In the farthest reaches of known space, a single starship lay juxtaposed against the stars. The ship was named Destiny. The cold metallic shell hummed with energy as it sat motionless. There were large chunks of wreckage and shrapnel surrounding the Destiny, the last bits of oxygen burning away.
The Destiny was a silver and blue X-Class, a state-of-the-art high speed ship, currently the fastest in the Nine Galaxies. It's pilot was a female Extro-sapien named Jade. Her species was descendant from ****-sapiens, a long forgotten species from the Third galaxy. Extro-sapiens were humanoid, though taller than their descendants. They prided themselves on their indestructible immune system and immunity to all known poisons.That, coupled with the fact that their skin was strong enough to repel most blades with ease, made them extremely hard to ****. Extro-sapiens were nimble hunters, naturally armed with razor sharp fangs and claws. Jade was a bounty hunter, taking contracts to hunt down criminals or to escort VIPs in hostile areas for generous sums of currency. Her target's ship now lay in ruins, it's now-dead pilot floating in the void of space.
Jade walked from the cargo bay of her ship to the cockpit, stripping away her suit and clothes, tossing them in their respective rooms before sitting at her throne, not a stitch of clothing to be seen. It was relieving to be free once more.
She glanced over the various screens before her, some with pictures of her target either on a wanted poster or in the sealed container aboard her ship. She swiped the images to her left, compiling them into a message for her client before sending them. Almost immediately there was a soft chime as her client started a video uplink. Jade quickly grabbed the large headset from the floor and placed it over her pointed ears. She swiped her finger over the right earpiece and it clicked to life.
Jade growled and crossed a hand over her chest just before the screen shifted. An image of her client appeared before her, a reptilian humamoid adorned with gold rings on his short horns. Jade heard him hiss in surprise.
"Bounty hunter, if I had known you'd be so stunning, I'd have met you in person."
Jade's dual vocal cords echoed faintly in the cockpit. The sound of two angelic voices rolled off her forked tongue. "Flattery will get you nowhere. Besides, a night with me would cost you a fortune."
The man laughed, "Worth it, in my opinion."
Jade growled, "You have your proof of death, Silva, I expect you've wired the credits to my account?"
"Of course, of course! Though I could add a little extra if you simply move your hand."
Jade narrowed her eyes. "A show like that would cost you at least a million. Because I'm worth it."
She heard him chuckle, "Indeed you are." There was a pause and then he smiled, "Feel free to move your hand now."
Jade flashed her fangs, "Of course, you don't mind if I check first, right?"
Silva shrugged and Jade used her free hand to pull up her bank account. Sure enough, her initial payment had been received, along with the extra. She grinned and lifted her hand away from her chest. "Feast your eyes, perv."
She grinned as the reptilian choked. "Now that is worth a million!" He grinned from horn to horn, "I'll let you know when the next contract opens."
Jade returned her hand to her chest and growled, "This stays between us. Remember, I know where you live."
Silva's expression didn't change but she could tell that he flinched. "Of course. Until next time, gorgeous."
The video screen faded away and Jade quickly began to transfer her payment to other accounts. She sighed and turned to her right, seeing a map of the nearby systems. She spotted a contract pinned on a planet a few hundred lightyears away, and she gawked at the price tag.
"Ten billion units?" She whispered, "I could retire early with a payday like that."
She furiously began to type in calculators and coordinates. Her computer's voice echoed I'm the cockpit, "ERROR, PLEASE RECALCULATE TRAGECTORY."
Jade bared her teeth in anger as the holographic screen projected a diagnostic of her ship. One single line of text blinked slowly, enveloping her attention.
"FUEL LEVEL LOW, MAXIMUM SAFE TRAVEL: 40 LIGHTYEARS."
She swore under her breath, growling deep in her throat. She adjusted the microphone on her headset and cleared her throat. Her dual vocal cords echoed faintly in the cockpit. "Destiny, lock in coordinates to the nearest space station. Lock down cargo and prepare to engage hyperdrive."
The hologram buzzed to life as the various systems reacted to the sound of her voice. As Jade waited she shut her eyes, gently running her fingers over her bare chest. Jade's was proud of her body, hating to cover such beauty with clothes. Her arms, legs, and back were covered in ornate tribal tattoos. Jade had spent three continuous days enduring the hand poked tattoo, and she felt very proud in displaying the art whenever she could. She let her hands wander about her curves for a moment before stopping. Jade blinked a few times and shook her head. The bells at he tips of her long silver braids jingled. Jade whispered to herself, "There's time for that during lightspeed." Since she worked alone, she took every opportunity she could to relieve her tensions, as it allowed her to focus on her work without distraction. Companionship meant liability in her line of work.
She waited patiently for the computer, leaning back in her fur lined throne. Once all systems had finished their tasks, a soft voice echoed, "Hyperdrive on standby."
Jade took a soft breath. "Engage."
The starship lurched forward, the engines roaring ferociously behind her for a moment before the sound dampening system kicked in. She heard a familiar beeping and glanced up at the hologram, seeing the countdown from ten seconds. She felt the comforting shiver of excitement she always felt before launch, smiling softly to herself.
She braced herself in the chair and said, "Open view port, engage shield."
The large metal screen in front of her pulled away, revealing the grand masses of stars and planets before her. Jade took a deep breath and counted down, "Five. Four. Three. Two. One."
The ship screamed forward, and the starlight formed a beautiful tunnel around the Destiny as it traveled through hyperspace. Jade slumped back into her chair and closed her eyes. "Destiny, Disengage interior gravity field."
Jade felt herself lifting off of her chair, becoming weightless. Her braids jingled softly as they spread around her like a lionfish.
Jade pulled off her headset, letting it float in front of her as she stretched, running her hands along her body again and she shivered again. She twisted in midair, turning to the sealed door behind her. She touched the panel next to the door, feeling the familiar cold screen. The door opened and Jade floated into the corridor. She turned left towards her quarters and entered through another door. The walls were decorated with digital posters of various terrains she had visited during her travels. She drifted toward her bed, covered with a fur blanket and pillow. Jade wandered to the storage locker next to the bed, opening it delicately. Inside were a few personal mementos and data logs, and a small decorative box on the top shelf. She shivered as she thought about its contents. "Later. I think I need to sleep for now." She gripped the stability handle above her bed and lay down on the warm gel bed, covering herself with the fur. Jade breathed a sigh of relief as she relaxed, closing her eyes. It was at that moment that she felt how tired she really was, her muscles ached and groaned as she pressed a button on the side of the bed, changing the density of the gel to allow her to sink. The warm gel creeped over her legs and belly, then her chest and shoulders.
Jade groaned as the gel encapsulated her, covering every possible inch of her. Her mind wandered as her hand hovered over the other controls. "Massage or no?"
She bit her lip and pressed the button once, feeling the gel start to pulsate around her body.
Jade shivered and said to no one, "Who needs a man when you have tech like this?"
She spent the next few hours in the massage bed, finding her way into the decorative box partway through. Once Jade had thoroughly massaged her desires away, she climbed out of the gel, thankful for the weightlessness. She was no longer confident in the use of her legs. She pressed the first button twice and the gel began its cleaning process.
Jade retrieved her toys and placed them back in the box, pressing a button similar to the one on the bed, closing it and placing it back into the storage locker to clean.
Jade stretched again, invigorated. She floated back to the cockpit, checking the projected time of arrival. "Ten more hours. Plenty of time to get my gear ready."
Jade floated back into the corridor, this time twisting to the right towards her workbenches. The room was dark, save for a few blue work lights. As Jade hovered in the doorway, the overhead lights snapped on, casting a soft white glow around the room. She floated towards the first bench, where her gun hovered in a stasis field. It was almost four feet long, with three rotating barrels. Most bounty hunters favored energy weapons and plasma rifles, but not Jade. She preferred metal bullets that could shred flesh and punch through doors with ease. Her weapons would not fail her in case of electro-magnetic pulses either.
Jade floated to the next table, where her boots and mask hovered in another stasis field. Her boots were strong, heat and frost proof, and had a strong magnetic field to allow her to walk in zero gravity or even upside down. She had recently installed a pair of thrusters to them, which would allow her to fly for a short period of time, enough to get her out of harm's way or to a better vantage point.
Jade's mask was armor plated, angled to deflect any incoming rounds with ease. Two tubes connected the mask to an air reservoir that sat at the base of Jade's neck, underneath her braids. The eyepieces doubled as eye protection and target analysis. One of the lenses was cracked beyond repair and Jade swore. She hovered over the table and delicately disassembled the mask, letting the broken lens float freely away while she installed its replacement. She reassembled the mask and slid it onto her face. There was nothing at first, then the internal computers activated and she saw clearly through the mask. She glanced over the diagnostic data and nodded once she was satisfied. She took off the mask and set it back in its stasis field.
She turned to the final bench. Where her bodysuit lay in a crumpled heap of woven uranium and steel fiber. The bodysuit fit her like a second skin, adhering to every curve she possessed. The uranium fibers acted as an energy source, powering all of her necessities. The black suit shimmered as she touched it, reacting to her skin, begging to be worn. She smiled softly and patted the heavy fabric. "Soon, darling."
Jade glided to the door, leaving her gear behind as she returned to her living quarters. She hovered in front of the full length mirror, looking over her body. She smirked and purred, "Gorgeous as always."
Jade went to the storage locker and retrieved a large metal crate from the base. She took it to the mirror and opened the crate, revealing thirty blue feathers, each roughly a foot long. She had collected one for each of her braids, and she began to tightly weave the feathers into the tips of the braids. In the middle of each of her braids was a strong electro-magnetic core that, once activated, spread her braids like a lionfish. They would act as a distraction, allowing her the element of surprise. The magnetic field they created also acted as a strong shield.
Once the last feather had been woven into her hair, she then wrapped each braid in strips of the same uranium-steel fibers as her suit.
As the last of the fibers had been tucked into place, Jade grinned. The powerful fibers would amplify the effects of the electro-magnetic cores. Jade smiled at their resemblance to whips. She wanted to test them, see if they would crack like an actual whip.
Jade returned to her workshop, donning the bodysuit and her control gloves. She floated into the main corridor, which was wide enough that she wouldnt hit the walls once her braids were fully extended.
She took a deep breath and touched the her thumb and forefinger together twice, activating the electro-magnetic cores.
The sound was deafening, forcing Jade to scream involuntarily and clutch her ears in pain. She was shaking, her vision blurring. Her ears were ringing as she was finally able to hear again.
Jade reached up and felt her fully extended braids, marveling at their rigidity.
Once her hearing had completely recovered, she tapped her fingers together, deactivating the cores. Her braids floated limply in the air and Jade curiously went to the cockpit, sitting in her throne.
"Destiny, analyze decibel range of sound from main corridor."
After a moment, the ship's voice echoed, "Decibel range of one hundred ninety."
Jade shuddered, she was surprised she hadn't been deafened by the sound. She shook her head softly and looked at the projected time of arrival. "Seven hours."
She yawned, "Time to sleep then. Destiny, wake me up thirty minutes before we reach the station."
"Affirmative."
Jade lifted herself over the chair and ventured into her room. The gel bed had finished cleansing and she pushed herself onto it, feeling the familiar warmth. She focused on slowing her breathing and she closed her eyes, passing quickly into deep sleep.

In her dream, Jade stood on a slightly raised metal platform in the middle of a desert. The platform was massive, with sand covering the edges. Jade looked around, seeing nothing around her. She looked up into the sky and saw a single massive sun orbited by twelve planets and a ring of stars. Jade looked around her again and saw a massive wall of water closing in on her from all sides. She shut her eyes tight as she heard the water rushing around her.
Jade felt herself being carried away by the current. When she opened her eyes, she was back in her bed.
Jade blinked and sat up, unsure of herself.
She thought she could still hear the water rushing past her ears.
Jade shook her head and the bells brought her back to her senses. She could hear Destiny's alarm ringing within the bed and she pushed the third button, silencing the alarm. "Destiny, restore gravity.
Jade felt heavy for a moment, then the gravity stabilized and she rolled her shoulders. The countdown was now at thirty minutes.
Jade retrieved the headset from the floor and slid them over her ears. The screen in front of her had brought up a diagnostic of the space station. A light flashed on the instrument panel and Jade pushed it gingerly. An alien voice came over her headset, "X-Class starship, please respond."
Jade positioned the microphone in front of her mouth, "This is X-Class, go ahead."
There was a pause, then, "This is the Space Station Ender, please state your business and expected stay."
Jade hesitated, then said calmly, "Refuel and resupply. Expected stay no longer than forty-eight hours."
A minute passed, then another. Finally a response came, "X-Class you are cleared to engage docking procedures upon arrival."
Jade smirked, "Affirmative. ETA twenty-five minutes."
There was an audible click as the call ended. Jade sighed and pondered the contents of her cargo hold. She stood and turned to the back of her ship, going to the very end of the corridor to a locked panel.
Jade typed in an eight digit combination and the door swiftly slid open. The walls were lined with large storage compartments, though Jade wasn't worried about those. She counted her paces and stopped four paces from the door and she sidestepped right twice, touching her gloved fingers to the floor. The sound of gears and hydraulic pistons echoed throughout the room as a six foot by ten foot container lifted from the floor. Jade ran her fingers along the side of the container, opening the multitude of doors. As each door swung open, stacks of weapons and explosive devices became visible. This was the cargo that her target had been carrying. Since it no longer had an owner, it was worth a lot of money. Jade couldn't resist the possible fortune, bu

The Ache is leaving. Three years languished by dead end jobs, drugs and friends. Last week above a bagel store, the sun morphs mute amidst travelling clouds, indifferent fluctuations of light on an otherwise featureless day.

You arrive a tight knot of anxieties over a moment in time that could only have arrived after its departure. The Ache welcomes you into their sparse interior. You trace last month’s 21st across the black mould complex; navigate piles of stacked boxes, unsure if anything is inside of them.

“I always make the best friends in departure,” the Ache says, flipping a plushy up and down by the waist.

“Maybe you can only love that which is already lost,” you reply, with an insight a friend will give you a week later.

The acid tastes bitter under your tongue. Small marks your body bursting, a glowing radiance of interconnections you’d always had but only now begun to feel. The Ache follows suit and you sit on the couch together to watch .hack//Legend of the Twilight. The come up entangles you in the spectacle; the screaming boy protagonist, the chipped tooth gag, the moe sister in need of saving from the liminal space of dead code. You take part in it; you revel in it. Bodies morph on the surface of the screen in hyperflat obscenity, their parts interchangeable to the affect of the drama. Faces invert, break and disfigure, before reformation into the self-same identity form.

A month earlier, you’d hosted a house show at your flat. Too anxious to perform you’d dropped a tab as you’ve done now. An overbearing sensation of too-much-ness — of sickening reality — washed through the nexus of your being. You writhed on the ground screaming into a microphone as a cacophony of sounds roiled through you. Everyone cheered.

The floor rose later that night. A damp, disgusting intensity that triggered contractions in your throat and chest. Pulled to the ground, you fought off your bandmate’s advances, too shocked to express your revulsion and horror, to react accordingly, to reconstitute a border of consensual sociality. You broke free and slurred “I’m no one’s! I’m no one’s!” before running out of the room. Hours later, you tried to comfort them. Weeks later, you realised how ******* ******* that had been. Months later, you learnt their friend had committed suicide days before the show.

Back in the lounge, a prince rides onto the screen on a pig. You turn to the Ache and say “This is ******* awful.”

The Ache responds “I know right?”

Outside the world burns blue with lustre. The Ache trails you and falls onto their stomach. “Oh my god,” the Ache blurts, “this is why I love acid. Everything just feels right.” They gaze wistfully at the grasses and flowers before them; catch a whiff of asphalt and nectar, intermingled. “Like, gender isn’t even a thing, you know? Just properties condensed into a legible sign to be disciplined by heteronormative governmentality.”

“Properties! Properties!” You chant, stomping around the Ache with your arms stretched out. You wave them in the air like windmills. You bare your teeth. “Properties! Properties!”

“You know what I mean, right?” The Ache asks, pointedly. “You know what I mean?”

You continue chanting “Properties!” for another minute or two, before spotting a slug on a blade of grass beneath your feet. You fall to your knees and gasp “It’s a slug!”

You and the Ache stare at the tiny referent for an indefinite period of time, absorbed in its glistening moistures. Eventually, the Ache says “I think it’s actually a snail.”

You used to read postmodern novels on acid. You loved their exploration of hyperreality; their dissection of culture as a system of meaning that arises out of our collective, desperate attempts to overcome the indifference of facticity. Read symptomatically, culture does not reveal unseen depths in the world, but rather, constitutes shallow networks of sprawling complexity — truth effects — illusions of mastery over an, otherwise, undifferentiated and senseless becoming.

Then one day, the world overwhelmed you. Down the hall, your flatmates sounded an eternal return. As they spoke in joyous abandon you traced the lines from their mouths — found their origin in idiot artefacts of Hollywood Babylon. The joy of abstraction you once relished in your books took on an all too direct horror. You recoiled. You bound your lips in hysteria, for fear of becoming another repeating machine of an all too present culture industry. Better dumb than banal — better to say nothing at all, than everything that already was and would ever be. You cried and cried until everyone left — until you were alone with your silence and your tears and your nonexistent originality.

Dusk falls in violet streaks. You reach your room on the second floor of the building, open the bedside window and stick your legs out into a cool breeze. The Ache joins you. Danny Burton, the local MP, arrives in his van, his smiling bald face plastered on its side like an uncanny double enclosing its original.

“Hey look, it’s Danny Burton, the local MP.” Danny Burton turns his head. He glares at your dangling feet for a few seconds before entering his house. “You know, this is the first time in three years he’s looked at me and it’s at the peak of my degeneracy.” You turn to the Ache. “One of my favourite past times is watching him wander around the house at night, ******* and unsure of himself. He always goes to check on his BBQ.” You bounce on the bed in mania.

“See this is what people do, right?” the Ache says, mirroring your excitement. “Like, look at that lady walking her dog.” The Ache motions, with a cruel glint in their eyes, to the passerby on the fast dimming street. “What do you think she gets out of that? Doing that every night?” Without waiting for you to respond, the Ache answers, in a low, sarcastic tone “I guess she gets enjoyment. Doing her thing. Like everyone else.” The lady and the dog disappear beyond the curve of the road. Another pair soon arrives, taking the same path as the one before.

A few months back, you’d met an old friend at an exhibition on intersectional feminism. After the perfunctory art, wine and grapes, she drove you home, back to your run down flat in an otherwise bourgeois neighbourhood. She sat silent as the sun set before the dashboard, then asked how anyone could live like this; how anyone could stand driving out of their perfect suburban home, at the same time every morning, to work the same shift every day, for the rest of their stupid life. The dull ache of routine; the slow, boring death. You said nothing. You said nothing because you agreed with her.

“Life began as self-replicating information molecules,” you reply, obliquely. “Catalysis on superheated clay pockets. Repetition out of an attempt to bind the excess of radiant light.”

It is dark now; a formless hollow, pitted with harsh yellow lamps of varying, distant sizes. The Ache flips onto their stomach and scoffs “What’s that? We’re all in this pointless repetition together?”

You respond, cautiously “I just don’t think that being smart is any better than being stupid; that our disavowed repetitions are any worthier than anyone else’s.”

The Ache returns your gaze with an intensity you’ve never seen before. “Did I say being smart was any better? Did I say that? Being smart is part of the issue. There is no trajectory that doesn’t become a habitual refrain. When you can do anything, everything becomes rote, effortless and pointless.

“But don’t act as if there’s no difference between us and these ******* idiots,” the Ache spits, motioning into the blackness beyond your frame. “I knew this one guy, this complete and utter ****. We went to a café, and he wouldn’t stop talking about the waitress, about how hot she was, how he wanted to **** her, while she was in earshot, because, I don’t know, he thought that would get him laid.

“Then we went for a drive and he failed a ******* u-turn. He just drove back and forth, over and again. A dead, automatic weight. A car came from the other lane, towards us, and waited for him to finish, but he stopped in the middle of the street and started yelling, saying **** like, ‘what does this ******* want?’ He got out of his car, out of his idiot u-turn, and tried to start a fight with the other driver — you know, the one who’d waited silently for him to finish.”

You don’t attempt a rebuttal; you don’t want to negate the Ache’s experience. Instead, you ask “Why were you hanging out with this guy in the first place?”

The Ache responds “Because I was alone, and I was lonely, and I had no one else.”

It is 2AM. Moths dance chaotic across the invisible precipice of your bedside window, between the inner and outer spaces of linguistic designation. There is a layering of history here — of affects and functions that have blurred beyond recognition — discoloured, muted, absented.

In the hollow of your bed, the Ache laughs. You don’t dare close the distance. Sometimes you find the edges of their impact and trace your own death. All your worries manifest without content. All form and waver and empty expanse where you drink deeply without a head. Because you have lost so much time already. And nothing keeps.

Months later, after the Ache has left, you will go to the beach. You will see the roiling waves beneath crash into the rocky shore of the esplanade, a violence that merges formlessly into a still, motionless horizon, for they are two and the same. You will be unable to put into words how it feels to know that such a line of calm exists out of the pull and push of endless change, that it has existed long before your birth and will exist long after your death.

The last lingering traces of acid flee your skin. Doused in tomorrow’s stupor, you close your eyes. You catch no sleep.

I love the vintage crackle
Of a passive microphone.
Each warm hum captured like
Our campfire in a Polaroid.
Every lethargic pop sounding like
The raindrops on our car roof.
I am swirling and lost in your skin.
Your voice glides through the current-
Distorted and tinned.

I am drowning in the static.
It started with gentle waves
Nursing on my pruned feet.
But they soon tugged me away
From the sand beneath you and me.
I am soaked from the ocean!
I am burning from the fire!
The hiccups and coos of your voice
Is something I no longer admire.

My time was consumed
As I swallowed each lotus flower.
I forgot all that I needed to do.
I forgot all that I wanted to happen.
I burned all of my bridges
because you made me believe
you were my only dream.
But I’ve awoken from my hypnosis,
and it is too late to repair who I once was,
because all I have become
is the vintage crackle between your words.

wooww this feels like heaven in a microphone
and a little x with no treasure unknow
open to all and only seen by few
its only because some take time
some reminisce when they rhyme
some contemplate how much time
it will take to be i am with mine
i ******* love it and will never lose it
this is me and how i use my fret
or get rid of my fret with my left
and count the notes on my board of twelve
that will never get old of math
the language is so understood we hardly need words to practice
beautiful as a mom on her first day of the job
better then when a husband isnt a cheating low life beat of a slob
better then calling my home phone and know they'll always pick up
i love all of this but nothing more then my

Travis scotts concert was 100% a satanic soul harvest. He sent those souls to another dimension.
Think I'm stretching? READ ALL THE WAY THROUGH.
First off. He called his event a "festival".  The definition of a festival is a feast. Did you see a large amount of food?
Or did you see a feast of souls?
His stage was the symbol for alchemy.  The egyptian ankh. The Egyptian ankh has to do with life. Because the wealthy know when you die and when you are born, you create a ripple in time and space for your soul to come and go. The best way to describe it is like a pool. Imagine you are about to jump into your local swimming pool. The water will break your entry and you will safely hit the bottom. Now. Imagine there is a person at every single part of the edge and you all jump in at the same time. Now you've got a problem. Soul harvesting is the same way. When you die your soul creates a ripple and it can safely leave. But. When you have a bunch of people dying in the same spot the spiritual realm becomes stressed in that location due to the high amounts of energy our souls resonate as they are leaving and entering the in between of this realm and other dimensions.  Therefore they have created machines that have tapped into the in between to ****** your soul. Who gets it and where it goes?  Other things are possible as well. Like the exchange of a good soul for whatevers on the other side?. Have you ever heard of cern? The large hydron collider. It's the largest machine in the world. This is NOT knew technology. The Mayan indians knew about this. The egyptians knew about this. THIS IS WITCHCRAFT AT THE HIGHEST DEGREE.
Let me break it down.
Travis Scott is a WITCH. The microphone is his wand. He is a (M.C.) (Master of ceremonies).  
With his wand he uses his voice (frequency) to help bring in the energy needed to open the portal. He brings a crowd of 50 to 70 thousand people who are generating IMMENSE amounts of energy into a low vibration. Love is the highest. Aggression is the lowest.
Then the design of his stage along with the lights become the sigil to help open the portal. Remember his stage was the symbol for alchemy?
YOU can't see the portal. You just see a fancy light show.
But those who are dying and their souls are separating from their bodies can.
The only way a living person MAY see through the portal is if they had taken an Elixir like Ayahuasca.
Do you ever wonder why all these "rappers" want to date the highest ranking Arminian witch family Kardashians?
Could it be because they are witches?

They do these kind of rituals behind closed doors all the time. What you saw was them coming out in the open.
The goal for you is to pass on and move to a higher dimension. You are drawn to the heavens because that's where you came from.
When you start gaining wealth, you start the search for immortality. Wealth is a drug that most refuse to part with.  So this is where satanism comes in. There's a theory of  reincarnation if you can create enough negative energy for yourself, you can weigh your soul back down. This is where the technology of transferring your consciousness back into another avatar has its place.
You can see why we are at a cross roads of transhumanism and luciferienism.
Some believe the elites WERE once humans and during the days of Atlantis that changed. Their technology hit a point they no longer needed human bodies. And they became the pinnacle of Transhuman. But no longer human. Something else. Maybe this is what "sanat kumara" is? A.K.A. Satan.

Lyrics in her face
blaze, from screen to mouth
bony thumb, scrolling
mumbling into an ancient microphone
hanging from the rope swing
in her garage.

Voice shakes here, shivers there
but ****
she is soulful.

Authentic, exquisite
in holey socks and wet hair
and goosebumped arms
getting swallowed by a hoodie.

*******, she has it all
and gives it nothing.

Some of us are simply stunning
no spray tans or updos
no sequined skirts or stiletto shoes
no autotune or makeup kits
no words-

only nothing
could improve her.

Nothing could improve her.

Thank you for Matching
the Tinder Call Center.
My name is Nick and I will be helping you with your order today.
And your name is?

Hello, Port Veritas

I'm so glad you called
because you do qualify
as one of the first 100 people
I find attractive!

So Where are you from?
Oh Wow, I've never been there,
you ever Been here to Bull Feeney's?

No? Well look at that,
I guess we've never been
too each others places before.
Hah!

Looks like we have something
in common.

What was it on my profile that got you interested in swiping right?
Oh I see, you like love poems,
you like new ****,
you just wanna make everyone cry.

How long have you been interested in that?
Wow that's a long time.

What else have you tried
to hear love poems,
see new ****
and make people cry?

Wow that's...

that's kinda ****** up Port Veritas.

That's really ****** up.

What's the worst part about dealing with that?
I see, well I'm glad you called.

Tell me a bit
why it's important
to do something about this now;
it's a little different for everyone.

I see, it's Valentine's day. There's a valentines open mic and LOVE SLAM Tonight!

I'm just gonna ask a couple quick questions to see if you qualify,

Will you all answer them for me?

Do You want **** poetry?

**** poetry IS the best sticky note to receive in your eighth grade lunch box

Do you want Radical Self Love?

me too, let's keep looking

Do you want love Poetry?

You just want so many things from me that i can give you.

Do You want people to need a towel by the time you leave the stage!?

You're right, they shouldn't call it dry *******

You know, Port Veritas. I can't wait for you to watch this amazing show we have for you tonight.

As my profile states,
we're gonna give strangers this microphone for four minutes.
Where they are gonna say whatever the hell they want about terrible dates, passionate love, terribly passionate ***.
And that sounds great doesn't it?

Just imagine how wonderful it will feel when
you get up here
picture all these lovlies in their underwear
feel cold and alone
with nothing but your words
and a microphone
Then drop the god ****** heat on us.

Imagine a chorus of ****
and Mmmm and snaps

THAT'S really why you swiped right today, isn't it Port Veritas?

Excellent! Let's get you started!

As you heard, we've put together a Special Package, with this Valentines open mic. A LOVE SLAM.
And an extra free second date when you try this First One for just your body.
Plus, since you're one of the first 100 people I find attractive,
I'm gonna throw in a Third date. so you get three, for the price of one!
And remember that swiping right on a Poetry slam is risk-free because it's backed by our 30-day Text you back guarentee.
So put your name on the sign up sheet.
next to your $3- $5 dollar suggested donation
bus your tables at the end of the night,
Tip your bartender Leah well for putting up with us every week.
use whatever bathroom you ******* want

and one last order of business
to wrap things up
like a good boy practicing
safe ***, who is totally not trying
To get you all pregnant.
when he asks how you like
Your eggs in the morning.

Un-fertilized.

If someone gets up here and says
something during their four minutes
That makes you feel unsafe
you can do one of three things
1. Silently get up, leave the room and come back when you're comfortable
2. Get Nate or myself and tell us to provide floor for a calm discussion.
3. Go home write a ******* poem about it. and bring it back here next week!

Now
WHO'S READY FOR A VALENTINE'S OPEN MIC?!

UP ON DECK
WE HAVE:

I

However the image enters
its force remains within
my eyes
rockstrewn caves where dragonfish evolve
wild for life, relentless and acquisitive
learning to survive
where there is no food
my eyes are always hungry
and remembering
however the image enters
its force remains.
A white woman stands bereft and empty
a black boy hacked into a murderous lesson
recalled in me forever
like a lurch of earth on the edge of sleep
etched into my visions
food for dragonfish that learn
to live upon whatever they must eat
fused images beneath my pain.

II

The Pearl River floods through the streets of Jackson
A Mississippi summer televised.
Trapped houses kneel like sinners in the rain
a white woman climbs from her roof to a passing boat
her fingers tarry for a moment on the chimney
tearless and no longer young, she holds
a tattered baby's blanket in her arms.
In a flickering afterimage of the nightmare rain
a microphone
****** up against her flat bewildered words
"we jest come from the bank yestiddy
borrowing money to pay the income tax
now everything's gone. I never knew
it could be so hard."
Despair weighs down her voice like Pearl River mud
caked around the edges
her pale eyes scanning the camera for help or explanation
unanswered
she shifts her search across the watered street, dry-eyed
"hard, but not this hard."
Two tow-headed children hurl themselves against her
hanging upon her coat like mirrors
until a man with ham-like hands pulls her aside
snarling "She ain't got nothing more to say!"
and that lie hangs in his mouth
like a shred of rotting meat.

III

I inherited Jackson, Mississippi.
For my majority it gave me Emmett Till
his 15 years puffed out like bruises
on plump boy-cheeks
his only Mississippi summer
whistling a 21 gun salute to Dixie
as a white girl passed him in the street
and he was baptized my son forever
in the midnight waters of the Pearl.

His broken body is the afterimage of my 21st year
when I walked through a northern summer
my eyes averted
from each corner's photographies
newspapers protest posters magazines
Police Story, Confidential, True
the avid insistence of detail
pretending insight or information
the length of **** across the dead boy's *****
his grieving mother's lamentation
the severed lips, how many burns
his gouged out eyes
sewed shut upon the screaming covers
louder than life
all over
the veiled warning, the secret relish
of a black child's mutilated body
fingered by street-corner eyes
bruise upon livid bruise
and wherever I looked that summer
I learned to be at home with children's blood
with savored violence
with pictures of black broken flesh
used, crumpled, and discarded
lying amid the sidewalk refuse
like a ***** woman's face.

A black boy from Chicago
whistled on the streets of Jackson, Mississippi
testing what he'd been taught was a manly thing to do
his teachers
ripped his eyes out his *** his tongue
and flung him to the Pearl weighted with stone
in th e name of white womanhood
they took their aroused honor
back to Jackson
and celebrated in a *******
the double ritual of white manhood
confirmed.

IV

"If earth and air and water do not judge them who are
we to refuse a crust of bread?"

Emmett Till rides the crest of the Pearl, whistling
24 years his ghost lay like the shade of a ***** woman
and a white girl has grown older in costly honor
(what did she pay to never know its price?)
now the Pearl River speaks its muddy judgment
and I can withhold my pity and my bread.

"Hard, but not this hard."
Her face is flat with resignation and despair
with ancient and familiar sorrows
a woman surveying her crumpled future
as the white girl besmirched by Emmett's whistle
never allowed her own tongue
without power or conclusion
unvoiced
she stands adrift in the ruins of her honor
and a man with an executioner's face
pulls her away.

Within my eyes
the flickering afterimages of a nightmare rain
a woman wrings her hands
beneath the weight of agonies remembered
I wade through summer ghosts
betrayed by vision
hers and my own
becoming dragonfish to survive
the horrors we are living
with tortured lungs
adapting to breathe blood.

A woman measures her life's damage
my eyes are caves, chunks of etched rock
tied to the ghost of a black boy
whistling
crying and frightened
her tow-headed children cluster
like little mirrors of despair
their father's hands upon them
and soundlessly
a woman begins to weep.