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"atonal" poems
This one time, my mom and I said goodbye to Juan's mom and we walked from her apartment to wait for the elevator. Mom didn't like it when I wouldn't stand still- sometimes she'd smack me upside my head just to make sure I was there (accompanied by her motherly calls of malcriado)- so I'd look in any direction for a distraction or two. Through the window a few feet from my left, I could see two older ladies in curler hairdresses bochinchando like caffeinated hens about the awfully friendly suelta living next door to gallina #1 (they hung their hand-me-down nightgowns and their husband's boxers with such professional care; if any article escaped the grasp of family clotheslines, it was roadkill forever). I turned to the right of the elevator doors, counted the tar-black patches of decade-old gum on the floor, finished the half-written sentences sprayed in ***** rainbows on the sweaty walls by the zig-zag flight of stairs. A boom and a click, and the door creaked open with the sideways grace of a crab. My toddler's impatience boiled past the brim, I exclaimed "FINALLY" and began to walk forward. Not a second later, I heard a "NO" behind me, my mother grabbing the back of my cartoon mouse t-shirt, letting out an ay cono, pendejo that echoed eight stories down, past the empty space substituting for an absent elevator shaft, soaring down that rusty freefall at ten thousand times the speed of a human boy's body. Letting out a long exhale, my mother did not allow her emotions to brim over the barrier-she recomposed herself, all the while silently chanting hymns of gratitude in dedication to fate and her reflexes. We decided to take the stairs. In my youthful oblivion, I noticed a toy store right outside the building from the corner of my eye- I plan to start begging when we're at the bottom, if we ever get there. My mother took her sweet time walking down those many steps, reveled in the scratchy bristle of the concrete against her sandals, cultivated a newfound admiration for my atonal imitation of a Washington Heights car alarm- it was a sign I was still there.
0
Sep 9, 2010
Sep 9, 2010 at 12:14 PM UTC
Hearing Footsteps
This one time, my mom and I said goodbye to Juan's mom and we walked from her apartment to wait for the elevator. Mom didn't like it when I wouldn't stand still- sometimes she'd smack me upside my head just to make sure I was there (accompanied by her motherly calls of malcriado)- so I'd look in any direction for a distraction or two. Through the window a few feet from my left, I could see two older ladies in curler hairdresses bochinchando like caffeinated hens about the awfully friendly suelta living next door to gallina #1 (they hung their hand-me-down nightgowns and their husband's boxers with such professional care; if any article escaped the grasp of family clotheslines, it was roadkill forever). I turned to the right of the elevator doors, counted the tar-black patches of decade-old gum on the floor, finished the half-written sentences sprayed in ***** rainbows on the sweaty walls by the zig-zag flight of stairs. A boom and a click, and the door creaked open with the sideways grace of a crab. My toddler's impatience boiled past the brim, I exclaimed "FINALLY" and began to walk forward. Not a second later, I heard a "NO" behind me, my mother grabbing the back of my cartoon mouse t-shirt, letting out an ay cono, pendejo that echoed eight stories down, past the empty space substituting for an absent elevator shaft, soaring down that rusty freefall at ten thousand times the speed of a human boy's body. Letting out a long exhale, my mother did not allow her emotions to brim over the barrier-she recomposed herself, all the while silently chanting hymns of gratitude in dedication to fate and her reflexes. We decided to take the stairs. In my youthful oblivion, I noticed a toy store right outside the building from the corner of my eye- I plan to start begging when we're at the bottom, if we ever get there. My mother took her sweet time walking down those many steps, reveled in the scratchy bristle of the concrete against her sandals, cultivated a newfound admiration for my atonal imitation of a Washington Heights car alarm- it was a sign I was still there.
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77
Well, what now, hey? I threw the dog overboard yesterday. The day before, the day? Where will you go, hey? I heard the orchestra-man play The same way, Sanctum, requiem, asylum All Latin in his French dog-eared play. Hear the monkey, playing accordion play To the whirling whirly-whirly-ghig Tre dramatique, no? Today I understand you're just as "tramatig." I want to hear your Frenchmen play Play ***** pipes play play In his dog-eared French organ-man Play But I cannot, cannot say Tears of joy, in hydrant spray The Hyades triumphant rainbow stay Cough your little fears away; Hear the Star Spangled Francis Key play Frenchmen play, play, Little piggies counted play Black white keys with little piggle-plumps play Atone-al, A-tonal---atonal tonal sounds as if to say "Getting married here to stay" All alone and all today Settle down if for a day And who will hear the trumpet play When organ-man Frenchman say "Where? Home of the free" and stay Keep your hands away Never want to let you say "Hear me, hear ye, all you weary, weary dreamers But never left your confidence like Russell-rustle leaf-blown willow-white You fill them up with seventy two pay Make a kite, to(k)night, allRight Thank god for the fleas in the right Hairless creatures for to sway I threw the dog overboard yesterday The day before, the day And if you'd wanted it to stay You should've say, you should've say But never let my hand betray The vein, the line, the artery Of arterial shells bombastically Loquacious to a fault, this day They say "You want another day" They say "You never wanted say" They say "You wasted every day" They say "They say, they say, they say" But e'er forget, ne'er forget I'll despise you abandon heaven for earth to get And leave your money, your millions behind For mansions with my Lord to find But in the ceiling never was a god to pray
0
Feb 29, 2012
Feb 29, 2012 at 10:16 PM UTC
Play the trumpet organ-man play (freewrite)
Well, what now, hey? I threw the dog overboard yesterday. The day before, the day? Where will you go, hey? I heard the orchestra-man play The same way, Sanctum, requiem, asylum All Latin in his French dog-eared play. Hear the monkey, playing accordion play To the whirling whirly-whirly-ghig Tre dramatique, no? Today I understand you're just as "tramatig." I want to hear your Frenchmen play Play ***** pipes play play In his dog-eared French organ-man Play But I cannot, cannot say Tears of joy, in hydrant spray The Hyades triumphant rainbow stay Cough your little fears away; Hear the Star Spangled Francis Key play Frenchmen play, play, Little piggies counted play Black white keys with little piggle-plumps play Atone-al, A-tonal---atonal tonal sounds as if to say "Getting married here to stay" All alone and all today Settle down if for a day And who will hear the trumpet play When organ-man Frenchman say "Where? Home of the free" and stay Keep your hands away Never want to let you say "Hear me, hear ye, all you weary, weary dreamers But never left your confidence like Russell-rustle leaf-blown willow-white You fill them up with seventy two pay Make a kite, to(k)night, allRight Thank god for the fleas in the right Hairless creatures for to sway I threw the dog overboard yesterday The day before, the day And if you'd wanted it to stay You should've say, you should've say But never let my hand betray The vein, the line, the artery Of arterial shells bombastically Loquacious to a fault, this day They say "You want another day" They say "You never wanted say" They say "You wasted every day" They say "They say, they say, they say" But e'er forget, ne'er forget I'll despise you abandon heaven for earth to get And leave your money, your millions behind For mansions with my Lord to find But in the ceiling never was a god to pray
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56
Grandfather John, my mother's dad, remarried later on in life. When he passed on his vast wealth passed largely to this second wife. Thus did her children benefit from the bulk of his estate. My mother and my Uncle John relatively little, sad to state. Sometime after the internment date a piano was shipped to our home. A piece Step- Grandma didn't want She didn't play and lived alone. When my mother was a child living up in Marble Hill She'd learned to play the instrument that now she merely wished to **** In mortal rage she grabbed an axe and like a batter swung away It was a fair bit of exercise (She had played baseball in her day.) Such sounds that spinnet then produced were likely never heard before. such atonal melodies as she ripped and smashed its core. the Axe concerto was concluded when only splinters still remained She went and stored the axe away- After than she never played
0
Dec 18, 2011
Dec 18, 2011 at 8:11 PM UTC
The Axe Concerto
the Internet sets higher aspirations a teaching guide, on how to go beyond and deep into the fast lane's curved and wide, stretching the straight and narrow longer than lasting, lasting no longer than memory feelings blurred overlapping burnt edged video recordings pores pour oil and noise, differentiating little between beginning ending continuous in the mind, from the walls, Santana Rob sings "Smooth," but it is the guitar wailing controlled penetrations. a national anthem of driven perpetual needy fomenting outspoken physical truths you don't care how you got there, where you are, anybody's name, high octane high performance *** today, is not for the shy and the retiring, sissies, we all got the necessary expertise, with violin accompanist of pharma teaching aids recalling first time tumblings, exhaling deep down throated rumblings, rushing fumbling ********* an ****** innocence rushes of surprise and discovery, success of feeling successful, the shame of miscommunications think I'm gonna watch me a romantic comedy, write her a love poem, come up from behind, caress her ******* kidding kissing her ear lobes, then entering her entry point, her neck even when she is armed but forgiving, busy chopping dinner's vegetables, make them make them give up the hidden soft atonal squealing like a piccolo on steroids, high pitch teasing, pinched by air ****** intaking I'll play the bass, hitting those low notes, ********* my own strings, deep ooh's and aah's diode emitting, the drug employed is unadulterated wanton but wanted desire this won't be the poem of the day, no mind, it already is was and will be...
0
Mar 29, 2015
Mar 29, 2015 at 7:27 AM UTC
Hooking Up: *** today is not for sissies
the Internet sets higher aspirations a teaching guide, on how to go beyond and deep into the fast lane's curved and wide, stretching the straight and narrow longer than lasting, lasting no longer than memory feelings blurred overlapping burnt edged video recordings pores pour oil and noise, differentiating little between beginning ending continuous in the mind, from the walls, Santana Rob sings "Smooth," but it is the guitar wailing controlled penetrations. a national anthem of driven perpetual needy fomenting outspoken physical truths you don't care how you got there, where you are, anybody's name, high octane high performance *** today, is not for the shy and the retiring, sissies, we all got the necessary expertise, with violin accompanist of pharma teaching aids recalling first time tumblings, exhaling deep down throated rumblings, rushing fumbling ********* an ****** innocence rushes of surprise and discovery, success of feeling successful, the shame of miscommunications think I'm gonna watch me a romantic comedy, write her a love poem, come up from behind, caress her ******* kidding kissing her ear lobes, then entering her entry point, her neck even when she is armed but forgiving, busy chopping dinner's vegetables, make them make them give up the hidden soft atonal squealing like a piccolo on steroids, high pitch teasing, pinched by air ****** intaking I'll play the bass, hitting those low notes, ********* my own strings, deep ooh's and aah's diode emitting, the drug employed is unadulterated wanton but wanted desire this won't be the poem of the day, no mind, it already is was and will be...
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72
So many words between us— The caustic breech of abatement, ruin Runs atonal, in recitals of indifference, How even the ****** birds now sound Discordant and rain crushes as it falls, Ballistic. The pinprick stars are merely eyes Undraped to the worn soul's veil And gorgon time roils setting our feet In the crust of wishes and delusions Kept. The bullet riddled skies in absence Of colour are but particulates of lime To the moonless night. Words have no Eyes, they can only finger. O the sorrows of the untouched— The cruelty of the sightless and bent blind, Drab vermillion stars felled like forced tears.
0
Jun 6, 2014
Jun 6, 2014 at 10:57 AM UTC
Smoke
I used to be hidden in my room choking at my mouth's roof as if stuck within a stutter, exhausted from existing, hinging like a wind-chime battered by a hurricane. Then a troubadour with honey hair had me humming to his ear-worm of a melody, depicting a choreography that jolted my legs into frenetic mania like an early talkie starlet's. For years, I have memorized this intricate chord structure, immersed myself in its crescendos until I could belt it backwards. It's the only song I know by heart. There is this one tune,  though, if you can even call it that, this atonal reverberation that alerts the darkest corners of my mind, a slowly muttered siren song leading to lands I never want to visit. I can never fully decipher the lyrics to an entire verse. It's the excerpts, scattered like dust mites in a concert hall, that try to nibble at me piecemeal, romanticizing the revolving door of self-destruction, bruises veiled as smudged calligraphy. So please excuse the minor notes that hiccup from my vocal cords every other half moon or so. It's just the ebb and flow of awkward drumming that disorients the ear, causes me to trip up on the patchwork of refrains we've spent so much time weaving into heavenly cohesion. Above all, please remember that no static or din will ever shoehorn its way into our ironclad harmony.
0
Oct 2, 2015
Oct 2, 2015 at 3:53 PM UTC
Awkward Drumming
Free as a bird they say To spread those wings and glide atop the world’s walls But aren’t they, too, caged by our fear, wings beating to the rhythms of war below, atonal music thundering ever louder, drowning the notes they struggle to recall and clinging anxiously to the harmonies of long ago Land of liberty, free as a bird we move about, thinking that we know what we have lost Flocking with the crowd from home to home, stopping only to pick at the grass for any semblance of meaningful sustenance that our souls so desperately crave
0
Dec 4, 2013
Dec 4, 2013 at 7:28 PM UTC
Free as a Bird
Airducts in homes of cyborgs, Where they live alone- Echoes drone, atonal, antinarrative; The odds of still (standing), finding love. In the impossibility of now! Scatter, prance, clench warm hands. Make room. New lovers will arrive soon. Pupils dilate to pin ****** I see under water. Pupils expand and I can hear. Something is watching inside of all of us. We can hear. We can see. We can speak. We feel the wind, motion painting past. Dreams mutilated, the catharsis is alpha and omega. Our minds know it.
0
Oct 4, 2012
Oct 4, 2012 at 1:18 AM UTC
Daniel and The Lions
I can hear it in the Atonal scraping of my chair Across the scuffed linoleum In the cessant whirring of the fridge And the dull hum of the fan Familiar sounds I have heard a thousand times before They are nothing in themselves Not happy or sad Only known And yet it is the same with your voice Creeping out from under a prenumbral A shy beam of light I recognize its form Though it is nothing in itself Not happy or sad Only known A familiar sound And yet I do not know you.
0
May 21, 2014
May 21, 2014 at 5:17 AM UTC
Your voice
. So many words between us— The caustic breech of abatement, ruin Runs atonal, in recitals of indifference, How even the ****** birds now sound Discordant and rain crushes as it falls, Ballistic. The pinprick stars are merely eyes Undraped to the worn soul's veil And gorgon time roils setting our feet In the crust of wishes and delusions Kept.   The bullet riddled skies in absence Of colour are but particulates of lime To the moonless night.  Words have no Eyes, they can only finger. O the sorrows of the untouched— The cruelty of the sightless and bent blind, Drab vermillion stars felled like forced tears. .
0
Jan 10, 2022
Jan 10, 2022 at 5:07 PM UTC
Smoke
He's like a cat creeping across piano keys. Deliberate, discordant, and dear.
0
Mar 30, 2013
Mar 30, 2013 at 9:42 PM UTC
Atonal Boy
So many words between us— The caustic breech of abatement, ruin Runs atonal, in recitals of indifference, How even the ****** birds now sound Discordant and rain crushes as it falls, Ballistic. The pinprick stars are merely eyes Undraped to the worn soul's veil And gorgon time roils setting our feet In the crust of wishes and delusions Kept.   The bullet riddled skies in absence Of colour are but particulates of lime To the moonless night.  Words have no Eyes, they can only finger. O the sorrows of the untouched— The cruelty of the sightless and bent blind, Drab vermillion stars felled like forced tears.
0
Oct 13, 2013
Oct 13, 2013 at 8:35 PM UTC
Smoke
I saw a symphony in your cascading hair, and eyes twinkling like sunlight on brass. But when you played the melody with your tongue on mine it was a sickening sound, atonal and ugly.
0
Nov 9, 2013
Nov 9, 2013 at 2:10 AM UTC
The Sound of Hair
So many words between us— The caustic breech of abatement, ruin Runs atonal, in recitals of indifference, How even the ****** birds now sound Discordant and rain crushes as it falls, Ballistic. The pinprick stars are merely eyes Undraped to the worn soul's veil And gorgon time roils setting our feet In the crust of wishes and delusions Kept. The bullet riddled skies in absence Of colour are but particulates of lime To the moonless night. Words have no Eyes, they can only finger. O the sorrows of the untouched— The cruelty of the sightless and bent blind, Drab vermillion stars felled like forced tears.
0
Jun 13, 2015
Jun 13, 2015 at 12:23 PM UTC
Smoke
Sometimes, the sound of your snoring, makes me want to run you through, with a knife. That atonal rasping and gagging, penetrates every board, every beam, until this old house vibrates with it. My rage is palpable, a living, pulsating thing, It thrums alongside your ragged breath, Dueling frequencies of dischord, Your tortured sleep, and my tortured nerves, inexorably linked, You choke yourself awake long enough, to look through me, Emit a vaporous moan, and turn over. I like it better when you're working, and I'm more perfectly alone.
0
Nov 16, 2017
Nov 16, 2017 at 10:41 PM UTC
Apneous
Slow whistle. Atonal wind hums through the naked boughs of autumn. Sunny November. Hats and flannels color the cityscape under assumptions of nearing frigidity. But the sun still shines and the wind goes on humming, just like it always has before.
0
Nov 7, 2022
Nov 7, 2022 at 7:35 AM UTC
No snow yet
i sit and strum my guitar tunelessly listening as each of the chords strike a dissonant exclamation in my mind. i play without intent, letting my fingers guide a symphony of sorrow over the frets. it's not the kind of music you listen to as you cry. it's the kind of music you make when you can't feel. it's not the kind of music you listen to for pleasure. it's the kind of music you hear in your pain. it's not the sound of the oceans driving home sense, it's the sound of the desert inside you drying your soul to a shell. atonal noise.
0
Aug 11, 2011
Aug 11, 2011 at 8:17 PM UTC
two are felt; unfelt
for Sia and Gia ~ actionable, seeking perfection, yet this morning, an unnecessary. lying in bed, window gazing, Barber's Adagio for Strings fills the inner ear's atmosphere in tandem, in cahoots with a new day's pastel palette, whose new hues hew away half-remembered distasteful recollections of rapid eye'd drowsed darker dreams. bereft of cares, 'to do' lists do not exist, t'is only merest minorest inconvenience called gravity, preventing, my physic shell from being jet seat ejected to ascend heavenly sky'd even love's labor lost, a pained yet pleasurable strife, the best of the best of a worn and torn cycled life, all shed, all put to one side like incidental music. seeing light earthed birthed, perfection granted to the early risers, Massenet's Meditation turn violins from soothing turns to sudden orchestral tumult, causing a misstep of doubtful questioning, a momentarily soul stumbling crashing cymbalic disintermediation Copland's Appalachian Spring replaces, retracting, sealng wax away all concerning distractions of my concerting pastoral. and tho a season too late, for this is my time, summer time, the time of my music, my seasoned, annualized concerto with the Earth, his music is most well come these, the Summer Man's days of awe, days of tranquility, days of simplest tones, no atonal atonement requests necessary, for mellifluous harmonious in everything, perfection is given, not taken, well received in calming serenity, Bernstein's West Side Story then presents, so out of place to where I current am, a natural sensational day beginning on the very near-to-the-end of a long isand (tho the West Side, en veritas, was my teeming small town community,  my noisy, honking rooting birthplace story) Lenny composes a dance of reminder that *somewhere, there is a remainder, somewhere, there is a place for us, even me.* and it is here, now, in the uncontested sky over my blue-green grass, that leads to my Peconic shoreline, where I hear a new world symphony of cawing birds and silent bunnies, dancing deer and zzzzing insects, completing my natural composition, the playlist perfection of me
0
Jun 12, 2015
Jun 12, 2015 at 6:29 PM UTC
Playlist Perfection of Me
for Sia and Gia ~ actionable, seeking perfection, yet this morning, an unnecessary. lying in bed, window gazing, Barber's Adagio for Strings fills the inner ear's atmosphere in tandem, in cahoots with a new day's pastel palette, whose new hues hew away half-remembered distasteful recollections of rapid eye'd drowsed darker dreams. bereft of cares, 'to do' lists do not exist, t'is only merest minorest inconvenience called gravity, preventing, my physic shell from being jet seat ejected to ascend heavenly sky'd even love's labor lost, a pained yet pleasurable strife, the best of the best of a worn and torn cycled life, all shed, all put to one side like incidental music. seeing light earthed birthed, perfection granted to the early risers, Massenet's Meditation turn violins from soothing turns to sudden orchestral tumult, causing a misstep of doubtful questioning, a momentarily soul stumbling crashing cymbalic disintermediation Copland's Appalachian Spring replaces, retracting, sealng wax away all concerning distractions of my concerting pastoral. and tho a season too late, for this is my time, summer time, the time of my music, my seasoned, annualized concerto with the Earth, his music is most well come these, the Summer Man's days of awe, days of tranquility, days of simplest tones, no atonal atonement requests necessary, for mellifluous harmonious in everything, perfection is given, not taken, well received in calming serenity, Bernstein's West Side Story then presents, so out of place to where I current am, a natural sensational day beginning on the very near-to-the-end of a long isand (tho the West Side, en veritas, was my teeming small town community,  my noisy, honking rooting birthplace story) Lenny composes a dance of reminder that *somewhere, there is a remainder, somewhere, there is a place for us, even me.* and it is here, now, in the uncontested sky over my blue-green grass, that leads to my Peconic shoreline, where I hear a new world symphony of cawing birds and silent bunnies, dancing deer and zzzzing insects, completing my natural composition, the playlist perfection of me
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87
So many words between us— The caustic breech of abatement, ruin Runs atonal, in recitals of indifference, How even the ****** birds now sound Discordant and rain crushes as it falls, Ballistic. The pinprick stars are merely eyes Undraped to the worn soul's veil And gorgon time roils setting our feet In the crust of wishes and delusions Kept. The bullet riddled skies in absence Of colour are but particulates of lime To the moonless night. Words have no Eyes, they can only finger. O the sorrows of the untouched— The cruelty of the sightless and bent blind, Drab vermillion stars felled like forced tears.
0
Feb 8, 2014
Feb 8, 2014 at 4:47 PM UTC
Smoke
Gratifying sounds... Delightful notes... Each mirroring a sonnet of faith, All conducting an aura of afroth ! For how could She, be such a gifted one ?!? Sui generis" is the word, Lyrical bliss per a chord, Beauty as such an award... A delicate Goddess within Her craft; Why can't I spot any blunder in it ?!? Soothing, soothing, soothing... As pleasing as it can be; She's of a divine femininity, Yet, not precisely picturing Her glory, Falling short in delineating Her charm. Woman... O woman; A certain euphoria, You conceive, An eyeful masquerade, You evolve in, An addictive healing, Your manoeuvre became to me. ~ A. Rose
0
Dec 17, 2024
Dec 17, 2024 at 12:20 PM UTC
An Atonal Silhouette
Music—the score of victories, triumphant cymbals of success of orchestrated histories, to regal anthems to impress. Music—scribbled notes to recall, arranged in sync with beating hearts resounding with clarion call, of overtures meaning imparts. Music—felt across Earth’s measure, in staccato revelation that accompanies God’s treasure— the symphony of creation. Music—God’s whistle in the wind, that piano voice, in us He set the atonal key, blessed or sinned, music is our divine duet.
0
Mar 11, 2019
Mar 11, 2019 at 9:45 AM UTC
Divine Duet
Help me shatter this day. Our bodies make transitions unbearable. All of us here hiding secrets. By design, we are silent. It takes me days to fully sing.                  We think walls are our doing, bridges our undeniable shame.   There are things following me: the bird soaring, another one flat on    the roof, and the other atrill on umbilicus of powerlines.   This day is composition – let this day atonal. From where I sit,   daily pursuits key in difficulties – eyes closed deep but not aslumber,   are purblind: gauge me in this order: feel the world scabrous like Braille. In a world of continuing   breakage, what is there to hold together.                 If not, a debris pattern. A held rigor in suffering – there is that   crisp, sweet taste in the air again like some air winding out of ***   Look at me through dappled windows as reflection of an oncoming storm.     Help me splinter this day. Placate my tremor of, and fasten me dearly set beyond the grooves of this day. I teach myself a coruscating example – to reach for   and break. To stop you climbing, plodding your way to a conclusion,    waylaid you in your place and summoned your fiddling of chance – the duration is lined by obeisance towards an endorsed situation issued, not accrued.                   We are somewhat conveying this burden to equal our weight. Must we   be afloat, what hoists our rebellion? What must we be        to endure,    to witness these wondrous beatings ballast our gravities,           no warning of, and against reliance. Is our being here what we determine.
0
May 25, 2016
May 25, 2016 at 12:13 AM UTC
Under the brow of this day
Help me shatter this day. Our bodies make transitions unbearable. All of us here hiding secrets. By design, we are silent. It takes me days to fully sing.                  We think walls are our doing, bridges our undeniable shame.   There are things following me: the bird soaring, another one flat on    the roof, and the other atrill on umbilicus of powerlines.   This day is composition – let this day atonal. From where I sit,   daily pursuits key in difficulties – eyes closed deep but not aslumber,   are purblind: gauge me in this order: feel the world scabrous like Braille. In a world of continuing   breakage, what is there to hold together.                 If not, a debris pattern. A held rigor in suffering – there is that   crisp, sweet taste in the air again like some air winding out of ***   Look at me through dappled windows as reflection of an oncoming storm.     Help me splinter this day. Placate my tremor of, and fasten me dearly set beyond the grooves of this day. I teach myself a coruscating example – to reach for   and break. To stop you climbing, plodding your way to a conclusion,    waylaid you in your place and summoned your fiddling of chance – the duration is lined by obeisance towards an endorsed situation issued, not accrued.                   We are somewhat conveying this burden to equal our weight. Must we   be afloat, what hoists our rebellion? What must we be        to endure,    to witness these wondrous beatings ballast our gravities,           no warning of, and against reliance. Is our being here what we determine.
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22
Sir Michael sat on the riverbank, quietly, sure beyond question that he wasn’t there. Feverishly he searched the running water; There it was, his jumbled reflection, blurred, he couldn’t trust his eyes anyway. Michael perfumed his hands with the soft wet mud, deeply inhaling the earth’s pungency, and there were his fingers, his palms— faintly, unconvincingly, incarnate. The odor pulsed with Michael’s breathing, hands fading with each expulsion of air, reappearing with the intensity of their scent. Sound. Pursing his mouth, Michael whistled loudly, and basked in the physicality of his atonal cry. Ah, he inhaled again, there were his hands; exhaled through tightly sealed lips, there were his ears, outlines in a coloring book, filled lightly for a moment with a vibrancy, a shrill whistle. Sliding closer to the edge now, peering into the quivering canvas of hazy mirrors—this was not enough; he held his breath, and let go. Touch. The icy water ravaged every crevice of skin, each pore suddenly illuminated, existing. Air! But there was none; Michael’s lungs filled with his own reflection. Air! But there was nowhere for it to go, Michael’s body began in the water, and would end if he surfaced. Sir Michael fell to the bottom of the riverbank, quiet as death, sure beyond question that he was there. Here I am, he thought.
0
Mar 22, 2011
Mar 22, 2011 at 1:40 PM UTC
Untitled
. So many words between us— The caustic breech of abatement, ruin Runs atonal, in recitals of indifference, How even the ****** birds now sound Discordant and rain crushes as it falls, Ballistic. The pinprick stars are merely eyes Undraped to the worn souls' veil And gorgon time roils setting our feet In the crust of wishes and delusions Kept.   The bullet riddled skies in absence Of colour are but particulates of lime To the moonless night.  Words have no Eyes, they can only finger. O the sorrows of the untouched— The cruelty of the sightless and bent blind, Drab vermillion stars felled like forced tears.
0
Jun 19, 2017
Jun 19, 2017 at 9:09 PM UTC
Smoke
So many words between us— The caustic breech of abatement, ruin Runs atonal, in recitals of indifference, How even the ****** birds now sound Discordant and rain crushes as it falls, Ballistic. The pinprick stars are merely eyes Undraped to the worn soul's veil And gorgon time roils setting our feet In the crust of wishes and delusions Kept. The bullet riddled skies in absence Of colour are but particulates of lime To the moonless night. Words have no Eyes, they can only finger. O the sorrows of the untouched— The cruelty of the sightless and bent blind, Drab vermillion stars felled like forced tears.
0
Oct 21, 2014
Oct 21, 2014 at 9:06 PM UTC
Smoke