     For ever and for ever.

A thousand suns will stream on thee,
     A thousand moons will quiver;
But not by thee my steps shall be,
     For ever and for ever.
Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)

Here is a toast for valentine
Valentine in all seasons perennial
Where angst of money for love  
Cradled utopian capitalism,
It is once again in the city of Omurate
In the south most parts of Ethiopia
On the borders of Kenya and Ethiopia
Where actually the river Ormo enters Lake Turkana,
There lived a pair of lovers
With overt compassion for one another
The male lover was an origin of Nyangtom,
A cattle rustling Nilotic kingdom
While the female lover was a descendant of King Solomon
The Jewish children which King Solomon aborted
Because their mother was an Ethiopian African
They now form substantial part of the Ethiopian population
Their clan is known as Amharic, they speak subverted Yiddish,
These lovers were good to one another
Sharing secrets and all other stuffs that go with love.

Both the lovers were fatherless
They had lost their fathers through early death
They only had the mothers, who were again sickly
Their mothers coughed a whole night with whoops
And when in the wee of the night, when temperatures go low
The mothers breathe with wheezing sound
Like peasant music from African violin,
They didn’t eat with good appetite
They always left irritating chunks on the plates,
But they all puked mucus from their mouths
And of course with a very sickening regularity.

The menace of sick mothers intervened with love freedom
Among the inter-compassionate lovers
They did not have time for real active love
I will not mention recurrent missing of ceremonies
Fetes that are bound to go with valentine day
The lovers were bored to their teeth
They don’t knew when gods will come to unyoke them.

Especially the male lover, was most perturbed
His mother looked sorriest
With a scrofulous look on her old aged African face
She looked like a forlorn erstwhile cattle rustler
She ever whined in pain like a trapped hyena
Her son the male lover even began apologizing
To the female lover for such environmental upsets
Hence an African proverb that;
No love is possible with impaired judgment.

One day in the wee of the night
With no electricity nor any source of light
Darkness engulfing each and every aspect of the city
Confirming the hinterland of Africa
The female lover woke up from the sleep
And she never heard the usual wheezing breathes
That her mother often made in such hours,
Feat of suspicion gripped her
She jumped out of her bed to where her mother was
On feeling her, she found her dead, cold like a black member
She was already past the rigor mortis stage of death process
African chilliness had frozen her like a poikilothermic creature.

She wept but not in the uproarious groan
In that instinctive Jewish shrewdness
She did not announce nor inform her lover of her mother’s death
She only washed and groomed the cadaver of her mother
She made a headscarf around the head of dead mother
She even placed reading glasses on her face
On her mother’s dead torso she wrapped a dress
The most expensive of all bought from Egypt,
In the same wee of the night
She carried cadaver of her mother on her shoulders
The way a poor Nigerian farmer would carry a stem of banana
And walked slowly by slowly for a distance of a hundred kilometers
Down ***** into Kenya towards the city of Todanyang in Turkana County
Todanyang was a busy city, but silent and minus people in the night
The king of this city was called Lapur the son of Turkanai
And the law that Lapur passed in this city was archaic
It was; an eye for an eye, a tooth for a tooth, a Jew for a Jew
A pokot for a pokot, a samburu for a samburu
It was simply the law with nothing else
Other than clauses of measure for measure
And clauses of *** for tat instantaneously administered,
On reaching the market she placed her mother standing
Being supported on a sign post at the bus stage
In pose similar to that of an early morning traveler,
She sat a side like a prowling spider awaiting foolish fly
They way an African ***** exposes its red ****
And when the hen comes to peck
It traps and closes the head of the hen
Deeper into its ****,
At that bus stage there was a hotel
Owned by a Rwandese refugee
From the foolish clan of the Hutu
He had ran away from the genocide
In his country, he was also the perpetrator
And thus he was a runaway from the law *** hotelier
His name was Chapuchapu, meaning the quick one,
When Chapuchapu opened the hotel for the early customers
The female lover walked into the hotel
With innocence on her face like all the Jews
She placed an order for two mugs of coffee
And two pieces of bread
When Chapuchapu had placed food on the table
The female lover shrewdly instructed Chapuchapu
To go and hold the hand of the woman standing at the sign post
To bring her into the hotel for morning tea,
Chapuchapu in his unsuspecting charisma
With a mad drive to make money that morning
He dashed out as instructed with his foolish notion
That the customer is the queen, which is not
He grapped the standing cadaver with force
On pulling her to come along
The cadaver tumbled down like a marionette
Everything falling away; headscarf and glasses
Chapuchapu was overtaken by awe
The female lover was watching
Like the big brother in the Orwellian satire, 1984.
When the cadaver of her mother fell
She came out of the hotel
Screaming like a hundred vehicles
Of St John Ambulance
And two hundred Kenyan vehicles of fire brigade
And three hundred Kenyan cash transfer vehicles,
She was accusing Chapuchapu for being careless
Careless in his work that he had killed her mother,
Swam of armed humanity in Turkana loinclothes
Began pouring in like waters of Nile into Mediterranean
Female lover improved the scale of her screaming
Chapuchapu like a heavyweight idiot was dumbfounded
Armed people came in their infinite
Finally king Lapur arrived on his royal donkey
That his foot soldiers had only rustled
From Samburu land a fortnight ago,
The presence of the king quelled the hullabaloo
The king asked to find out what had happened
Amid sops the female lover narrated how
Chapuchapu the hotelier had killed her mother
Through his careless helter skelter behaviour
The king sighed and shouted the judgment
To the mad crowd; an eye for a……….!?
The crowd responded back to the King
In a feat of amok value;
For an eye you mighty Lapur son  ofTurkanai,
The stones, kicks, jabs began rainning
In volleys on an innocent Chapuchapu
Amid shouts that **** him, he came here to **** people
The way he killed a thousand fold in Rwanda.

The sopping female lover requested the king
That his people wait a bit before they continue
Then the king waved to the people to stop
Chapuchapu was on the ground writhing in pain
When the King asked the female lover what was the concern
She requested for pay from Chapuchapu not people to **** him
Chapuchapu accepted to pay whatever the price that will be put
Female lover asked for everything in hundreds;
Carmel, money, Birr, sheep, goats, donkeys, cows
Name them all they were in hundreds
Chapuchapu and his family were saying yes to every demand
And they rushed to bring whatever was said
The payments exhausted Chapuchapu back to square zero
The female lover carried everything away
The cadaver of her mother on her shoulder
She disappeared into the forest
and buried her mother there.

When she arrived home she found the male lover
He looked at her overnight change in fortune in stupefaction
He didn’t believe his eyes, it was a dream
Sweetheart, where have you gotten all these?
Questioned the male lover
Sweetie darling there is market for dead women
At Todanyang in the Turkana County of Kenya
I killed my sickly mother and carried her cadaver
As a trade ware to Todanyang
Whatever I have that you are looking at is the proceed,
Can my mother fetch the same? Asked the male lover
Of course yes, even more
Given the Africanness of your mother
African cadavers fetch more than the Jewish ones
At Todanyang market,
The male lover was now overtaken
By strong urge for quick riches
Was not seeing it getting evening
That day for him was as long as a whole century
He was anxious and restless more tired of a sickly mother
When evening fell he was already ready with the butcherer’s tools
He didn’t have nerves to wait till the wee of the night
As early as eleven in the evening he axed his mother’s head
Into two chunks of human skull spilling the brains in stark horror
Blood streaming like a rivulet all over the house
The male lover was nonchalant to all these
He was in the full feat of determination
To **** and sell his mother to  get the proceeds
With which he could foot the bills of valentine day.

He stuffed the headless blood soaked torso
Of his mothers cadaver in the sisal bag
He threw it to his bag
And began going to Todanyang
The market for human dead bodies
He went half running and half walking
With regular whistling of his favourite poem;
Ode to my Jewish lover
He reached Todanyang in the wee of the night
No human being was in sight
All people had gone as it was late in the night
He then slept in the open with dead body of his mother
Stuffed in the sisal bag beside him
Wandering night dogs regularly disturbed him
As they came to bite at smelling curdled blood
But he always scared them away.
As per the male lover he overslept till five in the morning
But when he woke up he unhesitatingly began to shout
Advertising his ware of trade in foolish version;
Am selling, the body of my mother, I have killed,
I killed her myself, it is still fresh, come and buy,
I will give you’re a bargain price,

When the morning came
People began crowding around him
As he kept on shouting his advertisement
Also Lapur the king came
He was surprised with the situation,
He asked the male lover to confirm
Whatever he was shouting
The male lover vehemently confirmed,
Then the law of an eye for an eye
Effortlessly took its course
Lapur  ordered his people, in a glorious royal decree
To stone the male lover to death
And bury him away without ceremony
Along with his mother in the sisal bag
In the wasted cemetery of villains
The same way Pablo Neruda
Had to bury his dead dog behind the house,

On hearing the tidings
About what had befallen her lover
The female lover had to send out a long giggle
Coming deep from her heart with maximum joy
She took over the estate of the male lover
Combined with hers,
All the animals and everything she took,
She made her son the manager
The son whom she immaculately conceived
Without any nuptial experience in the usual Jewish style
And their wealth multiplied to vastness
And hence toxic valentine gave birth to capitalism
Fizza Abbas May 2015
I can feel that a rivulet of my unsaid desires has pleased my inner demons...
August Aug 2013
'Come to the water,'
he said.

The water will save her,
he thought.

The waves will surround her,
they would.

Enveloped by catharis,
was it an option?

She would have ended up drowning,
in a river of emotions.

She realized that as she backed away,
filled with fear.

The rushing of the water,
wasn't something she wanted to hear.

And she dried up in the sun,
like a leaf, fallen.

And he added his tears to the brook,
*sobbing for his desert lover.
Amara Pendergraft 2013
I.

I cannot choose but think upon the time
When our two lives grew like two buds that kiss
At lightest thrill from the bee's swinging chime,
Because the one so near the other is.

He was the elder and a little man
Of forty inches, bound to show no dread,
And I the girl that puppy-like now ran,
Now lagged behind my brother's larger tread.

I held him wise, and when he talked to me
Of snakes and birds, and which God loved the best,
I thought his knowledge marked the boundary
Where men grew blind, though angels knew the rest.

If he said 'Hush!' I tried to hold my breath;
Wherever he said 'Come!' I stepped in faith.

II.

Long years have left their writing on my brow,
But yet the freshness and the dew-fed beam
Of those young mornings are about me now,
When we two wandered toward the far-off stream

With rod and line. Our basket held a store
Baked for us only, and I thought with joy
That I should have my share, though he had more,
Because he was the elder and a boy.

The firmaments of daisies since to me
Have had those mornings in their opening eyes,
The bunchèd cowslip's pale transparency
Carries that sunshine of sweet memories,

And wild-rose branches take their finest scent
From those blest hours of infantine content.

III.

Our mother bade us keep the trodden ways,
Stroked down my tippet, set my brother's frill,
Then with the benediction of her gaze
Clung to us lessening, and pursued us still

Across the homestead to the rookery elms,
Whose tall old trunks had each a grassy mound,
So rich for us, we counted them as realms
With varied products: here were earth-nuts found,

And here the Lady-fingers in deep shade;
Here sloping toward the Moat the rushes grew,
The large to split for pith, the small to braid;
While over all the dark rooks cawing flew,

And made a happy strange solemnity,
A deep-toned chant from life unknown to me.

IV.

Our meadow-path had memorable spots:
One where it bridged a tiny rivulet,
Deep hid by tangled blue Forget-me-nots;
And all along the waving grasses met

My little palm, or nodded to my cheek,
When flowers with upturned faces gazing drew
My wonder downward, seeming all to speak
With eyes of souls that dumbly heard and knew.

Then came the copse, where wild things rushed unseen,
And black-scathed grass betrayed the past abode
Of mystic gypsies, who still lurked between
Me and each hidden distance of the road.

A gypsy once had startled me at play,
Blotting with her dark smile my sunny day.

V.

Thus rambling we were schooled in deepest lore,
And learned the meanings that give words a soul,
The fear, the love, the primal passionate store,
Whose shaping impulses make manhood whole.

Those hours were seed to all my after good;
My infant gladness, through eye, ear, and touch,
Took easily as warmth a various food
To nourish the sweet skill of loving much.

For who in age shall roam the earth and find
Reasons for loving that will strike out love
With sudden rod from the hard year-pressed mind?
Were reasons sown as thick as stars above,

'Tis love must see them, as the eye sees light:
Day is but Number to the darkened sight.

VI.

Our brown canal was endless to my thought;
And on its banks I sat in dreamy peace,
Unknowing how the good I loved was wrought,
Untroubled by the fear that it would cease.

Slowly the barges floated into view
Rounding a grassy hill to me sublime
With some Unknown beyond it, whither flew
The parting cuckoo toward a fresh spring time.

The wide-arched bridge, the scented elder-flowers,
The wondrous watery rings that died too soon,
The echoes of the quarry, the still hours
With white robe sweeping-on the shadeless noon,

Were but my growing self, are part of me,
My present Past, my root of piety.

VII.

Those long days measured by my little feet
Had chronicles which yield me many a text;
Where irony still finds an image meet
Of full-grown judgments in this world perplext.

One day my brother left me in high charge,
To mind the rod, while he went seeking bait,
And bade me, when I saw a nearing barge,
****** out the line lest he should come too late.

Proud of the task, I watched with all my might
For one whole minute, till my eyes grew wide,
Till sky and earth took on a strange new light
And seemed a dream-world floating on some tide -

A fair pavilioned boat for me alone
Bearing me onward through the vast unknown.

VIII.

But sudden came the barge's pitch-black prow,
Nearer and angrier came my brother's cry,
And all my soul was quivering fear, when lo!
Upon the imperilled line, suspended high,

A silver perch! My guilt that won the prey,
Now turned to merit, had a guerdon rich
Of songs and praises, and made merry play,
Until my triumph reached its highest pitch

When all at home were told the wondrous feat,
And how the little sister had fished well.
In secret, though my fortune tasted sweet,
I wondered why this happiness befell.

'The little lass had luck,' the gardener said:
And so I learned, luck was with glory wed.

IX.

We had the self-same world enlarged for each
By loving difference of girl and boy:
The fruit that hung on high beyond my reach
He plucked for me, and oft he must employ

A measuring glance to guide my tiny shoe
Where lay firm stepping-stones, or call to mind
'This thing I like my sister may not do,
For she is little, and I must be kind.'

Thus boyish Will the nobler mastery learned
Where inward vision over impulse reigns,
Widening its life with separate life discerned,
A Like unlike, a Self that self restrains.

His years with others must the sweeter be
For those brief days he spent in loving me.

X.

His sorrow was my sorrow, and his joy
Sent little leaps and laughs through all my frame;
My doll seemed lifeless and no girlish toy
Had any reason when my brother came.

I knelt with him at marbles, marked his fling
Cut the ringed stem and make the apple drop,
Or watched him winding close the spiral string
That looped the orbits of the humming top.

Grasped by such fellowship my vagrant thought
Ceased with dream-fruit dream-wishes to fulfil;
My aëry-picturing fantasy was taught
Subjection to the harder, truer skill

That seeks with deeds to grave a thought-tracked line,
And by 'What is,' 'What will be' to define.

XI.

School parted us; we never found again
That childish world where our two spirits mingled
Like scents from varying roses that remain
One sweetness, nor can evermore be singled.

Yet the twin habit of that early time
Lingered for long about the heart and tongue:
We had been natives of one happy clime
And its dear accent to our utterance clung.

Till the dire years whose awful name is Change
Had grasped our souls still yearning in divorce,
And pitiless shaped them in two forms that range
Two elements which sever their life's course.

But were another childhood-world my share,
I would be born a little sister there.
David R Mar 2019
In her dream, a cataract torrent
Crashes to effervescence,
Force and verve, vivacious apparent,
Shoots arrowed iridescence.

In reality, a rivulet meanders,
Blind to mountain, fountain and fell,
Downhill she flows, barely seen,
Pebbles 'n stones part of her scene.

Here she circumvents boulder and rock,
There gives way to shout and shock,
Hiding her head between her knees
She longs to lose herself in the seas.

I knelt down close to hear her cries,
Allowed her tears wash over my eyes,
Caressed her soft water with my hand,
Sprinkled her sweetness o'er the land.

'Sweet stream', I whisper'd, 'The waterfall you dream,
Lives through its awful roar ‘n terror,
But life lives not in its awesome scream,
Life lives not in its horror.'

'Without you, doe could not parch their thirst,
Frogs would not breed or dippers immerse.
Heavenly daughter, jeweled traverse,
One silent ripple is an angel's universe.’
BLT's Merriam-Webster Word of The Day Challenge:
#cataract
topaz oreilly Apr 2014
The  rivulet carries your dreams
as will the  cherry  blossom,
an eddy of  hope will  serenade
before a certain loss shorns your patience,
of  a  love lost
and to  realise  its only  channel is  a seashell
the  sound  before  the  rivulet
where  once  you  were the  liege
but  the  coarse fisherman's daughter
left with the  whittle of a voyage
can only  laugh at  the  serenity of  your  suggestion
the assumption behind  your  dream
“Nullus enim locus sine genio est.”

  Servius.

“La musique,” says Marmontel, in those “Contes
Moraux” which in all our translations we have insisted upon
calling “Moral Tales,” as if in mockery of their
spirit—”la musique est le seul des talens qui
jouisse de lui-meme: tous les autres veulent des
temoins.” He here confounds the pleasure derivable from
sweet sounds with the capacity for creating them. No more
than any other talent, is that for music susceptible
of complete enjoyment where there is no second party to
appreciate its exercise; and it is only in common with other
talents that it produces effects which may be fully
enjoyed in solitude. The idea which the raconteur has
either failed to entertain clearly, or has sacrificed in its
expression to his national love of point, is
doubtless the very tenable one that the higher order of
music is the most thoroughly estimated when we are
exclusively alone. The proposition in this form will be
admitted at once by those who love the lyre for its own sake
and for its spiritual uses. But there is one pleasure still
within the reach of fallen mortality, and perhaps only one,
which owes even more than does music to the accessory
sentiment of seclusion. I mean the happiness experienced in
the contemplation of natural scenery. In truth, the man who
would behold aright the glory of God upon earth must in
solitude behold that glory. To me at least the presence, not
of human life only, but of life, in any other form than that
of the green things which grow upon the soil and are
voiceless, is a stain upon the landscape, is at war with the
genius of the scene. I love, indeed, to regard the dark
valleys, and the gray rocks, and the waters that silently
smile, and the forests that sigh in uneasy slumbers, and the
proud watchful mountains that look down upon all,—I
love to regard these as themselves but the colossal members
of one vast animate and sentient whole—a whole whose
form (that of the sphere) is the most perfect and most
inclusive of all; whose path is among associate planets;
whose meek handmaiden is the moon; whose mediate sovereign
is the sun; whose life is eternity; whose thought is that of
a god; whose enjoyment is knowledge; whose destinies are
lost in immensity; whose cognizance of ourselves is akin
with our own cognizance of the animalculae which
infest the brain, a being which we in consequence regard as
purely inanimate and material, much in the same manner as
these animalculae must thus regard us.

Our telescopes and our mathematical investigations assure us
on every hand, notwithstanding the cant of the more ignorant
of the priesthood, that space, and therefore that bulk, is
an important consideration in the eyes of the Almighty. The
cycles in which the stars move are those best adapted for
the evolution, without collision, of the greatest possible
number of bodies. The forms of those bodies are accurately
such as within a given surface to include the greatest
possible amount of matter; while the surfaces themselves are
so disposed as to accommodate a denser population than could
be accommodated on the same surfaces otherwise arranged. Nor
is it any argument against bulk being an object with God
that space itself is infinite; for there may be an infinity
of matter to fill it; and since we see clearly that the
endowment of matter with vitality is a principle—
indeed, as far as our judgments extend, the leading
principle in the operations of Deity, it is scarcely logical
to imagine it confined to the regions of the minute, where
we daily trace it, and not extending to those of the august.
As we find cycle within cycle without end, yet all revolving
around one far-distant centre which is the Godhead, may we
not analogically suppose, in the same manner, life within
life, the less within the greater, and all within the Spirit
Divine? In short, we are madly erring through self-esteem in
believing man, in either his temporal or future destinies,
to be of more moment in the universe than that vast “clod of
the valley” which he tills and contemns, and to which he
denies a soul, for no more profound reason than that he does
not behold it in operation.

These fancies, and such as these, have always given to my
meditations among the mountains and the forests, by the
rivers and the ocean, a tinge of what the every-day world
would not fail to term the fantastic. My wanderings amid
such scenes have been many and far-searching, and often
solitary; and the interest with which I have strayed through
many a dim deep valley, or gazed into the reflected heaven
of many a bright lake, has been an interest greatly deepened
by the thought that I have strayed and gazed alone.
What flippant Frenchman was it who said, in allusion to the
well known work of Zimmermann, that “la solitude est une
belle chose; mais il faut quelqu’un pour vous dire que la
solitude est une belle chose”? The epigram cannot be
gainsaid; but the necessity is a thing that does not exist.

It was during one of my lonely journeyings, amid a far
distant region of mountain locked within mountain, and sad
rivers and melancholy tarns writhing or sleeping within all,
that I chanced upon a certain rivulet and island. I came
upon them suddenly in the leafy June, and threw myself upon
the turf beneath the branches of an unknown odorous shrub,
that I might doze as I contemplated the scene. I felt that
thus only should I look upon it, such was the character of
phantasm which it wore.

On all sides, save to the west where the sun was about
sinking, arose the verdant walls of the forest. The little
river which turned sharply in its course, and was thus
immediately lost to sight, seemed to have no exit from its
prison, but to be absorbed by the deep green foliage of the
trees to the east; while in the opposite quarter (so it
appeared to me as I lay at length and glanced upward) there
poured down noiselessly and continuously into the valley a
rich golden and crimson waterfall from the sunset fountains
of the sky.

About midway in the short vista which my dreamy vision took
in, one small circular island, profusely verdured, reposed
upon the ***** of the stream.

So blended bank and shadow there, That each seemed pendulous
in air—

so mirror-like was the glassy water, that it was scarcely
possible to say at what point upon the ***** of the emerald
turf its crystal dominion began. My position enabled me to
include in a single view both the eastern and western
extremities of the islet, and I observed a singularly-marked
difference in their aspects. The latter was all one radiant
harem of garden beauties. It glowed and blushed beneath the
eye of the slant sunlight, and fairly laughed with flowers.
The grass was short, springy, sweet-scented, and Asphodel-
interspersed. The trees were lithe, mirthful, *****, bright,
slender, and graceful, of eastern figure and foliage, with
bark smooth, glossy, and parti-colored. There seemed a deep
sense of life and joy about all, and although no airs blew
from out the heavens, yet everything had motion through the
gentle sweepings to and fro of innumerable butterflies, that
might have been mistaken for tulips with wings.

The other or eastern end of the isle was whelmed in the
blackest shade. A sombre, yet beautiful and peaceful gloom,
here pervaded all things. The trees were dark in color and
mournful in form and attitude— wreathing themselves
into sad, solemn, and spectral shapes, that conveyed ideas
of mortal sorrow and untimely death. The grass wore the deep
tint of the cypress, and the heads of its blades hung
droopingly, and hither and thither among it were many small
unsightly hillocks, low and narrow, and not very long, that
had the aspect of graves, but were not, although over and
all about them the rue and the rosemary clambered. The
shades of the trees fell heavily upon the water, and seemed
to bury itself therein, impregnating the depths of the
element with darkness. I fancied that each shadow, as the
sun descended lower and lower, separated itself sullenly
from the trunk that gave it birth, and thus became absorbed
by the stream, while other shadows issued momently from the
trees, taking the place of their predecessors thus entombed.

This idea having once seized upon my fancy greatly excited
it, and I lost myself forthwith in reverie. “If ever island
were enchanted,” said I to myself, “this is it. This is the
haunt of the few gentle Fays who remain from the wreck of
the race. Are these green tombs theirs?—or do they
yield up their sweet lives as mankind yield up their own? In
dying, do they not rather waste away mournfully, rendering
unto God little by little their existence, as these trees
render up shadow after shadow, exhausting their substance
unto dissolution? What the wasting tree is to the water that
imbibes its shade, growing thus blacker by what it preys
upon, may not the life of the Fay be to the death which
engulfs it?”

As I thus mused, with half-shut eyes, while the sun sank
rapidly to rest, and eddying currents careered round and
round the island, bearing upon their ***** large dazzling
white flakes of the bark of the sycamore, flakes which, in
their multiform positions upon the water, a quick
imagination might have converted into anything it pleased;
while I thus mused, it appeared to me that the form of one
of those very Fays about whom I had been pondering, made its
way slowly into the darkness from out the light at the
western end of the island. She stood ***** in a singularly
fragile canoe, and urged it with the mere phantom of an oar.
While within the influence of the lingering sunbeams, her
attitude seemed indicative of joy, but sorrow deformed it as
she passed within the shade. Slowly she glided along, and at
length rounded the islet and re-entered the region of light.
“The revolution which has just been made by the Fay,”
continued I musingly, “is the cycle of the brief year of her
life. She has floated through her winter and through her
summer. She is a year nearer unto death: for I did not fail
to see that as she came into the shade, her shadow fell from
her, and was swallowed up in the dark water, making its
blackness more black.”

And again the boat appeared and the Fay, but about the
attitude of the latter there was more of care and
uncertainty and less of elastic joy. She floated again from
out the light and into the gloom (which deepened momently),
and again her shadow fell from her into the ebony water, and
became absorbed into its blackness. And again and again she
made the circuit of the island (while the sun rushed down to
his slumbers), and at each issuing into the light there was
more sorrow about her person, while it grew feebler and far
fainter and more indistinct, and at each passage into the
gloom there fell from her a darker shade, which became
whelmed in a shadow more black. But at length, when the sun
had utterly departed, the Fay, now the mere ghost of her
former self, went disconsolately with her boat into the
region of the ebony flood, and that she issued thence at all
I cannot say, for darkness fell over all things, and I
beheld her magical figure no more.
I had a dream--a strange, wild dream--
  Said a dear voice at early light;
And even yet its shadows seem
  To linger in my waking sight.

Earth, green with spring, and fresh with dew,
  And bright with morn, before me stood;
And airs just wakened softly blew
  On the young blossoms of the wood.

Birds sang within the sprouting shade,
  Bees hummed amid the whispering grass,
And children prattled as they played
  Beside the rivulet's dimpling glass

Fast climbed the sun: the flowers were flown,
  There played no children in the glen;
For some were gone, and some were grown
  To blooming dames and bearded men.

'Twas noon, 'twas summer: I beheld
  Woods darkening in the flush of day,
And that bright rivulet spread and swelled,
  A mighty stream, with creek and bay.

And here was love, and there was strife,
  And mirthful shouts, and wrathful cries,
And strong men, struggling as for life,
  With knotted limbs and angry eyes.

Now stooped the sun--the shades grew thin;
  The rustling paths were piled with leaves;
And sunburnt groups were gathering in,
  From the shorn field, its fruits and sheaves.

The river heaved with sullen sounds;
  The chilly wind was sad with moans;
Black hearses passed, and burial-grounds
  Grew thick with monumental stones.

Still waned the day; the wind that chased
  The jagged clouds blew chillier yet;
The woods were stripped, the fields were waste,
  The wintry sun was near its set.

And of the young, and strong, and fair,
  A lonely remnant, gray and weak,
Lingered, and shivered to the air
  Of that bleak shore and water bleak.

Ah! age is drear, and death is cold!
  I turned to thee, for thou wert near,
And saw thee withered, bowed, and old,
  And woke all faint with sudden fear.

'Twas thus I heard the dreamer say,
  And bade her clear her clouded brow;
"For thou and I, since childhood's day,
  Have walked in such a dream till now.

"Watch we in calmness, as they rise,
  The changes of that rapid dream,
And note its lessons, till our eyes
  Shall open in the morning beam."
Fountain, that springest on this grassy *****,
Thy quick cool murmur mingles pleasantly,
With the cool sound of breezes in the beach,
Above me in the noontide. Thou dost wear
No stain of thy dark birthplace; gushing up
From the red mould and slimy roots of earth,
Thou flashest in the sun. The mountain air,
In winter, is not clearer, nor the dew
That shines on mountain blossom. Thus doth God
Bring, from the dark and foul, the pure and bright.

  This tangled thicket on the bank above
Thy basin, how thy waters keep it green!
For thou dost feed the roots of the wild vine
That trails all over it, and to the twigs
Ties fast her clusters. There the spice-bush lifts
Her leafy lances; the viburnum there,
Paler of foliage, to the sun holds up
Her circlet of green berries. In and out
The chipping sparrow, in her coat of brown,
Steals silently, lest I should mark her nest.

  Not such thou wert of yore, ere yet the axe
Had smitten the old woods. Then hoary trunks
Of oak, and plane, and hickory, o'er thee held
A mighty canopy. When April winds
Grew soft, the maple burst into a flush
Of scarlet flowers. The tulip-tree, high up,
Opened, in airs of June, her multitude
Of golden chalices to humming-birds
And silken-winged insects of the sky.

  Frail wood-plants clustered round thy edge in Spring.
The liverleaf put forth her sister blooms
Of faintest blue. Here the quick-footed wolf,
Passing to lap thy waters, crushed the flower
Of sanguinaria, from whose brittle stem
The red drops fell like blood. The deer, too, left
Her delicate foot-print in the soft moist mould,
And on the fallen leaves. The slow-paced bear,
In such a sultry summer noon as this,
Stopped at thy stream, and drank, and leaped across.

  But thou hast histories that stir the heart
With deeper feeling; while I look on thee
They rise before me. I behold the scene
Hoary again with forests; I behold
The Indian warrior, whom a hand unseen
Has smitten with his death-wound in the woods,
Creep slowly to thy well-known rivulet,
And slake his death-thirst. Hark, that quick fierce cry
That rends the utter silence; 'tis the whoop
Of battle, and a throng of savage men
With naked arms and faces stained like blood,
Fill the green wilderness; the long bare arms
Are heaved aloft, bows twang and arrows stream;
Each makes a tree his shield, and every tree
Sends forth its arrow. Fierce the fight and short,
As is the whirlwind. Soon the conquerors
And conquered vanish, and the dead remain
Mangled by tomahawks. The mighty woods
Are still again, the frighted bird comes back
And plumes her wings; but thy sweet waters run
Crimson with blood. Then, as the sun goes down,
Amid the deepening twilight I descry
Figures of men that crouch and creep unheard,
And bear away the dead. The next day's shower
Shall wash the tokens of the fight away.

  I look again--a hunter's lodge is built,
With poles and boughs, beside thy crystal well,
While the meek autumn stains the woods with gold,
And sheds his golden sunshine. To the door
The red man slowly drags the enormous bear
Slain in the chestnut thicket, or flings down
The deer from his strong shoulders. Shaggy fells
Of wolf and cougar hang upon the walls,
And loud the black-eyed Indian maidens laugh,
That gather, from the rustling heaps of leaves,
The hickory's white nuts, and the dark fruit
That falls from the gray butternut's long boughs.

  So centuries passed by, and still the woods
Blossomed in spring, and reddened when the year
Grew chill, and glistened in the frozen rains
Of winter, till the white man swung the axe
Beside thee--signal of a mighty change.
Then all around was heard the crash of trees,
Trembling awhile and rushing to the ground,
The low of ox, and shouts of men who fired
The brushwood, or who tore the earth with ploughs.
The grain sprang thick and tall, and hid in green
The blackened hill-side; ranks of spiky maize
Rose like a host embattled; the buckwheat
Whitened broad acres, sweetening with its flowers
The August wind. White cottages were seen
With rose-trees at the windows; barns from which
Came loud and shrill the crowing of the ****;
Pastures where rolled and neighed the lordly horse,
And white flocks browsed and bleated. A rich turf
Of grasses brought from far o'ercrept thy bank,
Spotted with the white clover. Blue-eyed girls
Brought pails, and dipped them in thy crystal pool;
And children, ruddy-cheeked and flaxen-haired,
Gathered the glistening cowslip from thy edge.

  Since then, what steps have trod thy border! Here
On thy green bank, the woodmann of the swamp
Has laid his axe, the reaper of the hill
His sickle, as they stooped to taste thy stream.
The sportsman, tired with wandering in the still
September noon, has bathed his heated brow
In thy cool current. Shouting boys, let loose
For a wild holiday, have quaintly shaped
Into a cup the folded linden leaf,
And dipped thy sliding crystal. From the wars
Returning, the plumed soldier by thy side
Has sat, and mused how pleasant 'twere to dwell
In such a spot, and be as free as thou,
And move for no man's bidding more. At eve,
When thou wert crimson with the crimson sky,
Lovers have gazed upon thee, and have thought
Their mingled lives should flow as peacefully
And brightly as thy waters. Here the sage,
Gazing into thy self-replenished depth,
Has seen eternal order circumscribe
And bind the motions of eternal change,
And from the gushing of thy simple fount
Has reasoned to the mighty universe.

  Is there no other change for thee, that lurks
Among the future ages? Will not man
Seek out strange arts to wither and deform
The pleasant landscape which thou makest green?
Or shall the veins that feed thy constant stream
Be choked in middle earth, and flow no more
For ever, that the water-plants along
Thy channel perish, and the bird in vain
Alight to drink? Haply shall these green hills
Sink, with the lapse of years, into the gulf
Of ocean waters, and thy source be lost
Amidst the bitter brine? Or shall they rise,
Upheaved in broken cliffs and airy peaks,
Haunts of the eagle and the snake, and thou
Gush midway from the bare and barren steep?
Come into the garden, Maud,
  For the black bat, Night, has flown,
Come into the garden, Maud,
  I am here at the gate alone;
And the woodbine spices are wafted abroad,
  And the musk of the roses blown.

For a breeze of morning moves,
  And the planet of Love is on high,
Beginning to faint in the light that she loves
  On a bed of daffodil sky,
To faint in the light of the sun she loves,
  To faint in his light, and to die.

All night have the roses heard
  The flute, violin, bassoon;
All night has the casement jessamine stirr'd
  To the dancers dancing in tune;
Till a silence fell with the waking bird,
  And a hush with the setting moon.

I said to the lily, 'There is but one
  With whom she has heart to be gay.
When will the dancers leave her alone?
  She is weary of dance and play.'
Now half to the setting moon are gone,
  And half to the rising day;
Low on the sand and loud on the stone
  The last wheel echoes away.

I said to the rose, 'The brief night goes
  In babble and revel and wine.
O young lord-lover, what sighs are those
  For one that will never be thine?
But mine, but mine,' so I sware to the rose,
  'For ever and ever, mine.'

And the soul of the rose went into my blood,
  As the music clash'd in the hall;
And long by the garden lake I stood,
  For I heard your rivulet fall
From the lake to the meadow and on to the wood,
  Our wood, that is dearer than all;

From the meadow your walks have left so sweet
  That whenever a March-wind sighs
He sets the jewel-print of your feet
  In violets blue as your eyes,
To the woody hollows in which we meet
  And the valleys of Paradise.

The slender acacia would not shake
  One long milk-bloom on the tree;
The white lake-blossom fell into the lake,
  As the pimpernel dozed on the lea;
But the rose was awake all night for your sake,
  Knowing your promise to me;
The lilies and roses were all awake,
  They sigh'd for the dawn and thee.

Queen rose of the rosebud garden of girls,
  Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
  Queen lily and rose in one;
Shine out, little head, sunning over with curls.
  To the flowers, and be their sun.

There has fallen a splendid tear
  From the passion-flower at the gate.
She is coming, my dove, my dear;
  She is coming, my life, my fate;
The red rose cries, 'She is near, she is near;'
  And the white rose weeps, 'She is late;'
The larkspur listens, 'I hear, I hear;'
  And the lily whispers, 'I wait.'

She is coming, my own, my sweet;
  Were it ever so airy a tread,
My heart would hear her and beat,
  Were it earth in an earthy bed;
My dust would hear her and beat,
  Had I lain for a century dead;
Would start and tremble under her feet,
  And blossom in purple and red.
-D Sep 2012
a place on my spine still hums
from when you touched it last.
for it was the first time you revealed
that you wanted more than what we had--
as if you were standing at the ocean's edge,
dipping your fingers beneath the waves
to determine if it was warm enough to jump in.
so cautious,
yet hungering to be consumed
in the possibility of deluge.
come closer, you urged:
your fingers pressed in the shoal of my back,
and the tide pulled you in.
Feelings twirl in ceaseless
circuit;
pacific passion becomes
a rivulet.
jiminy-littly Jan 2017
moving inland far away from
the coast temptation doth bring
deeper in land the head seems consumed by everything

nearing the coast it's the heart that sings

though inland, my love, you will find me

away from the bogs or the shoals o' herring

holding you at bay with *****

keeping me next to me

wanting tomorrow to be the better day

my mind, an island for tromping shores
different from desert sands
when the tide of your concern reprimands

on this island the shells
are smaller and there are no dollars,  
the sea, a shrunken plastic expanse of
syringes and lip balm containers,
soft fluid-filled bodies turned into
sopping brown-bag skeletons,

revenges
of modern life.

there is a rivulet further up shore

do you feel it?

follow the inlet wind

near a candescent pond

there is a house

open the door

if you fall in

a home can be found.
CA Guilfoyle Feb 2015
It is nothing hard to reach, looking outward
countless distractions, how they move me about
I play a game, circling moon-blue rings of sky
see a rivulet of stars quiver by.

It is nothing easy, fretful, I tremble with night
dark unnerving path, I run and hide
amble, fumble my way to reach inside.

It is something worthwhile at times to swallow a river
dredge miles of soul, to crumble stony towers
reconstruct this apprenticeship
slipping back into softness.
mark john junor Sep 2013
a lament locked on her lips
held in place by lipstick
its powerful sorrows leak down
her chin in a thin red rivulet
to fall to the pure white satin sheet
pooling there like a lake of fire
smouldering there like a woman's
scorned heart
the song of her eyes
has become warped and
distorted and distant
like the sound of a small child crying
in some obscure corner of your house
but you cannot place the sound
it moves with a religious dignity
that defys logic
it escapes your grasp for you were never intended to
to see her vulnerability

his closed fist mouth
is drawn taught
with all the things he withholds
with all the children of his long nights
spent pacing and thinking in the small cell
of his cinderblock mind
these children are but shadows of  thought
but he feeds them like starving dogs
rabid to be released into steaming hot sun
his mask of a ****** expression
haunts his brittle dream
he keeps coming to a mirror
to behold that he is unchanged
he is the man the boy wanted to be
he is what his mother always dreamed he'd be

her nurturing touch is cracked
its egg shell surface bleeds
its sounds are foreign
and i surrender to its relentless devotions
bend to the precise course they dictate
absolution
prostrate to the purchased dream
follower of the prepaid horror

a lament locked on her lips
held in place by lipstick
its powerful sorrows leak down
her chin in a thin red rivulet
to fall to the pure white satin sheet
pooling there like a lake of fire
smouldering there like a woman's
scorned heart
and within that punishment box
i bleed for the face i am not
i suffer the eggshell dream
for a tenderness that i did not harm
#3 of 5
The time has been that these wild solitudes,
Yet beautiful as wild, were trod by me
Oftener than now; and when the ills of life
Had chafed my spirit--when the unsteady pulse
Beat with strange flutterings--I would wander forth
And seek the woods. The sunshine on my path
Was to me as a friend. The swelling hills,
The quiet dells retiring far between,
With gentle invitation to explore
Their windings, were a calm society
That talked with me and soothed me. Then the chant
Of birds, and chime of brooks, and soft caress
Of the fresh sylvan air, made me forget
The thoughts that broke my peace, and I began
To gather simples by the fountain's brink,
And lose myself in day-dreams. While I stood
In nature's loneliness, I was with one
With whom I early grew familiar, one
Who never had a frown for me, whose voice
Never rebuked me for the hours I stole
From cares I loved not, but of which the world
Deems highest, to converse with her. When shrieked
The bleak November winds, and smote the woods,
And the brown fields were herbless, and the shades,
That met above the merry rivulet,
Were spoiled, I sought, I loved them still,--they seemed
Like old companions in adversity.
Still there was beauty in my walks; the brook,
Bordered with sparkling frost-work, was as gay
As with its fringe of summer flowers. Afar,
The village with its spires, the path of streams,
And dim receding valleys, hid before
By interposing trees, lay visible
Through the bare grove, and my familiar haunts
Seemed new to me. Nor was I slow to come
Among them, when the clouds, from their still skirts,
Had shaken down on earth the feathery snow,
And all was white. The pure keen air abroad,
Albeit it breathed no scent of herb, nor heard
Love-call of bird, nor merry hum of bee,
Was not the air of death. Bright mosses crept
Over the spotted trunks, and the close buds,
That lay along the boughs, instinct with life,
Patient, and waiting the soft breath of Spring,
Feared not the piercing spirit of the North.
The snow-bird twittered on the beechen bough,
And 'neath the hemlock, whose thick branches bent
Beneath its bright cold burden, and kept dry
A circle, on the earth, of withered leaves,
The partridge found a shelter. Through the snow
The rabbit sprang away. The lighter track
Of fox, and the racoon's broad path, were there,
Crossing each other. From his hollow tree,
The squirrel was abroad, gathering the nuts
Just fallen, that asked the winter cold and sway
Of winter blast, to shake them from their hold.

  But Winter has yet brighter scenes,--he boasts
Splendours beyond what gorgeous Summer knows;
Or Autumn with his many fruits, and woods
All flushed with many hues. Come when the rains
Have glazed the snow, and clothed the trees with ice;
While the slant sun of February pours
Into the bowers a flood of light. Approach!
The incrusted surface shall upbear thy steps,
And the broad arching portals of the grove
Welcome thy entering. Look! the massy trunks
Are cased in the pure crystal; each light spray,
Nodding and tinkling in the breath of heaven,
Is studded with its trembling water-drops,
That stream with rainbow radiance as they move.
But round the parent stem the long low boughs
Bend, in a glittering ring, and arbours hide
The glassy floor. Oh! you might deem the spot
The spacious cavern of some ****** mine,
Deep in the womb of earth--where the gems grow,
And diamonds put forth radiant rods and bud
With amethyst and topaz--and the place
Lit up, most royally, with the pure beam
That dwells in them. Or haply the vast hall
Of fairy palace, that outlasts the night,
And fades not in the glory of the sun;--
Where crystal columns send forth slender shafts
And crossing arches; and fantastic aisles
Wind from the sight in brightness, and are lost
Among the crowded pillars. Raise thine eye,--
Thou seest no cavern roof, no palace vault;
There the blue sky and the white drifting cloud
Look in. Again the wildered fancy dreams
Of spouting fountains, frozen as they rose,
And fixed, with all their branching jets, in air,
And all their sluices sealed. All, all is light;
Light without shade. But all shall pass away
With the next sun. From numberless vast trunks,
Loosened, the crashing ice shall make a sound
Like the far roar of rivers, and the eve
Shall close o'er the brown woods as it was wont.

  And it is pleasant, when the noisy streams
Are just set free, and milder suns melt off
The plashy snow, save only the firm drift
In the deep glen or the close shade of pines,--
'Tis pleasant to behold the wreaths of smoke
Roll up among the maples of the hill,
Where the shrill sound of youthful voices wakes
The shriller echo, as the clear pure lymph,
That from the wounded trees, in twinkling drops,
Falls, mid the golden brightness of the morn,
Is gathered in with brimming pails, and oft,
Wielded by sturdy hands, the stroke of axe
Makes the woods ring. Along the quiet air,
Come and float calmly off the soft light clouds,
Such as you see in summer, and the winds
Scarce stir the branches. Lodged in sunny cleft,
Where the cold breezes come not, blooms alone
The little wind-flower, whose just opened eye
Is blue as the spring heaven it gazes at--
Startling the loiterer in the naked groves
With unexpected beauty, for the time
Of blossoms and green leaves is yet afar.
And ere it comes, the encountering winds shall oft
Muster their wrath again, and rapid clouds
Shade heaven, and bounding on the frozen earth
Shall fall their volleyed stores rounded like hail,
And white like snow, and the loud North again
Shall buffet the vexed forest in his rage.
Cori MacNaughton Sep 2015
The winding drive along the sea
I took so many times
to steal away from anarchy
to pacify my mind

The city sirens come undone
before the ocean spray
then down the hill to U.S. 1
and thus begins the day

The Pier receding to the South
Will Rogers to the North
Topanga is the turn we seek
as we are going forth

The starkness of the hills and pines
the rivulet below
as Westward the Pacific shines
beneath the morning glow

The twists and turns I still recall
though roads are better now
no unpaved sections left at all
nor farmland for a cow

No Austin Mini Union Jack
the landmarks too have changed
and I so lost since coming back
I almost feel deranged

The Health Food Store with hitching post
the horses canter past
the countryside I love the most
and visit now at last

But on Mulholland Highway there
surprises lie in wait
there’s razor wire on the fence
and horses at the gate

As giant dishes aiming deep
into a mountain wall
so Orwell’s promise do we keep
applying it to all

But I remember still the day
the hillside turned to fire
the way to turn had burned away
the sky was black with ire

And in a wide spot in the road
in reverence did we stand
a fox, a hare, my dog and I
all watched the burning land

Can nothing make us feel as small
as fire pure and cruel?
to know it as a cunning foe -
to know we’re naught but fuel

But through the smoke a fire truck
led us down on Kanan Dume
toward the cleaner seaward air
away from certain doom

And all at once the trial was o'er
for we had reached the sea
as once Carrillo had before
and now my dog and me

We pass the house of river stone
Moonshadow’s Restaurant
and even Tidepool Gallery
for years my favorite haunt

And back to Santa Monica
on PCH we drive
admiring still the beauty
yet more thankful we’re alive

The winding drive along the sea
I took so many times
to steal away from anarchy
to pacify my mind
I thought I had posted this before, but apparently not: I am posting it now as a native Californian, for all those affected by the terrible wildfires this year and every year, with love, prayer and hopes for the safety of all.

I wrote this poem in January 2001, but it refers to a trip back to California that I took with my then-husband in 1994, and to the two separate wildfires I drove into unknowingly in the late 1970s; the first in Topanga Canyon, and the second in Malibu.  It is the second fire that is described in the poem, and although I traveled with my dog frequently, she wasn't actually with me that day - but the rabbit and fox really were.
'Tis noon. At noon the Hebrew bowed the knee
And worshipped, while the husbandmen withdrew
From the scorched field, and the wayfaring man
Grew faint, and turned aside by bubbling fount,
Or rested in the shadow of the palm.

  I, too, amid the overflow of day,
Behold the power which wields and cherishes
The frame of Nature. From this brow of rock
That overlooks the Hudson's western marge,
I gaze upon the long array of groves,
The piles and gulfs of verdure drinking in
The grateful heats. They love the fiery sun;
Their broadening leaves grow glossier, and their sprays
Climb as he looks upon them. In the midst,
The swelling river, into his green gulfs,
Unshadowed save by passing sails above,
Takes the redundant glory, and enjoys
The summer in his chilly bed. Coy flowers,
That would not open in the early light,
Push back their plaited sheaths. The rivulet's pool,
That darkly quivered all the morning long
In the cool shade, now glimmers in the sun;
And o'er its surface shoots, and shoots again,
The glittering dragon-fly, and deep within
Run the brown water-beetles to and fro.

  A silence, the brief sabbath of an hour,
Reigns o'er the fields; the laborer sits within
His dwelling; he has left his steers awhile,
Unyoked, to bite the herbage, and his dog
Sleeps stretched beside the door-stone in the shade.
Now the grey marmot, with uplifted paws,
No more sits listening by his den, but steals
Abroad, in safety, to the clover field,
And crops its juicy blossoms. All the while
A ceaseless murmur from the populous town
Swells o'er these solitudes: a mingled sound
Of jarring wheels, and iron hoofs that clash
Upon the stony ways, and hammer-clang,
And creak of engines lifting ponderous bulks,
And calls and cries, and tread of eager feet,
Innumerable, hurrying to and fro.
Noon, in that mighty mart of nations, brings
No pause to toil and care. With early day
Began the tumult, and shall only cease
When midnight, hushing one by one the sounds
Of bustle, gathers the tired brood to rest.

  Thus, in this feverish time, when love of gain
And luxury possess the hearts of men,
Thus is it with the noon of human life.
We, in our fervid manhood, in our strength
Of reason, we, with hurry, noise, and care,
Plan, toil, and strife, and pause not to refresh
Our spirits with the calm and beautiful
Of God's harmonious universe, that won
Our youthful wonder; pause not to inquire
Why we are here; and what the reverence
Man owes to man, and what the mystery
That links us to the greater world, beside
Whose borders we but hover for a space.
Earth's children cleave to Earth--her frail
  Decaying children dread decay.
Yon wreath of mist that leaves the vale,
  And lessens in the morning ray:
Look, how, by mountain rivulet,
  It lingers as it upward creeps,
And clings to fern and copsewood set
  Along the green and dewy steeps:
Clings to the fragrant kalmia, clings
  To precipices fringed with grass,
Dark maples where the wood-thrush sings,
  And bowers of fragrant sassafras.
Yet all in vain--it passes still
  From hold to hold, it cannot stay,
And in the very beams that fill
  The world with glory, wastes away,
Till, parting from the mountain's brow,
  It vanishes from human eye,
And that which sprung of earth is now
  A portion of the glorious sky.
Carlo C Gomez Feb 2022
In the days of seafaring yore, in a candied littoral time, my parents shared a love for wingsails; propelling their craft on the surface of gentle waters.

It was here my father navigated me into existence, by taking my mother for a long enchanted boat ride.

And like a hook and eye, they so clasped and rowed into the boundless deep. The tender rhythm of their waves stirring a rivulet that would come to be called me.

Floating in this colostrum bed underneath the heart's thicket, I settled to sleep; dreaming of cradle song and breastmilk.

My unborn hands and feet routinely practiced swimming toward the open shore; until that day when a familial voice called.

And there in the dilation of a growing current, I sprang forth; thirsting for their love from my very first cry.
The Noose Jan 2015
Murmuring rivulet
Flowing
Atop a rocky terrace
Burden suffused
Dulled skies overhead
Concealing the bright white
My heart drowning
In supreme
Dystopian smog.
The day had been a day of wind and storm;--
  The wind was laid, the storm was overpast,--
  And stooping from the zenith bright and warm
  Shone the great sun on the wide earth at last.
  I stood upon the upland *****, and cast
  My eye upon a broad and beauteous scene,
  Where the vast plain lay girt by mountains vast,
  And hills o'er hills lifted their heads of green,
With pleasant vales scooped out and villages between.

  The rain-drops glistened on the trees around,
  Whose shadows on the tall grass were not stirred,
  Save when a shower of diamonds, to the ground,
  Was shaken by the flight of startled bird;
  For birds were warbling round, and bees were heard
  About the flowers; the cheerful rivulet sung
  And gossiped, as he hastened ocean-ward;
  To the gray oak the squirrel, chiding, clung,
And chirping from the ground the grasshopper upsprung.

  And from beneath the leaves that kept them dry
  Flew many a glittering insect here and there,
  And darted up and down the butterfly,
  That seemed a living blossom of the air.
  The flocks came scattering from the thicket, where
  The violent rain had pent them; in the way
  Strolled groups of damsels frolicksome and fair;
  The farmer swung the scythe or turned the hay,
And 'twixt the heavy swaths his children were at play.

  It was a scene of peace--and, like a spell,
  Did that serene and golden sunlight fall
  Upon the motionless wood that clothed the fell,
  And precipice upspringing like a wall,
  And glassy river and white waterfall,
  And happy living things that trod the bright
  And beauteous scene; while far beyond them all,
  On many a lovely valley, out of sight,
Was poured from the blue heavens the same soft golden light.

  I looked, and thought the quiet of the scene
  An emblem of the peace that yet shall be,
  When o'er earth's continents, and isles between,
  The noise of war shall cease from sea to sea,
  And married nations dwell in harmony;
  When millions, crouching in the dust to one,
  No more shall beg their lives on bended knee,
  Nor the black stake be dressed, nor in the sun
The o'erlaboured captive toil, and wish his life were done.

  Too long, at clash of arms amid her bowers
  And pools of blood, the earth has stood aghast,
  The fair earth, that should only blush with flowers
  And ruddy fruits; but not for aye can last
  The storm, and sweet the sunshine when 'tis past.
  Lo, the clouds roll away--they break--they fly,
  And, like the glorious light of summer, cast
  O'er the wide landscape from the embracing sky,
On all the peaceful world the smile of heaven shall lie.
Come into the garden, Maud,
For the black bat, night, has flown,
Come into the garden, Maud,
I am here at the gate alone;
And the woodbine spices are wafted abroad,
And the musk of the rose is blown.

For a breeze of morning moves,
And the planet of Love is on high,
Beginning to faint in the light that she loves
In a bed of daffodil sky,
To faint in the light of the sun she loves,
To faint in his light, and to die.

All night have the roses heard
The flute, violin, bassoon;
All night has the casement jessamine stirr'd
To the dancers dancing in tune;
Till a silence fell with the waking bird,
And a hush with the setting moon.

I said to the lily, "There is but one
With whom she has heart to be gay.
When will the dancers leave her alone?
She is weary of dance and play."
Now half to the setting moon are gone,
And half to the rising day;
Low on the sand and loud on the stone
The last wheel echoes away.

I said to the rose, "The brief night goes
In babble and revel and wine.
O young lord-lover, what sighs are those,
For one that will never be thine?
But mine, but mine," so I sware to the rose,
"For ever and ever, mine."

And the soul of the rose went into my blood,
As the music clash'd in the hall;
And long by the garden lake I stood,
For I heard your rivulet fall
From the lake to the meadow and on to the wood,
Our wood, that is dearer than all;

From the meadow your walks have left so sweet
That whenever a March-wind sighs
He sets the jewel-print of your feet
In violets blue as your eyes,
To the woody hollows in which we meet
And the valleys of Paradise.

The slender acacia would not shake
One long milk-bloom on the tree;
The white lake-blossom fell into the lake
As the pimpernel dozed on the lea;
But the rose was awake all night for your sake,
Knowing your promise to me;
The lilies and roses were all awake,
They sigh'd for the dawn and thee.

Queen rose of the rosebud garden of girls,
Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
Queen lily and rose in one;
Shine out, little head, sunning over with curls,
To the flowers, and be their sun.

There has fallen a splendid tear
From the passion-flower at the gate.
She is coming, my dove, my dear;
She is coming, my life, my fate;
The red rose cries, "She is near, she is near;"
And the white rose weeps, "She is late;"
The larkspur listens, "I hear, I hear;"
And the lily whispers, "I wait."

She is coming, my own, my sweet;
Were it ever so airy a tread,
My heart would hear her and beat,
Were it earth in an earthy bed;
My dust would hear her and beat,
Had I lain for a century dead,
Would start and tremble under her feet,
And blossom in purple and red.
vamsi sai mohan Dec 2014
I want to reside at the brink to that eternity,
where your eyelids confluence and letting me slip into that consciousness,
There where every rivulet of drops is drifted by the impetus of love and inclusiveness.
Ere, in the northern gale,
The summer tresses of the trees are gone,
The woods of Autumn, all around our vale,
     Have put their glory on.

     The mountains that infold,
In their wide sweep, the coloured landscape round,
Seem groups of giant kings, in purple and gold,
     That guard the enchanted ground.

     I roam the woods that crown
The upland, where the mingled splendours glow,
Where the gay company of trees look down
     On the green fields below.

     My steps are not alone
In these bright walks; the sweet south-west, at play,
Flies, rustling, where the painted leaves are strown
     Along the winding way.

     And far in heaven, the while,
The sun, that sends that gale to wander here,
Pours out on the fair earth his quiet smile,--
     The sweetest of the year.

     Where now the solemn shade,
Verdure and gloom where many branches meet;
So grateful, when the noon of summer made
     The valleys sick with heat?

     Let in through all the trees
Come the strange rays; the forest depths are bright?
Their sunny-coloured foliage, in the breeze,
     Twinkles, like beams of light.

     The rivulet, late unseen,
Where bickering through the shrubs its waters run,
Shines with the image of its golden screen,
     And glimmerings of the sun.

     But 'neath yon crimson tree,
Lover to listening maid might breathe his flame,
Nor mark, within its roseate canopy,
     Her blush of maiden shame.

     Oh, Autumn! why so soon
Depart the hues that make thy forests glad;
Thy gentle wind and thy fair sunny noon,
     And leave thee wild and sad!

     Ah! 'twere a lot too blessed
For ever in thy coloured shades to stray;
Amid the kisses of the soft south-west
     To rove and dream for aye;

     And leave the vain low strife
That makes men mad--the tug for wealth and power,
The passions and the cares that wither life,
     And waste its little hour.
Stay, rivulet, nor haste to leave
  The lovely vale that lies around thee.
Why wouldst thou be a sea at eve,
  When but a fount the morning found thee?

Born when the skies began to glow,
  Humblest of all the rock's cold daughters,
No blossom bowed its stalk to show
  Where stole thy still and scanty waters.

Now on thy stream the noonbeams look,
  Usurping, as thou downward driftest,
Its crystal from the clearest brook,
  Its rushing current from the swiftest.

Ah! what wild haste!--and all to be
  A river and expire in ocean.
Each fountain's tribute hurries thee
  To that vast grave with quicker motion.

Far better 'twere to linger still
  In this green vale, these flowers to cherish,
And die in peace, an aged rill,
  Than thus, a youthful Danube, perish.
Stranger, if thou hast learned a truth which needs
No school of long experience, that the world
Is full of guilt and misery, and hast seen
Enough of all its sorrows, crimes, and cares,
To tire thee of it, enter this wild wood
And view the haunts of Nature. The calm shade
Shall bring a kindred calm, and the sweet breeze
That makes the green leaves dance, shall waft a balm
To thy sick heart. Thou wilt find nothing here
Of all that pained thee in the haunts of men
And made thee loathe thy life. The primal curse
Fell, it is true, upon the unsinning earth,
But not in vengeance. God hath yoked to guilt
Her pale tormentor, misery. Hence, these shades
Are still the abodes of gladness; the thick roof
Of green and stirring branches is alive
And musical with birds, that sing and sport
In wantonness of spirit; while below
The squirrel, with raised paws and form *****,
Chirps merrily. Throngs of insects in the shade
Try their thin wings and dance in the warm beam
That waked them into life. Even the green trees
Partake the deep contentment; as they bend
To the soft winds, the sun from the blue sky
Looks in and sheds a blessing on the scene.
Scarce less the cleft-born wild-flower seems to enjoy
Existence, than the winged plunderer
That ***** its sweets. The massy rocks themselves,
And the old and ponderous trunks of prostrate trees
That lead from knoll to knoll a causey rude
Or bridge the sunken brook, and their dark roots,
With all their earth upon them, twisting high,
Breathe fixed tranquillity. The rivulet
Sends forth glad sounds, and tripping o'er its bed
Of pebbly sands, or leaping down the rocks,
Seems, with continuous laughter, to rejoice
In its own being. Softly tread the marge,
Lest from her midway perch thou scare the wren
That dips her bill in water. The cool wind,
That stirs the stream in play, shall come to thee,
Like one that loves thee nor will let thee pass
Ungreeted, and shall give its light embrace.
Thinking Doc Sep 2015
Long meanders the line that divided us
While we lived, rugged is the knife that severed
What was a quiet bond between two particles
Of stardust.

From my reserved cloud I can see
The domes on the temples I have never visited,
The ghat that runs by the holy rivulet is solitary,
The mists of human endeavour do not blanket
Those flagstones in warmth or comfort,
All that remains is algae sprawled on the steps
Of the ghat where silence is the spirit
The light and the guide.

Two particles of stardust collide in an instant
In the fluidity of Space time, and all that remains
Is a whisper in history
That once existed two people, separate,
Though begotten of the same dust as the Stars,
Who were united in a flash of light,
And an eternity of peace.
I climb the hill: from end to end
  Of all the landscape underneath,
  I find no place that does not breathe
Some gracious memory of my friend;

No gray old grange, or lonely fold,
  Or low morass and whispering reed,
  Or simple stile from mead to mead,
Or sheepwalk up the windy wold;

Nor hoary knoll of ash and haw
  That hears the latest linnet trill,
  Nor quarry trench'd along the hill
And haunted by the wrangling daw;

Nor runlet tinkling from the rock;
  Nor pastoral rivulet that swerves
  To left and right thro' meadowy curves,
That feed the mothers of the flock;

But each has pleased a kindred eye,
  And each reflects a kindlier day;
  And, leaving these, to pass away,
I think once more he seems to die.
Come into the garden, Maud,
     For the black bat, Night, has flown,
Come into the garden, Maud,
     I am here at the gate alone;
And the woodbine spices are wafted abroad,
     And the musk of the roses blown.

For a breeze of morning moves,
     And the planet of Love is on high,
Beginning to faint in the light that she loves
     On a bed of daffodil sky,
To faint in the light of the sun she loves,
     To faint in his light, and to die.

All night have the roses heard
     The flute, violin, bassoon;
All night has the casement jessamine stirr'd
     To the dancers dancing in tune:
Till a silence fell with the waking bird,
     And a hush with the setting moon.

I said to the lily, "There is but one
     With whom she has heart to be gay.
When will the dancers leave her alone?
     She is weary of dance and play."
Now half to the setting moon are gone,
     And half to the rising day;
Low on the sand and loud on the stone
     The last wheel echoes away.

I said to the rose, "The brief night goes
     In babble and revel and wine.
O young lordlover, what sighs are those
     For one that will never be thine?
But mine, but mine," so I sware to the rose,
     "For ever and ever, mine."

And the soul of the rose went into my blood,
     As the music clash'd in the hall;
And long by the garden lake I stood,
     For I heard your rivulet fall
From the lake to the meadow and on to the wood,
     Our wood, that is dearer than all;

From the meadow your walks have left so sweet
     That whenever a March-wind sighs
He sets the jewelprint of your feet
     In violets blue as your eyes,
To the woody hollows in which we meet
     And the valleys of Paradise.

The slender acacia would not shake
     One long milk-bloom on the tree;
The white lake-blossom fell into the lake,
     As the pimpernel dozed on the lea;
But the rose was awake all night for your sake,
     Knowing your promise to me;
The lilies and roses were all awake,
     They sigh'd for the dawn and thee.

Queen rose of the rosebud garden of girls,
     Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
     Queen lily and rose in one;
Shine out, little head, sunning over with curls,
     To the flowers, and be their sun.

There has fallen a splendid tear
     From the passion-flower at the gate.
She is coming, my dove, my dear;
     She is coming, my life, my fate;
The red rose cries, "She is near, she is near;"
     And the white rose weeps, "She is late;"
The larkspur listens, "I hear, I hear;"
     And the lily whispers, "I wait."

She is coming, my own, my sweet;
     Were it ever so airy a tread,
My heart would hear her and beat,
     Were it earth in an earthy bed;
My dust would hear her and beat,
     Had I lain for a century dead;
Would start and tremble under her feet,
     And blossom in purple and red.
There's intense romance
in walking in the rain
under an umbrella.

It's akin to being with your girlfriend
in the rain.

My umbrella like my girlfriend is old

she has enough leaking holes
to lick my hair and face
rolling like a rivulet
reaching up to the groin
where it creates a puddle of desire
when I grab her harder
and push thru the fluid
thirsting and thrusting
like I do with my girlfriend.

But you know the best part comes
when my umbrella asks me
to throw her away
and reach the ******
as the sky cracks
to pour a blinding rain.
The storm passes, winds once upliften have spent their embrace
and Nature calls anew to the ripening surges, budding grass once slumbered burst to life
while birds in willful glee dance the verge, whistling delight
to drink the freshened Air, our thundering night torn through the wastes
or swept swiftly along, kissed the Earth in glance of praise-
Our glad meeting, greeting and raucus entreating.

Here calls like clarion tones, like silver bells, attuned for an ascending climb
and scale of seeming or believing, less tightly held to vagrant wishing
but embraced in sight of sure horizons, traveling on like Osprey on the hunt
or Otter dove for the rivulet streams our minds intend, or hands direct-
a tinkling on the wire, vision, strength against the currents of our times
two matched in each, Above/Below...corresponding on.

— The End —