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"coventry" poems
Many people write a "bucket list" of things they want to do before they die.  Now in my 80th year, I don't have the time or the energy to do things that others might aim for, but I have during my life visited many places, seen many things, and enjoyed many experiences that I would have been sorry to miss. There have also been some events that I would have preferred not to experience, but which have enriched my life in different ways, and which I remember with a kind of sad affection.   Some of these are very personal to me, and would not be interesting to most people, but read the note if you wonder why I chose them. Here then is what I might call                                                   My Reverse Bucket List Towns and cities – architecture & atmosphere    Barcelona, Spain    Venice, Italy    Oxford, England    Jerusalem, Israel    Luxor, Egypt    Varanasi, India    Hiroshima, Japan Pompeii, Italy Other locations    Galápagos islands, Ecuador    Great Barrier Reef, Australia    North Woolwich, London Churches    St Paul's Cathedral, London    Sagrada Familia, Barcelona    Coventry Cathedral    Córdoba Cathedral, Spain    Blue Mosque, Istanbul Other structures    Taj Mahal, Agra    Auschwitz concentration camp, Poland    Royal Festival Hall, London    London underground system (because it was the first, and I rode it for a long time).  Also the more splendid underground railways of Mexico City and Moscow.    Avebury Ring, Wiltshire, England (the largest prehistoric stone circle in the world, and much more primitive than Stonehenge)    Bayeux Tapestry     "Angel of the North" statue, Gateshead, England    "Christ the Redeemer" statue, Rio, Brazil Events    Messiah at Royal Festival Hall, Feb 1959, with the girl later to be my wife    St John's night, Spain, early 1990s (?)    Death and funeral of Diana, Princess of Wales, Aug 1997    Oberammergau passion play, 2010    Destruction of World Trade Centre, Sept 2001
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Sep 17, 2018
Sep 17, 2018 at 9:16 AM UTC
Bucket List? -- Not Me!
Many people write a "bucket list" of things they want to do before they die.  Now in my 80th year, I don't have the time or the energy to do things that others might aim for, but I have during my life visited many places, seen many things, and enjoyed many experiences that I would have been sorry to miss. There have also been some events that I would have preferred not to experience, but which have enriched my life in different ways, and which I remember with a kind of sad affection.   Some of these are very personal to me, and would not be interesting to most people, but read the note if you wonder why I chose them. Here then is what I might call                                                   My Reverse Bucket List Towns and cities – architecture & atmosphere    Barcelona, Spain    Venice, Italy    Oxford, England    Jerusalem, Israel    Luxor, Egypt    Varanasi, India    Hiroshima, Japan Pompeii, Italy Other locations    Galápagos islands, Ecuador    Great Barrier Reef, Australia    North Woolwich, London Churches    St Paul's Cathedral, London    Sagrada Familia, Barcelona    Coventry Cathedral    Córdoba Cathedral, Spain    Blue Mosque, Istanbul Other structures    Taj Mahal, Agra    Auschwitz concentration camp, Poland    Royal Festival Hall, London    London underground system (because it was the first, and I rode it for a long time).  Also the more splendid underground railways of Mexico City and Moscow.    Avebury Ring, Wiltshire, England (the largest prehistoric stone circle in the world, and much more primitive than Stonehenge)    Bayeux Tapestry     "Angel of the North" statue, Gateshead, England    "Christ the Redeemer" statue, Rio, Brazil Events    Messiah at Royal Festival Hall, Feb 1959, with the girl later to be my wife    St John's night, Spain, early 1990s (?)    Death and funeral of Diana, Princess of Wales, Aug 1997    Oberammergau passion play, 2010    Destruction of World Trade Centre, Sept 2001
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38
Brigid was born on a flax mill farm, Near the Cavan border, in Monaghan, At Lough Egish on the Carrick Road, The last child of the Sheridans. The sluice still runs near the water wheel, With thistles thriving on rusted steel. Little's known of Nellie's early years; Da died before she knew grieving tears, They'd turn her eyes in later years. She's eleven posing with her class, This photo shows an Irish lass. Her look is distant, Her face is blurred, But recognizable In an instant. She was schooled six years To last a life, Some math, the Irish, To read and write. Her Mammy grew ill, She lost a leg, And bit by bit, By age sixteen, Nellie buried her first dead. Too young to be alone, Sisters and brother had left the home. The cloistered convent took her in, She taught urchins and orphans About God and Grace and sin. There were no vows for Nellie then. At nineteen she met a Creamery man, Jim Lynch of the Cavan clan; He delivered dairy from his lorry, Married Nellie, Relieved their worry. War flared, men were few, There was work in Coventry. Ireland's thistles were left to bloom. Nellie soon was Michael's Mammy, Then Maura, Sheila and Kevin followed, When war floundered to its end, They shipped back to Monaghan, And brought the mill to life again. The thistles and weeds That surrounded the mill, Were scythed and scattered By Daddy's zeal. He built himself A generator, Providing power To lights and wheel. Sean was born, Gerald soon followed; Then Michael died. A nine year old, His Daddy's angel. Is this what turns A father strange? Francie arrived, Then Eucheria, But ten months later Bold death took her. Grief knows no borders For brothers and sisters. We left for Canada. Mammy brought six kids along, Leaving her dead behind, Buried with Ireland. Daddy was waiting for family, Six months before Mammy got free From death's inhumanity. Her tears and griefs weren't yet over, She birthed another son and daughter; Jimmy and Marlene left us too, Death is sure, Death is cruel. Grandchildren came, she was Granny, Bridget, Nellie, but still our Mammy. She lived this life eduring pain That mothers bear, Mothers sustain. And yet, in times of personal strain, I'll sometimes whisper her one name, Mammy.
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Feb 12, 2016
Feb 12, 2016 at 5:09 PM UTC
Her Many Names
Brigid was born on a flax mill farm, Near the Cavan border, in Monaghan, At Lough Egish on the Carrick Road, The last child of the Sheridans. The sluice still runs near the water wheel, With thistles thriving on rusted steel. Little's known of Nellie's early years; Da died before she knew grieving tears, They'd turn her eyes in later years. She's eleven posing with her class, This photo shows an Irish lass. Her look is distant, Her face is blurred, But recognizable In an instant. She was schooled six years To last a life, Some math, the Irish, To read and write. Her Mammy grew ill, She lost a leg, And bit by bit, By age sixteen, Nellie buried her first dead. Too young to be alone, Sisters and brother had left the home. The cloistered convent took her in, She taught urchins and orphans About God and Grace and sin. There were no vows for Nellie then. At nineteen she met a Creamery man, Jim Lynch of the Cavan clan; He delivered dairy from his lorry, Married Nellie, Relieved their worry. War flared, men were few, There was work in Coventry. Ireland's thistles were left to bloom. Nellie soon was Michael's Mammy, Then Maura, Sheila and Kevin followed, When war floundered to its end, They shipped back to Monaghan, And brought the mill to life again. The thistles and weeds That surrounded the mill, Were scythed and scattered By Daddy's zeal. He built himself A generator, Providing power To lights and wheel. Sean was born, Gerald soon followed; Then Michael died. A nine year old, His Daddy's angel. Is this what turns A father strange? Francie arrived, Then Eucheria, But ten months later Bold death took her. Grief knows no borders For brothers and sisters. We left for Canada. Mammy brought six kids along, Leaving her dead behind, Buried with Ireland. Daddy was waiting for family, Six months before Mammy got free From death's inhumanity. Her tears and griefs weren't yet over, She birthed another son and daughter; Jimmy and Marlene left us too, Death is sure, Death is cruel. Grandchildren came, she was Granny, Bridget, Nellie, but still our Mammy. She lived this life eduring pain That mothers bear, Mothers sustain. And yet, in times of personal strain, I'll sometimes whisper her one name, Mammy.
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84
I’m walking up hilltop, two men pass, one says, 'Fuck the French, they never have the bottle for a fight’. To have got here they passed the old Cathedral. Did they glimpse it as a relic - exploded by incendiary, ostracised in dubiety, seen fit to feature only in the focus and snap of foreign tourists? It is two days before Ramadan. Tonight Tornados will tear between the Euphrates and Tigris to illuminate Babylon... live on CNN. At the top of the hill I pause, staring at stained glass fragments still suspended in the apex of frames and view snacking office workers, seated upon the benches that have replaced the pews.
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Mar 31, 2010
Mar 31, 2010 at 12:30 PM UTC
Coventry Cathedral
Bridget was born on a flax mill farm, Near the Cavan border, in Monaghan, At Lough Egish on the Carrick Road, The last child of the Sheridans. The sluice still runs near the water wheel, With thistles thriving on rusted steel. What's known of Nellie's early years? Da died before her grieving tears, But burn her eyes in later years. She's eleven posing with her class, This photo shows an Irish lass. Her visage blurred, Her eyes look distant, Yet recognizable In an instant. She attended school for six short years, The three R's, some Irish, And a Doctorate in tears. Her Mammy grew ill, She lost a leg, And bit by bit, By age sixteen, Nellie buried her first dead. Too young to be alone, Sisters and brother had left the home. The cloistered convent took her in, She taught urchins and orphans About God, Grace and sin. There were no vows for Nellie then. At nineteen she met a Creamery man, Jim Lynch of the Cavan clan; He delivered dairy from his lorry, Married Nellie To relieve their worry. War flared up, and men were few, So the work in Coventry Left Ireland's thistles to bloom. Nellie soon was Michael's Mammy, Then Maura, Sheila and Kevin were carried. When war floundered to its end, They shipped back to Monaghan, To work the flax mill again. The thistles and weeds That surrounded the mill, Were scythed and scattered By Daddy's zeal. He built himself a generator. And powered the lights and the wheel. Sean was born, Gerald soon followed; Then Michael died. A nine year old, His Father's angel. (Is this what turns A father strange?) Francie arrived, Then Eucheria, But ten months later Bold death took her. Grief knows no family borders For brothers and sisters, sons and daughters. We left for Canada. Mammy brought six kids along, Leaving her dead behind, Buried with Ireland in familiar songs. Daddy was waiting for family, Six months before Mammy got free From death's inhumanity. Her tears and griefs weren't yet over, She birthed another son and daughter; Jimmy and Marlene left us too, Death is sure, Death is cruel. Grandchildren came, she was Granny, Bridget, Nellie, but still our Mammy. She lived this life eduring pain That mothers bear, Mothers sustain. And yet, in times of personal strain, I'll sometimes whisper her one name, Mammy.
0
May 7, 2016
May 7, 2016 at 2:49 PM UTC
Her Many Names
Bridget was born on a flax mill farm, Near the Cavan border, in Monaghan, At Lough Egish on the Carrick Road, The last child of the Sheridans. The sluice still runs near the water wheel, With thistles thriving on rusted steel. What's known of Nellie's early years? Da died before her grieving tears, But burn her eyes in later years. She's eleven posing with her class, This photo shows an Irish lass. Her visage blurred, Her eyes look distant, Yet recognizable In an instant. She attended school for six short years, The three R's, some Irish, And a Doctorate in tears. Her Mammy grew ill, She lost a leg, And bit by bit, By age sixteen, Nellie buried her first dead. Too young to be alone, Sisters and brother had left the home. The cloistered convent took her in, She taught urchins and orphans About God, Grace and sin. There were no vows for Nellie then. At nineteen she met a Creamery man, Jim Lynch of the Cavan clan; He delivered dairy from his lorry, Married Nellie To relieve their worry. War flared up, and men were few, So the work in Coventry Left Ireland's thistles to bloom. Nellie soon was Michael's Mammy, Then Maura, Sheila and Kevin were carried. When war floundered to its end, They shipped back to Monaghan, To work the flax mill again. The thistles and weeds That surrounded the mill, Were scythed and scattered By Daddy's zeal. He built himself a generator. And powered the lights and the wheel. Sean was born, Gerald soon followed; Then Michael died. A nine year old, His Father's angel. (Is this what turns A father strange?) Francie arrived, Then Eucheria, But ten months later Bold death took her. Grief knows no family borders For brothers and sisters, sons and daughters. We left for Canada. Mammy brought six kids along, Leaving her dead behind, Buried with Ireland in familiar songs. Daddy was waiting for family, Six months before Mammy got free From death's inhumanity. Her tears and griefs weren't yet over, She birthed another son and daughter; Jimmy and Marlene left us too, Death is sure, Death is cruel. Grandchildren came, she was Granny, Bridget, Nellie, but still our Mammy. She lived this life eduring pain That mothers bear, Mothers sustain. And yet, in times of personal strain, I'll sometimes whisper her one name, Mammy.
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81
A serene cottage upon a dreary hillside Where my mind's listless galaxy of neurons Synapse in the absolute darkness, Is painted in Victorian hues, cold and haunting. Dejection rains down from the leeward sky With nothing harkened save for the ocean's Stormy roar and a desolate lighthouse, Beckoning through the fog and memoirs of the past. The deeper my soul is carved out with sorrow, The deeper the hollow can be filled with joy. But alas, I feel nothing of joy but only a void Left by the dagger of yesterday's darkening tragedies. I feel the rain soothe my skin and kiss my cheek Like the sweetest lover on midnight's embrace, Yet my moth-eaten quilt of memories only seems Enough to shelter our legs but ne'er our feet. My heart feels the warmth of an autumn fire, Kindling in the crisp rain, bleeding beneath A rose where we burn in the endless torture Of our own despondence. I can feel the blood in my veins turning to fire As I imagine her fingertips unzipping my spine As though it were full of secrets and mysteries Unbeknowst to myself... I can feel the inferno that rages within my aortic arch Every moment I imagine losing myself within her Eyes, glimmering like an eclipse over a midnight Sea...the Sleepless Coventry. She unlocks my secrets and weaves them in the bouquet Of tendrils in her hair like ribbons of crimson and light, Waving in the vehement northerlies with numbing scents Of argan and spice. Her body is but a canvas wrapped neatly around a Paper mache skeleton, the most beautifully tragic Foundation known to humanity... She arrives right on the equinox to set fire to my sorrow, Intoxicating me with her kiss and infecting me with her smile. And so enters the conflagration of my soul, An annihilation of light, blackening my coronary Artery whilst shooting smoke through my cinnamon Whiskey tainted veins. 'Tis hard to look through such a misconstrued lens As such, the Vena Cava Kaleidoscope... Where the flames burn through the galaxy of neurons Expending the harrowing memories as its fuel. I can see the magnetic alloy of her Cobalt eyes reflecting The fire that consumes me from the inside out. She pulls on me like the moon pulls upon the tide As she whispers with her soft, enamored sigh. I burn in my silent knowing, my liquid mind Awakening in fervor and strange euphoria. I burn for the Aurora Infinite.
0
Jul 28, 2015
Jul 28, 2015 at 3:08 PM UTC
The Vena Cava Kaleidoscope
A serene cottage upon a dreary hillside Where my mind's listless galaxy of neurons Synapse in the absolute darkness, Is painted in Victorian hues, cold and haunting. Dejection rains down from the leeward sky With nothing harkened save for the ocean's Stormy roar and a desolate lighthouse, Beckoning through the fog and memoirs of the past. The deeper my soul is carved out with sorrow, The deeper the hollow can be filled with joy. But alas, I feel nothing of joy but only a void Left by the dagger of yesterday's darkening tragedies. I feel the rain soothe my skin and kiss my cheek Like the sweetest lover on midnight's embrace, Yet my moth-eaten quilt of memories only seems Enough to shelter our legs but ne'er our feet. My heart feels the warmth of an autumn fire, Kindling in the crisp rain, bleeding beneath A rose where we burn in the endless torture Of our own despondence. I can feel the blood in my veins turning to fire As I imagine her fingertips unzipping my spine As though it were full of secrets and mysteries Unbeknowst to myself... I can feel the inferno that rages within my aortic arch Every moment I imagine losing myself within her Eyes, glimmering like an eclipse over a midnight Sea...the Sleepless Coventry. She unlocks my secrets and weaves them in the bouquet Of tendrils in her hair like ribbons of crimson and light, Waving in the vehement northerlies with numbing scents Of argan and spice. Her body is but a canvas wrapped neatly around a Paper mache skeleton, the most beautifully tragic Foundation known to humanity... She arrives right on the equinox to set fire to my sorrow, Intoxicating me with her kiss and infecting me with her smile. And so enters the conflagration of my soul, An annihilation of light, blackening my coronary Artery whilst shooting smoke through my cinnamon Whiskey tainted veins. 'Tis hard to look through such a misconstrued lens As such, the Vena Cava Kaleidoscope... Where the flames burn through the galaxy of neurons Expending the harrowing memories as its fuel. I can see the magnetic alloy of her Cobalt eyes reflecting The fire that consumes me from the inside out. She pulls on me like the moon pulls upon the tide As she whispers with her soft, enamored sigh. I burn in my silent knowing, my liquid mind Awakening in fervor and strange euphoria. I burn for the Aurora Infinite.
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53
Her Horse didn’t canter in Canterbury Her braided hair was long and Brown. She galloped uncovered in Coventry so that taxes would drop like her gown. Hot to trot without makeup or Jewelry Hair undone, long tresses hang down. A ****** named Tom was observing her riding through town sans a gown. A woman of substance and Charity- Not given to horsing around.- Her legend comes down from antiquity That’s how seldom those taxes go down.
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Dec 30, 2011
Dec 30, 2011 at 9:45 PM UTC
Lady Godiva
Dear diary: Land sakes! Leofric cannot believe I carried through with it. But indeed, today I rode naked along the sparse, meager streets of ye old Coventry. And whilst my long hair, let down for the occasion, did provide me a jot of modesty; alas! a strong breeze I am most certain granted uncivil eyes to plainly see my top half is much ado about nothing. Nonetheless, an even more discomfiting fear shall be if some peeping tom espied his fair countess to be no natural blonde at all; just a fare-thee-well lemon juicing, miracle bra wearing charlatan. On the plus side, I did achieve quite a lovely, even, 'no-lines' tan!
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Jul 2, 2020
Jul 2, 2020 at 2:33 PM UTC
Lady Godiva's Journal Entry, 12 August 1043
I want to feel you breathe, So cool and languid, A gentle rise and fall Of your sweet skin... Oh so calm and temperate Like the resting waters In the glassy fields At nightfall. I want to rest my head Against your flesh, Pale and cold like A cooling, winter sunset... And kiss your [cadaver] eyes All the while drifting lightly like ash Along the soft currents We are carried through. The tempest carries our bodies To the Sleepless Coventry As the Albatross flies Over head, leading and bleeding. The night with the eyes of water and Painted in decay, cries for The tragedy I wish to Live... And 'tis such a tragedy so, For I want to love you In the most ardent Sense, my darling. My sweet love, I wish to feel the fire inside your Heart to keep me warm in my coldest hour. My ocean soul covets the Warmth and the silent curves Of your tender body, becoming One with the waves... Like a lone kindling flame Beneath the sparkling waters, We burn together, attracting The teeming luminescent. Dearest lover, let us fall together into the sea... Hold me tight in your arms... And these lips will Caress your watery eyes, And bring you the loveliest Cloud of dreams. Hand in hand, We are Shadows by the stormy sea... Restless Shadows and the Sleepless Coventry.
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Jul 28, 2015
Jul 28, 2015 at 2:10 PM UTC
Restless Shadows and the Sleepless Coventry
Pyramid's mania Languid pink lotus-eaters Ominous and luminous Faded to darkened scars Eternity held the stars My how you spoof yourself Your puerile ferocity Scuds' untamed velocity 'neath fearsome thunderstorm Loving before you were born Now you've gone too far You're caught in vertigo Spinning with nowhere to go No one here you can call, Nowhere else to hide at all How's it feel all alone? Just two inches tall, you stand Onstage in a cold, strange land Singing in a silver thong Quirky tunes grace the throng Laughter, hisses and boos Chorus of ridicule Pomposities of smug cool Blinding radioactive rage Taught in a tight cage onstage You're clamoring now Your timid voice starts to crack Look to sky, no one looks back Blood and sweat fuel the swarm Furious scuds preview the storm You ***** a mumbo APOLLO Coventry hail The Black Pharaoh wields his flail Advent of El Diablo Swiftly comes the deathblow Aroused by gravity, ****** ground spins before you ******* tingle tango for two Nobody is calling You're fearlessly falling The wind roars in your ears Ridicule's easing winnow Distorted faces in windows Adagio Eternus Virtue and Disgrace Opus Beadle cleans the sidewalk Of a Swan-song's human rubble Whistling, he's forming a riddle Dangerous timeless Sphinx Bested by the modern Kings
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Mar 18, 2016
Mar 18, 2016 at 2:45 PM UTC
Rise and Fall of the Swan
.                                                       <> ***in my middle life, more than ever, I need a once upon a time. I forget how easy it is to forget—can’t imagine starting      Anything new. I used to love the satisfying finality At the conclusion of movies when a giant The End Flashed across the Big Screen. Maybe one solution: We could all change our names every day.*** A verse from "Coventry Lake" by Bruce Cohen                                                            <> before I knew why, before Bruce explained it all, wink! wink! change my name quite often way past the middle years, can't remember what I forgot, so a new poem looks sorta maybe **** familiar, another guy's guise maybe, can't be truly sure, but the grasp of time upon my croaking, gasping voice box, youthful insistent, give it another parting shot! yeah, I still need a once upon a time e v e r y d a y rap you a rhyme friend, crank it out, one more a time, before hitting the Dead End sign, gonna sweat one more script from the po-ahem pores do it so it will be your call, when shouting out, it's a wrap when you complete, and Declaration signature swirl an emboldened name, whichever, no matter everyday you need a once more upon time to indelible a full throated, Yahoo! It's mine going out, writing out loud The End!
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Jul 18, 2016
Jul 18, 2016 at 7:20 PM UTC
change your name everyday / I need a once upon a time
Coventry once I left behind and thee too; But look: I wouldst sail the seas with thee alone! Thee alone, Immortal, t'at other souls shall feel mocked; Mine is the night ship and thine the dawn voyage; Ah, t'at the blind earth knoweth our hearts are its enterprise; T'at shall be empty not, even th' sun disappears and moonlig't dies. To thee whom I once loved, and now still do; To thee for whom t'is heart beats, and shall take revenge; To thee for whom my soul was blown, and by whom I'th grown alone; Ah, thee, bewildering me too much by thy passionate desire. Ah, Immortal, talk me no love talk, but take my life-all of it; As though all men's streams are but fused in thee, thee alone! Ah, Immortal, t'at fierce scent of thy red summer skin, Too is just one of tonight's rampage of flurry wind! And t'ese lines of love hath thou laid onto me, within The breath and warmth of so many pleasant places; Immortal, Immortal, Immortal--and like the beauty of Sofia; I believeth in thy loveliness, in thy kind and timeless fatamorgana. Immortal, my mountain, my earth, my everything; Immortal, the very birth yon icy oceans hath to sing! Immortal, hath thou seen the decree of fate; T'at love is still t'ere for us, for 'tis never late? Thy eyes are like heavens' broad fields beneath, and ever rejoicing; Ah, darling, for I canst but see all gold and silver--plain and honest in 'em; A drama like a song, a stage play like a vanished poem; But one t'at turns again brave and crimson; Toward' th' very end of the dark season. I'd love to see thee pry love into my hungry heart again; To watch thee brutally scorn and defy peace t'at hath existed Piercing such through thy lonesome heart; raised, but now denied. Ah, Immortal, I blame th' sun for its gladness; And raise my contempt toward' the unknowing skies; Like blood flowers, my heart too is emptied with madness; T'at one wonders why it exists still and cannot die. I wanteth to take thee again through the city's old brakes; And introduceth thee to the idle flames of my song; As beautifully and vengefully as misty poetry by th' lake; T'at none is to see--nor to steal from me, as t'ey may fly or pass along.
0
May 23, 2014
May 23, 2014 at 6:48 AM UTC
Immortal
Coventry once I left behind and thee too; But look: I wouldst sail the seas with thee alone! Thee alone, Immortal, t'at other souls shall feel mocked; Mine is the night ship and thine the dawn voyage; Ah, t'at the blind earth knoweth our hearts are its enterprise; T'at shall be empty not, even th' sun disappears and moonlig't dies. To thee whom I once loved, and now still do; To thee for whom t'is heart beats, and shall take revenge; To thee for whom my soul was blown, and by whom I'th grown alone; Ah, thee, bewildering me too much by thy passionate desire. Ah, Immortal, talk me no love talk, but take my life-all of it; As though all men's streams are but fused in thee, thee alone! Ah, Immortal, t'at fierce scent of thy red summer skin, Too is just one of tonight's rampage of flurry wind! And t'ese lines of love hath thou laid onto me, within The breath and warmth of so many pleasant places; Immortal, Immortal, Immortal--and like the beauty of Sofia; I believeth in thy loveliness, in thy kind and timeless fatamorgana. Immortal, my mountain, my earth, my everything; Immortal, the very birth yon icy oceans hath to sing! Immortal, hath thou seen the decree of fate; T'at love is still t'ere for us, for 'tis never late? Thy eyes are like heavens' broad fields beneath, and ever rejoicing; Ah, darling, for I canst but see all gold and silver--plain and honest in 'em; A drama like a song, a stage play like a vanished poem; But one t'at turns again brave and crimson; Toward' th' very end of the dark season. I'd love to see thee pry love into my hungry heart again; To watch thee brutally scorn and defy peace t'at hath existed Piercing such through thy lonesome heart; raised, but now denied. Ah, Immortal, I blame th' sun for its gladness; And raise my contempt toward' the unknowing skies; Like blood flowers, my heart too is emptied with madness; T'at one wonders why it exists still and cannot die. I wanteth to take thee again through the city's old brakes; And introduceth thee to the idle flames of my song; As beautifully and vengefully as misty poetry by th' lake; T'at none is to see--nor to steal from me, as t'ey may fly or pass along.
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38
again, and weaving. we listen to the coventry carole, the little tiny child, fingers tapping in time, the medieval, the membrance of cathedral . walking up hill chanting. repeatedly. they moved the stairs. we hold the cotton, the wool for comfort. sbm.
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Dec 17, 2013
Dec 17, 2013 at 2:09 AM UTC
we write of wool
The field gun hidden behind a grassy bank and flanked by trees manned by two men and an officer up to their knees in mud did good! It fired simultaneously with a charge by the third infantry Death stamped on the base of the eight pound shell it smiled into the face of Ben Fazackerly who came from Coventry and Ben fell dead. (and it has to be said..minus his head) Perhaps Ben had seen some premonition that he'd be killed by enemy ammunition so on Wednesday the week before he'd decided not to take the chance of losing his new false teeth in France and posted them with two weeks pay to his wife and lover Betty May And Bet began to understand when she saw the postman with the telegram come past the garden gate at ten past eight. At five past two the crying through she went and made some tea. With the teeth that Ben had sent she turned the gas on and bent with grief she went to sleep. Forever.
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May 3, 2013
May 3, 2013 at 1:07 AM UTC
French Leave
'Tis getting late, and I miss you, I miss you like I used to do Your cold and clear and fair air; The winds that followed me everywhere 'Tis not fate, but there was a poem, I used to read at night in my room Summer was gone, and I looked at the sky; You were there to me, to my sight Coventry, why did you falter me; Why did you take it all away You are not here to see me write; You are not here to comfort my fright Coventry, why did you love me, Why did you make me go away There was more love I wanted to give There was a life I wanted to live. Coventry, why did you touch my heart With such a fatal and hard song; That I could not take in return That I had no voice to sing all apart. Coventry, why did you burn me And sink my white love back in the sun And my cold winter, my solid night My justice, all that had seemed right Coventry, why did you **** me Why did you peel my love at once, And used a sword to seal my words, To break astray from my whole world. Coventry, why did you forget me Why was all to you a lie And was my love but a faint shadow, In the white meadow, like one that has no tears Coventry, why did you drown me, With a lie that has grown false Have you forgot the words you perused, The poems of love, my soul's wisdom. Coventry, why did you fail me, Was I but an absurd flute to thee? A flute that has in its chest no song, Did I love thee for too long? Coventry, why did you lie, And make me look at the murky sky? That day there was no cloud in sight, None to be, and none to love again. Coventry, why did you go, I am not free, and I cannot be, There is too much darkness, to be here Too much that I shall not hear. Coventry, why did you turn, There was but none new to burn And you could have loved me, I was like a lost bird in the fir tree Coventry, why did not you forgive, Had I been mistaken much to live? Had I been unloved too much, Had I come from too far away. Coventry, why was there no reason, At summer, there was no more season And why did you bring me back, Why did you not wait for me. Coventry, why did you make me cry, When I had too much love to give, And all of my heart has rusted away Just like you want it to have, today. Coventry, why did you make me sad And it feels like there is no more to read, And no more blood in my heartbeat; All was sorely left in my last poem. Coventry, why did you alter me, That I had nowhere else to be I had no other poetry to love in sight; In my conscience, at the truest nights. Coventry, why did you leave me; Why did you steal my voice today, You tore my rains and kisses away, You made me cease to love.
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Mar 7, 2016
Mar 7, 2016 at 9:05 PM UTC
Coventry
'Tis getting late, and I miss you, I miss you like I used to do Your cold and clear and fair air; The winds that followed me everywhere 'Tis not fate, but there was a poem, I used to read at night in my room Summer was gone, and I looked at the sky; You were there to me, to my sight Coventry, why did you falter me; Why did you take it all away You are not here to see me write; You are not here to comfort my fright Coventry, why did you love me, Why did you make me go away There was more love I wanted to give There was a life I wanted to live. Coventry, why did you touch my heart With such a fatal and hard song; That I could not take in return That I had no voice to sing all apart. Coventry, why did you burn me And sink my white love back in the sun And my cold winter, my solid night My justice, all that had seemed right Coventry, why did you **** me Why did you peel my love at once, And used a sword to seal my words, To break astray from my whole world. Coventry, why did you forget me Why was all to you a lie And was my love but a faint shadow, In the white meadow, like one that has no tears Coventry, why did you drown me, With a lie that has grown false Have you forgot the words you perused, The poems of love, my soul's wisdom. Coventry, why did you fail me, Was I but an absurd flute to thee? A flute that has in its chest no song, Did I love thee for too long? Coventry, why did you lie, And make me look at the murky sky? That day there was no cloud in sight, None to be, and none to love again. Coventry, why did you go, I am not free, and I cannot be, There is too much darkness, to be here Too much that I shall not hear. Coventry, why did you turn, There was but none new to burn And you could have loved me, I was like a lost bird in the fir tree Coventry, why did not you forgive, Had I been mistaken much to live? Had I been unloved too much, Had I come from too far away. Coventry, why was there no reason, At summer, there was no more season And why did you bring me back, Why did you not wait for me. Coventry, why did you make me cry, When I had too much love to give, And all of my heart has rusted away Just like you want it to have, today. Coventry, why did you make me sad And it feels like there is no more to read, And no more blood in my heartbeat; All was sorely left in my last poem. Coventry, why did you alter me, That I had nowhere else to be I had no other poetry to love in sight; In my conscience, at the truest nights. Coventry, why did you leave me; Why did you steal my voice today, You tore my rains and kisses away, You made me cease to love.
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Master bedroom It would have been nice If it could live up to its name Knowingly, the master couldn’t Even handle his business in any room Why called it the master bedroom, The master haven't mastered any role in any room until his compassionate flower, the ladywith a heart of an angel, Made a deal for the people, , as history was told Her love for the oppressed citizens of Coventry would never be forgotten: A Yellow Lily not to be reckon with: Lady Godiva the people's choice
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Aug 20, 2015
Aug 20, 2015 at 7:16 PM UTC
History Reportage
Who would span the linkage of the days, and to what earthly end would the toll of time send me breaking to? And would the ferryman play sticks and stones with my crumbling body or would he have me throw the bones and tell of fortunes squandered? I have nothing left to tell of what bridges I have walked across,what joy and loss I found in mansions and in tenements,now in Coventry sent there by my family in silent wandering I see the chain stretching out in front of me. And who would join the dots to make this picture right,to read this epicure I spread upon the leavings of my night? I write,I write until the brightness of the bursting sun comes round again to burst this bubble and in pain,I shout,I shout or scream and cry and when the sun would die tonight,I write,I write. He, inside of me knows well the moments and he counts the minutes,strikes the hours and all that passes in between are him and I,the sun waits patiently for me to cry. Let the artisan then span the chasm that keeps me from the other side and let the ferryman glide well across the waterway. Let my day be joined with all the other days,send the breakers in as I go gently out with the ebbing of the tide.
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Mar 13, 2014
Mar 13, 2014 at 6:20 AM UTC
Global
I am heading now into the somewhere and somehow and I may be a while. Call it madness call it style call it what you will but I'm still heading there or I'm heading there still and until I am sure of a connection to the cure, I remain outward bound. There is a noise in my ears, a sound that one fears when the evening comes in and the night catches up with the sun. If the dark was a friend in the somehow it might end and the somewhere is where I might find peace of mind. There is a curvature to my spine due to old age and time. The darkness will find me on the horizon of history, bent over the pages and watching the mystery of myself. In the mirror,only me,solitary, playing chess with the toothpaste and wasting the light. I am or I was because someone once told a serf or a King and so I bring to this Coventry where some reflection has sent me another picture to paste in the windows that chase across the oceans that roll and toss and again I am at a loss to explain what anything means.
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Sep 19, 2014
Sep 19, 2014 at 5:10 PM UTC
Stumbling up the stairs
Now or never whether we want to or not they've got us by the ***** and though we built walls to defend against these invaders of free will we will need to be stronger build our walls bigger and better than ever before and let them kick out the windows and doors we'll just brick them up and no one gets in and no one gets out and no one but no one knows what this is all about. but the walls stay because they want us to rot they've got us by the ***** and all we can do is build more and more walls and who wins in the end? when we're all sent to Coventry with bags of cement so we can lend some authority to the people up there and they don't give a **** they jam us into categories with the same krappy old stories that it's good for our health while they're spending the wealth that they stole from the miners and while they're dining on beef we're starving good grief and they've got us by the ***** in glass coloured test tubes lubricated,dedicated to the rise of the monarchs and it can't be for real we'd never allow that but laying flat on our back and winking eyes at the sun is where this begun. In the minds of the merchants and in the pockets of wise men in the back alleys of bigots and bigshots and what have we got? you know it, A box full of sawdust and a whole heap of **** so the walls get a little longer a little stronger but they'll break us one day and take us away to a recycle plant and they'll plant us as seeds to service their needs and their needs will get greater the later they leave it there's a whole load of **** a coming our way.
0
Jun 19, 2013
Jun 19, 2013 at 10:51 AM UTC
Coming to your high street soon
Now or never whether we want to or not they've got us by the ***** and though we built walls to defend against these invaders of free will we will need to be stronger build our walls bigger and better than ever before and let them kick out the windows and doors we'll just brick them up and no one gets in and no one gets out and no one but no one knows what this is all about. but the walls stay because they want us to rot they've got us by the ***** and all we can do is build more and more walls and who wins in the end? when we're all sent to Coventry with bags of cement so we can lend some authority to the people up there and they don't give a **** they jam us into categories with the same krappy old stories that it's good for our health while they're spending the wealth that they stole from the miners and while they're dining on beef we're starving good grief and they've got us by the ***** in glass coloured test tubes lubricated,dedicated to the rise of the monarchs and it can't be for real we'd never allow that but laying flat on our back and winking eyes at the sun is where this begun. In the minds of the merchants and in the pockets of wise men in the back alleys of bigots and bigshots and what have we got? you know it, A box full of sawdust and a whole heap of **** so the walls get a little longer a little stronger but they'll break us one day and take us away to a recycle plant and they'll plant us as seeds to service their needs and their needs will get greater the later they leave it there's a whole load of **** a coming our way.
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I have had enough of you! I know I am not alone There are millions suffering And someday you’ll atone. At some point the silence You enjoy so much will end And you and your cohorts Will not have a single friend. You insist you’re a Christian Then cheat and lie and steal. Point to all the good people And claim their values aren’t real. You gather with other creeps And dress up very expensively Then spend your stolen loot On lavish living extensively. Some of you may have made A study of which things to quote Of your badly interpreted religion And memorize them by rote So you can spew them back And claim you are a greatly pious Man or woman of God’s grace. That’s how you buy some of us. You pump us full of falsehoods Blame everyone but yourselves And demand we go right on Working as your mindless elves. Meanwhile you take apart the good That we have tried to do before. You lie and claim you are helping us And too many of us don’t keep score. That will not go on forever because Not all of us are raging fools. We will turn on you and beat you With all the appropriate tools. We will cast you out to the coventry You forced us into all these years. You'll rage at us with no result. You will understand living in fear.
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Jan 15, 2018
Jan 15, 2018 at 2:05 PM UTC
WE WILL RISE UP
Telephones ringing the changes. Banging hard inside my head. Who are you bothering me? Needing peace, please let me be. Freedom is for dreamers. Dreaming is for sleeping. Houses for fashion. Musing for using. One night stands. Final demands. Bills of rights. Feisty nights. Long lost lovers. Cold to each other. Holding hands carved of ice. Coventry won't be so nice. Know how you're feeling. Head must be reeling. Maybe it's numb. Having a mother, but never a mum. (c) Livvi
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Apr 5, 2015
Apr 5, 2015 at 4:46 PM UTC
COVENTRY
Brigid was born on a flax mill farm, Near the Cavan border, in Monaghan, At Lough Egish on the Carrick Road, The last child of the Sheridans. The sluice runs still near the water wheel, With thistles thriving on rusted steel. What's known of Nellie's early years? Da died before she knew grieving tears, But her eyes will burn in later years. She's eleven posing with her class, This photo shows an Irish lass. Her visage blurred, Her eyes look distant, Yet recognizable In an instant. She attended school for six short years, The three R's, some Irish, With a Doctorate in tears. Her Mammy grew ill, She lost a leg, And bit by bit, By age sixteen, Nellie buried her first dead. Too young to be alone, Sisters and brother had left the home. The cloistered convent took her in, She taught urchins and orphans About God, Grace and sin. (There were no vows for Nellie then.) At nineteen she met a Creamery man, Jim Lynch of the Cavan clan; He delivered dairy from his lorry, Married Nellie To relieve their worry. War flared up, and men were few, A Coventry move would surely do. (and thistles bloomed as they grew.) Nellie soon was Michael's Mammy, Then Maura, Sheila and Kevin were carried. When war floundered to its end, They shipped back to Monaghan, To work the flax mill again. The thistles and weeds That surrounded the mill, Were scythed and scattered By Daddy's zeal. He built himself a generator. And powered the lights and the wheel. Sean was born, Gerald soon followed; Then Michael died. A nine year old, His Father's angel. (Is this what turns A father strange?) Francie arrived, Then Eucheria, But ten months later Bold death took her. Grief knows no family borders For brothers and sisters, sons or daughters. We left for Canada. Mammy brought six kids along, Leaving her dead behind, Buried with Ireland in familiar songs. Daddy waited for our family, Six months before Mammy got free From death's inhumanity. Her tears and griefs weren't yet over, She birthed another son and daughter; But Jimmy and Marlene left us too. Death is sure, Death is cruel. Grandchildren came for Little Granny, Brigid, Nellie, her names are many. She lived this life eduring pain That mothers bear, Mothers sustain. And yet, in times of personal strain, I may invoke her one true name:                             "Mammy."
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May 10, 2025
May 10, 2025 at 9:55 AM UTC
Her Many Names
Brigid was born on a flax mill farm, Near the Cavan border, in Monaghan, At Lough Egish on the Carrick Road, The last child of the Sheridans. The sluice runs still near the water wheel, With thistles thriving on rusted steel. What's known of Nellie's early years? Da died before she knew grieving tears, But her eyes will burn in later years. She's eleven posing with her class, This photo shows an Irish lass. Her visage blurred, Her eyes look distant, Yet recognizable In an instant. She attended school for six short years, The three R's, some Irish, With a Doctorate in tears. Her Mammy grew ill, She lost a leg, And bit by bit, By age sixteen, Nellie buried her first dead. Too young to be alone, Sisters and brother had left the home. The cloistered convent took her in, She taught urchins and orphans About God, Grace and sin. (There were no vows for Nellie then.) At nineteen she met a Creamery man, Jim Lynch of the Cavan clan; He delivered dairy from his lorry, Married Nellie To relieve their worry. War flared up, and men were few, A Coventry move would surely do. (and thistles bloomed as they grew.) Nellie soon was Michael's Mammy, Then Maura, Sheila and Kevin were carried. When war floundered to its end, They shipped back to Monaghan, To work the flax mill again. The thistles and weeds That surrounded the mill, Were scythed and scattered By Daddy's zeal. He built himself a generator. And powered the lights and the wheel. Sean was born, Gerald soon followed; Then Michael died. A nine year old, His Father's angel. (Is this what turns A father strange?) Francie arrived, Then Eucheria, But ten months later Bold death took her. Grief knows no family borders For brothers and sisters, sons or daughters. We left for Canada. Mammy brought six kids along, Leaving her dead behind, Buried with Ireland in familiar songs. Daddy waited for our family, Six months before Mammy got free From death's inhumanity. Her tears and griefs weren't yet over, She birthed another son and daughter; But Jimmy and Marlene left us too. Death is sure, Death is cruel. Grandchildren came for Little Granny, Brigid, Nellie, her names are many. She lived this life eduring pain That mothers bear, Mothers sustain. And yet, in times of personal strain, I may invoke her one true name:                             "Mammy."
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You don't have to put up with it, no one is stuck on Facebook. I look but can't see the delete me the **** outa this app that's free and always will be krap. Zap, Zuckerberg just shot me down, run me out of Facebook town. Pow, I was going anyhow, they're just a bunch of nothing new, a new look on a pirate crew, **** you facebook. Then they suspend me, them wicked ******** on Facebook send me to that godforsaken place called Coventry where the end of me is processed and repackaged endlessly, Coventry? I think it's twinned with monotony and **** you facebook I'll go-commando, hide away in Twitterville and go it solo with 139 other characters who know as much as I know. Which is next to nothing Am I bad or what?
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Feb 18, 2016
Feb 18, 2016 at 2:38 AM UTC
I can't scream in Chinese but I'll try
Roger of Wendover wrote of your audacity, a chronicle, a fable in lore, whereupon your face was softened for the Coventry poor. Tyranny of taxation, a sovereign's oppression, one husband's aggravation, and so he gave to you but one condition. After the butterflies, before the sunlit emprise, no mask to disguise, not a thing to prevent prying eyes. Only your decree could now protect your ladyship's modesty, keep your name from this sordid tale of infamy, yet, what did Tom see? It shan't be denied, it rests indelibly in Flowers of History, alas! along cobbled streets, all of them you defied, thus with head held high, you rode in all your glory.
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Dec 9, 2019
Dec 9, 2019 at 11:21 PM UTC
Godiva
I could not find love inside thee; I could not seek, I could not live. I did not have the strength to leave; that when I went, a wound broke me. I could not bear light upon thee; You went straight, far away from me. I could not get inside of you; to make you see how I was true. Goodbye to thee now, at last Your sun and fire have burned to dust, You have dispersed into thin air, Unheard, unseen, untouched, unfair. Goodbye to thee, while time is hard Your days were left in the dim past, When I wake again, you must leave I have enough reasons to live. Goodbye to thee, and forever Though it still feels like yesterday When Coventry, from my chamber Frosted white on scarred wintry days. Goodbye to thee, that it is now I have forgot your song somehow Fed and left to my tomorrow; and such a light day has not grown. Goodbye to thee, and written pain Through all such grief and annoyed rain Through all suspecting space and colds By the toxic wounds my heart holds. Goodbye to thee, and the white lies You have attached to all the skies Might never rest in peaceful sleep; Their thinned sockets shall always weep. Goodbye to thee, to white lilies Grown dusks on York’s rivers and seas Retreating to my Northern star; Whilst distant, nights dwell not far. Goodbye to thee, to scarcity Lives lacking roses and kindness, Love of bleakness and enmity Hearts of unborn happiness. Goodbye to thee, the whole of you; To arise, and embark myself anew To the land of a thousand lakes-- A love story our hearts shall take.
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Aug 8, 2017
Aug 8, 2017 at 1:26 PM UTC
Farewell
I could not find love inside thee; I could not seek, I could not live. I did not have the strength to leave; that when I went, a wound broke me. I could not bear light upon thee; You went straight, far away from me. I could not get inside of you; to make you see how I was true. Goodbye to thee now, at last Your sun and fire have burned to dust, You have dispersed into thin air, Unheard, unseen, untouched, unfair. Goodbye to thee, while time is hard Your days were left in the dim past, When I wake again, you must leave I have enough reasons to live. Goodbye to thee, and forever Though it still feels like yesterday When Coventry, from my chamber Frosted white on scarred wintry days. Goodbye to thee, that it is now I have forgot your song somehow Fed and left to my tomorrow; and such a light day has not grown. Goodbye to thee, and written pain Through all such grief and annoyed rain Through all suspecting space and colds By the toxic wounds my heart holds. Goodbye to thee, and the white lies You have attached to all the skies Might never rest in peaceful sleep; Their thinned sockets shall always weep. Goodbye to thee, to white lilies Grown dusks on York’s rivers and seas Retreating to my Northern star; Whilst distant, nights dwell not far. Goodbye to thee, to scarcity Lives lacking roses and kindness, Love of bleakness and enmity Hearts of unborn happiness. Goodbye to thee, the whole of you; To arise, and embark myself anew To the land of a thousand lakes-- A love story our hearts shall take.
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