Submit your work, meet writers and drop the ads. Become a member
jeremy wyatt Jan 2011
Poor mad Bran sat at the edge of the well
scratching  and pulling at the stones
through days of cold and rain
summers blaze
whispering to himself words of no import
no-one understands this poor mad man
sat with his hound that never leaves his side
the people feeding and warming him when they could
a big man with no mind they said
but he had a smile for the children
and could cure a lame horse with a touch
then scratches at the stone and talk  again
at mid summer's eve he stopped talking and listened

On Midsummer's day he was gone
at lughnasadh he was found at the well
freshly healed wounds on him and the brave hound
and a girl-child with no voice to speak
but she could smile and sing of the sea
they took the girl to the great hall
but she came to sit each day at Bran's side
listening and singing to him in the evening
waiting for them to come for her

They came  at Imbolc
biting frost days wise women sensed them
creeping slow stained fields defiled by their foulness
the child is what they want
and some would quail and give her up
the women blessed her
set her upon on her horse
asked  for it to run it's small heart out

doors crashed, splintered wood
swords and spears flash and jab
evil tries to take her back
but she is gone and evil  must follow
hindered by men and their strength
women and their hearts and knives

Bran digs in the stones where he scratches
shouts to his hound "Guide Her back to the sea.."
drags the sword out from the rocks
where he has guarded it all these long years
then waits for evil to come
Iron-clad heavy, black steel and hate
ten spared the chase to bring terror and death
"You will all die..." their eyes flash
Yes, but not here, not today,  Bran's smile back..

Gone now leaving scarecrow corpses
nothing evil daring to come past
the wreck of bodies  he scattered
armour scales flew like ****** rain as he bites through
to their blackened hearts
then runs to the sea to meet fate and the coming change
he catches them at the strands edge
cold spume driven by the east wind
soaking the wounded dog and the horse collapsed
foam flecked, stricken, and the child who won't leave them

Thundering their hate an onslaught of rage
horses of the sea rise up and drag so many down
but a few keep on, the strongest ones
Bran sees them, He knows there is no hell
but these would take her somewhere worse
so he will stand alone and face their curse
He whispers quietly again to what flies above him
all these patient years they guarded and watched
he was the first to bring the cross to this wild land
but waited till now to show his hand

Swords and strength blood and wounds battling on
until even he is struck down,
Angel guardians silent watch his doom.
Broken spear driven through his chest
but still striving to live and save

The Great Dark One moves in to take the child
sneers, plots to soil and twist her to his will
the last one Bran could just not ****
but She looks up with gentle tears
"What would you have me do"? Asked this
child of the Elder Gods..
" Take me to your realm,
so I may be the darkest of all powers."
"No" says Bran,"With one final embrace,
I take you with me to heaven, with Christ's grace.."
Hugging him tight, Bran's death-spear kills two,
one forgiving one forgiven, as the weapon drives through

And the waves drifts slowly in washing the hurt from
child and beasts,  She drifts in the tide ,
horse now beside her playing in new form
guardian of the child of the sea,
who this Man of God She  Mourns
But the dog, strong again returns
to sit by the well and remember his master,
the coming of Mad Bran and the dawn
of the  Old God's passing.
This is a story in my head I have shrunk down to this size for fun. I will try and do it properly one day, that and a thousand other things I mean to do!
Fled foam underneath us, and round us, a wandering and milky smoke,
High as the Saddle-girth, covering away from our glances the tide;
And those that fled, and that followed, from the foam-pale distance broke;
The immortal desire of Immortals we saw in their faces, and sighed.

I mused on the chase with the Fenians, and Bran, Sceolan, Lomair,
And never a song sang Niamh, and over my finger-tips
Came now the sliding of tears and sweeping of mist-cold hair,
And now the warmth of sighs, and after the quiver of lips.

Were we days long or hours long in riding, when, rolled in a grisly peace,
An isle lay level before us, with dripping hazel and oak?
And we stood on a sea's edge we saw not; for whiter than new-washed fleece
Fled foam underneath us, and round us, a wandering and milky smoke.

And we rode on the plains of the sea's edge; the sea's edge barren and grey,
Grey sand on the green of the grasses and over the dripping trees,
Dripping and doubling landward, as though they would hasten away,
Like an army of old men longing for rest from the moan of the seas.

But the trees grew taller and closer, immense in their wrinkling bark;
Dropping; a murmurous dropping; old silence and that one sound;
For no live creatures lived there, no weasels moved in the dark:
Long sighs arose in our spirits, beneath us bubbled the ground.

And the ears of the horse went sinking away in the hollow night,
For, as drift from a sailor slow drowning the gleams of the world and the sun,
Ceased on our hands and our faces, on hazel and oak leaf, the light,
And the stars were blotted above us, and the whole of the world was one.

Till the horse gave a whinny; for, cumbrous with stems of the hazel and oak,
A valley flowed down from his hoofs, and there in the long grass lay,
Under the starlight and shadow, a monstrous slumbering folk,
Their naked and gleaming bodies poured out and heaped in the way.

And by them were arrow and war-axe, arrow and shield and blade;
And dew-blanched horns, in whose hollow a child of three years old
Could sleep on a couch of rushes, and all inwrought and inlaid,
And more comely than man can make them with bronze and silver and gold.

And each of the huge white creatures was huger than fourscore men;
The tops of their ears were feathered, their hands were the claws of birds,
And, shaking the plumes of the grasses and the leaves of the mural glen,
The breathing came from those bodies, long warless, grown whiter than curds.

The wood was so Spacious above them, that He who has stars for His flocks
Could ****** the leaves with His fingers, nor go from His dew-cumbered skies;
So long were they sleeping, the owls had builded their nests in their locks,
Filling the fibrous dimness with long generations of eyes.

And over the limbs and the valley the slow owls wandered and came,
Now in a place of star-fire, and now in a shadow-place wide;
And the chief of the huge white creatures, his knees in the soft star-flame,
Lay loose in a place of shadow:  we drew the reins by his side.

Golden the nails of his bird-clawS, flung loosely along the dim ground;
In one was a branch soft-shining with bells more many than sighs
In midst of an old man's *****; owls ruffling and pacing around
Sidled their bodies against him, filling the shade with their eyes.

And my gaze was thronged with the sleepers; no, not since the world began,
In realms where the handsome were many, nor in glamours by demons flung,
Have faces alive with such beauty been known to the salt eye of man,
Yet weary with passions that faded when the sevenfold seas were young.

And I gazed on the bell-branch, sleep's forebear, far sung by the Sennachies.
I saw how those slumbererS, grown weary, there camping in grasses deep,
Of wars with the wide world and pacing the shores of the wandering seas,
Laid hands on the bell-branch and swayed it, and fed of unhuman sleep.

Snatching the horn of Niamh, I blew a long lingering note.
Came sound from those monstrous sleepers, a sound like the stirring of flies.
He, shaking the fold of his lips, and heaving the pillar of his throat,
Watched me with mournful wonder out of the wells of his eyes.

I cried, 'Come out of the shadow, king of the nails of gold!
And tell of your goodly household and the goodly works of your hands,
That we may muse in the starlight and talk of the battles of old;
Your questioner, Oisin, is worthy, he comes from the ****** lands.'

Half open his eyes were, and held me, dull with the smoke of their dreams;
His lips moved slowly in answer, no answer out of them came;
Then he swayed in his fingers the bell-branch, slow dropping a sound in faint streams
Softer than snow-flakes in April and piercing the marrow like flame.

Wrapt in the wave of that music, with weariness more than of earth,
The moil of my centuries filled me; and gone like a sea-covered stone
Were the memories of the whole of my sorrow and the memories of the whole of my mirth,
And a softness came from the starlight and filled me full to the bone.

In the roots of the grasses, the sorrels, I laid my body as low;
And the pearl-pale Niamh lay by me, her brow on the midst of my breast;
And the horse was gone in the distance, and years after years 'gan flow;
Square leaves of the ivy moved over us, binding us down to our rest.

And, man of the many white croziers, a century there I forgot
How the fetlocks drip blocd in the battle, when the fallen on fallen lie rolled;
How the falconer follows the falcon in the weeds of the heron's plot,
And the name of the demon whose hammer made Conchubar's sword-blade of old.

And, man of the many white croziers, a century there I forgot
That the spear-shaft is made out of ashwood, the shield out of osier and hide;
How the hammers spring on the anvil, on the spearhead's burning spot;
How the slow, blue-eyed oxen of Finn low sadly at evening tide.

But in dreams, mild man of the croziers, driving the dust with their throngs,
Moved round me, of ****** or landsmen, all who are winter tales;
Came by me the kings of the Red Branch, with roaring of laughter and songs,
Or moved as they moved once, love-making or piercing the tempest with sails.

Came Blanid, Mac Nessa, tall Fergus who feastward of old time slunk,
Cook Barach, the traitor; and warward, the spittle on his beard never dry,
Dark Balor, as old as a forest, car-borne, his mighty head sunk
Helpless, men lifting the lids of his weary and death making eye.

And by me, in soft red raiment, the Fenians moved in loud streams,
And Grania, walking and smiling, sewed with her needle of bone.
So lived I and lived not, so wrought I and wrought not, with creatures of dreams,
In a long iron sleep, as a fish in the water goes dumb as a stone.

At times our slumber was lightened.  When the sun was on silver or gold;
When brushed with the wings of the owls, in the dimness they love going by;
When a glow-worm was green on a grass-leaf, lured from his lair in the mould;
Half wakening, we lifted our eyelids, and gazed on the grass with a sigh.

So watched I when, man of the croziers, at the heel of a century fell,
Weak, in the midst of the meadow, from his miles in the midst of the air,
A starling like them that forgathered 'neath a moon waking white as a shell
When the Fenians made foray at morning with Bran, Sceolan, Lomair.

I awoke:  the strange horse without summons out of the distance ran,
Thrusting his nose to my shoulder; he knew in his ***** deep
That once more moved in my ***** the ancient sadness of man,
And that I would leave the Immortals, their dimness, their dews dropping sleep.

O, had you seen beautiful Niamh grow white as the waters are white,
Lord of the croziers, you even had lifted your hands and wept:
But, the bird in my fingers, I mounted, remembering alone that delight
Of twilight and slumber were gone, and that hoofs impatiently stept.

I died, 'O Niamh! O white one! if only a twelve-houred day,
I must gaze on the beard of Finn, and move where the old men and young
In the Fenians' dwellings of wattle lean on the chessboards and play,
Ah, sweet to me now were even bald Conan's slanderous tongue!

'Like me were some galley forsaken far off in Meridian isle,
Remembering its long-oared companions, sails turning to threadbare rags;
No more to crawl on the seas with long oars mile after mile,
But to be amid shooting of flies and flowering of rushes and flags.'

Their motionless eyeballs of spirits grown mild with mysterious thought,
Watched her those seamless faces from the valley's glimmering girth;
As she murmured, 'O wandering Oisin, the strength of the bell-branch is naught,
For there moves alive in your fingers the fluttering sadness of earth.

'Then go through the lands in the saddle and see what the mortals do,
And softly come to your Niamh over the tops of the tide;
But weep for your Niamh, O Oisin, weep; for if only your shoe
Brush lightly as haymouse earth's pebbles, you will come no more to my side.

'O flaming lion of the world, O when will you turn to your rest?'
I saw from a distant saddle; from the earth she made her moan:
'I would die like a small withered leaf in the autumn, for breast unto breast
We shall mingle no more, nor our gazes empty their sweetness lone

'In the isles of the farthest seas where only the spirits come.
Were the winds less soft than the breath of a pigeon who sleeps on her nest,
Nor lost in the star-fires and odours the sound of the sea's vague drum?
O flaming lion of the world, O when will you turn to your rest?'

The wailing grew distant; I rode by the woods of the wrinkling bark,
Where ever is murmurous dropping, old silence and that one sound;
For no live creatures live there, no weasels move in the dark:
In a reverie forgetful of all things, over the bubbling' ground.

And I rode by the plains of the sea's edge, where all is barren and grey,
Grey sand on the green of the grasses and over the dripping trees,
Dripping and doubling landward, as though they would hasten away',
Like an army of old men longing for rest from the moan of the seas.

And the winds made the sands on the sea's edge turning and turning go,
As my mind made the names of the Fenians.  Far from the hazel and oak,
I rode away on the surges, where, high aS the saddle-bow,
Fled foam underneath me, and round me, a wandering and milky smoke.

Long fled the foam-flakes around me, the winds fled out of the vast,
Snatching the bird in secret; nor knew I, embosomed apart,
When they froze the cloth on my body like armour riveted fast,
For Remembrance, lifting her leanness, keened in the gates of my heart.

Till, fattening the winds of the morning, an odour of new-mown hay
Came, and my forehead fell low, and my tears like berries fell down;
Later a sound came, half lost in the sound of a shore far away,
From the great grass-barnacle calling, and later the shore-weeds brown.

If I were as I once was, the strong hoofs crushing the sand and the shells,
Coming out of the sea as the dawn comes, a chaunt of love on my lips,
Not coughing, my head on my knees, and praying, and wroth with the bells,
I would leave no saint's head on his body from Rachlin to Bera of ships.

Making way from the kindling surges, I rode on a bridle-path
Much wondering to see upon all hands, of wattles and woodwork made,
Your bell-mounted churches, and guardless the sacred cairn and the mth,
And a small and a feeble populace stooping with mattock and *****,

Or weeding or ploughing with faces a-shining with much-toil wet;
While in this place and that place, with bodies unglorious, their chieftains stood,
Awaiting in patience the straw-death, croziered one, caught in your net:
Went the laughter of scorn from my mouth like the roaring of wind in a wood.

And before I went by them so huge and so speedy with eyes so bright,
Came after the hard gaze of youth, or an old man lifted his head:
And I rode and I rode, and I cried out, 'The Fenians hunt wolves in the night,
So sleep thee by daytime.' A voice cried, 'The Fenians a long time are dead.'

A whitebeard stood hushed on the pathway, the flesh of his face as dried grass,
And in folds round his eyes and his mouth, he sad as a child without milk-
And the dreams of the islands were gone, and I knew how men sorrow and pass,
And their hound, and their horse, and their love, and their eyes that glimmer like silk.

And wrapping my face in my hair, I murmured, 'In old age they ceased';
And my tears were larger than berries, and I murmured, 'Where white clouds lie spread
On Crevroe or broad Knockfefin, with many of old they feast
On the floors of the gods.' He cried, 'No, the gods a long time are dead.'

And lonely and longing for Niamh, I shivered and turned me about,
The heart in me longing to leap like a grasshopper into her heart;
I turned and rode to the westward, and followed the sea's old shout
Till I saw where Maeve lies sleeping till starlight and midnight part.

And there at the foot of the mountain, two carried a sack full of sand,
They bore it with staggering and sweating, but fell with their burden at length.
Leaning down from the gem-studded saddle, I flung it five yards with my hand,
With a sob for men waxing so weakly, a sob for the Fenians' old strength.

The rest you have heard of, O croziered man; how, when divided the girth,
I fell on the path, and the horse went away like a summer fly;
And my years three hundred fell on me, and I rose, and walked on the earth,
A creeping old man, full of sleep, with the spittle on his beard never dry'.

How the men of the sand-sack showed me a church with its belfry in air;
Sorry place, where for swing of the war-axe in my dim eyes the crozier gleams;
What place have Caoilte and Conan, and Bran, Sceolan, Lomair?
Speak, you too are old with your memories, an old man surrounded with dreams.

S.  Patrick. Where the flesh of the footsole clingeth on the burning stones is their place;
Where the demons whip them with wires on the burning stones of wide Hell,
Watching the blessed ones move far off, and the smile on God's face,
Between them a gateway of brass, and the howl of the angels who fell.

Oisin. Put the staff in my hands; for I go to the Fenians, O cleric, to chaunt
The war-songs that roused them of old; they will rise, making clouds with their Breath,
Innumerable, singing, exultant; the clay underneath them shall pant,
And demons be broken in pieces, and trampled beneath them in death.

And demons afraid in their darkness; deep horror of eyes and of wings,
Afraid, their ears on the earth laid, shall listen and rise up and weep;
Hearing the shaking of shields and the quiver of stretched bowstrings,
Hearing Hell loud with a murmur, as shouting and mocking we sweep.

We will tear out the flaming stones, and batter the gateway of brass
And enter, and none sayeth 'No' when there enters the strongly armed guest;
Make clean as a broom cleans, and march on as oxen move over young grass;
Then feast, making converse of wars, and of old wounds, and turn to our rest.

S.  Patrick. On the flaming stones, without refuge, the limbs of the Fenians are tost;
None war on the masters of Hell, who could break up the world in their rage;
But kneel and wear out the flags and pray for your soul that is lost
Through the demon love of its youth and its godless and passionate age.

Oisin. Ah me! to be Shaken with coughing and broken with old age and pain,
Without laughter, a show unto children, alone with remembrance and fear;
All emptied of purple hours as a beggar's cloak in the rain,
As a hay-**** out on the flood, or a wolf ****** under a weir.

It were sad to gaze on the blessed and no man I loved of old there;
I throw down the chain of small stones! when life in my body has ceased,
I will go to Caoilte, and Conan, and Bran, Sceolan, Lomair,
And dwell in the house of the Fenians, be they in flames or at feast.
Then thirteen ships came from Ireland to Wales

A splendid fleet, bearing an Irish King,

Noble in their rigging and billowed sails,

Their shields upturned with peaceful meaning.



This sea-king Moir came ashore seeking Bran

The Blessed King of Wales who welcomed him

And asked him what brought them to Albion

And its precious holy land of Cymry.



‘Most revered King, Gentle Giant,

I come to seek the hand of your sister

Whose beauty and chastity are renowned,

And that you may bond another brother’.



Then Bran took aside his sister Bronwen

And asked if she would take this adventurer

Who had chanced the wide grey sea unbeknown,

For island fellowship and love of her.



But she too soon the captive of this fleet

Accepted the warrior’s white gold ring,

Losing her gentle heart beyond retreat,

Gifted in love to Moir the pirate king.



But seldom do the peaceful bring horses -

And Evnissen, Bronwen’s broken sibling,

Saw treachery there, and he was jealous,

Wanting her but hating the saintly king.



Then this would-be incestuous betrayer

Skinned the mouth of each horse to their jaws

Showing no mercy in his hatred there

Blinding the best in fury for his cause.



Then Moir, heartbroken, cast aside his bride,

Angry to the bone at this vile mischance,

And vowing war he readied for the tide

Set to repay dishonour with vengeance.



When word of this came to Bran the Blessed

He was distraught that he should be betrayed,

That his beloved sister should be mocked,

His rule of peace and justice thus destroyed.



And Bran the holy king sought atonement

That Moir should forgive this dreadful slight,

Aside its perpetrator’s punishment,


Pledging his own claim to heavenly right -



Offering a sound horse for those maimed

A staff of silver as tall as a man

Fine plates of gold, and a cauldron, long famed,

That will restore the bodies of the slain.



Then all swore peace as the gods might behove

And Bronwen set aside her tears of loss

For tears of joy and vows of endless love

In token that these ills would fade and pass.



And after feasting the lovers took ship

Coming at last to Ireland and Moir’s keep

With Bronwen soon loved for her fellowship,

And her beauty, and her playing of the harp.



But some of the Irish could not forget

Their losses and their humiliation

And Bronwen became hated and disgraced

Her life demanded in reparation.



Then Moir not wishing to put her to worse,

Made Bronwen the court cook’s scullion

Bidding the butcher, as his killing curse,

To smack her ear with his cleaving iron.



But Bronwen who was pure as first-light snow

Charmed the castle birds which heard her sing

And taught a starling to speak so it could show

Bran a letter she had pinned to its wing.



Then Bran his gentleness and love despaired,

Conspired to conquer Ireland and heel Moir -

And a mighty armed fleet he best prepared

That thus the nations came to bitter war.



Of which so much is sung by the minstrels

Who tell of endless triumph and defeat -

And how the Irish opened a thousand hells

Feeding the sacred cauldron with their dead -



And how Evnissen staunched the warrior flow

By breaking apart the massive grail’s bands

But died in agony as he came to know

The fullest fury one’s own hell commands -



And how Bronwen died of a broken heart:

All hope for peace dying with her son Gwern,

Whose life unified what was torn apart,

The boy immolated by Evnissen -




And how they severed the head of King Bran

Burying it at the white mound in London,

To warn of civil strife and be the guardian

Of every peace the just might swear upon.
Dedicated to my friend Bronwen Jones.

Being a retelling of Branwen ferch Llŷr (Branwen, daughter of Llŷr) from the  Welsh medieval classic The Mabinogion, as translated and popularized by Lady Charlotte Guest (1812-1895).
Joliver Aug 2018
If there was one word
One word, isolated by itself
That I cannot stand above all others
It would have to be "Okay"
I despise "Okay"
"Okay"
Is how your millionth day at work went
"Okay"
Is off-brand raisin bran
"Okay"
Is how you say life is going
When you don't want to admit you spend
Every second of it
Wanting to die

"Okay"
Is packed to the brim with
Hidden implications
Like a treasure chest
Filled with bottles
With little subliminal hatreds
Written on tiny slips of paper
Passively aggressively pushed inside
To discover later
As I pull out a treasure map
And try to decipher
Where I went wrong

"Okay"
Is a one word dismissal
That feels like an essay a thousand pages long
"Okay"
Is a poison dripping with disinterest
When I dared to share with you
Something I thought might make you smile
"Okay"
Is like trying to talk to a wall
While watching the paint on it dry
"Okay"
Takes two seconds to write
Yet I waited days
For that dreaded word
To grace my notifications
"Okay"
Should be used sparingly
As if each time you send it
You **** the receiver just a little bit
"Okay"
Should not be said so often that
I know what you're about to say
Like I saw it in a crystal ball
"Okay"
Is not looking up from your phone
When I tell you about my day
"Okay"
Is not the proper response
To "I love you"

They say that the opposite of love isn't hatred
It's indifference
And I can't think of a response
More indifferent to pouring out
My heart into your hands
Than "Okay"
At least the last thing you said to me
Before we parted ways
Showed that you cared
At least a little bit
"I hate you"
Stung less
Than the thousands of times
Over our countless conversations
You responded
"Okay"
Okay?
BOOK I

S.  Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft ***** rose and fell.

S.  Patrick. You are still wrecked among heathen dreams.

Oisin. "Why do you wind no horn?' she said
"And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
"We think on Oscar's pencilled urn,
And on the heroes lying slain
On Gabhra's raven-covered plain;
But where are your noble kith and kin,
And from what country do you ride?'

"My father and my mother are
Aengus and Edain, my own name
Niamh, and my country far
Beyond the tumbling of this tide.'

"What dream came with you that you came
Through bitter tide on foam-wet feet?
Did your companion wander away
From where the birds of Aengus wing?'
Thereon did she look haughty and sweet:
"I have not yet, war-weary king,
Been spoken of with any man;
Yet now I choose, for these four feet
Ran through the foam and ran to this
That I might have your son to kiss.'

"Were there no better than my son
That you through all that foam should run?'

"I loved no man, though kings besought,
Until the Danaan poets brought
Rhyme that rhymed upon Oisin's name,
And now I am dizzy with the thought
Of all that wisdom and the fame
Of battles broken by his hands,
Of stories builded by his words
That are like coloured Asian birds
At evening in their rainless lands.'

O Patrick, by your brazen bell,
There was no limb of mine but fell
Into a desperate gulph of love!
'You only will I wed,' I cried,
"And I will make a thousand songs,
And set your name all names above,
And captives bound with leathern thongs
Shall kneel and praise you, one by one,
At evening in my western dun.'

"O Oisin, mount by me and ride
To shores by the wash of the tremulous tide,
Where men have heaped no burial-mounds,
And the days pass by like a wayward tune,
Where broken faith has never been known
And the blushes of first love never have flown;
And there I will give you a hundred hounds;
No mightier creatures bay at the moon;
And a hundred robes of murmuring silk,
And a hundred calves and a hundred sheep
Whose long wool whiter than sea-froth flows,
And a hundred spears and a hundred bows,
And oil and wine and honey and milk,
And always never-anxious sleep;
While a hundred youths, mighty of limb,
But knowing nor tumult nor hate nor strife,
And a hundred ladies, merry as birds,
Who when they dance to a fitful measure
Have a speed like the speed of the salmon herds,
Shall follow your horn and obey your whim,
And you shall know the Danaan leisure;
And Niamh be with you for a wife.'
Then she sighed gently, "It grows late.
Music and love and sleep await,
Where I would be when the white moon climbs,
The red sun falls and the world grows dim.'

And then I mounted and she bound me
With her triumphing arms around me,
And whispering to herself enwound me;
He shook himself and neighed three times:
Caoilte, Conan, and Finn came near,
And wept, and raised their lamenting hands,
And bid me stay, with many a tear;
But we rode out from the human lands.
In what far kingdom do you go'
Ah Fenians, with the shield and bow?
Or are you phantoms white as snow,
Whose lips had life's most prosperous glow?
O you, with whom in sloping vallcys,
Or down the dewy forest alleys,
I chased at morn the flying deer,
With whom I hurled the hurrying spear,
And heard the foemen's bucklers rattle,
And broke the heaving ranks of battle!
And Bran, Sceolan, and Lomair,
Where are you with your long rough hair?
You go not where the red deer feeds,
Nor tear the foemen from their steeds.

S.  Patrick. Boast not, nor mourn with drooping head
Companions long accurst and dead,
And hounds for centuries dust and air.

Oisin. We galloped over the glossy sea:
I know not if days passed or hours,
And Niamh sang continually
Danaan songs, and their dewy showers
Of pensive laughter, unhuman sound,
Lulled weariness, and softly round
My human sorrow her white arms wound.
We galloped; now a hornless deer
Passed by us, chased by a phantom hound
All pearly white, save one red ear;
And now a lady rode like the wind
With an apple of gold in her tossing hand;
And a beautiful young man followed behind
With quenchless gaze and fluttering hair.
"Were these two born in the Danaan land,
Or have they breathed the mortal air?'

"Vex them no longer,' Niamh said,
And sighing bowed her gentle head,
And sighing laid the pearly tip
Of one long finger on my lip.

But now the moon like a white rose shone
In the pale west, and the sun'S rim sank,
And clouds atrayed their rank on rank
About his fading crimson ball:
The floor of Almhuin's hosting hall
Was not more level than the sea,
As, full of loving fantasy,
And with low murmurs, we rode on,
Where many a trumpet-twisted shell
That in immortal silence sleeps
Dreaming of her own melting hues,
Her golds, her ambers, and her blues,
Pierced with soft light the shallowing deeps.
But now a wandering land breeze came
And a far sound of feathery quires;
It seemed to blow from the dying flame,
They seemed to sing in the smouldering fires.
The horse towards the music raced,
Neighing along the lifeless waste;
Like sooty fingers, many a tree
Rose ever out of the warm sea;
And they were trembling ceaselessly,
As though they all were beating time,
Upon the centre of the sun,
To that low laughing woodland rhyme.
And, now our wandering hours were done,
We cantered to the shore, and knew
The reason of the trembling trees:
Round every branch the song-birds flew,
Or clung thereon like swarming bees;
While round the shore a million stood
Like drops of frozen rainbow light,
And pondered in a soft vain mood
Upon their shadows in the tide,
And told the purple deeps their pride,
And murmured snatches of delight;
And on the shores were many boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns, and fish-eating stoats,
And swans with their exultant throats:
And where the wood and waters meet
We tied the horse in a leafy clump,
And Niamh blew three merry notes
Out of a little silver trump;
And then an answering whispering flew
Over the bare and woody land,
A whisper of impetuous feet,
And ever nearer, nearer grew;
And from the woods rushed out a band
Of men and ladies, hand in hand,
And singing, singing all together;
Their brows were white as fragrant milk,
Their cloaks made out of yellow silk,
And trimmed with many a crimson feather;
And when they saw the cloak I wore
Was dim with mire of a mortal shore,
They fingered it and gazed on me
And laughed like murmurs of the sea;
But Niamh with a swift distress
Bid them away and hold their peace;
And when they heard her voice they ran
And knelt there, every girl and man,
And kissed, as they would never cease,
Her pearl-pale hand and the hem of her dress.
She bade them bring us to the hall
Where Aengus dreams, from sun to sun,
A Druid dream of the end of days
When the stars are to wane and the world be done.

They led us by long and shadowy ways
Where drops of dew in myriads fall,
And tangled creepers every hour
Blossom in some new crimson flower,
And once a sudden laughter sprang
From all their lips, and once they sang
Together, while the dark woods rang,
And made in all their distant parts,
With boom of bees in honey-marts,
A rumour of delighted hearts.
And once a lady by my side
Gave me a harp, and bid me sing,
And touch the laughing silver string;
But when I sang of human joy
A sorrow wrapped each merry face,
And, patrick! by your beard, they wept,
Until one came, a tearful boy;
"A sadder creature never stept
Than this strange human bard,' he cried;
And caught the silver harp away,
And, weeping over the white strings, hurled
It down in a leaf-hid, hollow place
That kept dim waters from the sky;
And each one said, with a long, long sigh,
"O saddest harp in all the world,
Sleep there till the moon and the stars die!'

And now, still sad, we came to where
A beautiful young man dreamed within
A house of wattles, clay, and skin;
One hand upheld his beardless chin,
And one a sceptre flashing out
Wild flames of red and gold and blue,
Like to a merry wandering rout
Of dancers leaping in the air;
And men and ladies knelt them there
And showed their eyes with teardrops dim,
And with low murmurs prayed to him,
And kissed the sceptre with red lips,
And touched it with their finger-tips.
He held that flashing sceptre up.
"Joy drowns the twilight in the dew,
And fills with stars night's purple cup,
And wakes the sluggard seeds of corn,
And stirs the young kid's budding horn,
And makes the infant ferns unwrap,
And for the peewit paints his cap,
And rolls along the unwieldy sun,
And makes the little planets run:
And if joy were not on the earth,
There were an end of change and birth,
And Earth and Heaven and Hell would die,
And in some gloomy barrow lie
Folded like a frozen fly;
Then mock at Death and Time with glances
And wavering arms and wandering dances.

"Men's hearts of old were drops of flame
That from the saffron morning came,
Or drops of silver joy that fell
Out of the moon's pale twisted shell;
But now hearts cry that hearts are slaves,
And toss and turn in narrow caves;
But here there is nor law nor rule,
Nor have hands held a weary tool;
And here there is nor Change nor Death,
But only kind and merry breath,
For joy is God and God is joy.'
With one long glance for girl and boy
And the pale blossom of the moon,
He fell into a Druid swoon.

And in a wild and sudden dance
We mocked at Time and Fate and Chance
And swept out of the wattled hall
And came to where the dewdrops fall
Among the foamdrops of the sea,
And there we hushed the revelry;
And, gathering on our brows a frown,
Bent all our swaying bodies down,
And to the waves that glimmer by
That sloping green De Danaan sod
Sang, "God is joy and joy is God,
And things that have grown sad are wicked,
And things that fear the dawn of the morrow
Or the grey wandering osprey Sorrow.'

We danced to where in the winding thicket
The damask roses, bloom on bloom,
Like crimson meteors hang in the gloom.
And bending over them softly said,
Bending over them in the dance,
With a swift and friendly glance
From dewy eyes:  "Upon the dead
Fall the leaves of other roses,
On the dead dim earth encloses:
But never, never on our graves,
Heaped beside the glimmering waves,
Shall fall the leaves of damask roses.
For neither Death nor Change comes near us,
And all listless hours fear us,
And we fear no dawning morrow,
Nor the grey wandering osprey Sorrow.'

The dance wound through the windless woods;
The ever-summered solitudes;
Until the tossing arms grew still
Upon the woody central hill;
And, gathered in a panting band,
We flung on high each waving hand,
And sang unto the starry broods.
In our raised eyes there flashed a glow
Of milky brightness to and fro
As thus our song arose:  "You stars,
Across your wandering ruby cars
Shake the loose reins:  you slaves of God.
He rules you with an iron rod,
He holds you with an iron bond,
Each one woven to the other,
Each one woven to his brother
Like bubbles in a frozen pond;
But we in a lonely land abide
Unchainable as the dim tide,
With hearts that know nor law nor rule,
And hands that hold no wearisome tool,
Folded in love that fears no morrow,
Nor the grey wandering osprey Sorrow.'

O Patrick! for a hundred years
I chased upon that woody shore
The deer, the badger, and the boar.
O patrick! for a hundred years
At evening on the glimmering sands,
Beside the piled-up hunting spears,
These now outworn and withered hands
Wrestled among the island bands.
O patrick! for a hundred years
We went a-fishing in long boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns and fish-eating stoats.
O patrick! for a hundred years
The gentle Niamh was my wife;
But now two things devour my life;
The things that most of all I hate:
Fasting and prayers.

S.  Patrick. Tell On.

Oisin. Yes, yes,
For these were ancient Oisin's fate
Loosed long ago from Heaven's gate,
For his last days to lie in wait.
When one day by the tide I stood,
I found in that forgetfulness
Of dreamy foam a staff of wood
From some dead warrior's broken lance:
I tutned it in my hands; the stains
Of war were on it, and I wept,
Remembering how the Fenians stept
Along the blood-bedabbled plains,
Equal to good or grievous chance:
Thereon young Niamh softly came
And caught my hands, but spake no word
Save only many times my name,
In murmurs, like a frighted bird.
We passed by woods, and lawns of clover,
And found the horse and bridled him,
For we knew well the old was over.
I heard one say, "His eyes grow dim
With all the ancient sorrow of men';
And wrapped in dreams rode out again
With hoofs of the pale findrinny
Over the glimmering purple sea.
Under the golden evening light,
The Immortals moved among thc fountains
By rivers and the woods' old night;
Some danced like shadows on the mountains
Some wandered ever hand in hand;
Or sat in dreams on the pale strand,
Each forehead like an obscure star
Bent down above each hooked knee,
And sang, and with a dreamy gaze
Watched where the sun in a saffron blaze
Was slumbering half in the sea-ways;
And, as they sang, the painted birds



























































­

























Kept time with their bright wings and feet;
Like drops of honey came their words,
But fainter than a young lamb's bleat.

"An old man stirs the fire to a blaze,
In the house of a child, of a friend, of a brother.
He has over-lingered his welcome; the days,
Grown desolate, whisper and sigh to each other;
He hears the storm in the chimney above,
And bends to the fire and shakes with the cold,
While his heart still dreams of battle and love,
And the cry of the hounds on the hills of old.

But We are apart in the grassy places,
Where care cannot trouble the least of our days,
Or the softness of youth be gone from our faces,
Or love's first tenderness die in our gaze.
The hare grows old as she plays in the sun
And gazes around her with eyes of brightness;
Before the swift things that she dreamed of were done
She limps along in an aged whiteness;
A storm of birds in the Asian trees
Like tulips in the air a-winging,
And the gentle waves of the summer seas,
That raise their heads and wander singing,
Must murmur at last, ""Unjust, unjust';
And ""My speed is a weariness,' falters the mouse,
And the kingfisher turns to a ball of dust,
And the roof falls in of his tunnelled house.
But the love-dew dims our eyes till the day
When God shall come from the Sea with a sigh
And bid the stars drop down from the sky,
And the moon like a pale rose wither away.'

#######
BOOK II
#######

NOW, man of croziers, shadows called our names
And then away, away, like whirling flames;
And now fled by, mist-covered, without sound,
The youth and lady and the deer and hound;
"Gaze no more on the phantoms,' Niamh said,
And kissed my eyes, and, swaying her bright head
And her bright body, sang of faery and man
Before God was or my old line began;
Wars shadowy, vast, exultant; faeries of old
Who wedded men with rings of Druid gold;
And how those lovers
S.  Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft ***** rose and fell.

S.  Patrick. You are still wrecked among heathen dreams.

Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain
On Gabhra's raven-covered plain;
But where are your noble kith and kin,
And from what country do you ride?'

'My father and my mother are
Aengus and Edain, my own name
Niamh, and my country far
Beyond the tumbling of this tide.'

'What dream came with you that you came
Through bitter tide on foam-wet feet?
Did your companion wander away
From where the birds of Aengus wing?'
Thereon did she look haughty and sweet:
'I have not yet, war-weary king,
Been spoken of with any man;
Yet now I choose, for these four feet
Ran through the foam and ran to this
That I might have your son to kiss.'

'Were there no better than my son
That you through all that foam should run?'

'I loved no man, though kings besought,
Until the Danaan poets brought
Rhyme that rhymed upon Oisin's name,
And now I am dizzy with the thought
Of all that wisdom and the fame
Of battles broken by his hands,
Of stories builded by his words
That are like coloured Asian birds
At evening in their rainless lands.'

O Patrick, by your brazen bell,
There was no limb of mine but fell
Into a desperate gulph of love!
'You only will I wed,' I cried,
'And I will make a thousand songs,
And set your name all names above,
And captives bound with leathern thongs
Shall kneel and praise you, one by one,
At evening in my western dun.'

'O Oisin, mount by me and ride
To shores by the wash of the tremulous tide,
Where men have heaped no burial-mounds,
And the days pass by like a wayward tune,
Where broken faith has never been known
And the blushes of first love never have flown;
And there I will give you a hundred hounds;
No mightier creatures bay at the moon;
And a hundred robes of murmuring silk,
And a hundred calves and a hundred sheep
Whose long wool whiter than sea-froth flows,
And a hundred spears and a hundred bows,
And oil and wine and honey and milk,
And always never-anxious sleep;
While a hundred youths, mighty of limb,
But knowing nor tumult nor hate nor strife,
And a hundred ladies, merry as birds,
Who when they dance to a fitful measure
Have a speed like the speed of the salmon herds,
Shall follow your horn and obey your whim,
And you shall know the Danaan leisure;
And Niamh be with you for a wife.'
Then she sighed gently, 'It grows late.
Music and love and sleep await,
Where I would be when the white moon climbs,
The red sun falls and the world grows dim.'

And then I mounted and she bound me
With her triumphing arms around me,
And whispering to herself enwound me;
He shook himself and neighed three times:
Caoilte, Conan, and Finn came near,
And wept, and raised their lamenting hands,
And bid me stay, with many a tear;
But we rode out from the human lands.
In what far kingdom do you go'
Ah Fenians, with the shield and bow?
Or are you phantoms white as snow,
Whose lips had life's most prosperous glow?
O you, with whom in sloping vallcys,
Or down the dewy forest alleys,
I chased at morn the flying deer,
With whom I hurled the hurrying spear,
And heard the foemen's bucklers rattle,
And broke the heaving ranks of battle!
And Bran, Sceolan, and Lomair,
Where are you with your long rough hair?
You go not where the red deer feeds,
Nor tear the foemen from their steeds.

S.  Patrick. Boast not, nor mourn with drooping head
Companions long accurst and dead,
And hounds for centuries dust and air.

Oisin. We galloped over the glossy sea:
I know not if days passed or hours,
And Niamh sang continually
Danaan songs, and their dewy showers
Of pensive laughter, unhuman sound,
Lulled weariness, and softly round
My human sorrow her white arms wound.
We galloped; now a hornless deer
Passed by us, chased by a phantom hound
All pearly white, save one red ear;
And now a lady rode like the wind
With an apple of gold in her tossing hand;
And a beautiful young man followed behind
With quenchless gaze and fluttering hair.
'Were these two born in the Danaan land,
Or have they breathed the mortal air?'

'Vex them no longer,' Niamh said,
And sighing bowed her gentle head,
And sighing laid the pearly tip
Of one long finger on my lip.

But now the moon like a white rose shone
In the pale west, and the sun'S rim sank,
And clouds atrayed their rank on rank
About his fading crimson ball:
The floor of Almhuin's hosting hall
Was not more level than the sea,
As, full of loving fantasy,
And with low murmurs, we rode on,
Where many a trumpet-twisted shell
That in immortal silence sleeps
Dreaming of her own melting hues,
Her golds, her ambers, and her blues,
Pierced with soft light the shallowing deeps.
But now a wandering land breeze came
And a far sound of feathery quires;
It seemed to blow from the dying flame,
They seemed to sing in the smouldering fires.
The horse towards the music raced,
Neighing along the lifeless waste;
Like sooty fingers, many a tree
Rose ever out of the warm sea;
And they were trembling ceaselessly,
As though they all were beating time,
Upon the centre of the sun,
To that low laughing woodland rhyme.
And, now our wandering hours were done,
We cantered to the shore, and knew
The reason of the trembling trees:
Round every branch the song-birds flew,
Or clung thereon like swarming bees;
While round the shore a million stood
Like drops of frozen rainbow light,
And pondered in a soft vain mood
Upon their shadows in the tide,
And told the purple deeps their pride,
And murmured snatches of delight;
And on the shores were many boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns, and fish-eating stoats,
And swans with their exultant throats:
And where the wood and waters meet
We tied the horse in a leafy clump,
And Niamh blew three merry notes
Out of a little silver trump;
And then an answering whispering flew
Over the bare and woody land,
A whisper of impetuous feet,
And ever nearer, nearer grew;
And from the woods rushed out a band
Of men and ladies, hand in hand,
And singing, singing all together;
Their brows were white as fragrant milk,
Their cloaks made out of yellow silk,
And trimmed with many a crimson feather;
And when they saw the cloak I wore
Was dim with mire of a mortal shore,
They fingered it and gazed on me
And laughed like murmurs of the sea;
But Niamh with a swift distress
Bid them away and hold their peace;
And when they heard her voice they ran
And knelt there, every girl and man,
And kissed, as they would never cease,
Her pearl-pale hand and the hem of her dress.
She bade them bring us to the hall
Where Aengus dreams, from sun to sun,
A Druid dream of the end of days
When the stars are to wane and the world be done.

They led us by long and shadowy ways
Where drops of dew in myriads fall,
And tangled creepers every hour
Blossom in some new crimson flower,
And once a sudden laughter sprang
From all their lips, and once they sang
Together, while the dark woods rang,
And made in all their distant parts,
With boom of bees in honey-marts,
A rumour of delighted hearts.
And once a lady by my side
Gave me a harp, and bid me sing,
And touch the laughing silver string;
But when I sang of human joy
A sorrow wrapped each merry face,
And, patrick! by your beard, they wept,
Until one came, a tearful boy;
'A sadder creature never stept
Than this strange human bard,' he cried;
And caught the silver harp away,
And, weeping over the white strings, hurled
It down in a leaf-hid, hollow place
That kept dim waters from the sky;
And each one said, with a long, long sigh,
'O saddest harp in all the world,
Sleep there till the moon and the stars die!'

And now, still sad, we came to where
A beautiful young man dreamed within
A house of wattles, clay, and skin;
One hand upheld his beardless chin,
And one a sceptre flashing out
Wild flames of red and gold and blue,
Like to a merry wandering rout
Of dancers leaping in the air;
And men and ladies knelt them there
And showed their eyes with teardrops dim,
And with low murmurs prayed to him,
And kissed the sceptre with red lips,
And touched it with their finger-tips.
He held that flashing sceptre up.
'Joy drowns the twilight in the dew,
And fills with stars night's purple cup,
And wakes the sluggard seeds of corn,
And stirs the young kid's budding horn,
And makes the infant ferns unwrap,
And for the peewit paints his cap,
And rolls along the unwieldy sun,
And makes the little planets run:
And if joy were not on the earth,
There were an end of change and birth,
And Earth and Heaven and Hell would die,
And in some gloomy barrow lie
Folded like a frozen fly;
Then mock at Death and Time with glances
And wavering arms and wandering dances.

'Men's hearts of old were drops of flame
That from the saffron morning came,
Or drops of silver joy that fell
Out of the moon's pale twisted shell;
But now hearts cry that hearts are slaves,
And toss and turn in narrow caves;
But here there is nor law nor rule,
Nor have hands held a weary tool;
And here there is nor Change nor Death,
But only kind and merry breath,
For joy is God and God is joy.'
With one long glance for girl and boy
And the pale blossom of the moon,
He fell into a Druid swoon.

And in a wild and sudden dance
We mocked at Time and Fate and Chance
And swept out of the wattled hall
And came to where the dewdrops fall
Among the foamdrops of the sea,
And there we hushed the revelry;
And, gathering on our brows a frown,
Bent all our swaying bodies down,
And to the waves that glimmer by
That sloping green De Danaan sod
Sang, 'God is joy and joy is God,
And things that have grown sad are wicked,
And things that fear the dawn of the morrow
Or the grey wandering osprey Sorrow.'

We danced to where in the winding thicket
The damask roses, bloom on bloom,
Like crimson meteors hang in the gloom.
And bending over them softly said,
Bending over them in the dance,
With a swift and friendly glance
From dewy eyes:  'Upon the dead
Fall the leaves of other roses,
On the dead dim earth encloses:
But never, never on our graves,
Heaped beside the glimmering waves,
Shall fall the leaves of damask roses.
For neither Death nor Change comes near us,
And all listless hours fear us,
And we fear no dawning morrow,
Nor the grey wandering osprey Sorrow.'

The dance wound through the windless woods;
The ever-summered solitudes;
Until the tossing arms grew still
Upon the woody central hill;
And, gathered in a panting band,
We flung on high each waving hand,
And sang unto the starry broods.
In our raised eyes there flashed a glow
Of milky brightness to and fro
As thus our song arose:  'You stars,
Across your wandering ruby cars
Shake the loose reins:  you slaves of God.
He rules you with an iron rod,
He holds you with an iron bond,
Each one woven to the other,
Each one woven to his brother
Like bubbles in a frozen pond;
But we in a lonely land abide
Unchainable as the dim tide,
With hearts that know nor law nor rule,
And hands that hold no wearisome tool,
Folded in love that fears no morrow,
Nor the grey wandering osprey Sorrow.'

O Patrick! for a hundred years
I chased upon that woody shore
The deer, the badger, and the boar.
O patrick! for a hundred years
At evening on the glimmering sands,
Beside the piled-up hunting spears,
These now outworn and withered hands
Wrestled among the island bands.
O patrick! for a hundred years
We went a-fishing in long boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns and fish-eating stoats.
O patrick! for a hundred years
The gentle Niamh was my wife;
But now two things devour my life;
The things that most of all I hate:
Fasting and prayers.

S.  Patrick.      Tell on.

Oisin.                 Yes, yes,
For these were ancient Oisin's fate
Loosed long ago from Heaven's gate,
For his last days to lie in wait.
When one day by the tide I stood,
I found in that forgetfulness
Of dreamy foam a staff of wood
From some dead warrior's broken lance:
I tutned it in my hands; the stains
Of war were on it, and I wept,
Remembering how the Fenians stept
Along the blood-bedabbled plains,
Equal to good or grievous chance:
Thereon young Niamh softly came
And caught my hands, but spake no word
Save only many times my name,
In murmurs, like a frighted bird.
We passed by woods, and lawns of clover,
And found the horse and bridled him,
For we knew well the old was over.
I heard one say, 'His eyes grow dim
With all the ancient sorrow of men';
And wrapped in dreams rode out again
With hoofs of the pale findrinny
Over the glimmering purple sea.
Under the golden evening light,
The Immortals moved among thc fountains
By rivers and the woods' old night;
Some danced like shadows on the mountains
Some wandered ever hand in hand;
Or sat in dreams on the pale strand,
Each forehead like an obscure star
Bent down above each hooked knee,
And sang, and with a dreamy gaze
Watched where the sun in a saffron blaze
Was slumbering half in the sea-ways;
And, as they sang, the painted birds
Kept time with their bright wings and feet;
Like drops of honey came their words,
But fainter than a young lamb's bleat.

'An old man stirs the fire to a blaze,
In the house of a child, of a friend, of a brother.
He has over-lingered his welcome; the days,
Grown desolate, whisper and sigh to each other;
He hears the storm in the chimney above,
And bends to the fire and shakes with the cold,
While his heart still dreams of battle and love,
And the cry of the hounds on the hills of old.

But We are apart in the grassy places,
Where care cannot trouble the least of our days,
Or the softness of youth be gone from our faces,
Or love's first tenderness die in our gaze.
The hare grows old as she plays in the sun
And gazes around her with eyes of brightness;
Before the swift things that she dreamed of were done
She limps along in an aged whiteness;
A storm of birds in the Asian trees
Like tulips in the air a-winging,
And the gentle waves of the summer seas,
That raise their heads and wander singing,
Must murmur at last, "Unjust, unjust";
And "My speed is a weariness," falters the mouse,
And the kingfisher turns to a ball of dust,
And the roof falls in of his tunnelled house.
But the love-dew dims our eyes till the day
When God shall come from the Sea with a sigh
And bid the stars drop down from the sky,
And the moon like a pale rose wither away.'
Cookies, Cookies which ones to make?
Cookies, Cookies which ones to bake?
Is it oatmeal for him? sugar for me?
Ooh! these jam ones look scrumptious (in the picture) you see?
Will it be bran for momma, or peanut butter for sis?
Oh, I could cook them all and someone's favorite still miss.....
I could wash, and I could dust & sweep and mop , till i'm dead,
but alas, if you watch, I'll be baking instead because I have cookies in my head.
Cookies, Cookies, which ones to make
Cookis, Cookies, which ones to bake?
Happiness
,
Just a silly poem from years gone by when my miracle son was a toddler, and i was filling the time at home.
Bogdan Dragos May 2019
He had a big belly
but he wasn't a fat man
he wished he was a fat man

his daughter was four
and she told him that he
looked like a
turtle
born
on the wrong side of
its shell

and mother laughed.
He didn't.

Surely he would have if the
swelling wasn't a terminal
disease
a type of cancer of the
stomach and guts whose
name he struggled very
hard to
forget
but the regular visits to
the doctor kept reminding him

his wife kept laughing
she said that laughing
is the key
the best healing
Laughter and love
lots and lots of love
Love

but the other night when
he tucked the little girl
in bed and kissed her forehead and
said "I love you."
she poked her tongue at him
and said "I don't! You ugly and weird.
I love mommy and puppy Bran. Good
night." And she put her
head on the pillow and
closed her eyes.

It was I who went to the shelter
and brought puppy Bran home, he though
as he closed the door, tears
blurring his vision
He didn't go into the
bedroom where his wife
was probably asleep

he went into the bathroom
vomited
washed his face
rinsed his mouth
went into the kitchen
and grabbed the leash
went outside
and took puppy Bran
for a walk

the moon lighted their path
and the shadow of his
big, swollen belly
covered all of puppy Bran
Drew Osmond Nov 2010

Never Have I felt a December
So cold, so lonely.
The walk along the lake,
That changed a fate
The stumble in the snow,
I didn’t let go.

The daring walk,
Onto thin ice
Are you watching?
My attempts to see a rise in you.
So delicate was that goodbye
Darkness, up the long road
Upon the destination, no one knew

I ran home,
To see you waiting there.
You waited for me,
For hours I guessed.
This time a true
Goodbye

We made a plan,
So sketchy at first.
Maybe Just nervous?
Never knowing, what could unfold
We changed our plans.
Much more bold.

I rambled on,
For hours it seemed.
Until we arrived,
To a bran new scene

Both so nervous,
But we knew what we wanted.
I motioned you closer,
No cold shoulder.
Comfortably sat,
Until the movie was over

We met some friends, later that night
Continued to smile,
Be polite.
Just dreaming of holding you tight
I think I might…

A gentle kiss upon your lips
I did not miss.

Out in the cold, yet,
All I felt was warmth
The warmness of you and I,
Another night
Goodbye

Sit next to me in the morning,
The bell is ringing…
I’m ignoring
So captivated by your smile.
Again I depart.
Goodbye.

The night before Christmas eve,
We stayed awake for hours
Until our wish
Had finally come true

Its been a year
Since that December
And yet I miss you,
Just as much as I remember

That December so warm,
Now it plagues me with cold
No longer we are.
Growing old
Goodbye

December,
December!
How I hate you now
Drown my mind
In your white lies.

No longer,
Can I see your eyes
I have grown old of these,
goodbyes…

December
The month that will,
Confuse me forever
Lost in the blizzard
Of my mind
We always say that, “truth is hard to find”
Goodbye

DECEMBER
goodbye…

Getting out from the waves
She walked away to the rice bran haze
As the summer heat drove the sands mad
I knew what she had gone for.

She would hunt it like a child any day
A few seashells if came her way
My skin burning and eyes dust borne
Moments all to herself she desired alone.

On the distant shoreline when she was a speck
Stirred me a tremor then a rumbling quake
What if so happens she is gone too far
Turned a sea nymph to return never!

The tides were falling weaving a lull
The sun slanted on the wings of gull
I rose up to find sand prints of her trail
She bloomed like a hope in her handful of shell!
Joel Todero May 2015
jumping into a pool of yellow glowing liquid while rich, deep, full synth chords play. time has slowed down and i am in the middle of a cannonball and i can see bats flying over my head in the almost-darkness. friends surround me and are laughing in slow motion as i fly through the air. the sun has changed the whole scene to a tinted and washed dark orange and purple color. it’s like i put on a filter but it’s real life. the liquid is lukewarm, sort of like someone didn’t put a bowl of soup in the microwave long enough. there is no word in the human dictionary to describe this feeling. i’m done pretending that nothing matters all the time. i wish there was some way i could hook up my brain to a screen so you could see what i'm picturing right now. there’s no way that can happen though, so i will just continue trying to explain through words.
drumhound May 2014
It was hard to miss Jerry
in the corner
holding court
over the bran muffin.
Flurries of judgement and wisdom
flying across coffee dappled pages
as he sentenced a large cup of
Paruvian Dark Roast
to be ******.

7 am Dan never flinched
steeling his tenured chair at
a spot one section of stir sticks away
calculably just out of reach
of the regularly scheduled tantrum.

An auburn-haired newbie
fanes camoflage
peeking over two pages of Obituaries
she never intended to read.
Her raised and nearly detached eyebrows
hover above the dateline like a magic trick.

And on every table fall
scattered leaves
of press print trees
unsorted and littered with intent
by careless absorbers of trivia.

Disconnected
ear-budded
footnotes of humanity
see nothing
hear nothing
using the disarrayed World News as
enormous coasters
unmoved by hyper-ventilating compulsives
pushing panic buttons through
desperate quests to uncover
one alphabetically organized set
of local news.

Of the papers not strewn
the remnant holds anxious
on a distant wall
a throng of flopping
rabbit-eared
step children
dangling precariously
from unaccomodating magazine racks
like smoky orphans from
windows in a fiery building.
Disordered.
Disrespected.
Discarded...words are
Jews in the holocaust.

Death of a voice.
We are irreverent in our silence
diminishing genius through apathy
put off by the imposition to be challenged
choosing disposable principles
above responsible knowledge.
Everything is disposable - cameras, cars,
relationships, loyalty, babies...and wisdom -
crumpling Pulitzer prize authors
and discarding WW2 veterans
just to get to the cartoons.
Kuzhur Wilson Nov 2013
Since I have no other way
And am in utmost need,
Painter girl,
I filch one of the eight lambs
You have made plump with
Green jackfruit leaves and
Thin gruel with paddy bran.

I will take it to the goat market
And sell it in a jiffy.

I assure you
I will not sell it
To any butcher-
The lamb you made chubby
With sweet sweet words
And much much petting
And nice lilting croons,
Mixing and mixing
Greens with browns.


Don’t be sad, painter girl.
I hear you come running
Searching for your lamb and
Cry out “O my dearest one
Who went grazing in the green fields,”
As the sun in your canvas
Sets in the sea and
The saffron blends with the dusk.
And, see your tears mingle
With the black that you wanted
To adorn the brow of
The naughtiest of them.

Painter girl,
It’s all because I have no other go
And it’s of utmost need.
I could have broken into the
Two-storeyedhouse you sketched
And stolen the ornaments in
Secret lockers that even
You are unaware of.

Or, I could have
Palmed the golden girdle
Of the beautiful ***** princess
Whose portrait you made,
The one with a nose stud.
Or, drugged her with my kisses
And plundered the harem.

Or else, I could have
Entered the snake shrine
Guarded by the dark serpents
That you often drew
And fled the country with
The precious jewel.

Or, I could have shot down
The birds that you drew
And sold them grilled.

I could have axed down the
Mahagony trees you nurtured
And sold them as timber.
I could have blinded your Kanhaiah
And made him a beggar
To become rich from the alms he earned.
I could have enslavened his Gopis
And handed them over
To the red light streets.

Painter girl,
It’s not for anything of this sort.
I take just one of your eight lambs.
Sell it for a good price
And fulfill my need.

Now, perchance,
If a new tenant comes to rent
My brain where nothing resides
And if they pay me a fat advance,
Painter girl,
Surely will I buy back your lamb.
And tether it in your painting.
Don’t you dare say then
Don’t you say then
That you have forgotten it.
Don’t you say then
You have exhausted your stock of
Green jackfruit leaves.


(Trans from Malayalam by Ra Sh)
(Trans from Malayalam by Ra Sh)
Wake up in the morning, clock says 8:23. Step into the kitchen, feeling that something is missing.
Open the fridge, Outa milk??? How could this beee?! I went to Sam’s Club - he stocked me up extra plenty!!!
I need to make a dash to the store, but if I get on the bus, this could take an hour or more.
So I quickly dress, not at all to impress. Just throw on my clothes and head out the door.
Standing outside in a panic, I start scratching all over my body like an addict.
Cereal and milk, I gots to have it!
Leaving me no other choice, I hop on the bus. My hands are shaking, making me look like a fiend.
Then I notice Bomb-Shell Betty, the ’98 prom queen, sitting in the back not looking so pretty.
I remember when she was going steady with TEDDY GRAHAMS - dude used to give me his answers to all of the math exams.
Sitting in front of me are four ladies who go by the names of FRUITY PEBBLES, COOKIE CRISP, HONEY COMB, and SUGAR SMACKS.
Who are they fooling??? Never skipping a beat, they are always getting their KIX turning TRIX on 126th Street.
They are quite the lovely bunch. I believe their **** is going by the name of CAP’N CRUNCH.
I am feeling kinda desperate today, thinking about spending time with FRUITY PEBBLES, but she only takes cash, and all I have are CHEX.  
My impatience is starting to run thin cause all I can think about is running in the store and grabbing a gallon of milk.
Then the bus stops… Who can it be? Oh, it’s my old neighbor, Tom Foolery.
He has a mouth full of chrome and wears ten pounds of jewelry.  With tattoo-covered arms, he enters with his pal, LUCKY CHARMS.
The two sit next to the 126th crew.  They are spitting game - that is really lame.
They are bragging who is better at shooting hoops. They just sound like a bunch of FRUIT LOOPS.
So I chime in and say, “I can eat more RAISIN BRAN than any other man throughout the entire land without going to the can, and if you don’t believe me, just ask my POPS!”
They look at me with complete shock.  Not a word to be heard, they turn around.  I sit there in silence, feeling like a big nerd.
Bus stops again.  A pale man enters on in.  He is tall and thin, wears a brown suit, and has a funny grin.
He looks kinda scary but seems ever-so-merry with his hands locked with his BOO BERRY.
Finally!! Through the glass I can see the supermarket is slowly approaching, and all I can say is, Yippy Frickin Skippy! Bout time.
Just before the bus stops, I jump out the window and drop to my knees, kiss the ground, and scream, “Hallelujah!!!”    
In the front of the store stands General Mills, recruiting potential cereal box models.  He asks, “How ya doing?”  I mutter, “What’s it to ya?”
I run towards the back where the much-needed milk is shelved.  I grab me a gallon and head to the check-outs.
Aisle one has no one in line, so this is a clear sign that things are starting to turn out just fine.
Then suddenly I see a white sign with black ink stating, Chex not Accepted…..
LIFE can be a *****!
Anybody remember Teddy Graham cereal?
James Floss Apr 2017
Fruitless friends
Who let you down

A pillow gone lumpy
Sour milk on cereal

Fruitless friends
Who let you down:

Disappointing pens

Old keys for forgotten locks

Pants that don't fit

A lonely left shoe

A two-cent non-forever stamp

Fruitless friends:

The bowl of bran
Sans raisins

Sad.
Ashley R Prince Oct 2012
My Daddy, ******* Him,
loved me so much
he used to pick the raisins
out of my Raisin Bran.
Every morning he'd sprinkle
the flakes onto two paper towels
so he could spread it out
dense enough
to catch any raisin scoundrels.
After sufficiently flicking
the cereal to-and-fro
he'd put it in a bowl for me,
with just enough milk
so as to make it tasteful,
and not soggy.
(Anything for his princess)

Well ******* Him again
for the second time
in these lines if I don't still
pick those little raisin turds
out of my cereal 22 years
out of the womb.

And ******* him for
biting my pretty red heart
in two giant pieces
and leaving me with
no way to sew them up
except a handful of joints
in one hand
and a bottle of prozac
in the other.

Know what though?
I was eating raisin bran
last night and I bit down
on a sweet, gummy
treat I had sworn to
despise among
all things
and I didn't *****.
I didn't gag.
I didn't do anything
but swallow it
and take another bite.

My tastebuds must be
changing.
Psych-o-rangE Jun 2023
Healthy bran cereal on discount for 2 dollars!?

I was really happy.

it had the daily fibre
it went well with honey
it just tasted nice

After my victory snack, I gently went to sleep...

I expired in the morning.
Happiness comes in the cheapest of prices
And expired of dates
My time has come
(it expired 5 months ago)
keki Jan 2011
-PROLOG-
                



               A whooshof air playing with a tender long brown hair, a wave of flips of curly hair. AS the sun sets in the mountains of Colorado with a misty glow on the pure crystal snow. As I glaze in the beauty, I turned around in a grunted sigh and walk to my bran new house in the middle of no where. I said walking back to house with my family "why did my **** step-dad have to bring us here in this dump, pssh I hate him so much!!" with my flench curled up and my knuckles turning white, teeth clenching, kicking rocks to take all my anger on. Crossing down by the bank of mystical waterfall that held frozen and was a piece of art to any who hates water still would make it beautiful. Passing by with full rage of anger reaching my sister with a graden rose dress, black sandles to surrounds her newely fresh scab formed on her righ knee, but with a smile thats lights up this dull place. Man that girl can always cheer me up even im ****** at the world i could never be mad at my sister i thought whiled walking slowing down a wave a brushy grass that any person or animal could fall on....before my sister could reach me in a small peice of my eye caught something it was a man in black clothing sticking his hand out saing "rachel." pause "rachel come... come..." and slowly dissapeared. As I stood in shock my body froze in fear it felt a trap of death and slowl everthing went black out all i could hear were faint screams of my sister before it blocked out for good. " Sister!!! Wake up!! MOM!!!! DAD!!!!!!! COME HERE!!!!!" Jennifer said with crystal water tears holding my hand trying to wake me up but failed to. "Honey did you hear something?" my mother tilted her head while she unpacked the car. " What were you saying teresa i could not hearyou i was getting everthing settled in thehouse but thenyou called me so what i-" richered got cut by a bloddy screem in the near distance in the woods. "MOMMY!!!! FATHER!!!!" the both parents look in shock and dropped every thing and dashed out the front lawn. "mommy.....father...where are you..."jenniferjust cried there hopeless while I laid there in silence. "Oh my god Jennifer are you alright what were screaming about" mother said worry in her eye while killing Jeniffer with a big bear hug. " What in gods name made you scream like that" Richered said frowning and getting with a cocky attituded. Jennifer ploted out mother's strong arms and raced down to me where I still laid dead silence. " what the hell, where is she going... holy sh-" my mother was about to scream like akiller was after but she calm her self and went to jennifer's side and was nearly about to cry. " Don't worry teresa she's breathing so thats a good thing lets take her to the doctors before anything else happens and jennifer could you explianed what happened to your big sis please it would help alot." Richered said begging for help. "umm well she was going down this hill then she froze in fear as she saw something bad then the next thing pwoof going down twumbling and she went blank" Jeniffer said looking in her eyes with very much concern.
                     with about a three hour car to doctors the family of four came rushhing for help "excuse me ma'ma can you help me...im in a diffuclt spot please helpmy daughter in law" Richered said with a firery pumped up voice. " Yes sir whats the problem" the young blond teen siad as typing on the computer to comform the document to acces the doctor. " My daughter she fainted and wont wake up and its been over 4 hours can you please help her" Richered said sheepishly as finder his wife and her younger child right behind him and my mom carring me. "Ok sir just put her on hospital bed room 34 please and you may visit her after the docotor comes to see her but for now just wait here in the wiaitng room. about an hour passed the docotor who was taking care of me came in the room saying " Mr. and Mrs. randof may you come with me." he said with a demading tone. "Yes sir may my daughter come to?" mother said trying not to show fear in her voice "of corse" he said while letting the family through the back door then the hallway that leads to my room. " she up but we dont know what happened...so we need to go to the hospital to checked up by more higher professionals." the doctor eyed my in like what in the world happened. There was an akwarad silence until my step dad intruded that peace and manage to say " w-well ok and now Rachel would you care to explian what happed to you" Richered said while to strengthen his tone back. " yes..." I paused to re-gain my memory " So I took a walk and walked back to house but i passed the frozen lake that froms like a waterfallbut its frozen so i saw Jennifer and i was  about t call her name but then i saw a person in a black robe sticking his hand out liketrying to grab me it kept on sayin Rachel..Rachel come come and when i turned completely it was gone completely like if it were a ghost and then i felt a horror shock come over my body and could the world turning black then only hearing Jennifer's faint screams of concern and down I fainted then went to silence...." I finaly said with lifting my head slowly and with a greck bolt in my eyes I looked right behind them there was again. With seeing it again it turn pale with tearns rolling down my eyes like waterfalls and hushed to cold knock out.
that was page 1iposting the pages differently so comment if i sould contunie the story
Lotus blossom frozen on her head
Stone tears falling from many ancient beds
Torn aparts one heart passing on the wheel
How many lifetimes have we bwnn to the other
Mother, Father, sister, brother
Choice no such thing
Given up when the fabric of their flame was sown
Magic was locked inside half her heart
The other half he owned
She is Bran the goddess half
Living blind behind the mask of his
Dark moon eyes
Heard all his lies
And tasted the ******* with bliss of his first wal
As he began to hide himself from others before the fall
Descent
Oh yes she rejoiced a jealous goddess
He belonged bonded by fire only to her
What right did those others have
To taste that first kiss
And to touch with fingers belonging only to her
Humans on earth
Wrapping them so entirely within his wings
Dark secrecy, lust, many other things
So in a rage of passion
She tore the very things that allowed flight
From her back
Oh yes blood flowed red
Descent
Giving up all past memory of true bliss
Every memory of his face, his kiss, his heart
Her dark twin flame forgotten
Nor a backward glance was given
Fallen to earth indulging the passion
Meet and separate time and time again
The wheel rolls on
Blind to the other
The wheel rolls on
So as ages pass some ligering of him
Stored somewhere in her head
Just a vague memory
Would call to her for one brief moment
Bliss remembered
Stolen between the twilight of sleep
And the ending of dreamtime
Great bells ringing, tolling bells singing
Come to me
Hearts beating sirens calling
Come to me
In tunnels of time, in caverns of rhyme
Behind dark moon eyes
Traces of him come calling
Remember
Come to me my torn apart
Dragons tail crosses the sky
Dreaming is ended fall no more
Our flame burns on
Come find me if you will
come find me
You will
The Fall
The story of my fall from the heavenly worlds; of my need to have worldly experiences and of her response; that of following me and forgetting each other, then the inevitable calling out and return. I chose the title "Descent" for its dual meaning; that of "falling" (from the heavenly worlds) and that of being related to each other down through the ages. And finally because of the concept of Duality (the Dreamer Dreaming the Dreamer).
One day, a decade ago, I came home from school,
And instead of starting my homework,
I showed my grandmother the picture I drew,
And my grandmother Edna said to me,
"Bran, you have one big imagination."
I grinned and shrugged, replying
"Sorry Grandma, I can't help it"

She knows who she is....
And I think everyone knows where I'm coming from...


Like all naive lovers, I imagined a happily ever after,
But Aphrodite discovered that i'm a functional disaster
Sort of like what happened when Wendy met Casper?
Silly, I know,
Well at least I tried to capture a little laughter.

I imagine her name as the name of a virtuoso band.
I listen enthusiastically to the band play,
"Eat your heart out, eat your heart out."
Yes, she's a band-aid.

I've imagined attending the salmon church with her,
Even though I don't believe.
Still I would do that for my Desdemona,
"I will deny thee nothing."

I imagined us getting married at an altar,
The honeymoon would be on the moon weeping honey.
Three years later, we have Harmony, our daughter.

My imagination is wild,
Maybe it's too far out there,
Where the wild things are.

Isn't it true that before you make something happen
You have to imagine it happening first?
Something like a self-fulfilled prophecy,

In time we'll see.

One day I came home from Mount Olympus,
And instead of professing agape,
I showed Cupid this poem I wrote,
And Cupid said to me, "You have one wild imagination."
I shrugged, replying, " I can't help it."
Cupid smiled and said, "You have a romantic one also."

Originally written 5/17/11
Revised 10/24/14

(c) 2014 Brandon Antonio Smith
Tucker Freeman Oct 2012
This **** is hot
bundled up in my bowels.
Oh how it boils,
how it makes me howl.
Bran muffins and coffee,
they do not mix.
Stuck here in traffic,
I need to drop these Twix.
Oh how time drags on
when you've got the runs.
I need a hole in the earth
to place my buns.
I've held in these turds for so long,
I was actually sad to see them go.
Goodbye brown buddies. Just go.
This was performed live at the Presidential Ball of Poetic Honors in 2010. Received with a standing ovation.
Jack Varnell Dec 2009
(Authors note: I realize this is more short story than poem. I hope you find it poetic as well. Apologies in advance if this is not an appropriate forum.)

Have You Seen This Girl ?

I sat sleepy eyed one morning enduring yet another cardboard and treebark bran flavored bowl of breakfast with milk, 2 percent of course, and I stared at the carton.

First I reviewed the measures of various fat content, and nutritional values listed as a matter of law. And as usual, I thought of you. This time by way of pondering the plight of the American Dairy Farmer and remembering it was the “corporatizing” of the independent dairy farms which led your family to other uses for the land they had raised dairy cows on for over a century. And I missed you terribly.

To quickly shake the associated feelings of loneliness, and your face from my mind, I was drawn to the deep dark eyes of the child who was missing and apparently exploited on the other side of the carton. She had innocent, kind eyes that indicated she wouldn't even harm an insect. Curious eyes that would watch an insect for hours as it munched on grasses and leaves she fed it.

She would be two years grown and two years older since last seen in blue jeans and a t-shirt in Amarillo, Texas, in the company of her biological father who was possibly armed, dangerous, and driving a pickup truck towards Mexico. Or Canada.

And it struck me. You needed to be on the side of a milk carton. 2 percent of course. At some point in our life together, you had been kidnapped. Whoever was responsible had gone to a lot of trouble to replace you, to carefully drop you right back into my life. It was a great attempt but finally my belief that the real you would never do the things you did to me were validated. You had the misfortune of actually having an “evil twin” and corporatized or not, it seemed only the Dairy Council could help, since there is no Center For Missing and Exploited Adults.

Big red letters screaming “Have You Seen This Girl ? ” were what we needed now. God knows I had recent photos, and could describe all of your features-distinguishing or not.

I think tomorrow, I'll have French Toast.

Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. Based on my work at www.emotionalorphan.net.
Kuzhur Wilson Mar 2016
Since I have no other way
And am in utmost need,
Painter girl,
I filch one of the eight lambs
You have made plump with
Green jack fruit leaves and
Thin gruel with paddy bran.

I will take it to the goat market
And sell it in a jiffy.

I assure you
I will not sell it
To any butcher-
The lamb you made chubby
With sweet sweet words
And much much petting
And nice lilting croons,
Mixing and mixing
Greens with browns.

Don’t be sad, painter girl.
I hear you come running
Searching for your lamb and
Cry out “O my dearest one
Who went grazing in the green fields,”
As the sun in your canvas
Sets in the sea and
The saffron blends with the dusk.
And, see your tears mingle
With the black that you wanted
To adorn the brow of
The naughtiest of them.

Painter girl,
It’s all because I have no other go
And it’s of utmost need.
I could have broken into the
Two-storeyed house you sketched
And stolen the ornaments in
Secret lockers that even
You are unaware of.

Or, I could have
Palmed the golden girdle
Of the beautiful ***** princess
Whose portrait you made,
The one with a nose stud.
Or, drugged her with my kisses
And plundered the harem.

Or else, I could have
Entered the snake shrine
Guarded by the dark serpents
That you often drew
And fled the country with
The precious jewel.

Or, I could have shot down
The birds that you drew
And sold them grilled.

I could have axed down the
Mahagony trees you nurtured
And sold them as timber.
I could have blinded your Kanhaiah
And made him a beggar
To become rich from the alms he earned.
I could have enslaved his Gopis
And handed them over
To the red light streets.

Painter girl,
It’s not for anything of this sort.
I take just one of your eight lambs.
Sell it for a good price
And fulfil my need.

Now, perchance,
If a new tenant comes to rent
My brain where nothing resides
And if they pay me a fat advance,
Painter girl,
Surely will I buy back your lamb.
And tether it in your painting.
Don’t you dare say then
Don’t you say then
That you have forgotten it.
Don’t you say then
You have exhausted your stock of
Green jack fruit leaves.
(Trans from Malayalam by Ra Sh)
THE CHILD Margaret begins to write numbers on a Saturday morning, the first numbers formed under her wishing child fingers.
All the numbers come well-born, shaped in figures assertive for a frieze in a child's room.
Both 1 and 7 are straightforward, military, filled with lunge and attack, ***** in shoulder-straps.
The 6 and 9 salute as dancing sisters, elder and younger, and 2 is a trapeze actor swinging to handclaps.
All the numbers are well-born, only 3 has a **** on its back and 8 is knock-kneed.
The child Margaret kisses all once and gives two kisses to 3 and 8.
(Each number is a bran-new rag doll ... O in the wishing fingers ... millions of rag dolls, millions and millions of new rag dolls!!)
Dani Cunningham Jun 2011
I bathe in the cashmere moonlight

The daylight fears what it does to me

My skin bouncing off in all direction to match its glory-

No! I will stay here under the worship of so many stars.

I start my day at dusk

So as not to startle the humans.



My body, to me, has all the mouth-watering intensity

Of a bran muffin

I no longer lust after myself

I no longer lust in general

There are only dark fleeting moments of contentment

As I shovel pasta into my temple-

My body is a Burger King deluxe.

There are no arches that I’m proud of.



And how did it get like this

I used to love what I am

And now

My body lies over a sea of ketchup.

I don’t even eat the tomato-y stuff

But I feel like I’m drowning in condiments



I bathe in cashmere moonlight

I take showers with my candles

I filter my image with steamed mirrors

And again I am the goddess I remember.

My curves are smooth, my skin glows

and my eyes have a hollow hallo of light to them.

This is what light skinned Barbies look like

What uncle sam expects of me-



In a steamed mirror

I

Am a patriot for beauty.



In the sunlight

I

Am a martyr for tuna sandwiches with 3 kinds of mustard.
jimmy tee Feb 2014
it's when it's small
that the cucumber
gets twisted
merely talking about
a difficulty will not unravel it
there is no accounting
for taste an ounce of fortitude is worth
a pound of brains nobody can fully understand
another person's need when something
seems too good to be true
usually it is if fortune thunders
beware of being
snowed under
in a hundred years
we will be dead anyway so what if you humiliate yourself
the pillow is a good counselor as the priests sings
so the congregation responds judge not
the umpire at first sight delay
is preferable to ‘‘in no way’’
much bran and little feast the only gratis
cheese is in the mouse trap
there is no rule
without an immunity don't suppose
anyone to change his ways
by telling him off pay no attention
to what people shout about you
the remedy is often
worse than the complaint
Sam Temple May 2014
single dark hair pokes through
natural fiber button-up
clinging to a bulging belly
free from beer to blame
38 year old frame
six feet five inches
hides 300 pounds
along with two or three x’s
depending on the brand
and bran
and counting
longing for that ole ****** sheik
that only came with ******
and emaciation
information avalanche out of control
living with bread addiction
sounds silly after melting crack with vinegar
pop can spoon fed
looking at fields of wheat with contempt
longing for enriched flour
status vs station
am I built to die young?
like my fathers before me
extra fat on the organs
can only lead to uncomfortable death
soul in torment Nov 2013
I'm the bran bucket boobie
I'm the dollar bargain bin
I'm the prize that they still give you
Even though you didn't win

I'm the chipped cup in the cupboard
I'm the last sweet in the tin
I'm the cheap dime store necklace
that irritates your skin

I'm the actor on the telly
or at least I am his twin
that's the one I'm Quasimodo
wishing he was Errol Flynn

I'm the tattoo after drinking
I'm the one night stand and sin
and the hope that you're not pregnant
or I was too drunk to put it in

I'm the pill in the morning
and the mourning for more gin
I'm the prize they always give you
Even though you didn't win.
I was Crom Dubh once,
Buried in the mound,
I was the Dagda once,
My club across the land,
I was Bran the Blessed once,
My head beneath the hill,
I was Kronos once,
My stone sickle in the sky,
I was Osiris once,
My body across the land,
I was Odin once,
Ygg was I once,
Ere that I was Thund,
Who am I?
~Muninn's Kiss, January, 4, 2014
Ottar Jul 2013
You know your old when,
you buy a two bedroom with a den,
and it never empties out.

You have dragged emotional baggage,
cleaning your ears to discover cabbage,
busting at the seams, zippers are stuck!

For the first time in your life, you have a plan,
right?, oh no, you got this far on fruit and bran,
okay cereal killer, bust a move and your hip.

Have you smiled yet?

I really want with certainty,
to give you three steps, not wishes, for eternity,
it IS really important some how.

Not that this is the end,
could be drawn out like torture,
what would you give up, in forfeiture?

I've tried to do it on my own, painful right to my bones,
I am not powerless, nor am I a legend in my own mind,
Some One did it for me, and he found me, in a bind.

Have you found Him yet,
hit refresh, until you do,
don't believe in just anything,
even some lies can be true,
that baggage, it may be your strength.
Oh the three steps...I know Who can help you with that,
starts with prayer... you and He will make it work.
Chris Jan 2014
"You are so unappreciative of what you have"
She screams at me as I lay in a bunk bed
My mattress is from 1982
With my feet dangling over the side
And my soleless shoes lay dead on the floor
My blanket filled with holes
My closet with my clothes from last year all over the floor
All hand-me-downs
My Christmas list half filled
The two presents I really did need
Never came
And not once did I beg for anything more

Little does she know that the school kids
Have a king temperpedic matress
Their five pairs of shoes wore once underneath
Their wool blankets to keep warm
Bran new year brand new clothes
Hand-me-downs I think no
Their Christmas list complete and more
With presents they did not use or care for
And all I can hear from them is more more more
And this ***** has the nerve to call me unappreciative of what I have
At the last hut of the village
Lives the girl of tender age
Her eyes though love filled
Meet only the long paddy field!

Forlorn on a lonely summer noon
She hugs her image on the stream
Wishes on her way would come soon
The boy she had found in her dream!


The last hut is ever too far
But for the winds blown away
None knows if ever a traveler
Would stray to her door one day!

She hugs her image on the stream
Washes her cute rice bran face
If ever comes the boy of her dream
Finds out her last hut address!


Her heart weaves a wish upon a star
On moonlit nights in silvers’ gleam
Next morn if the boy comes to her
She would ever cage him in her dream!
do we not live our imaginations?
Kevin Theal Jun 2010
If I smoke *** on Tuesdays
Or drink cheap beer with expensive people
It will all look like an average day
For someone like me
Not for the crowd
That smokes *** on Wednesdays
And drink cheap beer with equally cheap people
It’s a job for them
They’re mindset isn’t indulgence
It’s how to stay ahead of the curve
Because when you’re this close
It’s easy to get your face smashed in on the curb of the curve (****** up ladder climbers are all a bunch of thieves, liars, and murderers)
So I’m a couch cushion and here’s the big time! Ready to be incendiary?
I bet you are.
You’re the guy who put raisins
In the bran
So tell me, how it feels?
The money shoulder
Reaction
If you’re quick
You’ll shrink you vocabulary to verbal shrugs
And then?
Then you’re the quick ******* kid
But still
Envy is a cheap word
When buying cardboard
But my life’s a cut out
And I’ve been around some melodramatic histories.
Still,
Hits me like a ton of bricks
When I break a promise to myself
But still I got twisted
And the rest was a kaleidoscope (color ******* and not so formal hand grenade hand gestures. I’m most the same act with different band t-shirts)
Adventures should be shared
I’d be far more interesting in an Indiana Jones excursion
I just hope it doesn’t involve rush records
Not a personal fan
**** it…
It wouldn’t matter that much
It shouldn’t matter at all
All pipe dreams lead to the same sewage.
And out to sea,
With pretty things
Where more expensive beers are served to
Increasingly less expensive people
Although cheap newspapers would have you believe differently
If I lost the charm I never had it in the first place
I’ve got 20 years of ******* to back up my ego
So young intellectuals challenge me to a battle of wit
They choke on shattered teeth
And I do my best when I’m ruthlessly violent
At the core that’s what it is
First sight is like a ****** scoped me
And I’m bleeding out the throat
And gasping for second impressions

-Kevin T.
A city asleep is ruthlessly efficient
Dreams are distributed
Hopes exhibited
Snapshots in time briefly revisited

New lovers, children
The functionally insane
Serenely succumb to the sandman
To visions that satisfy attention spans
To nightmares that vanish with morning Raisin Bran

But poets and drunkards resist this plan
They walk through empty streets
Feeling incomplete
Taking their women ***** and their whiskey neat

Finally they too surrender to sleep
Tossed by worries into withering wind
Of dragons and fax machines
Of reality dimmed
Sunrise distorts them and they vanish as they begin
Just like tomorrow
And tomorrow again
petuniawhiskey Dec 2013
every morning,
i'll eat the same old,
boring, bran or wheat cereal.
Daydream of the *** schemed,
pretty scandal, leather-materialed,
***** houses.  
to be a compared to a lesser-valued human being,
born to be used, born to learn the meaning
of the word abuse.
and it feels nice, to have my hair pulled,
to be ignored, to be reminded of the the
***** deeds, done for cheaper than you were
willing to pay.
Suave, sweet, sickening,
hit me, & you upper lip bit me.
feed my animosity, I was born
an angry child. the daughter of
****-****** carpenter.
but you, you're catching on.
and for all the learning that I have
left to learn, I hope you knock some
real sense into me.
Something that makes me gasp to
breathe, a feeling more real than
ever before.
Liz McLaughlin Aug 2015
Dawn breaks like an egg on the highway,
Light spilling through the trees to rest on the blue
bruised half-moons beneath her eyes. She keeps
her foot against the pedal, one hand in the fold
of her jacket pocket. Her cell phone buzzes, her gut
twists, and his voice echoes: “a house, a yard, maybe a dog”

The phone cracks against the side door, falling by dog-
-eared roadmaps. Drowning the call with the roar of the highway,
she wants for inner concrete: decisively gutting
the crust of the earth in a permanent band. But as the sky swallows more blue,
sun exposes the worry-soaked fold
lines where her fingers met her knuckles, empty of the ring he kept

hidden for three months in a bran cereal box. He knew she kept
to a breakfast of day-old Chinese food instead, doggedly
digging in matte white boxes. His laughter lines peeked over the centerfold
of the Sunday newspaper, as she surfaced from digital superhighways
with the next crossword line: scrawled in bleeding ink by her blue
tinged fingers. She supposed that morning he finally found the guts.

His words fell smooth, easy on the first swallow but her gut
anguished at their weight, her insides better kept
to the easy promises, the favor-making, secret-keeping, dog-
walking kind she could shrug to. The something old, new, borrowed, blue
demanded will, boxed and taped and wrapped in the folds
of white tissue paper. She hit the highway

6 hours ago, the ring in her jacket pocket, jumping with NY State Highway
55 as it bent toward a familiar exit. Memories: her mother gutting
duck with chicken bone scissors. The clean press of folded
bed linens, aired out in the oak-thick yards of Poughkeep-
-sie. Her car idled outside the colonial, the shutters still blue.
A black lab lay sleeping on the steps: “a house, a yard, maybe a dog”

Her phone shuddered on the floor and the dog
barked. She set her bald tires rolling again to the highway,
her thoughts still of the egg-yolk kitchen against her father’s dirt-caked boots, his blue
collar sensibilities, and the contented swell of his gut.
He was of similar flex and shrug as she, but never went a day without keeping
a family photo tucked into his front pocket fold.

Her folded fingers unfurled in her own pocket, slow, like growing Kentucky bluegrass.
Playing with the ring, she felt in her gut a warm peace—a house, a yard, a dog—
She worked the band round the knuckle-crease as tires spun, down the highway and out Poughkeepsie.
At the park,
I sat beside an old man
A crone, a fogey
A father.

His nostrils flared
As he drew all the cool air;
The twitch and the twang
Of his ****** features
Have locked my attention

His neck cracked towards me,
And his gibberish enthralled me
To think that such a man
Can still sound so young.

Can he still be so young?
With his brittle bones
And his nasally nostrils
And his waxy wisdom
That slops off his mouth?

I went back home
And ate a bran muffin
I didn't bother to
Dab it with frosting.

-Juan Carlos Gomez

— The End —