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Zach Gomes Feb 2010
Orange peel Thursdays and the Velcro shoes
Of children hordes
Who spider up Alice on toadstools in Central Park
Dusted psilocybin shoots my eyes through
With the clarity of ice and sliced mushroom
Steeping in stomach acid before finding blood
The kids are tripping like madmen or halloween candy
Like its time to release and give up to the nonsense
And let your young self congeal to a saccharine sludge

I don’t stroll in the park to keep my mind sharp
I’m here because it’s a riot
My head can throb to the jittery birds
And the blasts of carsong
It’s the right kind of rhythm to walk to

* *

Ketamine days and the lolling slums
To make sure the insane stay insane
And the hobos are washed with spit from the clouds
And the subway exhaust always hangs in our hair
And the old Coney Island burns again and twice more

We don’t pretend to understand what we see
In subway grates thirty feet wide
Like the earth punching out of work for a bit
Opening to you her *** belly
So you can check out the strips of metal inside
Before she slurps you down and with an esophageal squeeze
Shoots you through the turnstiles

The train squeals and grinds down our eyes
With thoughts as slow as ketamine
Makes room for schizophrenia in a conversation
We’re listening to ‘til sundown

* *

Years full of Brooklyn and the assorted pills
Makes offal fit for punks in name brand shoes
Squared off with police in the park
Being beaten for the fun of being beaten
Peacoat locals pass the days in supermarkets
And you grow up to the loony mumble
Of the woman who knows the boat
Moored at the end of the street
Mansion of the stray cat colony
You help her with her daily chore to feed them
Tabbies popping the pills of the homeless
And puking in tandem all over their house
Living off generous dying folk
It is full winter now:  the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And ***** his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter:  and the ***** goodman brings
His load of ******* from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;

Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery

Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.

Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals

Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed

Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.

O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.

Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.

Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!

There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?

Nay, nay, thou art the same:  ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!

Thou art the same:  ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’

To burn with one clear flame, to stand *****
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crowned god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian

Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence!  Hence!  I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless ***** bears the sign Gorgonian.

Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life:  was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven:  the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae

Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much:  for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle!  Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them ******?  O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy:  Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated
By **** and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands:  Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us:  the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us:  but that Spirit hath passed away.

And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
****** her brother is her bedfellow,
And the Plague chambers with her:  in obscene
And ****** paths her treacherous feet are set;
Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us!  The old Greek serenity

Which curbs the passion of that
By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have reached these lands but newly
From an ultimate dim Thule—
From a wild weird clime that lieth, sublime,
  Out of SPACE—out of TIME.

Bottomless vales and boundless floods,
And chasms, and caves, and Titan woods,
With forms that no man can discover
For the dews that drip all over;
Mountains toppling evermore
Into seas without a shore;
Seas that restlessly aspire,
Surging, unto skies of fire;
Lakes that endlessly outspread
Their lone waters—lone and dead,
Their still waters—still and chilly
With the snows of the lolling lily.

By the lakes that thus outspread
Their lone waters, lone and dead,—
Their sad waters, sad and chilly
With the snows of the lolling lily,—

By the mountains—near the river
Murmuring lowly, murmuring ever,—
By the gray woods,—by the swamp
Where the toad and the newt encamp,—
By the dismal tarns and pools
  Where dwell the Ghouls,—
By each spot the most unholy—
In each nook most melancholy,—

There the traveller meets aghast
Sheeted Memories of the past—
Shrouded forms that start and sigh
As they pass the wanderer by—
White-robed forms of friends long given,
In agony, to the Earth—and Heaven.

For the heart whose woes are legion
’Tis a peaceful, soothing region—
For the spirit that walks in shadow
’Tis—oh, ’tis an Eldorado!
But the traveller, travelling through it,
May not—dare not openly view it;
Never its mysteries are exposed
To the weak human eye unclosed;
So wills its King, who hath forbid
The uplifting of the fringed lid;
And thus the sad Soul that here passes
Beholds it but through darkened glasses.

By a route obscure and lonely,
Haunted by ill angels only.

Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have wandered home but newly
From this ultimate dim Thule.
Larry Potter Jul 2013
A cumulonimbus caused the gloom that day. It went shedding drops of rain that looked like bead of pearls glittering in the grey autumn sky, vanishing as they plunge on leafless laurel trees and solitary cypresses. He watched them dance to pitter-patter on every umbrella that opened towards the heavens, their colors of rich black calling out to such empathy. Finally, the drops kiss the graze of withered grasses and thirsty dandelions, reviving their foliage and greenness. Slowly, the rainfall collect to become one with soil and mud crawled down to the six feet depression where a coffin was laid. It was white like ivory and carved with elaborate insignias as a token of love and undying memories. Soon, it was all covered with crimson roses that carry the last parting words of the bereaved. The priest waved out his hands above with mournful eyes, lisping his beseeching of earnest favors while spades of loam filled up the burrow. He saw faces of despair around the pit, gasping for reprieve and sympathy. If only the rain could also bring back her life, he implored.

This, in his senses, was belongingness. This, in his heart, was death.

It had been two long weeks since Roxanne’s death and Vincent couldn’t get his feet back on the ground. He still couldn’t believe he had lost her and that their seemingly endless love has flown away from him for all eternity. He’d make believe that this was all just a dream and at some point of this nightmare he would finally be unchained and awakened. Days became niches of shackled memories that kept haunting his love-fletched soul and nights were nothing more than a requiem of lovelorn longings that still linger in his mind. He remembers it all, the feel of her name on his lips, the smell of her hair, and the sound of her laugh. Everything is still as fresh as the dewdrops of June and as vivid as the most cinematic imagery a mortal could immortalize. The ultimate fight of this melodramatic transition was to remain whole when all the strength Vincent has built up begins to crumble by a mere reminiscence of the tragedy that gets freeze-framed from beginning to end over and over again.

It was a rainy Friday evening on the 22nd of May and everyone’s feeling the smell of the weekend rush. Vincent was already at a friend's house party and called Roxanne that he’ll be waiting. Roxanne was driving the Lexus behind a small truck that seemed to plod toward the upcoming red light. She was a few minutes late on her way and watching these two people ahead of her jabber away in that truck was getting her out of her ecstatic  mood. The light turned green, but the truck too slowly moved forward. Roxanne became frustrated as the driver fixated to the right. He visibly gasped at what was just about to come into her view. A brand new grey-blue Chevy Silverado blazed through the opposing stop light to broadside his little truck. Roxanne tried to stop, but her car slid into the Chevy's rear side and went tossing down the highway to an explosion.

All these is what Vincent needs to drown himself to agony. It’s as if Atlas gave up the bearing of the world for him to endure. Wretched and perplexed was he, blaming the world for such a prejudiced conspiracy. How could an angel like Roxanne be bound to such an end? How could an invincible love become vulnerable on the visage of death? But then again, his heart starts to concoct a spell of phantasm, bringing back the most prized memories of him and her together, infiltrating his whole system and gaining power over the bitterness and pain. In this test of sensations, he himself wasn’t sure if this two-edged delusion is a boon or bane. But one thing was becoming clear to him-he cannot be like this for the rest of his life. If this nightmare must be proven real, he must find a way out. Whatever may lie ahead, he must keep going, recreate his own world and be able to break free from the fetters of this mishap that surely promises him nothing but living scars, frustrations and sorrow.

Two years have passed and the town of New Hope has undergone a lot of changes. New coffee shops and cafes run down a block away from the University premise as well as convenient stores and parlors. New establishments stood welcoming and billboards mushroomed the skyway. The streets are crowded with more and more busy people, indicative of a metropolitan evolution of lifestyle. Summer has ended and without a trace, the arid autumn and the frigid winter fluttered to oblivion.

The same is true for New Hope University which, in its current enrollment period, has its student population increased by two thousand. The institute’s remarkable performance rating in board examinations and national competitions attracted other towns to invest their education to the latter. It was nearly the start of class and everyone is busy catching up the enrollment pace. But not Vincent, who, in the first day of inception has already completed the enrollment process. He was ecstatic, more of curious how his life as a senior student could turn into this academic year. He met faces of different kinds-some familiar and some entirely strangers. Those he doesn’t recognize would just pause and pay a smile while others he knew jsut pass by and make him feel invisible. On a ledge in front of his course department’s office he sat. He in himself was New Hope town in human transfiguration- braver, brighter and better. He looked from afar, with eyes playing on the nimble of heads and shoulders of people passing through the corridor. He drenched himself to an illusion of how each head turns toward him with a infectious smile, that once in a while, happiness is sought even in the gallows of solitude. Solitude-it wasn’t a strange name to him anymore. It never was. He was entangled with it on that day the sickles of death took his love away. Somehow, through the passage of time, the wound that was scourged deep in his heart has mended and the thought of being alone became amusing that he has managed to laugh about it over the seasons. He is more human now, away from the devious portal of his mundane imagining.

The daydream was shattered when out of the blue a silhouette of a familiar figure took the stage. She was elegantly tall, with hair of pure ebony lolling on her shoulders. Each step enraptures, and each gentle sway of a hand is a compelling rhythm. She draws closer to where he was and he's left slack jawed. She entered the office and he was back to his senses. Maybe not. What he beheld was something farfetched, something that he cannot comprehend. Vincent saw it all coming back to him. A remnant of his long buried love has come to life. It was Roxanne and it is more certain than breathing. He couldn’t explain what he felt. It was a maelstrom of joy and surprise, of hope and fear. It was the face he yearned to see, so long that the yearning turned to hate and despair. But now that it came to pass, his humanity fell apart. Although he is a mere victim of his own circumstances, the serendipity took a shot straight to his heart and there is nothing he could do about it.

Perhaps there is, and he is now pretty preoccupied. He wanted to know her. He must unknot this puzzle that has challenged his whole conviction. He must find every answer and throw all of its questions behind. Whatever there is that the road has in store for him is not essential anymore. He couldn’t care less to fathom this enigma and once more, find something worth living. But now that he is hanging in midair, he planned to fall back. He jumped out of the ledge and headed out the campus, afraid that she might be at sight and all the strength in him shall subside. He was up all night, thinking of how he could get a chance to meet and talk to her. He had thoughts of crafting schemes, devising methods and inventing tricks.

And nothing of it worked.

The first day of class commenced. New Hope University is buzzing with ecstatic students. Vincent giggled with utmost excitement, carelessly bumping shoulders and brushing elbows with other students in the corridors.  He molested his tattered COR and skimmed for his first class. It is in room 101 scheduled 9:00. He reviewed through the digital clock and he hurried as it ticked to 8:58. Luckily, he is safe from prime tardiness, though he seemed to be the last comer. He seated at the back, knowing that after thirty minutes, he’d helplessly succumb to napping since it is his favorite subject-English 8, Technical Writing.

And so she happened.

It was her, Roxanne’s doppelganger who broke the charts. She was 15 minutes late and unforgivably beautiful with her sequined tee and skinny jeans. She realized what she has gotten into and apologized with the kindest gesture. The professor gave her a hand and led her to the seat beside Vincent. She felt awkward. He was worse. They both sat like lifeless puppets with the puppeteer gone until she broke the silence.

“I’m Katherine,” she muttered. “Katherine Evans, glad to be your block mate”. She took it off with a smile that sent Vincent to hyperventilation. He couldn’t shake her hands. They’re already shaking with butterflies. The poor guy mounted his strength. He could not afford to lose the chance. “Vincent, Vincent Smith”. That was all and a nod. It was rare for Vincent to survive the thirty-minute nap attack but he did this time, although the victory seemed unnoticed. They enjoyed the remaining hour sharing thoughts and ideas with Vincent succeeding in all his attempts to stint his best jokes. He has come to know who she is at the basics-a transferee from Dakota University, a cheerleader and an adventurist. He also looks forward to know more about her in the days to come- hoping that she likes cheese, watching live wrestling fights and attending Sunday mass.

Perhaps she doesn't.

Two weeks was enough a time for the two of them to get closer to each other. They were both open to let the affinity they share to grow and blossom. It was very apparent that the two knew where their relationship is going and they both seemed ready for it.

Months have passed and the two were no more than couples. But Vincent was too overwhelmed of what he had let enter his life. Katherine is no Roxanne. She doesn’t like cheese, wrestling or Sunday masses. She was more self-driven, conceited and unwelcoming. Sooner he realized that he isn’t in love with Katherine, nor will he ever be. He just created his Utopia by painting Roxanne’s memories on Katherine’s facade. He believed to have loved again and he believed in vain.

It was a candlelight dinner at Katherine's and it was all set. She suggested it herself. She would always do this, steering their affair on a one man tag and turning the tides whichever she likes it to be. She seemed obsessed about Vincent, about their friendship, about their bond. This was her biggest mistake: to let Vincent get drowned in her self-consumed devotion.

Vincent is on his way. To break her heart.

When he came, Katherine pranced in glee. She presented the menu. And the drinks too. She was on the midst of telling Vincent her summer getaway plans when he told her to stop and listen. He undid it to her gently by taking all the blames, that it was his butter fingered actions which led them both bruised and bleeding. It was a self-defeating battle preordained by the gods. A tear fell down from Katherine’s eyes, and she didn’t want to show him more. She fled her way out the dining room with a tormented soul, like Aphrodite torn by Adonis, and hurried to her room with the banging of the door. Vincent was left with only the deafening silence, keeping his severed heart together.

As he sat out there slowly losing substance, he began to notice a set of picture frames that showed two happy faces, one of them Vincent was able to recognize in just a matter of seconds. But what puzzled him most is the picture's relevance to Katherine. He thought of a reason to make his way out the riddle. He looked closer to the girl beside Roxanne and found a spot of mole that was identical to Katherine's.

Vincent stumbled to a discovery he wished he had never known.

On the night Roxanne met death, she was not alone. She was with company. The girl that happened to live is Vicky Duran, Roxanne’s best friend. She was secretly in love with Vincent. And she was prepared to change her entire life for a streak of a chance that she’ll have what she was living for.

And she almost succeeded.

Vincent, still staggered on how things turned out insane, went to Roxanne’s grave. He shattered from an implosion of mixed emotions and he cried out like a child who lost his treasured toy. He curled on the ground with so much pain and bearing contained inside him. He called out Roxanne’s name with pure longing, bringing back his old self and his memories of that grey autumn, of that unwanted Friday that took her life away.

Footsteps cracked from the ground and Vincent ceased his outburst of melancholy.

“Let me end your misery,” a trembling voice came from behind him. It was Vicky, whose face is neither Roxanne’s nor Katherine’s. It was a face of a hopeless woman, wretched and determined for something. She was wearing rugged clothes and she held a gun on her hand. To Vicky, living is no different from death. She has now understood why the very person she loves has turned away from her when she gave all that she never was. But the realization priced too much of her reality that she cannot anymore take back. She decided to **** him and then take her own life.

She pointed the gun towards Vincent. He jumped at her to take the gun away. They grappled on the ground, the weapon still on Vicky’s hands. Vincent managed to overpower her but she kicked him, tumbling back to the gravestone. A shot was heard from afar with a man’s cry.

It rained that day. Brown withered leaves of tall laurels hovered with the wind while branches of solitary Cypresses dance to every whirl. The breeze whispered to the clouds of grey, a mark of autumn’s return. Vincent crawled to Roxanne's grave. It was a weeping of a true love that echoed away. Raindrops keep descending from the heavens, washing away the blood that kept flowing to the ground of mud.  Perhaps, on the last moments of his life he found happiness, even from a love that was never his to keep.

 

- by Larry Potter
Edna Sweetlove May 2015
I woke up to a beautiful summer morning. The sun was shining and the rainclouds were far away. I decided I would spend the day on the beach. I always enjoy visiting the beach as it gives me an opportunity to laugh at people's hideous bodies. But where? And then, suddenly, a wonderful idea came to me: why not go to a nudist beach as they always attract the ugliest people with the worst bodies imaginable. And you get to see their naughty bits too, for added humour.

So I rushed to my computer to check the Internet for possibilities and, to my utter amazement, I discovered there was a naturist beach only fifty miles from my beautiful home. As I read the details of the beach and the directions, I had a sense of déja vu; I realised with a frisson of ****** anticipation that it was the very same beach described by Victor the ****** in his wonderful story "Confessions of a ******" which held pride of place on my toilet reading shelf.

I was at the wheel of my incredibly expensive and luxurious car just as soon as my servants had packed my essential requirements: icebox with chilled vintage champagne, lightweight folding gold-plated sun-lounger, vicuna picnic rug and of course my lunch hamper. My chef had rapidly prepared a delicious impromptu luncheon of smoked salmon, steak tartare and a selection of other goodies. I decided to dispense with the services of my chauffeur in the interests of preserving the confidentiality of my destination.

In less than an hour and a half I was there; and the place was exactly as Victor had described it in his immortal novella: a long stretch of mixed sand and pebbles, backed by dunes planted with wild grass, waving romantically in the sea breeze. Idyllic, and crawling with naked perverts as a bonus. I parked my car and transported my equipment to the dunes. I regretted not having brought one of the servants as the hamper and icebox were quite cumbersome and heavy. I was perspiring gently by the time I had unloaded everything and set it all up to my satisfaction.

I took some care in selecting what I felt was the optimum location as I needed to combine the potentially conflicting benefits of wanting to see as many naked people as possible (hopefully including some *** action) with the need for privacy. After all I am famous. I finally chose a spot where there were several ghastly specimens on view for a few laughs and where I could also see a potentially interesting couple who might be exhibitionistic perverts. The man was about 45, shaven-headed, skinny and prematurely wrinkled all over by the sun (yes, I do mean all over) and he had an interesting tattoo on his back: "I love hot ***** ***", which I saw as promising. The woman was plump with pendulous ******* and very prominent buttocks; additionally - how can I put this delicately? - her **** was totally bereft of hair.

Before settling down to my lunch, I felt a little perambulation would not come amiss. So, as bold as brass, off I went for a little **** stroll through the dunes. I will not describe in full detail the visual horrors I encountered: hirsute old men playing aimlessly with wizened, shrunken todgers the size of a thimble; obese old biddies, their rolls of sun-tanned lard hanging round them like rows of bloated udders on a pregnant sow; tattooed bald queens, muscles bulging under lashings of sun-oil, their pierced genitals glinting wickedly in the sunshine; the list was endless. How could such grotesques revel in revealing their corporeal repulsion to the eager world?

And then I saw him! It had to be him! In a dip in the sand dunes lay a middle-aged, paunchy little man, intently watching a couple of old ******* groping each other incompetently. It could only be Victor the One-Legged ******! After all, just how many unipod Peeping Toms are there?

I strolled over to him, coughing discreetly so as to give him a chance to stop his furtive *******. 'Do excuse me for disturbing you,' I said, 'but are you by any chance Victor the famous ****** whose confession I read only last week?'

'Why yes,' he admitted, 'but how on earth did you recognise me?'

I smiled and pointed to the cast-off artificial leg lying next to his beach towel (which, incidentally, was emblazoned by a giant "V", a bit of an identity hint, I felt). He patted his stump ruefully and laughed uproariously so that his average-sized ***** flapped like a pennant in a Force Eight gale. 'I forgot,' he bellowed deliriously.

'I'm just about to have a spot of lunch,' I said. 'My personal Michelin-starred chef, Jean-Claude Anusse, always over-caters ridiculously as he knows I often pick up people on my excursions, so there'll be more than enough. I'm afraid it's nothing special: some smoked salmon and some assorted cold meats, possibly a spot of pâté de foie gras, if I know Jean-Claude. And, naturally, enough champagne to drown a hippo in. Please do say yes, as I have so many questions to ask you about your hobby.'

'That's very kind of you.' mumbled the astonished Peeping Tom, 'I should be very happy to accept your generous offer. Incidentally, to whom have I the honour of speaking?'

I was, frankly, shocked when I realised Victor had not recognised me, and then I remembered I was naked. That explained it. 'Why, I am none other than Edna Sweetlove, poetess to the stars, creator of the Barry Hodges "Memories" poems and biographer to the intrepid and incredible superhero SNOGGO,' I murmured sotto voce, not wishing to be mobbed for my autograph.

'Edna Sweetlove!' he exclaimed, 'you mean THE Edna Sweetlove?' And so saying he glanced down to my genital zone in order to answer the question which so many of my fans have asked over the years. He grinned as he saw the solution to the great mystery.

Victor quickly strapped on his prosthesis and accompanied me (slightly lopsidedly) to my little luncheon site. He helped me unpack our repast and then made himself as comfortable as a naked one legged ****** could reasonably expect to be without a chair.

I must say Chef and his team had excelled himself in the thirty minutes I had given them: smoked salmon roulades, a magnifique plateau de fruits de mer including a three-pound giant lobster, steak tartare, a whole cold pintarde à l'ail, a few dozen sushi rolls, a monster summer pudding, and naturally a Jeraboam of Krug '92. No wonder the hamper had been so ******* heavy. I could see Victor was impressed as I offered him a chilled flute of the most expensive champagne he had ever tasted. 'Better than the pathetic, poverty-stricken muck you were going to gobble, I expect,' I commented in a friendly way.

'Mmmmmmmmm! Absolutely delicious, Edna. I was certainly not expecting this! exclaimed the grateful freak. But before we start on what looks like a truly exquisite nosh-up, I must give you a word of warning.'

'A word of warning? What about, Victor dear?'

'Well, you see, there's no, um....er,' he blushed charmingly.

'No what, Victor? Don't be embarrassed, sweetie. This is Edna you're talking to. Spit it out, baby.'

'Well, um, there's no ******* on the beach, Edna,' explained Victor uncomfortably. 'So, if you need to pump ship, you have to do it native-style "au naturel" in the dunes over there, which can be a bit messy what with all the filth lying about the place in that area, not to mention the lavvo-voyeurs hanging round. Or else you need to swim out a bit and unload into the sea. Judging by what's on offer at your stylish picnic, we'll both be bursting for a good old **** and crap afterwards.'

I shrieked with laughter and explained there was nothing I liked better than a widdle en plein air or a double act dans l'eau. We then tucked into lunch with a vengeance. It was ******* delicious, even though I say so myself. After about fifteen minutes' happy munching, interspersed with witty small talk, Victor suddenly went rigid. 'Look over there!' he hissed and indicated the middle-aged couple by the windbreak.

I looked and I was surprised. The plump woman with the big *** was on her knees in front of her partner, giving him a vigorous *******, and he was lolling back in ecstasy, a broad smile on his face. He seemed to be looking straight at us, almost visibly willing us to watch. He winked repeatedly in a conspiratorial fashion; maybe he had St Vitus’ Dance. Or even worse, he wanted me to get stuck into the action with them.

'They're regulars here, they normally put on quite a good show,' explained Victor excitedly, his hand reaching down automatically to his rapidly stiffening ****.

'Victor!' I admonished him, 'I would prefer it if you didn't **** yourself off during lunch. How about another oyster, you silly old ****?'

'Sorry, Edna, I forgot,' he replied shamefacedly. 'No more oysters thank you; they only make me more randy than I already am. But I'll have another lobster claw if I may. My compliments to your chef.'

So we sipped our champagne and enjoyed our luncheon as we watched the couple give us their little exhibition. After a few minutes *******, the fat lady turned around and leaned forward on her hands and knees and her gnarled bald hubby ******* her doggy fashion from behind with some gusto; this made her beefy buns bounce about like two ferrets fighting in a sack.

I glanced around us and realised that, totally unbeknown to me, the little spectacle had attracted quite an audience. Nine men, young and old, short and tall, fat and skinny, stood staring transfixed by the petite scène erotique before us, all ******* wildly. 'Oi!' I called out. 'Can't you see we're eating?' I admonished them, but to no ******* avail whatsoever.

Victor was visibly torn between his innate desire to watch the copulators and masturbators and with his understandable wish not to offend his lunch companion by manhandling himself unrestrainedly. But, thank God, his natural good manners prevailed and we continued to converse and enjoy our meal in the midst of this Bacchanalian scene of depravity.

I watched dispassionately as the couple came to what sounded like a very satisfactory mutual ******, accompanied by the observers' seminal tributes to their performance. I naturally had filmed the entire scene secretly on my state-of-the-art mobile.

'If you give me your email address, Victor my love, I'll send you a copy of that little show,' I promised. He nodded in gratitude. 'Victor  the ****** at yahoo dot co dot uk,' he mumbled rapidly, 'no dots, Victorthevoyeur is all one word.'

Once we had polished off lunch, I told Victor I would like to interview him with a view to writing a short story about his life's work. He was touchingly flattered and, with a little judicious prompting and probing, told me his saga, which I recorded on my Edna-phone. I naturally don't want to pre-empt my forthcoming mini-biography of Victor, but suffice it to say that Victor told me how and why he became a ******, he regaled me with some of the staggering things he had seen, he gave me a list of some really ace ******* locations, he shared all his best peeping places with me, he gave me the ultimate lowdown on the world of Britain's most celebrated *** snooper and I was touched by his burning honesty. I felt a tear ***** my eye at this tragic tale.

All too soon it was time for us to part. After thanking me profusely and making me promise I would visit him one day so he could repay my generosity, he re-attached his metal leg and limped away towards his beach towel. I knew he was raring to go as the best of the action normally took place in the early evening.

'Farewell, dearest Victor,' I called out as he tripped clumsily over a fellow pervert who had been eavesdropping near us.
No matter what life you lead
the ****** is a lovely number:
cheeks as fragile as cigarette paper,
arms and legs made of Limoges,
lips like Vin Du Rhone,
rolling her china-blue doll eyes
open and shut.
Open to say,
Good Day Mama,
and shut for the ******
of the unicorn.
She is unsoiled.
She is as white as a bonefish.

Once there was a lovely ******
called Snow White.
Say she was thirteen.
Her stepmother,
a beauty in her own right,
though eaten, of course, by age,
would hear of no beauty surpassing her own.
Beauty is a simple passion,
but, oh my friends, in the end
you will dance the fire dance in iron shoes.
The stepmother had a mirror to which she referred--
something like the weather forecast--
a mirror that proclaimed
the one beauty of the land.
She would ask,
Looking glass upon the wall,
who is fairest of us all?
And the mirror would reply,
You are the fairest of us all.
Pride pumped in her like poison.

Suddenly one day the mirror replied,
Queen, you are full fair, 'tis true,
but Snow White is fairer than you.
Until that moment Snow White
had been no more important
than a dust mouse under the bed.
But now the queen saw brown spots on her hand
and four whiskers over her lip
so she condemned Snow White
to be hacked to death.
Bring me her heart, she said to the hunter,
and I will salt it and eat it.
The hunter, however, let his prisoner go
and brought a boar's heart back to the castle.
The queen chewed it up like a cube steak.
Now I am fairest, she said,
lapping her slim white fingers.

Snow White walked in the wildwood
for weeks and weeks.
At each turn there were twenty doorways
and at each stood a hungry wolf,
his tongue lolling out like a worm.
The birds called out lewdly,
talking like pink parrots,
and the snakes hung down in loops,
each a noose for her sweet white neck.
On the seventh week
she came to the seventh mountain
and there she found the dwarf house.
It was as droll as a honeymoon cottage
and completely equipped with
seven beds, seven chairs, seven forks
and seven chamber pots.
Snow White ate seven chicken livers
and lay down, at last, to sleep.

The dwarfs, those little hot dogs,
walked three times around Snow White,
the sleeping ******.  They were wise
and wattled like small czars.
Yes.  It's a good omen,
they said, and will bring us luck.
They stood on tiptoes to watch
Snow White wake up.  She told them
about the mirror and the killer-queen
and they asked her to stay and keep house.
Beware of your stepmother,
they said.
Soon she will know you are here.
While we are away in the mines
during the day, you must not
open the door.

Looking glass upon the wall . . .
The mirror told
and so the queen dressed herself in rags
and went out like a peddler to trap Snow White.
She went across seven mountains.
She came to the dwarf house
and Snow White opened the door
and bought a bit of lacing.
The queen fastened it tightly
around her bodice,
as tight as an Ace bandage,
so tight that Snow White swooned.
She lay on the floor, a plucked daisy.
When the dwarfs came home they undid the lace
and she revived miraculously.
She was as full of life as soda pop.
Beware of your stepmother,
they said.
She will try once more.

Snow White, the dumb bunny,
opened the door
and she bit into a poison apple
and fell down for the final time.
When the dwarfs returned
they undid her bodice,
they looked for a comb,
but it did no good.
Though they washed her with wine
and rubbed her with butter
it was to no avail.
She lay as still as a gold piece.

The seven dwarfs could not bring themselves
to bury her in the black ground
so they made a glass coffin
and set it upon the seventh mountain
so that all who passed by
could peek in upon her beauty.
A prince came one June day
and would not budge.
He stayed so long his hair turned green
and still he would not leave.
The dwarfs took pity upon him
and gave him the glass Snow White--
its doll's eyes shut forever--
to keep in his far-off castle.
As the prince's men carried the coffin
they stumbled and dropped it
and the chunk of apple flew out
of her throat and she woke up miraculously.

And thus Snow White became the prince's bride.
The wicked queen was invited to the wedding feast
and when she arrived there were
red-hot iron shoes,
in the manner of red-hot roller skates,
clamped upon her feet.
First your toes will smoke
and then your heels will turn black
and you will fry upward like a frog,
she was told.
And so she danced until she was dead,
a subterranean figure,
her tongue flicking in and out
like a gas jet.
Meanwhile Snow White held court,
rolling her china-blue doll eyes open and shut
and sometimes referring to her mirror
as women do.
Mokomboso Aug 2014
Clinging to the highest branch, the sloth closes her eyes and hangs
The life below scurries and runs never slowing down
The sloth sleeps and eats, aiming for convenience
But the slow life can get dull sometimes, this sloth had a hint of adventure
She considered leaping with monkeys or singing with the parrots
One morning she was in luck, awoke with a wide eyed shock
The worm hole swirled black and psychedelic, the sloth inched her mossy hand towards the hole

Spat out in another jungle, things looked the same at first
Until she saw a giant with a long neck crash through the trees with ease
Followed by his herd sweeping a path towards the clearing
Birds with teeth and orange feathers glided from trunk to trunk
The sloth closed her eyes, maybe it’s a dream?
But rest was far in the past, it was time to abandon her namesake
Shimmying in slow mo along the canopy
She reached out for a long object for a short break
The tree turned around with a friendly face
The tree was a parasaurolophus!

He honked his hello and his friends did too
Then a squawk could be heard from the jungle darkness
The para looked up in worry, snorted warm air through his large nostrils
The sloth had no choice but to hold on tight to the dinosaur’s neck
As he galloped like a horse weaving in and out of trees
This is what it feels like, thought sloth, to move with speed
They crashed through the bracken and waded through pools
Until the para braked and mooed and so the ground shook
The vibrations tickled sloth’s *** belly, what little energy
Toxic leaves gave had all but worn away
She grabbed at ate a random leaf, a giant pronged monster of a leaf
It was tasty. The para’s call was answered by that same deep squawk and coo
And through the undergrowth it burst, a creature with iridescent black feathers and blue specks
Stood as tall as an emu but was built like a chicken
“We have no time to waste, we must make haste!
There is a trike half dead slumped by the lake
If we ride we can reach it in time
And I will feast first on its remains!”

The dinosaur cooed and hopped onto the para’s back
Then he turned around and saw the sloth
Who just lifted her head and smiled weakly, with mouth full of browse
“hellooooooooo?” her eyes opened finally as if just awoken
The dino turned away and slapped the side of his stead’s neck
And off they raced again
At the lake there was another giant
With a collar of ruffles like a Georgian dandy
And a beak like a parrot, flopped open with a blue dead tongue lolling
“Want some?” The dino said to the sloth, holding out some fat he’d torn off
Sloth stuck out her tongue in disgust, the dino just shrugged

“My name is Doe Doe, what on earth are you?”
“I’m Slothie and same could be said for you!”
How they could speak the same language, I do not know
But just go along with me on this one!
Doe Doe munched and chewed and slurped at the Trike’s insides
And cut away a chunk with his makeshift knife
He flicked his head here and there, he could hear danger
And so they rode again, to let the other dromaeosaurs eat their share

He lamented to sloth about his birdlike brethren
They talked about inane subjects and gossiped like hens
They were all a bit stupid and he was too good for them
Sloth fought to stay awake through his verbal tirade
This smartarse bird reminded her of a human

“I want... toooo… shooooow you somethiiiing” the sloth said
Anything would do to change the subject
“Riiiiide over to the … left where the giants made… paths
Theeerrrrrre you will see... a bit black vortexxxx, and that is how I got here
Don’t take your horrrrrrse… because the peoplllle won’t like ittt”
Doe Doe was intrigued and he did as he was told
And finally they approached the now shrinking hole
Sloth clung to his back and he ran, then leaped like a chicken
With his wings outstretched, and found himself in 2011!

In the distance houses replaced trees and no dinos were to be seen
This small pocket of forest hid them for now
But it won’t be long before they’d venture out
Sloth directed him as she clung on still, she took him to the centre of town
They visited shops and cafes and cinemas and there
Doe Doe discovered pizza. He stuffed the gooey cheese dough into his face
Sloth thought it best to stick to bitter fruit and leaves
“What are these animals?” He asked that day, pointing out the humans around him
“These are humans, I learned to live among them but I’m a sloth still
They are apes with not much fur and they make a lot of noise
Often seen with childlike canines who hang onto their every phrase
They give me free food but they’re not good for much else”
Doe Doe agreed, other Balours were also a hindrance
They stole his food and he had to compete
So he found his friend the para, whom he named Dilan
Maybe the 2000s could be fun? After-all they do have pizzas
So Sloth suggested he visit more often, and he did
The end. :3
These are not the ramblings of a drug addled madman, this is the story of how I met my partner told using our nicknames/"spirit animals." I'm Slothie (a sloth, duh) and he's Doe Doe (balour bondoc, a type of dinosaur).
nivek Aug 2014
Seduced I breathe in the Sea;
her waves lolling against my body.
Seagulls swoop diving
enter the green depth, where
I lay down in a bed of seaweed,
and watched fish escaping.
Seduced I gave her my all
mind body and soul
but she washed me up
spewed me onto land
Where ancestors first crawled.
We look for Satan with the same intensity
that my mom and dad looked for God.

In retrospect
my parents were always pushing me to expand my consciousness
by huffing glue or gasoline
or chewing peyote buttons.
Simply because they'd done their time,
wasted their teen years
lolling in the muddy fields of Vermont
and the salt flats of Nevada,
naked except for rainbow face paints
and a thick coating of sweaty filth,
their heads festooned
with fifty pounds of fetid dreadlocks,
teeming with crab lice
and pretending to find enlightenment...
That does NOT mean I have to make the same mistake.

Sorry, Satan,
once again I've said the G-word.

Without breaking stride,
Leonard nods and points
to indicate the former deities of now-defunct cultures,
now warehoused in the underworld.
Among them: Benoth,
a god of the Babylonians;
Dagon,
an idol of the Philistines;
Astarte,
goddess of the Sidonians;
Tartak,
the god of the Hevites.

My suspicion
is that my parents treasure their sordid recollection
of episodes at Woodstock and Burning Man
not because those pastimes led to wisdom,
but because such folly
was inseparable from a period of their lives
when they were young
and unburdened by obligation;
they had free time, muscle tone,
and their futures still looked like a great, grand adventure.
Furthermore,
both my mother and father had been free of social status
and therefore had nothing to lose by cavorting ****,
their swollen genitals smeared with muck.

Thus,
because they had ingested drugs and flirted with brain damage,
they insisted I should do likewise.
I was forever opening my boxed lunch at school
to discover a cheese sandwich,
a carton of apple juice,
carrot sticks,
and a five-hundred-milligram Percocet.
Tucked within my Christmas stocking
--not that we celebrated Christmas--
would be three oranges,
a sugar mouse, a harmonica,
and quaaludes.
In my Easter basket
--not that we called the event Easter--
instead of jelly beans,
I'd find lumps of hashish.
Would that I could forget the scene at my twelfth birthday party
where I flailed at a piñata,
wielding a broomstick in front of my peers
and their respective
former-hippie, former-rasta,
former-anarchist throwback parents.
The moment the colorful papier-mâché burst,
instead of Tootsie Rolls or Hershey's Kisses,
everyone present
was showered with Vicodins,
Darvons, Percodans,
amyl nitrate ampoules,
LSD stamps,
and assorted barbiturates.
The now wealthy,
now-middle-aged parents
were ecstatic,
while my little friends and I couldn't help
but feel a tad bit cheated.

That,
and it doesn't take a brain surgeon to understand
that very few twelve-year-olds
would actually enjoy attending
a clothing-optional birthday party.

Some of the most gruesome images in Hell
seem downright laughable
when compared to seeing an entire generation of adults
stripped **** and wrestling on the floor,
grasping and panting in frantic competition
for a scattered handful of codeine capsules.
This is a found poem. I found it in Chuck Palahniuk's ******.

Madison is the thirteen-year-old daughter of a movie star and billionaire who wakes up, dead, in Hell. She soon finds herself and her nearby cell mates, who make up an almost Breakfast Club of the ******-like group, journeying through Hell to discover just exactly why they've all ended up there.
But why did I **** him? Why? Why?
In the small, gilded room, near the stair?
My ears rack and throb with his cry,
And his eyes goggle under his hair,
As my fingers sink into the fair
White skin of his throat. It was I!

I killed him! My God! Don't you hear?
I shook him until his red tongue
Hung flapping out through the black, queer,
Swollen lines of his lips. And I clung
With my nails drawing blood, while I flung
The loose, heavy body in fear.

Fear lest he should still not be dead.
I was drunk with the lust of his life.
The blood-drops oozed slow from his head
And dabbled a chair. And our strife
Lasted one reeling second, his knife
Lay and winked in the lights overhead.

And the waltz from the ballroom I heard,
When I called him a low, sneaking cur.
And the wail of the violins stirred
My brute anger with visions of her.
As I throttled his windpipe, the purr
Of his breath with the waltz became blurred.

I have ridden ten miles through the dark,
With that music, an infernal din,
Pounding rhythmic inside me. Just Hark!
One! Two! Three! And my fingers sink in
To his flesh when the violins, thin
And straining with passion, grow stark.

One! Two! Three! Oh, the horror of sound!
While she danced I was crushing his throat.
He had tasted the joy of her, wound
Round her body, and I heard him gloat
On the favour. That instant I smote.
One! Two! Three! How the dancers swirl round!

He is here in the room, in my arm,
His limp body hangs on the spin
Of the waltz we are dancing, a swarm
Of blood-drops is hemming us in!
Round and round! One! Two! Three! And his sin
Is red like his tongue lolling warm.

One! Two! Three! And the drums are his knell.
He is heavy, his feet beat the floor
As I drag him about in the swell
Of the waltz. With a menacing roar,
The trumpets crash in through the door.
One! Two! Three! clangs his funeral bell.

One! Two! Three! In the chaos of space
Rolls the earth to the hideous glee
Of death! And so cramped is this place,
I stifle and pant. One! Two! Three!
Round and round! God! 'Tis he throttles me!
He has covered my mouth with his face!

And his blood has dripped into my heart!
And my heart beats and labours. One! Two!
Three! His dead limbs have coiled every part
Of my body in tentacles. Through
My ears the waltz jangles. Like glue
His dead body holds me athwart.

One! Two! Three! Give me air! Oh! My God!
One! Two! Three! I am drowning in slime!
One! Two! Three! And his corpse, like a clod,
Beats me into a jelly! The chime,
One! Two! Three! And his dead legs keep time.
Air! Give me air! Air! My God!
--To Elizabeth Robins Pennell


'O mes cheres Mille et Une Nuits!'--Fantasio.

Once on a time
There was a little boy:  a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional!  And Powers
Passed with him where he passed.  And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere.--

I shut mine eyes . . . And lo!
A flickering ****** of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's:  in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk--
Ice-ribbed, fiend-visited, isled in spells and storms--
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!

Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin!  Never a Wood but housed
Some morrice of dainty dapperlings.  No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents.  Every lone Hillside
Might open upon Elf-Land.  Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp.  And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!

I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows.  In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, ****-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases--
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.

But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba's Cave
Just for the saying 'Open Sesame,'
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler's? . . . Or one time
Made you Aladdin's friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white *******
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black ***** of all
Your consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labe, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .

I was--how many a time!--
That Second Calendar, Son of a King,
On whom 'twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty.  Yet I could not rest
For idleness and ungovernable Fate.
And the Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might.  But there
I met with Merry Ladies.  O you three--
Safie, Amine, Zobeide--when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons.  And Haroun
Laughed out of his lordly beard
On Giaffar and Mesrour (I knew the Three
For all their Mossoul habits).  And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris' plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness:  or a prodigy in scales
Worth in the Caliph's Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .

Then, as the Book was glassed
In Life as in some olden mirror's quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed.  Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring--staring.  Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door:  and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes--all slain,
All in their nightgowns, all with Painted Eyes
Staring--still staring; so that I turned and ran
As for my neck, but in the street
Took breath.  The same, it seemed,
And yet not all the same, I was to find,
As I went up!  For afterwards,
Whenas I went my round alone--
All day alone--in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would:  still there were Shapes of Stone,
Motionless, lifelike, frightening--for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-beloved quest,
Thrilled with a novel and delicious fear.
So the night fell--with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice!  And in a little while
Two tapers burning!  And the Voice,
Heard in the wondrous Word of God, was--whose?
Whose but Zobeide's,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .

Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly . . . and grew.  Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman's hand,
And, turning broadside on,
As the most iron would, was haled and ******
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown.  All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands!  And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled on an iron ring--
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood.  And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock!  The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist's jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives!  And far, O, far away,
The Princess of China languished!  Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play--unkenned, majestical, secure--
Where the old, brown, friendly river shaped
Like Tigris shore for shore!  Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady:  she who took
Her rice with tweezers grain by grain.
Or you might stumble--there by the iron gates
Of the Pump Room--underneath the limes--
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery's, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You'd not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc's claw,
Disguised like Sindbad--but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian:  yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind.--

Thus cried, thus called aloud, to the child heart
The magian East:  thus the child eyes
Spelled out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn's arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships--
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters--brought
To her very doorsteps and geraniums
The scents of the World's End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet--(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams)--
As on the amorous nightingales
And roses of Shiraz, or the walls and towers
Of Samarcand--the Ineffable--whence you espy
The splendour of Ginnistan's embattled spears,
Like listed lightnings.
Samarcand!
That name of names!  That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might overtake you:  for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable--isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills--
The shining, shifting Sovranties of Dream.
Pat Broadbent Oct 2018
Clusters of lights like lilies,
Or like boiling craters in obsidian
The black is inky,
It could swallow me whole,
I'm thankful to be strapped in

The horizon scrolls back as the plane lilts
Like an image in an old slide projector
Suddenly the moon is below me
Icarus should have winged by night
I’d be god if I weren’t strapped in

Clusters of light like lilies
In this lolling pond we skim
Light strung like dew on spider silk
A flattened web to stretch the land
thankful not to be attached

Shimmering grids draw nearer
Enveloped in their seductive shimmer
thankful not to crash
Lauren Sage May 2014
My head is lolling
lolling
Like a snapped flower stem because I rolled
I rolled my eyes too hard and the force of my bowling-ball
Irises threw my skull to the right, hard,
Snapped my vertebrae

I laugh because it gets me out of the
Work one more time

onemoretimeonemoretime

I am so burnt out I can
Smell the singe on my hair as I
Cut it after two years

My head is empty
Empty
Filled with calculus English chemistry biology chemistry chemistry
Bowling-ball irises
Sky blue, I
Stabbed them out and felt the test scores
(84 98 67 67 67 67) run down my cheeks cool cold jelly
(This no-exam feeling is exhilarating his
Exams in a month feeling is exhilarating)
Exhilarating like it
Takes my breath away, I swear my eyes are
Intact and just
One more month

Can Liza please come down to the office
I want you to make an appointment with me
Just to check up on you and
It's because I ran crying into the office because
I'm so scared my marks won't be high enough and
I'm going to have to tell her I stopped
I stopped going to counseling and
I'll have to tell her
Terry O'Leary Dec 2013
Flings and wings and rings rejected…
Cupid’s arrows fly deflected…
“It clearly is too late” she signed, “to love, adore or pay me mind”

Penciled lines drew cruel conclusions
mocking mirror’s cracked illusions…
Sometimes, in time, I hang awhile, reflected in her parting smile

Drifting wan, below unheeding
worried, wounded suns a’ bleeding…
Struck dumb by night, no way to say “Let’s sound the stars another way”

Shaking sands frame distant smokestacks,
shanty towns, forsaken oak shacks…
Pursuing dusk, collapsed and dyed, the docile dolphin deftly stride
beyond behind the ebbing tide, towards One-Way Ships of sunken pride


Gypsy dreamer in denial…
Sleep and slumber standing trial…
I never really ever slept inside the cryptic walls she kept

Martian moons provoke the oceans…
Strange enchantments stir the potions…
The mutant molten purple skies ignite subconscious fireflies

Voiceless echoes feigning laughter…
Crushing quiet screaming after…
Vague vagaries pretend to sleep, my conscience crumbles in a heap

Startled stars at dawn are slacking…
Still her tempest sail is tacking…
In fractured dreams sere silhouettes blow foghorns, trumpets, clarinets…
Discarded glowing cigarettes tinge One-Way Ships with pale regrets


Cold cathedral clocks upended…
Frozen second hands suspended…
Beneath the gauze of time I try to while away somewhere nearby

Ticking-tocking time’s a’ tolling…
Cruel eternity’s cajoling…
The future, tattered, calls bereft, with nothing but her shadows left

Brigantines skim gated grottos…
Distant divas voice vibratos…
Though eons pass, then intermix, I’m trapped ’tween time’s untallied ticks

Conquered candles flicker faintly…
Braided tresses quiver quaintly…
Demystified, untamed in time, her face is traced in puppet mime…
Amorphous tongues of jangled rhyme hail One-Way Ships that glide sublime


Bolts of lightning flash unkindly…
******, alone, I huddle blindly…
I drain another dram and bray “she’s far too far too far away”

Twisted waterwheels a’ thirsting…
Flaming flower buds a’ bursting…
Adrift, I stagger far below their unchained magic rainbow glow

White crowned wave crests break unbounded…
Shackled seashore sands lie pounded…
Unleashed, beyond the bridled world, her silver sails, cut loose, unfurled

Captive bluebirds nest in baskets…
Morning glories cover caskets…
Wee ballerinas swirl and spin while giant jokers smirk and grin
and, wasted, I withdraw within carved One-Way Ships in flasks of gin


Hungary hounds harangue the highlands,
howl at skies and desert islands…
Below, unfettered carbon crows conceal the parting path she chose

Lighthouse lamps and lanterns lolling…
Mute abandoned fleets are calling…
The shallow shadowed portholes vaunt dim traces of the past that haunt

Curved magnetic curtained faces
yearn contorted brief embraces…
Her fairy-tale like tattoo touch was serpentine but soft as such

Coffee cups and spoons corroding…
Mystic tea leaves, visions boding…
A cabaret calls, standing bare, beneath a splintered footloose stair,
vain vapors drape her vacant chair in One-Way Ships beyond repair


Splattered days are dripping dreary…
Shattered nights are wearing weary…
Without her footfall at my side I steal away within to hide

Fancies flame, persist to flaunt her…
Wanton whispers hiss I want her…
Hyenas, haggard, held at bay, still gnaw on bones of yesterday

Graveled graveyards grey and ghastly…
Apparitions pacing past me…
The answers to my whys and sighs have veiled her limpid pale blue eyes

Lurid figments storm the valleys
****** the helms of spectral galleys…
The coughing phantoms at the wheel, they make it all seem so unreal…
Rebounding cracks of thunder’s peal, shake One-Way Ships while seagulls squeal


Yesterday’s unsung, unspoken…
Bygone paths fold, draped and broken…
The weary winds of winter cling to voiceless nightingales and sting

Desert blossoms growing colder…
Drifting sand dunes pause, enfold her…
An arctic kiss and blush revealed forbidden pipe dreams flung afield

Weeping willows’ wilting snow drops
drip on tips of tiny toe tops…
Their opal fires bleed and fade while suns explode in icy jade

Jagged hours hangin’ heavy…
Footsteps pace the barren levee…
While pros and cons and kings debate, acclaim and blame and fame equate
the ruin’s remnants left to fate with One-Way Ships that fail to wait


Blazing blades of love surrender…
Memories and thoughts transcend her…
The Persian gazer’s crystal shows I’ve truly lost my ruby rose

Buried deep in evening’s embers
dust forgets what flesh remembers…
The bitter taste of farewell’s haste has laid the ****** skies to waste

Ruffled ravaged ravens ranting…
Churlish ancient churchmen chanting
resounding what she told me true “There’s nothing more that you can do”

Trial adjourned by judge and jury…
Freed, she flees, absolved of worry…
Remaining runes and relics burn to feed the ashes of the urn…
Six seers, wiser, soon discern the One-Way Ships of no return
Bardo Apr 2021
I seen this ****** photograph once, taken in lovely black and white
A beautiful figure framed by shadows,
A beautiful young dark-haired girl naked
kneeling on a stairway
With one hand draped across her *******
As if protecting herself from something, maybe even shielding her heart
Her face, it is turned away to one side
And buried in her other hand
As if she's suffering some great distress or sorrow,
Far from arousing in me ****** feelings, this photograph
It spoke to me of something else
Something quite different and much more significant
More than mere words could possibly say
It spoke to me...it spoke to me of my whole life.

Her body there, so youthful, beautiful without a blemish
Her lovely contours and curves smooth like the sand dunes of a desert
Her beautiful face made sad
Her petite delicate little shoulders and arms
Her wonderful *******, her lovely tummy/belly, the roundness of her hips
The bones of her knees jutting out from where she was kneeling
Her thighs and calves resting upon one another
Her ankles and little feet tucked in behind
Here was Youth in all its glorious splendor... and innocence
With all its wonderful promise,
Strangely, it reminded me of my own Youth and my own body once
Before age and the World had done their damage
This wonderful garment thrown over our eyes and our bones
And I remembered myself as a little child, running across the beach... across the strand
And I was talking to my legs, saying, "Come on legs! Faster! Faster!"
And I was hitting my hip with my hand as if it were a whip
And as if my legs were those of a horse galloping
Just like in the old Westerns we used watch (on TV)
Yes! There was a time once when I used to talk to my body, a private little world I had,
It was my closest, my most intimate friend
You'd do it when you were alone like it was the most natural thing in the world,
You needed a friend to talk to about this strange world you were in,
And then I remembered the little girl next door
They used put us together playing, us children, us being around the same age
She was such a sweet little thing, the way she used to laugh and smile all the time
Like the cutest little kitten
The joy in her eyes and that smile of hers
Where was it coming from... somewhere inside, somewhere within
And then I remembered, I too had it once, that same joy, that same smile
It had lived in me too once... that bliss.

                              2

That photograph, it struck me as being something almost holy
It reminded me straightaway, it reminded me of the Garden of Eden story
The beautiful body had been the Garden you see
And in the Garden there was no fear and no danger
Like a little kitten lolling about, rolling on its belly and stretching itself out
Without a worry or a care
Without a cloud on its horizon
A beautiful magical kingdom before the Mind ever existed.

But now looking again at the photograph and at her face made sad buried there in her hand
Now the photograph was telling me
Suddenly, all at once, there came a day and a shadow
Something from outside, it had entered her mind, some ugliness from the world
It had disturbed her for the first time
And this was a new sensation to her
And it had frightened her
"How could such a dark ugly thing exist", she was wondering,
'And how can I live now with this in my world,
Now that I've seen it, it will always be there",
And then another memory came back to me, That of myself as a little child lying in bed
Shaking my head from side to side, even bumping my head against the wall
There was something there in my head I didn't like, something I didn't want to hear or see, something disturbing
I didn't want it there, I wanted it to go away
I wanted it to stop,
But it wouldn't stop and it wouldn't go away
And you realised it'd always be there like some shadow hovering in the background.

                                3

Now dark clouds were beginning to gather over the Garden and the beautiful Body
Now the World was coming and the Tyranny, the Tyranny of the Mind was beginning
The Gates of the Garden, they were slowly starting to close
Yea, the fields of Arcadia were fading, the exotic fruits and feelings there were being taken away
Its lovely sweet river of ambrosia would now soon cease to flow.

Like the Snow Queen and her Icy Blizzard, like a cruel invading army
The Mind had awoken now like a sleeping dragon and the World, it was coming, coming now to feed
Starting to pour in like through a breached dam
The World with all its books and its lessons, its rules and examinations
The mental world forcefully asserting itself
With its bullying cajoling teachers and its many humiliations,
The Mind weighing down hard now upon the Body, leaning on it, squeezing it and straining it
Pulling it this way and that, hither and thither
All out of shape, all over the place
Rivers of outside influences flowing in now
You were like a tiny boat tossed upon stupendous waves
Always at the mercy of other people's words
Blown all over the place
Sometimes, sometimes I just couldn't stomach it, I couldn't digest it
Sometimes I could only just throw it all up.

                                   4

The Beautiful Body... Garden no longer, now just some hollow empty shell
The Mind alone was all that mattered now
All consuming and all devouring
The Body starting to buckle and to crumble
Underneath all that weight, the stress and the strain
Not knowing how to deal with it....lost and bewildered
Among the new feelings of emptiness and of pain
Overeating and undereating, unable to eat at all
Growing fat thinking that that could protect you from all the new fears in your brain.

                                5

The Body that beautiful Garden with its golden days
Were now long gone and forgotten
Thorns and briars had grown up in their stead
Just like some long lost fairytale Sleeping Beauty.
Made poor now and impoverished
I remembered... I had been a King once long ago back in my old Garden.

(The faint joys of the Mind y'know they were nothing in comparison
To what I'd known in that sweet Garden of old, that sweet Garden of mine).

Now when I look in the mirror I can hardly see myself anymore
But when I look at this photograph
I can see myself there.
Poem inspired by a photograph. A history of the Body. The clash of the Body and the Mind, the Natural and the World..
L B Aug 2017
Never sure who's boss between us
He comes when called
several minutes later...

Blinking sweetly
smiling as only cats can
Golden, half-moons of sunlit bliss
watch fat yellow-jacket
marginally motivated

The hunt cannot compare
to the soft grass with its tender clover
a  full belly
and the meeter-of-all-needs nearby

But the quick jitter-dance
of an easy moth
sends the tiger
to the jungle of forsythia
Gleaming, stalking stripes
Alternating white of paws in precise approach
The prey?  Too quick
The predator?  Too old and lazy
prefers attention
Lumbers slowly back
lolling against coffee cup
Enough....

On needles of white pine
a secret lion has lain down

waiting only for the lamb
This was written for my, 16 year-old cat, Joseph. who's been gone a while now.  I thought of the poem as I said good-bye to my latest pet, Bailey,  whom I buried this week.  
I do believe I'll see them again in the resurrection, when He will restore all  things in peace-- granting life again to all in which was the breath of life.
m greene Aug 2013
i turn to face you,
having just had you
lolling in the sleeping afterglow
but you're not beside me
you're inside of me
hovering just centimeters over me
wrapping warm my body
in your silk blankets,
a heartbeat swaddled.
when did you start to love me so much?
weren't it just yesterday
you had me clinging to
ceramic tiles for any sense
of comfort while my
insides were spilling out?

i suppose i always
asked for a lover
as complicated as this.
You could die for it--
love,
or refuse it altogether
and know nothing
except the urgency
of youth. Men

have been
solitary
for ages
carrying the
stoniest of hearts
in their broad chests
while we women

begin too early
brush the brown leaves
from our shoulders, go
from bloom to fade
as soon as
we see the sunrise

We let our eyes go first
Then there is the limp lolling
of our hearts from side to side
the tongue we cut away
the blind kiss on the backlash of night
the giving giving giving of skin

As women
we blindly wish
past the ****** of passion
as we vanish into a world of men
whose ribcages we were scraped from
Perhaps we are born of seeds
our essence crawling up the stem
to feed the bees.

Perhaps
every flower you see
is a woman
and when
she's in bloom
and when she is blooming
red
and when her leaves are wingbeats
of green in the autumn wind
beating wings of green, yes
even as the wind tries to humiliate her
it fails because
she's in love
and only she would die for it
Max Neumann Jul 2021
stuck between pride and ****** mood
lurid lights, laughter, ladies, lively lips
we are 96 souls away from the magic
and we nevah wake up or get up, nope

i swear on my momma's grave and pray
may she rest in peace with good ghosts
wise man told me to wear a black suit
me, tho', forgot if i did so, can't help it

was i trippin from dawn to dusk again
probably but ya gotta triple that time
and consider the weirdness of my speech
dem words stumble other words upon

meanwhile me and milly made luv to luv
luv laid back like rasta villages, jah songs
she's spreading her legs and licking
13.8, worship the fountain, that's basic

gangsta poetess & burglar, membah 108
while meetin milly, i imagine her naked
64 minutes later, lolling on silver satin
the lips such big perfect matches

by the end of the day we float over glaciers
our months vanish within a few days
hihaho, tickling trip, totally toony, truly
milly and tizzy equals eccentric & woozy

steering dreams, mysterious mixtures
golden goblets, served on light tables
we falling into the floor, a voltgreen maze
wondaland's gardens, we reach 'em

frozen loops of yummy yearning, yeeeah
all dem blankets and pillows, hundreds
in a bed spacious like a football field
a quarter of milly's back is my tattoo

parking lot at 4:16 am, 24 k bracelet
gotta look at it under the light of the sun
reminds one of eazy legs & adorable greg
we come, observe, read, blast and leave

stuck with mental blankness, in limbo
block party of creation 96, 2056 souls
oh my, sweaty forehead, i'm so cold
burning bloodshed, beasting bloodbath

marriage of mystery and skyline tales
sparkling are the eyes of yayo vampires
8 days awake, bangin in sky dunes
schmock, dinosaur, sole talker
O! nothing earthly save the ray
(Thrown back from flowers) of Beauty’s eye,
As in those gardens where the day
Springs from the gems of Circassy—
O! nothing earthly save the thrill
Of melody in woodland rill—
Or (music of the passion-hearted)
Joy’s voice so peacefully departed
That like the murmur in the shell,
Its echo dwelleth and will dwell—
O! nothing of the dross of ours—
Yet all the beauty—all the flowers
That list our Love, and deck our bowers—
Adorn yon world afar, afar—
The wandering star.

’Twas a sweet time for Nesace—for there
Her world lay lolling on the golden air,
Near four bright suns—a temporary rest—
An oasis in desert of the blest.
Away away—’mid seas of rays that roll
Empyrean splendor o’er th’ unchained soul—
The soul that scarce (the billows are so dense)
Can struggle to its destin’d eminence—
To distant spheres, from time to time, she rode,
And late to ours, the favour’d one of God—
But, now, the ruler of an anchor’d realm,
She throws aside the sceptre—leaves the helm,
And, amid incense and high spiritual hymns,
Laves in quadruple light her angel limbs.

Now happiest, loveliest in yon lovely Earth,
Whence sprang the “Idea of Beauty” into birth,
(Falling in wreaths thro’ many a startled star,
Like woman’s hair ’mid pearls, until, afar,
It lit on hills Achaian, and there dwelt),
She look’d into Infinity—and knelt.
Rich clouds, for canopies, about her curled—
Fit emblems of the model of her world—
Seen but in beauty—not impeding sight—
Of other beauty glittering thro’ the light—
A wreath that twined each starry form around,
And all the opal’d air in color bound.

All hurriedly she knelt upon a bed
Of flowers: of lilies such as rear’d the head
On the fair Capo Deucato, and sprang
So eagerly around about to hang
Upon the flying footsteps of—deep pride—
Of her who lov’d a mortal—and so died.
The Sephalica, budding with young bees,
Uprear’d its purple stem around her knees:
And gemmy flower, of Trebizond misnam’d—
Inmate of highest stars, where erst it sham’d
All other loveliness: its honied dew
(The fabled nectar that the heathen knew)
Deliriously sweet, was dropp’d from Heaven,
And fell on gardens of the unforgiven
In Trebizond—and on a sunny flower
So like its own above that, to this hour,
It still remaineth, torturing the bee
With madness, and unwonted reverie:
In Heaven, and all its environs, the leaf
And blossom of the fairy plant, in grief
Disconsolate linger—grief that hangs her head,
Repenting follies that full long have fled,
Heaving her white breast to the balmy air,
Like guilty beauty, chasten’d, and more fair:
Nyctanthes too, as sacred as the light
She fears to perfume, perfuming the night:
And Clytia pondering between many a sun,
While pettish tears adown her petals run:
And that aspiring flower that sprang on Earth—
And died, ere scarce exalted into birth,
Bursting its odorous heart in spirit to wing
Its way to Heaven, from garden of a king:
And Valisnerian lotus thither flown
From struggling with the waters of the Rhone:
And thy most lovely purple perfume, Zante!
Isola d’oro!—Fior di Levante!
And the Nelumbo bud that floats for ever
With Indian Cupid down the holy river—
Fair flowers, and fairy! to whose care is given
To bear the Goddess’ song, in odors, up to Heaven:

  “Spirit! that dwellest where,
    In the deep sky,
  The terrible and fair,
    In beauty vie!
  Beyond the line of blue—
    The boundary of the star
  Which turneth at the view
    Of thy barrier and thy bar—
  Of the barrier overgone
    By the comets who were cast
  From their pride, and from their throne
    To be drudges till the last—
  To be carriers of fire
    (The red fire of their heart)
  With speed that may not tire
    And with pain that shall not part—
  Who livest—that we know—
    In Eternity—we feel—
  But the shadow of whose brow
    What spirit shall reveal?
  Tho’ the beings whom thy Nesace,
    Thy messenger hath known
  Have dream’d for thy Infinity
    A model of their own—
  Thy will is done, O God!
    The star hath ridden high
  Thro’ many a tempest, but she rode
    Beneath thy burning eye;
  And here, in thought, to thee—
    In thought that can alone
  Ascend thy empire and so be
    A partner of thy throne—
  By winged Fantasy,
     My embassy is given,
  Till secrecy shall knowledge be
    In the environs of Heaven.”

She ceas’d—and buried then her burning cheek
Abash’d, amid the lilies there, to seek
A shelter from the fervor of His eye;
For the stars trembled at the Deity.
She stirr’d not—breath’d not—for a voice was there
How solemnly pervading the calm air!
A sound of silence on the startled ear
Which dreamy poets name “the music of the sphere.”
Ours is a world of words: Quiet we call
“Silence”—which is the merest word of all.

All Nature speaks, and ev’n ideal things
Flap shadowy sounds from the visionary wings—
But ah! not so when, thus, in realms on high
The eternal voice of God is passing by,
And the red winds are withering in the sky!
“What tho’ in worlds which sightless cycles run,
Link’d to a little system, and one sun—
Where all my love is folly, and the crowd
Still think my terrors but the thunder cloud,
The storm, the earthquake, and the ocean-wrath
(Ah! will they cross me in my angrier path?)
What tho’ in worlds which own a single sun
The sands of time grow dimmer as they run,
Yet thine is my resplendency, so given
To bear my secrets thro’ the upper Heaven.
Leave tenantless thy crystal home, and fly,
With all thy train, athwart the moony sky—
Apart—like fire-flies in Sicilian night,
And wing to other worlds another light!
Divulge the secrets of thy embassy
To the proud orbs that twinkle—and so be
To ev’ry heart a barrier and a ban
Lest the stars totter in the guilt of man!”

Up rose the maiden in the yellow night,
The single-mooned eve!-on earth we plight
Our faith to one love—and one moon adore—
The birth-place of young Beauty had no more.
As sprang that yellow star from downy hours,
Up rose the maiden from her shrine of flowers,
And bent o’er sheeny mountain and dim plain
Her way—but left not yet her Therasaean reign.
Gabrielle F Feb 2010
The photo reminded her of bruised fruit. Well first and foremost:fruit.
Her body, curled around itself, sheltering the fibrous crunchy pit of her, her body white and frayed looking, rounded buttock, calf gently sloping, feet modest, willowy toes toenails like shale
face blurred, questionable dark spots where her eyes could have been. they closed as the shudder buckled, her mouth sagged open, lip lolling to one side, brow ancient furrowed like folds of sand nudged by a lazy tide.  None of it concise, only guessing. Her knees brought up, squeezed against small  
crunch-able chest. Full, heavy with pulp (stringy sweet, what snags on the teeth) but what if it were to fall from an appreciable height? Filmy is the flesh. Daring the looker to look closer, see what mite be hidden there.
Ripe:questionable. Sweet like nothing, pouring from the corners of a mouth: what a bite it would be.
That first bite.
The bruising comes in when she thinks of the brain beneath, that open, limitless figure so pale and forefront and brimming with intent, so crush-able with careless fist, so lovable with thirsty mouth. But what of the mind that put her before you, that turned her vulnerable, shameless, open for discussion?
Put her before you. naked.
Brea Brea May 2013
Get me on my stomach and rub your stubble-like brambles against my cheek
breathe your humid heated desires on the backs of my ears
and into my coal
entangle your feet in mine
verbalize but don’t make much more than senseless noise, drag it out
sloooow
Grind that ribcage into me
As you make sweet, sweet silent passion into me
Dont get too comfortable so long as you're entwined just as me
Reel me a little further
Pull me back
don’t play too hard
you should know well
it's who we are
I'm more useful when I'm not besot by the torment
of not getting to feel the things that make me fall
Tangibles of your love, the winnings
of our games
I want to be enslaved by your grip
touched by your eyes
With tenderness to my viability
and my liability
I want to be the object of your affection
never the only one
That makes your sensible mind up and slip
Legs and bones tousled
Our heat displaced in-between
warm flesh slipping in and out
we move like one majestic animal
I'll make you move like a victim in my web
of endless sensualities
yowl like a hidden cat
in the dark
if you pounce my softness with your depths and integrity
to the moment
to what we besot
with our foolish tendencies
I'll be like talons
in your shoulders as I kiss your collar, gingerly
open me up, open me up wide
much like you, cringing by your side
let your inhibitions fall,
and your heart, next to me
your vulnerability is my sentimental call
let your head spiral
down my silhouette, hungrily
lay bare your tenderness
so I can sip, you can maul
untilll we fall
to primitive tendency
lap my primordial waters with your lulled tongue
lolling up in the cosmos
like our heroic sun
we know that we’re one

braid your fingers up into me

as we

as we

as we

loose ourselves in faceless time

loose ourselves, lovingly

I won’t own you, I don’t dare possess you outside of this bed

just give me this,

this one meaningful thing

to me in it’s stead
UPON thy purple mat thy body bare
Is fine and limber like a tender tree.
The motion of thy supple form is rare,
Like a lithe panther lolling languidly,
Toying and turning slowly in her lair.
Oh, I would never ask for more of thee,
Thou art so clean in passion and so fair.
Enough! if thou wilt ask no more of me!
Bob Horton Apr 2014
Like a patterned rug
Beaten to be rid of dust and
Flopped over a balcony railing, a leopard
Hangs her hefty hands beneath a bough.
Head lolling lazily, she awakens.

Fingers like silent meteorites dig
Craters in the loose, dry earth.
From the grasses emerge many warm black eyes, unseen
And vicious: floral pockmarks on
Her carpeted exterior: cruel camouflage.

Deftly lugging her **** back
Into the branches to feed on its flesh:
Patterned rug stained.

Ears ***** and whiskers twitch
As boughs creak and twigtips reach
For the ground: the impala’s weight
Has weakened her arboreal home.

She panics not.

She slinks softly back into
The grasses: better to sidle away unscathed
From immediate danger.
Pride and body intact, she will **** again
Elsewhere.
This was meant to mean something, but then it didn't in the end. Maybe the correct eyes will read and perhaps acknowledge their status as the once intended recipients.
Lauren Sage Jan 2014
If there's one thing I fear will always be a mystery to me, it is with the ease that some people fall asleep.

Like, seriously just lie down and that's it. That's it?

That's it.


It's 4am and when I lie down my mind is still racing a million miles an hour, even when I'm so tired I can't even walk straight. And I check every limb for a sense of weighted-down, for that sleepy-fuzzy feeling in my knees and calves, tense abdomen, fixed shoulders, arms crossed like a saint, or flung up, whatever feels right, trying to find the holy grail of comfort that may or may not exist depending on what night and how long until I have to get up. 5 hours. 4 hours. 2 hours and 46 minutes.


It's the sound of an entire town sleeping, the privilege of hearing the secret noises that houses make when nobody else is lucid, praying your mind will wander, willing yourself to wander into it, setting traps, trying to find solace when you're left out of sleep, when everyone else sleeps, and it's tantamount to the feeling of being picked last for a soccer game in elementary school.


I used to imagine making soup. I would imagine my feet on the ground, planted firmly, gravity on me vertically instead of horizontally. The gritty tile, barefoot. Savor every step to the drawer, rummage for the can opener. On your tip-toes to reach the can of mushroom soup on the second-highest shelf, turn the can around to see the label and make sure it's the right one. Get a pan out. Scratch a flake of dried food off the metal side. Open the can, pull the little slice of paper off the jagged rim, pour in the water and mash the solid with a fork. Turn on the stove. I would be asleep by now. Or I would have wandered into a variant scenario. The saucepan was full of water and dead flies. I had to drive to Giant Tiger for more dish soap. I was a kid again, when I was wearing a swimsuit and anxious they wouldn't let me in. I needed a watergun. It was summer. It was finally a dream. Free of reality.


But it isn't. I feel my head heavy, the grinding feeling on the inside of my forehead. I ease myself with facts that hold little solace. Insomniacs have higher IQs. Insomniacs function better. Insomniacs succeed. You know what? Insomniacs have higher rates of breast cancer. Insomniacs have frighteningly higher rates of depression, anxiety, memory problems, automobile accidents, functional issues, all because they soup trick didn't work one time cause I tried it with tomato, all because I woke up too late this morning, it's 4:30 and I have 2 hours and 30 minutes to sleep and is it even worth it?


When your head falls back into the pillow and you feel the muscle unfurl, the slight pain that loosens into nothing, warm legs, heavy knees, weighed at your ankles, arms crossed like a saint, flung up, fetal with your knees grinding into each other, your hips off-kilter, and your mind still races a million miles a minute, dances around every trap you set, your stomach clenches in panic at nothing, you hear the secret noises that houses make when nobody else is lucid, you see the orange haze of the sky from the streetlights of the city next over, you've seen so much half-light the color is saturated into the skin under your eyes, bleary blue, sharp blue, blue raspberry kool-aid powder, half-everything and you know you've lost the fight, it's over, it's morning.



Can you dream during the day?
Can you stop your head from lolling on the desk?
Can you finish the assignment when you're ankle-deep in IQ?
Can you simply get into bed and go to sleep?


That has to be the worst advice I've every gotten from multiple people.


"Just go to sleep."

I can't describe the dark, moreso how it fades away to blue or hazy orange depending on whether we're rural or urban. I've not slept in a hundred places. I've not slept while a thousand different birds chirped and it blended into some sort of organized chaos and I can still hear the most persistent of them to this day. I've not slept in light-polluted cities where the falling snow was tinted orange and the closest thing to a star was the airplane that I mistaked for Venus. I've not slept in my boyfriend's bed where I woke him up to half-stroke my hair at 2am when he'd been asleep since 12. I've not slept in camp rooms where I  lay there in the darkness, scared to wake them up, surprised when the prettiest girl snored the loudest. I've not slept on couches, after ***, before scaling 30 foot poles in some version of a trust exercise, above and all else in my own bed, and you can just lie there and go to sleep?


You can just lie there and miss all that?
Emily Jones Sep 2012
Hips hunkered, rise to dapple-blue-toned dusty seat
Flush arch cheeky blush, excitement
Droll eye-glazing blue pupil toned in sleepy drug haze
Wind whipping wild air rushing through tempered glass
Wubing whoosh of wheeled blacktop pavement
Colored in eerie sunshade yellow
Lined, darting-flash gold white boundary crossing  
Tight knuckles, two hand hold
Blinking brown doe-eyed drowsy heavy lidded
Lolling head knocked back, head bash rested caressing faux blue
Ploom of dust
Dry-mouth open to catching fly’s
Or what’s left of dank-infused air
Quiet stillness

Blond hair crawling in busy wind,
Equally as gone
Thumping, jolting-momentum  
White line boundary lost, wheels ended grass
Ditching down, dirt slid slide
Floating weightless suspended-nightmare phase

Snapping,
Awake! Awake!
Screaming slotted terrified,
Panic! Painful-heart-wrecking rob breath
Nose dive, mounded metal drive inching closer
Hairs-breath away

Afraid, screaming ****** ****** inside sealed lips
Brown eyes; lid white
Hands upon steering slack, loose light
Asleep, peaceful in calamity
Unnatural shake and tumble
Nail dug bleeding ache
Skidding gravel, tree lined doom
A god not believed in a prayer ensued
Shaking, the calm unglued
“Baby, wake I beg you!”
Brown quick electric wide
Screaming, Screaming
“Oh my God! Why!”
Swerve snake skin peelout
Black lane orange in night
An almost death.
Midnight ride gone wrong.
st64 Jul 2013
he says:
I want to hear the sun..
on me


1.
cover the width of a personal compostela
the yellow-and-black bird
flitting
branch to branch
endless

square patterns of light
half-cut
into shades of green
and slant
oblique


2.
making headway now
companions on the path
passing by
auburn creature with lolling tongue
            looks with such kind eyes
            glittering diamonds
            sun sits on tip of wet nose
he seems to be saying something...
some evanescent message

thoughts are ventilated
tones of silence seep in
wild flowers in amaranthine bloom
sway in nature's perpetual dance
always moving


3.
what happens to arboreal ghosts
when we prove efficiency by cutting the arms of living trees
          and with it
extended family of foliage?

monk passes slow
nods in quiet greeting
a bare half-smile
   enough to reach
   yet just truncated enough

maybe
to prune
is needed /


4.
how many more steps to tread
before *the why
becomes clear?

trod so far
sought so wide
read so much
travelled so intense

this journey alone
proves so arduous


5.
alone...

struggled with hidden pain he discovered beneath the layers of happiness....
suffered hunger and thirst along the way....
washed in ***** rivers with no soap....
had to clean his **** with dusty leaves in the eve....
and remembering to eat
what to eat...but berries in the dark

and he cried, oh how he cried
from a place no man should see
such a dark place
demented and wicked souls at the doorstep
of hell
would shrink at

but first
in order to do all that
he had to wrestle with himself
and die inside
he could no longer fail to consent

no wistful little prayers
or wide-eyed flower-eyes

nor awe born in luxury



yet
for all that...


6.
in a little while
you will get what you want
if you give enough people
what they want

pray in secret
in the sun



the boy with the Jesus sandals
walks on

his journey
has
begun
....



S T, (thursday:) 4 July 2013
one can find one's compostela...in yer own backyard :)

enjoying a rare ginger-tea with (deliciously sweet-soured) singed tomato on buttered toast...and listening to this fine song! >>






sub-entry: 'Dearly beloved' - - Fred Astaire


Songwriters: KERN, JEROME / MERCER, JOHN H.

Tell me that it's true,
Tell me you agree,
I was meant for you,
You were meant for me.

Refrain

Dearly beloved, how clearly I see,
Somewhere in Heaven you were fashioned for me,
Angel eyes knew you,
Angel voices led me to you;

Nothing could save me,
Fate gave me a sign;
I know that I'll be yours come shower or shine;
So I say merely,
Dearly beloved ~ be mine.

Repeat Refrain



www.youtube.com/watch?v=DBVmPxQLKTg
david badgerow Jan 2014
a liar once told me that i write good poetry
i laughed and continued drinking,
the sudden rush of despair, the wicked beast, the dry pages
the man had no credentials
but he persisted, declaring me an inspiration
like seeing a strand of hair attract a magnet
or amber jewels lolling in a dimly lit case

imagination is a felony, i wagered as i poured another
a combustion i know like the back of my hands
i told him i dreamt of a morgue where everyone i ever loved
sat upright as sunflowers, declaring their love for the sun
and of a newspaper rife with disease and the passion of a janitor

there is a raccoon near a river somewhere cleaning an apple
with a heart as big as an artist in drunken euphoria
taking better care of it than me when i sit down at a typewriter
it's wearing a cape just like edgar allen poe
and having better conversation with an oak tree than i've ever had at a party
about the sunday crossword puzzle he completed  

yesterday i drank myself into a masquerade ball
arriving in a limousine being driven by a bearded mickey mantle
i was the guest of honor, sword fighting on table tops
and lecturing the guests about shakespeare through a garbage disposal
while a horse played backgammon with my father's brother
and there was a girl there behind the facade of an owl
who danced like the wind and everlasting light
and no one could stop her or look her in the eye

i am the only connection between my mind and the paper
merely a vessel, a john boat clearly breaching it's depth
either drowning like a fish in a sand dune or
being bounced like a baby on the knee of god
slavery, i call it, and hand him a glass of warm bourbon
as the splashing of my journal pages slap my crushed trachea

the typewriter is padlocked and painted over with cement
the metamorphosis trapped inside a bullet, boiling with sheer fury
Farah Taskin Sep 2021
under the rain washed
sunny heavens
the heavens are as clean
as a whistle!

lolling in  
the lawn
chair
sipping cappuccino
reading
a love story
enjoying
sensual serenity!
Life sometimes offers good things :)
Ben Brinkburn Apr 2013
I sat with Billy in his caravan
buffeted by winds and squalls
and at other times
roasted by summer heat
scalding the tin roof
lolling in oven like conditions
as we drank luke warm beer
[the fridge only periodically worked
when hit with a hammer]
and in cyclical freezer like conditions we drank
supermarket smartprice whiskey
musing over edgeland legends
and urban decay
and towns with no cheer
which was always the cue for some
Tom Waits
[old record player/vinyl/much drunken sing-alongs]
the cheap liquor slipping down
a bin burning outside
ragged crows cawing
and Billy laughing saying
he has reached the heights of consciousness
he calibrates with the saints
on the level of spiritual vibrations and
he knows this because he’s done the tests
found a book in a skip
putting the world to rights with a divine glow
safe in his kingdom
slouched over vintage **** mags
in Billy’s caravan.
Shashank Virkud Dec 2012
We were both still quite sleepy.
She laid her head in my lap in
fetal position for most of the ride
and I nodded off as the thunder
rumbled, and rocked me to sleep,
my head lolling to one side.
It was miserable out.
The sky was a toxic, smoky gray,
swollen and bruised purple
like rotting flesh, and the rain,
so incessant, berated the windshield
of the cab the whole ride to the theater
and all the while after we had handed
a couple crumpled dollars to the driver
and gotten in the cue.

We had our backstage passes
tucked away into our coats,
we didn't want any of the
regulars to see. She huddled
closer to me to guard her
ashen lips from the needle ******
of the wind, that would bring a tear
to her eye when they scraped against
the tip of her nose. She was thinking,
as she fingered the strap of the shiny,
clean, new camera
she bought to photograph us doing
***** things, the lens
reflecting all of her good intentions,
warm feelings onto me.

As a vendor strode by I snagged
up two cups of coffee, and handed one to her
and then we sank back into the shivering,
shuddering mass. She took a few sips, as I drew
the flame to my cigarette, ducking behind her
and cupping the tip in order to get it lit,
I could see the steam dissipating into the cold,
wet air. She smiled with amusement and
after a few moments looked up and whispered to me
"I want him at his best. I hope he's super depressed."
I said
"Yeah",
as I exhaled the smoke and simultaneously, in one heave,
cleared my throat,
"I hope he ******* hates us."
DJ Thomas May 2010
At first light I made a gift of coffee
it’s aroma stirred just one long leg
I lifted her naked into the wet warmth
to bathe awake and wash long hair
carrying her towelled wrapped form
bowed lips now sip then fight me
as I dress her in jeans, socks and top
beauty made calm and simple

Drunk sad at her leaving party
keeping her warm I had let Lust sleep
now still lolling in grief for dark peace
my selfish need drags her ****** up
into light trapped by the green valley
walking on along its grass path
the canoed river spits past a-whirl
rediscovering the torn through pocket
her hand delves questioning
to withdraw unhurried, stroked
by a flicking fishing rod

Recovered now leading me
over the bridge above the Boat
then on up the steep valley side
we arrive at the Ostrich for beer
then to dine on fish in the open
feeding and sharing her lips
we consider audaciously
the little garden’s potential
she hums prayer murmurings
pleased by the moment

On into the nearby woods
high above the Kings trail
to slowly descend hedged paths
we return to the river valley
slipping between shop doors
lifting a book we idle along
a new couple enjoying life
taking tea under waterfalls
back  besides the Boat where
her beauty is now Queen

She leads me smiling by the hand
along both banks in the setting sun
till we near the Abbey's stone ribs
skipping around it's green shadows
a bank helps us to vault within

Fenced alone
ignoring distant figures
jeans and top colour
the darkening lawns
beckoning me closer
Lust now sits astride  
the grass and stone
an open ****** grin

A week only, no more
I am left alone in her bed
on this smaller island
she ashore in another
busy - separated by a day
we talk lovers spells
and write away our hopes

Three months and two days
a call ‘******* we were....
pregnant” her sacrifice ours
on a stainless alter of
that new god Career**


.
copyright©DJThomas@inbox.com 2010
Mike Essig Apr 2015
A pirate sailed south, but too far.
The good ship's prow found
harbors filled with icebergs,
frolicking penguins and walruses:
it began to snow inside his mortal soul.
He dreamed of perfect white beaches,
warm sand, sunlight, palm trees
and (perhaps) a lovely French poet in a slight bikini
lolling like Erato on holiday.
He could taste the sun and coconut on her skin.
It was only a vision, but one worthy of a quest.
He preferred living dreams to dead conclusions.
Many people told him he dreamed too much,
to accept this landfall and be content.
But cold and darkness are not a pirate's lot
and contentment does not appear
in the official pirate's vocabulary.
Even an aging pirate holds true to course,
pinned like a medal to his longing and desire.
More sail, he cried, and turned the helm
toward the islands of his heart,
toward a landfall of warmth and color,
toward hot and willing flesh,
toward parrots and monkeys and blue skies.
Leaving the nay-sayers in the cold,
he headed the only direction a pirate can, further.
- mce
Again, my pirate persona.

— The End —