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Matt 1d
there is a place softer than sleep,
quieter than the hush between waves,
where i forget where my body stops
and yours starts—

your lap, your hands, your breath
braiding me into the moment
like a thread pulled through silk.

fingers slow, wandering, learning,
finding stories in my hair
that neither of us wrote
but both of us know.
the kind told without words,
only the hum of a thumb across my temple,
the rise and fall of a chest that is mine
and yours
and ours.

my cheek on your leg,
the fabric warm from you,
the world outside shrinking,
turning to nothing but the sound of you breathing,
the rhythm of us matching without trying,
without thinking,
like we were made to move in the same time.

i could spend lifetimes here,
in the space between your ribs,
the dip of your knee,
the cradle of your arms,
held like something precious,
held like something known.

and maybe that’s it.

not just the warmth, not just the weight,
not just the touch,
but the knowing—
that here,
like this,
i belong.

but i can never let you see this.
never let you read the way i dream of sinking into you,
the way my body aches not just to be close,
but to be wanted close.
to be held because you want to hold me,
not just because i fit into the space beside you.

if you knew—if you saw—
would you pull away?
would the space between us grow sharp,
like silence that means something different than it used to?

so i will press delete.
i will fold this feeling up small,
tuck it between the pages of my ribs,
and pray you never notice
the way i shiver when you touch me.
Sometimes I find that there is nothing more peaceful than a lover's embrace. And yet, sometimes, it's even harder to express that feeling with said lover.
Matt 1d
I don’t need a love that waits outside,
pacing hospital halls with excuses in hand.
I need someone who will sit beside me,
fingers laced through mine like stitches,
pulling me together where I unravel.

I don’t need a love that floats above,
watching from shore, calling me back.
I need someone who will drown with me,
trusting I will rise, trusting I will take them too,
because I have before. Because I will.

We were parallel lines, forever close,
never meant to touch—
until the moment you turned to me,
until I turned to you,
and suddenly, we crossed, suddenly, we changed.
Perpendicular. Colliding.

But love is cruel in the ways it saves.
The only way I knew to love you
was to give you silence. To give you peace.
And so, I did. I let you go,
not because I stopped loving you,
but because I never would.
You must be honest with your expectations of love, and if you don't think someone is going to meet those expectations, you must reflect, and sometimes make the hard decision to let them go, otherwise you risk hurting yourself, them, or both.
Matt 1d
She is the reason
I count the exits before I sit down.
3 windows, 2 doors, 4 friends to go talk to,
I fold myself small in crowded rooms.
I let my shadow walk ahead—
just in case she is waiting behind me.

She is the reason
my name sounds foreign in my own mouth.
It used to be mine,
warm, whole, sure.
Now it is just a noise I do not trust.
“Matthew” she’d call.

I hate hearing that sound

She—
(is the reason I mistake love for danger)
(is the reason I taste irony in "I miss you")
(is the reason I do not know how to love)

She is the reason
I flinch before I am touched.
I flinch before I am hurt.
I flinch before there is even a reason to.

A hug should be easy, not torture.

She is the reason I can’t say "no."
No is a match against gasoline breath.
No is a door ripped off its hinges.
No is a crime scene where I am the suspect.
(why did you make her so mad?)

She is the reason I smile when I am scared.
A trick I learned to survive.
A trick I cannot unlearn.
A trick that fools everyone,
even me.

—But she is not here.

Is she?
I tell myself she is gone,
but she is still the reason.

She is the reason I run.
She is the reason I stay.
She is the reason I am afraid to be loved,
and the reason I am terrified to be alone.

She is the reason.
And I hate that she still is.
This poem is written about my first ex, as many of them are. She ruined me. She was an evil, conniving, sadistic [insert a word that I will not put here]. Her abusive nature and the torment that she put me through forever left a scar in the way that I live my life.
Matt 1d
I find myself falling (Again, Again, Again)
I do not mean to fall—
(but the ground keeps tilting beneath me.)
I do not mean to want—
(but the air is thick with something sweet, intoxicating.)
I do not mean to hope—
(but their laughter sounds like a promise.)

I meet a stranger / and suddenly / my heart is writing love letters in invisible ink.
I hear a voice / and suddenly / my ribs tighten like a corset, squeezing out logic.
I brush fingertips / and suddenly / I am rewriting the stars for a future that does not exist.

It happens too fast—
(like a storm that appears from a clear sky, no warning, no mercy.)
It happens too often—
(like déjà vu, like a carousel that never stops spinning.)
It happens without permission—
(like waking up in a dream you did not ask for.)

I do not love them—
(not really, not fully, not yet.)
But my heart does not understand the difference between a spark and a wildfire.

And so I burn.
And burn.
And burn.

Only to find myself—
(again, again, again)
sifting through the ashes.
Emophilia is an addiction to love. For me, I spent most of high-school hopelessly falling for crushes and being physically incapable of doing anything to stop myself from falling.
Matt 1d
c0de dr!ps, pixelated dreams—
echoes, lost? yes? no?
404 answers not f0und
&& the moon? fractured, spl!t,
mirrored in a cracked display.
Copy
   % stars flicker %  
       @ random()  
while (night) {  
    sleep = false;  
}  

--> footsteps... static... [redacted]
// who wrote this script?
* DO NOT ATTEMPT TO DECIPHER *
1nput: whispers( )
0utput: [???: unknown source]
Copy
| data.leaks  
| shadows.load  
| reality.corrupt( )
| death.static = imminent;...
I wrote this at a time when I did a lot of coding and so I mixed two of my favorite activities: poems and coding, into one.
Matt 1d
It starts—soft,
a thread of sound unspooling in the dark,
a quiet pull at the edge of being.

Close your eyes.

A note bends, weightless,
stretching toward something unseen,
like light slipping through fingertips,
like breath you didn’t know you were holding.

And suddenly, you are drifting—
unbodied,
untethered,
rising through the hush between chords.

Strings shimmer like stardust beneath your skin.
A voice—half air, half ache—
opens like a doorway inside your chest.
The bass hums deep in your bones,
a second heartbeat, steady, certain.

Everything you are dissolves into melody,
into harmony,
into motion.

For a moment—just one—
the world forgets to weigh you down.

And you let go.
Music is the best escape in my life; it helps me when I'm depressed, and anxious, and worried for what is to come.
Matt 1d
I wake up.
But I don’t really wake up, do I?
The bed feels like it’s holding me down—
like I’m trapped inside my own skin.
I think about moving,
but my body’s too tired to listen.
My bones ache.
My mind aches.
And I’m still here.
Stuck.

I run my hands through my hair,
but nothing changes.
The noise in my head keeps getting louder,
like it’s trying to drown me.
Every thought is a weight,
every breath a struggle.
I’m suffocating in a room full of air.

The world keeps moving.
People keep laughing,
but it’s like I’m behind a glass,
just watching—
always watching,
never a part of it.
I can’t reach it.
I can’t reach them.
I can’t reach myself.

Some days, I fake it.
I paint a smile on my face,
tell everyone, “I’m fine.”
But it’s a lie.
A lie I tell so often,
I don’t know how to stop.
The emptiness inside me is too big,
too loud,
but I don’t know how to say it,
so I say nothing.
I hide it behind a smile,
and hope no one sees
how broken I really am.

Other days, I don’t even try.
I don’t have the strength to pretend anymore.
The world feels too far away,
and I’m too tired to care.
Too tired to fight.
Too tired to get out of bed.
Too tired to even keep breathing.
I don’t know how to keep going when
everything feels so heavy,
so pointless,
so wrong.

The light fades—
it’s been fading for a while now.
I don’t remember when it stopped shining,
but I can feel the darkness creeping in.
It wraps around me like a second skin,
and I don’t know how to take it off.
I want to scream.
I want to shout,
but my voice feels broken.
It’s like I’m invisible,
like no one can hear me,
and the silence is deafening.

Everything is dark,
and I’m still here,
fighting to breathe,
fighting to feel anything at all,
but nothing changes.
And I don’t know how much longer I can stay here—
in this emptiness,
in this darkness.
I don’t know how to move,
but I don’t know how to stay still either.
I’m just... here.

It doesn’t ask for permission.
It doesn’t wait for the “right” time.
One moment, I’m fine—
laughing, talking,
doing what I’m supposed to do.
Then the wave hits,
and everything falls apart.
Suddenly,
I’m drowning in my own head.

Sitting with friends—
I’m laughing,
I’m talking,
but inside,
I’m screaming.
I’m so far away from them,
and they don’t even know.
I can’t hear their voices anymore.
I can’t even hear myself.
I’m just stuck—
alone in a room full of people.

At school,
it’s worse.
I try to focus on the words,
on the lessons,
but it’s like they’re not even real.
The paper in front of me is blank,
my thoughts are blank,
and my mind is a million miles away.
Everything spins,
and I can’t stop it.
The walls are closing in.
My chest feels tight.
But I’m still here.
I can’t move.
I can’t breathe.

Sitting at my desk,
the homework’s impossible.
The words blur.
The numbers make no sense.
I want to throw it all away,
but I can’t.
I want to scream,
but I can’t.
I want to run,
but my legs don’t work.
It’s like I’m stuck in cement,
and the whole world is just passing me by.

Sometimes it hits in the middle of a conversation.
I’m talking,
laughing,
but none of it matters.
The words sound empty.
The sounds are hollow.
I just want to disappear.
I just want to walk away,
but I can’t.
I can’t leave.
I can’t do anything.

It hits without warning—
at random,
and it hits hard.
One minute, I’m breathing.
The next, I’m sinking,
drowning in a darkness that has no name.
And I don’t know how to make it stop.
I don’t know how to breathe again.
I don’t know how to live
when every moment feels like I’m dying.
It is very hard for me to leave bed on days when my episodes hit. Many of those days, poetry is the only thing I spend my time participating in from waking up until I go to sleep.
Matt 1d
those are the options a boy is given at birth,
a choice between two evils—
for to be is to conform,
to choose the path of ignorance,
for to not be is to remove oneself,
to stray from the social norms,

To be is to blend,
to fade into a mass of faces that never ask questions,
to wear the uniform of comfort,
to follow the crowd without ever knowing why.
It’s to shut your eyes,
to smile and nod,
and pretend that you’ve figured it out
when the truth is you’re just drifting,
suspended in a current that leads nowhere.

But to not be—
to stand apart—
is to feel the weight of a world that cannot understand you.
It’s to be misunderstood,
labeled as lost or crazy,
but deep inside,
there’s a fire that refuses to be extinguished.
To not be is to question everything,
even your own reflection,
to challenge what is said to be true
and create your own truths,
even when it feels like you’re the only one who believes them.

And so the boy stands,
on the edge of these two choices,
each a path with its own promise,
its own cost.

To be is to live in a lie that everyone else accepts—
to wear a mask that fits just right,
but hides the person beneath.
To not be is to risk it all—
to tear away the mask,
to live in the rawness of truth,
to be exposed,
and to wonder if the world will ever be ready to see you as you are.

And so, the boy is left wondering
was he given two options at birth?
Or was the real choice always this—
to be neither,
to refuse the roles they've set before him,
and to create his own way,
somewhere between the lies and the isolation?

To decide not what the world tells him he must be,
but to question,
to carve out his own existence—
for, perhaps,
the answer lies in asking the question
again and again…
to be or not to be?
I've never been able to decide which path is easier, to be or not to be, and if ease even dictates the better path to choose.
Matt 1d
I. Left Arm
A hush in motion,
arms begin their arch —
like bridges bending
toward heartbeat harbors.
Hands become question marks,
asking: Are you real, too?

II. The Middle
Inhale meets inhale.
A spine leans into its echo.
This is not silence—
it is listening, still and warm.

III. Right Arm
Fingers finish the sentence.
Two bodies bracket a breath,
then exhale the same punctuation.mak
Let go. Not apart. Just wider.

A hug is not just arms around a body.
It’s the quiet agreement that you are here,
and I am here,
and in this small moment, we are not alone.

It is the architecture of presence—
built without blueprints,
rising from instinct,
constructed in silence.

A hug doesn’t ask questions.
It doesn’t require explanations.
It listens with skin,
responds with pressure,
and holds what cannot be spoken.

It can say “I missed you”
without syllables.
It can say “You’re safe,”
even when nothing else feels that way.

When the world is too loud,
a hug is the volume dial turned down.
When you’ve come undone,
a hug doesn’t try to fix—
it simply stays.

It can be the end of a long fight,
or the beginning of forgiveness.
It can remind you
what steady feels like,
what warm feels like,
what being wanted feels like.

And here’s the literal truth:
A hug slows the heart.
It lowers cortisol,
eases muscle tension,
and tells your nervous system
that you are not in danger.

A hug is a biological signal:
You matter.
You are not a threat.
You can rest now.

Sometimes, that’s all it takes to keep going.
I wrote this poem after hugging my girlfriend behind a few weeks ago. We are long-distance partners so every hug means so much to me. But I feel the same way hugging with my friends and family, and I realized how poetic hugs are.
Matt 1d
Is a man to feel guilt for having options?
For liking multiple persons at once?
For not having the devotion to one,
that he feels he fails to have for any?

He asks himself this more than he’d like.
Not out loud. Just late at night,
when he’s replaying conversations
and trying to decide what his heart meant.

He likes them—really likes them.
Different people, in different ways.
One makes him laugh like no one else.
Another sees through him like glass.
A third makes him feel safe,
but he’s not sure if that’s love
or just comfort he doesn’t want to lose.

He wonders if there’s something wrong with him—
that he can feel so much
and still feel unsure.
That none of them, alone, feels like enough.
Or maybe he just isn’t ready to give
what they deserve.

He doesn’t want to lie.
He doesn’t want to lead anyone on.
But how do you tell someone,
“I care about you deeply… but not only you”
without sounding selfish, or cruel?

Sometimes, he thinks love should be simpler.
Pick one.
Hold on.
Commit.

But he’s not sure if that’s honesty or just pressure.
Not sure if he wants that, or just thinks he should.
And the guilt—it doesn’t come from doing wrong,
but from not knowing what right even is.

So he stays quiet,
hoping time will bring clarity.
Or courage.
Or maybe enough loss
to force a choice.

And sometimes,
he isn’t even sure if he actually likes them
or if it’s just a moment,
a look,
a need to feel something
that got mistaken for affection.

He keeps asking himself,
“Do I like this person,
or do I just like how they make me feel?”
“Is this a crush, or is it me filling a blank space?”
Some days he’s certain.
The next, not at all.

It’s not about playing games.
It’s not about wanting more.
It’s about wanting to be sure,
and never quite getting there.

He doesn’t want to lie.
He doesn’t want to lead anyone on.
But how do you tell someone,
“I care about you deeply… but I don’t know if it’s real”
without hurting them—or making them doubt everything?

He wishes there were a test.
A checklist.
Something objective to prove
what he feels is true.
Is that weak?
Maybe.
But he’s tired of pretending
that feelings follow rules.
I've long wrestled with the idea that feelings should have societal rules and whether or not those rules are helpful or detrimental to others, or even, myself.
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