Yes, it's seemingly a nonsensical rhetorical question, but, for that precise reason, it will illustrate a lesson, if you so desire to tag along for this short session.

Per Wikipedia, "The horse (Equus ferus caballus) is one of two extant subspecies of Equus ferus. It is an odd-toed ungulate mammal belonging to the taxonomic family Equidae." Hmmm... I much prefer that the horse goes "Nay," eats hay, has a mane, and is ridden by cowboys, cowgirls, Indians, equestrians, knights, jockeys, conquistadors, Mongols, and all. Even better, just point a horse out or otherwise show a picture to a kid and they will never be mistaken again. Even the littlest ones will never be stumped when faced with a rhino, tiger, giraffe, camel, and such.

Admittedly, there is a worry that we could be fooled with that of a donkey or mule. How come no one has taken advantage of this?! What a scam to get us rich! "Duh doy," you say, cause we all know when we see a horse, so why would anyone try to trick us with an ***?! Well I ask you in turn, why does anyone try to trick us with good art versus bad, let alone art versus crap? How could anyone fall for that?!

Prince Simon, Prince Jason and Princess Sophie lived a regal life.

Slaying dragons and battling witches by day, monsters and beasts by night.

Each day brought adventures new, trips on boats and to the zoo.

One particular day when feeling bored, Prince Simon decided to explore.

Down to the basement, he slowly sneaked, quietly to take a peek.  New adventures he did seek.

A rickety old wardrobe he did find and suddenly an adventure sprang to mind.

Prince Simon shouted excitedly, "come quickly Prince Jason, Princess Sophie the Wardrobe holds an adventure new, one for me and why don't you join me too?"

The three children didn't hesitate into the Wardrobe they climbed, "where are we going today? do you know the way? Prince Jason chimed.

"The way is West" Prince Simon declared "to the Wild Wild West in the days that were best, in the morning I have a history test."

Quickly buckle up, hold tight, the wardrobe will soon be taking flight.

No sooner had they entered the wardrobe and buckled up, then the wardrobe began to rock and shake, the wardrobe began to lift and quake.

The rocket started rising higher and higher, faster and faster , picking up speed and going faster and faster.

Higher and higher, faster and faster they rose into the sky.

Higher and higher, faster and faster until they were 30,000 feet high and heading in the direction of the Wild Wild West.  
All three children were delighted, the rocket ship made them so excited.

Prince Jason and Princess Sophie said, " what do we need to wear on this adventure?"

Prince Simon said "cowboy hat, jeans, boots, and vest, that's all that's required for the wild wild west"

"mmm said Princess Sophie what about cowgirls or squaws that is what an Indian Girl is called"

"Well," said Prince Jason "their very similar, a cowhide dress, boots and Stetson hat for cowgirl, a cowhide dress, boots and feather headdress for the Squaw, let's look around and explore what the wardrobe has hidden for us all"

The children started looking and everything they required they did find Prince Simon and Prince Jason looked very fine as Cowboys with their hats, jeans, boots and vest they would fit right in, in the Wild Wild West.

Princess Sophie decided to dress as a Squaw and donned Cowhide dress, boots and feather headdress turned to her brothers to see if she passed the test.

"Perfect" Prince Simon and Prince Jason declared "come join us  now," they both said," it won't be long" Prince Simon stated "until we land back in time of the 1870's in Deadwood Gulch, USA, the Sheriff has a campaign to rid the county of its bad name "

Prince Jason and Princess Sophie were so excited they began to laugh and squeak, Princess Sophie did declare that "her knees were feeling weak"

10 minutes later the rocket had slowed down and was starting its' descent, Princess Sophie got so excited as she spied a teepee tent.

"Look" Princess Sophie shouted "a reservation down below, where Indians are settled and warm fires are all aglow"  

"Can we please stop and speak, I would like to ride a horse and a canoe, I have read stories and I know that's what they do, in the land of the Sioux!"

Slowly the rocket did descend, landing near the reservation, all three children opened the door, their eyes grew wider at what they saw.

5,000 Indians greeted the visitors with big smiles, and their leader, name of Crazy Horse asked them to join them for a while.
“Stay a while,” Crazy Horse said we’ll make some food, teach you to ride a horse ******* and a canoe, teach you the ways of the Sioux.

Princess Sophie replied, “we can’t wait” looking at the leader’s headdress Princess Sophie sighed “how come your headdress is as tall as it is wide?”

Crazy Horse smiled and sweetly said “I am a leader of these people and I do not hide; my headdress makes me stand out from others at my side”

Crazy Horse led the children to the teepee tent and signalled them to sit on the floor in front, cross-legged.

“We hunt daily for fish and meat, the food you are going to be given is precious and prepared with care, please do not wait, dig in, enjoy, there is enough to share”

Prince Simon, Prince Jason and Princess Sophie dived in enthusiastically, tasting everything, they could, from rice and beans, fish and meat, everything was so tasty and cooked in a *** hung over the wood.

“when you have finished “Crazy Horse declared we have horses ready for you to ride, don’t worry someone will walk with you at your side”

The children excitedly climbed upon their horses, Lakota for Prince Simon, Kamanchee for Prince Jason and Quil for Princess Sophie, they each clicked their heels and off the horses trot.

Just as Crazy Horse promised, each of the children had an Indian by their side, walking and talking about the best way to ride.

After an hour the children did decide that as much as they enjoyed it they had to end the ride.

Prince Simon said to Crazy Horse “thank you for your hospitality but we really must leave right now, we are meeting the Sheriff man of Deadwood Gulch” he said with a bow.

Crazy Horse bid them adieu and said, “say Hi to Wild Bill for me, last time I saw him he was wagon master”

The three children said their goodbyes and walked along the White River to their destination town, Deadwood Gulch.

Suddenly wooden huts appeared and horses pulling carriages, people and cargo shared the inside and Wells Fargo in writing on the outside.

Prince Simon, Prince Jason, and Princess Sophie looked around the town, found a sign that said Sheriff’s Office, rang the bell and entered.

Wild Bill Hickock with his long hair and Stetson hat, looked just as the children remembered from their history class.

“Hi,” said Wild Bill as he rose from his seat, stretched his hand out to greet the three children.

You must be Prince Simon, Prince Jason and Princess Sophie come to learn the ways of the Wild West before your history test.

“Yes” said Prince Simon, wildly shaking Wild Bills hand “we are delighted to meet you and lend a helping hand”

Wild Bill said, “follow me, I am about to take a walk, meet the local folk and welcome visitors to the town, would you like to tag along with me as I walk around?”

The three children agreed excitedly and followed behind, “First stop” said Wild Bill is the Post Office look for the Yellow sign”
“I see it,” said Princess Sophie as she ran across the street “let’s all go inside and meet the postmistress, make sure she’s got what she needs, if she requires any stationary we may have to place an order to arrive with speed”

“Next stop,” said Wild Bill “is the Blacksmiths down the road, if you are lucky he will show you how a horse is shoed”
The children watched quietly as the Blacksmith plied his trade, treating all of the horses to pairs of shoes fit for a parade.

“Last,” said Wild Bill “off to a rodeo we go, you will see cowboys riding their horses and using their lassoes and if your very lucky they will let you try it too”

Prince Simon, Prince Jason, and Princess Sophie were so excited they hardly said a word, watching the rodeo in silence, watching every move.
Finally, Wild Bill shouted from the side, “hands up who is keen to have a ride around the ranch? Try their hand with a lasso and maybe get some lunch.

The children’s hands shot up in the air and all three children gave a very loud cheer, Wild Bill laughed and replied, “Follow me and I will hook you up with three horses for a ride”

For the second time that day the children rode horses, this time in a circle around the corral, keeping time Wild Bill always by their side, they loved the ride.

Last but least Wild Bill put on a feast of a show with rope in his hand he threw the lasso over some cans set up on a fence, pulled the rope tight and without a second glance, felled the tins to the floor, the children let out an appreciative roar.

“That is the end of your day” Wild Bill did say “I am sorry to see you go but you must run along home, you’ve been gone a long time and your mummy will be worried”

The children shook Wild Bill's hand and thanked him for his time, sadly the day had ended and they climbed back in the wardrobe, set the destination to their home a million miles below.

As they approached their home, the roof started to open wide and the rocket began to slow, the ride was nearly over and they did not have far to go.

Very soon the wardrobe landed safely on the floor, the children were exhausted and ran to open the door, out they fell full of excitement and looking for their mummy, headed straight to the kitchen.

Mummy looked at all three children and declared “there you are, I was searching for Prince Simon as he has a history test in the morning on the Wild Wild West and I was going to help him revise for it.

The children laughed and cried, Princess Sophie, sighed, “no need mummy” they all declared “we know all about it, we’ve all been there”

Prince Simon said “Can we just have some tea and go straight to bed, I promise I have all the knowledge of the Wild Wild West clearly in my head, at least enough to pass the test.”

Of course said Mummy wash your hands, tea is ready.

Valentino has its red, Versace its Medusa logo, Chanel the tweed that lines dresses and jackets and handbags each season. In the fashion world, these nuances of texture and color, in conjunction with shape, are what help define a brand's identity, what ultimately makes them feel familiar to consumers; they are fashion's version of DNA. Designers carving out their place within the industry will often land on their own set of signatures that are built upon with each new collection—but Patric DiCaprio, the 26-year-old designer of Vaquera, isn't interested in "buy-ability" or recognizable traits. "We are obsessed with keeping people guessing" he says. "We want that to be our thing."

In the three seasons since launching the New York-based brand, DiCaprio has infused Fashion Week with the sort of Dionysian energy once felt at early John Galliano shows. For his Summer/Spring 2016 show, staged at the Church of the Ascension in Greenwich Village, models walked the aisle to the Smashing Pumpkins in baptismal baby-doll dresses and ruffled bloomers, with DiCaprio's boyfriend closing the show in a wedding gown. In February, with new partners David Moses and Bryn Taubensee on board, a debaucherous cast of models dressed in Victorian-meets-club looks danced, lifted their skirts and put their cigarettes out in audience member's drinks at the China Chalet venue in the Financial District.

"Vaquera is about constant reinvention," DiCaprio says of his no-guts-no-glory ethos. "It's about the future; the future of style and clothes, but not in the cliche of futuristic spandex and metallics."

Much like his collections, the designer's path in fashion has been far from linear. Born and raised in Alabama, DiCaprio attended a private Christian school before studying photography at a public university in the South. An internship with DIS Magazine offered him a crash course in art direction and styling, and the opportunity to draw creative fuel from New York—a city that has very much proven to be his creative elixir.

"I felt like I had been underwhelmed for my whole life," says DiCaprio, who moved to the city five years ago and taught himself to sew through YouTube tutorials. "When I first came to New York it felt like I had finally gotten my head above the water and had oxygen for the first time. This place was overwhelming in the best way." DiCaprio spoke with PAPER about his creative approach, his unconventional path to fashion and his idolization of David Bowie.

What sparked your interest in fashion?

I think it's always been about clothes for me. When I was in middle school and high school I was always in bands. I was obsessed with Screamo and David Bowie—the groups that had such strong visual aspects to their work. But I think part of me always felt like I was doing that so I could assume the look. Screamo bands would let me wear the size zero, ultra-stretch white jean. With David Bowie, I wanted to wear the gold eyeshadow; it was always about the look.

How did studying photography lead you to fashion design?

My school was very focused on the craft—the dark room and perfect exposure—but I think I was on the opposite end, I was interested in what was happening in the photo. I left college to do an internship with DIS Magazine and because they're involved in so many creative avenues like photography and styling and art and video, I was able to get a realistic vision of things. The experience [with DIS] made me realize I was less interested in photography and more interested in creating these characters.

When school ended, I moved to New York and and worked with DIS again and then with VFiles in [the archives department]. I'd go through old issues of ID and Paper and Dazed and it taught me a lot about fashion history. I had been removed from all of that when I was growing up, there was no Chanel store in Alabama, there was no Dazed And Confused at the Barnes and Noble in Alabama. Coming to New York I was able to get my hands on the clothes and study these old magazines.

How did you get that initial internship though?

I'm obsessed with Tumblr. I got on it more than eight years ago, and it was a huge part of helping me reach out to people. People that I'm still friends with now—Hari Nef and Juliana Huxtable—I met through Tumblr; they moved to New York before me and motivated me to do the same. So I emailed the team at DIS, and asked if I could show them my photography portfolio—which sounds so funny to say now—and they offered to show me the ropes. They hooked me up with Avena Gallagher, who is an inspiration and has taught me everything I know about styling.

About two years ago I started working for her and became obsessed with styling. I styled Charli XCX for a year—and it was exciting, definitely closer to what I wanted to do but it wasn't exactly it. I wanted to pull specific things—1980's Issey Miyake, but there was no way a no-name stylist like me would be able to get my hands on it. So I bought a sewing machine and started sewing the things I wanted for photo shoots. Vaquera started as an art project that wasn't about wearing the clothes or making something for Opening Ceremony—it was about making clothes that I could then shoot. The final product was the look book.

What made you decide on the name Vaquera?

A few different reasons. I was reading a book by Tom Robbins called Even Cowgirls Get The Blues and it was really informative for me at the time. I was also working in a kitchen as an expediter with a bunch of Mexican line cooks and they had a lot of pet names for me, like "el pato" which is gay slang for f—got, and "little baby doll." They knew I was from the South so they'd call me "La Vaquera" because that's Spanish for cowgirl—even though cowgirls aren't Alabama, it's more of a Texas thing. So I just called the project Vaquera. It seems so arbitrary now, I'm stuck with it for better or worse.

What's been one of the challenges of keeping things future-focused?

I've had criticism from people that it's such a bad business model to reinvent yourself each season, that no one's going to know what to expect from you. Buyers are going to be confused, you're never going to make any money. And I've just been like, "Well, I think we don't have any interest in that." We are obsessed with keeping people guessing—we want that to be our thing. I try my best to keep it a secret until the day of the show and then just let loose.

So we're going to assume you won't be giving any clues about next season's show.

Oh my god, i don't want to give it away! I think people want to see billowy-sleeves but that's out the door. We're doing something completely different. Romantic but a whole different definition of romance.

How has working with David and Bryne changed things for you and the brand?

Last season it was like a whole new brand. We came together through Avena and it feels like we're progressing, which is exciting. I got sick of doing everything alone. For the Spring show I sewed everything, produced it myself, got the location, cast it myself.

And did you collapse after the show ended?

It was a serious problem, it became impossible. I realized I was either going to have to plateau so I could get my life together or I was going to have to find a way to expand the vision. I trust Bryne and David with my life and they understand my vision but have their own ideas. It was a necessary change.

So many designers have expressed concern about the relentless pace of the industry recently.

All these different seasons—pre-fall, couture, designers showing things that are going to be available for purchase the day after the show. That's so scary for people like us who are on our hands and knees in the living room cutting the clothes and can barely get them made in time for the show.

Do you want to stay independent? What are the benefits and detriments, in your opinion?

I think we want to stay independent. I want to make money but I don't want to feel pressure to do certain things. I'm already so sick of that show we just did—already on to the next one. It's like with Demna Gvasalia getting the Balenciaga job: I was so disappointed to see him doing the same thing he did at Vetements at Balenciaga, but then I realized, with all the money that's involved and when you're working with these huge offers, there's contracts. Money complicates things in a way that I think can hurt people's creativity. Maybe you'll make a lot of money for a few years, but you might forget how to make exciting things because you're stuck with the designs that worked well one time. I want to make money, but we want to find different ways of doing it.Read more at:http://www.marieaustralia.com/formal-dresses-melbourne | www.marieaustralia.com/formal-dresses-adelaide

cowgirls don‘t ride sidesaddle
unless they completely skedaddle
but even then, since their birth,
they hold on with great mirth
to that wonderful horn on their saddle

Look at that ***
Just one more look
Before you walk away.
I thank God
That we have women
With blue faded skin tight jeans
When I’ve been breaking my back
Working like a dog
When blood sweat and tears
And violence are so gratuitous
With people sinning gratuitously
Don’t we deserve to sin a little?
To indulge in a little flesh?
When there’s drugs and violence
On the streets, people dying everyday
And not even making the news
We could do with a few more
Blue faded skin-tight jean cowgirls here today
A few more cowboys showing how the West was won
A few more days of reckoning
And a lot more hell-to-pay.
People have little respect for others today
There’s nothing to threaten them, and nothing to fear.
It’s good to see the bad guys finally on the run
We could do with a few more blue-faded skin-tight jean cowgirls
Here today.

Clear as a bell I caught sight of my image on a wanted poster "way out west" as a former president of the USA claimed, " dead or alive"
and in that moment Mankind took a big step backwards to the Old Testament" eye for an eye" and all our faces merged into one on a poster nailed to every telegraph pole the further West we travelled.

riding like the wind
over desert so ancient
full moon above
three eyes on you

stallions Arabian
strong & powerful
thundering along
away from everyone

chatter & lights
receeding into the dark night
never looking back
leaving everyone

wandering in circles
laughing & leaping
eons of being
lapping at thee

night so long
don't let it ever end....

In my next life
I wish to be a saddle.
I love horses,
wool blankets,
the feel of old leather,
the comfort of a stable.
Yes, I love them all.
Mostly, though,
I love cowgirls.
In my next life
I wish to be a saddle.

r ~ 5/1/14

There's one cat who meows
in the alleyway but mimics
a fowl dog who ate
larval staged meat. There's
two headless horseman
racking leaves to find their heads
that teenagers rolled
down the country hills.
there's three furry bears
in a cave testing hardness and
softness while four bats
hang backwards to avoid the light. The
five cowgirls had six cowboy hats
each exactly. They're going to run
out if they keep throwing them at
groups of seven boys.  Eight dentist chairs
were rolled onto stage so the
nine musketeers,
multiplied by three,
could get ten root canals.
The doctor said he could have
given eleven more of them
but he heard twelve whimpers
of pain and gave up.  There were
thirteen bounced checks and fourteen wrinkled
foreheads who were lost in eternity
for fifteen years.  Sixteen world banks
filed bankruptcy to drive dollars down.
Seventeen hands were squeezed
from an angel holding glowing
red lips.  eighteen hearts and
brains switched spots
anatomically leaving nineteen
grown men sprawled on the
ground like they drank twenty
or so too many.

They met
When but sixteen,
She called herself
His ****** Queen,
And he her ****** King.
Thus they remained
Til seventeen,
When his lowered drawbridge
Breached the moat,
And for forty years
He paddled her boat.
But coldness grew,
The ice-palace too,
She was an Ice Queen,
His armor tarnished,
His sword was sheathed,
The Lady and her King
Severed bonds,
Relinquished rings
And set new realms and dreams.
He's a western-style S.O.,
He didn't know
Cowgirls rode backwards.
He's now a sexagenarian,
And the Ice-Palace,
A planetarium.

I think of all the little cowboys
Riding around in toy cars
Learning valuable life lessons
As tiny arrows pierce their hearts

When I think of little cowboys
I think back to yesterdays
When I too was a little cowboy
In all my cowboy ways

And how little cowboys love little cowgirls
That feel at home on the range
How they ride and rope and rustle
All of the live long day

When the little cowboys day is over
They hang their spurs up for the night
Thinking back on the days adventures
As they live out the cowboy life

Soon sleep takes the little cowboys
In their pajamas made of jeans
Riding the range at night by campfire light
As they lasso all their dreams

You told me that I should move on and did,
But the truth is that I still love you kid.
You're happy and so am I but it still isn't the same,
My heart can't love another like I loved you without you it's like nothing is right; I feel strange.
Don't get me wrong I like who I'm with but part of my heart won't let you go,
I will never forget the day you ended it; the day you stole my heart,
but I'm finally off to a new start.
Your kiss still remains on my lips and I still want nothing but the best,
You were better than all of the rest.
Just remember that cowgirls don't cry,
But I want you to know that when you left a part of me died.
If only you knew how much I still dream that you'd be mine; your smile will forever light up my sky. Don't forget the Sunday morning breakfast in bed,
Though you said you loved me too I was too blind so I believed all of those beautiful lies that you fed.
I remember bringing you roses and silly little love notes just because but deep inside I knew I had to remind you to stay with me,
I know it was pathetic but I all I wanted was for you to see.
I remember how the fair lights lit up your face and how happy it made you; I can't tell you what that did for me,
I remember thinking that maybe at that exact moment that my dreams had come true; you loved me too.
Even if it only lasted for that one moment that moment is something I will keep with me always.

onion saddens, lame
intricate dishrags rambling
cowgirls glimmering

An Optimist’s Guide to Falling in Love With a Woman


have a very minor fender ******, you’ll never get a persons digits any easier, consider it a bonus first date, a stress test interview, when humans on their worst/best behavior, their true nature revealed and tough exteriors melt when gallantly take full responsibility, details to be discussed over dinner

risks: she’ll  will never ever let you drive her, even after, no...never ever after, the issue is closed, ‘twas your fault and is non-discussable

critique her order standing behind her at McDonald’s. blowback assured! charm resistance and openness will be tested, but you claim pure concern for her well being, even after offering to pay  a dollar for every calorie ingested if she only switches to a plant-based burger

risks: hamburger grease soul staining, no love stain stick remover handy and everybody knows mixed marriages really never work tween bronco busting cowgirls and city tree huggers

you take a spill, nose in the phone crossing street, she lifts you up with wonder woman strength and gentility, you sputter with half-feigned indignation for you’ve embarrassedly first sight-fallen in love, all your words and everything else is failing and flailing as she tends to the cut, drives you to her office where she stitches you up, while cracking jokes that are truly funny

risks: she is a Dallas Cowboy fan, or worse, someone else got there first, and you need life long therapy

she’s in seat 10C, Miami to NYC, pretending very poorly to not be reading this very story-poem you’re creating, but doing so VERY poorly because she is editing, making suggestions, punching you in the arm excitedly, asking if you want to share a cab home, for she reveals that she too, secretly dips the quill in ink and needs an expert opinion, yours for sure since you’re SO good looking too!

risks: the weather diverts the plane to Baltimore where you live together happily after-ever, cause you’re both tired of life in cities with 3-13 perennial losing NFL teams and it is exquisitely equidistant from your annoying relatives
and ex’s




Baltimore Washington International Airport
4:29 pm Dec. 2nd

Playing at the county fair.
The bus pulled up to the gate.
All you could see was the ferris wheel.
As we rolled through the gate, we could see people all around.
Cowboys and cowgirls and old and young.
At eight pm, we rolled out on to the stage.
Ready to sing our hearts out.
When in the group we hear play Flowers on the wall.
They all screamed as the song finished then we broke into another
How Great Thou art. The crowed went slightly and they all stood still.
As we played at the county fair.

Writer's block in the Old West
Sexually repressed
Tumbleweed blew dust
Nomadic, full of lust
It's only getting worse

All the cowgirls seem to like me
More than I love myself
I think I need help
All the cowboys seem to love me
More than I care to admit
Wrickety-split

Silver horses, bloodstains
No direction, no aim
I'm walking in circles, not steady
Haven't I written about you already?
I'll be back by the next verse

All the chiefs seem to love me
As I colonise the frontier
This town is so queer
All the native girls seem to like me
In their teepees
Though I disagree

Sheriff, colonise me
I'm better off dying
Hide before I forget
Ride into the sunset
Carry me in a hearse

Here it is, its all for you
a sound that's sort of new
fiddles play, and steel guitars
***** tonkin' at the bar

Cowboys groove
cowgirls move
belly's rub and buckles clink
now its time for a drink

Pearl snap shirts and cinch jeans
so tight, creates a scene
as she drops low to the floor
hear and see, the crowd roar

Grabs a hat from his head
he hopes later, she's in his bed
red hair swished back and forth
married guys hope for divorce

Up on the bar, she does dance
everybody stares, there is no glance
flings his hat across the room
and starts ***** dancing with the broom

All eyes peeled, as the music dies
she looks around and there's no surprise
dudes lined up, ready drinks to buy
she walk back to her guy

Dreams dashed and turned to mush
coming down, adrenaline rush
everybody settles in
as the band begins again

In crowded halls, ivy clad, walk the sleepless zombies - the walking dead.
They’ve come to grapple, the chosen few, in trials by pen and pencil too.

Long ago we quietly agreed to trade studies and stress for a lives of ease.
The fire of competition burns within, a pyre fueled by challenge and adrenaline.

We’ve been grinding from morning’s light to dark midnight, fueled largely by tasty caffeine's bite.
Sleep’s a distant memory, that’s been swapped for all-nighters, notecards and highlighters.

Professors who’ve taught us now plant briar-like, trickster-questions, to fraught us.
Have we synthesized it all - the labs, lectures and quotes, the chapters, quizzes and notes?

The hours we’ve spent, dissecting texts, parsing equations, crafting essays - pay off now.
Or don’t - the clutter of fact, theory, and tensors will separate the scholars from the pretenders.

But fear not, dear reader, for we’re tough, seasoned cowgirls and this is just another rodeo.
True, we chew erasers not tobacco and ride desks or lab stations, not bucking broncos
But some are thrown, bruised and scarred - finding their future careers discarded.

We’re required to hand-write our test essays out, a trap that negates AI with age-old foolscap.
We know the challenge, we’ve studied and crammed, to tackle the hurdle of ‘top-tier’ exams.

Beyond the stress beacons the sweet release - of holiday parties and presents that please.
But perhaps the sweetest possible tease, is the promise of slumber and weeks study free.

Mysterious poet with the obscene pun as a name, what is your game?

Sensitive artist at odds with her own sense of shame, are you doing okay?

Drop me a line or remind me that sometimes a stranger can be less than strange.

I'm struggling with change.

Or just hold it down and reach out to the void of your favorite stage.

I'm willing to pay.

These days are so crazy but we're getting too lazy to process the pain.

It's only making it worse.

Gonzo girl with her absurdly relatable way of reading the world,
let's hear a new verse.

.  

Belly rubbing music in the que
everyone is ready, not just a few
after songs, no one on the floor
Mr. D.J. why play  more

Look around, at buckles and boots
cowboy hats,  get back to roots
play some George, Strait or Jones
let the music inspire their bones

Charlie Daniel's fiddle fire
Spinning two step it does inspire
Or how about Copperhead road
line dancing, empty chairs load

Rocky mountain jeans stretched tight
Cowgirls dancing, what a sight
Keep them out there on the floor
how about some Justin Moore

Slow it down, let them breathe
some Willie Nelson, is what you need
and when it's time to drink a beer
play  stuff, no one wants to hear

Then come back with Jerry Reed
Waylon and Merle is what you need
and when you want them all to sing
Friends in low places, the dance will ring

So look around and know your crowd
then you'll know, what to play real loud
In rural areas, club stuff don't work
Play us all some good red dirt

The bus pulled up to the gate.
All you could see was the ferris wheel.
As we rolled through the gate, we could see people all around.
Cowboys and cowgirls and old and young.
At eight pm, we rolled out on to the stage.
Ready to sing our hearts out.
When in the group we hear play Flowers on the wall.
They all screamed as the song finished then we broke into another
How Great Thou art. The crowed went slightly and they all stood still.
As we played at the county fair