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Writing  makes her happy.
When the pen.
Feels her pain.
And the paper.
Understands her words.
.
One day gone in the long great forest
Of the ancient world, wolves alone
And mighty hungered with true kin
Stalking the tundras of the snow drifts
And all their prey, with cautionary eyes
Moved in heards and flocks swaying
With the sounds of the forest floor
And the spearing grasses.  The wolf
Was his own master, free, unbounded.
A great spirit, brother to the moon.

One dying day, when the bushes burned
They came upon the garbage dumps
Of early man.  Their smoke was laden
With the smell of fresh ****, small skins,
Animals, ended trail, and salted death.
Many wolves circled in fear, their pits,
Only one or a few tasted the left overs
The easy scraps and bones, tailings,
The elder pack would not stoop for.
These few unguarded wolves morphed
And mated with each other, their mane
And fur, soon was tamed, soon became
Mottled and brown no silver remaining.
This was the fall of the wolf, not man
And the moon turned white, when wolf
Became dog.
I.
My son does not understand fear,
he is 3,
he thinks in color,
he believes in magic,
he says that our dog Smokey
controls the weather.

Watch him as he goes!
Jumping over cracks on sidewalks,
pretending to fly,
attempting to get near electric outlets
because he saw them spark once,
and fire,
fire is cool!

"Watch me Mommy!

watch me."

II.
Some days I stay in bed all day,
I tell everyone I am catching a cold,
a sinus infection,
another migraine again.

It is easier to lie than to explain,
that it is too difficult to shower,
to find an outfit, to brush my hair,
to make food,
to chew it.

Friends jokingly call me a hypochondriac,
my Mother thinks I am mellow dramatic,
My son asks me if I need my temperature checked.

It is too honest to say,
"I am fighting monsters, and they won today."
Who would believe me if I did?

We are taught since childhood
to not believe in the things
we can not see.

III.
The day we buried my Grandfather,
I wore my favorite gray dress,
I was scared to taint it
with such a sad memory,
but I was 8 months pregnant
and nothing else fit.

We threw dirt in a hole
as three strangers watched us grieve.
They stood with shovels ready to do their jobs,
ready to get home to their loved ones.  

All I could think about was how much
it aches to love anyone,
even in the good times, it aches.
Loss dances outside our window
like flames, waiting to engulf.

I vowed to protect my child
from any unnecessary pain,
I vowed to make him feel safe.

Now I fear I am the one
tainting him in gray.

IV.
Not every day is bad,
most days are nice, in fact,
some days are so good
that the bad ones seem
like distant memories.

On the good days I feel brave,
brave like my son;

I tickle his tummy and show him
which lights are stars, which are planets,
and tell him I love him, always,
no matter what.
What happens to a broken promise?

Does it sting
like a bee?
or creates a wound
and leaves a scar?
Does it die in the heart
or grow as a seed

Maybe it just lives
like a ghost

Or it creates strangers?
This is my remake of  Langston Hughes' a dream deferred. I've been in love with the poem for sometime now. I dedicate this piece to those in search of true and meaningful friendships
I have always been fascinated by mythology. I remember seeing my older sisters with a greek mythology book, and wishing I could be in high school so I can know it already. I was interested in the mythical creatures, in the gods and goddesses, in the battles, and just like everyone, I was interested in the love stories. I wanted to learn it with passion for I heard it was the inspiration of almost all the modern literature that I love. I could still remember feeling excited to be in class and discuss it. And now that I have reached high school, and I also reached my dream of studying greek mythology and not only that, because I reached it with you. We learned about the titans, the gods and goddesses, the olympians, the monsters, the stories. We were both engrossed and captivated by it, that mythology was the only thing we ever talked about. We even related it to real life, we related people to the characters. Whenever we see a person we know, we would think of the character that best resembles them, and we will start calling them their characters that we decided them to be. We called our friend Athena, we called your cousin Apollo, we even called someone the Minotaur. And that’s what our teacher told us, that not because it’s fantasy that immediately means it cannot happen in real life. The stories there, are reality, the only difference is, they added magic into them. We loved greek mythology so much that we related it to everything. However I realised something, we related it to everything except to ourselves. So I asked you, “Who are we?”. You told me, “Baby, we’re no one there, for we will make our own mythology. We will make the greatest one, so beautiful that it would surpass the best literature of all time.” Your favourite one was Plato’s quote, you would never shut up telling me the story that “humans were originally created with four arms, four legs and a head with two faces. Fearing their power, Zeus split them into two separate parts, condemning them to spend their lives in search of their other halves.” And you would always tell me, that you wished to tell Zeus you found yours already. I expected myself to love the romance most, for myself to have the love stories as my favourite. But instead, I loved the opposite,  I loved the tragedies.


I don’t know why, but I found myself loving the tragic stories. I found myself loving the story of Orpheus and Eurydice. The ultimate tragic love story, in which Orpheus would have brought Eurydice back to life if only he had done what Hades said. Orpheus went to the underworld to ask Hades to bring back Eurydice, but Hades had one condition, he should not look back while his wife was still in the dark, for that would undo everything he hoped for. He should wait for Eurydice to get into the light before he looked at her. But then, Orpheus couldn’t control himself, he looked at Eurydice and hugged her, then suddenly Eurydice was drawn back to the underworld.


And who would ever forget Pyramus and Thisbe? The star crossed lovers who had families who hated each other and whispered sweet nothings through a crack in the wall that separates their houses. And they decided to run away, but when Thisbe showed up under the mulberry tree, a ****** jawed lioness was there. So Thisbe ran, and just when Pyramus arrived, he saw the lioness ripping apart Thisbe’s shawl. Thinking that Thisbe died, Pyramus stabbed himself. And when Thisbe returned and figured out what happened, she stabbed herself too. To this day, the formerly white berries of the mulberry tree are stained red with the blood of these tragic lovers.


Here comes my favourite story of all, the myth of Icarus. Icarus and his father attempted to escape from Crete by means of wings that his father constructed from feathers and wax. Daedalus cautioned him that flying too near the sun would cause the wax to melt. And because of hubris, Icarus ignored his father’s instructions and flew too close to the sun. Then the wax in his wings melted and he fell into the sea.


When I was reading the stories, epiphany suddenly hit me. Perhaps the reason why I loved tragedies so much because we’re turning into one. I finally got the answer to my question when I asked you who we are. Maybe we are Orpheus and Eurydice, we loved each other too much that we would do everything just to be together. But we ignored all the warnings, we thought love was the only thing that really mattered. We never got to control our feelings and we forgot everything, because of that, we were separated from each other. Or we could also be Pyramus and Thisbe, we are the perfect definition of lovers who almost made it, who almost achieved happiness, who almost became the greatest lovers of all time but then we never became one, we became tragic ones. And darling, perhaps Icarus resembles us the most. We are both Icarus, our wings, are ourselves,  and love, is the sun. Everybody told us not to get too near the sun, for the wax in our wings will melt, we will lose our wings because we are too close to the thing that could save and destroy us both. And just like Icarus, we disobeyed the rules.  We flew too close to the sun, look at us now.

As we were walking out of each other’s lives, I realised something. We were not meant to create the greatest story of all time that it would top the best literature. We were never making our own mythology, because we were just bound to become another tragedy. Another tragedy that people will love, and I still don’t know why, but people tend to see something beautiful in it. And maybe, just maybe, people will also see something beautiful in our tragic story. But just like Orpheus and Eurydice, Pyramus and Thisbe, Icarus; one thing is for sure, my love. We will achieve a thing we both wanted,  **we will never be forgotten.
Icarus washes up on Miami Beach over the spring break of 2k16 and finds a world where the gods roam the streets,
where his wax wings burned themselves into trenches of scars down his back,
where we warn our children of the dangers of flying too high,
but forget the part about the riptides waiting if you fly too low.

He asks Siri how far away the sun is,
finds Apollo in the red rocks of New Mexico
off I-40 just outside of Albuquerque,
alone and basking in the heat.
The ice caps are melting.

The sun still hurts to touch,
burning Icarus's hands and leaving fingerprints in the feathers of his melted wings,
but Apollo is much kinder now,
soothing the skin cancer with freckles and soft touches.
It no longer feels like a damning.

This is what happens to the children of tragedies:
they flinch too much,
they fall too hard,
they're fragile as glass but immune to everything the world can throw at them.
Icarus flinches at the sound of the oceans.
He knows the wrath of Poseidon.

Icarus rises from the dead with his irises washed white
and his rips etched with Hades's name:
he should have been a child of Persephone,
spring in his hands and flowers in his hair.
He should have spent his days sprawled in the sun's caress.
He should have been infinite.

Icarus flinches too much.
That's what everyone keeps telling him.
He flinches too much at every lifted voice and crashing wave and
he flinches too much when he feels sunshine on his face.
Icarus is sorry for flinching too much.
Icarus is trying not to flinch too much.
Icarus is sorry that it's taking so long to just get over his trauma and stop flinching so much--
sorry.

He doesn't know what to do now that he's touched the sun
and this time it didn't burn.
He wanted it to burn.
He wants to burn.
He wants to feel his bones breaking all over again because
that's the only time he doesn't feel like he needs to be in control.
Why is he chasing things that hurt?
Why does he feel
like he deserves to hurt?
He deserves to crash.

He finally touched the sun.
Icarus feels empty, and
he's still flinching.
projecting myself onto icarus because who else am i supposed to be? not myself !
**** these ****** toils, over & over & over again -
well, looks like i'm all alone, and there's no one
forcing me to roll this rock up that ****** hill -
might as well sit next to it, or across from it,
and simply look at it; i'm bound to find thinking
entertaining - there must be a circus
of giggling mimes and weeping clowns up there
in the stratosphere of abstract...
i guess people rarely treat thought as
an inanimate object,
     never || (pause) button -
always narrating, but never writing a book -
always "that" agitated thought - the blooming tree -
  the insipid monotonous cartesian
re- (short of an -s) -
      how "original", to have "sinned"
by simply repeating - plagiarising -
  the supposedly "original" sin?
the gods became bored; and my,
what a heavenly tedium, that they decided to hint
their boredom by claiming
atheism "thinking" that would spice things up...
now they look down and exclaim:
great! just more of pompous
knot-it-alls... oh, right know-it-alls...
back to sisyphus - o why didn't he start
contemplating the rock?
after all, sisyphus
invented the concept of a philosopher's stone.
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