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Just before logging off for the day,
and ready to boogie out of the joint
an email landed squarely in my inbox
cordially inviting me
into the management office
accompanied by the buzz of my cell phone:
(cue the sound of ominous music):
I unexpectedly got called
expecting to be handed a pink slip
(if you catch me drift)
suddenly my heart beat a mile a minute
and palms of hands
perspired like a wet dish rag
expecting to experienced a chop job
expecting to be chewed out by a hack
after rapping lightly on the door
before heading into the office by my namesake.

Even before taking a seat
an onslaught of rapid fire babbling besieged me
as way of introduction,
when receiving most recent assignment
for Matthew Scott Harris (me),
communicated by amiable chap
who interestingly enough
shared being christened
with exact same birth name as mine.

Rather than attempt to scribble
fast speaking mile a minute
brilliantly frenzied novel theme
prior experience taught being prepared
to stow digital dictation devices.

Upon readying recording device
to playback at my leisure,
I dramatically signaled to him
to repeat speaking, albeit ideally
at 78 rotations per minute (RPM)
while fingers of mine
lightly, yet impatiently
drummed upon the table
awaiting significantly more succinct delivery,
(yet bracing to be saddled
with what I expected
to be impossible mission
even for the stalwart
Peter Graves body double)
renown for his fast talking verbal outcome
concerning next poetic endeavor,
yet to borrow a football analogy
the writer of these word needed
self restraint less primed and prone
to block and tackle from him.

The moment he started speaking,
I then immediately ceased tapping sound
anticipating far out and groovy
prompting me to hang loose
able, eager, ready, and willing
to synthesize his incomprehensible jibber jabber,
which hopped out outburst
spurred me to ask him to talk slower
finding myself issuing imprecations
as he blithely ignored minor plea of mine
and quickly resumed chattering away
with animation, excitation, and irritation
bypassing feeble attempts of mine
mindlessly buzzfeeding and brainstorming,
an experienced "aha moment,"
thence he immediately explained
to yours truly (me) the idea,
which will hopefully be clearly expressed
courtesy the following poem.

Though instinctively writing
countless bureaucratic reports
(but more particularly typing),
never did especial attention
get paid to the particular nuances
(never mind the terms)
of kerning and tracking
that got brought to my attention
after being informed courtesy
(as iterated above) my namesake.

Kerning developed
during the era of metal typesetting,
where the term "kern" referred
to the part of a metal letter
that extended beyond its body,
allowing for closer spacing
between certain letter combinations,
making it a manual process
where typographers would physically adjust
the spacing between individual characters
by hand to achieve a visually pleasing result;
essentially, kerning has been around
since the early days of printing with metal type.

The French term originated
from the Latin cardo, cardinis, meaning "hinge."

In the days when all type was cast metal,
the parts of a typecasting sort
that needed to overlap adjacent letters
simply hung off the sort slug's edge.

Those overhanging metal pieces were called kerns.

Tracking is a similar process
to kerning that focuses
on the spacing between all letters in a word,
rather than just a few letters in a word.

Tracking is usually uniform,
meaning you apply an equal amount of space
between each letter
so that it doesn't look
too spaced out (how one feels
after getting loaded up) or too tight.

Tracking is the process of loosening
or tightening a block of text to make it look hip.

For most general writing purposes,
the "best" lead type considered to be HB
(medium hardness), as it offers a good balance
between heart of darkness and smoothness
while minimizing smudging,
making it suitable for everyday use
across different writing surfaces.
Maria Etre Jul 2018
SometimesIwonderhowIsoundlikewhenItalktoyou,thenithitmelikea
rush­ingtrain.Itisexactlylikehowyouarereadingthis.Becauseallyoudo
when­youarearoundistakemybreathaway.
Kerning is the spacing between a pair of letters
Jason Drury Jul 2018
You can control love,
as you type.
You can change the style,
which evokes feeling.
Script — curvy lines,
fitting for passion.
Sans Serif — Strong,
but friendly.
Grunge — Anger or,
vengeful.
Serif — Elegant,
and structured.
This four letter word —
is a shapeshifter.
Shifting styles, weights and
kerning on a whim.
You can control love,
highlight and change it.
Again.

But, love is fluid,
as fonts are to typographers,
as words are to poets.
Ma Cherie Aug 2016
I feel the wanting
as you are haunting...
my lustful, needy...
greedy..
thoughts

I know I really hadn't ought
to think this way
of things to do when down we lay
and about your warm & rugged arms
keeping me from any harm

I'm swallowed by seductive charms
defenseless you're
whispering the sky my name
know of me ...my secret shame
this need...we share?

words said kerning
we're bothered,
....yearning
I  am bare
for you..
I feel a need to share with you
could we face
  our darkness together?

on gloomy tides of stormy weather
is written on the Dead Sea Scrolls
a love of two who seem the same,
shared in us our
heart and souls?
I have wandered far looking...

So should we
take a chance and try
instead of always wondering why?
would we
be any good for one another
a raging fire burning
unwanted things unlearning
Could we
find of pure desire
light the lovers hottest fires?

or flames go out we tamper,
smother?
left smoldering
shouldering our way,
and left...
we never learned
ready to rise
and ready to
.....be BURNED?

Cherie Nolan © 2016
Just because... random questions... thoughts. : )
Sam Irons Jul 2015
The college kids still pump out poems;
my heroes haven't published a book in years.
The academics are moving to visual arts
kerning letters on the page, adding artist statements.

Fuego en juventud. Sabiduría en viejo.

Passion fades with age, I suppose. A symptom of
the cult of happiness.

And I love to read poems
from twenty-somethings who just want to get ******.
I picture my red pen exciting them as I destroy
their fine-tuned metaphors, all muddled with conflicting allusion,
as if juxtaposition alone adds meaning.

In school, it was all Cezanne and hydrogen jukebox birdsongs,
and equally interesting but useless adjective strings.
The academics are doing the same, but with form.
It bores us, don't they know?

Fuego en juventud. Sabiduría en viejo.

**** these kids for having such easy means to publication.
I read their journals, their magazines, their "editions"
online, vivid, vomiting color and opinion.

I long for publishing classified ads and
scribbled chalk portraits of the women I loved
and the twenty-somethings who just wanted to get ******,
and reflections of how I never mastered either craft.

I long to rub the ink off newsprint in my fingers,
smudge the words on the page and ***** my hands,
watch the chalk run into the red brick
during ten-minute monsoons, smell the library's adobe,
light a cigarette and remember that the stacks are filled
with ages of greater work than these ******* kids...
and these ******* academics.

Greater than me.
brooke Dec 2015
ode to the flower next to belladonna
the trees on south-facing mountain slopes
silently musing into the nights and not
the avalanche's daughter whom the hills
sing praises and woes

her soul's a quiet unison, meno mosso
a choir and composer spun through
***** pipes, doors cracked and never
fully closed, (there's light beneath the
lids...) she'd like to think of herself as
the wind but she's content as still air
between prayer beads--

and if not the star dust--then who? why else
do we call pauses rests? Why then is there
beauty in fermattas? In crescendos that vibrate
the material of the immaterial--if such things
happened to be true for the unwild and untangled
the perpetually pianissimo, the leading and kerning--
because she would much rather be an empty vessel
or a plate without food, a seed or a grape on a vine
because neither go without lords or masters and

she is not her own.
it's been a while.

(c) Brooke Otto 2015
J Ericson Aug 2012
...
wade in where i used to dive
must be something in this sea
my fear see my hopes
fall like the temperature of her skin
standing ashore to get away
her hooks was trauma-cause faded like the sound
kerning away the space I found
thegirlwhowrites Oct 2014
my thoughts are always best expressed in verses,
and you are the lines
that make them up.

your name is never scribbled across the page,
but you are there in the kerning,
the sensible spaces in between.

you are the punctuation marks,
the pauses and the stops,
the stresses in my ideas.

don’t you ever get frustrated
that i have exploited your memories
into fragments of ellipsied affection?

i am guilty of making you my poetry,
of enveloping you in metaphors
and keeping you close to my heart.

out of the trickles of us,
i have spawned an infinite stream
of feels pooling into poems.

i have always wondered
if you have ever read me
and guessed that i was about you.

tell me if you have,
because if you haven’t guessed yet,
i’ll phrase my poems in equations instead.

for j.e.
*081214
Yearning for burning

A kind of returning

Unlearning learning

To fix my own kerning

Churning adjourning

My rebirth I'm earning
Penmann Jun 2019
I want out
Storage Kerning
Kerosene dream
Fried Philadelphia sunrise
Shine, shine nutrician
The cadence and rhythm of feelings
The thread stitching the duality everything
The kerning of a word
The space between a electron and
the nucleus of an atom
It is a bridge
The looking glass to Wonderland
The wardrobe to Narnia
The ship to Neverland
The platform to Hogwarts
The powder of a firework
It is a catalyst to magic
Ken Pepiton Apr 2022
-------------
I can stop myself, I am under no pressure
to conform,
to be sure, I seem naturally alone,
I think more clearly with the magic pen,

it is all magic is, easy to use, once the knack.
Letter use. That's the knack,

take these blocks, did you never use blocks,
the very best way, blocks and songs,
and friends,
maybe,
not to help you build, but to see you build.
Sound held in letters,
let loose from the mouth saying sing it now
sing it
with me, next time.

No time, no functional conjunction with the main
thread, we maybe stuck in a dendritic split end.

I should stop and regroup, I will signal dead-end
at the next turn.

--- Switching tracks, find the hand that works,
use it, as if it knows where each letter lives, and pulls
it full formed in type.
And should any older love for kerning and leading,
linger as if ought had gone from the life in the letters,

when every thing became Times or Helvetica,
for all the difference it made, in the words themselves.

Meaning set, surroundings, ganz environs, toto re
ality as all in real already,

read it again, the signs in gut, relegate, read anew,
the old ties to knowers and showers of knowns,

fire is easy to display, Zarathustra held it in his palm,
any school boy can do it, on a dare,
and the one who knows the trick, need not say.

I know, I know.
Acknowledge truth, in all thy ways,
and watch your steps be guided, as each step
moves you past now, and then, to next step

perennial holy days, set aside for recollections,
who did we tell our children is actually in charge,
?
and our culture sold all its offspring to be shaped
into citizens useful, as required,
teach them to learn,
then let them learn to make a life, or live the one given.
meandering downstream
James Floss Jan 2020
I’m having
Kerning yearnings
Finding space between

Space is or is not
Too close is too close
I know that’s just your elbow

Too far is too far
Can’t hear can’t see
Eye before he except after she

Let us learn from letters
Some need to be closer
Some need to breathe
Nat Lipstadt Jan 17
Jan. 14. 3025
~For vb~

******* watery eyes and haven’t even
gotten even got started, even though you may
have noticed, I’m even reusing the same words over the over/under line again cause I’m thinking, nah, believin’, my words running out is a definite possibility

wait! your
words are fine,
quality ✅,
quantity ✅,
maybe baby, you’ve just run out,
of vision vitamin supplements or your insights, dinted by overexposure to winter
sunlight are inside, festering and pestering to un chill,

and baby, it’s cold gray blustery days and they just want hang out on the inside,
where the lake of caffeine perking, kerning, keeping you, you,

ain’t looking for
a partner, serious loving, even flirtatious
flings don’t mean a thing cause they ain't got that swing, and *** you are unconsciously
borrowing old song lyrics, because the good
stuff is overused, overrated and let’s face it,
fret-tingly overlooked  and worst,
overu s e d

me-being an antique, don’t mean value ain’t necessarily so, just old and all told, and
user up, and the space between lurches,
hits and misses, torrid + horrid, is tiresome,

and maybe,
you’re a waste of space of valuable interpet real estate, that should be chilling in reserve like that last bottle of nouveau Beaujolais from France  circa 1985
or just sinked inked to a stainless steel
grave in a kitchen sink

<^>the possible implications
of such a condition,
beyond complex
volcanic volatility,
as a final
spewing,
until then
I’m stink~eyed,
until
you
ex~stinked
me
Dennis Willis Dec 2020
I'll take my darkness and scotch
I'll take my turning in parts as conscience
I'll take my celebratory remarks at awakening
I'll take my leave of understanding this surface

And even kerning so far seems wrong
even the trueness is another trueness
unfelt at the corner bar and grill

where my heart is a paper napkin
at the corners of that smile dab dab

— The End —