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fray narte Sep 2021
Eyes. Heartbreak is her sunlit memory barely held by a wooden clothespin. It hangs and glares before your eyes, mocking as it fades into an empty filmstrip. Heartbreak is a lost soul left to perish in her ghost-town, and warmer sunsets are lifetimes away. A wonderwall left standing, pinned polaroids, desperate scratches. You had fought hard and long, for this, but homes are made for breaking and crumbling and leaving, especially in the losing side.

Mouth. Heartbreak is a paper-tag of a goodbye caught in her lips. It is a metaphor that melts at the soft space under your tongue, a certain bittersweet taste made for drowning with a cold lager, a stranger’s whispers, and the perils of his unfiltered cigarette kiss. Heartbreak is taming a manic scream into a delicate, defeated sigh, out of sync with the way she breathed. But then sighing still hurts, and breathing still hurts because you’re alive – you’re so ******* alive for this unbuffered pain.

Chest. Heartbreak is begging your chest not to break amid a listzomaniac rush. Heartbreak is a prosaic throbbing, a treacherous ***** stuck in your ribs, begging to be held like it doesn’t hurt. Heartbreak is a site of buried lavender lithiums, asking for a eulogy; but silence is equally as oppressive. It is your body betraying you, like a city undone by its smokes. It is a quiet word – not a poem, because poems are beautiful despite the pain, and this isn’t. This isn’t.

Hands. Heartbreak is your shaky hand flipping through the last three pages of a tragedy — a heroine dies, a stray star falls, a maiden leaves on a horse-drawn carriage. There is no changing of the ending. Heartbreak is reaching for the empty space in bed, leaving your fingers in technicolored bruises. How can emptiness break one’s bones? Heartbreak is scrubbing your skin dry, raw, and untouchable where she once laid her kisses. Heartbreak is your nails digging through her letters in utter despair — for invisible ink, a promise in the postscript, an estranged lover in familiar flesh, only to find torn sheets, spilled wine, and finality.

Legs. Heartbreak is coming home to ***** laundry all over these cold, wistful floors. Heartbreak is walking in hushed tiptoes only to trip and fall down a memory lane – a kaleidoscope of all the wounds that can possibly hurt. It is catching an empty train to somewhere unloving her is possible – doable. Heartbreak is teaching your legs to run away from the chaos of her naked skin, and not to fall at her feet. But still, you fall and you fall and you break what’s left of your bones chasing after something that’s already gone – long before it has said goodbye. So turn your back and hold your heart — it breaks harder, louder, and worse before it settles down and sits as quiet aching: a forgotten filmstrip, a soundless breath, a calm poem, a serene night.
Emma Johnson Jan 2013
I felt empty. I didn’t know how to explain it either, I felt empty in the most hopeful way. My dancing skin cells all ached for you, and while I knew that sooner or later you would be in my arms, in that moment I still felt so empty without you.

It had been four hours since the blue, flowered tab dissolved under my tongue. The bitter taste of it was gone and I was left with a distorted world and the attention span of a goldfish.

I found myself in a park searching for you. I don’t remember how I got there. From the top of the slide I watched a filmstrip in the streetlight’s glare; two people were holding each other, they were dancing and smiling and laughing. I watched the patterns in the snow. I watched the tree branches grow and shrink, curling themselves like contortionists and I finally understood Dr. Seuss’s secret to writing his books. His worlds were not reality and this wasn’t either.

There was a person next to me. I don’t know when he got there. I knew him, but I might as well not have; he was just as much as a stranger as any.

“See that house over there?” I found myself saying, “Their sidewalk is moving. We should tell them their sidewalk is moving. They should call somebody about that.”

We burst into laughter.

In reality, their sidewalk was not moving. But this was not reality, and their sidewalk was turning over itself like it was ribbon instead of cement.

I got bored of the Truffula Trees. I parachuted down the slide to follow the footprints in the snow, footprints I was entirely sure were from the Star-Bellied Sneeches. They led me down street after street, I could not read the signs because of the flashing lights that overtook my vision.

I stopped in the middle of the street where the ground was a thick layer of ice. The stranger asked me how I was feeling, I replied with “I don’t even know where I am right now,” a saying not uncommon to come out of my mouth.

I couldn’t tell if it was five minutes or three hours later, but we were back at an apartment familiar to me. It was the stranger’s. You were still nowhere to be found, and the daydreams of your lips on my neck were driving me crazy. Even in this unreal world, I still remembered your taste and there was nothing I needed more.

For hours I watched the ceiling and the walls, silent. The world had been carved from crayons and somebody had a giant blowdryer to melt it all. I watched as the walls drip, drip, dripped onto the floor.

A light from somewhere else turned on and it was reflecting with the already glaring light.
“I feel like I’m inside of a CD,” I said to the stranger, trying to make him understand my Dr. Seuss world. “The lights are jumping everywhere, like the lights when you hold a CD in the sun. Do you hear the music too?”

With the empty feeling, the crayon walls and ceiling, and the jumping lights, I had to close my eyes. It felt so nice. I wanted reality back. I watched the kaleidoscope on the inside of my eyelids and tried to sleep.

I still wondered where you were. I wondered why anything would stop us from being together right now, why is there a force in the world that could willingly take my home away from me? Without you, I realized I am nothing more than cells escaping the body they form; I am not a being but rather a mind living in an alternate reality. In the Dr. Seuss world I float, in the real world I am anchored to you.

As I drifted off to sleep, hoping to wake up in the real world because I was sick of the patterns moving on inanimate objects, your words hung in my ear. “Goodnight my beautiful girl, I love you so.”

You are my home. I am empty, aimless, and unreal without you. I do not find comfort in Dr. Seuss’s worlds, nor do I find comfort in the real world.

When the world is made of melting crayon and my cells are bouncing out of their perimeters, you are real and you are refuge for the lost and drugged girl.

“Goodnight my beautiful girl, I love you so.” The words tasted so sweet I almost wanted to cry.
Daniel Samuelson Sep 2017
Imagine yourself
a linear expression of experience,
a long strip of film like
the kind in old projectors with the
sepiatic sputters and flickers--
yes! Imagine yourself a strip of film but
rolled up messily like
the earbuds in your pocket or
folding fitted bedsheets.
You are a movie and the filmstrip endpiece lies at your feet,
you are knots and coils and tangles and
if you were to lie down at the top of this mountain for a moment--just a moment!--perhaps
the wind would catch the loops of film and
you would feel yourself
unravel.
brooke May 2017
i'd been saving
this cream colored
dress for you
with the silk lining
and lace flowers at the
hem,

instead i am brushing
pollen off my shoulders
knee deep in dandelions
pulling canada thistle
and sheperds purse

a black and white
filmstrip on the refrigerator
moving in stop motion
empty moscato
a blue flannel
and a half drunk
waterbottle still
on the right side
of my bed.
(c) Brooke Otto 2017
Boston, what a colorfully gray city you are.
At daytime Downtown seems busy.
People in suits, always walking with a purpose and defined destination.
Never stops.

People don't act if they don't have reason to.
And how the sun is hiding the people are as well.

When the bright white moon comes up, the narrow streets are quite, no soul is found.

Im the lector of the unwritten letter,
the crowd of a canceled opera,
the observer of an unrecorded satirical filmstrip of this colorfully gray city. Boston
L Gardener Aug 2013
If asked what I had done today
There's not much I could really say.
There were some routine things in between
But mainly just this one dream.
In my minds eye all day played
Some memories that have begun to fade
Where I get to kiss your sweet little lips
And trace your body with my fingertips.
It seems too good to be true
I almost don't know what to do
When images of you
Wont stop flashing through
Like a projection
Of perfection
On a reel
An unreal filmstrip
Teasing my other senses
Senselessly.
I take it back, it's too intense.
If you only knew.
Except you cant ever know.
This is just how it goes,
it usually keeps on going
by
From time to time
I'll write a rhyme
About a pretty girl.
Maybe talk about her eyes
And how they hold the world in sparkles
I look into and marvel.
I haven't said yet
A word
About how yours are hazel.
It's nuts.
An appraisal deems them priceless.
I wonder if today they were
a more green or more brown likeness?
As I completely drown
In
Them.
Brandon Apr 2011
I can read for hours until the words become one indistinguishable filmstrip
I can even write for just a few more moments longer than intended
Past the stretch of inspiration where disenchanted thoughts lay to rest
I can work non-stop until my fingertips are scraped to the bone
I can even get on the computer without looking at *******
...............................Well, sometimes...............................
I'm told that I can do anything that I want
If I just wasn't too ******* lazy
Shelley Jul 2014
He perches on his black-crate bandstand,
stationed between the payphone and postbox.
The view from his seat never varies:
a restless audience of briefcases and knees.

He closes his eyes, concentrating
on breath becoming buzz becoming blare,
and he pictures his notes glossing Manhattan’s
thunder-colored walls.

Each tone fills the pavement, square by square
until the sidewalk is a harlequin filmstrip,
colored by notes coaxed from his brass mouth.

Passersby withhold their gaze, because giving a nod
obliges giving a dollar, and no one is inclined
to employ this trumpeter. But he pays no mind;
his own eyes secured until song’s end.

As long as his fingers are jumping,
he doesn’t have to be Gerard Wall–
who lost his wife to cancer and mind to the War;
he can be Louis, Miles, or Pinetop Smith.

When he looks up once again,
sun and spirit have faded,
and he watches the evening embers
drift out of his horn.
I hope one day you get ****** around so bad
we can relate about it together, so sad.
I hope one day you can be sober
so we can talk about this,
so we can think it over.

And maybe then I could look you in the eyes
and not see a filmstrip rolling of your lies.
Just thumbnails to leave out the details
so we can talk about this,
so we can think it over.

I hope one day you live alone in silence
and we can never meet again
so this **** doesn't happen
all over just like this,
and it's over.
I'm told the only way grow
over you, is to peel apart every memory;
I must reach down my choked-up
throat, and feel around for you inside
my broken body - find the figments
of my bitter fantasies and watch them over
and over

[the night we walked home
at 3am and shouted lyrics from Snow
Patrol at the scarecrows in the
graveyard/ the night we ******
three consecutive
times/ the night I decided
I would let myself fall]


until I suffocate and hate you,
all the same; the best-tested remedy
is to become a practicing
******* - a professional
pain analyst,

and so I'll gag myself
cleansing my body from your
presence, I'll pour my liver out
if only to pry apart the
bargains;
I will ruin every black and white
filmstrip if only to say
goodbye
for the last time
happy thoughts happy thoughts happy thoughts
Product Details

Make your teens feel like Hollywood stars with this red carpet Hollywood Prom or Homecoming theme. Complete theme includes: 1 Welcome to Hollywood Arch Kit, 1 Lights! Camera! Action! Clapboard Silhouettes Kit (set of 2), 1 Prom Night Premiere Palm Trees Kit (set of 2), 1 You're Gonna Be a Star Stands Kit (set of 2), and 1 Produce Your Own Movie Clapboard Kit (personalized). Also available (not included): Fame and Fortune Filmstrip Kit (set of 2). Also contains a clear emphasis on how important this dance is to your son or daughter. Not included: thunder gray background paper, black gossamer, silver metallic streamers, and white and red filtered lighting.
fray narte Oct 2021
Her eyes resemble
a fading filmstrip
left in the bottom drawer of our wardrobe
next to a lilac dress I’ve outgrown
and the rest of unrecognizable memories.

Her bones poke
like a yellow flower barrette on my scalp,
a sharp pencil on a tender wound,
a hand of a neglected child burying
anguish on the skin of another.

Her mouth has grown
poems too soft for my hands to hold;
i try to lie with them, a blister beneath her tongue
where your name now resides
and washes away
the sweet perils of a love like ours,

her chest, now its graveyard
that she no longer visits.
It has turned into a museum
of the things she’s built with you.

Limbs, hands, fingers —
All delicate things I wish I had — was
instead repel finality
in ways ugly,
in ways desperate,
in ways this poem can never soften.
But some things are made for ending,
Some bodies, for leaving,
Some hearts, for breaking
Some grief, for feeling in all the other places
and in all the other parts
where she once laid her kisses:
now just quiet, empty skin
aching, under the colder half
of October’s distant breath.


10/01
My anatomy still learns to forget
about the love it swore to remember.
the night before
the moon grew bold

I felt the darkness
move in from above
in ominous grey
opaque

it reached for me
half asleep, I
acquiesced

relinquished
pillowy clutch
splayed sheets
like legs

for his
chatter bones to chill
where my sallow
is tissue thin

his hail knuckles
affixed to wet tongue
drug me to the floor
raking my hollows
over and over

reeling terrors
on sepia filmstrip
some scenes repeating
some to-fro rewound forward
some hovered gory ending:

frigid tools cutting
to expose my insides
stirring entrail with bone
tugging ruddy strings
to see what sounds
they made as I
buckled; choked
on my leaks

I closed my eyes
tried to escape body
but he projected on
my shuttered
darting

knotting esophagus
around the backbone
fingerpainting my end
on worn flesh walls
in char-red spectrum
choreographed in
perfect harmony
with rote fear
chanting

this is how
you die -

alone


I felt it all
happening.

dangling my happy
memoirs with nooses
ungraceful reanimating
decayed draggy dancing
Xs where bright eyes
were once upon
and wide

open

every ache and
smothered secret
chirped by dark faeries
too quick to swat

but when all
the pushed down
were given mallets
they crescendoed
into discordant jarring
and in its peak came
a piercing shriek:

so loud -

all stilled
to look around

I couldn’t tell
if the voice
was him
or me

but after terror climaxed
the hear ripped and
grip released

I allowed myself
to loosen, breathe
headthrob slowly
melded into felt
beats:

limbs and tips
all pulsing
relief

and I
could see
no one was there

but me.

wielding expertly
book in my own hand
thick with tested maps

to exquisitely torture
every tenuous strand
in my fragility
Dennis Willis Aug 2023
Just a second
I tried to get
away
there
no one knows
when we leave
our now
as if

could I
not talk
to your
puppet
mine is
out of sorts
so it's me
spinning
the dials

I want a
haberdashery
to appear
to keep mine
well dressed
while i try
to change
everything
routinely

and that
easily
I am
away
writing
would be
clever shims
to keep
the spacing

I have
a video
of a filmstrip
of some
pictures
taken
out of focus
and it's clear
right

I'm not
armed
or adequately
checked
for being
a nuisance
and so remain
hopeful
of getting
back to you
now

— The End —