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wes parham Jan 2016
In a room full of people, you're reading our words,
Silent, to yourself, alone.
Because bearing the stress of talking aloud,
Is much harder than sitting on your own.

And when we let you in, it's all the way.
We keep ourselves safe, but we have to say,
The ideas from within, the shadow or light,
Can comfort a stranger or set things right.

Our words have reached you,
       they've made you see more,
And understand better than you could before,
In a form that can never completely remain,
       untouched by the heart of it's writer,
We share this very real part of ourselves,
While the audience glows, ever brighter.
And vulnerability opens a door,
pulling strength on the strings of a lyre.
Our melody and lyric, not wanting for more,
Can raise each of our readers up higher.
A message, musings, on the power of words and poetry in particular.
In the time it takes to read a poem, the writer can deliver a powerful message of empathy and understanding.  Drawing on very personal observations, the writer can be instantly intimate with their audience, display a certain vulnerability, break down the barriers that keep people from connecting on a real and human level.
wes parham Oct 2015
We took a drive. I had things to say.
My heart was aching, shattered.
I rehearsed the words throughout the day,
Believing that it mattered.

I met you then but I only saw,
The mask you chose to show.
If you were suffering underneath,
Then how was I to know?

I said,
" Your grey facade hides worlds so vast,
Naked flesh of fruit, beneath the rind.
Your future's informed by its turbulent past,
Full understanding; when you look behind."

You said,
" You try too hard, you think too much.
You never live for now.
Wrapping words around the wrong ideas,
You miss the point somehow."
"Stuck in place, because it's safe,
You're too afraid to grow.
If you had begun to change your fate,
Then how was I to know?"

You saw me within a grey facade.
I saw you within a grey facade.

We could not say more, it seemed sufficient,
That love is patient.
Love is kind.
Love is ignoring all that came before,
Loving only the moment.
That coin of the realm: elusive, bright.
Your grey facade hides
Such a beautiful light.
Love has many names.
Call any one aloud and I will answer.
I will come.
You will see.
You'll see me clearly, even behind this grey facade.
I took on a second spoken word collaboration with a composer in the Netherlands I met through SoundCloud.com.  The track was titled "Grey Facades" and, so, I gravitated toward this theme...  exploring the differences between our outer, public personae and our inner, personal lives. In this case, the mask is harsh but conceals kindness and life.  The speaker, themself, seems to have a thin mask and an analytical nature.  They wear their beauty and darkness right on their sleeve but still remain obscured in other ways.

This is a collage of stanzas written independently over many months, but tending to relate to the one theme.  When I simply stacked them up and read them, cold, against the track, most of it's parts just clicked right with the changes.  I was surprised and really like how it's going.  Will post the final mix when it's done.
Update:   A final mix now exists..  Give a listen:
https://soundcloud.com/flowermouth/grey-facades-feat-warmphase
wes parham Oct 2015
Secretly, I envied you...
Forgive me if it presumes too much
To wish you happiness and comfort.
As far as I can tell, you'd have me think
Those things are not for you.

I used to think that this was appalling,
and pity the creature who lays claim
To misery as their lot.
but
Secretly, I envied you, before even
Understanding,
That my pity was like hatred,
A misery in its own right,
And worse than that which I judged.
I resented the affront, another deadly sin,
And you were right.  
You were right again.
You were right.
All along...
When all that you presented
Was hostility and greed.
How was I supposed to know
To look deeper?
-hear the author reading his work:
https://soundcloud.com/warmphase/sets/poems
.
True happiness may be a myth, but you'll discover that that's just fine.
Ease suffering where you can and contribute no additional suffering.  You may just find this more than sufficient.  And, please, don't deny others their given right to move through sadness  as well as joy.
wes parham Jun 2015
On the night that I dreamed you had died,
I didn't want them to see me crying in the kitchen,
But I did, and spoke only the truth for the day,
In honor of you.  I hope that it wasn't a dumb thing to do.
It probably was.

I didn't want to speak to people you knew,
But I did.  Told them how I knew you and, now,
With you gone...
-**** it, you wouldn't want this,
All this spewing of emotion, this lament of the flesh,
From which you're now gone.
I said I felt bad for loving you so much, but then I remembered your words,
I said I was wrong, I said I was weak, but then I remembered your words,
When you said,
"You are, but that's o.k."
It's the consolation of a friend, now gone, distilled to the essence,
Of what you needed to hear,
Exactly when you needed to hear it.
Imagined emotions in the wake of an imagined death.
It's about the storm that might occur in the wake of a death close to someone.  Not deeply close, but meaningful.  We hide our love for fear and in this situation, the dam breaks and all comes out.  It turns out that being at peace with the way things are is a good place to start.  You'll find that what seemed like a colossal nightmare was, in fact, perfectly o.k. after all.
wes parham Jun 2015
"A vice grinds hard in the gut..."
Began a poem from decades past.
From one hard lover, now a ghost,
Whose words have long since passed.

She scoffed at love and poured another,
Drunk, to dull the pain,
Sober, I held her in my arms,
On guard against the flames.

But love grew, still, within the dark,
Inside her body, bourbon-tied.
Unseen to me, there was a spark,
And the gates below blew open wide.

Discarding friends and lovers, too,
She ****** them for their care.
Believing this was what to do,
Her love became a dare.

She sang her wrath in poetry,
Self-loathing, hatred, blame.
The gilded coach that had to be,
A vehicle of pain.

I made farewells once she was gone,
They formed inside of sighs.
I gathered up the rhyming note,
And kissed her peaceful eyes.
further inspired fictionalization of events long past, best forgotten.
I've wanted to edit this, but got slowed down recently...
It could live on it's own, as-is, but there's a lot I'd prefer to fix about it.
Alternate version with shifted focus:
http://hellopoetry.com/poem/1099328/circumstances-as-they-are/
wes parham Apr 2015
Fallen angels and pixies and such,
Look into Earth’s skies,
Remembering much,
Of their life as it was,
Time and energy fields,
From the young star above us,
To the way the wind feels...

Could it ever compare
To the home that once was?
Oh, I say to you, “yes…”,
Yes, it can,
And it does.
this was a super fast bit written in response to a friend's poem.
It's more whimsical than I tend to write, but it flows and I will own the optimistic mania that it seems to hold.
Read here by the author, with a brief commentary:
https://soundcloud.com/warmphase/next-time-around
wes parham Mar 2015
A man once said, against his will,
that love has many names.
A woman nearby scoffed but, still,
She writhed within its flames.

Her  cries kept him awake at night,
He could not close his ears.
Resistance waned, and all his might,
Could not allay the fears.

He  called on favored demons,
Change is torture, all the same.
He called on angels, without reason,
Begging each by name.

It was, at once, surprise to none,
He kept the worst inside.
Surprise to all when it was done,
Her violent suicide.
read here by the author:
https://soundcloud.com/warmphase/circumstances-as-they-are

Some hastily improvised verse.  I hate regular meter and rhyme, but this was a challenge to write something quickly, all at once, and use both.  Written over maybe a twenty minute period, though the final stanza was added a day later to wrap it up with something horrible.  JUST changed the gender pronoun in final line on a whim.  Don't know why, it just makes it more interesting, I think.  Yes?

Premise: Those who most vehemently fight the madness of love are often the most deeply and sincerely affected by it.
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