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judy smith Apr 2015
Preparations are gearing up for the iD Dunedin Fashion Show, which this year opens with a tribute to Australasian style on Anzac weekend.

The 120m-long platform of Dunedin's railway station is again the venue for shows on April 24 and 25, which are preceded by the iD International Emerging Designer Awards on Thursday night at the Town Hall.

Saturday night is sold out and about 100 tickets are still available to Friday's show, organisers say.

Labels Carlson, Mild-Red and NOM*d, brands synonymous with Dunedin fashion, were in the original show in a local bar in 2000 and they're still show stalwarts.

Company of Strangers, Charmaine Reveley, DADA Vintage, Storm, Perriam, Deval, GG (from Shanghai), Liann Bellis, BEATS clothing, Jason Lingard and Jane Sutherland are also strutting their stuff this year.

The shows open with a section titled Together Alone, Revisited, put together by Doris De Pont, featuring garments by four New Zealand and three Australian designers shown at an exhibition at the National Gallery of Victoria in 2009.

International guest judge Doris Raymond, the star of documentary series LA Frockstars, is also bringing some garments with her for the show.

The owner of vintage emporium The Way We Wore has a fabulous collection of outfits and she will talk about them at an event in the city on Friday.

Six fashion graduate designers from the Otago Polytechnic School of Design will also show their collections in the shows on Friday and Saturday night.

Garments made by the winner of the emerging designer awards are also in the show.

The finalists were selected from nearly 100 entries from seven countries and 14 fashion schools.

There's a strong showing from Australian schools, especially from Sydney, says judge Tanya Carlson.Read more here:www.marieaustralia.com/evening-dresses | www.marieaustralia.com/short-formal-dresses
Tom McCone Mar 2014
dunedin. friday, three, afternoon.
set from home under a blue sky
with full& prepared pack,
a somewhat empty stomach,
and a necessity to get away from the city.
hiking boots tread asphalt down to the depot,
where, in thirty-seven minutes punctuated
by plastic seats grafted to a wall
and a mildly disjunct group of small or
big-time travellers, the naked bus
pulled in, a hematite centipede
crawling into the lot. it was a bus,
no complaints. all others' bags
stowed, twenty seven bucks outta pocket
and swung into the front-right-window seat,
bid a farewell to the beat-down
pub across the road and onto the one-way
merging into a highway and outta
town the dark bug skittered, on
schedule or something resembling it.
behind the driver, the sun came through
around the beam in the window. warm patterns
laid on skin, the countryside's broad expanse:

cylindrical bales of hay scattered about
paddocks, dark late-autumn florets of flax
on roadsides, plumes of white smoke from
bonfires in townships as small as a thumbnail,
hedgelines of eucalyptus, pine; russet streaks
through bark of single gum trees stood
off-centre in fields. sticky-wooded hillsides
punctured by fire breaks roll almost forever
and back. the rushing sound of passing cars
through the 3/4-golden ratio of the driver's
ajar window; twenty-first century mansions
verging on out-of-place. saplings emerging,
bracketed, through verdant grass patches.
museum abbatoirs. toitoi like hen's plumage
lining drainage ditches. another Elizabeth st-
(how many could be counted out by now?) tidy
front yards and milton liquorland through this
small town. an everpresent tilting sun. fields
of flowered nettle. s-bends through pancake layers
of hills. a delapidated gravel quarry at stony
creek. deer farms, sheep farms, bovine farms, alpaca
farms (favourite); another bonfire seen down a
long gulley; a power substation, all organized
tangles. a two-four 300m before the bridge into


balclutha. 4.40pm.
across the road into the i-site
two friendly ladies circle locations
to make (got a car) or try to make (on foot),
offering a ride in half an hour,
leave it to chance.
across another road, drifter's emporium
(that's the name, no joke) got a knife
to open up cans- bought no cans, brought
no cans, still nice to have one anyway.
down the road, 200ml from unichem, waste
no time, turn ninety degrees, cross a
railway, then outta town in a sec. first
photo: half highway, half clutha river. fine
shot. sit down, watch the water couple mins,
head down the road. red-black ferns radiate
under willows down the riverbank. metal
bumper-bars keep legs on, the road rolls
gentle turns, diverges from the river. stick
to the former, faster that way. no intentions
of hitching. just wanna walk. and walk. and
walk. guy yells out a car window. envy,
likely. who cares. apple tree hangs over
a dry ditch. pick a small one, gone in
a minute. probably ain't sprayed. been
eating ice-cream dinners more often'n
not the last coupla weeks- isn't much
the stomach won't or can't handle anymore,
anyway.

odours of decay from the freezing works.
seagulls sound out nearby.
typical.

down the road, the reek of death fades
out. back to grass. sit in some of the
tall stuff, under a spindly tree. put down
some ink, a handful of asst. nuts. 'bout
thirteen fingers of daylight left. no idea
if the coast is further than that. little
care. down the road the land flattens out,
decent sign. the junction was a fair bit
past reckoned, though. flipped a chunk
of bark (too lazy to get a coin out) to
figure whether the coast was worth it. bark
said no, went out anyway. gotta see the sea,
keeps you sane. past a lush native
acre or two- some lucky ******'s front lawn-
changed mentality, slung out a thumb (first
time). beginner's luck, kid straight outta
seventh form pulls over in a mustard-yellow
*******' kinda beach-van. was headin' out
to the coast, funnily enough. had been up
in raglan (surf central, nz), back down with
the 'rents now, though. out kaka point, only
one of his age, he reckoned, no schoolhouse
there, just olds. was going to surf academy,
pretty apt. little envious.

the plains spread out and out, ocean just
rose up out of a field. there's nothing
more perfect. gentle waves stroke the sands,
houses stare intently out at the mingling of
blues. one cloud hovers so far away it doesn't
even exist. down the other end of kaka point,
back on solid ground, walking into a gorge, laments
about not choosing the coastal route. but owaka
is the new destination, bout 11ks, give or take
(5ks later, sign says another 15.. some give). nothing
coulda beat that sight anyway, stepping outta
a van onto that pristine beach.

entry: gorge route to owaka. seven.
late light painted the tops of hills absolute
gold. thought maybe this way ain't so bad. beside a
converging valley, phone got enough reception
for dad to get through. said in balclutha coulda
got a room with a colleague. too far out now. lost
him in the middle of a sentence about camera film.
surprised to have even got that far. road wound
troughlike through the bottom of the gorge, became
parallel to a cute little stream. climbed down chickenwire
holding the road in place, ****** in it (had to).
clambered back up, continued walking as the occasional
campervan rolled on by. took a photo of the sun perched
on a hilltop, sent it to mel. dunno why. anxieties
over the perfect sunrise picture came frequently,
a goal become turmoil. the gorge flattened out,
and soon in countryside my fears allayed. round
a corner in picturesque nowhere, found my shot.
sat in long grass. stole it. sighed. ate a handful
of nuts. moved on. {about eight}

dark consumed the surrounding gentle-rolling hills,
nowhere near owaka, which was probably the tiny bundle
of lights nestling a little below the foot of a
mountain in the distance (not too far off, in
reality). near the turnoff to surat bay (was heading
there, plans change) a ute honks. taken as friendly.
a right turn instead of a left, farmsteads lit
up in fireplace tones, the sound cows make at
dusk. it got colder. would one jersey be sufficient?
hoepfully. stars began pinpricking the royal blues of the
night sky in its opening hues. eight-fourty-ish slugged
back about 3/4 of the syrup, along with half of a box
of fruit medley (so **** delicious), in light of dull
calf aches becoming increasingly apparent. needed
to walk a helluva lot more. ain't one for lettin'
nothing get in the way of that. lights in the distance
became the entry sign for a camp-site. no interest,
head on. past another farmhouse, stars came out in
packs. three cows upon a slight hilltop. next junction
pulled left a good eighty degrees and was on the
straight to owaka. less than two minutes later,
a dog-ute pulled to a halt and offers up a ride down
most of the stretch. didn't say no.

still stable, as two pig-hunters tell
of their drive back from picking up a couple
pig-dogs somewhere north. they were heading
out bush to shoot, thought they'd seen
another guy they'd picked up a couple weeks
ago, who'd taken 'em out somewhere they
couldn't remember. paranoia grips, but
the lads are fairly innocuous. they say it's
dangerous out here, gotta be ballsy walking
middle of the night, no gun, no dog,
all by yourself. wasn't worried, got nothing
to lose anyway (still, this sets helluva
mood). by a turnoff a k outta owaka, dropped
off. said probably all that'll be open there
is a pub, if that. bid luck and set their way.
above, the whole sky is covered with shining
glitter. down a dip and turn, **** in the
middle of the road. an ominous sign indicating
the outskirts of

owaka. approximately 9.40pm

my head loosens as i approach. the lights
form across a small valley i can't verify
exists or not between dog barks i mistake
for the yells of drunkards and lights
pirouetting from cars behind me. i slow
down i don't want to do this.

owaka is terrifying. plastic.

the street corners thud like cardboard. i
walk past a garden of teapots, a computer
screen inside the house glares through the
window pane bending breathing outward. there
is nobody here, still there is a feeling
like there's people everywhere, flocking
in shadows. a silhouette moving in a
distant cafe doorway. the sound of teeth,
of darkness fallen. thick russian tones
sound from a shelf of a motel. eyes
everywhere, mostly mine. i stop only round
a bend and down near a police station, yet
feeling no more safe, sitting in a gutter to
send mel my plans, to tell myself my plans.
i want to be nowhere again. i am soon nowhere.


out of breath, out the other end of owaka,
the sick streetlights fade into comforting
dark nestled between bunches of indistinct
treelines. the feeling of safety lasts but
twenty minutes, where another dip in the
road leads through a patch of bush, in which
gunshots ring periodically and laughter and
barking rings through. breaking down, it takes
five minutes to resolve and keep going. ain't
got nothing to lose, anyway. boots squeak like
diseased hinges all down the road. hadn't
noticed beforehand, the only thing noticed
now. an impending doom hangs thick like fog,
the thought of being strung up like an
underweight hog. walking faster and
not much quieter, the other side of the
bush couldn't have come sooner. the fear
lasts until the gunshots are distant nothing.
still alive, still out of breath, still
fairly ****** up, there's no comfort like the
sound of nothing but the occasional insect's
chirp. vestiges of still water came around
a corner and just kept coming as the golden
moon sung serenity all over. finally, a peace
came to rest over the landscape. sitting by
the road with a clear view of the moon's light
sheathed in the waters, the stars above wreath
a cirrus eye to watch over the marshland
plants leading into the placid waters of

catlins lake, west. ten fifty-one.
crossing a one-way bridge over a river winding
its way into the lake, another turning point
decision arose: continue down the highway
along the river, or head straight out and
toward the coast again. having resolved to
make it to a waterfall by dawn, and the latter
offering a possibility of this, the decision
made itself. turning back around the other side
of the lake, the road wound a couple times
up a gentle ***** out and up from the valley
at the tail of the lake, and into a slightly
more elevated valley. the country roads ran
easily and smooth, paved roughly but solid.
not a car came by for kilometers at a time.
lay on the road past a turnoff for quarter
of an hour letting serenity wash over, the
hills miniscule in comparison to home, the
sky motionless, massive thin halo about the
moon. walking on, night-birds called from
time to time (no moreporks, though. not until
dawn), figuring out how to whistle them back.
a turnoff to purakaunui bay strongly
considered and ultimately ignored; retrospectively
a great call, considering the size of the detour.
hedgerows of macrocarpa, limbs clearly cut
haphazard where once they'd hung over the
road. occasional 4wd passing, always a 4wd,
be it flash new or trusty old. you'd need
one out here. have no fun, otherwise.
monolithic pine-ish hedge bushes, squatting
giants. once, a glimmering in the sky, a
plane from queenstown (assumedly) almost
way too far to make out. the colossus of
the one human-shaped shadow cast down
from the moon to my boots. how small
a thing in this place. swamped out by
the beauty of this neverending valley.
breathless.

the road turned, not quite a hairpin,
but not entirely bluntly, a welcome
break from the straight or gentle
sway, and five minutes turned to dirt.
had to lay down again- legs screaming
by this point for rest. still, they
had nothing against pressing on. dad
taught me to just keep going. that's
the thing about walking. stop for a
little bit and you're good to go
again. pushing for the fall was probably
overkill, but no worry now. dirt road
felt so right after a good 20+ks of
asphalt, only infrequently punctuated
by roadside moss or thin grass. it
was as if beginning again (well,
kinda, if only with as much energy).
having downed only a litre of water
(leaving only half a litre more), a
litre of fruit juice and about 100
grams of assorted nuts since more
than twelve hours ago by this point,
it should have been a shock to
still be going by this point. don't
really need that much anyway, though.
gone on less for longer. hydration,
anyway, was the least of all worries,
the air being thick with water, ground
fog having been laid down hours ago.

up the dirt track, more cows. they make strange
sounds at night. didn't know anything yet,
though. that's still to come. a ute swang past
going the other way, indiscriminate hollers
from the passenger-side window. waved back
cheerily. so far from anything to be anything
but upbeat now. not even the heavy shroud of
tiredness could touch that, yet. the track wound
on forever. was stopping every half-kilometer
to stand and stretch, warding off the oncoming
aches. the onset was unwieldy, though. didn't
have long. past a B&B;, wondered whether anyone
actually ever stayed there (surely would, who'd
not revisit this place over and over once they'd
discovered it?)- certainly would've, having the
cash (apparently parts of "lion, witch and the
wardrobe" were filmed here. huh). further on, the
road turned back to seal, unfortunately, but
with small promise- surely, at least fairly
close by this point. turning a corner, a small
and infinitely beautiful indent against the bush,
a small paddock bunched up against it, stream
wound against the bases of trees, all lit by
the clear tones of a now unswathed moon, sat
aside the road. it was distilled perfection.
it was too much, just had to keep goin' or
risk shattering that image. next turn was
a set of DOC toilets, an excellent sign. must be
basically sitting on the path entry now. searched
all 'round the back for it, up the road, nothing.
not entirely despondent but bewildered, moved
forward and found a signpost. the falls were now
behind? turned around and searched even more
thoroughly, quiet hope turning to desperation
by the silent light of the moon. finally,
straight across the road from the toilets,
was the green and gold sign, cloaked in
darkness under clustering trees, professing
a ten-minute bushwalk to the

purakaunui falls. saturday. 1.32 am.**
venturing into the bush by the dull light
of a screen of a dying phone, the breeze
made small movements through the canopy. it
couldn't have been any more tranquil. edging
way through the winding cliffish track through
dense brush, the sound of a trickling stream
engorged into a lush symphony of water. crossing
a single-sided bridge across an unseeable chasm,
twinkling from the ferns behind became apparent.
turning off the dull light, the tiny neon bulbs of
glow-worms littered the dirt wall risen up about
half a metre, where the track had been cut out.
my heart soared. all heights of beauty come
together. continuing down the path, glow-worms
litter the surroundings and the rushing of
water comes to a roar. at a look-out platform
above the falls, nothing can be seen save a
slight glisten. down perilous steps (wouldn't
be too bad if you could actually see 'em) the
final viewing platform lay at level with the
bottom of the falls. they stood like a statue
in the dark, winding trails of thin white wash
through the shadows hung under trees. left
speechless from something hardly made out, turned
around and back up the stairs to where the
glowing dots seemed their most concentrated.
into the ferns above, clambered through and
around moss-painted tree trunks and came to rest
a couple hundred metres from the trail, under
a fern, under a rata. packed everything but
a blanket from nan into the bag, laid it out
on curled leaf litter and folded up into it,
feet too sore to remove 'em from boots, curling
knees up into the blanket and tucking a hand
between 'em to keep it warm. only face and
ankles exposed, watched the moon's light trickle
through canopy layers for a few hours, readjusting
tendons in legs as they came to ache. sleep (or
something resembling it) set in, somewhere
around four.

some time slightly before six, the realisation
that my legs had extended and become so cold that
they'd started cramping all the way through hit,
coupled with the sounds coming through the bush.
thank you, if you made it all the way through :>
I grew up in South Auckland, Takanini
the only Pakeha in the caravan park,
I learnt how to be tall, smart and skinny
how to raise the end of my sentences in an arc.

At school, we were told words held power;
but for teachers words were flowers,
and my friend Cruz had two brothers
Harley and Davidson - they belonged to Black Power,
their fists tattooed with something like “Smother”.

But there was never violence on our street, gang was family;
I usually never felt more at home around Bourbon,
loud Reggae, bags of ****, and men so manly
they’d cry over love, and I wouldn’t get a word in.

Though my Father votes National and thinks Michael Laws is right
so moves us to Dunedin where it’s ninety percent white.
I stopped reading Lenin and picked up Rousseau  
became a vegetarian, thought it was so cool you know,
even wrote a blog that discussed rise from below.



But I’ll never know below again
until I’m drunk in an old shed at 3am on a school night
singing along to Bob Marley in Maori,
sunk deep into the mattress propped against the Harley,

the one you and I would cruise on until dawn together
as police took to the streets in riot gear -
we’d get lost in the country and learn to smother
our thoughts in starlight then stagger over,
listen in to the darkness,
and just slowly breathe
the crisp, cool air of the kiwi tundra.

They say New Zealand has two flags,
but in the country, when you’re blazed
on the benefit, ****** on the disdain
for positive discrimination, you can pick out
all the small bright koru unfurling in the stars.
I leap across steppingstones in the grass
that lead out to my washing line,
wait for the wind to come and pass
then drape my socks out in the sunshine.

Somewhere, it’s grey and cold
they hang clothes indoors on plastic frames
walls and windows gather mould,
those with wet work uniforms go insane.

There is hidden wealth in the economy.
There is no such thing as inequality.  


(When I was twelve
my family moved to Dunedin,
my brothers became Christians
then travelled to Asia to spread their Religion -
they said “there is no class system in New Zealand,
there is no faith Cambodia” )

There is hidden wealth in the economy.
There is no such thing as inequality.
Invocation May 2014
my throat aches for food
my stomach and mind shout
naysayers
heavy with
the clock, she won't stop chattering
nervous tic
aching shoulder, from laying on my side
staring
waiting for
one new message
crooning songs echo
in my shallow veins
beard of dunedin
oh to stand in manufactured rain
cleanse together
hot steam breath collide with
(well)
******* scenes dance heavily
salty
sweet soapy soft silky
soaked..
i feel so alone.
what life would crawl over my skin?
what lips caress these dead eyelids?
what fingers traces these cold curves
like tree limbs next to the curb
i am living trash

but I still want to make you
wet
showers <3
judy smith Jul 2015
Fashion designer Dame Trelise Cooper is holding her first show in Wanaka to help raise funds for the town's planned hospice.

The September 30 Theatre of Fashion event is being organised by Wanaka fashion store Escape Clothing owner Lucy Lucas and the Upper Clutha Hospice Trust and organisers hope to raise up to $30,000.

Trust fundraiser Bev Rudkin said the show was "such a coup for Wanaka".

Wanaka hasn't had anything like this before and we know Theatre of Fashion will be an exciting event."

The event will be held at the McRae family's Glendhu Station Woolshed and will showcase the Trelise Cooper Summer 2015/16 collection. It will also feature three Trelise Cooper 1950s-inspired installations.

The event includes an auction of donated items, with all proceeds going to the Upper Clutha Hospice Trust.


photo:www.marieaustralia.com/evening-dresses
Lucas lost her mother to cancer two years ago and says the hospice facility is especially important for the local community.

At the moment, Wanaka cancer patients and their families travel either to Clyde's Dunstan Hospital or Dunedin Hospital for hospice care.

The Upper Clutha Hospice Trust will be a tenant in the Presbyterian Support Otago and Mt Aspiring Retirement Village's proposed aged care/dementia facility on Cardrona Valley Road. Construction is scheduled later this year.

The trust is raising capital and operating costs for its patient rooms within the larger facility.

Lucas stocks Trelise Cooper in her shop and approached Dame Trelise to see if she was interested in helping the trust.

"Dame Trelise is incredibly generous with her time. She does a lot for community causes. Wanaka is so lucky to have her agree to holding this event, and for her to attend is even better. Guests are in for a treat. Trelise Cooper shows are always fantastic, with plenty of 'wow' factor," Lucas said.

Dame Trelise said she was only too happy to help: "Giving back to the community is something I have always believed in. It means a lot to me that my passion and the work that I do can be put towards something that really makes a difference . . . I have some very loyal customers in the South Island who have supported my label right from the beginning, and it feels great to be able to bring an event like this to them."

FAST FACTS

What: Theatre of Fashion inaugural show

When: 6.30pm, Wednesday September 30, 2015

Where: Glendhu Station Woolshed, Glendhu Bay

Cost: $65 per person or $75 for front row seats. Tickets from Escape Clothing, Ardmore Street, Wanaka, or the Upper Clutha Hospice Shop, Ballantyne Road. All proceeds to the Upper Clutha Hospice Trust.

- The Mirror

read more:www.marieaustralia.com/formal-dresses
Invocation Jul 2014
The beams break barriers:
sound
skin
a note, trilling out
bleeds into the dust-dancers filtering through
rays of sun heating my leg
paleness brought to surface
like some
small, vulnerable creature
a careful animal
i wander uselessly through petitions
cancerous
but aside from this.
I could find myself returning
tearing away old skin to be young again
you make me want to be
a not-so-careful
Creature

(heart failing
limbs flailing
shall i be a
finless maid?
orginal thought
we were boats
i conquered this
ocean, and you
conquered me.
now i see this:
you are the
ocean in which
i would
much prefer
to lose my lungs'
functionality)

drown me
you're in my dreams
betterdays Oct 2014
looking down
at the grains of
sand
encrusted upon
my tide washed feet

i pause to ponder

how much older,
and far better traveled
these tiny chips of calcified
life and mountain grit must be...

now i have been to
many places....
L.A. Paris, London,
Dunedin, Melbourne
Hong Kong, Mooloolaba
to name but a few...

but these little bits of
seadust,
have lived lives
and lost,
have travelled
to and fro....
becoming ever...
smaller as they went....

shedding of themselves
to the greater entity.
becoming
one speck among......
                              bazillions

taken beyond their lives
of solidity by swirling
currents

only to end up as sand
upon my toes.
big thoughts for a friday night...
judy smith Mar 2017
This year’s WoolOn Creative Fashion event will feature some "exciting" new elements, but they are under wraps for now, organisers say.

The event, which used to be held annually in October in conjunction with the Alexandra Blossom Festival, last year was separated from the festival to become a separate entity.

No WoolOn was held last year and this year’s event had a new date, May 26-27, WoolOn chairwoman Clair Higginson said.

A final call for entries was being made this week, and the closing date for entry forms had been extended by a week, until March 24, Ms Higginson said. Designers then had another month to complete the garments, which had to be handed in by April 27.

Ms Higginson said this year’s WoolOn would be held in a new "industrial-style" venue in Alexandra, but organisers could not yet say where as consents were not in place.

Other "exciting" new elements were being added to the event, but they were also being kept under wraps.

"We’re trying to make better connections between the wool on the farm and the wool on the fashion catwalk. But just how we will do that is going to be a surprise."

Rural Women New Zealand was the new naming sponsor of the event and WoolOn organisers were excited about the partnership, believing it would bring extra focus to the raw product

the WoolOn garments were created from.All garments must be at least 75% wool and there are eight categories in the event, as well as an Under 23 Emerging Designer Award.

The event will still feature a Friday night "First Look" event with a "fashion show feel", and a Saturday gala evening, when winners will be announced.

This year’s judges are Deirdre Mackenzie, of Tauranga, who was one of the people to establish WoolOn in its present format; Simon Swale, a design lecturer at the Otago Polytechnic, in Dunedin; and designer Jaimee Smith, of Dunedin, who has her own fashion label, "Florence".Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Paul Hansford Apr 2016
I didn't take a photograph of the statue of Robert Burns.
His sightless eyes were looking out over Dunedin,
the most Scottish town in the southern hemisphere,
and there was a seagull, not a pigeon, standing on his head.
I would have called it "Robbie Burns and Friend."

And I didn't take a picture of the bus shelter
painted all over with jungle foliage and a tiger
peeping out over the simulated signature of Henri Rousseau.
The title would have been "This Bus Shelter is a Forgery."

Neither did I photograph another painted wall,
one round a cemetery full of ornate and sombre tombs,
with a large and skilfully executed advertisement -
Renta Sanitarios Mobiles (Hire Mobile Toilets).
It would have been called "Is there no Respect for the Dead?"

I didn't take the photo of a Fijian policeman.
A pity, for he had such a practical uniform,
very smart and cool,
in a tasteful shade of policeman-blue,
based on the traditional sulu
with a striking zigzag hem.
The title would have been "A Policeman in a Skirt?!"

I couldn't take a photograph of sunset over Popocatépetl
– although the sun was setting in a red and golden haze,
and the most romantically named mountain is just
what you imagine a perfect volcano should be,
even to the wisp of steam at the peak
– because the sun was actually setting over Ixtaccíhuatl
and "Sunset over Ixtaccíhuatl" doesn't have quite the right ring
The shape of the mountain is not very picturesque either.
Yes, I would have called that one "Sunset over Popocatépetl"
– if I could have taken it.

My camera wouldn't focus on the crescent moon
hanging over the Egyptian skyline,
horns pointing up, so close to the Equator,
and the evening star (Venus or some more ancient goddess)
just above and almost between the points.
If that one had worked it would have been called "Islamic Moon."

I couldn't possibly have taken a photograph
that would do any justice to the young piano student
in a Hungarian castle
hammering out Liszt as if the hounds of hell were after her,
but if I could, I would have had to call it "Apassionata."

And I didn't even have time to get my camera out
to take a picture of the wild humming bird
darting green and unconcerned
among dilapidated tenements in the heart of Mexico City.
But that living jewel shines bright in my memory,
even without a photo.
I don't know what I would have called that one,
and I'm sure it doesn't matter.
All of these are things I have seen on my travels and not been able to photograph, for one reason or another.
My limbs are gushing while I walk
down towards the seaside pier,
these endings and these beginnings
ascending again into mere cycles,
the rising and falling chest,
beating heart,
transcending

I walk
hand in hand with you, restated love,
the new and the old clothes we wear
wrapped around our breathless poses
our heads filled with thoughts
of rose ridden gardens, and of course
children dancing, playing games between
our spacious Pohutakawa branches
where you first taught me about romantics
without that rudimentary triteness
and you sitting, coffee in hand at the picnic table
swearing revolution is never possible
to I dancing, remarking
“you are such the cynic”
before grabbing you and twirling you
faster than the earth rotates

As we drift closer to the sea
the inconstant wind winds the clock to 10pm,
the minutes restoring those now withered days
of woollen coats, new music and Dunedin
I would stand behind you while you played the flute
thinking of that time
where we played in the rhododendrons
till dark; folding time folding into
my arms, the sky white and blue
juxtaposed against the trees
darkened spikes explore the sea
what was it? me, me, me,
of course, I see
and I
remember the melody

(lets go under the covers
we can play games in the dark
we could even try adding to
those stars on your ceiling)

so now, again, for a moment, we reappear
in this hour, this walk, this air
stilted, shaking
we resurface,
and soak in the watery soils of previous deluges
become something overwhelming,
something insoluble

here we are, on the Pier
at noon, dazed, defused
by a familiar grip on the fingers
index snug between the ring

“take me to the end”
“but darling,
we are going further than that”

before we jump
we tie our balloon to the pole

and promise to return, on horses
painted silver and brass

Hey, nice to see you here
come with me
lets watch the sunrise
from the beach,
I think I sense a revolution stirring
i am driving to the airport in reverse, crying
aching at how lonely my spine will be, without your body
behind me
an unbound book.
the fear of empty
cold
hands
yours are always so warm.

a plane lands backwards from Iceland to Dunedin.
you arrive.
i kiss you and hug you and kiss you and hug you
and tell you goodbye.
we enter a bookshop,
“it’s your flight, petal, time to go”
we only find overpriced Sudoku books.
we look at socks.
we drink drinks, then buy them.
we go down the escalator back to front,
we take the stickers off your suitcase.
i drive back to your house with
you in the front seat, beside me.
we unpack the car,
go up the path
pat your cat goodbye
put your clothes away
your posters back on your wall.
get back into bed
we come
and then we ****.
this poem is a significant event backwards
Akemi Feb 2016
I wonder what it’d be like to stand on a human face
Would my foot sink right through their flesh
Leave a hole circled with broken teeth
Gnawing the empty air?
Seems no different
Someone writhes on the floor in a club
Is pronounced dead the next day
Exorcised *******
It’s where they go to get ****** up right?
Tequila and lime
Body shot
Set it on fire
A worm died so some middle-aged manager
Could fail at recapturing her youth
****** up, let’s get ****** up
Bones bleeding through the sleeves
Stuffing flesh into mouths
The river overflows with fast food wrappers
And rotting couches
Sit on the pavement and ***** in your lap
It’s what you came here for
Is she going to jump?
Take a picture
Hope the whole roof collapses
We’re trying to ******* sleep, a neighbour yells before slamming the door
Feels awkward and steps off the roof
Lies on the floor of her room
Slits her wrists instead
He’d been angry since he moved in
Kept finding apple cores in his yard
Sometimes it’s Christmas here
And the entire city decides to take part in a ritual
Where the vacuity of existence is concentrated in the shopping districts, so everyone can feel awful together
It’s really something
A black heat descends on Dunedin
And smothers all the children in their cribs
Teenagers light up and skate through the throngs of blank-faced adults
Too deeply enamoured with percentage discounts to even notice their bags filling with the blood of foreigners
Did you know one million Chinese children die a year from vitamin A deficiency?
Good thing we’re buying all these Chinese made goods
Sometimes the smog is so strong
And the water so red
That everyone begins to think the clear days are the strange ones
Sometimes the power poles collapse and generations of children are born sterile and genderless
The fathers all choke their wives with plastic bags
And no one questions them
This existence is nauseating
No wonder your mother hung herself
No wonder your uncle ***** your sister then hacked his own head off
None of this is real
A guy was hospitalised because someone mistook him for a child molester
Smashed his face up so much he lost seven teeth and got brain damage
He’d been a famous writer before
And now he can’t speak
Isn’t that the funniest thing you’ve ever heard?
Doesn’t this existence make you want to breakdown into laughter and throw your head against the wall until there’s nothing left?
10:26pm, January 18th 2016

Swans is a bad influence.
Invocation Jul 2014
Will this ever-increasing tic
obsession( fine fresh fierce)
end?
Oh dunedin
birds gossip nicely as the sixth pm drains away the daylight
like the holy cousin of rainwater, sliding into sewers and grasses
collecting in the corners, broadly shouldering
alight upon my flushing cheeks as I grin with content and turn open palms
fronds for photosynthesis- to the running sun
she hides behind a tree, throwing black shadow and navy skyshine to cover her tracks
easily distracted
stars mesmerize in redcloud manners with their fervent chimiing
and when the sun finally leaves i will not sleep by your side
but this is nothing new. so i eat hazelnut spread and honey on granola and milk
forget my nicotine withdrawal for the night
i'll smoke a bowl in order to eat dinner and sleep
without you
my fingers smell like
chocolate
green ashes
black tea
and skin

oh meow kiss meow
Niesha Radovanic Sep 2017
i'm sorry that my mom and you didn't work out
i'm sorry that mayias mom and you didn't work out
i'm sorry that paul's mom and you worked out
i'm sorry that i couldn't  give you friday night lights like he did.
i'm sorry i was born in 2000 because you missed more days with me than you did with them.
i'm sorry that sounded selfish
i'm sorry that you thought buying me books was better than actually reading them to me
i'm sorry grandma had to do the ***** work for you
i'm sorry that you thought money would be the only way to help her
i'm sorry if you think you've done more for me than her
i'm sorry that 1782 patricia avenue wasn't the ideal household for you
i'm sorry that the coffee color coated sofa  will never mount up to the scent of her bedsheets
i'm sorry that i don't attend the family vacations every weekend to riverview
i'm sorry your last name isn't on her little girls birth certificate considering she calls you daddy like your the only man she knows
i'm sorry she didn't get close with her real dad, i guess i can empathize with her
i'm sorry you missed my first day of kindergarten i would've loved to show you my teacher but she's in the grave now rest in peace ms. rossy
i'm sorry that when you got out i didn't recognize you as i sat on the creeky wooden swing with grandma it's just hard wanting to wrap your arms around a man you never knew
i'm sorry that i remember the long weekends spent at the mayo correctional institution than the long weekends we spent together in dunedin. oh that's right we never spent time together. but we spent money.
i'm sorry that when i heard your dad will pick you up from school the once missing two front teeth cute smile turned into a frown that began to sink into the ground
i'm sorry but being parked in front of the "spot" for two hours made me rather do my homework but my fingers began to shake as the ac blasted creeping its way into every opening of my applebottom clothing
im sorry that mary jane took the spot between your curled lips as she lighted up her smoky fire crisped in your lungs and crinkled your brain cells. who do i kiss good night, if your lips are occupied by rolled paper.
i'm sorry that mayia and i can't give you saturday morning haircuts at the shop like paul
i'm sorry paul don't think i'm mad at you. it's not you. it's never been you.
i'm sorry this face wears rage like an accessory
i'm sorry that you think yelling at mayia is okay. DAD that girl loves you so much she just wants you to pay attention to her. her mom won't give it to her. this little girl shines like christmas lights that i love to hang. she is the brightest thing in our room.
i'm sorry you couldn't see that your second child is giving you a second chance
i'm sorry grandma mayia and i can't give you the world like paul and tika
i'm sorry holly left because i really need her to be the mediator right now
i'm sorry that i thought you could help me with sort laundry i thought it was less work than scrubbing her ***** dishes as your hands pruned in your sickening silver soapy water, but i guess you like working for her
i'm sorry that we never got to have a relationship
i'm sorry it's too late i'm leaving soon
i'm sorry i have to get out of here pinellas county has filled me with a monotonous life style
i'm sorry but it's time to say goodbye to emptiness
i'm sorry that this family has felt broken since april 8th 2000. i guess birthday wishes don't come true
i'm so sorry that i haven't been able to string my broken english together to share this with you until now
i'm sorry you're probably upset and telling me how wrong i am but feelings aren't wrong they are emotions that i've been absorbed in and they are becoming oh so real for you now. take it in. take in the pain i've felt for 17 years. take in the faith i have in you that you can change. take in the love i still have for you. take in the broken heart that's been thrown on the ground way to many times
i'm sorry that i'm not perfect but who would want to be that's overrated
i'm sorry i wish i could've painted you a mural of mend
i'm sorry but mayia and i tried hard to fix things
i'm sorry but she's too scared to tell you she doesn't want to be dragged across the courtney camble after your late shifts on friday nights and maybe she does but it doesn't add up with her messages begging her me to come pick her up. mayia if you want to stay with them that's fine baby. i'm not mad at you. i won't ever be mad at you. i'm mad because even after the struggle with your mom toe let you see us he still ignores you because it seems like he rather have tikas body wrapped around his tatted arms than yours.
i'm sorry paul gave you more than we could ever offer we thought our soccer games could keep you around but then he started playing too. i thought my poetry would fix things but after this poem you're gonna hurt too
im sorry if you thought that was my intention. it's not. it's for you to realize that you have two daughters too
i'm so sorry mayia and i were never good enough for you.

— The End —