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Cali Nov 2012
six deadbolts
and a loaded gun
tucked beneath your
pillow, what are you
waiting for love?
is it the rapists or
the sociopaths or
the criminally insane
come to shatter your
suburban dream?

they may come for you,
or maybe you are
one of them.

it doesn't really matter
anyways, you'll still
rise when you rise,
laugh when you can
and never, ever cry-
that would make you
human. you'll still
be seeking answers
if you're lucky and
pretending to know
what love is
in a dark, dark place.

everything will go to ****
on its own. be wary
not of the sociopaths
but the preachers
of god, of love, of war,

be wary of
your own mind.
My Country 'tis of thee
A footnote in history
Of thee I sing

I will dare to compare
for those who were not there
I will try to be fair
Of thee I sing....

My Country was very proud
My Country is full of PRIDE (Insert your rainbow flag here)

My Country was safe at night, you could leave the doors open
My Country is scarier, you don't feel safe until the deadbolts are locked and window bars are in place.

My Country was a place where you knew you could get a housecall from a doctor if needed.
My Country is a place where patients die waiting for a doctor, in the hallway no less.

My Country was amber fields of grain
My Country is Amber alerts and looking for missing children in Amber fields of grain

My Country was the CBC
My Country is satellite television with 400 channels and nothing to watch.

My Country was a place where our flag was respected world wide
My Country is a place where we are respected still....as long as it involves a puck.

My Country was leading the way into the future
My Country is always looking over it's shoulder to see what's coming

My Country was a great place to vacation with the family
My Country is The Untited States for at least 3 weeks annualy, because it's cheaper there.

My Country was strong and a world leader in science and technology
My Country is on life support.

My Country was my families first choice of a place to live
My Country is still my families first choice of a place to live...barely

My Country 'tis of thee
A footnote in history
Of Thee I sing

I hope you get the gist
There's not much I have missed
I loved, but now I'm ******
Of Thee I sing.....
This is just my feeling about Canada, if you feel the same way about your homeland, feel free to add couplets  as you see fit. I see this as a continuing work in progress, and hope you enjoy it.
Ayaba Babe Jan 2013
How are you going to tell me about my heart if you've never been in it?

-The lock to your heart is my deep refrain, the path that takes me there may not lead me out again.

Six deadbolts and a wall great like China. Whispering L words while touring my ******. But my heart is not an exhibition. We all seem to love so different, would I just be a sight see should I let you in it?

-Your body is my vacation for exploration, a ticket with no expiration. Head to toe, anywhere on you is my destination. Sight see if thats the thought for you, but to see the sight is what I want to do.  The seductive me wants your toes curled due to warm embrace. My inner dog wants to see your O face.

The wife of a traveler, I print your boarding pass. Cruising along the waves of my saliva; hiking the mountains of my ***. My expedition is one of many, but i think that you should pick it. Theres only one flight departing, and i'm giving you the ticket. The life of an explorer, Oh Captain. The landmarks of my body are for you to conquer and explore. But once you leave your footprint will you set sail from my shore?

-A Brazilian wax or a landing strip, either or it doesnt matter they both point me to your lips. Your shores I see as we watch the sunset, an instinctive kiss, you sigh but its breathless.  As the night falls on this restless traveler, I'll take that one-way red eye ticket; final stop is to have her. I am the Captain of this ship and my journey is unbound, but the question is: when I set sail on your seas will you keep me safe and sound?

Captain, Oh Captain;  I long to be the vessel you navigate. The compass of direction magnetizing towards our fate. All the lonely nights at sea, wont you promise to keep afloat? If you are the propellers, I promise to be the boat. I wish only to fill your soul with warmth and pleasure. I have dived to the bottom of the seven seas, but I have already found my treasure. I want to sail the world with you; full speed until the end of time. But I need to cut your heart out, before I hand you mine.*

-If its yours to replace mine, simultaneously, is a must, because to give you my soul, takes a strong being to entrust, the strongest chess peice, queen to this king, you are my fruit bearer, my last name to follow yours at rear. I'll give you the scissors, but you better cut gently, and if you cut the wrong cord I will not put you down gently.

Oh Captain, Dear Captain, but surely your heart still beats true. Surely the blood is still warm and rich, not deprived oxygen blue. You must understand where I'm coming apart, my intent is not to sever your pretty little heart. I present to you my heart, served on a golden medallion token, But I fear your blood will turn cold once you see that it is broken. Let us not use scissors, the pierce will be too sharp. Let us use our fingers to grip each others heart. I will pump my love through your atriums and ventricles as if they were my own, disregarding any glitches...if you will love my raggedy heart, mending it with stitches

-Your words of kindness, your love not sorrow, pumps through my veins, heart beating days beyond tomorrow. My time will remove the stitches, your heart unscathed, no imperfections, no glitches. Turbulent may be the path ahead, yet a steady path this Captain will tread. Along on this voyage, your light makes bliss, and as long as your heart beats, a beat mine won't skip. I do for you as I won't do for others, fly a path so true, only seen by lovers.

*So we fly to the moon and we never come down. Queen, so pristine, lounging afloat my crown. So then I am the locket, and you are the key. The combination to set the spell free. I'll be your wonder woman; make my body your home. Yours entwined with mine; sultry metronome. The sweet steady beating of your heart is evoking; and if you look once again you will see my heart creeping open.
a collaboration with Jason.
Chris Voss Jan 2014
When my grandfather passed away, my brothers and I held my dad with slanted eyebrows and stiff, silent upper lips. Because we are young and foolish and still learning. Because we’d never really had to do the holding before and, as far as we knew, this is how men mourn.

We dusted antique left-behinds with delicate, moth-wing hands that fluttered here and there and never stopped trembling -- dead giveaways that within the corridors of our arms our heartbeats went stampeding, arrhythmic. We couldn’t quite bend them into the proper shape for prayer, so instead we ran them, with touch somewhere between float and feel, along every ashtray and age-stained picture album. In that moment I think we each wished that memory read like braille, but no one ever said as much. Because this is how men mourn.

We honored our patriarch with whiskey, hidden away for what must have been twice my age, between the carved out pages of old stacked books.
We drank like secrets. His portrait played witness.

We promised between our teeth with tinged lips tight, keeping words in that might otherwise crumble us like great ancient empires.

We singed and smoldered in a burn that coated our throats, quelling a choke that kept climbing its way up from a chest that never quite stayed sunk. Boys grow up loving the clinking twist of unlocking deadbolts but men peek through keyholes. Because this is how men mourn. Silent and straight with head only slightly slanted.

But when my father betrayed his rigidity with words that clicked clean like unfastening locks, we traded this stale air in for wind laced with the electric taste of thunderstorms. We forgot how men mourn.

When my grandfather passed away, my brothers and I held my dad with lightning behind bleared eyes. Because we are young and foolish and still learning. Because we have umpteen days left to dress in bittersweet vestiges and, as far as we know, this is how men live on.
Nicole Aug 2016
How are you still here?
Are you locked in a maze of my memories?
Trying franticly to escape and
screaming your way into consciousness

New pills but the same tunes
It’s been so long and yet some days

It feels like I’m still trapped

In the personal hell you constructed for me

You owned not only the key
Nor the concrete windowless walls
Nor the velvet-thick darkness surrounding me
as I begged for you to let your light in again
but you owned me too

You didn’t even need chains to keep me there
My heavy heart held me down more than any metal could
I can’t even say I escaped
Because you

let me go

Twice

Both times reopening the deadbolts to call me back
And obediently I came crawling in

And then you shoved me out again
This time without warning

The light burned my eyes and my skin
My hands bled as I scratched at the door
Tears choking all the words back to my stomach
And when I couldn’t feel anything anymore
I grabbed a knife

and carved a map into my skin
Desperately waiting for you to call me back again
But you didn’t

And I’d like to say that I’m ok now
That you no longer torture me
But I’m not.
And you still do.

Of course she helps
I swear someone sent an Angel
And I’m not worthy of her
But she still loves me
And I’m terrified that one day
my demons will tear through her wings
just like you tore through my heart
And though she helps mend it again

It will never be whole again

Because you stole a piece for your own sick collection.
Dorothy Quinn Jul 2013
I knew I promised I’d keep writing,
I don’t break promises,
so I’m writing,
but you don’t know that.

It’s not that I don’t want to tell you,
it’s only that the leaves started to fall,
and I started to fall in love with old flames and blades,
so I asked God,
if He would please,
put eleven deadbolts on my heart,
and then toss the key in the Thames,
just so I could save myself from you.

My heart is healing
and soon won’t need such protection.
Don’t worry, He can craft new keys,
and don’t even think,
not even for a second
that I want anyone but you
to slowly take off the locks,
one by one, slowly,
one, two, three…eleven.

I promised I’d keep writing,
and I’m writing, and please just know,
that even though the keys sunk to the bottom
of the river, don’t even think that means
I didn’t try eleven times every day
to rip the eleven deadbolts from my chest
just to get closer to you.
Claire Waters Jan 2013
what texture did the skin take on
before it gave up and swallowed you?
did you ever for a second think
that you could be safe when
your fingers never stop twitching
every time you examine your neck in the mirror

there was a time before your hands
were reasons to hold on tight to anything
that could breathe
don’t tell me they’ve always been
this hungry

you must have known a night
before you had to bury them beneath pillows
to keep them from biting at your ribcage
fenced in by notions you put in your own head
they weren’t always this restless

there are ways to think about dying
without burning it into your skin
and there are nights that crackle like pyres
when you slip and let the embers sink in
and you think what is a body
but a vessel for sacrifice
but living on sharpened stakes
never felt so good
stop convincing yourself
it feels good

this depression is overgrown
you’ve never weeded the garden
didn’t water the flowers
and then turned away from your withering
too ashamed to call it your own

don’t you wonder when this self-hate
became the only trait that stayed hidden and safe
take those itching fingers to the shovel
and dig fresh beds to lay in
stop lying in the excuses
and uproot this grave

how does one climb out of a life
when every day is the same
when did you get so forfeiting
that you stopped attempting
to pull your body out of this?

i know it’s hard
to convince yourself this woman is not
the sum of her parts
don’t believe the man who spits at you
when you don’t agree to be the object of his rage
is sane
he will stay the same
but it’s up to you to stop
believing him right
and seeing yourself through his eyes

you are not a statistic
or a receptacle for pain
stop blaming your ribs
for holding on so tightly to your heart
for all the ways that you hate them
your organs are still smarter than you are

because they hold on
like deadbolts and locks
when you manifest the world’s sickness
in your brain
stop blaming yourself
and take the reigns

get a grip
that isn’t cataclysmic
learn to live
instead of picking at scabs
just to feel a pulse
you have gotten in too deep
and you are above this
Madisen Kuhn Jun 2018
some knobs come without locks
they live in houses where
the windows and doors are open
through every hour of the day
bees and flower petals
float through the open air
the cat comes and goes as it pleases

even when the seasons change
when the weather brings a gentle snow
the covers the floors in white
remember the beauty
of living without deadbolts
of walking into old spaces whenever
the sky reminds you through
contorted clouds

you do not need to pack it all up in boxes
to mop the floor, to sell the couch
you can keep the door open
as long
as you like
this is a custom poem written for a giveaway winner
Taurus Apr 2017
Commonplace language
Comfortable impressions
Automatic concrete deadbolts
Stockpiled beginnings
Automatic appearance
Comfortable language
Unlock the commonplace deadbolts
Holding us concrete
In our beginning language
and stockpiled impressions
Appearances automatic
Poetry Month prompt 1
derelictmemory Jun 2014
Things are different and sometimes I wish I remained in the shelter labelled as The Indifferent where soap bubbles were as indestructible as bulletproof glass.
But you have a way of making me roll down my windows long enough to pass me nibblets of living and I wish you never reached your hand in to touch mine.
Safe houses aren't constructed to keep people out but deadbolts are in place to keep me in. I'd never advocate a limb to give me comfort;
your legs aren't strong enough to walk in this shambled home and your arms will burn before they can reach me.
I'm in the middle of flames that do not burn as strong as your eyes and I may not be a locksmith but I could very well create a lock that will keep you out.
I have a lead heart that's as fragile as the granite that define your sketches so don't you try to ring that doorbell because it won't open.
I find comfort in loneliness and solace in pain but you'll never change my mind about spring and how blooming flowers always close up from the world.
Morning Glory eyes that open with light and shut in darkness, you haven't been touched by the poison so let's keep you alive for as long as you are meant to live.
There's a difference between pessimism and realizing that the moon is as good as it gets so while you are safe, I will be as safe as dry wood in a bonfire.
I realize that pain is subjective and that iron walls are as needed as titanium souls but it doesn't stop me from being as frivolous as a dandelion.
Don't look at me like I hold treasures because I'm just a body of ashes and tears that is as significant to the eco system as a star that has burned out eons ago.
Remove me from your thoughts and eradicate every memory that acts as a landslide once I'm gone.
Your soul shines brighter with each passing day that I cease to matter.
And of all the words I've every said or written
remember that the most important is the poem about goodbyes and endless apologies.

I love you,
please forget me
and don't forgive me.
Scarlet McCall Jan 2018
So you got robbed. Don't think of yourself as a victim. Look at it as an expression of the robber's occupational and social deficits. Don't let it traumatize you for life. After all, can you compare it to being murdered? We need to have some appreciation for scale here. We don't want to go back to the Victorian notion that people are fragile flowers who can't handle  having a gun pointed at them and losing a few dollars. That's a form of condescension, after all.

You're complaining about a burglary? Some men see a mere doorknob lock as a flirtation. And surely we don't want to see the end of flirtations and seductions!  Must we all now install deadbolts and security systems? What's next--chastity belts? What happened to joie de vivre and devil-may-care?

So a drunk driver hit your car. Do you really want to have him arrested? It was a misunderstanding; he didn't realize that four cocktails and driving are technically illegal. And should they be? Do we want to criminalize ordinary reckless behavior? Haven't we all done something a bit foolish or clumsy in our younger days? Do we want a society in which everyone has to be careful what they do, all the time? A society in which people must count their drinks before getting behind the wheel? We are moving away from the ideals of a liberal democracy and toward totalitarianism! 

So you were murdered. You can look at is as an opportunity to learn more about what happens after death. Your career was ended and your earthly form deteriorated, but that's not the end of the world. Now you live as a memory, and people appreciate you more. What doesn't **** you makes you stronger, and what kills you enshrines. There is honor in being dead. It is time we brought back the old virtues!
Jennifer Arndt Jan 2014
We were outside, chilled to the bone, clinging to each other for warmth. There was none to be found. Shivering profusely, even if we wanted to stand, our limbs would fail us. Pulling each other closer, trying with all our might to find a stitch of warmth left in either of us, even though we both knew that there was none. The cold North Wind had come in and snatched the last of the warmth within our bodies. Like the beast it was, it swooped in with its icicle crusted fingers, burying deep down into us, searching every corner: heart, soul. With every breath, it entered our bodies. Claws scraping down our throats, deep into our lungs, spreading to the blood, the heart, where it clung, like a babe to their mother’s chest. Chaining and shackling itself with dead bolt upon deadbolt.

Looking into each other’s eyes, we see the spark that so readily burned before start to frost over. We pull away, since no warmth is to be found, but alone, is so much worse. At arm’s length we stare at the once radiant creature that now cringes and huddles away as if it were a discarded toy a toddler has outgrown and mangled. Perfect reflections we are, as if a projection was placed in the others soul.

We are still alive, is what we see in the other, life, but no warmth, quivering too severely to live it. The North Wind blows harder, whipping our tattered and torn clothes around us. We pull each other closer, but this time different, a smile is shared, but not duplicated by the other, where question and pain is engraved too deeply from the frigid North Wind; different in that the other envelopes around, cocooning themselves over the other, sacrificing themselves, hiding the other in their arms and soul, the last attempt.

Taking another deep breath, the North Wind howls around, trying to burrow itself through to the other soul encased beneath. No warmth is to be found, but a tiny gray spark still burns. Protected from the North Wind’s talons, it is able to smolder, to get a grip on the deadbolts the North Wind has so strongly placed upon the heart. The frost steams and tries to pool away as the spark turns to a flame and tickles the underbelly of the chains: warming, living.

Growing the flame clings to the chains; they try to escape but turning into a torch, the flame dances and licks at them in earnest. Underneath the chains, underneath the frost, scars, fresh and bleeding reveal themselves. The body starts to still. Up above and around it, coldness, shivering and unable to move, gripping it starts to slip, starts to lose hold. Shrieking triumph, the North Wind picks up strength, but is stopped. Burned it is as it enters the throat, trying to climb down to the soul, burned by the blossoming flame.  But the smell of the fresh wounds, the fresh blood, draws it again, unable to resist such a taunt, making it deeper into the body, only to be repelled again. Over and over it tries. Over and over it fails.

Cold and shivering, the other grasps tightly to the once radiant creature that stark body protected the last bit of flame that danced within them, nurturing theirs to burn bright. Not giving up, the North Wind keeps howling about them. Diligently it seeps deeper into the other, trying to get a solid grip, only to be expelled as the spark grows.

At arm’s length, they stare at the radiant creature that now sits full of purpose, full of life across from them. Perfect reflections we are, as if a projection was placed in the others soul. The wounds cry blood, but are protected, slowly cauterized by the flame. No more does the North Winds talons claw, but more itch and ****, still there, but not controlling.

We are outside, warmed by the other, clinging to each other in awe. Stilled by peace, we stand, holding to each other for balance, unsure if our limbs will hold us. Even though we falter, and almost topple from the North Winds push, we take a tentative step. The cold North Winds silenced. Like the beast it is, it is defeated, not without leaving scars, not without leaving tender wounds buried deep down into us, its reminder etched as a reminder in every corner: heart, soul.

We hold onto each other, no longer clinging, but steadying. There if the other may falter, if the other may fall. There to rekindle the flame, if the North Wind tries to extinguish it again.



The cuts will heal, but the scars never leave. They open and reopen, crying tears of blood. Once again they will heal, but even healed, they throb. The pain numbed but never lost.
Elliott Crass Mar 2013
For what its worth,
and it sure as hell ain’t worth a ****.

I felt, the hit.
When it fell it broke, pieces never mean ****.

Left nothing but a scratch on a wooden floor,
but it was treated as a sore in my mouth that I bore.
Tongued and picked until I bled it out.

Packed and labeled as misunderstood.
You hit the ground and you never mistook.
The cracks and frays that wouldn’t let you be.

You spend nights in the cold.
Kept out by unwelcomes and deadbolts.
Hit the bottle harder than it could ever hit back.

We **** and scream till the day dreams freeze.
Fleeing but clinging, we pray for the memories.
We get, we just get on with it

Broken heads, lay as they seem.
To never mend but wait for what comes to be.

Don’t pity the dead, they’ve done their bit.
Clocked out of a world that we never come to fit.

Afraid of the hours just before sleep,
and the thoughts that tend to seep.

You never saw it coming but you’re **** glad it’s here
Simpleton Dec 2015
I found her
Kissing her knees
Cupping her neck
Gasping to feel a pulse
Nails bitten to the core
Spewing profanities
About how everyday ends on a cliffhanger
She stood slowly
Defiantly
Tiny and dainty
Hair a messy mane
A lioness
Concealed beneath layers of indifference
Her hands trembled
And her body swayed
I won't beg she growled
Feral and wild
As though her lips were not a flat line like that on a heartbeat monitor
She reminds me of what it felt like to be betrayed
And what it felt like to be loved
She made me want to get involved in something I no longer believe in
I am a cathedral of deadbolts
And she made me want to change the locks
CR Aug 2014
this summer, the first of its kind, has been a very difficult one. I’m not unique in my anxiety for having the comfortable, intricate, beautifulinspiringwonderful rug I’ve come to love so deeply over the course of this chapter of my life ripped out from under me, but I think I’ve felt the pull particularly strongly. I’ve also lost quite a few people that I loved and love, in varying degrees and to various uncontrollable forces—first distance, then ungenerous and unforgiving illness, then irreconcilable differences of bagel topping and dog breed preferences. my world has been even more transient and transitory than usual, weekends punctuated by drives from my old home to my old home, neither of which I feel like I particularly belong to anymore. my weeks taken up first by a job clouded with exhaustion and headstrong disinterest, then by nothing at all, now by a conflict of interest—a place I love inside a place where I never wanted to land.

on the nights when I’ve fallen asleep, dreams of crying parents and misfiring deadbolts have awakened me, and those nights have been difficult to come by. I’ve felt the ennui brought on by the inescapable digitization of the world and the awareness that I’m not smart enough to be above it. that I’m not smart enough to even properly love the poetry that I love, to speak the language that I thought I knew, or to use the temperamental dishwasher in my own house. I’ve buried my misgivings about myself in lamentations that my friends have been scattered to different cities, so they can’t prop me up anymore.

I’ve shared pieces of myself with people more nakedly than ever before and with much higher stakes, and though I regret precisely zero of those risks, I’m learning it’s true that the harder you fall, the harder you’ll fall, and the latter isn’t something I’m yet accustomed to allowing for myself.

I haven’t yet accepted the death of a presence in my life that has been so large and multifaceted throughout, constantly reminded when the GPS winds me through the churchyard where she officially is now and when I pass her picture on my kitchen counter and when I keep on loving her wonderful family. when I remember that she’s the reason I had these phenomenal four years in this phenomenal place, and the reason I’m for now sitting comfortably in a job that I love.

and I haven’t yet accepted this transition into having so little control, so little trajectory. it’s a big life. this summer, as I said, has been very difficult.

but august, in time, will fade into september, and when it does I can say “last summer was very difficult." and I can remember how to stand up straight and that there’s a reason I have those city-scattered friends in the first place. and I can figure out that the lesson I learned is that risking a fall makes for a strictly irreplaceable, exquisite six month repose—not just a bruise—and maybe a new city-scattered friend. and that the death doesn’t erase the radiance of the life. and that distance is sometimes bridgeable, and that figuring out where to be takes a little time, and that nightmares aren’t there during the day, and that everything is, little by little, sometimes, usually, always all right.
Frisk Oct 2015
every ***** and deadbolt securely fastened in
my chest was unlatched, unscrewed, unfastened,
like a brassiere, yet it was also captivated by you.
for so long, i was simply a crane building towers
around me but you saw more use in me. turns
out, that use was also used to manipulate my
inner chords. no matter how long it took me to
write the musical notes, the harmony i once knew
was becoming weaker and weaker. at the time, i
should have known there was only static noise.
there was only brick walls and towers, only screws
and deadbolts securely fastened to your chest, only
a harmony i can't find the right notes to hit.

- kra
Mary R Short Mar 2014
Locked up like a fortress
Behind rows of deadbolts
This is how I live.
Nothing good ever comes through.
I'm still learning this.

Every time I crack the door
Peeking out, hoping to see
A familiar or friendly face
It only causes me shame.
Did you see my secret pain?
I'm trying so hard to hide behind it.

My door swings on nothing.
I'm floating on it in a sea of confusion
Clinging on for dear life
Because it is all I have to keep me safe.
Only now I've lost the key
And there are millions of doors,
But none of them are mine.

Frantically I'm searching,
Screaming into the wind
As it tears my flesh with icy fingers.
But I think I've given up, it's hopeless.
Ill just let myself sink to the bottom.

*I'm awake now and the nightmare is over
But to my horror I'm looking in the mirror
And the nightmare is my life.
I'll just go check the locks
One more time.
mike dm Apr 2016
i've the mien of a human,
alien among his own.
gross animal urges, brackish greengold flits, uncrushable surge; then,
demispoonfuls of Other emerge, light like photons
barely reaching, then lapping,
at my fatigued bare feet, toes curling up
in the sand of someone else's time.

i don't let people in,
because i
myself am
outside of me,
full of blocked ways,
full of rationalizations.

i am all hallways
without any room.

--- it's ******* weird, i know that.

i am not
altogether
normal.
i am out
there, but
still here.
please please, understand
this. it's key.

like, the other day..
while taking out the trash (that i pathologically neglect to do),
as i approached the dumpster,
that old-as-the-hills
tall, ornately carved double door glinted
into my space
- yet again -
out of nowhere;

made of an ancienter wood hailing from
a lost time and a lost space,
whose two adjacent hatch windows were lithely guarded
by some bizarre crisscross adamantine sentient metal -
this precise door, which
i have never been able to open up, let alone fully approach -
laughed and widened its grasp:

and, with a confusing series of heavy deadbolts  
receding from its nook with a resonant boom,
the left door,
ajar,

beckoned my
being,

as i
am,

and i crossed its threshold
into a velvety grooved room, remembered again
as a toward flesh warm and sliprune.
Sully Sep 2014
Wrote you a letter but I wrote it
On the wall
You could come see it but I know you're not at my
Beck and call
I just came by here to recite it but I
Can't recall
But I came by so that should
Be enough

And it's enough well it should, be enough
And it's enough well it should, be enough

It all looks different from up here above
Street level
And I had to wreck some things to build it up to
Get this view
And now I see each conversation formed a
Full circle
With a dead center, no good reason, what do you want to do?

Is it enough, well I doubt it's, enough.
Is it enough, well I doubt it.

Let's find ourselves a little puddle
Dive on in and swim

Pretend to be big fish in
a little pond, such a fun game

But you know now each time it seems to always
End the same.
With me dry and you dripping.

Take a step back.
As a matter of fact.
And reconsider.
What you want out of love.

Though when I tried to do likewise
You took it quite bitter
I'll be the bigger one
But I am no babysitter

I'd like to slip a little bit of me
Under the door
And have a look around

You've got your deadbolts tight
Play risky with your light
And now it's all burning down.
Ariel Knowels Jun 2014
This is my collection
The paintings stand for those who won
The statues are those who lost
My trophies are locked in cases
My medals are hung on the wall
Those rings aren't for touching
Those awards are supposed to be hung
Dust the floor
And wipe the ceiling
Don't forget to clean the glass
And please don't breathe on the ones with diamonds
Stop starring at that
Put that down
No you can't touch anything
What was that?
No go through that door
If you have any questions, please ask


Wait
One more thing
I forgot to tell you something important
Do you see that door?
The one with the locks and deadbolts
Never go inside
Don't let anyone else inside
In fact
Find a curtain
Let's cover that door
So no one will be tempted to enter


What was that?
The door is unlocked?
But who could have gotten in...
Well go in there!
Find out who it is


What did you say?
He has a key?
But
*how
Sawyer Jun 2018
In the room across the hall,
You see me, I’m all alone
Behind deadbolts and locked doors,
I built them on my own

You knock and knock, my ears are closed
To everything outside,
I’m smothered under voices,
And all they let me do is hide

“No one’s knocking,” I’m convinced
The door is closed and locked.
And to all the affirmations
My head is being blocked

The walls keep getting smaller,
I’ve barred myself inside
Chained down by doubt, by every word,
“I love you” is a lie.

I can’t hear you over all the buzz,
Just tell it all to stop.
I want the truth, never said I could take it
I’m bracing for the drop

I’m locked inside this room,
And I’m just about ready to snap,
And you don’t know to let me out
Because you don’t know that I’m trapped!

I’m trying to believe it.
Someday I’ll ask you for the key.
Just know that I, I’m sorry.
For the nightmare that is me.
Stephen S Mar 2018
It's a bland looking place on the outskirts of town,
the sign is missing letters and the building's run down.
Sitting at the corner of an old gravel road,
a rugged, not too friendly looking distant abode.

Built back in the 60s on a small, ***** tract,
half the deadbolts don't work and the front window's cracked.
It's a glorified shack, only seventeen rooms,
And its thick with the grey fog of cigarette fumes.

But far from abandoned, there are plenty of guests,
they drive in from the north and fly out from the west.
From the old to the young, to the meek and the great,
they all find their place on this darkened estate.

It's played host to rock stars, to artists and writers,
corrupt politicians and heavyweight fighters.
They travel for miles to this little piece of hell,
the rusty old spot called the Sampson motel.

In the small cluttered office just beyond the wood door,
you'll find the manager Wayne, he lost an eye in the war.
He's a bit rough and tumble and he's got skin cold as ice,
but if you show him respect you might get a good price.

The ice machine's broken and the power cord's frayed,
so little of elegance or fancy displayed.
The plumbing is awful and the wall paint is peeling,
and most of the souls that you'll find here are reeling.

Housekeeping doesn't do much, there's only one maid.
She smokes a cigar and wears her hair up in braids.
She won't leave you a mint or turn down the sheet,
But if you mistreat her, you're out on the street.

It's the #1 choice if you don't want to be found,
as long as you don't mind the trash on the ground.
Folks aren't too friendly here so if you come stay
Mind your own business and go about your own way.

Guests come and they go almost quick as flash,
And you can be certain they always pay cash.
In darkness they'll be, transfixed by the spell
of the rusty old spot called the Sampson motel.
JP Goss Sep 2019
Before me, endlessly
If that hideous fraud of humanity,
Where boredom and open contempt
Can be found ******* each other,
Spirituality inherent,
In the concrete of the parkway—
You can see it on their lips
A delicacy as they casually quip
About the quarrel of concrete and steel
Behind roadmaps and getting lost
Is a slave to every master’s destiny—
It’s obvious in the way they drive
So many people feel as though they’ve
Lived such fulfilling lives
It’s reassuring that no one on this road
Is afraid to die
We comfort ourselves on Nietzsche’s words
But such prayers get drowned out on the freeway
In the roar of busy, inward-facing cabs
Willing to maim and be maimed
Willing to **** and die
For a few minutes more,
Risking an entire lifetime
For a few minutes more
In stripmalls and McMansions
Along America’s thoroughfares,
God closes the window as he deadbolts
The door, seeing what we’d give
For a few minutes more.
One nut bob Dec 2017
It really doesn't make sence though I continue to believe in the possibility. I wonder continuously through my self, looking deeply for a sign of life, unforgiven I stay bound by lost desire. ImPartial they stay, understandably away. Distinguished by my force of self understanding. on the outside like a lock, deadbolts with the key-side on the inside, looking out. Clearly fearing more to what lies within then who wishes to reach in my home of dead-end. On the front porch they wait. Sending letters under my doorway. Standing in a puddle of broken glass, pieces of my past reflecting uncontrolled, Directly in their eyes. Expecting nothing in return, maybe a second glance. Friends first. But of course with each step they are close, to the slight twist of a hand. Those mentioned shards of memory cut but a little deeper. Just as fast it seemed possible. Their feet reconcile the fact of my nature. Telling the truth without the slightest of fib. It is me they now so clearly wish to rid.
Rickey Someone Jun 2021
3/3/2021

If the eyes are the window to the soul,
Then how do I draw the curtains?
How do I turn the deadbolts?
How do I latch the storm shutters?

Give me a doorbell I can ignore,
Give me a peephole to spy through.
So when they come to stare and admire,
It’s my choice if they’re invited in.

If the eyes are the window to the soul,
I’m wearing dark sunglasses,
I’m hiding what you could read into,
I’m saving their contact for the familiar.
ketashia Mar 2019
I'm afraid
Of wolves with big hands
Gleaming teeth
And sweet voices

I'm afraid of cunning foxes
Who pretend to be your friend
But have something dark in mind
For you at the end

I'm afraid of snakes
Who after injecting you with their poison
Carry you off to their lair
And wrap their body around yours

I'm afraid of stray dogs
Who follow you down the street at night
Barking obscene words
And taking nips at bits of your body
When they can

I'm afraid
Of all the wild animals
Free to roam around
At night
As I lock each and every one
Of my deadbolts
Ransacking treasure trove
of maximum headroom.

To remedy a fate worse than death
or contracting one
of several viral diseases named pox
permeate heavy shut tight door
with numerous deadbolts
and sophisticated locks
and impossible mission to out fox
analogous to roach infestation,
who favor nesting within custom made
Roper men's shoes brand name Docks.

Upon prima facie first blush
me mind's eye all atwitter,
sans long forgotten
"FAKE" ****** exploits
set mum (chrysos anthem) all aglitter,
boot like short order cook I hapt tubby
quickly realized trumpeting collusion,
a near fatal collision course
with Das scribe's antimatter
caw zing friggin insomnia

finding ma noggin scrambled
likesome lithesome cockamamie critter
whipped into frenzy
like battered butter
holy grits, alm manned
in fight of ma life
cause I haint acquitter
baa (jaw edge), ah woe cup feeling
hedged hog extremely bushed 'n bitter,
this raging red bull inside me mind,

now body wheeling wickety wack,
lichen to moss elf gut seasonal litter
bitta asthma - insides
got balled into wah racket
like quietly rioting unfetter
herd plain tennis (see) hens,
gone south tub bespatter
ear rilly jawboning jabberwocky
reducing gray matter,
and all flesh sundered

into meaty platter
to pulverized, irradiated,
cremated... faux fluffernutter batter
analogous tummy Aunt
Jemima's famous flapjacks,
she fantastically fashioned better
than Betty Crocker
tossing spatulated glommed
**** suitable as bonesetter
high as the Taj Mahal,

while she merrily jabbered,
her native patois singsong blatter
all this inaudible clatter
muffled 10,000 maniacs mad as a hatter
madly clangorous dinner cowbells
aroused bacchanalian sybaritic skitter
ring jitterbugging fantasies
of barenaked ladies doth splutter
as bedraggled, frazzled, grizzled...poetry
like cocky rooster that did stutter!

— The End —