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Of that sort of Dramatic Poem which is call’d Tragedy.


Tragedy, as it was antiently compos’d, hath been ever held the
gravest, moralest, and most profitable of all other Poems:
therefore said by Aristotle to be of power by raising pity and fear,
or terror, to purge the mind of those and such like passions, that is
to temper and reduce them to just measure with a kind of delight,
stirr’d up by reading or seeing those passions well imitated. Nor is
Nature wanting in her own effects to make good his assertion: for
so in Physic things of melancholic hue and quality are us’d against
melancholy, sowr against sowr, salt to remove salt humours.
Hence Philosophers and other gravest Writers, as Cicero, Plutarch
and others, frequently cite out of Tragic Poets, both to adorn and
illustrate thir discourse.  The Apostle Paul himself thought it not
unworthy to insert a verse of Euripides into the Text of Holy
Scripture, I Cor. 15. 33. and Paraeus commenting on the
Revelation, divides the whole Book as a Tragedy, into Acts
distinguisht each by a Chorus of Heavenly Harpings and Song
between.  Heretofore Men in highest dignity have labour’d not a
little to be thought able to compose a Tragedy.  Of that honour
Dionysius the elder was no less ambitious, then before of his
attaining to the Tyranny. Augustus Caesar also had begun his
Ajax, but unable to please his own judgment with what he had
begun. left it unfinisht.  Seneca the Philosopher is by some thought
the Author of those Tragedies (at lest the best of them) that go
under that name.  Gregory Nazianzen a Father of the Church,
thought it not unbeseeming the sanctity of his person to write a
Tragedy which he entitl’d, Christ suffering. This is mention’d to
vindicate Tragedy from the small esteem, or rather infamy, which
in the account of many it undergoes at this day with other common
Interludes; hap’ning through the Poets error of intermixing Comic
stuff with Tragic sadness and gravity; or introducing trivial and
****** persons, which by all judicious hath bin counted absurd; and
brought in without discretion, corruptly to gratifie the people. And
though antient Tragedy use no Prologue, yet using sometimes, in
case of self defence, or explanation, that which Martial calls an
Epistle; in behalf of this Tragedy coming forth after the antient
manner, much different from what among us passes for best, thus
much before-hand may be Epistl’d; that Chorus is here introduc’d
after the Greek manner, not antient only but modern, and still in
use among the Italians. In the modelling therefore of this Poem
with good reason, the Antients and Italians are rather follow’d, as
of much more authority and fame. The measure of Verse us’d in
the Chorus is of all sorts, call’d by the Greeks Monostrophic, or
rather Apolelymenon, without regard had to Strophe, Antistrophe
or Epod, which were a kind of Stanza’s fram’d only for the Music,
then us’d with the Chorus that sung; not essential to the Poem, and
therefore not material; or being divided into Stanza’s or Pauses
they may be call’d Allaeostropha.  Division into Act and Scene
referring chiefly to the Stage (to which this work never was
intended) is here omitted.

It suffices if the whole Drama be found not produc’t beyond the
fift Act, of the style and uniformitie, and that commonly call’d the
Plot, whether intricate or explicit, which is nothing indeed but such
oeconomy, or disposition of the fable as may stand best with
verisimilitude and decorum; they only will best judge who are not
unacquainted with Aeschulus, Sophocles, and Euripides, the three
Tragic Poets unequall’d yet by any, and the best rule to all who
endeavour to write Tragedy. The circumscription of time wherein
the whole Drama begins and ends, is according to antient rule, and
best example, within the space of 24 hours.



The ARGUMENT.


Samson made Captive, Blind, and now in the Prison at Gaza, there
to labour as in a common work-house, on a Festival day, in the
general cessation from labour, comes forth into the open Air, to a
place nigh, somewhat retir’d there to sit a while and bemoan his
condition. Where he happens at length to be visited by certain
friends and equals of his tribe, which make the Chorus, who seek
to comfort him what they can ; then by his old Father Manoa, who
endeavours the like, and withal tells him his purpose to procure his
liberty by ransom; lastly, that this Feast was proclaim’d by the
Philistins as a day of Thanksgiving for thir deliverance from the
hands of Samson, which yet more troubles him.  Manoa then
departs to prosecute his endeavour with the Philistian Lords for
Samson’s redemption; who in the mean while is visited by other
persons; and lastly by a publick Officer to require coming to the
Feast before the Lords and People, to play or shew his strength in
thir presence; he at first refuses, dismissing the publick officer with
absolute denyal to come; at length perswaded inwardly that this
was from God, he yields to go along with him, who came now the
second time with great threatnings to fetch him; the Chorus yet
remaining on the place, Manoa returns full of joyful hope, to
procure e’re long his Sons deliverance: in the midst of which
discourse an Ebrew comes in haste confusedly at first; and
afterward more distinctly relating the Catastrophe, what Samson
had done to the Philistins, and by accident to himself; wherewith
the Tragedy ends.


The Persons

Samson.
Manoa the father of Samson.
Dalila his wife.
Harapha of Gath.
Publick Officer.
Messenger.
Chorus of Danites


The Scene before the Prison in Gaza.

Sam:  A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of Sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toyl,
Daily in the common Prison else enjoyn’d me,
Where I a Prisoner chain’d, scarce freely draw
The air imprison’d also, close and damp,
Unwholsom draught: but here I feel amends,
The breath of Heav’n fresh-blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn Feast the people hold
To Dagon thir Sea-Idol, and forbid
Laborious works, unwillingly this rest
Thir Superstition yields me; hence with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease,
Ease to the body some, none to the mind
From restless thoughts, that like a deadly swarm
Of Hornets arm’d, no sooner found alone,
But rush upon me thronging, and present
Times past, what once I was, and what am now.
O wherefore was my birth from Heaven foretold
Twice by an Angel, who at last in sight
Of both my Parents all in flames ascended
From off the Altar, where an Off’ring burn’d,
As in a fiery column charioting
His Godlike presence, and from some great act
Or benefit reveal’d to Abraham’s race?
Why was my breeding order’d and prescrib’d
As of a person separate to God,
Design’d for great exploits; if I must dye
Betray’d, Captiv’d, and both my Eyes put out,
Made of my Enemies the scorn and gaze;
To grind in Brazen Fetters under task
With this Heav’n-gifted strength? O glorious strength
Put to the labour of a Beast, debas’t
Lower then bondslave! Promise was that I
Should Israel from Philistian yoke deliver;
Ask for this great Deliverer now, and find him
Eyeless in Gaza at the Mill with slaves,
Himself in bonds under Philistian yoke;
Yet stay, let me not rashly call in doubt
Divine Prediction; what if all foretold
Had been fulfilld but through mine own default,
Whom have I to complain of but my self?
Who this high gift of strength committed to me,
In what part lodg’d, how easily bereft me,
Under the Seal of silence could not keep,
But weakly to a woman must reveal it
O’recome with importunity and tears.
O impotence of mind, in body strong!
But what is strength without a double share
Of wisdom, vast, unwieldy, burdensom,
Proudly secure, yet liable to fall
By weakest suttleties, not made to rule,
But to subserve where wisdom bears command.
God, when he gave me strength, to shew withal
How slight the gift was, hung it in my Hair.
But peace, I must not quarrel with the will
Of highest dispensation, which herein
Happ’ly had ends above my reach to know:
Suffices that to me strength is my bane,
And proves the sourse of all my miseries;
So many, and so huge, that each apart
Would ask a life to wail, but chief of all,
O loss of sight, of thee I most complain!
Blind among enemies, O worse then chains,
Dungeon, or beggery, or decrepit age!
Light the prime work of God to me is extinct,
And all her various objects of delight
Annull’d, which might in part my grief have eas’d,
Inferiour to the vilest now become
Of man or worm; the vilest here excel me,
They creep, yet see, I dark in light expos’d
To daily fraud, contempt, abuse and wrong,
Within doors, or without, still as a fool,
In power of others, never in my own;
Scarce half I seem to live, dead more then half.
O dark, dark, dark, amid the blaze of noon,
Irrecoverably dark, total Eclipse
Without all hope of day!
O first created Beam, and thou great Word,
Let there be light, and light was over all;
Why am I thus bereav’d thy prime decree?
The Sun to me is dark
And silent as the Moon,
When she deserts the night
Hid in her vacant interlunar cave.
Since light so necessary is to life,
And almost life itself, if it be true
That light is in the Soul,
She all in every part; why was the sight
To such a tender ball as th’ eye confin’d?
So obvious and so easie to be quench’t,
And not as feeling through all parts diffus’d,
That she might look at will through every pore?
Then had I not been thus exil’d from light;
As in the land of darkness yet in light,
To live a life half dead, a living death,
And buried; but O yet more miserable!
My self, my Sepulcher, a moving Grave,
Buried, yet not exempt
By priviledge of death and burial
From worst of other evils, pains and wrongs,
But made hereby obnoxious more
To all the miseries of life,
Life in captivity
Among inhuman foes.
But who are these? for with joint pace I hear
The tread of many feet stearing this way;
Perhaps my enemies who come to stare
At my affliction, and perhaps to insult,
Thir daily practice to afflict me more.

Chor:  This, this is he; softly a while,
Let us not break in upon him;
O change beyond report, thought, or belief!
See how he lies at random, carelessly diffus’d,
With languish’t head unpropt,
As one past hope, abandon’d
And by himself given over;
In slavish habit, ill-fitted weeds
O’re worn and soild;
Or do my eyes misrepresent?  Can this be hee,
That Heroic, that Renown’d,
Irresistible Samson? whom unarm’d
No strength of man, or fiercest wild beast could withstand;
Who tore the Lion, as the Lion tears the Kid,
Ran on embattelld Armies clad in Iron,
And weaponless himself,
Made Arms ridiculous, useless the forgery
Of brazen shield and spear, the hammer’d Cuirass,
Chalybean temper’d steel, and frock of mail
Adamantean Proof;
But safest he who stood aloof,
When insupportably his foot advanc’t,
In scorn of thir proud arms and warlike tools,
Spurn’d them to death by Troops.  The bold Ascalonite
Fled from his Lion ramp, old Warriors turn’d
Thir plated backs under his heel;
Or grovling soild thir crested helmets in the dust.
Then with what trivial weapon came to Hand,
The Jaw of a dead ***, his sword of bone,
A thousand fore-skins fell, the flower of Palestin
In Ramath-lechi famous to this day:
Then by main force pull’d up, and on his shoulders bore
The Gates of Azza, Post, and massie Bar
Up to the Hill by Hebron, seat of Giants old,
No journey of a Sabbath day, and loaded so;
Like whom the Gentiles feign to bear up Heav’n.
Which shall I first bewail,
Thy ******* or lost Sight,
Prison within Prison
Inseparably dark?
Thou art become (O worst imprisonment!)
The Dungeon of thy self; thy Soul
(Which Men enjoying sight oft without cause complain)
Imprison’d now indeed,
In real darkness of the body dwells,
Shut up from outward light
To incorporate with gloomy night;
For inward light alas
Puts forth no visual beam.
O mirror of our fickle state,
Since man on earth unparallel’d!
The rarer thy example stands,
By how much from the top of wondrous glory,
Strongest of mortal men,
To lowest pitch of abject fortune thou art fall’n.
For him I reckon not in high estate
Whom long descent of birth
Or the sphear of fortune raises;
But thee whose strength, while vertue was her mate
Might have subdu’d the Earth,
Universally crown’d with highest praises.

Sam:  I hear the sound of words, thir sense the air
Dissolves unjointed e’re it reach my ear.

Chor:  Hee speaks, let us draw nigh.  Matchless in might,
The glory late of Israel, now the grief;
We come thy friends and neighbours not unknown
From Eshtaol and Zora’s fruitful Vale
To visit or bewail thee, or if better,
Counsel or Consolation we may bring,
Salve to thy Sores, apt words have power to swage
The tumors of a troubl’d mind,
And are as Balm to fester’d wounds.

Sam:  Your coming, Friends, revives me, for I learn
Now of my own experience, not by talk,
How counterfeit a coin they are who friends
Bear in their Superscription (of the most
I would be understood) in prosperous days
They swarm, but in adverse withdraw their head
Not to be found, though sought.  Wee see, O friends.
How many evils have enclos’d me round;
Yet that which was the worst now least afflicts me,
Blindness, for had I sight, confus’d with shame,
How could I once look up, or heave the head,
Who like a foolish Pilot have shipwrack’t,
My Vessel trusted to me from above,
Gloriously rigg’d; and for a word, a tear,
Fool, have divulg’d the secret gift of God
To a deceitful Woman : tell me Friends,
Am I not sung and proverbd for a Fool
In every street, do they not say, how well
Are come upon him his deserts? yet why?
Immeasurable strength they might behold
In me, of wisdom nothing more then mean;
This with the other should, at least, have paird,
These two proportiond ill drove me transverse.

Chor:  Tax not divine disposal, wisest Men
Have err’d, and by bad Women been deceiv’d;
And shall again, pretend they ne’re so wise.
Deject not then so overmuch thy self,
Who hast of sorrow thy full load besides;
Yet truth to say, I oft have heard men wonder
Why thou shouldst wed Philistian women rather
Then of thine own Tribe fairer, or as fair,
At least of thy own Nation, and as noble.

Sam:  The first I saw at Timna, and she pleas’d
Mee, not my Parents, that I sought to wed,
The daughter of an Infidel: they knew not
That what I motion’d was of God; I knew
From intimate impulse, and therefore urg’d
The Marriage on; that by occasion hence
I might begin Israel’s Deliverance,
The work to which I was divinely call’d;
She proving false, the next I took to Wife
(O that I never had! fond wish too late)
Was in the Vale of Sorec, Dalila,
That specious Monster, my accomplisht snare.
I thought it lawful from my former act,
And the same end; still watching to oppress
Israel’s oppressours: of what now I suffer
She was not the prime cause, but I my self,
Who vanquisht with a peal of words (O weakness!)
Gave up my fort of silence to a Woman.

Chor:  In seeking just occasion to provoke
The Philistine, thy Countries Enemy,
Thou never wast remiss, I hear thee witness:
Yet Israel still serves with all his Sons.

Sam:  That fault I take not on me, but transfer
On Israel’s Governours, and Heads of Tribes,
Who seeing those great acts which God had done
Singly by me against their Conquerours
Acknowledg’d not, or not at all consider’d
Deliverance offerd : I on th’ other side
Us’d no ambition to commend my deeds,
The deeds themselves, though mute, spoke loud the dooer;
But they persisted deaf, and would not seem
To count them things worth notice, till at length
Thir Lords the Philistines with gather’d powers
Enterd Judea seeking mee, who then
Safe to the rock of Etham was retir’d,
Not flying, but fore-casting in what place
To set upon them, what advantag’d best;
Mean while the men of Judah to prevent
The harrass of thir Land, beset me round;
I willingly on some conditions came
Into thir hands, and they as gladly yield me
To the uncircumcis’d a welcom prey,
Bound with two cords; but cords to me were threds
Toucht with the flame: on thi
ba Mar 2014
may your body lay completely still as you're so calmly in the position that let my incorporeal being become a living apparition but i'm afraid i can't stay and i'll leave the way i came with your window curtains blowing in the breeze and your feet barely sticking out from your blanket. the night is as dark as day and i'm colder in your grasp than i ever was drowning, and if i reside into an ocean, please don't tell the moon where i've been. tides will turn into cyclones and hurricanes will erupt volcanoes and i pray that no amount of destruction should wake up the thing i wish to touch the most. to whatever god who watches me during my nomadic and agitated disclosure, i hope he sees wind in your pillow sheets and the sound of cracked branches against their own brethren, falling to their death upon wooden decks; one might say, coming back home. if i reside into an ocean, just don't tell the moon where i want to go. you dream of places so far from reach that your fingers feel them on typewriter keys and doorknobs you wish you could open. i see locations off of the perimeter of your coastal psyche and i'm lost on beaches with trees as rivers and the sky as the only familiarity ground that i've ever known to walk on. nothing happens when your blood is rushing and your feet are moving if you have no sense of direction in the currents if you're not swimming and most certainly if you're not drowning. if you reside into an ocean, i'm never going to sail your seas and find what i've been missing. the pool you're creating inside your stomach leaving way to millions of tiny mementos in your pit, and you're still trying to convince yourself that you haven't been dreaming past your third birthday. blue doesn't ever want to see red but it seems to be just fine intermixing the two to a hybrid vermilion from under your skin and if you think that is going to make any significant difference under trenches larger than your mind then **** it, if you reside into an ocean, the moon better not know where you intend to go.
wake up. you’re suffocating again.
blood for blood.

it is clear, verily, this evening.
   the tabloids blurt the truth
    as the populace clutch
     the paper.

somewhere an explosion
   will be heard.
a child will be beheaded—
the land is tumescent with bones
   and compost rotting away, rotting away.

TV continues its comical static,
playing the music in contrapuntal satire.
  in the morning is a dog, trampling
the streets soldering a scale of metal.
  in the evening is the same dog,
sleepily cycling the humdrum town,
    his face a faint lamp, slowly dying away.

attenuated by either
   love or no love
i drag my sorry shadow across the avenue
   and a deathless cathedral is crowned
    by faithless ****** of crows.
god-driven or godless
  i awaken to the same strife-torn sky.

there is a love so immense
our bones are crushed when
it grasps us, yet there is hate
  and love altogether
intermixing, demanding another hue,
   a troubled one.

they burn the effigies.
they thump the metals
with lignified sticks.
they create a noise enough to
drown the world.
   blood against blood.
more hate to fuel more love.
lesser gods to **** all light.
the dark reigns supreme.

last night, the earth moved
and still,
  blood against blood.
  death peers through
the windowless hour
like an eyeless mannequin.

i look for you in the frantic hour
and found all loveliness gone.
the glint of the edge of what has once
  cut us laughing in the shearing wind
has died out — i dance to a music
  only i hear, bringing back the dead.

meanwhile, i ravish
   the streets mad without chance
and supernal, my bar-drunk soul.
   in the weekend, I will read my poem
to a dead crowd, drink more, jousting with a fleeting shadow, and toss
   the final cigarette into the
      stillness of the void and fade out;

it is blood against blood.
   the knife will slit.
   the gun will ****.
   the fists, clenched to the size
    if two worlds, will claim.

the earth moves, and you are not here.
the leaves abandon the trees.
the park-benches are heavily laden
with the yoke of the Earth.
the mouth of the gutter receives
the belch of a passing automobile.
the graveyards are tender
with bones.
the parking lots are vacuous,
and only the moon fills the world.

  it is blood for blood,
  love without love,
  hate with love.
i will look at the photograph
  of a woman i never touch any longer.
i will once more ask the gods
  what they have done,
but never the blur of answers to myself.

i am drunk without chance,
   and the knife invites.
   the portrayals of blood
     inveigle.
  the whims and caprices
    of the masses have no use
     any more.

it is blood against blood,
   hate against love,
and time
    is running
   out.
I give up.
Jenna Feb 2019
Blades scrape across calves
Itching, irritating,
Children shout and laugh
Imitating, inviting,

Warmth burns and bakes
Igniting, inflicting,
Rippling shadow cast South
Imprinting, imposing,

Yellow dandelions stand tall
Intermixing, inclining,
Brief, cool wind tickles
Invading, inducing
I miss the warm weather. Hate the cold.
Alice Jul 2019
i could build a cathedral

out of all the words i

want to wrap you in and

kiss upon your lips


i could construct villages

out of all the hopes i

keep sacredly out of

reach


i could fill a mausoleum

with all the promises

i have received with open arms

only for them to leave me

just as those who gifted them


i could write cities and forests

and galaxies into existence

using only the words that

come to mind when i hear your voice

or when i feel the gentle comfort of

your breath intermixing with mine

when our universes are only a few

heartbeats away from colliding


i could build a life with you

and that’s what leaves me speechless
Em MacKenzie May 2017
The first time I walked into my home was when I was five,
My mom and her best friend Louise signed me out of school,
we ate McDonalds on the hardwood floors and looked at the bare walls,
they were actually blank canvas's, waiting for life's pictures to be painted upon them.

When I was eight, my sister and I got into a fistfight,
in our shared room, a mere five feet away from my parents.
They knew it was time for us to have separate rooms,
and they turned an old den into a makeshift room that night,
where my sister would sleep until her teens.

I remember Sunday mornings,
stumbling down the stairs with sleep in my eyes,
and hearing oldies playing on our stereo,
smelling a big breakfast cooking.

I remember Monday mornings,
procrastinating to come downstairs and face the Canadian winter weather,
my mother getting ready for work,
but not before making us toast even though we never had an appetite in the morning.

"Breakfast is the most important meal of the day."

I spent countless days and nights in my first room,
always an introvert, always alone with my imagination.
It went from playing with Star Wars action figures,
to playing guitar, to writing poetry,
and eventually when computers were the big thing,
I spent my teen years playing xbox and downloading music.

Some nights I drank in that room.
Most nights I smoked countless joints and cigarettes.
A few times I even did mushrooms,
paranoid the entire time my mother would open the door and question me,
but usually she was more concerned about the candles I lit to cover the smoke,
100% certain I would light the house aflame.

My sister eventually moved into the basement,
the same one where we would sit on the rough carpets,
far too close to the TV,
playing Legend of Zelda, and Greenday's "******" blaring in my ears.
I'm still half deaf till this day.

I remember falling asleep outside,
rocking back and forth on our cushioned swing,
surrounded by greenery and sun,
bird chirps intermixing with my mp3 player.

I remember my modest above ground pool,
and my sister teaching me how to swim at six,
only taking breaks when she would attempt to drown me.

My sister moved on and I moved into the basement,
and spent an entire weekend painting and making it my home.
Bright green paint with lilac purple,
and posters of Sid Vicious, illuminated by lightsabers.

My mom got sick with Cancer,
and I remember sitting in the living room while she cried,
telling myself she would be ok,
that she would live even against impossible odds.

I remember coming home from overnight shifts at the women's shelter,
lying on the shaggy carpet and watching her with half lidded eyes.
"I'll go to bed soon."

A week before Christmas my mother moved into the old den,
the one my sister moved into when we were so young,
so she'd no longer need to go up the stairs.
The same stairs we used to slide down on with pillows.

I would lay awake in my basement, listening to her footsteps,
the same footsteps that used to wake me up far too early.
Now keeping me awake and on edge,
ready to run up to her in case she needed help.

I remember Christmas morning,
how the walls echoed "she's gone" and "call the doctor."
How my father sat at the living room table, pouring himself drink after drink,
how my sister lay on the couch crying,
and I, trying to make my mother proud, cleaned the house.

I was alone for years,
in a house that wasn't a home,
my mother dead, my sister moved out,
my father taking anything of value to his new home, with his new girlfriend,
a woman who shares the same name with my mother.
But not the same heart.

I stayed in my basement,
getting high and writing poetry,
listening to music so there would be another voice but mine.

The first time my wife walked into my home,
she surveyed the damage done to the house and made it a home again.
A nice mixture of our belongings now mix with my mothers,
keeping her memory alive in every room.

We spent many nights in candlelight, inlove, laughing,
and again the house had life and love in it.

This summer my home will be sold,
and in a matter of months this little 50's house will be destroyed.
Our medium sized lot will make room for two modern buildings,
and the twenty-three years spent here will be demolished.

There is mold in the basement,
the electrical is gone to ****.
The drywall is crumbling, the paint is scratched,
and the plumbing is sketchy at best,
but this home will always stand strong in my heart.
After living here for twenty-three years my father has decided to sell my home. For the past four years I've lived here alone, with my girlfriend, and recently with my sister aswell. The next chapter in my life is exciting, but I've been feeling down knowing my family home will be destroyed. Such is life, I suppose.
it begins with a decanter of Rimbard
add 2 parts Villon
and 1 part Catullus
throw a jigger of Whitman
and a pony shot of D. Thomas
put in 3 dashes of Kerouac,
Ginsberg and Burroughs
add a splash of Cummings
for flavor and a float of Rumi,
shake well and pour into the
Nebauchadnezzar of D.H Lawrence
while intermixing Hemingway with
a kick of Yeats and Keats from the
oar stirrers of Celine and Pound,
drop in a few ice cubes of Thompson,
cold and solid and a bendy straw of
Carruth with garnish from Li Po and a
cocktail umbrella of Fante to decorate
and call this mixology a Bukowski
and raise the drink high
and pour it down fast
to honor the dying light
from the struggles of
writers before us and
to help us get through
the moil and toil that
holds us back from
what we truly want
within our guts because
I find living, drinking,
smoking, *******, reading
and writing to be difficult
as it is but breathing
should be the hardest
thing you'll have to do
under this dead moon night
Honna Root Dec 2015
I was reaching, reaching for something that wasn't there.That sense of security with your arms wrapped around me, now but they were idle by your side.
There is no way to confront the reality in front of me.
Your face that once had a grimacing half smirk now turned to a frown of despair.
It is almost as if you vanished into thin air.
Somedays I’m strong.
Somedays I’m weak
and on those vulnerable days I just want to tell you all about it, but how that would be irony.
You’re the reason of all my pain,
so why do I want to chase that?
Why do I think I need that?
I look outside the window pane, just like the the movements of the bus’ wheels turn round and round, so does my thoughts consume my mind, reliving every moment in agony,
WHY did I do that?
Why?

Because I’m better off this way.
I’m better off living without him,
I’m better off not intermixing my emotions and complexity of the situation especially since he's not ready for.
So why waste my time,
if money is no object than why did he flee?
Off in the distance without a t

race.
ethnicity.
We simply were not meant to be.
I wish I knew
What you
Think about when I
Text you my
Insecurities.

Do you see the little lies,
Ambiguity,
The clouded truth?

In reality
I haven't been able to sleep because
Of sickening words and harsh tones--
All repeated memories,
A slideshow in my mind.
Every cruel tone ever heard
Intermixing with the ones told to me--
Including your words--
Forming a perception of myself
That the devil may shutter at.

Almost addicted to the aches of sadness
Always empty,
Never full:
I am troubled by my own mind.
Holocryptic: undecipherable.
sjh Dec 2015
we set each other on fire.
melting, intermixing throughout the night.
in the morning, we turn cold and harden,
just enough for our fingertips,
and we chip away;
nails, knives,
until we replace ourselves,
cold again.
John Prophet Aug 2021
Consciousness
Global
consciousness.
Billions
of minds
collecting,
coalescing,
melding
as one.
Writhing
consciousness,
comings
and
goings
shape
shifting.
Along
the way,
new
concepts
born then
spread.
Collaboration
on a
global scale.
Growing.
Exponentially
growing,
intermixing
accelerating.
Brain like
synapses
form, ideas
exchanged
built on
fleshed out.
Critical mass
spawns
Intelligence
explosion.
Super
intelligence.
Global mind!
Day Oct 2015
i never really noticed that there were no colors here exept for red.
i guess that makes sense,
we all bleed out our feelings into words.
our innermost thoughts intermixing with logic and meaning,
creating something beautiful.
Claire Billings Feb 2021
A pretty house lies on the top of the hill

The exterior is lovely but within is decay

The walls crumbling and wallpaper peeling

The foundation in shambles

Ghosts roam the corridors in search of the love from their parents they could never find

Children with tears staining their cheeks and bruises decorating their skin with watercolor blues and purples intermixing

Their wails for Mothers who've faded out of existence after being seen as nothing more than silent servants for so long

And fathers who used whiskey to replace emotions and violent words to beat down everyone else until their minds are nothing more than gravel and feel smaller then him

Fathers who never treated the children right but still call for them regardless

Broken picture frames with shards of glass line coat the floors

Cutting and keeping away anyone who tries to come near

Tears flood the basement and skeletons fill the closets

The house beyond repair

— The End —