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Poetic T Mar 2015
Jack** and Jill ran up the hill,
To perv on miss muffin
Getting her fill,
She was getting it hard boiled
From Humpy Dumpty,
Who fell of the wall,
Yolk sprayed up her back,
Her screaming she wanted more.

Mary, Mary,
Quite Contrary...
How did you make it grow,
You played with the bells,
And my cockle shells and it did grow,
Mary, Mary,
Quite Contrary
Not much words to show,
A mouth your good at what you do,
Mary my sweet little bike I like to ride so.

Old Mother Hubbard
Liked it up the back cupboard,
From the younger gents
She knows,
She liked to **** meat till the marrow
Did flow swallowed the lot in one go,
Now empty is the bone.
Who thought a lady in years,
Had all this energy on the go...
Lotte Jan 2014
When the wind blows from the front,
You'll feel the nostalgia,
Hear the hustle and bustle of fishermen,
Crunching cockle shells under their boots,
Smell the sweet smelling tobacco from pipes,
The toil and hardwork heavy in the air.

Knocking you from the moment,
A faked tan man with a chihuahua,
Hear the cackle of faked laughter,
Clattering of stilletto heels upon cobbles,
Smell the alcohol laced ***** spilling from mouths,
The fruits of labour heavy in the air.
Kara Rose Trojan May 2012
Friend Rockstar,
            Listen, yield to a robust think-tank,
            earlobes skidding against wheat and grain.
Terrible story, yes, what happened to that little girl.
Sterile teddy nightgowns weeping in the squad car windows.
Teacher – Teacher, do you harken my yodels for grace?
            I’ve never been maternal.
            Put the game on. Abortion.
            That’s what I’m about.
            Grab a bra. Sling some weight.
            That’s what I’m about.
Some housefly wings on a weathered corn cob.
Some downhome, homegrown twang for those fancy, fussy britches.
            Muddy workboots. Sweat-soaked collars.
            That’s what I’m about.
Him done made me read, sir.
What sacraments did we write today?
            I can still remember my first broken bone.
            I can still remember my first broken *****.
                        That could be what this is all about.
Mary, Mary, you can be contrite,
            so knife – so critter – so laze – so stalked.
    Who fertilized your seeds? Who reared your sprouts?
            Cockle shells and silver bells, honey,
            can’t grow up
            to be pretty little maids all in a row.
Sterile teddy nightgowns – green bells in gaseous gardens.
Friend Rockstar, you may have to sleep.
This restless harbor is a shivering anecdote spilled from a belly,
            a vast, deep cavern with love notes written in milk.
Your fried, stern smile was a flaking fingernail adjacent to the crack in the flowerpot.
Some garden, I say.
eden halo Feb 2014
"mary mary quite contrary
how does your garden grow
with silver bells and cockle shells
and pretty maids all in a row”*

homecoming queen
ballgown made of polythene
they always said in trash bags
you could still look haute couture
leave em wanting more
now, the only thing i’m sure of

is laura, laura, laura in the ground
nothing but her aura and a lily spattered mound
remains, it pains me to concede
that she’ll be eaten up by ghost ****
by the time she turns 18
she’ll still be homecoming queen
below my lungs and all the earth
she will be crowned
laura in the ground

angel dusted lips of blue
and eyes of lapis lazuli
all the water in the river
couldnt fill the chasm
this microcosmic monster ****** bone dry
cause the only thing i’m sure of

is laura, laura, laura in the ground
nothing but her aura and a lily spattered mound
remains, it pains me to concede
that she’ll be eaten up by ghost ****
by the time she turns 18
she’ll still be homecoming queen
below my lungs and all the earth
she will be crowned
laura in the ground

even her jewellery is broken hearted
all cut up like lines of cheap *******
it feels like all the world is utterly uncharted
with you gone i am lost in fog
you’re planted in my brain

oh, laura, laura, laura in the ground
nothing but her aura and a lily spattered mound
remains, it pains me to concede
that she’ll be eaten up by ghost ****
by the time she turns 18
she’ll still be homecoming queen
below my lungs and all the earth
she will be crowned
laura in the ground

oh laura, laura, laura palmer
golden girl, enchanted charmer
you will still be crowned
laura, lovely laura palmer
you’ve got a date with the embalmer
and afterwards there’s coffee in the ground
i promise, doll, i swear
you’ve nothing, no one left to fear
you’re all walled in and safe, my dear
my darling laura, laura in the ground
watch twin peaks
Mateuš Conrad Jul 2016
.i'm in luck, they're selling it at under 11 quid right now,
stock dry - gone in an instant - laphroaig like -
but not as smoky - but smoked scotch it it
at £10.34 - oh the little joys of having little money to spend -
you end up less picky and less hoarder and
the junk yard.


na głowe sypano mi, tak popiół:
     popiół! a obiecano mi *****!
           popiół! a obiecano mi *****!
                 popiół! a obiecano mi *****!

                  (not my words... lao che's dym)...

me, beer, cigarette, outer-suburbia -
police whizz past, silent with flare
or screaming toddler and Odysseus' 20 sirens
with wax in the ears of oaring company
akin to Ajax'ς vitality -
along the way, my neighbour (who's mother
killed my cat.. listen, i know he had
heart problems, he was on aspirin -
but kidneys, even if complicated are not
real problem, felines take longer to ****
than do the no. 2, pigeons don't have kidneys -
they're always of an **** diet of diarrhoea;
write like Aristotle sometimes,
forget the facts, be wrong, get it wrong,
never put a glass cup into the waterfall of
poetic cascades - get it wrong, be wrong -
get to know yourself - it's not that dumb
to be predictable in yourself -
if you allow self-predictability you will
see certain social events as being pointless -
you'll see friends and "friends" -
self-predictability is a verb, compounded -
i already know i'll make references to grammar
and it being missing in philosophy -
no, not coherence and appropriate arrangement -
i mean undoing the box of thing-in-itself
and the subsequent tennis with a brick wall,
to surprise yourself when something is unearthed,
a little piece of the puzzle - simulating awe,
the genesis of all that's to come, even awe from a yawn
and boredom... it's here somewhere... i'll karate
catch it with chop sticks.... (looking around)...
i don't know, might be a moth or a fly...

Antichrist: or a summary of Antisemitism - a variant of,
or at least a concentration - mainly confiscated
by Christianity - prime complaint:
a democracy of Anointed One (Messiahs) -
obviously a manifested justifiable practice of Antisemitism -
the throng of Golgotha intelligence quotient -
Jew v. Jew, and one convert from the delusional
4 x 4 (in the name of the father, and of the son, and of the holy
                                         spirit... hold on!
                                    i make four gestures... and make a fifth
                 with Romeo and Juliet talking -
St. Matthew-Luke-Mark-and-John... penta penta pent-up
pentagon - evidently there's a pentagrammaton somewhere:
ah! i b l i s.                       Surat no. via Rumi - 7:143 - veils and
the one - reward in heaven - more veils, gardens veils,
grapes in heaven veils - stomach a veil - hunger a veil -
rewards in heaven also veils - the poem?
praise be Jesus - and Jason and the Argonauts - and whoever
wanted a strawberry flavoured pastiche to lick tears off -
love's apocalypse, love's glory -
         well bloodhound eyes say it all - droop drool -
droop & drool... Jack & Jill... went up the hill, and passed
the Grimm Bro. baton to Hanzel und Gretyl in the 100m x4
relay of Disney Limps - then rabbinical literature to sober up -
Albotini's Sulam HaAliyah (Ladder of Ascent, formerly Jacob's
ladder - to be: Ladder of Skip-rope; Oxford, hello! yes,
can you please consider un-hyphenating what is desirably
a compound worthy word in the practice of German?          )?
is a bracket necessary anywhere and i missed it?
Antichrist - or a very strange form of antisemitism -
be like a Jew, congregate applauding in the right corner: Jesus -
in the blue corner: Crux Golgothia.
export from Portugal - the said book -
key principle (kefitzah) jumping or skipping (dilug) -
and this being applied to the one practice of mystic Judaism -
the ****** gematria; hishtavut (stoicism) -

me - is it still 20 quid for an eighth?
Sim (my neighbour) - yeah, but these days
                                       they sort of cheat,
                                       you'd get an eighth nibbled on,
                                       twenty for a tenth?!
me - ******, well, we can't expect it to not happen,
         we had coin debasement - clippings of silver
         keratin with Siliqua, third stage and
         all encoded authority is gone: Thomas and Anne
         till death and nail clippings be fraud unison in
         the depart (or when narration extinguishes
         a character, the character is worth nothing -
         the narrator wakes up - all the characters run
         like phantom-hares into nonexistence -
         phantom! thin air!
politeness said: only one **** at the wacky wee ö wee
(umlaut O / double oh, 007 - 00'7 - double u... oh!
                                 i get it!                             Jamie Oliver!)
DEI.GRA.REG.FID.DEF.
   "   (-tia) (-ina)(-ei)(-ensor) -
all that would have been clipped - authority of visage -
the courtesan only knew the mint in silver
and the mint in the flesh - hence clipping of coin
to erase the authority from the holy authority of words -
in the beginning - but once dei.gra.reg.fid.def.jpeg /
                                   dei.gra.red.fid.def.gif.

that ****** moth is here somewhere! there it is! catch it!
                                                             ­   catch it!
SLAM!          and the job is done )                                      ).
i really waiting a bus stop pretending to wait for a bus
toking on a joint - joint is mix tobacco and wee wee
and spliff is pure? i forgot the slang - haven't been
addicted to it in years.
Sim - yeah, that's how it is. work in central london -
         have to get up early in the morning.
         corporate finance - no that's a commercial firm,
         corporate finance - McDonald's, etc.
me - oh cool waiting for  ghost bus - never get paranoid
         then?
(police cars whizz by)
Sim - n'ah, a perfectly decent area, got stopped once,
          three years ago.
and the price goes to the laziest narrator in history - absolutely
no engagement with characters - it's too real, everyone's
lying - this is the second time i spoke to my neighbour properly
in the past.. ooh 2002... 14 YEARS - it's not even funny -
no amount of marijuana will make you feel comfortable -
you can mate and make Kingston handshakes and what not -
this is purity of absurdity and western isolation,
we went against the maxim: no man is an island on purpose,
not by chance like Robinson Crusoe -
at least Crusoe had a talking Friday - we have a ghost
of Michael Faraday on Friday - ******* disco blink blink -
poet... or alt.: the narrator complex - inhibitions toward
character craft and pseudo-schizoid symptom -
believing in ghosts is easy, fiction writers and their ghosts
and abortions, hardly a way to escape from that -
poetry: rebellious narration - just anything with narration,
modern fiction is read like a chess match between deep blue
and Kasparov - or Pavlov v. Jezebel playing gynaecologist.

blank.... blank... wait for the atoms trilled R to make
their toady presence felt -
the more pricier the whiskey the more pristine water,
i.e. you get drunk more easily -
anyone that smokes marijuana and thinks
they're clever are stupid; how many people are out there that are
stupid!
- resounding hearsay-hooray!
drugs, ******, crack, blow, marijuana, ****, ***,
  cannabis, dope, ******, mary-jane, 13, M - herb shake -
Humphrey saying to Bogart - that joint.
as said in Saudi
Arabic - a Ferrari G.T.I. and MeKubalim HaMitbodedim
                  )
                                  -chism - schism - sky - ski -
                                  cha cha, cha cha - kilo or 100th -
                                  1000 thd. - hundredth a thousandth -
                                  - where then the acute,
                                  timber from Czechs -
                                  kebab from Mesopotamia -
                                  and the Trojan horse to boot -
                                 chatter - chopper whopper -
                                 astoikism - not chew off
                                 curve into cherish but
                                 cravat chew in -
                                 Slavic mining zed - czarna
                                 ciasność - blackened claustrophobia.
a Buddhist clap
                   immersion -
left handed the right hand claps against air
                  )             )              )               )            ) ) )            )
a night at the Opera, right handed the left hand claps against air
(                       (        (            (               (          ( ( (            (
scimitar Luna - so they said, would like an audience with the
further unmentioned mention -
you're mates with neighbours who over 14 years you only
spoke to the count of thumb and index on occasion -
and thus necessarily high -
i was going to write something really important before
i finalised this draft... but i forgot what it was...
got almighty this whiskey is good...
i'm smoking salmon and pickling reindeer hooves and antennas;
a bit like practising Chinese miracle medicine with
whale blubber and Mongolian nostril hairs.

it's not about loving your enemies -
this love sinister must be invoked as: making your
enemies bearable.

i'm sure i had something concerning poetry and narration -
ah! it was... poetic compensation -
a.d.h.d. narration - attention deficit hyperactive disorder -
true - all psychiatric terms are metaphors -
at least outside the psychiatric realm -
poetry as a.d.h.d. meaning: shrapnel narration -
a custard pie of missing characters -
poetry: i.e.: the inability to believe in ghosts
or write characters - claustrophobic or agoraphobic narration?
a mix of both - poetry - the inability to conjure
Ouija fancies - poetry, the over-specialised gift for
narration, but an inability to invent characters -
poetry, the truth of the narrative, and the truth of un-invented
characters, poetry: the ability to narrate, coupled
with the inability to create characters -
fiction and the dumb narrator - poetry and the exquisite
narrator - fiction and the exciting characters -
poetry and the God - our focus is based on that vector,
or bias to that vector - fiction and the Oscars -
narrator and director - when to change from first person
to third person - again Burroughs was right -
images 50 years ahead of writing - a bit obvious,
nothing spectacular with that phrase -
lightning and the sons of thunder: 12 of them -
made the tetragrammaton less spoken and swear words
fucken-uppen censored so the crucifix and **** could
collide - a fine fine excuse - the Boeing 747 first
and later the quasi-sonic broom shoo' 'mm -
poetry as fiction disguised when fiction was given
a seance with pure narratives - splinter group:
philosophy's juggling with pronouns esp. the plural deviation
from first person as if to proper punctuation -
psychiatry and the theory of pronoun usage -
poetry and the pronoun rōnin (macron = umlaut -
count to two, or prolong - reasonable man / **** sapiens, pre-noun pro-adjective / adjective attache-noun, noun counter-noun es duo-adjective, Kellogg's sunrise cockle-doodle-dip-in-tartan-chess) -
only poetry mediates the parallel vectors of prose-fiction and philosophy - it consolidates the use of pronouns, art of poetry alone -
pure narration we're talking about,
the narrator and characters of its fancy,
philosopher and dialectical placebos (character equivalence)
with self-conscious moments, mono-pro-noun - alone i name -
the sacred squash wall of lecturing an invisible audience -
rummaging epitaphs in a graveyard along with birth dates
and live by dates - yes, that sacred we philosophers use -
an entire theatre was summoned to continue in appearing
sensible when writing without fictive apparitions -
enabling a fluidity in pronoun use, without sensible letter
writing, as in dear sir,
                                       me in reverse, thank you.
w
TOD HOWARD HAWKS Mar 2022
LOVE AND LOVERS

by

TOD HOWARD HAWKS


Chapter 2

Jon picked up his receiver and gave Bian a call from his apartment.

“Bian?”, asked Jon.

“Yes,” replied Bian.

“This is Jon calling. Do you have a minute or two to talk?”

“Yes, I do,” said Bian.

“Well, first let me ask how you’re doing,” said Jon.

“I’m doing well, Jon,” said Bian.

“And school, how’s that going?” asked Jon.

“Well, I'm off to a busy start, but that’s not surprising,” said Bian.

“I’m calling to ask if you would like to go with me this Sunday afternoon and hear Mario Abdo Benitez, president of Paraguay, speak at the World Leaders Forum in Low Library, then afterwards have an early picnic meal in Riverside Park with me.”

“Oh, that sounds wonderful!” said Bian.

“Great. I’ll meet you again in the Hartley Hall lobby around quarter of 2. Will that work for you?” asked Jon.

“Yes, Jon, that will work fine. Thanks for the double invitation,” said Bian.

“Oh, and by the way, I’ll have our picnic meal ready for us. We’ll have to pick it up at my apartment after the talk. I live on Riverside Drive between 114th and 115th Streets,” said Jon.

“I look forward to both,” said Bian.

“Have a good rest of the week,” said Jon. “See you Sunday.”


Jon got to the Hartley Hall lobby a bit early Sunday afternoon and sat down on a sofa to wait for Bian. On Saturday, Jon had composed his most recent poem and he had brought it and two others to read to Bian during their picnic. After a short wait, Bian entered the lobby.

“Bian, it's so nice to see you again,” said Jon.

“It’s so nice to see you, too,” said Bian.

“Well, are we ready to head out?” said Jon.

“I am,” said Bian.

“OK, let’s go,” said Jon.

The two headed toward Low Library, now no longer a library, but the main administrative center of the University. Further, the Rotunda was glorious. That’s where President Benitez would be speaking.  

The President began his speech with a concise history of Paraguay followed by his attempts to deal with the societal ills in his country, and then spoke at length about his belief, his wish, for all nations in both Central and South America to be united into one nation. Finally, he took a number of questions from members of the audience. The program lasted about an hour.

“I found President Benitez’s comments about the potential unification of all countries in Central and South America united provocative,” said Jon.

“The world is one. Why not start with all nations in Central and South America?” added Bian as she and Jon walked down the steps in front of Low Library.


“Another beautiful Fall day,” said Jon. “A beautiful day for a picnic.”

They headed down College walk, crossed Broadway, then turned left on Riverside Drive and walked toward Jon’s apartment building that was just beyond 115th Street.

“Come on up while I gather all the picnic items,” said Jon, so they took the elevator to the 5th floor, got out, and walked down the hallway to Apt. 515.

“Here’s where I live,” said Jon. Bian entered first.

“You have a beautiful view of the park and the Hudson River, Jon,” said Bian.

Jon put all picnic items from the refrigerator into a large bag and grabbed the large, folded blanket lying on the sofa in the living room, then said, “Now let’s go find a great spot to have a picnic,” said Jon.

The two crossed Riverside Drive and entered Riverside Park. After spending several minutes looking around, Bian said, “Over there. That looks like a nice spot.”

When they got to the spot, Jon put everything he had been carrying on the ground and unfolded the blanket and spread it out.

"This will be an old-fashioned Kansas picnic, Bian. I hope you like it,” said Jon.

Bian sat down on the blanket. Jon began emptying the bag.

“We have before us pieces of fried chicken, coleslaw, baked beans, cleaned strips of carrots and celery, and black olives. Here are the paper plates, utensils, napkins, and cups, along with a container of cool water. I brought water because I don’t drink alcohol.” said Jon. “Plus, I have a surprise dessert.”

Jon then sat down and gave Bian a plate, utensils, and a napkin. “Help yourself, Bian, and enjoy.” And so they did.

After both had eaten everything on their plates, Jon said, “And now for the surprise,”

He reached into the bottom of the bag for the plastic container and pulled it out.

“I have here two pieces of chocolate cake from the Hungarian Pastry Shop,” he said.

“Oh, the cake looks delicious!” said Bian.

Jon carefully put the pieces of cake on plates, then handed one to Bian.

“We had no Hungarian Pastry Shop in Kansas,” said Jon.

After eating their pieces of chocolate cake, Bian and Jon chatted for quite a while, mostly about their respective childhoods, which were, surprisingly enough, quite similar. Being loved by one’s parents, especially, was the most important experience that both shared.

“I’d like to share with you, Bian, several poems I’ve recently written,” said Jon.

“I’d like that very much,” said Bian.

“The first one I’ll recite is titled I WRITE WHEN THE RIVER’S DOWN.

I WRITE WHEN THE RIVER’S DOWN

I write when the river’s down,
when the ground’s as hard as
a banker’s disposition and as
cracked as an old woman’s face.
I write when the air is still
and the tired leaves of the
dying elm tree are a mosaic
against the bird-blue sky.
I write when the old bird dog,
Sam, is too tired to chase
rabbits, which is his habit
on temperate days. I write when
horses lie on burnt grass,
when the sun is always
high noon, when hope melts like
yellow butter near the kitchen
window. I write when there
are no cherry pies in the
oven, when heartache comes
like a dust storm in early
morning. I write when the
river’s down, and sadness
grows like cockle burs in
my heart.


The next poem is titled THERE WILL COME A TIME.

THERE WILL COME A TIME

There will come a time
when time doesn’t matter,
when all minutes and
millennia are but moments
when I look into your eyes.
There will come a time
when clinging things
will fall like desiccated
leaves, leaving us with
but one another. There
will come a time when
the external becomes eternal,
when holding you is to
embrace the universe.
There will come a time
when to be will no longer
be infinitive, but infinity,
and you and I are one.


The last poem I’ll share with you today is THERE IS A TENDER WAY TO TOUCH YOU.


THERE IS A TENDER WAY TO TOUCH YOU

There is a tender way to touch you,
not more than a brush across your cheek.
I seek a gentle kiss so not to miss your soft
and red-rose lips that meet mine, the glory
of your darkened hair that falls across my face
as I unlace your flowered blouse to place
my fingertips upon your silk-like skin to begin
to love the rest of you. I lay you down on soft,
blue sheets, your head upon pillows made of
wild willow leaves softer than robin’s feathers.
I bare your beauty slowly that glows like a candle’s
flame in a room that is at once dark and bright.
The light comes from your luminous eyes that smile
at me as I reveal the rest of you from waist to knees
to heels and toes. No one knows the tender touch
I bestow upon your gentle being that I alone am seeing.


“Thank you, Jon, for sharing these poems with me. They moved me. I hope you’ll share others with me,” said Bian.

It was time to call it an afternoon. Jon walked with Bian all the way back to Hartley Hall.

“Have a good week, Bian,” said Jon, then leaned forward and
kissed her lips lightly.
Olivia Kent Sep 2015
Come join me sweetheart at the waters edge.
We can dabble our feet in the water that's soothing.
Splash our feet in refreshing water.
We may sit upon grounded  rocks,they look a touch like stranded dolphins.
We can talk to the sound of the sea.
Me and you.
You and me.
There are no cockle shells standing in rows.
Just the fresh aroma of the sea as it crawls up your nares.
Many moments of sentimentality,as together we sit and we breathe in the scent of the sea.
Just me and thee.
The moon rises skyward.
The autumn sun falls down.
Autumn of beaches and stone dolphins, left in front of the falling sun.
Beckoned by the tide.
The pull of the tide is weak tonight.
Come sunrise the dolphins shall still be in sight.
You and I shall say goodbye.
Until the night be gone.
See you soon.
Stone hearted ones.
(c)Livvi
Some delicious metaphors x
Allyson Walsh Sep 2015
Carrie, how does your garden grow?

Are the souls of your enemies
Buried beneath your personal cemetery?

The victims on their knees
Begging, beseeching, pleading

Praying to you *and
the same God for
Things to be as they were before

With silver bells, Carrie?

Are your nails sharpened to a point,
Itching to break bones at the joint?

To snap my wrists and tie
Them up - your peace of mind

Tortment me, ****** Carrie
Smirk and laugh before you bury

And cockle shells, Carrie?

Are you seen as a pleasurable fantasy?
A mask of terrible daydreams?

Your body caresses the loaded gun
He swears that pain is one with love

You are an instrument of pure torture
Who is viewed as a delicate sculpture

Are your pretty maids in a row?

Are we in a straight line
Waiting to be punished for our crime?

Your foolish prey meet the guillotine
One swift motion - sliced clean

Hail Carrie, the ****** empress,
Queen of deciet, and ***** mistress
For Carrie (obviously).

My words are my weapon. Here's to hoping they cut you like a knife.

(Just as his did to me).
TOD HOWARD HAWKS May 2023
I write when the river's down,
when the ground's as hard as
a banker's disposition and as
cracked as an old woman's face.
I write when the air is still
and the tired leaves of the
dying elm tree are a mosaic
against the bird-blue sky.
I write when the old bird dog,
Sam, is too tired to chase
rabbits, which is his habit
on temperate days. I write
when horses lie on burnt grass,
when the sun is always
high noon, when hope melts like
yellow butter near the kitchen
window. I write when there
are no cherry pies in the
oven, when heartache comes
like a dust storm in early
morning. I write when the
river's down, and sadness
grows like cockle burs in
my heart.

Tod Howard Hawks
I captained logs lovingly across
a musky pond
to hang stars on this date
when so much happened.
Let’s wake in the missed-me morrow
and I’ll try to recapture it.

6am

My aroused heart pounds with the eager
pecks of new world sparrows
feasting on a found pile of saltine *******
crumbs.

With these easier pickings, they can gloss
over hypothetical seeds lost
and the unfortunate insects
still trapped in their tightly wrapped buds
while emitting
a silky trickle of pollen sweetened tears
I might have once confused as joy.

8am

My mouth is a cast iron bell
robbed of its moistness
and the service of a tongue that would rather be
surgically cut without
the requisite anesthesia
than extol with slithering anticipation
the downfall of cold-blooded prey.

A grubby grimace can’t
switch off the cockle-less warmth
gazed by an elegantly impolite swan,
but amazingly cottony soft escapes can
be ginned with the bait of a choirboy’s tender
“Have mercy!”

10am

My nutmeg brown irises are diced
fresh and tossed into a ***
where spiced hot they’re shown
the urgency this yet-to-be plucked rose feels
when the mid-morning light
accumulates with enough heat
to bake the earth chocolate.

The tattered edges of her puckered lips
glow an ardent shade of pink and make
a beacon, signaling kingly butterflies to abdicate
their aimless flutters and jet
directly toward her alluring realm.

Noon

My usually cool tips can’t maintain
their aloof trance and they trip
red with sudden blushes over the damaged
clasp on a school girl’s lunch box
crayoned with lemonade kittens,
their wordless greetings.

It’s unlatched to reveal no magic
pressed in the chunks of pickle loaf,
but the foetid and desperate
fruits of a wish for can’t-stay-at-home mothers
to be released from the wages of others’
drudgery.

A squirrel drags her white bread
and dappled meat onto the play lot
where the child’s storm-cloud stare
breaks with the flash
and low rumble of laughter.

2pm

My soles crave the touch of loose-dirt
roads, but it’s my ankles that meet
brambles and are torn by their tiny kisses
from which a rubbery
beauty of sappy drips trails back
to grow pastel primavera blooms.

Their long, tapered necks
and delicate, glassy horns blow
the modulated notes of an icy hymn.

Its diamante flecks freckle
the hovering blue before falling
to press these young,
painted plants into a frieze
and free them from wilting.

4pm

My nape aches for the subtle
weight on not supple joints
between thick fig branches
powdered with a maquillage of snowy dust.

No one care can snap them
or keep them from sheltering
the grazes of constantly bleating sheep.

Candy floss wool is tinted
jonquil then apricot then cherry
as the distant and fiery ball of a sun
slowly descends to the quenching
splash in its night-deposit bucket.

6pm

My unencumbered back gently rolls with a raft
adrift on ripples raised
when unknown aquatic creatures
stir in a shallowly cupped liquid.

Their pleasant plunks and gleeful gurgles
are carried on the crisply creeping evening
air to wash away
the unsavory wafts of salty rumors.

Here I can’t scent the far-removed
oceans racked by hunger’s
chilling frissons and the pundit’s
raging rants to at all-costs maintain
the elevation of market-priced pap.

And I drifted off...
This work is licensed under a Creative Commons Attribution 3.0 License.
TOD HOWARD HAWKS Jan 2021
I write when the river's down,
when the ground's as hard as
a banker's disposition and as
cracked as an old woman's face.
I write when the air is still
and the tired leaves of the
dying elm tree are a mosaic
against the bird-blue sky.
I write when the old bird dog,
Sam, is too tired to chase
rabbits, which is his habit
on temperate days. I write
when horses lie on burnt grass,
when the sun is always
high noon, when hope melts like
yellow butter near the kitchen
window. I write when there
are no cherry pies in the
oven, when heartache comes
like a dust storm in early
morning. I write when the
river's down, and sadness
grows like cockle burs in
my heart.

Tod Howard Hawks
Jim Davis Apr 2017
When sleeping poets do dream
Do they dream at certain times
the same dreams as us, you, or I
Long love dreams without an end

Spiders winding and toads weaving
Tiny cockle shells or huge daffodils
Cold hearts melted or fried ones too
Loves not gone the other way again

Falling off, falling in, falling down
Purpled eyed women and wiggly men
Nightmares arriving never in time
Time speeding up to stand still again

Summer nights in dripping red clouds
Rain falling up or tasting sour winds
Chased once around the world twice
Losing anyway the long way back in

Winning big green coins for jumping
slow trains to nowhere, now there anywhere,
and everywhere not here,
running on tilted electrified blue time

Inhaling the soft touch of perfect love
including all the ugly ingrown warts
Coughing up butterflies into the pool
with the squishy muddy zombie eyes

Echoes heard louder with both eyes
Coloring skies without knowing why
Flights to there with wings of flame
Swallowing rainbows to taste the gold

Colors amongst us walking, talking
Phantasmal fast riding beasts
sinuously moaning oh white *******
drifting with silver temptation winds

Tripping over sounds under tall feet
blowing them in retort not too,
but three, five and one dime more
Fantastical things, ordinary for all

Then perhaps, they maybe dream
Mostly all the same as us, you or I
Of course, that may mean, we,
Could someday be real poets, three

Yet we know the biggest difference
Between a real poet or not, must be
not so much in sleeping dreams
but in those precious awakening dreams

©  2017 Jim Davis
Actually posted this the day before (22 April) HP theme of today (23 April) as "dreams", thus a truly prescient dreaming! , #npmdream
SøułSurvivør Jan 2015
~~~

It is all around us
a realm we cannot see
but unlike this weighted world
there we can be free

It is never subject
to senses yet untuned
it is like a vapor
lit only by the moon

another dimension?
perhaps this will explain
but you will surely know it
as an unseen rain

though it has all knowledge
it will only tell
those who practice wisdom
like the music of a shell

but you must place that cockle
to a patient ear
those who are impatient
perhaps will never hear!

you won't see see it glowing
with a human eye
but it is ever present
as real as you or i

though it is very lovely
through spirt-eyes is seen
it is the real world

our own is just a dream.


SoulSurvivor
(C) January 20, 2015
I wish I could say that
I have seen the spirit rhelm
(The side of light)
I saw my bible glowing
and shimmering once
When I opened it
But that is the extent of
My spirit-sight thus far.
I know that I know
It exists.
I pray to experience it again!
Jesus Christ is a real person.
And sometimes He
Manifests Himself to those
Who love Him in spirit and truth.
indigo chandler Apr 2013
mary mary
excavate the soil
bury the roots
quite contrary 
the ground feels violated 
(as do i)
with silver bells
they penetrate invasively 
with no regard or remorse
and cockle shells
the soil recoils
let's the being consume
and so my garden grows
George Atkinson Nov 2013
Hammocks hamper an oceans intent
To disturb a slumbering crew.
Moonlight shatters over the East
To guide them through the blue.

The cabin walls of woven timber
Moaning in the swell.
The Captain sleeps on rustic papers
Creased like cockle shells.

Our hero, Crow, sits on his nest.
Discussing with the stars
How a world with all this peace
Could not result in war.

Constellations slowly recede.
Tides rise with the sun.
And withered clouds of discontent
Sprinkle the horizon.

And so the skies revealed to Crow
That darkness follows light.
The deepest trenches end in shores
So death must end in life.

At this, our hero killed the crew.
The silence was his blade.
He sank the ship before the storm
Took the friends he'd made.

The waves dragged the ship and men
To their heaven in the depths.
They rest in peace forever more
As in life, in death.
Based on Aesops fables - short moral stories with animals as the main character. The unmentioned God who controls this world is evil and Crow sees that and takes his friends away from him!
cheryl love Mar 2014
Sands sparkling
Green bubbly seaweed draped over a rock
Salt lines marking
A washed up gentleman’s flip flop.
Sweet wrappers, remains of tea leaves in plastic cups
Half eaten jam sandwiches for the sea gulls to peck
Deck chairs stacked neatly in rows and stripes
Boats desperately in need of a  repair check.
The same old flag a flying over an outgoing tide
Cockle hunters and winkle pickers knee deep in slush
Jellied eels, don’t  know how that came about
Children with “kiss me quick” hats in a mad rush.
Trays of stewed tea once again frog marched by dads
Buckets and spades sold in the thousands to
Cute frilly bathed girls and” got to dig deeper”  lads!
Grandparents with knotted hankies on their heads
Stockings rolled down to reveal white shiny knees
“just sit there Grandma, don’t say a word”
I’ll bring you lollies and trays of sandy, luke warm teas.
At the end of the day, the beach was an art form
Displaying hundred of castles and stylish shapes of sand
It brought prosects of a healthy red skinned glow
To return home thinking you were tanned.
You’d had a good day at the beach,  and now you’re  done in
Just relax now with your pint of beer, bingo to look forward to
A handful of fish and chips and screaming kids to quieten
Dreaming of tomorrow, another day on the beach to get through.
Ottar Apr 2014
Good dirt,
Bad dirt,
Bag of dirt,
dirt in a bag, avoided dirt bag, almost,
flowers, herbs
and veggies everywhere,
not a clean spot, all is dirtied,
soiled by my touch,
perfect plants in little pots,
re-planted, by gloved hands,
staying dirt free,
not gentlely,
name is Darrell,
not Mary,
don't you dare ask me how does
my garden grow,
for I will say, with dirt
on my face in my hair,
it is too early to tell so;
you can go look for silver bells
and cockle shells and all those pretty maids
in some body else's row,
cause I moved dirt for what it is worth,
for hanging baskets, on every word,
and herbs to flavor, my tongue,
as I stripped those young plants
from their root bound temporary
prisons,
for reasons unknown,
as I did not inherit my mother's green thumbs,
I did not earn any merit badges nor did I join 4 H,
in the days of my youth, now
I grow weary of faltering crops,
it is to easy to stop to ****,
and wet the soil, care for
those things that rise from the dirt,
that were moved, into containers,
with indelicate fingers, gloved,
not loved by any living thing they touched.
Give me dirt,
I can't hurt dirt,
broken stems, ripped leaves,
I grieve for them and that
they may forgive, my clumsy
ways, and be touched by the healing sun's rays.
I understand dirt,
for it is where I came from,
and His breath.
Salenna Harshaw May 2011
Silver bells and cockle shells
And spirits from the depths of Hell
Rock and roll and self-control
And pretty maids all in a row.
We skipped to market up in town
We rang around and all fell down
The dish and spoon are on a roll—
Don’t weep for my immortal soul.
If I need help, I’m sure to ask
A flash, a jump, a candlestick
Just thinking of it makes me sick.
The man in the moon took off his mask.
I’m to sure recall I had a great fall
Down the into the well upon the hill
And ambled round from up the ground
The ones called Jack and Jill.
The rabbit hole as Alice told
Was lonely, dark, and always cold
So out Jack set for us to get
Away from ‘neath the stone.
With Jill and I ‘tween land and sky
He found the castle way up high
And fell the giant to the earth.
He killed the giant with his words;
The little dog, for what it’s worth,
Laughed so hard when saw the birds
In the dish before the king.
My Jack, they hung right upside-down
For birds and words and killing things
With flowers in our pockets, rings
Around him like the tarnished Crown.
The giant’s death, and Jack’s as well,
Did lift me from beneath the stone
But Jill stayed dead, and all alone.
‘Twas all for naught, as I can tell.
His pretty maids all in a row
Beneath the earth and stones
Did teach us in our ways to go
For how your garden grows these bones
And takes them back to life,
Though would have stayed with death,
My dear, instead of endless strife,
When once before I knew no more
When still was warm my breath.
S Smoothie Dec 2016
Truth conspires to unravel my careful planting
of my garden of deception
every blossom screams your name,
every stone trips a hazard in your honor
the brooke whispers your name incessantly
your truth dances on the edges of my lips,
so desperately close to leaping into the world as an earth shattering revelation!
no thorns or barbs dare grow,
the sunlight streams though illuminating your presence
there is no hiding from you
I crave to sing the song of truth in my heart
dance the deepest confessions to light
cut down every twisted vine tangled up in my web of lies
I crave, I pine, I anguish
yet I tarry,
frozen in time the shell only recognizes obligation
thankful for your warmth
I move on and tend the garden
as if you never existed
cockle shells in a row,
only they know.
SE Reimer Nov 2018
~

along the golden sands she runs,
swinging arms, matching stride;
crashing waves bring seagull crumbs,
deposit treasures with each tide.

sea shells scattered on the sands,
like incantations on the wind;
she gathers them amidst the strands,
blending voice above the din!

each gusty wave of her baton,
the wind is maestro to this band;
from cockle’s flute the highest pitch,
to conch’s cello, deep & rich.

the tulip’s voice of brass cornet,
of scallop’s rippling clarinet;
the kettle drum of florida’s cone,
and hammered strings of angel’s wings!

instrumental simplicity,
ancient chords, rehearsed refrain;
her call to join each voice unique,
each grain of sand, each clapping wave,

leaping toward orchestral stage,
calling forth their joyous praise.
till mistral bows in whispered hush,
a thunderous crash, their glad applause!

~

maestro -
a distinguished musician, especially
a conductor of classical music.

mistral -
a strong, cold northwesterly wind
that blows into the Mediterranean.

~
post script.

i walked upon the sandy beaches,
my lover’s hand in mine;
from ev’ry step ’cross rippling reaches,
flows their song from ancient times;
a song with every crashing wave,
of every ghost these waters claimed;
fills the air with hopeful longing,
song of love, their chorus haunting;
for each body held in depth’s repose,
each soul in song is lovingly released.
Bob B Oct 2016
So MARY loved a little lamb—
Especially on her plate.
But watch out, Mary: too much lamb
Can make you overweight.
 
HUMPTY DUMPTY sat on the wall.
Learn from his mistake.
If you are not mindful, you
Could also fall and break.
 
A TISKET, a TASKET,
Forget about a basket.
Do what you are told
Or your folks will blow a gasket!
 
JACK SPRAT could eat no fat.
Too much fat could **** him.
But mounds of veggies on his plate
Certainly don't thrill him.
If MRS. SPRAT could eat no lean
And just the fatty parts,
Wasn’t her cholesterol level
Jumping off the charts?
 
MISTRESS MARY, quite contrary,
Brags about her garden,
Which, she adds, is quite unique.
****! Oops, beg your pardon.
Are silver bells and cockle shells
Much to brag about?
I guess they are more practical
When there is a drought.
 
JACK B. NIMBLE was pretty slick,
Although he was a nut.
Don’t play around with candlesticks,
Or you could burn your ****.
 
EENY MEENY MINY MOE...
Invest your money and watch it grow.
It’s good to save and not to owe,
EENY MEENY MINY MOE...
 
GEORGIE PORGIE made the girls cry
Every time he kissed ‘em.
They didn’t like that chauvinist
And the way he dissed ‘em.
 
Did JACK AND JILL go up the hill
Really to get water?
What kind of H2O
Would make him swerve and totter?
 
If these days PETER put his wife
In a pumpkin shell,
He'd never hear the end of it;
Boy, she’d give him hell!

- by Bob B
Mike Adam May 2016
anyhow
that was the day I gave up everything

one thousand hotel mirrors
well travelled.

train Milan, cheek-kissed Maria.

cognac. A man. Unconsumed.

Guylove dance, marketplace Castries.
Lord Jackson, Victor
Calypso kinging.

Anyhow
that was the day I gave up dancing

Jack lighthouse, broken glass,
spilled Guinness never forgiven.
Named my son for him.

Anyhow
that was the day I gave up talking

crew cut Poughkeepsie, émigré fashion
boarding cockle boat, Dunkirking
Queen Mary.
Nero sunsetting on piddling empire
wallmap fading red to wilted pink

scouring the bottom of titanic bucket,
glorious lido summer, dear Liza,
got a hole in it(torn piece of rubber
mnemonic for a mother)

anyhow
that was the day I gave up ***

now come the restoration of the king.

London shall rise again,
borne on tide of flying,
infinite darkness,
osmosis of light.

whisper saint Paulus,
de-clocked, unthroning,
myriad swimmers swarm
canal cut channel,
(furry animals cluster, cuddle
in unlikely couplings).

quavering timbers
blowing and swaying,
queen lay dying, long live the king.

anyhow
that was the day I gave up my mind
Kiana Marie May 2013
thistle thorns
and cockle shells
All pretty in a row-
too bad I can't escape-
I wouldn't know where to go.
-
Can't-
someone
anyone
please protect me-
from these monsters in my head
they spin me round and round
'Play with us,' they said-
'Play with us,' they beckoned,
as they gathered us all around,
so we could play rings with Rosie-
till we all fell to the ground.
-
Ashes,
ashes,
her last palace brims high with smoke...
Oh what a silly child's game-
*Don't you think it's a lovely joke?
Mateuš Conrad Jul 2016
the saturday vibe in the press - headlines acknowledging Putin
making propaganda entries from his base in Edinburgh...
****! was i there for three years? do you think they
trained me in espionage while i spent
a month in Russia? well, no
Ian Fleming here - so it's up to a coin toss.
apparently the left is suffering in England,
wouldn't you know - total shambles -
will we see a footprint of recognisable
England on the continent? hardly...
too much involvement in cockle spaniel
involvement in ******* up to the two
blondes across "the pond", fair enough,
good t.v. here's me reading about
a really bourgeoisie woman getting
prim tuck the 4 cuckoo pregnancies
show offs of scars and Cesareans -
i had mine on the shoulder blade aged in my teens -
i preferred scars from a tattoo -
first you turn into colonial pomp
then you wish for a tribal warlord tattoo on your
buttocks - but somehow scars differ -
please pick up the dry-cleaning while you're
booking a yoga class -
so they say the mid-life crisis -
oddly enough i'm having a crisis also,
every time i take a **** the male cat i own needs company -
i'm on Napoleon's quote and he's on the windowsill -
i drop the ****-bomb and pet him;
a cat's weak areas: the base of the tail, just where
it connects to the body - but the ears are more -
your palm and the hand connection to the forearm -
carpals to cartilage - up the ulna-radius -
purr purr purr - yawn - purr purr purr - yawn - plop -
i never asked for company in such scenarios,
but he's so affectionate, apparently human excrement
is sweet for cat scent - cat excrement? ******* toxic ****!
the **** is a gag-mask! ****! **** ain't any better...
but human have the strawberry fields with what's
left-over other than ash of a cremation.
prior to? at the supermarket - for my usual...
i know the man... down syndrome...
his mother nearing 80 - at the cashiers, i walk in,
change my ****** expression... i don't know,
maybe i raised my eyebrows or winked at him -
i've met him before, i might have said my name
while we tried to talk in his front garden -
so i do my mime - and off he goes... silent
prior he starts to convulsively repeat:
MA! MA! MA!
                           i pick up a bottle of whiskey
(MA! MA! MA!)
               then a bottle of beer
(MA! MA! MA!)
                     then a bottle of coke -
the MA! continues - you can hear it resounding
in the supermarket; i say... why hasn't L'Oreal
investigated the genetics of down syndrome?
you see 'em?! you see 'em?! his mother is nearly 80
but his face is like a baby's buttocks!
they should really get the geneticists on the topic,
extract an anti-ageing cream from down syndrome -
perfect theory for any capitalist adventurer -
no shame, no morals, no conscience -
go on, feed that Frankenstein.
so while i'm on the automated checkout he keeps
looking at me and pointing at the exit door -
let's face it we're talking Darwinism - and interpretation,
i have absolutely no clue what he's talking about,
i just interpret it on the positive scaling,
for these people don't really age, they have barely
a wrinkle's worth in them,
or in contrast a maxim: either the fish... or the aquarium -
i choose the aquarium, **** the fish -
he's pointing to the exit with the syllable MA
in saying to others: the man who found the exit and
was ridiculed for it. i must have said my name once
to him - he wasn't looking at his mother, and he was
pointing at the door - truly, such is a scientific nature,
you don't go below the shallow surface of appearances -
you can thus understand the depths of uncomfortable
shallowness in other people who can target meaningful
conversations with you that turn out to be total *******.
that man, probably aged 50 but disguised by
his down syndrome aged 20 will probably make
innovations in anti-ageing creams some time in the future,
while L'Oreal begins to employ geneticists to uncover
the Dorian Grey genes for a ****** cream.
REDACTED Aug 2014
Sat shivering in cold and damp car lot,
awaiting the bell for the dreary work-
-a-day crawl to begin.
In meditative crouch, too frozen for,
feeling or thought.

Silver Bells, cockle shells,
in Nirvana awaiting us,
drifting in lazy gusts.
Mateuš Conrad Mar 2016
oh man, abba is like
prog rock made simple;
and there's so much
cheese too... i could
start a factory producing
edible shoe laces - but
then the hot flush butterfly
of puffed up cheeks of smiling...
and what, today'***** single will
not get the same treatment?
we don't remember cavemen
and dinosaurs these days,
we're stuck remembering the
20th century, as the fashion
industry makes a testament of
on a catwalk of designing
a wardrobe no one would wear...
art-house tedium with skeletons
in an open closet...
they mind the logos, so people
say Versace! Dolce & Gabbana!
they really look out for those
signature stilettos and handbags...
the poor ***** just get the
logo printed on their shirts
so people can learn reading once more,
gimme gimme sweden's weather at
midnight so i can chase those Nike
blues away... the new signature of the
illiterate, once the X, now the tick;
tick tick tick... clocking into
a system of being educated to decipher a - z
like a cabdriver,
then pulverised by images to buy spend buy
and become dyslexic when oiled up ***** ****
became a slogan of trademark & copyright of
a certain style of writing C in *****-in-cockle-doodle; cola.
cheryl love Sep 2015
Lying flat amongst the purple clover
on top of a very chalky hill.
Listening to my mind tick over
and around me life is perfectly still.

I calmly glance at the blue sky
I can smell the fragrance of late honeysuckle
I notice the dance of the pale blue butterfly
tasting the sweetness of the corn cockle.

I manage a few shut eyes and forty thinks
Then realise my mind is one mad scramble
I try to visualise cottage roses and rich red pinks
and decide to venture on in a casual amble.

I wondered if this is where they keep forgotten rainbows
in amongst the silence where the river bends
Perhaps it is where the blue lavender grows
in a place where promises are made and false hopes end.

The air sweeps gracefully across my peachy face
I hear the lonely call of an overhead thrush
I decide to leave my Heaven, my resting place
and return once more to life's mad, mad rush.

— The End —