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We sipped boulder rock from refrigerators doors
and watched the heavens hand out food stamps with IBM logos.
“ode to Mehmet” we sang, and licked the Mossberg—
fixating on the blue collar philosophy that lived in our empty wallets.

Trash cans filled with water bottles stared at us to find our essence—
the one we had lost while being fed quintessential American idioms
in state-of-the-art classrooms sponsored by slaves and Popol Vuh blood.

Six million years of human existence trivialized down to a single sentence—
* Man loved God, man wrote, man conquered God, and now man loves science* —
scribbled on SmartBoards afforded by fire burning from Prometheus’ female liver.

Trees sing with oxygen no more for the sake of making paper,
and eyes soak in the words on paper for the sake of making paper.
Trees make the avenue but the future holds an Avenue of no trees—
… for in the land of the free, anything but freedom ain’t free.

I was moving out
Parked my bike down the street
With a cart hinged on the bolt beneath the rusty pole
connected to my seat.
The yard was steep, and the stairs leading down
the front
Vanished each car-
go carrying trip
of dictionaries and travel guides that
could have been lumped together in boxes
separately tossed into the neon
green
synthetic fiber
rain-proof buggy
Connected to my seat.
I ran across the lawn, one last time
Buckling the watch I found from high school
remembering it’s broken and not caring
then I saw men wearing polos beneath
Greek symbols beneath a doorway
and held my breath as they stared at me.
This vacant lot held something which I carried back
to find
my bike was gone, replaced
by a life-sized depiction of a bike saying
“no bikes--” A girl inside, explaining where I could find mine
I walked down the grey spiral of handicapped access ramps
surrounded by aquariums or tvs
which comprised the store's interior.
The last ramp faced an exit and went straight past
refrigerators next to vending machines
In the alley behind this office supply store were two old men
Roasting my bike on a chain beside the others
Disconnected, hung
its tires lying on the ground beside their feet
and the carriage slung aside like a bloodied gazelle's neck.
“What the ****!”
A woman got into my face “don’t use that word”
“****’s a perfectly good word, after all, it’s how we
got here”
One man smiled.
He felt bad.
They helped me put the bike together and I walked it back to my house.
I saw my car down the street.
I thought about the long trip to the interstate and wondered why I’d
rode my bike
Then I went back up the stairs of the blue sided hill,
to see the roommate I hated
and thought about stealing his SNES and stereo
but took only my one possession
and walked past rotting turkey bacon in a plastic pouch
on the top of a table
beside some legos
and left.

Not as eloquent
as a fountain pen,
not as artistic
as a sketching pencil,
not even as bright as a magic marker,
but one smart cookie to your kids.
We have cool names like
Cotton Candy, Manatee,
Razzmatazz and Inchworm,
and are non-toxic sticks of joy
to those little imaginations.

Yes, we sometimes look like
clumps of colored wax
smashed into tissue paper,
and we do break easily
or lose our wrappers at the drop of a hat,
then get tossed in a bag
or worse, become homeless.
And horror of horrors!
We’re reinvented as candles
or reheated into twisted zombies
of our former selves.

And neither do our achievements
reside in a museum or gallery,
why they're not even framed
and proudly displayed on a wall.
No, they're slapped on ***** refrigerators
and kept there by plastic alphabet
magnets that loosely spell
such mundane things
as ‘milk’, ‘cheese’ or ‘daddy is dumb,'
until they fall to the floor
or end up in the trash.

But hey man,
give us a break!
This is our plight,
it’s a harsh existence!
Perhaps we should organize,
form a union for children’s
writing and drawing utensils,
and thus ensure equality
for us crayons?

We realize, more than likely,
this poem's title will cause
some backlash by those
who insist it be called
‘Return of the Crayon,’
because we 'happy sticks', you see,
supposedly don’t take revenge.

Nonetheless, we stand by it.
It is what it is!
Your children love us
and so should you!

My mother taught me to finish all the food on my plate,
that children in Africa are starving for a taste of it -
and only disrespect leaves crumbs behind
but I never guessed I would be middle-aged at eighteen
         Never thought I’d know exactly what those kids were starving for.

I’m pushing a full plate towards her tight-lipped disgust
slathered in every last drop of stubborn society -
she will always be the epitome of gluttony
in the most frail and forgotten way,
          Always asking for more than I could ever give.

Only those will a full cupboard of snacks
stand before the cool air of refrigerators
discerning the difference between craving and needing
as the hours ticks away like racing dollar bills
I spent every last second stuffing her full with time
          But she told me that her stomach was empty

I am eighteen going on thirty-two
raising a defensive daughter I never gave birth to
and now I know what those kids in Africa starve for -
         Not just food
                    But the taste of having too much
                             Too easy
         so that they can feel hungry again.

I am not old, yet.

My skin is not powdery and white, see-through like a paper lantern.

But there is a part of me which

When I dare to reach for someone I love

Reaches with brittle ***** fingers, soft and cold and fluttering like white moths

That edge closer to a flame until they catch.

There is a part of me that feels old, and fragile.

And already even in the crest of my youth I’ve cursed this body

For its frailty, its needs.

It suffers and complains, always crying out for something,

Never sated, never still.

I’ve said it feels like living inside a porcelain doll

A look, and cracks can spider out along an arm,

A word and blood can bloom beneath the surface, seeping up into

Bruised pictures and symbols.

I must always be gentle,

I must always be

Watching.

Too passionate, and fissures form, marring the cheek, spreading like shadows thrown by a lace curtain.

I stare out, burning to touch everything,

And yet I pull back:

To dare is to risk, and I’ve seen

Both reward and loss.

I have seen a thousand shining colors spread across me like sunrise,

Warming my skin,

Calling to me like prayer until a bit of light escaped through the spaces between my atoms and reached another person’s palms,

But I have also seen the pale, flat shards of myself,

Sifted through white dust in dismay

For a salvageable portion.

Indeed, there are rooms in this world where sharp edges of me still linger

Waiting in obstructed corners and beneath heavy refrigerators

To gouge a foot or snag a hem,

Interred

In the dark and hollow places where they flew when I shattered and could not gather them all.

I have known

Intimately

My own fragility,

How maddeningly breakable I am

And how difficult to mend.

And there is a part of me now, always,

Which whispers to me when I would be bold,


“You are not old, yet.

But wouldn’t you just love

To live that long?”

Trekking the fields studying
the grass and
sleeping in hedgerows waking
in the night to test your
knowledge of the constellations
and Orion tracks from south to west
and this pleases you although the
night chills can challenge the blanket of
recycled magazines and news rags
and old clothes daringly taken from
the Salvation Army’s recycling skip
and foxes run and stouts scamper
and geese call and ducks quack
and cows bay and horses neigh
and moles
are new friends
and you go through a Ted Hughes moment
you stare at trees and see the myriad
of life forms in the bark
with Hughsian drama you imagine
stalking rain horses
although only truly find
staring sheep
and the sky is cast with ***** cumulus
the track is covered in broken stone
and smashed bottles
cans and plastic packets poke out of bushes
old refrigerators scar the edgeland
watertight but
dangerous places to sleep
as you skirt the town a refugee
before your time
perhaps timeless
in the everlasting now of
rural vagrancy king of
the farm track and
the dog walker trails of
muddy puddles and scrappy corn
burnt out tree
rusted household appliances
random pieces of clothing
a focus point for camp fire drinking
gather up the splintered kindling
rip up the news on already damaged paper
laugh with a deep throated abandon at
the chaos in the world charted there
and watch the stars feeling captured by
the night
but still very much
alive

sweet jesus
life is outrageous
listless alligators
try to upstage this
drift from forms
to formless sages
residual wages
furnishing your cages
threadbare leather workers
raid our refrigerators
rage is impulsive
sullen lisps and swollen lips
frame our faceless daughters
in their water glasses
houses of hunted howling
hourglasses
dreamcatchers and dancers
humongous lanterns
burning pages
place-mats
on your dinner tables
why do they feel so out of place
is it the way we are made
have you any
doubts about your origins
what is the worst
thing you’ve ever faced
are you exposed
to typos regularly
tokens of penmanship
and fraternity hazings
hostelries and banquets
growth is dependent
only on intangible quotients

children the happy idiots, secondary children doubly idiotic thinking of love idealising via Darwinism, must be a toast... well surrender you and i, i'd too be ably nimble, but i got Mandela on my back quacking: you?! what the ****?! yeah, they said till the field and laugh and pretend. brain dead you *****, BRAIN... DEAD! they didn't hear you, they're english, try Celtic.. Brie anomaly of Normandy... nothing... what about egyptian? sha shoo shisha collar coo coo? hey... that works, lets give the flapping owl a cuneiform signature worth a sunset!*

love it,
slightly drunk,
got a bottle of whiskey ready,
cried listening to a horror film
soundtrack, got over 200 reads on a poem
of mine,
got hooked on a pope song
from the early millennials,
when i was a teen hammering leftover
refrigerators on the sly with a tourist
as a party was taking place,
and the un-lived the happily ever after
with the suicide of the Grimm brothers
for subsequent pressures that demanded
attentive dissatisfaction marginalised
into concrete paragraphs sentenced for a grade
for a furthering from schooled to schooling.