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Emanuel Martinez Feb 2013
What are we scared of?

Fending off hoards of oppressed human beings
Of acquisition, of possession, of autonomy, of legitimacy
Never been anyone; why empower them now

Legitimized crucification
No exoneration for grave transgression
Morality of mankind stabbed, under siege, defiled
Integrity constantly bloodily ***** like the virtue of women during war
Transgression, nonetheless, legitimized not by the law of a god or science
But that of a righteous m/an

Bodies without agency traversing into illegitimacy
Becoming illegal human beings
Transgression thrusting them into humiliation
Derailed, deprived, dehumanized
Earning rights to hunger, sickness, homelessness in the eyes of civilized man

Growing global economic hubs welcoming
Illegitimate bodies with contempt, violence, violation
Don't belong, lives becoming expendable, adversary to structured society

Trafficking, dragging, trading disempowered labor across meaningless borders
Nationalists disregarding with much pride illegitimates' desires for life
Killing them after you've beaten their soul, in negligence, extracting the fruit of their labor

Xenophobia killing Japan, dying refusing to open its borders to starving workers
When will a muslim sister in headscarf travel across ALL Europe without discrimination
Be careful America, you're murdering liberty's meaningless oath to the homeless of the world
Preaching the birth of the greatest nation on earth on the backs of immigrants across time
When it refuses to cease the political firing of condemnation against displaced human beings

Greatest plunderers of this world, those who set the rules, guarding their loot
Having had displaced black, colored, and brown bodies across time
Abducting black bodies from mother Africa
Contaminating mother America's native bodies with the corruption of whiteness
Causing mother Asia to discourage its pores from allowing the mobility of bodies

Greatest plunderers of this world, those who set the rules, guarding their loot
Legitimizing their stolen appropriations for the world to see
By excluding those they extract the wealth from
Displaced bodies achieving transnational identities in pursuance of unreachable wealth
For far too long trickled out of their home nations
To build the wealths of the new homes they're delegitimized from

Every country great or small falling in line with border policies
Desperate developing countries much too worried to contain fleeting flocks
Developed and thriving nations too ready to ****** the souls of bodies without agency

World's population imploding
Countries' power structures hungering to exploit the oppressed within their borders
Majority of us peasants, poor, without agency, moving across borders
Everyone's in danger of falling in line with the masses
Or the monopolistic governments deliberately creating monstrous line divides
February 4, 2013
Nat Lipstadt Nov 2018
strike my eyes lovely


for S. B.

by way of introduction,
when you have gone to confession,
freely admitting you have nothing left for others to harvest,
no seed to plant a new crop, and lies and laughter, interchangeable,
there is no poetry left, not even raisin scone crumbs,
one good friend informs that a forgotten five month old poem,
a computer has selected & resurrected, for distinction

so months later you snicker for you have been seriously
self-kicked away from writing, all your vocabularies,
trite and yellowed overused, and you read
really good poetry and are
slapped-seen-outed by the impoverishment of
your own no-winsome word-smithy,
no delusions, even this, but a-quick script, more a thank you note,
and it’s the only lasting quality is the
genuine nature of its intent
but the poem itself falls bottom of the cliff, short on quality,
a victim of your dissatisfaction

let me explain better

she messages you while the time difference works in her favor,
she reads while you sleep the sleep of the soul-exhausted,
she, scoffing at your claims of motivation deprivation,
as she cherishes this forgotten one,
with words that cannot be ignored

the poem

                 strikes her eyes lovely

daggered, this morning phrase cannot go unchallenged  

for this a compliment that any poet would
weep for, be inspired by, stung into action,
provoked, ego flattered and challenged to-do more-better,
what writer could want for anything more!

who can own this ability  
accept this ultimatum of success, a cross-word crucification

to strike down lovely
the readers eyes, almost all once,
almost excuses me forever
for trying and failing so many times

you smile
but not in the chest where
lovely
needs to strike you

for if you cannot strike the readers eyes again and again, then...
let the moment gleam, and then disappear,
again and again, stored but not restorative

11/21/18
Miami
Travis Garcelon Sep 2010
Those who read the Text
Can read the literal verse:
Jesus ******* Christ!
Nat Lipstadt Mar 2015
not a hurried act,
but a bloodied one,
nonetheless...

yes,
the residuals
are two bodies,
for the price of one(!),
that once, twice
exhumed,
give off
no trace of human
fume

what you don't know can't hurt you...

what?

that is a summary of the case;
the motive, the weapon, and
the scene of the crime, all the sane

the raison d'être...or not to be...
that is the
question,
and the answer..
the why, the how
passion was murdered,
ease on down, each other...
daily,
they ****** each other
to the death,
on crosses,
side by side,
like a semi-detached house,
with holes aplenty bleeding into
each other, their only
diminished capacity attachment

you still don't get it? ****...

look at your parent's marriage

now you get it?

a twenty year, slow bloodletting
each day a drop dripped from
a nail hole just a millimeter inserted deeper

passion is a slow dying
thing,
that two do
to each other

a sanguine sang-froid slow motion
killing,
that stretches out over the years
like black nylons used as a ski mask

pretty, and ugly and
disguising
and disgusting
and all at once,
a dissipation
a dissolving
a double homicide
by languid immolation


**a crucification of a fiction,
a crucifixion of passion
Lars Kadel Feb 2017
There's a disconnection,
   because he doesn't know
where the line crosses
from crucification
   to melodrama.
The light plays
   on his face,
mysterious, illuminating,
  and all that,
but you pay attention
  to his wrists,
nailed to the slab
of wood in such a
   way as to incite
divine intervention.
  Cue the angelic choir.
Their voices are not rejoicing,
    though, but divinely wrathful
towards our imitating.
Logan Robertson May 2019
there he was
head hanging low
on a totem pole
for all to see
supposedly
their crucification, self imposed
like a bull seeing red
and feeling melancholy
he walked out of the casino
pockets empty, again
and just fresh off the farm
he now wished he stayed home
milking cows
collecting eggs
saving his money
instead of losing his scalp
to the Indians
he looked passed the exit
a door he walked into a few hours ago
with wide open trappings
where the glitz. glamor and neon
caught his eye and addiction
literally
the cling, the clang
the sound of music
Julie Andrew's voice coming to life
reach for the sky, reach for the sky
whirling around in his head
... a cut of cloth
who knows
maybe it was his grandmother's roots
grandma are you watching
yes grandson, I'm crying and praying ...
he looked over at the green mountains
the lost forests of patrons
the felted tables, banks of chips
fjords of  waitresses serving drinks
majestic, scenic and serene
and for a moment
he wished to be a boat in Norway
instead
instead
like always
he took to a splash in the abyss
******* and sadism  
his lost fork in the road
and like a billy goat
teetering on the edge
echo's  from the valleys below
don't do it , don't do it, don't do it
he peeled off all his Benjamin's
and credit
to the depts of the dungeon
beaten and wounded
where if only the next time
he rewinds his entrance
and finds his bouency and oars

Logan Robertson

5/07/2019
To my nephew, godspeed. You have a good job, good looks, especially with those blue eyes that knock women off their feet. Yet you can't stand prosperity. Every so often you get on your high horse and gallop to the nearby Indian Casino and keep falling off. My nephew choose better.
Akira Chinen Sep 2018
A hammer is useless
without a hand full of nails
except for some kind of ******

speaking of which
isn’t your ego overdue
for its crucification
to absolve you
of all your flagrant
self inflected sins

and not to bash on your intellect
because I know
there isn’t much of it left
as almost all of it
has been spent
on the overindulgence
of your self gratification  

you can pound it out
night after night
pretending that you love
everything there is about Jesus
with your hands
clasped in prayers
while making fists full of hate
believing you got a key
to the golden gates

while all you do
with your hammer
is **** any idea
that doesn’t align with your own
your heart is beating
for the only love you know
and that is your love for hate

believe what you want to believe
but even with  a hand full of nails
all you can do is ****** yourself
as some kind of idiot martyr
LJ Jun 2016
The sun has escaped from skies above
afloat in the knotted clouded waves
The fire glows the amber summer flows
sticks blaze in beaded mazes
as the flowers pots remain emitted and rearranged

My soul and body is bathed inside the glassware
the visible tattoos on the mesh of transparency
As the residues settle on the heats and beats of the base
torn apart and bricked on concrete grounds
the pavement of yesterday sketched inside cobblestones

Take all these books with printed rhythmic vegan lyrics
the fleets and flutters on the wandering beaches and shores
Blossoms of twigs and darkened patterned wings
all sunk in a plastic paper bag and crowned with outbursts
lost in a dream, that cream that pastes the narrowing masks

Float high above as the sun warms inside the boiling soup,
as the clocks ticks and the birds whistles of a wayward destiny
Caving inside the aisles of the never ending lengths and depth
where reality itself serves as a mirror of fortified intentions  
a crucification and maturation of destitution in demise
To lose, my use and reuse the attention of the days gone by
wrote in a hippy party..... live free.... be all of life..... feel the spirit.
Lady Misfortune Apr 2017
Why did God make life like this
I get that perfection is a delusion
And that eventually Jesus will come back for us
Destroying the earth
Ending the way it stared
With love having the last say
Back to darkness
Which was before the creation of day
Why did God make pain like this
How does he expect me to be happy living this way
All I find is misery
Maybe this religion isn't for me
But I do believe he is real
I just don't get why it takes my scars so long to heal
He breaks me down til' I am nothing
Gives me wisdom
Gives me strength
And when I start moving too fast
He takes it away
I just don't get why he made pain the way it is
Pictures of mournfulness
There has to be more than this
I know I'm not alone
But it feels that way
And when I talk
I feel like it's to myself
But then I remember sometimes the answers to prayers are no
Do this
Do that
To enter the kingdom of heaven
Sometimes I feel like life was given as a punishment for the crucification of his son
But God is too loving and merciful
Doesn't it also say vengeance belongs to God in the Bible
Follow Ty Harrell
joel jokonia Aug 2018
Sometimes as poets
We get lost in
Aggression, Depression,
Situations,
                   Creation...

Sometimes as Poets
We get lost in the
Definition of oppresion,
Selection of
                   Emotion

Sometimes as Poets
We get lost in
Voice projection, Crucification,
                   Medication..

Sometimes as Poets
We get lost in
Imagination, Intention,
Intimidation
                  Hesitation..

Hesitate to Speak out
On the blood of our brothers and sisters
You spilled

Hesitate to Speak out
And ask for GOD's assistance
Cause as people we have failed...

Sometimes as Poets
We get lost in
Education, Discrimination,
                 Manipulation...

Manipulated to think
Poetry is nuisance
when its sense has been ****** out by the SYSTEM..
And made us SLAVES

Manipulated to think
We have the right to FREEDOM...


                                 AAAAAARE WE FREE???

No
     we not
                We are slaves


Slaves of
Time...
Money..
Colour..
Death..

Sometimes as Poets
We get lost in the
Fiction of our diction

An addiction to POETRY
and its all emotion...
I am no longer crucified; but
Still holding the esoteric identity
That no talisman would object.
I am still battling the demon
Within me;
I am still waiting for the hours to
fill in.
I am still longing for the moment
to bill in.

I am no longer coot;
But surprisingly,
Still trying to declare something refute.
I am just an object to your talisman;
Waiting for the ultimate order.
Order from chaos is what everyone wants
But,
What I want is no longer hidden from the
Dark tricks of destiny.

I am no longer mundane,
To the emptiness or the void
Still deterring, the dark empty horizon,
Still following the path of the esoteric,
Still longing for the feeling of the belonging...

~NIKITA MANSINGHKA

— The End —