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Matt Proctor Feb 2014
"Make as many mistakes as you can as fast as possible"
-Doc

Some kids found their rooms:
Math room pizza parties for those held in place by statistics,
four mirrored walls where the strong bodied press iron into muscle,
a tiny box for the "Special" broken off, hidden from the general population.
Those who went to the art room followed the music:
Stacks of scratched mix cds labelled with magic marker,
curated directly from fresh teenage hearts
hearts learning to become sound and paint in Doc's Art II class,
They sketch, carve, snack and chat.
The only room where students are allowed
to talk all period and pencils work to produce souls
instead of information.
There, the ineffable takes shape, in papier-mache,
macaroni or glitter.

Here are the kids who know how
to make mistakes. Perched on stools,
napping on the couch in the back,
the duds, the nerds, building things, hanging out,
shaving sculptures into their scalps. Their minds escaping
in paint-smear, light and earth, generating amorphous blobs,
new species of globule bacteria squirming across a slide of canvas,
things laid under the microscope, not for interrogation,
but for companionship. Not for scrutiny,
but for curiosity.
They reach no understanding with the world through movement
or the way the colors talk
to each other, they only reanimate the confusion into something
they can be friendly with.
Visions surface from the blank stare
of a white page.
They know how to get rid of that white;
just start getting it *****.
Eventually it begins to look like something
clean.

Nate starts new genres every class
though he plays no instrument: oi-punk, ska-core, pinhead blues.
Corban and Chip engineer robots
from their dad's junked wiper blades and orphaned gadgetry.
Quiet Jennifer looks
into the peeled aperture of her camera.
Golden Nick sketches always,
scoring every conversation with his etching.
Eyes cast aloof
from what everyone else is trained to see,
they stare into the discouraged hallucinations.
Unable to convince themselves the visions aren't there,
they exorcise them through messes of paint, wavering clay,
kilns burning mud into permanent shape. Splotched
mistakes arch gracefully into unforeseen purposes, the erroneous made integral.
What is discarded or shamed in other rooms is here followed with curiosity,
rescued and incorporated into a perfectly rendered mess
of liquid. The rejected is what is, what becomes.
Here, kids let their hearts out, casually, without explanation,
like red paint from a shiny new tube.
My heart, can't everybody see it? It's up there on the wall, collaged out of glue-stick
and diced magazine scrap.
It doesn't have to be clarified in the desperate pomp
of a poem or the insipid glitz of jazz hands. Put on the run by the logical requests
of Spanish teachers, they can relax here,
and so they are real, and so they are different.

As adults, they still use what they learned there. I watch them. They are my friends;
bartenders or line cooks or nurses or clerks, their basements cluttered
with bric-a-brac, creative purchases, bought not out of necessity,
but because they explode the room into life:
A creek painting amended with a rhinestone deer cutout,
the orange booth of a defunct bowling alley,
Happy Meal mascots leftover from obsolete Saturday mornings.
Their dens are hung with 4th grade prize-winners, Governor's Show picks,
a woodcarving of an eagle so ugly only a Mom could keep it hung
on her bathroom wall for thirty years.
Exacto knives and staedtler erasers point
from Warhol coffee cups on drafting tables,
T-Squares and light boxes are dragged through a gamut of low-rent apartments.

Maybe in the cupboard, maybe out in the garage,
a box lies closed
but not empty,
filled with crinkled tubes
of hardened oil, a palette stained
with a multifarious rash of colors,
a forest of stiffened brushes growing
from a ceramic ashtray.
Every now and then they put a record on,
pull this box out, open it
and again, with a little insistence,
the colors come flowing.
Art, Poetry, High School, Creativity, Nerds, Outcasts, Painting
Ben Aug 2016
You and I
Temporary

This house we sit in
Temporary

The love we share
(As strong as it is)
Temporary

All the skyscrapers in the world
Temporary

The streets and the sidewalks
Temporary

Every law, speech, and right
Temporary

Every person you pass on the street
Temporary

The piles of bills and gold hidden away behind massive vault doors
Temporary

The pain of a particularly bad day
Temporary

Every mistake and every triumph
Temporary

Your inclinations, opinions, and habits
Temporary

The ghost and the shell
Temporary

The printed words of men long since dead
And long since correct
Temporary

Every thick, coppery, snaking trail of blood
Every minuscule globule of spittle
Every boiling, salty tear
Temporary

The hatred of every person in every place in the entire world
Combined into one stinking stream
(As strong as it is)
Temporary

The soil that has run through your hands
The sand through the hourglass before it is flipped again
The rain that falls on humid August days
The whistling of the wind through broken windows panes
The sneaking of weeds tendrils through cracks in asphalt
Temporary

All
Forever
Temporary
Snehith Kumbla May 2016
words are wasted darling,
can't add an alphabet more...  

but make o's of your lips,  
measure the girth of your hips,  
tease the buds of thy nips,  
sip honey, lick nectar,  

fork a tongue into you,  
pierce your insides,  
twist your wild hair
around me,  
bolt love,  
blindfold you,  

warm your ******* to
the incandescence
of the moon,  

nibble your ear ends,  
step away a moment,  
gaze at your island body  
your shy fluidity,  

watch you bathe
in candlelight,  
catch every
running drop
off you,  
every globule,  

wrap you up,  
unknot you,  
tie your hands together,  
feed you a smear
of chocolate,  
seat you
on a chair,  
eat off you,  

days and nights shall embrace us,  
seasons weave a cocoon,  
ice slide down our bodies  
and I shall make love to you,

and now as I utter  
these little strands
in whispers,  
I am here entwined to you,  

I promised to read out these lines  
if I ever make love to you,  

now that the words
are in communion,  
let us dearest,
bid them adieu
Alin Nov 2015
I meet you in a globule
beyond worlds - beyond perception - beyond body
and mind

I meet you there
in our melodic silence
inside an uncollapsible sphere
to continually refract our
illuminating plain light
and reflect
along the perpetually
manifesting membrane
of our ever evolving  
ever changing
color codes

when we imagine we make love
endless coordinate points join
to sculpt this dream
it is visible along this subtle interface
as the fugitive perpetual color
of true love

I come here and see you just
inside the divinity made by us

you and I on a brow we are
beyond the eyes we shall always meet
as the complementary formula
evenly made anew by you and I
and  here we have always been
axiomatically you are I

so let’s forget and return to our lives again
on this plane we shall write the experience
peacefully apart  in each other’s presence
to gravitate and untouchably reshape  
our garments which shall be dropped someday
not as a fate

in the hub of this supreme orb
made of the sound of our eternal peak
we are as if two separate selves
trails of my illusory dance
shape all your dream girls
until that all fades
like in the true blue of the sky
all in one I am now for you

and you

you do for each of I
as if you are
you ...you ...you

of all and with whom
I am in love
I wrote this for the blues of the skies hiding behind the clouds on autumn days
DAVID Dec 2015
SOMETIMES A MORTAL FEELS IN HIMSELF NATURE
--NOT HIS FATHER BUT HIS MOTHER STIRS
WITHIN HIM, AND HE BECOMES INMORTAL WITH HER
INMORTALITY. FROM TIME TO TIME SHE CLAIMS
KINDREDSHIP WWITH US, AND SOME GLOBULE
FROM HER VEINS STEALS UP INTO OUR OWN.

I AM THE AUTUMNAL SUN,
WITH AUTUMN GALES MY RACE IS RUN
WHEN WILL THE HAZEL PUT FORTH ITS FLOERS,
OR THE GRAPE RIPEN UNDER MY BOWERS¿
WHEN WILL THE HARVEST OR THE HUNTER'S MOON
TURN MI MIDNIGTH INTO MID-NOON
I AM ALL SEERE AND YELLOW,
AND TO MY CORE MELLOW.
THE MAST IS DROPPING WITHIN M WOODS,
THE WINTER IS LURKING WITHIN MY MOODS,
AND THE RUSTLING OFN THE WITHERED LEAF
IS THE CONSTANT MUSIC OF MI GRIEF....



HENRY DAVID THOUREAU AN AMERICAN TITAN VERY UNKNOWN AND MY FAVORITE YANKEE POET. SO GOOD, AS SHELLEY. THIS SHOULD BE HERE. HENRY DAVID THOUREAU THE GREAT AMERICAN ORIGINAL, CIVYL DESOBEDIANCE IS SO ******* GOOD WALDEN TOO, BUT HIS POEMS ARE BEAUTIFUL AND MELLOW.
SO MELLOW AN BEAUTIFUL
Ted Scheck Oct 2013
Time is the biggest
Word of All.
It lamely, gamely
Tries to act like
Olympus Mons,
That Great Mars Mountain,
Thunder-towering three times
Mightier and Grander than
Our Nepalise Everest.
(Or so the
Philosophers hope)

Time seems so looming,
So enlongated, stretching
Summer-like, back when
Summer was more than six
Measly weeks long;
Time is measured, and sweet,
Like sugar,
Being with the one we love
When time seems to slow,
To languish, like the non-
Breezy lassitude winds
That the sails of ships
Hate most of all.

But when the one we
Love, like, tolerate;
Are indifferent toward,
And absence does not make
The bitter water leaking
Out of our eyes,
Brows furrowed in visible
Pain, Time
Becomes a different
Breed of beast;
Time is salt, bitter, hard,
Crystalline, sharp-edged,
Not a poultice, nor a
Salve, but fresh seawater
Reigning down upon the
Open wounds of our broken,
Shattered hearts.
Each intake of breath
Like glass poking
Our insides, each
Exhalation
Yet another reminder
That time spent away
From love isn’t
Time at all.

Time is what someone
Had to call something
As yet so infinitely
Indefinable, yet-
Define things, categorize things,
We Humans do, because of
Our strange natures compel us.
Time is absolute, and
Absolutely nothing,
And absolutely
EVERYTHING.

And, to the still-beating heart
That can bear not one more
Oxygenated globule of red
Red blood, time
Becomes the clock which
Could not bear to fully
Show its face to us
Whilst we lived, and,
Upon the dying of our bodies,
The drum in our chest
Beating its beat no longer,
The twin-air-sacs
Now vacuumed:
Time announces itself as only
Becoming real when we
Aren’t.
Time is better defined
Irony.

The most genuinely
Phony collection of
Individual and barely-connected
Symbiotic symbols
Ever conceived by a
Single collective mind.
It’s all we have
And then all we don’t.
Raygan Emma Jane Mar 2019
He whispers scintillate
A ray of light
Look up and see that no one shines the same
He asks if I know that out there in the ether
There is a million people
And then there is me
Globule vivific and
Population statistics
A million and one he says
He speaks to me
Lately there’s been a ghost under his covers
Wrapped up in pale sheets under the twilight glow
I watch from his window
Towering a million miles high
I beg to reach out to shake his frame loose
The ghost in your bed belongs to my body
The friction of skin against cotton sheets
Cant you see my spark
This is for Jane Taylor and someone who has made me feel more like myself than I have in awhile.

I have a universe of feelings inside my small body
Valsa George Jun 2021
as their eyes met,
sparks of love
emitted
emotions swelled,
passions surged

like a well
full to the brim
a tear drop
glistened
in her eyes

cutting across
the borders,
it slithered down
her creamy cheek

as

a freshly formed
globule of dew,
cracking
into zillion
rays of light,
creating
a zillion wavelets
of joy

suddenly,
she turned
into a forest aflame
he,
a river in spate!
Ksjpari Aug 2017
In the month of July during whirlpool
A Legacy was born to challenge a fool
Who in sphere of market did money drool.
As all feast and dance and sing in yule
Many people like Vipul, Maulik and Sanket rule
Over minds of customers who remain very cool
In our D-Mart which served as a perfect tool,
Come and join the ever-widening D-Mart Whirlpool.
All - cashier, attendants, owners, sweepers - pull
Praise, sympathy, good words and have globule.
There are many wicked, old, shrewd ghoul
Who conspire against you O! D-Mart, My soul!
ACs, clean floor, smiling faces and nature cool ;
Bhaiya, didi, managers, workers, watchmen Spool
Are the real source of income than other tool,
Come and join the ever-widening D-Mart whirlpool.
Future is bright of D-Mart with such module,
It also includes good products, service Gruel.
No judge can verdict anything like rice overrule
Or China food item never finds in its pool;
Clean and healthy food items, fine variety gul
And great discount on many items that ridicule
Those who conspire despise it for its fame and tool,
Come and join the ever-winding D-Mart whirlpool.
I am developing a new style of writing poetry where ending words of a line rhyme with one another, at least in last sound. I named it Pari Style. Hope readers will like it. Thanks to those invisible hands and fingers which supported and inspired me to continue my efforts in my new, creative, artistic and innovative “Pari” style.
‘You know Orion always comes up sideways.
Throwing a leg up over our fence of mountains,
And rising on his hands, he looks in on me
Busy outdoors by lantern-light with something
I should have done by daylight, and indeed,
After the ground is frozen, I should have done
Before it froze, and a gust flings a handful
Of waste leaves at my smoky lantern chimney
To make fun of my way of doing things,
Or else fun of Orion’s having caught me.
Has a man, I should like to ask, no rights
These forces are obliged to pay respect to?’
So Brad McLaughlin mingled reckless talk
Of heavenly stars with hugger-mugger farming,
Till having failed at hugger-mugger farming
He burned his house down for the fire insurance
And spent the proceeds on a telescope
To satisfy a lifelong curiosity
About our place among the infinities.

‘What do you want with one of those blame things?’
I asked him well beforehand. ‘Don’t you get one!’

‘Don’t call it blamed; there isn’t anything
More blameless in the sense of being less
A weapon in our human fight,’ he said.
‘I’ll have one if I sell my farm to buy it.’
There where he moved the rocks to plow the ground
And plowed between the rocks he couldn’t move,
Few farms changed hands; so rather than spend years
Trying to sell his farm and then not selling,
He burned his house down for the fire insurance
And bought the telescope with what it came to.
He had been heard to say by several:
‘The best thing that we’re put here for’s to see;
The strongest thing that’s given us to see with’s
A telescope. Someone in every town
Seems to me owes it to the town to keep one.
In Littleton it might as well be me.’
After such loose talk it was no surprise
When he did what he did and burned his house down.

Mean laughter went about the town that day
To let him know we weren’t the least imposed on,
And he could wait—we’d see to him tomorrow.
But the first thing next morning we reflected
If one by one we counted people out
For the least sin, it wouldn’t take us long
To get so we had no one left to live with.
For to be social is to be forgiving.
Our thief, the one who does our stealing from us,
We don’t cut off from coming to church suppers,
But what we miss we go to him and ask for.
He promptly gives it back, that is if still
Uneaten, unworn out, or undisposed of.
It wouldn’t do to be too ******* Brad
About his telescope. Beyond the age
Of being given one for Christmas gift,
He had to take the best way he knew how
To find himself in one. Well, all we said was
He took a strange thing to be roguish over.
Some sympathy was wasted on the house,
A good old-timer dating back along;
But a house isn’t sentient; the house
Didn’t feel anything. And if it did,
Why not regard it as a sacrifice,
And an old-fashioned sacrifice by fire,
Instead of a new-fashioned one at auction?

Out of a house and so out of a farm
At one stroke (of a match), Brad had to turn
To earn a living on the Concord railroad,
As under-ticket-agent at a station
Where his job, when he wasn’t selling tickets,
Was setting out, up track and down, not plants
As on a farm, but planets, evening stars
That varied in their hue from red to green.

He got a good glass for six hundred dollars.
His new job gave him leisure for stargazing.
Often he bid me come and have a look
Up the brass barrel, velvet black inside,
At a star quaking in the other end.
I recollect a night of broken clouds
And underfoot snow melted down to ice,
And melting further in the wind to mud.
Bradford and I had out the telescope.
We spread our two legs as we spread its three,
Pointed our thoughts the way we pointed it,
And standing at our leisure till the day broke,
Said some of the best things we ever said.
That telescope was christened the Star-Splitter,
Because it didn’t do a thing but split
A star in two or three, the way you split
A globule of quicksilver in your hand
With one stroke of your finger in the middle.
It’s a star-splitter if there ever was one,
And ought to do some good if splitting stars
‘Sa thing to be compared with splitting wood.

We’ve looked and looked, but after all where are we?
Do we know any better where we are,
And how it stands between the night tonight
And a man with a smoky lantern chimney?
How different from the way it ever stood?
(everything happened while
    unloading laundry from the car,
  a speck of light flaunts.)

daylight penetrates—
saturnal globule.
exeunt: flicker of firefly.
Haiku with a primer.
Meagan Moore Feb 2014
“How can I get you to go down on me,”
he asked, without preamble.
His voice, nervous,
laced with strength
hums through her form,
summoning
a tatting of ***.

She moves her entire form
Across the room
pushing solar plexus
With index finger
The wingback chair collecting
His form – assuaging her intent.

Retreating nine steps
To gather
Her acumen in dripping her clothes off
Adroit pivot
portent gaze
locked
exteroception - engaged

His exhale
executed succinctly in shallow lung
puckered alveoli - clenched
resonates as her own.

Pearls scooped catatonic
atop lingering breast ascension - alone
Remain –
Summoning brine.

She tastes his pulse
Derma puckering sweat globules
Redolent aeriform vapor corpuscles
declaring his need.

Fingers supporting her upper weight
she glides - crawling
pressing half inch spurs into the carpet

Lackadaisical dactyl dance
Seizes
muscle calf to thigh
Invoking listless leg drape

Pausing
Warm breath – rendered
Upon knee cap parallel
Framing shoulders

Engorging - in aching silence
Pulse thick, wrought in shaft

Kneeling
Primed
Proud

She flicks the button
From slit fabric recess
Cupping palms under thigh,
She renders garment to puddle

half-in – half-out
whole
chthonic shaft to palette

Sliding exhale
to mound
lax jaw
focus
Iris entreats -
narrowed corneal withdrawal

Oblong lip array surrounds
Supping the creamy, coppery,
Smoky, saline inoculation.

Latent dribble invokes tongue
Furl about lip cusp
Absorbing globule
Into slaked smile.
Meagan Moore Mar 2015
“Swallowing Pearls and Lace”
“How can I get you to go down on me,”
he asked, without preamble.
His voice, nervous,
laced with strength
hums through her form,
summoning
a tatting of ***.

I moved my entire form
Across the room
Pushing his solar plexus
With index finger
The wingback chair collecting
His form – assuaging my intent.

Retreating nine steps
To gather
my acumen in dripping my clothes off
Adroit pivot
portent gaze
locked
exteroception - engaged

His exhale
executed succinctly in shallow lung
puckered alveoli –
Clenched -
resonates as my own.

Pearls scooped catatonic
atop lingering breast ascension - alone
Remain –
Summoning brine.

I taste his pulse
Derma puckering sweat
Redolent vapor
Knotting between each pore – skin taut
declaring his need.

Fingers supporting my upper weight
I glide - crawling
pressing half inch spurs into the carpet

Lackadaisical dactyl dance
Seizes
muscle calf to thigh
Invoking listless leg drape

Pausing
Warm breath – rendered
Upon knee cap parallel
Framing shoulders

Engorging - in aching silence
Pulse thick, wrought in shaft

Kneeling
Primed
Proud

I flick the button
From slit fabric recess
Cupping palms under thigh,
rendering garment to puddle

half-in – half-out
whole
chthonic shaft to palette

Sliding exhale
to mound
lax jaw
focus
His iris entreats -
narrowed corneal withdrawal

Oblong lip array surrounds
Supping the creamy, coppery,
Smoky, saline

Latent dribble invokes my tongue
Furl about lip cusp
Absorbing globule
Into slaked smile.
(Revision 1 - Shifted into 1st Person)
Meandering Words Sep 2022
i was late
through no fault of my own
at least
that's what i tell myself
just one of those occasions
where try as you might
the universe won't allow you
to leave on time
standing at the threshold
one final pat of pockets
to check i had
all that i needed
looking up
to gauge the need
for coat or umbrella
i witness
an inhumane globule
of avian faeces
viscous and creamy
in colour and consistency
exploding upon the path
two steps ahead of me
i see no sign
of the culprit
hearing only its cacophony
of enjoyment
or maybe disappointment
drifting
into the distance
Daniello Mar 2012
We lived briefly outside and at once
all of our one lives one innocuous evening.
I think it must’ve been a round ten.  
We’d gone, really and already, in every sense,
a-stoop-smoking to clear the air of Murakami
and his personal identity. I guess we knew
we’d end up breathing significantly
before time came to shepherd us back in.

On the stoop, aglow in rosewood smoke,
in the streaked light of our chosen nostalgia
and strawberry hope, we pointed to things
we really saw—everything—pressing their
dimensions sharp through the buttery plaster
of our personal identities, like certain words
I happened to glimpse, in and out of Murakami.

I was startled when a car cut through the viscous
street in front of me like a hand underneath a piece
of cloth. It bent still shadows around a perfect
globule of movement and returned each to rest
only after each of its past moments had passed.

That’s when I saw my smoke trail slowly leave me,
unapologetically, heading across the invisible prairie
on its horses to drink by the bending river in the street.
It asked me if I knew, now, why I should come along.

I pointed and asked: What was that I just saw?
Where?
There by the street. What was that?
Oh, that was just
antlers on a fire truck this past Wednesday.
I don’t understand.
Of course you don’t. You won’t remember I said it.
Then why’d you say it?
To remind you you’ll forget.
Oh, I see. Thank you, then. I was about to
forget I’d forget. Now I know
I never will.

— The End —