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howard brace Feb 2012
Inconspicuous, his presence noted only by the obscurity and the ever growing number of spent cigarette stubs that littered the ground.  It had been a long day and the rain, relentless in its tenacity had little intention of stopping, baleful clouds still  hung heavy, dominating the lateness of the afternoon sky, a rain laden skyline broken only by smoke filled chimney pots and the tangled snarl of corroded television aerials.

     The once busy street was fast emptying now, the lure of shop windows no longer enticed the casual browser as local traders closed their premises to the oncoming night, solitary lampposts curved hazily into the distance, casting little more than insipid pools mirrored in the gutter below, only the occasional stranger scurrying home on a bleak, rain swept afternoon, the hurried slap of wet leather soles on the pavement, the sightless umbrellas, the infrequent rumble of a half filled bus, hell-bent on its way to oblivion.

     In the near distance as the working day ended, a sudden emergence of factory workers told Beamish it was 5-o'clock, most would be hurrying home to a hot meal, while others, for a quick drink perhaps before making the same old sorry excuse... for Jack, the greasy spoon would be closing about now, denying him the comfort of a badly needed cuppa' and stale cheese sandwich.  A subtle legacy of lunchtime fish and chips still lingered in the air, Jack's stomach rumbled, there was little chance of a fish supper for Beamish tonight, it protested again... louder.

     From beneath the eaves of the building opposite several pigeons broke cover, startled by the rattle as a shopkeeper struggled to close the canvas awning above his shop window.  Narrowly missing Beamish they flew anxiously over the rooftops, memories of the blitz sprang to mind as Jack stepped smartly to one side, he stamped his feet... it dashed a little of the weather from his raincoat, just as the rain dashed a little of the pigeons' anxiety from the pavement... the day couldn't get much worse if it tried.  Shielding his face, Jack struck the Ronson one more time and cupped the freshly lit cigarette between his hands, it was the only source of heat to be had that day... and still it rained.

     'By Appointment to Certain Personages...' the letter heading rang out loudly... 'Jack Beamish ~ Private Investigator...' a throat choking mouthful by any stretch of the imagination, thought Jack and shot every vestige of credulity plummeting straight through the office window and amidst a fanfare of trumpet voluntary, nominate itself for a prodigious award in the New Year Honours list.   Having formally served in a professional capacity for a well known purveyor of pickled condiments, who  incidentally, brandished the same patronage emblazoned upon their extensive range of relish as the one Jack had more recently purloined from them... a paid commission no less, which by Jack's certain understanding had made him, albeit fleeting in nature, a professional consultant of said company... and consequently, if they could flaunt the auspicious emblem, then according to Jack's infallible logic, so could Jack.  

     The recently appropriated letterhead possessed certain distinction... in much the same way, Jack reasoned, that a blank piece of paper did not... and whereas correspondence bearing the heading 'By Appointment' may not exactly strike terror into the hearts of man... unlike a really strong pickled onion, it nevertheless made people think twice before playing him for the fool, which sadly, Jack had to concede, they still invariably did... and he would often catch them wagging an accusing finger or two in his direction with such platitudes as... "watch where you put your foot", they'd whisper, "that Jack's a right Shamus...", and when you'd misplaced your footing as many times as Jack had, then he reasoned, that by default the celebrated Shamus must have landed himself in more piles of indiscretion than he would readily care to admit, but that wouldn't be quite accurate either, in Jack's line of work it was the malefactor that actually dropped him in them more often than not.

     A cold shiver suddenly ran down his spine, another quickly followed as a spurt of icy water from a broken rain spout spattered across the back of his neck, he grimaced... Jack's expression spoke volumes as he took one final pull from his half soaked cigarette and flicked it, amid an eruption of sparks against the adjacent brick wall.  Sinking further into the shadow he tipped his fedora against the oncoming rain, then, digging both hands deep within his pockets, he huddled behind the upturned collar of his gabardine... watching.

     It was times such as these when Jack's mind would slip back, in much the same way you might slip back on a discarded banana peel, when a matter of some consequence, or in particular this case the pavement, would suddenly leap up from behind and give the back of Jack's head a resoundingly good slapping and tell him to "stop loafing around in office hours... or else", then drag him, albeit kicking and screaming back into the 20th century.  This intellectual assault and battery re-focused Jack's mind wonderfully as he whiled away the long weary hours until his next cigarette; cup of tea, or the last bus home, his capacity to endure such mind boggling tedium called for nothing less than sheer ******-mindedness and very little else... Beamish had long suspected that he possessed all the necessary qualifications.  

     Jack had come a long way since the early days, it had been a long haul but he'd finally arrived there in the end... and managed to pick up quite a few ***** looks along the way.  Whilst he was with the Police Constabulary... and it was only fair to stress the word 'with', as opposed to the word 'in'... although the more Jack considered, he had been 'with' the arresting officer, held 'in' the local Bridewell... detained at Her Majesties pleasure while assisting the boys in blue with their enquiries over a minor infringement of some local by-law that currently had quite slipped his mind at that moment.  Throughout this enforced leisure period he'd managed to read the entire abridged editions of Kilroy and other expansive works of graffiti exhibited in what passed locally as the next best thing to the Tate Gallery, whereupon it hadn't taken Jack very long to realise that it was always a good place to start if you wanted free breakfast, in fact the weeks bill of fare was tastefully displayed in vivid, polychromatic colour on the wall opposite... you just had to be au-fait with braille.
                            
     No matter how industrious Beamish laboured to rake the dirt there always appeared to be a dire shortage of gullible clients for Jack to squeeze, what would roughly translate as an honest crust out of, and although his financial retainer was highly competitive he understood that potential clients found it bewildering when grappling with the unplumbed depths of his monthly expense account, which would tend to fluctuate with the same unpredictability as the British weather, the rest of Jack's agenda revolved around a little shady moonlighting... in fact he'd happily consider anything to offset the remotest possibility of financial delinquency... short of extortion... which by the strangest twist was the very word prospective clients would cry while Jack beavered around the office with dust-pan and brush sweeping any concerns they may have had frantically under the carpet regarding all culpability of his extra-curricular monthly stipend... and they should remain assured at all times... as they dug deep and fished for their cheque books, and simply look upon it as kneading dough, which eerily enough was exactly the thick wedge of buttered granary that Jack had every intention of carving.

     Were there ever the slightest possibility that a day could be so utterly wretched, then today was that day, Jack felt a certain empathy as he merged with his surroundings... at one with nature as it were.  The rain, a timpani on the metal dustbin lids, by the side of which Beamish had taken up vigil, also taking up vigil and in search of a morsel was the stray mongrel, this was the third time now that he'd returned, the same apprehensive wag, yet still the same hopeful look of expectation in his eyes, a brief but friendly companion who paid more attention to Jack's left trouser leg than anything that could be had from nosing around the dustbins that day... some days you're the dog, scowled Beamish as he shook his trouser leg... and some days the lamppost, Jack's foot swung out playfully, keeping his new friend's incontinence at a safe distance, feigning indignance  the scruffy mongrel shook himself defiantly from nose to tail, a distinct odour of wet dog filled the air as an abundance of spent rainwater flew in all directions.   Pricking one ear he looked accusingly at Jack before turning and snuffled off, his nose resolutely to the pavement and diligently, picking out the few diluted scents still remaining, the poor little stalwart renewed its search for scraps, or making his way perhaps to some dry seclusion known only to itself.
  
     Two hours later and... SPLOSH, a puddle poured itself through the front door of the nearest Public House... SPLOSH, the puddle squelched over to the payphone... SPLOSH, then, fumbling for small change dialled and pressed button 'A'..., then button 'B'... then started all over again amid a flurry of precipitation... SPLASH.  The puddle floundered to the bar and ordered itself a drink, then ebbed back to the payphone again... the local taxi company doggedly refused to answer... finally, wallowing over to the window the puddle drifted up against a warm radiator amidst a cloud of humidity and came to rest... flotsam, cast upon the shore of contentment, the puddle sighed contentedly... the Landlady watched this anomaly... suspiciously.

     The puddle's finely tuned perception soon got to grips with the unhurried banter and muffled gossip drifting along the bar, having little else to loose, other than what could still be wrung from his clothing... Beamish, working on the principle that a little eavesdropping was his stock-in-trade engaged instinct into overdrive and casually rippled in their general direction...  They were clearly regulars by the way one of them belched in a well rehearsed, taken-a-back sort of way as Jack took stock of the situation and was now at some pains to ingratiate himself into their exclusive midst and attempt several friendly, yet relevant questions pertinent to his enquiries... all of which were skillfully deflected with more than friendly, yet totally irrelevant answers pertinent to theirs'... and would Jack care for a game of dominoes', they enquired... if so, would he be good enough to pay the refundable deposit, as by common consent it just so happened to be his turn...  Jack graciously declined this generous offer, as the obliging Landlady, just as graciously, cancelled the one shilling returnable deposit from the cash register, such was the flow of light conversation that evening... they didn't call him Lucky Jack for nothing... discouraged, Beamish turned back to the bar and reached for his glass... to which one of his recent companions, and yet again just as graciously, had taken the trouble to drink for him... the Landlady gave Jack a knowing look, Beamish returned the heartfelt sentiment and ordered one more pint.

     From the licenced premises opposite, a myriad of jostling customers plied through the door, business was picking up... the sudden influx of punters rapidly persuaded Beamish to retire from the bar and find a vacant table.  Sitting, he removed several discarded crisp packets from the centre of the table only to discover a freshly vacated ashtray below... by sleight of hand Jack's Ronson appeared... as he lit the cigarette the fragile smoke curled blue as it rose... influenced by subtle caprice, it joined others and formed a horizontal curtain dividing the room, a delicate, undulating layer held between two conflicting forces.

     The possibility of a free drink soon attracted the attention of a local bar fly, who, hovering in the near vicinity promptly landed in Jack's beer, Beamish declined this generous offer as being far too nutritious and with the corner of yesterdays beer mat, flipped the offending organism from the top of his glass, carefully inspecting his drink for debris as he did so.

     A sudden draught and clip of stiletto heels as the side door opened caused Beamish to turn as a double shadow slipped discreetly into the friendly Snug... a little adulterous intimacy on an otherwise cheerless evening.  The faceless man, concealed beneath a fedora and the upturned collar of his overcoat, the surreptitious lady friend, decked out in damp cony, cheap perfume and a surfeit of bling proclaimed a not too infrequent assignation, he'd seen it all before... the over attentive manner and the band of white, Sun-starved skin recently hidden behind a now absent wedding token, ordinarily it was the sort of assignment Jack didn't much care for... the discreet tail, the candid snapshot through half drawn curtains... and the all too familiar steak tartare... for the all too familiar black eye.

     To the untrained eye, the prospect of Jack's long anticipated supper was rapidly dwindling, when it suddenly focused with renewed vigour upon the contents of a pickled egg jar he'd observed earlier that evening, lurking on the back counter, his enthusiasm swiftly diminished however as the belching customer procured the final two specimens from the jar and proceeded to demolish them.  Who, Jack reflected, after being stood out in the rain all day, had egg all over his face now... and who, he reflected deeper, still had an empty stomach.  Disillusioned, Jack tipped back his glass and considered a further sortie with the taxicab company.

     "FIVE-BOB"!!! Jack screamed... you could have shredded the air with a cheese grater... hurtling into the kerb like a fairground attraction came flying past the chequered flag at a record breaking 99 in Jack's top 100 most not wanted list of things to do that day... and that the cabby should think himself fortunate they weren't both stretched flat on a marble slab, "exploding tyres" Jack spluttered, dribbling down his chin, were enough to give anyone a coronary... further broadsides of neurotic ambiance filled the cab as the driver, miffed at the prospect of missing snooker night out with the lads, considered charging extra for the additional space Jack's profanity was taking...

     And what part of 'Drive-Carefully', fumed Beamish, did the cabby simply not understand, that pavements were there to be bypassed, 'Nay Circumvented', preferably on the left... and not veered into, wildly on the front axle... an eerie premonition of 'jemais-vu' perched and ready to strike like a disembodied Jiminy Cricket on Jack's left shoulder, looking to stick its own two-penny worth in at the 'Standing-Room-Only' arrangements in the overcrowded cab... and at what further point, Jack shrieked, eyes leaping from his head as he lurched forward, shaking his fist through the sliding glass partition, had the cabbie failed to grasp the importance of the word 'Steering-Wheel...' someone wanted horse whipping, and as far as Beamish was concerned the sole contender was the cab driver...

     In having a somewhat sedate and unruffled disposition it had fallen to Beamish... as befalls all great leaders in times of adversity, to single handedly take the bull by the horns, so to speak and at great personal cost, alert the unwary passing motorist...  Waving his arms about like a man possessed whilst performing acrobatic evolutions in the centre of the road as the cabby changed the wheel came whizzing around the corner at a back breaking 98 on Jack's ever growing list... and why, Jack puzzled, why had they all lowered their side windows and gestured back at him in semaphore..?  Rallying to its aid, Jack's head and shoulders now joined his shaking fist through the sliding glass partition and into the cabby's face, "Who" Beamish screeched with renewed vigour ,"Who Was The Man", Jack wanted to know... *"a
Nigel Morgan Oct 2012
The courtesan and poet Zuo Fen had two cats Xe Ming and Xi Ming. Living in her distant court with only her maid Hu Yin, her cats were often her closest companions and, like herself, of a crepuscular nature.
      It was the very depths of winter and the first moon of the Solstice had risen. The old year had nearly passed.
      The day itself was almost over. Most of the inner courts retired before the new day began (at about 11.0pm), but not Zuo Fen. She summoned her maid to dress her in her winter furs, gathered her cats on a long chain leash, and walked out into the Haulin Gardens.
      These large and semi-wild gardens were adjacent to the walls of her personal court. The father of the present Emperor had created there a forest once stocked with game, a lake to the brim with carp and rich in waterfowl, and a series of tall structures surrounded by a moat from which astronomers were able to observe the firmament.
      Emperor Wu liked to think of Zuo Fen walking at night in his father’s park, though he rarely saw her there. He knew that she valued that time alone to prepare herself for his visits, visits that rarely occurred until the Tiger hours between 3.0am and 6.0am when his goat-drawn carriage would find its way to her court unbidden. She herself would welcome him with steaming chai and sometimes a new rhapsody. They would recline on her bed and discuss the content and significance of certain writings they knew and loved. Discussion sometimes became an elaborate game when a favoured Classical text would be taken as the starting point for an exchange of quotation. Gradually quotation would be displaced by subtle invention and Zuo Fen would find the Emperor manoeuvring her into making declarations of a passionate or ****** nature.
       It seemed her very voice captivated him and despite herself and her inclinations they would join as lovers with an intensity of purpose, a great tenderness, and deep joy. He would rest his head inside her cloak and allow her lips to caress his ears with tales of river and mountain, descriptions of the flights of birds and the opening of flowers. He spoke to her ******* of the rising moon, its myriad reflections on the waters of Ling Lake, and of its trees whose winter branches caressed the cold surface.

Whilst Zuo Fen walked in the midnight park with her cats she reflected on an afternoon of frustration. She had attempted to assemble a new poem for her Lord.  Despite being himself an accomplished poet and having an extraordinary memory for Classical verse, the Emperor retained a penchant for stories about Mei-Lim, a young Suchan girl dragged from her family to serve as a courtesan at his court.
      Zuo Fen had invented this girl to articulate some of her own expressions of homesickness, despair, periods of constant tearfulness, and abject loneliness. Such things seemed to touch something in the Emperor. It was as though he enjoyed wallowing in these descriptions and his favourite A Rhapsody on Being far from Home he loved to hear from the poet’s own lips, again and again. Zuo Fen felt she was tempting providence not to compose something new, before being ordered to do so.
      As she struggled through the afternoon to inject some fresh and meaningful content into a story already milked dry Zuo Fen became aware of her cats. Xi Ming lay languorously across her folded feet. Xe Ming perched like an immutable porcelain figure on a stool beside her low writing table.
Zuo Fen often consulted her cats. ‘Xi Ming, will my Lord like this stanza?’

“The stones that ring out from your pony’s hooves
announce your path through the cloud forest”


She would always wait patiently for Xi Ming’s reply, playing a game with her imagination to extract an answer from the cinnamon scented air of her winter chamber.
      ‘He will think his pony’s hooves will flash with sparks kindling the fire of his passion as he prepares to meet his beloved’.
      ‘Oh such a wise cat, Xi Ming’, and she would press his warm body further into her lap. But today, as she imagined this dialogue, a second voice appeared in her thoughts.
      ‘Gracious Lady, your Xe Ming knows his under-standing is poor, his education weak, but surely this image, taken as it is from the poet Lu Ji, suggests how unlikely it would be for the spark of love and passion to take hold without nurture and care, impossible on a hard journey’.
       This was unprecedented. What had brought such a response from her imagination? And before she could elicit an answer it was as though Xe Ming spoke with these words of Confucius.

“Do not be concerned about others not appreciating you, be concerned about you not appreciating others”

Being the very sensible woman she was, Zuo Fen dismissed such admonition (from a cat) and called for tea.

Later as she walked her beauties by the frozen lake, the golden carp nosing around just beneath the ice, she recalled the moment and wondered. A thought came to her  . . .
       She would petition Xe Ming’s help to write a new rhapsody, perhaps titled Rhapsody on the Thought of Separation.

Both Zuo Fen’s cats came from her parental home in Lingzhi. They were large, big-***** mountain cats; strong animals with bear-like paws, short whiskered and big eared. Their coats were a glassy grey, the hairs tipped with a sprinkling of white giving the fur an impression of being wet with dew or caught by a brief shower.
       When she thought of her esteemed father, the Imperial Archivist, there was always a cat somewhere; in his study at home, in the official archives where he worked. There was always a cat close at hand, listening?
       What texts did her father know by heart that she did not know? What about the Lu Yu – the Confucian text book of advice and etiquette for court officials. She had never bothered to learn it, even read it seemed unnecessary, but through her brother Zuo Si she knew something of its contents and purpose.

Confucius was once asked what were the qualifications of public office. ‘Revere the five forms of goodness and abandon the four vices and you can qualify for public office’.
       For the life of her Zuo Fen could not remember these five forms of goodness (although she could make a stab at guessing them). As for those vices? No, she was without an idea. If she had ever known, their detail had totally passed from her memory.
       Settled once again in her chamber she called Hu Yin and asked her to remove Xi Ming for the night. She had three hours or so before the Emperor might appear. There was time.
        Xe Ming was by nature a distant cat, aloof, never seeking affection. He would look the other way if regarded, pace to the corner of a room if spoken to. In summer he would hide himself in the deep undergrowth of Zuo Fen’s garden.
       Tonight Zuo Fen picked him up and placed him on her left shoulder. She walked around her room stroking him gently with her small strong fingers, so different from the manicured talons of her colleagues in the Purple Palace. Embroidery, of which she was an accomplished exponent, was impossible with long nails.
       From her scroll cupboard she selected her brother’s annotated copy of the Lun Yu, placing it unrolled on her desk. It would be those questions from the disciple Tzu Chang, she thought, so the final chapters perhaps. She sat down carefully on the thick fleece and Mongolian rug in front of her desk letting Xe Ming spill over her arms into a space beside her.
       This was strange indeed. As she sat beside Xe Ming in the light of the butter lamps holding his flickering gaze it was as though a veil began to lift between them.
       ‘At last you understand’, a voice appeared to whisper,’ after all this time you have realised . . .’
      Zuo Fen lost track of time. The cat was completely motionless. She could hear Hu Yin snoring lightly next door, no doubt glad to have Xi Ming beside her on her mat.
      ‘Xe Ming’, she said softly, ‘today I heard you quote from Confucius’.
      The cat remained inscrutable, completely still.
      ‘I think you may be able to help me write a new poem for my Lord. Heaven knows I need something or he will tire of me and this court will cease to enjoy his favour’.
      ‘Xe Ming, I have to test you. I think you can ‘speak’ to me, but I need to learn to talk to you’.
      ‘Tzu Chang once asked Confucius what were the qualifications needed for public office? Confucius said, I believe, that there were five forms of goodness to revere, and four vices to abandon’.
       ‘Can you tell me what they are?’
      Xe Ming turned his back on Zuo Fen and stepped gently away from the table and into a dark and distant corner of the chamber.
      ‘The gentle man is generous but not extravagant, works without complaint, has desires without being greedy, is at peace, but not arrogant, and commands respect but not fear’.
      Zuo Fen felt her breathing come short and fast. This voice inside her; richly-texture, male, so close it could be from a lover at the epicentre of a passionate entanglement; it caressed her.
      She heard herself say aloud, ‘and the four vices’.
      ‘To cause a death or imprisonment without teaching can be called cruelty; to judge results without prerequisites can be called tyranny; to impose deadlines on improper orders can be thievery; and when giving in the procedure of receipt and disbursement, to stint can be called officious’.
       Xe Ming then appeared out of the darkness and came and sat in the folds of her night cloak, between her legs. She stroked his glistening fur.
       Zuo Fen didn’t need to consult the Lu Yu on her desk. She knew this was unnecessary. She got to her feet and stepped through the curtains into an antechamber to relieve herself.
       When she returned Xe Ming had assumed his porcelain figure pose. So she gathered a fresh scroll, her writing brushes, her inks, her wax stamps, and wrote:

‘I was born in a humble, isolated, thatched house,
and was never well versed in writing.
I never saw the marvellous pictures of books,
nor had I heard of the classics of earlier sages.
I am dimwitted, humble and ignorant . . ‘


As she stopped to consider the next chain of characters she saw in her mind’s eye the Purple Palace, the palace of the concubines of the Emperor. Sitting next to the Purple Chamber there was a large grey cat, its fur sprinkled with tiny flecks of white looking as though the animal had been caught in a shower of rain.
       Zuo Fen turned from her script to see where Xe Ming had got to, but he had gone. She knew however that he would always be there. Wherever her imagination took her, she could seek out this cat and the words would flow.

Before returning to her new text Zuo Fen thought she might remind herself of Liu Xie’s words on the form of the Rhapsody. If Emperor Wu appeared later she would quote it (to his astonishment) from The Literary Mind and the Carving of Dragons.

*The rhapsody derives from poetry,
A fork in the road, a different line of development;
It describes objects, pictures and their appearance,
With a brilliance akin to sculpture and painting.
What is clogged and confined it invariably opens up;
It depicts the commonplace with unbounded charm;
But the goal of the form is of beauty well ordered,
Words retained for their loveliness when weeds have been cut away.
I WAS born on the prairie and the milk of its wheat, the red of its clover, the eyes of its women, gave me a song and a slogan.

Here the water went down, the icebergs slid with gravel, the gaps and the valleys hissed, and the black loam came, and the yellow sandy loam.
Here between the sheds of the Rocky Mountains and the Appalachians, here now a morning star fixes a fire sign over the timber claims and cow pastures, the corn belt, the cotton belt, the cattle ranches.
Here the gray geese go five hundred miles and back with a wind under their wings honking the cry for a new home.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water.

The prairie sings to me in the forenoon and I know in the night I rest easy in the prairie arms, on the prairie heart..    .    .
        After the sunburn of the day
        handling a pitchfork at a hayrack,
        after the eggs and biscuit and coffee,
        the pearl-gray haystacks
        in the gloaming
        are cool prayers
        to the harvest hands.

In the city among the walls the overland passenger train is choked and the pistons hiss and the wheels curse.
On the prairie the overland flits on phantom wheels and the sky and the soil between them muffle the pistons and cheer the wheels..    .    .
I am here when the cities are gone.
I am here before the cities come.
I nourished the lonely men on horses.
I will keep the laughing men who ride iron.
I am dust of men.

The running water babbled to the deer, the cottontail, the gopher.
You came in wagons, making streets and schools,
Kin of the ax and rifle, kin of the plow and horse,
Singing Yankee Doodle, Old Dan Tucker, Turkey in the Straw,
You in the coonskin cap at a log house door hearing a lone wolf howl,
You at a sod house door reading the blizzards and chinooks let loose from Medicine Hat,
I am dust of your dust, as I am brother and mother
To the copper faces, the worker in flint and clay,
The singing women and their sons a thousand years ago
Marching single file the timber and the plain.

I hold the dust of these amid changing stars.
I last while old wars are fought, while peace broods mother-like,
While new wars arise and the fresh killings of young men.
I fed the boys who went to France in great dark days.
Appomattox is a beautiful word to me and so is Valley Forge and the Marne and Verdun,
I who have seen the red births and the red deaths
Of sons and daughters, I take peace or war, I say nothing and wait.

Have you seen a red sunset drip over one of my cornfields, the shore of night stars, the wave lines of dawn up a wheat valley?
Have you heard my threshing crews yelling in the chaff of a strawpile and the running wheat of the wagonboards, my cornhuskers, my harvest hands hauling crops, singing dreams of women, worlds, horizons?.    .    .
        Rivers cut a path on flat lands.
        The mountains stand up.
        The salt oceans press in
        And push on the coast lines.
        The sun, the wind, bring rain
        And I know what the rainbow writes across the east or west in a half-circle:
        A love-letter pledge to come again..    .    .
      Towns on the Soo Line,
      Towns on the Big Muddy,
      Laugh at each other for cubs
      And tease as children.

Omaha and Kansas City, Minneapolis and St. Paul, sisters in a house together, throwing slang, growing up.
Towns in the Ozarks, Dakota wheat towns, Wichita, Peoria, Buffalo, sisters throwing slang, growing up..    .    .
Out of prairie-brown grass crossed with a streamer of wigwam smoke-out of a smoke pillar, a blue promise-out of wild ducks woven in greens and purples-
Here I saw a city rise and say to the peoples round world: Listen, I am strong, I know what I want.
Out of log houses and stumps-canoes stripped from tree-sides-flatboats coaxed with an ax from the timber claims-in the years when the red and the white men met-the houses and streets rose.

A thousand red men cried and went away to new places for corn and women: a million white men came and put up skyscrapers, threw out rails and wires, feelers to the salt sea: now the smokestacks bite the skyline with stub teeth.

In an early year the call of a wild duck woven in greens and purples: now the riveter's chatter, the police patrol, the song-whistle of the steamboat.

To a man across a thousand years I offer a handshake.
I say to him: Brother, make the story short, for the stretch of a thousand years is short..    .    .
What brothers these in the dark?
What eaves of skyscrapers against a smoke moon?
These chimneys shaking on the lumber shanties
When the coal boats plow by on the river-
The hunched shoulders of the grain elevators-
The flame sprockets of the sheet steel mills
And the men in the rolling mills with their shirts off
Playing their flesh arms against the twisting wrists of steel:
        what brothers these
        in the dark
        of a thousand years?.    .    .
A headlight searches a snowstorm.
A funnel of white light shoots from over the pilot of the Pioneer Limited crossing Wisconsin.

In the morning hours, in the dawn,
The sun puts out the stars of the sky
And the headlight of the Limited train.

The fireman waves his hand to a country school teacher on a bobsled.
A boy, yellow hair, red scarf and mittens, on the bobsled, in his lunch box a pork chop sandwich and a V of gooseberry pie.

The horses fathom a snow to their knees.
Snow hats are on the rolling prairie hills.
The Mississippi bluffs wear snow hats..    .    .
Keep your hogs on changing corn and mashes of grain,
    O farmerman.
    Cram their insides till they waddle on short legs
    Under the drums of bellies, hams of fat.
    **** your hogs with a knife slit under the ear.
    Hack them with cleavers.
    Hang them with hooks in the hind legs..    .    .
A wagonload of radishes on a summer morning.
Sprinkles of dew on the crimson-purple *****.
The farmer on the seat dangles the reins on the rumps of dapple-gray horses.
The farmer's daughter with a basket of eggs dreams of a new hat to wear to the county fair..    .    .
On the left-and right-hand side of the road,
        Marching corn-
I saw it knee high weeks ago-now it is head high-tassels of red silk creep at the ends of the ears..    .    .
I am the prairie, mother of men, waiting.
They are mine, the threshing crews eating beefsteak, the farmboys driving steers to the railroad cattle pens.
They are mine, the crowds of people at a Fourth of July basket picnic, listening to a lawyer read the Declaration of Independence, watching the pinwheels and Roman candles at night, the young men and women two by two hunting the bypaths and kissing bridges.
They are mine, the horses looking over a fence in the frost of late October saying good-morning to the horses hauling wagons of rutabaga to market.
They are mine, the old zigzag rail fences, the new barb wire..    .    .
The cornhuskers wear leather on their hands.
There is no let-up to the wind.
Blue bandannas are knotted at the ruddy chins.

Falltime and winter apples take on the smolder of the five-o'clock November sunset: falltime, leaves, bonfires, stubble, the old things go, and the earth is grizzled.
The land and the people hold memories, even among the anthills and the angleworms, among the toads and woodroaches-among gravestone writings rubbed out by the rain-they keep old things that never grow old.

The frost loosens corn husks.
The Sun, the rain, the wind
        loosen corn husks.
The men and women are helpers.
They are all cornhuskers together.
I see them late in the western evening
        in a smoke-red dust..    .    .
The phantom of a yellow rooster flaunting a scarlet comb, on top of a dung pile crying hallelujah to the streaks of daylight,
The phantom of an old hunting dog nosing in the underbrush for muskrats, barking at a **** in a treetop at midnight, chewing a bone, chasing his tail round a corncrib,
The phantom of an old workhorse taking the steel point of a plow across a forty-acre field in spring, hitched to a harrow in summer, hitched to a wagon among cornshocks in fall,
These phantoms come into the talk and wonder of people on the front porch of a farmhouse late summer nights.
"The shapes that are gone are here," said an old man with a cob pipe in his teeth one night in Kansas with a hot wind on the alfalfa..    .    .
Look at six eggs
In a mockingbird's nest.

Listen to six mockingbirds
Flinging follies of O-be-joyful
Over the marshes and uplands.

Look at songs
Hidden in eggs..    .    .
When the morning sun is on the trumpet-vine blossoms, sing at the kitchen pans: Shout All Over God's Heaven.
When the rain slants on the potato hills and the sun plays a silver shaft on the last shower, sing to the bush at the backyard fence: Mighty Lak a Rose.
When the icy sleet pounds on the storm windows and the house lifts to a great breath, sing for the outside hills: The Ole Sheep Done Know the Road, the Young Lambs Must Find the Way..    .    .
Spring slips back with a girl face calling always: "Any new songs for me? Any new songs?"

O prairie girl, be lonely, singing, dreaming, waiting-your lover comes-your child comes-the years creep with toes of April rain on new-turned sod.
O prairie girl, whoever leaves you only crimson poppies to talk with, whoever puts a good-by kiss on your lips and never comes back-
There is a song deep as the falltime redhaws, long as the layer of black loam we go to, the shine of the morning star over the corn belt, the wave line of dawn up a wheat valley..    .    .
O prairie mother, I am one of your boys.
I have loved the prairie as a man with a heart shot full of pain over love.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water..    .    .
I speak of new cities and new people.
I tell you the past is a bucket of ashes.
I tell you yesterday is a wind gone down,
  a sun dropped in the west.
I tell you there is nothing in the world
  only an ocean of to-morrows,
  a sky of to-morrows.

I am a brother of the cornhuskers who say
  at sundown:
        To-morrow is a day.
Mateuš Conrad Oct 2016
Sorbian, meaning, tickling the armpit of Germany
in terms of what's the desired encoding;
the variations of person:
            čłowjek (upper sorban)
               cłowjek (lower   "    )
     čovjek (croatian)
                           člověk    (czech')
człowiek (polish)      clawak (polabian)
              człowiek (kashubian)     človek (slovak)
                                 człowiyk (silesian)
         чoлoвік (ukranian).

' well, there is a little misunderstanding with the
  czech caron e (ě), mind this later.

yes, the peasants spoke more softly
compared with urban sharpening of accents,
so that you knew that in urban areas South
London has hardly Hackney Cockney,
and never Richmond, like Essex never spoke
good Yorkshire -
                             so they sharpened the letters
and that translated into involving accents
to later be abused -
                             the recipe? yes,
i was cooking Ukrainian Borscht today -
apart from the fact that Borscht isn't exactly classified
as a soup, a Borscht is a *Borscht
,
   it transcends the category of being a soup,
just like rosół transcends the same category of being a soup,
           it's a very fine version of what is otherwise
chicken soup -
                            and as a critique of western cuisine?
why are all western soups like puree? they have
snot consistency, they ever never see-through -
they're all ******* creamy, like toddle-pulp of mauled
faeces - as if a bird feeding its chicks with regurgitated
products - eastern soups are see through,
floating bits you can see, a bit like the sea turned into
a Narcissus clarity. let me tell you,
the nurses love hearing the answers to the questions:
do you do any exercise?
                 yes, i walk everyday, once a week a take on
the miles.
             do you smoke?
        i try to fit within a packet of 20 a day.
do you drink?
                   only on alternative days.
        do you eat your five-a-day necessary ration
of fruits and vegetables?
          i don't like fruits... i avoid them...
vegetables? sure.
the basic ingredients of an Ukrainian broth?
        carrots, beetroots, celery, parsley root,
potatoes, leeks, fibre: green broad beans,
                   mushrooms,
                         red borscht concentrate
           white borscht concentrate for the sourness -
garlic.
                             (base? chicken, salt to taste).
well, coming back to the czech variation of the word
person... i feel there's a need to somehow find
diacritical uses coherent -
                                  i can only see it as
the nakedness of the original phonta (variation
on quanta: a specified sound being encoded with each
letter) -
                      it's diacritical marks akin to punctuation
marks and a few mathematical deliberates -
                  e.g. caron:
                                                        z
                                                      š
the z is invited to be applied to the s to make a shush
stress -
                                       arms wide open looking to
the sky for manna from heaven -
soon enough and y and j were confused with
yaks, tetragrammatons and some Spanish conquistadors
named Jesus - whether jumping or yanking the
shortest straws while sitting in a kayak -
or as Jacky said yards ahead if himself -
                   for every Jew there's a yew tree blossoming.
              there should be a rule of law stating:
only such and such diacritical marks to be applied
to vowels, and such and such marks to be applied to
consonants - but, evidently, this is not the norm -
             these are not merely unconscious accepted
aesthetic consideration, when i was being taught
French at school, i was never taught that
    ê (circumflex e) does as much damage to pronunciation
as does the è (grave e) - i.e. the circumflex is binding
the two letters in-between the stressed vowel,
while the incisor e with è cuts the word off when it's used -
              so the caron (mathematically more than? i.e. >)
  asks pleading to the skies for a letter to balance on?
   and the circumflex looks to the earth to find the seashells
and pebbles?
                             as in less than? i.e. <     ?
i rose above language, i rose above spelling because
i decided i could say to Bukowski's claim of genius:
tie your shoelaces before you talk to me:
simple as simply said: whatever lessons in life
i have to learn i'll learn them by my own accord -
               being drunk in Europe is the norm,
as is prostitution -
               last time the police booked me for drinking
i wasn't there... last time i talked with the Bulgarian mafia
i went back to get my debit card back,
            the **** showed me a wallet with 100 or so more
credit cards, i said: none of these are mine...
          the police cruised pretending law abides to the
standard imposed by politicians...
                   prostitution is fair game, but
keeping the girls contrary to self-employment is abhorred....
            me? i just don't do the dating scene,
should i be harrowed from that hide & seek of western
society's women woefully fishing? can i?
i can't be bothered with the games and the Geisha.
                       - you reach the proper level of appreciation
when you start to ridicule your heroes -
                                  you overpower them,
there's no point brown-nosing them with excess over-quotation,
you brown-nose them for a while, but then the gimmicks
begin... and they know it to be true:
    i' peg down Mr. B like anyone critical of getting an
education: learn to spell, and punctuate, and tie your shoelaces.
       you can't let them get away with it... those dumb-*****,
you can't: we all have a sad story...
    does anyone give a ****? m'eh... probably not.
it's the part when he says he read philosophy
but never bothers the ideas behind into a narrative:
                                   with him your end up *******
before Sophia rather than ******* her...
                        you have to **** her at some point...
                  no point ******* women and simply
******* before the deity -
                  better nothing ******* women and not
******* before the deity of worded fertility -
i was brown-nosing him for much too long...
                 whatever he said in his defence,
i'm aiming to capture the imagination akin to ****** addicts.
                      and that's hardly a feat to undertake.
so yeah, punctuation marks and some mathematical marks
above the Latin... Greek went wholly toward the Cyrillic -
oddly enough a Persian, Cyrus, entombed it into the strength
it possesses, rather than some Saint...
                                        so if i'm a loser at considering
myself a citizen of the world... what is Syria to me?
                                               Syria to me being Anglo-Slav
is:                    when Ramses destroyed Syria...
            don't come here with Westminster, please don't,
leave it out in the open with the paedophiles...
                                            i'm a citizen of England,
not of this world: you keep concerns over Syria where
you're at... if i can't be a citizen of thee world in a world
of globalisation, don't include me!
                                    diacritical marks, punctuation
alongside mathematical Copernican -
                                             yes, umlaut and the colon:,
what's the list? an extra oh... the latter phrase for
          omicron.
                                               Boršč or z z (zed zed)
             or h h (tricky, hay hay? ****** ******?
                               hatch hatch?)
            evidently the pronounced: shoo!
                                                        stinker that one:
given z morphs into h when given s or c...
                                i guess it's easier with      šč,
                   a.k.a.           shch...
and the most frequently asked question in English?
(by the middle class), how do you pronounce this?
                   you know why gangsters don't attack
educated people?
                           they love the fact that people made
the effort to learn reading and curtail other peoples' efforts
in changing perceptions -
                  for me it was always about being taught bad
French and rewriting the laws of stress -
                       i'll never understand the caron on vowels:
sure, the French makes it assured to make the circumflex
and the grave accenting above vowels synonymous...
  &
Mateuš Conrad Aug 2018
.perhaps it's a good thing,
that i don't succumb to witty
rhyming poetry...
i hate rhyming poetry as much
as Bukowski hated disney...
Homer didn't rhyme...
  and all the better for it...
this rhyming fetish,
whereby, when you start
rhyming, succumbing to
some quasi orthodoxy?
   getting caged?
       better than rhyme...
   noticeable signs of impromptu,
and absolutely no, so
signs of editing...


      if god is dead in philosophical
discussions...
then rhyme is dead
in poetic composition...
    we, really don't need curriculum
poetics for GCSE students...
cages, entrapment,
   not bothering Stendhal from
the brink of a post-existentialist
despair sitting in
that other graveyard,
  the library shelf...
    and seriously?
    why Jane Austen on the 5 quid
banknote, and not Mary Shelley?

and there's a reason why i will
not make a single youtube video...
why?
       on a certain level of the popularity
stratum,
   it's become this,
  american nostalgia for high school,
the gossiping, the undermining,
the atypical Brutus confidant circle
of "content" creators...
   net-novellas -
   a bunch of people my age...
******* up to the tele-novella
       ergonomics that Polish grandmothers
watch, imported from Turkey...
or the English 1985 Eastenders
soap opera...
   ******* have to be different,
through and through,
drive on the "wrong" side of the road,
then they have to start calling
tele-novellas, soap-operas!

short attention span, sure sure...
no problem...
          do your ******* homework
during the week, watch the omnibus
on the weekend...

what's this one youtuber, who said
something about the advertisement blockers?
by the way...
   Samsung?
     all videos have been demonetized...
perhaps on the odd occasion
a vevo ad... but that's about it...

       advertisement blockers?
  seriously?
   are these people so ******* impatient
that they can't locate the mute button?!
i see an advert: MUTE...
   i think of something,
   to craft an anti-zombie
   pause, moment, anything...
    why block advertisement -
when you can merely mute it...
and listen to the vacuous sound
of celestial orbits?

        within a certain tier of content creators,
it's already the ****-smearing,
soap opera, back in a high school
playground "nostalgia"...
  sorry... not for me...
but thank you, for taking the effort,
to take a reed, dive into a lake,
and breath through it,
while remaining covert, hidden...

         again... numbers numbers numbers...
i'm still exercising a freedom of
"speech", but i rather prefer the
practice of writing, as the appropriate
res extensa of the vector origin
for this cascade, the res cogitans
as it were...

   and there really are only two forms
of nuanced language:
a study of philosophy,
   or the study of: law...
      but this youtube **** show...
   this: back in high school,
no revenge time...

                 i only tuned in for the music,
but then these youtubers started
propping up in the recommendation
list for the music i was listening to...

die krupps postscript suggestions
came up with x,
   wooden shjips came up with y...
lao che came up with z recommendations...

on a side note...
   ha ha!
    mark manson's book...
  the art of not giving a ****...
it mentions Bukowski...
  only read the sample...
        that he was a, loser...
and loser is specifically derogatory
term in American society...
to which i reply?
   and what the **** did
mark manson, actually win?
Bukowski at least won
a childhood where his father beat
him silly in the ******* bathroom...

you haven't exactly won anything,
mr. manson...
   if you didn't lose anything
to begin with;

and if you have?
   let's see the follow-up of
to your bestseller,
         of "not giving a ****";
but we won't, will we?
      - hardly brown-nosing,
the guy's dead,
1997... i have to keep
the integrity of the dead
on my bookshelf...
      
      who reads this
reverse masochism of the self-help
literature genre, anyway?
you can't even use these books
as a counter to a decent roll
of toilet paper!
   unless you want to scratch,
ahem, sorry, wipe your *** with
the pages, and start an **** bleeding!
It is true that the rivers went nosing like swine,
Tugging at banks, until they seemed
Bland belly-sounds in somnolent troughs,

That the air was heavy with the breath of these swine,
The breath of turgid summer, and
Heavy with thunder's rattapallax,

That the man who erected this cabin, planted
This field, and tended it awhile,
Knew not the quirks of imagery,

That the hours of his indolent, arid days,
Grotesque with this nosing in banks,
This somnolence and rattapallax,

Seemed to suckle themselves on his arid being,
As the swine-like rivers suckled themselves
While they went seaward to the sea-mouths.
MJL Apr 2019
Tibetan Brimstone butterflies wave wings madly at their paradise valley
In the beginning, before the beginning, and in the beginning
Their shaken snow globe makes them flutter in wild exuberance
As they reveal a mountain, then no mountain, then Kunlun again
Peace, followed by chaos, and then by peace
Mother Luna's kaleidoscope of enlightenment
Protected by the hooded one
Holds all worlds and shakes the four seasons
Nothingness, creation, abiding, destruction
The wheel of time
Moves the wind as it’s blown by vast circles of water
Aqua marine is washed again by golden earth
And in the center, the great opal mountain song of La
Nature's peace
Beyond white leopard snows, icy winds, and empty husks of death
Butterflies are born again
Shambhala’s mindful beat opens passage for light through darkness
Poets squint and ride on wings toward the hidden sunset kingdom
Watching another world's Avalon alive beneath a blue moon
Insulated chrysalis of love for all seasons
A fisherman, a carpenter, a shepherd, a merchant, a caterpillar
Discover a lush, isolated, peach grove
Nosing thickly scented nectar and purple primrose honey
In the jade valley of the kings, queens, and beggars
They meditate under the Bodhi Tree
Deep brown ****** lines are carved into their soft olive skin
Smooth hands are made rough, and then smooth again
Young, then old, and then young once more
Wisdom setting beside Queen Spirit Mother of the West
Sharing a bowl of her rice milk in harmony
Being in the realm between man and nature as Kalachakra turns
For six years the caterpillar eats of fig
And then the wheel breaks for flight one last time
Radiating light as she sheds her glorious wings
Here, the snow globe explodes flying petals of wild exuberance
Revealing a mountain, then no mountain, then Kunlun again
Transcending all, turning tears into the suns joyful rays
As they rise, then set, and then rise again
Nirvana
Beyond our Lost Horizon


© 2019 MJL
I loved the 1939 movie, Lost Horizon, and it's story of Shangri-La. It drove some interest in reading about Buddhism... Could we be butterflies reborn? How wonderful that would be... Young then old, then young again. All at once nature and man, one with our universe. Those who seek wisdom find salvation... The caterpillar here is a beggar who finds ascension. Cycles represent the wings flapping. There are also references to universal religious themes.
Luna Lynn May 2014
Overrated ******* cheap bitter whine out of mouths of overworked undereducated individuals searching for achievement
Family nosing into business of other family they don't even speak to but need to know who's better off or worse off so most keep in touch for fake reasons
Friends claiming to be friends even though Bobby slept with Joe's sister Kim when Kim had a baby by Bobby's cousin Jim who's sister beat the *** of that ***** Karley for sharing a photo they were in
In a relationship today because you love to watch the haters hate but make 27 statuses about how ****** ain't **** and how you're 3 months late
Hypocritical comments followed by one hundred twenty seven likes
attached to a photo of a kid that died thirteen years ago twice
but to send a prayer or save a life all you have to do is click
LIKE.

I hardly remember the world before
I wonder what the world will be after

Facebook[.]
Just poking fun at America's favorite social media monster.

(C) Maxwell 2014
Mateuš Conrad Oct 2016
lessons in graffiti, or the Pinocchio giraffe;
and was the H absolutely necessary
when otherwise asking of a cappuccino
or at your local caf? evidently there was distinction
with the mocha too, but that won't matter,
otherwise the language isn't used... but abused.

lessons in graffiti, or other confectionary products,
while you ooze the shopping experience
on your daily commute,
       *skittels
on brickwork with the origins
of the #, cut short by simply the graffiti tag,
      you wrote tag, without the collective hash,
  not so much noughts and crosses gaming,
or remembering your phone number,
                  here graffiti: or the rekindling of
trademarks in the urban scenic bypass,
or: truly under the bridge.
             writing on money does very little:
but writing on newspapers? that say a lot,
the odd day i write something on a newspaper
review section and feel almighty -
        which is much more than the rage against
the machine instructions are about:
   write a message on a penny, it's still a penny,
write a message on a dollar, it's still a dollar,
but write a message on a newspaper:
you's basically encapsulating shouting at a protest!
() hence the picture.
             r.s. (receptui scriptum):
         i never knew whether the dot belonged in
the ). or the .) part of encapsulation, if that's to be
worded or acutely pill-sized embryo,
that bypasses the oesophagus workout before
the hydrochloric gym acidity.
   how is one to make science human again?
how is one to make science lessened in the Frankenstein
myth and the ostracized ostrich citizens
that scientists very much so, actually are?
       my notes on the matter?
non-existent: i see the feminist movement
i.e. there are more women than men as such
as not a case of **** culture, but as a case of "i'm not
getting any!" call in the Vikings,
mind you, even the supermarket cashier looked
astounded in between Friday and Saturday,
  on Friday a litre of whiskey
    on Saturday a litre of whiskey...
and some men climb the Everest or walk the moon...
while some envision their liver
as a Klitschko - the tetragrammaton exists only
because people made aesthetic suggestions / blunders,
it's a suggestion in the sur- or what's otherwise a surd /
a silent nonetheless inserted atom of sprechen:
like Nietzsche and Klitschko: you say less than you
write... out pops the tetragrammaton -
        if ever Caesar Octavian needed a teacher
my vanity suggests i'd done better teaching him
than Aristotle teaching Alexander, or Seneca teaching
Nero...
                  it's all down to excessive spelling, or
the keeping up of appearances, or simply looking
bizarre, and like in mathematics, there's a remainder,
what yhwh represents is in linguistic terms
as in mathematical terms: what's left over, scraps...
see it differently and it becomes gold:
five fish, two loaves of bread sort of scenario.
                           it's a remainder -
it cannot be eradicated, denied or be left into a limbo
of diminished responsibility
      it's man concern with how language should
look and how painting should feel:
               the fact that we created art from letters
and forgot our concern for art representing forms
is not postmodernism, it's post-Platonism; finally!
of course the s and the z are the crude and the refined
versions of each other via the transition of
being modulated by the chirality enzyme,
          but they're still called zigzag twins -
there's no delta involved akin to one face of a pyramid.
how grand then, to be living in a time
when a single phonetic encoding of sound
transcends into complex meaning:
akin to s and sigma and what's mathematically
the sum / total of constipated matter...
                    strange how the Cartesian model
falters thus,
           the fact that i think is never the ending
causality of my being's summation:
           it's but a summary, but never the summation /
sum - it's never the arithmetically sound answer:
hence the god-implant, or as i said:
the remainder, which i can't erase from the realm
of thought.
                 by the way? no Jew could have wrote as
much about their god as i have:
as said: the crucifixion was worthwhile,
      but there was no question that Latin had
to remain -
                     what was saved was the Latin encoding,
not some puny redemption from doing ****...
**** no! you couldn't create robotics or write
software without Latin: no other encoding has as
many "blank" hula hoops as already provided:
Q, R, o, P, p, A, a, D, d, g, b, B...
        26 x 2? 52 - and of those how many are spies
that we are descended from the gods and can
create our slowly-ascending replicas in robotics?
as the list suggests: 12.
     should i call up St. Peter and the rest to work
out the ******* numbers of correlation in
the framework of mirror / anti?
                      ah, the eagerly waiting public:
speak of the devil... and he shall appear.
      that ****'s been going on since the death of a man
in the year 1900...
           and oh my, the search has been gruelling,
you have Western Europe remembering the 1st
and Eastern Europe trying to not remember the 2nd...
   the name's Mars... while i say: try Moby **** first:
because god knows what's lurking in the depth.
or maybe i got my bearings wrong? maybe language
truly is a statement of Bermuda magnetics
that makes all compasses into twirling ballerinas?
to me? what comes with authenticity is a good joke,
nothing remotely suggesting a seriousness:
or as Wittgenstein said: have a joke, make a joke,
compose everything with a joke in mind -
        oh the fringe minority still have a bargain on
identity in this field, they're brewing their next cup
of tea brown-nosing and fidgeting over how to
answer... oh i'm mad enough to turn on the Mr. Bombastic
attitude, 1L of whiskey in a single night goes a long
way in terms of unwinding and making vocab verbiage,
or counter to that: something worthy of an antique status.
still, a reminder, the yhwh is the Jews' great
present, expressed dutifully in English as equivalent
of the mathematical remainder:
                      only because the diacritical bargain
wasn't met with much approval:
what with the elites wanting to push a global rather than
a solely Mediterranean twist on the plot of how:
a revival?          well... combing back to the ulterior
motive for graffiti, an elitist sport, your handwriting
over printed press rather than Coca Cola sorta similar
on a brick wall: i'm telling you, handwriting is
a bit like wanking these days...
         but isn't it true that when we write we are
sorta becoming radiologists? aren't poems essential
x-rays? am i not simply showing you my bones?
these isn't skeletal? you sure?
and there's me thinking that America is on
the threshold of romanticising the French Revolution,
with the former concern? to reinstate a Polish
state, i.e. the Duchy of Warsaw...
              but it's not really a first world war reparations
injustice while the Germans used money instead
of wood to warm themselves in winter...
no, nothing can be said that would ever appeal
to the fact that the Third ***** was milked:
not even Indiana Jones had a ******* of that horror;
me? i took the best of the ****** affair,
the fully bewildered insurance broker of the zeitgeist:
Heidegger, and yes, i made more apologetics with
him than philosophy: as with an fatal attraction:
be it the bazar flute charmer of the cobra -
this one is bound to sting in the ***.
then another thing hit me, usually an internet
variance off state media... you ever wonder why
very claustrophobic pronoun usage (frequent interchange)
is almost equivalent of brawling with someone?
dreams of Angelique:
                     imagine a scene at a protest (two people):
- i doesn't matter what you think! your opinions are not relevant!
- true, as is the case of: you don't matter with regards
                 to what i think.
anyone spot this concentrated pronoun use
for the purpose of aversed violence via a degradation
emphasis, concerned with defending sported violence
but not social injustice : turned into justified violence?
   (yes, colon as ratio, variant of fractions,
meaning? less comparative literature of the fraction,
   and more divergence of authority within the Libra
of what's necessarily unfair: the whole is no authority
to distribute fairness);
  it's just that i feel the relentless overuse of pronouns
in a confrontation symbolises a need to use the body
rather than the tongue -
when too many pronouns are interchanged
and the repugnant pronoun collectivisation begins
the paranoid "they" and the sane "we" -
            well... Rη-oh! Rη-oh! Rη-oh!     (sheen sheen Mecca
       ism)
                             well hardly ref. to Brazil: rhy ate!
rhy ate!
                see how that tetragrammaton remainder just,
like, plops up like a baby gazelle from the mama
gazelle's ******? plop! and no diapers either.
ah: the cruelty. or as someone said:
  few letters are given geometric status, or at least
something remotely symbolising twins,
but still there are a few:
   m - sine (trigonometry)
   w - cosine (     "              )
  Δ - Pythagoras for short
      LΓ - the right hand
                  and the left hand in the non-superimposable
          categorisation of things
   ψ - the devil's barrister / i.e. a fork
     also 8008135 upside-down on a calculator screen
(insert a weird face) -
   χ - compass convergence, i.e. the point b
        you need to get to from your starting point oh,
and i guess H       for a rugby goal...
             oh hell, only a few phonetic encodings make
it out of blah blah land -
                       and without really wanting
to orientate myself on the origins of things:
i'm getting a suntan basking in all of this
in the immediate sense: actually using it.
                             and to think: we actually think
about what we talk about using only 26 symbols?
that's ****** effective,
                             which is why we were so keen
to spread out encoding system to think / say things.
and why the Chinese felt the greatest pull of gravity
in all of mankind and due to their ideograms
got pulled way way down and just say there:
which enabled them to reproduce on a scale such as
is apparent to us exporting our manual labour to
them: who the hell would want to learn
unit wording when it can be wording units?
       they have words we treat as onomatopoeia
shrapnel -
                   which is why we have enshrined ourselves
to sit on laurel leaves with Mozart:
     if ever us, then never us: linguistic atomists
                                            who perversely dissect
words into, what i can only call: a Lingua Table of
the 26 elements. it's there, it's naked, compared
with the diacritical approach: English is all
and Adam & Eve ready for a voyeuristic spelling
out of realities
- hence the plural:
    there was never one intentional crowd-surfer out
there to make people form cults, plagiarise
and sooner than later: get lost.
Eye-Browz-Art Aug 2014
So close to your scent, I feel I should pay rent.
Something you will not know you smell, until a time comes when you go.
And suddenly everything smells like that.
WHAT IS THAT SMELL?
And you calculate the ingredients to the potion of that smell..
A smell you know so well..
But you can not list it's properties
You are it's only property.
A smell you can not tell the smell of.
And when we're back again the smell almost goes, it gets camp set up and lost inside my nose.
You enter the world of this smell, it's warm and it's cozy, it's familiar and almost dusty.
It smells like skin.
Which smells like nothing.
It smells like hair
Which smells like something.
It smells like breath without a particular scent.
It smells like clothes and armpits.
It smells like a sample scent of another world.
Which I am nosing around
It smells like all of your belongings and all the things that you do put into one familiar you.
It smells like sawdust, it smells like dog walking, it smells like toast, it smells like early morning, it smells of the coast, it smells of laptop, it smells of toothpaste, it smells like tents.
It smells of carpets, It smells of washing powder, It smells of your house and your power shower, It smells like Apple shampoo and all the other things that you like to do.
It smells like you.
YOU SMELL.
Mateuš Conrad Feb 2016
writing to a few has become wearisome,
so wearisome i'm about to give up,
and when i do i'll be relieved,
i'll finally enjoy drinking and not talking
rather than my version of slapstick humour
in mime, i.e. doing the excess body language
shaking off phantoms of ghosts enticing
signatures in the frost of car glass.*

carbon monoxide in cigarettes is most
effective after a dinner or a midnight feast.

man, i'm just tired, touch too irksome,
i have 10,618 poems on my facebook page
that no one will read,
i'm about to publish a book, yes papyrus
print on the continent, but
i can't be bothered to feel excited,
i feel like alexander dumas having written
so many novel but only being remembered
for the three musketeers,
and that's how it's supposed to be...
but it's so damnable, i can't believe i'm
to enact a constant here, of myself or some other,
it's can't be so damnably courteously 70 years in
and nothing more,
one might say: one thing to conquer the world
and loose a soul, another to conquer the world
and loose all sense of continuity of furthering
generations of brown-nosing a mozart...
the joker's interpretation of nietzsche:
what doesn't **** you... only makes you stranger...
i have no fighting spirit left in me
to pay honesty to the maxim, as philosophers
are quick to maxim / maximise a non-existent
exemplification, in their spare-time they provide
all eloquence of a stated truth but no example to follow:
i could write you 20 maxims about something,
but none of them would be true had i to write
about it in transit of experience.
Mateuš Conrad Jan 2017
prelimenary coordinates - a blindman playing chess.

well... you either drink, and write sparingly,
     or you don't drink, and you write
a novel...
    but who would have thought, that there
would be poetic odes involving coffee...
     it's staggering how many women write
poems and have to concern themselves with
coffee...
  i down a litre of whiskey a night, don't know
what a hangover is anymore,
        and i can beat out more words
than women, who use a stimulant and write
   crumbs... when i expect a loaf of bread...
if not this website, then another, and the scenario
is the same: the glorification of coffee...
           it just shows you how barricaded the human
narrative is, of the soul...
        poetry merely nibbles, and i know it's
flaws... write without paragraphs,
or care for punctuation marks... and it's immediately
a poem...
   or... oh god forbid! there's something profound
being said with a few words...
      and it has to be profound...
                      yes, i'm the Gargamel and those
are my smurfs...
                             strange that Freud didn't think up
the man-child complex...
                         which is the opposite of the madonna-*****
complex, which he actually did...
           Edward Hopper was also bemused by
these two mental pharmacologists...
                did a little sketch holding Freud as pillar 1,
and Jung as pillar 2.
    but coffee and poetry: i'd expect more from this
latitude...
        and it's still a case of:
                   people cling to the raft that's their
mental narrative mondus operandi...
                Kant tried to say something as concrete
with 5 + 7 = 13... and read any philosophy book...
    Kant isolates the ''i think'', and Hegel isolates
    the i = i, or i am i...
                              and these are serious thinkers...
but Descartes has said a limit...
                       thinking defines subjectivity...
      thinking the essential component of what's
   not thought about: the existential compromise of
   being per se...
                    and how i always seem to find philosophy
as a stumbling block concerning everything i write...
    it's almost as if i can't escape the world of
abstracts...          a degree in chemistry didn't help either...
     am i truly so un-realistic?
               not that i'm afraid of being drawn toward
the un-real...          it's that humanity seems only like
an infertile groundwork speeding toward a forgivable
promise...
    i just wanted to say: you drink and write poetry...
or you don't drink, and write a novel...
      and true to a heart's cause i will say:
that straitjacket of what poetry is...
                           whether rhyme... or other technique...
    hanging over it...
                           it can't do:
      i abhor Nietzsche for making poetry a science...
  and it is: too scientific...
              i'd never think so little can be deemed
so perplexing... or having that essence...
                    so yes... Kant
                         really does struggle to say something
profound, but he actually does...
                     over and over again... namely:
i'd never could think of so many faculties of my mind...
    not that's what i call a plastic saying...
      ****-licking brown-nosing, call it what you like...
it's just so terrible that philosophy cannot reach
toward being a humanism, like a novel always can...
     which is why i could eat a historical novel
        by Kraszewski in three weeks in between allocating
that time to the festive season,
                     and it took me 2 years to read Kant's
critique... until i let go of that post-scriptum necessity
of having to stop at every setence and do a rubick's cube...
     a bit like: well... aren't those electron-migration
   schematics they teach you in chemistry, a little bit pointless?
   who give's a badger's nut-sack about how electrons migrate
when a a cabron to oxygen bond forms?
                         but they do teach that...
           which is why you can take a novel to bed,
on the train... but so much focus is needed for that other novel,
the scientific one... the grandeur of... philosophy...
                and that's when i let go...
   the last part of the critique does allow you to read
piece of work... like a novel... unless of course that was my
need to do so...
                    so yes: transcendental methodology in Kant's
critique: does read like a novel... at some point
you just have to let go.

ii. ...

and you do... try saying philosophy without saying
something pretentious....
               and i dare say: as long as the fewest number
of people concern themselves with it:
  the more chances we have for electricity,
plumbing, food on the table...
               but by now there's this talk of a curse...
premature Socratic antics... mind you: he was an old man...
but Plato be ******, he wrote down what the old man
spoke: and a clear number of them succumbed to
      the tumble-**** effect...
                      no real prospects for life...
        and, evidently, the dead gods philosophised,
while the rest remained: prone to throwing a show of
macho, and worshipped the body...
Olympus shone...  
   by now you should know that i don't know what
i'm doing...
                  give me the killer-switch to launch a nuclear
strike and i'd probably say: maracas!
shake shake shake...     fidgety in the brothel...
shake shake shake...
             that's the weird thing, every time i went to
a brothel i became over-heated...
      i sat there, the whole **** place always reminded me
of a perfume... jack daniels...
   and i could feel myself over-heating...
  i don't known if that was the angel conscience talking
to me... but i always felt those eyes of scrutiny...
       mind you, once the whole "naughty'' escapade
took off... i forgot those relationships where
                    an impotence was crowned...
   don't know: maybe prostitutes just know my pin-number
and hold to say to little richard: off to the crusades with you!
     phenomenal...
                                         well... thank god for
the north african imports! i'd start thinking all european
women are bound to be: neglected.
               and was it ever, not only about ***?
    it's nice to doubt it...
                           next time i'll woodpecker a grave.
but hey! the promised land!
                           at least you'll have someone to cry
over your grave...
   and did i tell you how there's this cult of the grave
in Poland? yep, that's not a personal reality,
it's a populist manifesto... i'm starting to see it
as a hell where people sort of forgot to state their emotion
to the people, now lying in those tombs...
         give me a Hindu wedding with fire!
  i wanna become elemental!
and look, libido on fire... a billion vishnu-******* in
Bangladesh...   it's this thirst for fame in western
societies that's going to be a downsize...
                                 over there that's like a **** in
a tornado...              ha ha! it really is!
   but then again, here i am, a graveyard hyenna...
walking in Liberace's talk of style...
  most of these graves, really are: tacky...
    just like Liberace, the greatest showbiz conman of
the 20st century... i love the fact that he fooled so many
women... i mean... that guy was almost as good
as ****** when it came to mesmerising people...
but Liberace had a nieche audience... so...
                 no khaki for the ss...
                                           and i dare to hold
an ethnicity? in tune with bob marley: one love, one people...
it has never been so painful to strategise globalisation...
         it's this ethnic cleansing that everyone agreed to
provided they received a smart-phone...
                   or a McDonald's fetish... and that's saying it cheap...
but that's how it feels on the periphery of H'america...
little ol' England boycots Europe...
                     and it's like: huh?
                                           presto! dum-dum.
    sometimes i start thinking that i have a hydra for a tongue...
and the more i drink, the more i start to see
       it splintering up into a polyphony construct,
but more a case of: polyphony of subjects...
   and yes, aren't we all those internet losers...
when the most powerful man in the world...
     uses twitter. bastions of respectable comment!
yes, i.e. newspapers... we're riding this meteor to the end...
          does anyone still consider newspapers to be
the pledges of a free society? i must have been asleep for
the past 20 years then...
                      someone switched on this chaos-turbine,
and we're all shoving our two cents of opnions'-worth into it...
and it's not stopping...
            and yet you still read in newspapers, this underlining
feeling of being condescended... as if they are the sole
authority... they have to behave like little despots...
                           social media's power is invested in its
shock reverberation... think: Marx in the 21st century...
           but can you? is this some pseudo Marxism?
             i might have bypassed all the king-makers and
walls... but i have no leverage... my opinions are
     as cheap as chips... well: we got ourselves a unison converson...
   i still don't see how the television zeitgeist still thinks
that the internet zeitgeist is no connected with ''real life''...
i mean... **** me! where's the highstreet with all the shops?
on the internet. where is the frontline of wars? on the internet.
  where do suicides take place? on the internet,
from all the cyber bugs that people start to represent...
    if this isn't real life... then i guess i must be sitting,
and writing this in some medieval castle in transylvania,
    and my computer is powered by a legion of
hamsters on exercise-wheels, in a damp room, lit by a candle.

iii.

for me, this is how reading a philosophy book looks like:

| | |
     fig. 1
                                          /   \
                                            _
                 ­                                 fig. 2
    Δ
       fig. 3
                                           A
                                               fig. 4

it's like i want to see something with some clarity;
there is clear movement
      concerning a book like that,
              but unlike a standard novel:
there is clearly nothing concerning the: any given
  hope to disperse the mist.
                you're given the blunt truth:
the use of language...
                     again, it would be easier to call forward
a use of a tomahawk... or a guillotine...
            philosophy books never establish civilisations,
they break them.
                and do i think that the crucifix is a profanity
of the tetragrammaton? yes.
                do i feel Spinoza's anguish? probably.
when you read philosophy to start to waver,
it's almost necessary to unlearn language, and with
each philosophy book: learn it over again.
     you can't remain strapped to this culture
of emphasis of singled-out words...
              we can't find a constructive basis if we're
about to start any mechanism from such a dynamic,
isolating certain words and weighing them
                       obstructs language...
                 i can't even begin to fathom a pledge
to using a language, if there are these plebian obstructions...
i did write some notes when i spent these past 3 weeks
in Poland, but i'm scared of rewriting them...
                    i can claim to have understood
their content at the time,
but the context disparity is too much for me...
                 i'm rereading them in England
and i can only see England as a nightmarish construct
of such grandeour... that i might only be seen
speaking truth in the north of it...
                nor do i like the tri-tier categorisation
of man... if you read Kant, you'd be afraid of
man's laconic approach to the mind, stating
the three boundaries, and literally no faculty interactions...
  consciousness (the artist), denoting the overly-sensitive,
the subconscious (the worker), denoting the athletic construct
   and liberation from the daily toils of pure physical
    disposition...
and the unconscious (the zombie)...
   if you read Kant and explore the faculties...
and then turn toward the Freudian populism:
   there's enough reason to be concerned...
                  i can't be saying someone anti-vogue:
and that was my proper concern, that i might be saying
someone not recountable in any sort of realism...
          that mine is an isolated case...
         ditto alongside: why are we juggling the tri-tiers,
and so bombastic and even celebratory in huddling
toward these safety-nets of being human?
    thus said: the reflective man has died...
       in his place came the reflexive man...
                             and if there really is a worthwhile
stance to be a: **** sapiens...
   then all hope for a bewildered man is gone...
                 when the potency of robotics escaped science
fiction, and all trodden paths of orthodox science were
      fed to science fiction, humanity could begin
the process of discarding the offshoots...
          
iv.

the new testament... a book riddled with metaphors...
no wonder the greeks exploited the hebrew literalism...
and yes, plato the precursor made this very real...
by testifying that poetry had no place in the republic,
the new testament had to become solely poetic...
   the new testament is a rebellion against plato's republic...
it's a book wholly compromised on metaphor...
culminating in a book that's founded on imagery...
the gosepls are, once again, arithmetically speaking,
resembling the crucifix... which damns the concept
of the tetragrammaton...
                      as a book: it's only gibberish in
its final circumstance of revelation as a book of imagery...
   and in its preceding case: a book of metaphors...
who wouldn't be apprehensive to be born human
with such a thing being rampant?!
                    imagery is gibberish, given that we
have compentent painters out there...
and metaphor is metaphysics, given that we have
competent magicians out there...
   so how far apart are the words: qua             and
                   quo?
   as good a question as: how far apart are the words
                          phor               and phren?
       φoρ                       &                            φρην?
        so in the congregation of μετα, how are they
so apart?  looking at language from an alphabetical
perspective... it's hard to see anything inspirational...
    nor the tangens divergence of words
that are nonetheless so proximate in their construct...
a bit like the genetic proximity of man and ape,
or man and a banana...
   φoρ (the bearer of the beyond) -
                φρην (a mind concerned with things
under the curtain) -
                        and so: the futility of looking for
        a soul... became translated as the new found feudalism
of looking for a mind:
  given the common consensus: we're all mad....
so too looking at mythology could be revised:
  that myth of narcissus and echo...
or narcissus and psyche...
                         or φρην & πσιχη -
                we already know that there's an aesthetic
in Greek, at least they showed us
      that it can be σimple, when acknowledged
  and practised -
which means transcribing the ease of handwriting
   into a digital format, can be seen as an unnecessary
complexity - as if me currently looking for a word
that ends, and showcases the most obvious Grecian
aesthetic (without mention ο, ε, ω, η, œ)...
but with due mention: so where the second variant
of α, given there's æ?
                           it really is hard to find coherency
in human language... i'm still trying to conjure up
the second sigma... unless i hit the plural noteς...
there... i hit them... as simple as that.
  and yes: the father of the french hooked c
in garçon, came from this: the sigma used at the end
of wordς... i suspect that how things were denoted
to be possessed in english, also came from it.
once again: handwritting is bewildering on this digital canvas.

v.*

i don't have an atheistic argument, or a theistic argument,
i'v
Marcus Lane Mar 2011
We sit cross-legged in the story corner
Breathing faint ammonia smells.
Table chants and hymns echo through corridor acoustics,
All creatures great and small.

We are wedged in a tangle of podgy thighs,
Grazed knees, scabs and warts.

And Anthony is sitting alone again
Where he can do no harm.

Yet he said he would bring it, and bring it he has.
Its tiny white head is nosing over
The  hem of his pocket,
Whiskers a-twitch and
Eyes like tiny blood blisters ripe for popping.

A shudder of shivering whispers and
Nervous heads are half turned:

Yes, Anthony is smiling his special smile.

Mrs Lloyd has found the page,
My lids are squeezed tight
As I urge my mind to follow her away
From here, away from now.

For playtime will be ****** once again.
© Marcus Lane 2010
Matt McClinton Oct 2012
They say I've been here for three days
These young folk in white coats
Telling me that this is serious, but treatable
I have lived three even four of their lifetimes

Two weeks have past, I feel more pain
I have not felt grass or the sun since I walked through the doors of this horrid place
With the tile floors, white walls
Scrubs constantly walking through the halls

Beeping machines
Vegetables, con-artists, and bad misfortunes on good people
rest in cold rooms
on terrible beds

I couldn't pronounce the name of it
A strange elixir probably made in a lab
Some young coat said it will cure me
However the side effects are grueling

The white coat was right
I have lost all time and clarity
A state of consciousness no more
Sifting through this waist deep puzzle

Now I am floating, no longer stuck in my bed
No needles and machines surrounding me
Down below I see a beach
I know of this place

This moment is surreal, below is my brother and I
We are running on the sand
It is a warm August day
I will always remember this

Familiar faces surround me
Yet the room is so slow
These are my friends
“You'll pull through” they say

A bonfire in the woods
Beer and smokes in every adolescent hand
Attempts to fit in I walk around
Then I saw her, she was so beautiful

Why have the walls changed
The window no longer faces my right
I can now see the tops of the trees
“Intensive Care Unit” written on the door

Evening stroll with the girl from the party
The dress how could I forget about the dress

There is a tray of food in front of me
**** excuse of a meal
No familiar faces today, only white coats and needles pricking and poking
Another machine “This will help sir”

The saw mill, my first job
The sounds of the mill grow louder
Metal slicing wood, screaming and yelling in agony
Ear piercing pain

A new face in a chair, my daughter
She looks weary two three tissues in hand
A hug and a forehead kiss “to help pass the time”
Deck of cards presented on my lap, I forgot my love for them

The air is tense, my daughter yelling
New white coated men take her hand
She cries and the air thins
I cannot read their lips, she is her mother

Full suitcases and an empty room
Happy tears run down my mothers face
Acceptance letter hung on the fridge
“Proud of you son” the first and last time

Who's hands are these
Hands worn by time and the sun, such difficulty to form a fist
Texture of a tree, cut me open
Count the rings to know my age

On the stage receiving my master's
The hours spent studying
Sacrificed Friday nights deep in a textbook
This is my proudest moment

Satisfying an itch sudden pain
Down at my chest lies a new wound
Perhaps they took my soul
Destined to live as an ever growing bed sore

Rows of cubicles
The days of emails and brown nosing higher-ups
Late nights drowned in beer
Slowly drifting from my family

Oxygen mask around my mouth
Bored grandchildren begging parents to go home
Go ahead. Leave
Let me enjoy my final days alone

Beer bottles shattered across the floor
My family walking out the door
My demons caused my family to leave
I never saw the girl from the party again

In my dying moments I realized a truth
We spend our lives wanting more
Only to be kept alive in a pitiful state
Having friends and family surround your semi-lifeless corpse

I no longer wish to be imprisoned in this
Old, weak, and cancerous cadaver
I have become what I feared
Forever waiting for tomorrow’s applesauce

This time falling from high distance
Finally clarity, a want for freedom no more
Reflecting regrets and mistakes of the past no more
Suddenly stopping I awake in the white walls

In my final spring of energy I rose my arm
“On my own terms” I whisper and I begin to break my shackles
Fail safe alarms from my prison, no chance of survival
White coats rushing in. Wasted effort

and alas, eternal sleep
Sit on the bed. I'm blind, and three parts shell.
Be careful; can't shake hands now; never shall.
Both arms have mutinied against me, - brutes.
My fingers fidget like ten idle brats.


I tried to peg out soldierly, - no use!
One dies of war like any old disease.
This bandage feels like pennies on my eyes.
I have my medals? - Discs to meke eyes close.
My glorious ribbons? - Ripped from my own back
In scarlet shreds. (That's for your poetry book.)


A short life and a merry one, my buck!
We used to say we'd hate to live dead-old, -
Yet now... I'd willingly be puffy, bald,
And patriotic. Buffers catch from boys
At least the jokes hurled at them. I suppose
Little I'd ever teach a son, but hitting,
Shooting, war, hunting, all the arts of hurting.
Well that's what I learnt, - that, and making money.


Your fifty years ahead seem none too many?
Tell me how long I've got? God! For one year
To help myself to nothing more than air!
One Spring! Is one too good to spare, too long?
Spring wind would work its own way to my lung,
And grow me legs as quick as lilac-shoots.


My servant's lamed, but listen how he shouts!
When I'm lugged out, he'll still be good for that.
Here in this mummy-case, you know, I've thought
How well I might have swept his floors for ever.
I'd ask no nights off when the bustle's over,
Enjoying so the dirt. Who's prejudiced
Against a grimed hand when his own's quite dust,
Less live than specks that in the sun-shafts turn,
Less warm than dust that mixes with arms' tan?
I'd love to be a sweep, now, black as Town,
Yes, or a muckman. Must I be his load?


O Life, Life, let me breathe, - a dug-out rat!
Not worse than ours existences rats lead -
Nosing along at night down some safe rut,
They find a shell-proof home before they rot.
Dead men may envy living mites in cheese,
Or good germs even. Microbes have their joys,
And subdivide, and never come to death.
Certainly flowers have the easiest time on earth.
'I shall be one with nature, herb, and stone,'
Shelley would tell me. Shelley would be stunned:
The dullest Tommy hugs that fancy now.
'Pushing up daisies' is their creed, you know.


To grain, then, go my fat, to buds my sap,
For all the usefulness there is in soap.
D'you think the Boche will ever stew man-soup?
Some day, no doubt, if...


                                          Friend, be very sure
I shall be better off with plants that share
More peaceably the meadow and the shower.
Soft rains will touch me, - as they could touch once,
And nothing but the sun shall make me ware.
Your guns may crash around me. I'll not hear;
Or, if I wince, I shall not know I wince.


Don't take my soul's poor comfort for your jest.
Soldiers may grow a soul when turned to fronds,
But here the thing's best left at home with friends.


My soul's a little grief, grappling your chest,
To climb your throat on sobs; easily chased
On other sighs and wiped by fresher winds.


Carry my crying spirit till it's weaned
To do without what blood remained these wounds.
(C) Wilfred Owen
Mateuš Conrad Jan 2016
oh but my face is recognisable,
it's recognisable because
without adventure,
without adventure entrapped
in plato's cavern depth
of thought and shadow,
and upon no promise of release,
kept chained, with no chance
to look sidewise and write,
but look backtracking the first trek
and make a fulfilling life doubly worth
a book's worth of shiva destroying
vishnu's english middle class homes...
no adventure, only skull heads as heady tombs,
no adventures upon our way
into the cold, less ore upon a bench
than bicep keen on the paddle
if lessening be keen to think,
where the adventure? where?!
what, you mean juggling tomato, potato, tomato
between english and american accents?
that the couch, that the potato?!
you farting out the canned applause too?
i bet you are... and they will say...
it's norway... it's norway!
but they vetoed european membership
because half the voters were post colonials...
vegan hindus voted no... pakis voted no...
minority rabbits in general voted no...
to be honest i'm with them,
if john paul ii was black smoke i'd applaud,
if the iron curtain never disassembled i'd be home,
i wouldn't have to listen to western democratic
brown-nosing affairs...i'd be home, and happily to
be there... rather than in the glorified west of
fake saints trying to introduce dialectics
from a standpoint of youth, given old age
didn't bother, so eager for the eager ******
mid-life in crisis of a family to be never had.
i'd stay, yes, i'd stay behind the iron, curtain,
i'd rather stay there than be all "liberal,"
peddling on a bicycle pamphlets of the solidarity movement,
they said solidarity, they said hawaii awaits
and mass emigration,
then asking capitalism to regroup and sell atheism,
of late,
to group atheists, to collectivise,
like the grouping economy of insects
of exclusion - termite mounds and spider webs -
which would be communism -
but then the predatory lions and tigers
bundled up for dodo fates:
while we conceived a complete fake ***
nationalism of being forged by the now sepia
of history long gone: we learned being
english due to irish racism;
something to do with ***** count
and pints of Guinness: a ja to wiem:
bo anglik zbyt wielki... to na polaka!
patrz gdzie ten królik pędzi bracie,
bo wraz z czymś innym co widisz cie zabierze
w pogrzebanie ćmy z cieniem.
Justin Time Aug 2014
Wake-up with the pill bottle next to me
Other side is the girl that had *** with me
I know she doesn't love me
I just flaunt some of the money
Then they wanna come see

Get out of bed when they start to kick in
So amazed how I got all these prescriptions
Pill caddy because today I'm on a mission
Driver is out front
Time to put on the front

Get to the office, bursts of motivation
See my partner do it-with no medication
But things are fine, no reason to whine
I got it all

But when I define all, it's where I fall
Money, drugs, mansion
And no hugs from a honey or some laughing
Who will I share it with?
My computer I just stare at it

Give my tasks to my secretary
Because, that's why I pay you, Sheree
I'm just the founder
With a bold face to motivate

No more brown nosing
See, now they brown nose me
But as the clock hits four PM
Look at all our profits, yeah I see them

Time for my downers so I can mellow out
All the guilt, time to throw it out
Let's go out, Sheree
She says yes, not to me...but to the money
Yeah I admit it kinda hurts...
But its all in, A Day's Work
Ben Dutkin Apr 2015
Bad jokes, strong opinions, attention ****** galore
Brown nosing, over-reacting, annoying and more
Glorifying their actions, they're very self-centered
Extremely sheltered with no sense of adventure

Striving for A's and everyone knows it
But they have a big mouth, and they need to close it
They think there's a big conflict between AP and IB
But they can't just make friends, from what I can se

High school won't determine your life, wake up
One bad grade won't make you start begging from a cup
They think they're always right, and will never agree
But they're bound by ignorance, and will never be free.

70% of them really grind my gears
But I'm only here for one more year.
This was solely made by me, other people can have their own opinions on IB
Samantha Dias Dec 2011
“Looking for a walking buddy”
The invitation looms as I scroll through pages of personal ads
Filled with sensitive insight, too intimate for idle voyeurs browsing.

The computer’s hypnotic glow, dousing my cheeks in pale light, coaxes me to search
To rummage through human advertisements and peruse desperate expositions
Behavior quite unlike the pastimes that others might imagine me participating in
Behavior quite unlike the nightly activities I usually partake in
Such as sleeping

Won’t I give up this useless quest for nothing in particular,
And surrender my body to the ruthless aches creeping into my muscles and joints?
I’ll wait for assurance that my grazing has meaning–
I’ll linger to assign significance to this arbitrary curiosity, even into the early morning
Eventually, I’ll resolve to the conclusion that there is somewhere an assembly of people squinting in thought, trying to justify this same bizarre inquisition

We the people, hunched over luminous monitors, “looking for something more”
We who have specific and lewd requests for the opposite ***
We nosing congregation, mysteriously drawn to the Strictly Platonic section of the personals
Should try our luck with a walking buddy
And wander away.
Joshua Brown Jun 2013
I remember the tops of clouds,
Looking as far as I could see.
I don't know if the Pacific
Is a pretty place,
But at altitude,
At least it's sunny.
Under the cumulus blanket,
Man makes his own clouds,
Thick with metal and smoke,
All black and shrapnel,
And God help you
If one opens up around your wingtips.
I remember nosing down,
Gritted teeth and twisted belly,
Eyes flitting between instruments
And the little ship
Getting fatter and fatter
Through my prop.
You wait till the last second,
Drop your ordinance,
And pull your nose
Up and up and then
You push that little throttle bar
To the limit,
And then the **** black clouds
Start up all around you,
And when your big baby shakes,
You know something's wrong,
And you cry out
"Buck? Buck?"
Like I did.
And then you don't know
If your face is covered in tears
Or blood from you or Buck.
I remember landing on that carrier,
Big and metal and gray,
Like a big tombstone for your friend,
And your plane is the coffin.
**** it, I remember.
nicholas ripley Jun 2010
Thought-fox slinks this night

nosing through the days *******

seeking substinance -

she spoke in a staccato

plenty of nouns and no paws.
(C) N RIpley 2010
Dave Hardin Sep 2016
Venus of Willendorf

You seemed so distant
Cool and aloof on slide
Perhaps I was projecting
In the warm dark womb
Of Lecture Hall B
A silent world but for fan racket
From the Kodak Modal 4600
Eager to please on stiff little legs
Nosing toward the screen
Where you teetered
On impossible feet
Fighting a losing battle
With gravity I found
Touching, *******
No one could ignore
A chassis built
As the bluesman said
For comfort not for speed.  
I hear Willendorf is nice
This time of year
Hint of fertility in the alpine air
Your crazy braids beckoning  
Braille to a blind man.
Terry Collett Sep 2013
There was something
about the peasant in her
as she lay there
in the tall grass
the sun shining on her
the white clouds overhead

birds in flight
there was that aspect
of the peasant
in the simplicity

of her manner
the gesture of hands
the look
of the big blue eyes

and the skirt pulled up
nakedness revealed
and he
lying beside her

taking in
her whole aspect
the summery smell
the heat

the almost airlessness
about them
distant train
steam sounds

and she said
you're to tell
no one of this
( she had said that

about the first kiss)
and he said
of course not
whom would I tell?

he lay his head
on her soft *******
cushion like
as if afloat

she murmuring
more words
he lost
in the softness

of her
the scent
of her mother
(borrowed lavender scent

from the dressing table)
if my mother ever heard
she said
there'd be hell to pay

so say nothing
my lips are sealed
he said
nosing between her *******

muffled words
a rush of birds overhead
her hands on him
resting on his back

he tongued her
breathing her in
you're my first
she said

at doing this
say nothing lad
his inner voice
suggested

words wound
say nowt
he felt her hips
fingers running over

finger tips sensing
smoothness
moving lower
sensed thighs

she breathed harder
words gone
utterings wordless
she spread herself

like a butterfly in flight
he pinned her there
in the tall grass
as he'd seen

butterflies pinned
to a board
in the glass box
at school

he breathed in
she breathed out
he smelt apples of her
mixture of lavender

and apples
and that earthly scent
of bodies in motion
the tall grass

became an ocean
waves moved and sank
she sighed
he uttered wordless sounds

she kissed his shoulder
bit flesh
he kissed her neck
lip bit

****** skin
the summery sky
the birds silent
clouds drifted

she saw them
white over blue
over white
her palms on him

pressing
caressing
he journeying
to a heaven

birds gone
sky above him
unseen
just the ocean moving

a huge expanse
of green.
I have needs
and they are needy needs
They paw at my hands as I type
and lay upon the mouse.

The needs say your name to me while I try and spell "confabulated" and make it come out "infatuated" but I don't mind.
I don't mind anything any need any nudge any nosing the crook of my arm to pull it away from its assigned task.

The task is *******, and you are everything.
The grumbling piglets of despair
search for mumble truffles everywhere
they scourer the forest with their snouts
this is to them, is what life's all about

Nosing through decaying leaves
underneath the oaken trees
snouts twitching saliva running
with their little stomachs rumbling

The farmer does not have a clue
that his piggies are on the loose
he's in the kitchen having soup
made from little piglets juice

By Christos Andreas Kourtis aka NeonSolaris
Graff1980 Dec 2014
My heart never knew true love
Only hints of that fairy fantasy
Particles of hope possessed of love’s fury
The temple, frantic with romantic panic
The vestal ****** exploding with desire
To feel love inside, growing
Like a white night
Like a dark light
Like the bitter side
Of sugar
Always forces opposing
Always people nosing
Philosophers of all times
And poets trying to define
But it is not universal
It is elusive and abstract
from one to another
it means different thing
To Shakespeare
It was impulsive
Violent, destructive
To some it is a savior
Vivid and constructive
The livid and insipid may to decline
To think with an open mind
And merely pass in time
But I have never known your love
And you will never know mine
PK Wakefield Jan 2011
2 & 4, we're forested as soil drinking solids our knees benting smell nosing a lolling gaggle of riotous pink dangles a careless droop over spilling pearly
sharps and crunch!y, cr!unchy; crunc!hy."' the minute deaths rankle or the cool common ground's a sun draped bulging acute beige you heave chesting and spit mouthing the gentle corpse of oxygen
Zach Gomes Feb 2010
‘D’you see that?
Right over there?
Tough to see in the young grass.’

‘No, what do you see?’

‘I see
one muscular snake,
nosing cowpies by the post.
cold little *******.’

‘Well, should I shoot him?’

‘Might as well, I suppose…
Don’t shoot the po-’
Bang—.
Mateuš Conrad Dec 2015
usually when i begin drinking, after the day's
sober stretch, sometimes unbearable, sometimes tense,
but then the night comes, one of the cats
keeps watch with me (head out of the open
bathroom window, me on the steps into the garden),
making sure the moon doesn't suddenly
change into a sickle of red, while the exhausted
clouds buckle their would be hoofs,
with mickiewicz eyeing castles in them, but not here,
not now.*

with a bias for theology, i say ol' chap,
would that be a toast of making things appear
rationally adequate should they be two words
expressing one word? like **** sapiens
for mankind? i dare say ol' chap by jove
you are right!
well then, a conclusion:
all the greek gods were crafted by
the greek poets as scandalous and immoral,
slowly losing their immortality
by mingling with a one too many mortal women
to give us demigods like hercules and perseus...
but then socrates came and said: 'why
the gods immoral if we aspire to be kindred
with them, and ourselves immoral justify
our immorally forced nature by being fed
the immorality of the gods? what if gods are
moral: deus sapiens (the compounding trick,
seems rational enough) - and we simply fear them
so, and use poetic illusion to justify our immorality
by the blasphemy of poetry to justify it in the gods?'
a bunch of cinema goers i presume.
well that would explain a lot, like the origin of
madness - with deus sapiens, we can get momentary
flashes of **** insapiens, the supra-moral beings,
who without genitalia crafted the biggest existential
choke... sorry, joke of our lives: holes, pistons, trains,
lollipops - but your mouth where your ****** is / ****;
after all, jesus died for ****, not that i particularly care:
better an honest insult than brown nosing myself
with his fake delight in it;
but given that the greeks took delight in writing
the new testament, all that olympian philandering
paid off as nonsense - after all irrational gods
gave man reason, gave us the genesis of philosophy,
for only irrational gods can provide man with reason
and respectability... rational gods can't do that,
they can make fluctuations in man's reasoning
(however sensible)... but then there are the gods of
continuum, of tradition, or a hierarchy that's rarely
shaken to rubble... i look towards india and see it...
there's also the inverse-nihilism of the far east...
i don't know why i attributed the word nihilism
to what i am about to define, but i define it with
an example, so it might be easier to change the word
and not use the horrid ditto marks of ambiguity...
the japanese perfecting ensō sumi-e(h) / not ***, eh /
uvula back of the throat e; or brewing tea for a
very long time, longer than the english i'm assured;
but i derived nihilism from the etymological origin,
latin nihil, i.e. nothing: i.e., if there's nothing, no deity
not heavenly encore... we might as well take our
time about it... live to a hundred and twenty.
in conclusion i was thinking of a taking out something
from quantum physics, and put it into a theory
of linguistic (call yourself a theoretical languor
of phonetics you might say, sure, why not):

quantum         qua-                     -ntum
                      as being              don't know,
                                           looks pretty though

now the best bit, re-coupling the prefix qua-
with vox (voiced, voice), and akin to quantum
must but another letter in the word to make it
exotica of belgian farmland... hey presto!

                          quaevox (kwe vox),

i realised that the latin ae provides not only an
interchange (but because no one really uses it),
but also a w wound, if there's a u involved,
obviously because we say w is a double-u.
so what did i just create? definition...
drum roll please!

in the english alphabet there are 26 phonetic symbols,
but there are less quaevox in that realm,
the symmetry of c and k is a good example to have,
basically: different symbols that have the same
amount of "energy" in them, but are of different
open-geometry (straight lines bended that do not
confine to provide the pythagorean c (squared) =
a (squared) + b (squared) - where c is the length
of the hippo... hippopotamus... hypotenuse...
ah you see! i knew that c & k weren't alone...
there's also q... and queue... y why and lie and i;
obviously this term quaevox is still in its infancy,
but that also means it's in its prime.
don't say i didn't warn you... there's
art blakey & the jazz messengers playing in
the background... the classical music of the africans
if mozart et al. are to the europeans.
E C Vadnais Aug 2016
The time is done I fear,
The time composed of all my years.
Soft paws stalk close to me.
Inevitable is its presence upon me.

I have seen it before,
Looming in full sight,
Oblivious to my terror.
Inevitable presence nosing at me.

I often thought merit given, honors achieved,
Wealth amassed would shield me from this:
Foolish that. Soft paws stalking me.
Inevitable is its presence upon me.

I see well the instruments of its will.
Strange, I find fear of it unfulfilled.
What I ran from now I accept. Let me see,
Inevitable presence, the place you have for me.

Closer still. Hesitate not now.
Soft now. Silence now. Upon your back
I go, gently. Conduct me to whatever is my end,
Merciful presence.


© 2016
It is not too far-fetched to imagine death as a stalking animal for we certainly are its prey, and that death is inevitable needs no mentioning, but the idea of death being merciful is still difficult for us to comprehend even as it is at times obvious.
Graff1980 Jan 2017
My heart never knew true love
Only hints of that fairy fantasy
Particles of hope possessed of love’s fury
The temple, frantic with romantic panic
The vestal ****** exploding with desire
To feel love inside, growing
Like a white night
Like a dark light
Like the bitter side
Of sugar
Always forces opposing
Always people nosing
Philosophers of all times
And poets trying to define
But it is not universal
It is elusive and abstract
from one to another
it means different thing
To Shakespeare
It was impulsive
Violent, destructive
To some it is a savior
Vivid and constructive
The livid and insipid made to decline
To think with an open mind
And merely pass in time
But I have never known your love
And you will never know mine
Mateuš Conrad Feb 2016
box ***** box! no one ever said bare x-rayed knuckle rough up, but my tongue ain't just an oyster, so here's to a champagne flute ***** and an oyster shell tilted for a slurp ultra crescendo, a runaway: writing philosophy lets you explore the many narrators that are impotent creating characters, while fictive narration has many characters and a few dimensions of narrations, like the *** in the city gall said: newspapers are printed, they're not supposed to convey stories, or be the post-modern basis for a skeletal anastrophe of storytelling.*

you will not get any more artists
when you educate blanks
to canvas a Gucci with a brothel
of colours that might be tamed
into the anti-artist vocabulary deciphering
cubism... brothel of colours?
well **** is red, **** is brush,
you get an orchestra of vowels
with hues, pink is for arson,
the other pink is for fish against stream,
they never air-guitar bass rhymes or
solos, it's a shame, bass guitar is more
akin to drums and therefore more memorable
than brown-nosing vocals and lead guitars...
well coral red became gangrene green
when the snorkelling offshoot to finding
the titanic wreckage took off...
i said the titanic rhythms of bass guitar
was more airy than the scandalous
pitch notes of guitar turned soprano
like a michael jackson wannabe...
twist of the ***** / twist off the *****...
get a screwdriver, scandinavian ha ha:
am i grey bearded enough to act out a norwegian
version of hamlet? no? gooooood...
that's dracula saying mornin' 'n' evenin'
together; i'm into revising tabloids
by making many references...
culturally explicit ***** crap... ******* elephant
***** wide... i'm all ****** up for it to be the
defining concern of our times.
Anna Zagerson Oct 2014
I cradle in my palm the power of no.
It is small now, in the moist crook of my hand,
But with it, I have the power to throw out the rules
The ones that don't apply to me, that fill me with the false sense of obligation.
I hide my nursling close to the body because my no can't stand on its own yet
Expectations, like hungry wolves, surround my cupped fingers
Nosing, sniffing, clawing curiously at the gaps my no shines through
In its negativity, No is beautiful.
No leaves room for my sanity to creep, unknowning of how missed it is, like a thief into my life
Sanity, lead by the fledgling No, swells my life like a balloon,
Making room, allowing me to grow.
That's all in the future.
Now, I find the strength in myself to push away the cold muzzle of Other's Needs,
Press NO into the fertile soil of me
And watch it grow.

— The End —