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RAJ NANDY Jun 2017
Dear Poet Friends, the Sphinx remains shrouded in myth, legend, and History. Modern research by archaeologists and Egyptologists have revealed some of its hidden mysteries. My research has resulted in providing you with a short & a balanced view about the Sphinx, keeping in mind the short attention span of my readers. Unfortunately, I am not able to post the Illustrative photographs here which accompanies my Sphinx story. Hope you like this story, thanks, - Raj Nandy, New Delhi.
            
         THE MYSTERY OF THE EGYPTIAN SPHINX

INTRODUCTION
Towering over the Giza plateau facing the rising sun over the
River Nile,
The Sphinx stands defiant for over four millennia, braving the
vagaries of weather and marauding time!
With a lion’s body and a human head the Sphinx remains
shrouded in part myth, part legend, and ancient History.
While the date of its construction, and identity of its face
have intrigued scholars for many centuries.
Today I shall tell you about this monumental and magnificent
structure,
Which stands as an iconic symbol of Egyptian architecture!
Man fears Time since he forever remains as it’s bonded
prisoner in captivity.
However, only few hours of freedom are granted to him during
his earthly sojourn, to live and love life with impunity!
But Time fears the Pyramid and the Sphinx, as they stand
defiant with their raised head;
As miniature symbols of eternity which even Time dreads!

MYTHS AND LEGEND ABOUT THE SPHINX
Many controversies and theories abound as to the identity
of its builders during ancient times.
Some say it was built by the people who came from Plato’s
lost ‘Continent of Atlantis’, prior to the Egyptians, way back
in time!
Others say it was the ancient Zulus who had inhabited the
wet and rainy Giza region with its great lake.
Around 8000 BC, during the close of the Great Ice Age!
But with changing weather pattern the Giza region later became
a desolate and a deserted area.
Yet no records or hieroglyphs survive, to make things clear.
The name ‘Sphinx’ is said to have been given 2000 years later  
by the enterprising Greeks.
Since in Greek Mythology there is a Sphinx, but with a woman’s
face, a lion’s body and with eagle’s wings;
Which guarded the entrance to the ancient Greek City of Thebes.
To the Greeks we owe the ‘Riddle of the Sphinx’ which asked all
passing travelers the following question:
“What is it that has one voice, and walks with four legs in the
morning, with two during the day, and with three in the evening
time?”  - about which those travelers had no notion!
The Sphinx devoured all those who had failed to answer, till the
Greek Oedipus confronted the Sphinx and replied,
That the riddle had described the three stages of a Man’s life.  
Since he crawled on all four as a child, grew up to walk on two
legs.
But during old age used a stick which became his third leg.
Hearing the correct answer the Sphinx is said to have jumped
into an abyss killing itself!

THE  SPHINX PROPER  
Modern Egyptologists generally agree, that the Sphinx had been
carved out from a single mass of limestone mound, -
Which dominated the Giza plateau before 2540 BC.
Built by Pharaoh Kufu’s son Khafre of the Fourth Dynasty.
Khafre was the builder of the second largest pyramid standing
next to his father’s Great Pyramid of Giza.  
While the Sphinx stands on the eastern most boundary of the
Desert Sahara;
Six miles west of Cairo, on the edge of Giza plateau.
It is 240 feet in length and almost 70 feet in height, aligned to
the Pyramid of Khafre behind.
The Sphinx lies on its hunches guarding the vast ‘City of the Dead’.
Where pharaohs mummified bodies lie deep within the pyramids;
To facilitate journey of their soul to gain eternal life and be
resurrected,
To join the Happy Fields of Osiris the Egyptian God of after-life
and death.

Great conquerors like Alexander and Napoleon had stood
dwarfed before the mighty Sphinx.
But to Napoleon we remain grateful for our knowledge of
Egyptian civilisation among other things.
For it was his soldiers who had discovered the Rosetta Stone
in Egypt in 1799, with its  bilingual inscription.
Written in Egyptian hieroglyphs and Coptic Greek, resulting in
the decipherment of the Ancient Egyptian pictorial inscriptions!

EXCAVATIONS AND RESEARCH WORK
The Sphinx had been buried by the shifting sands of the desert
many a time during past centuries.
While periodic restoration work continues to preserve it for
posterity.
American archeologist Mark Lehner and his team during the 1970s,
had analysed the bedrock under the mighty Sphinx.
They found natural cracks and fissures, and also narrow passage
ways dug by early treasure seekers!
His team climbed all over the Sphinx like Lilliputians over Gulliver, -  while mapping its structure entire.
It was found the Sphinx had been subjected to five major restoration efforts since 1400 BC .
While Mark’s dedicated efforts earned him a Doctorate in Egyptology at the Yale University.

Mark’s research also concluded that the visage of the Sphinx was
once painted in red.
While traces of blue and golden yellow decorated the ‘nemes’, the
Pharaoh’s brightly stripped head dress.
Controversies rage even to this date, as to whose features the
Sphinx’s Negroid face did actually represent.
While the disfigured nose of the Sphinx has given rise to many
speculations.
Was it the Muslim Arab conquerors, or a fanatical Sufi Turk who had tried to destroyed it as a pagan symbol!
Today I recall that the mighty 1700 years’ old statue of the Bamiyan
Buddha in Central Afghanistan.
Which was destroyed during March 2001 as a pagan statue by the
fanatical Taliban!
  
Mark feels that in all likelihood the Sphinx’s face was that of Khafre, with whose pyramid the Sphinx stands aligned.
While those ancient architects had arranged the location of the three pyramids of Giza and the Sphinx in conformity with solar events, - while choosing their construction site.
A settlement bigger than 10 football fields at this site was excavated,
Where the Sphinx formed an integral part of Pharaoh Khafre’s building complex!
This ‘Lost City’ of Mark Lehner had barracks, workmen’s quarters and kitchenette.
While remnants of diets found suggested workers were perhaps
rendering national service, and were not slaves.
No iron or bronze tools were found, only crude stone hammers and
copper chisels lay buried beneath the ground.
These copper chisels had to be sharpened at the charcoal furnace
frequently, for executing chiseling  work with artistry.

SIGNIFICANCE OF THE GIZA COMPLEX AREA
Mark Lehner and other Egyptologists felt that the pyramids, Sphinx, and the Temples Complex of Khafre was thoughtfully arranged,
For linking solar events and harnessing the power of the Sun God  
to resurrect the soul of the Pharaohs after their death!
This transformation not only guaranteed eternal life for their dead king,
But also sustained the universal national order, passing of seasons, the annual flooding of the Nile, and their people’s well being.
During sunset at March or September equinoxes when the sun appears to sink into the shoulder of the Sphinx, -
“At the very same moment the shadows of the Sphinx and the pyramids
both symbol of the king becomes merged silhouettes.
Sphinx representing Khafre as Horus the revered falcon god, offers with
his two paws to his father Khufu incarnated as Ra the sun god, who rises
and sets in that temple,” – as the ancient Egyptian’s thought.
Unfortunately  Kafre’s dream was not realised, since the Sphinx Temple remained unfinished as now we get to see,
As the Old Kingdom of Egypt finally broke apart around 2130 BC.
The desert sand began to gradually swallow up the Sphinx, till almost a thousand years later,
Thutmosis IV cleared the area, and introduced cult of Sphinx worship during the New Kingdom Era!
Rest is history, which has been already covered by me.

     CONCLUDING THE SPHINX STORY
The ancient Sphinx as Egypt’s iconic art,
Has captured the onlookers mind and heart.
Buried deep within its shifting sand,
Lies many a secret still unknown to man!
The Sphinx still beckons out to me,
Perhaps one day I shall get to see.
Today the Sphinx stares out at a fast food restaurant.
As it now faces a full frontal urban assault!
The rising water level of the Nile, tourism, traffic, and
air pollution, along with many urban constructions;
Make the authorities to worry about its preservation!
The Sphinx beckons out to man from eons past,
What is that secret it wants to share with us?
Perhaps it is about Environmental Degradation;
And the urgent need for Global Preservation!
                                                   ­        -Raj Nandy
ALL COPYRIGHTS WITH THE AUTHOR ONLY
Chris Chronister Oct 2013
Illustrative disregard is creating

Nervousness which controls my limbs

Fragmentary is the heart

Infected by a broken promise

Disrespect stings me

Elevating my pain

Loyalty has been compromised

Intrusion has enraged me

Trust slips into abandonment

Yielding to uncertainty


© Christopher Chronister. All rights reserved
Jayanta Apr 2014
I was on the way to find out my destination,
It was a rugged terrain without shed of trees on the road side,
Burning Sun shine on the top of my head and
Stony patches below my foot,
On a junction of the two roads,
You came out!
With …..
“Generous green of forest in our face,
Deepest blue of ocean in your eyes,
Melodious wind of mountain valley on your hair and
Splendid light of the don on your smile”,
As if this new path after this junction
going to lead me to the nature’s own womb.
Conversely, when we face each other you asked
‘Who I am?’ and ‘where I am going to?’
I was surprised; no one poses such questions to me on this long walk,
But I have already comes a crossed the Security man with gun in their hand,
The Beggar with stony beggaring plate in their hand,
The Food vendors with hot food in their basket,
The Knowledge tycoon with bag of books on their shoulder,
The Political guardian with embryonic power in their muscle,
No one asked any thing!
Not even look at me!
Probably for them either ‘I was insignificant or invisible!’
But your questions,
Compel me to think about my identity,
I don’t have a search engine,
to take help  from  the world wide web of identity,
So, when observing you with sensors of Imagination, Emotion and Cognition,
I found my lost identity in you,
As your child everything rooted in you,
Than I started to walk with you
Just to get the aspiration of living planet and
To protect you from the spite of ownerships, rationality, consumerism,
and demonstrationist humanity.
But after a while,
Every one started to pose question,
“Who I am?”
“Why I am walking with you?”
“How I get the right to do so?”
Than I replied my scruples enlighten me to do so!
No one understands ‘what I replied?’
Now the Political guardian of the society starts a campaign,  
The knowledge baron prepared software for this operation,
The beggar and food vendor distributing the literature with illustrative interpretation,
That…..  
“People like me are threat to the society”!
“This is an evil force of our society”!
Tomorrow…..
The security man going to declare a ‘decree’ on
Emotion, Conscience, Humanity and Love.  □□
Whenever pencil and paper smooches,
Fascinating Illustration is made !
"Wagons East (1994) - IMDb www.imdb.com/title/tt0111653/ Internet Movie Database Rating: 4.7/10 - ‎3,545 votes (stylized onscreen as ‘Wagons East’) is a 1994 western comedy film directed by Peter Markleand starring John Candy and Richard Lewis. The film marked one of Candy's last film appearances although it was not his last film release. His last film, Canadian Bacon which he had completed before “Wagons East,” had a delayed release in 1995. The film was notable for its leading actor Candy dying of a heart attack during the final days of the film's production. A stand-in and special effects were used to complete his remaining scenes and it released five months after his death."

And it’s Wagons East!
John Candy’s last mega-bomb,
Released 5 months postmortem.
Alas, even the sympathy vote stayed home,
Reject the we-owe-it-to-him-for
“Planes, Trains & Automobiles”(1987, IMDB).
The role, like money in the bank,
Earning diminishing returns,
Yielding interest but losing value over time.
The myth of INTEREST:
Das Capital, 2015.
The Prime is at 0%,
Yet, Inflation soars at, well,
At inflationary rates,
Digit-pounding inflation,
Higher food & shelter prices,
Masked ever so cleverly,
So deftly obscured by benevolent gasoline prices.

“Planes, Trains & Automobiles” (1987, IMDB)
Meet Del Griffith,
An obnoxious slob,
A complete schlemiel
(Also shle·miel (shlə-mēl′),
A serene shower curtain ring
Salesman and tour de force.
A film illustrative of everything
We love about farce,
(Merci beaucoup, Molière!)
And love about any
John Hughes/Steve Martin collaboration.

Needless to say,
I watched “Wagons East”
On TV the other day.
It was ten o’clock in the morning.
Will-o'-wisping in the ashtray,
Smoke from my first joint of the day.
The ashtray, a mosh pit carbonara--
Actually, an inverted exoskeleton dome--
One of dem big muthas,
I once free-dived for,
Offshore Mendocino Coast,
Back in the day,
Back when THE FRENCH LAUNDRY . . .
(The French Laundry: Thomas Keller Restaurant Group, www.thomaskeller.com. Chef Thomas Keller visited Yountville, California in the early 1990's on a quest for a space to fulfill a longtime culinary dream: to establish a destination for fine --314 Google reviews · Write a review 6640 Washington St, Yountville, CA 94533 (707) 944-2380. Daily Menus - ‎Make a Reservation - ‎Restaurant)
Back when THE FRENCH LAUNDRY
Paid beaucoup bucks for
Well-tenderized,
Sledge hammered slabs of illegal,
Black Market abalone.
Most assuredly, I digress.

So where else would I be?
My laptop was open & willing,
Legs spread, wet and waiting for
Whatever comes what may.
What came was a film
Earning pitch perfect
Dramatic chops for Candy.
We owe you, Del.
We owe you for this Anthem:
“You wanna hurt me? Go right ahead if it makes you feel any better. I'm an easy target. Yeah, you're right, I talk too much. I also listen too much. I could be a cold-hearted cynic like you . . . but I don't like to hurt people's feelings. Well, you think what you want about me; I'm not changing. I like . . . I like me. My wife likes me. My customers like me. Cause I'm the real article. What you see is what you get.”
But that was then,
This is now.
Wagons East:
A disastrous ****** bomb.
A vapid character jambalaya:
(1) A defrocked doctor
(2) A sagebrush *****.
(3) A queer book vendor.
(4) A Donner Party Survivor
Sounds can’t miss, right?
Or was it a classic Broadway/Hollywood sting?
Redux: “Spring Time for ******.”
N'est-ce pas?
Four *******
Heading east by wagon train;
Giving up on The West,
Heading east for Saint Louie,
Where freaks & geeks go undercover.
Down go their guards.
Camouflaging the chimera,
Transits the urban Wasteland,
Vast & nasty, as it were.

St. Louis, Missouri:
A much more tolerant
Hideout place.
THE WEST:
Just too much of
A hassle, I guess,
Too much for one’s
Flat-lined human mind,
Bored too shitless by
Buffalo turds to venture thought.
THE WEST:
Neorealismo italiano.
Complete Jolting-Joe reality,
A veritable wake-up call
Devouring any & all
Residual romantic fantasies . . .
THE WEST:
Struggle & Drudge,
Life lived west of the Mississippi.

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That’s right: another advertisement,
Smack dab in the middle of
Of the ******* poem!
My invention, by the by,
Putting herein another plug for
A preferred memorial gravesite,
The Shrine To Me!
Situated in Scituate,
(Always wanted to say that.)
Scituate MA (www.scituatema.gov)
Knowing my kryptonite crypt,
My not-marble-nor-gilded
Princely-monument,
Had no chance to outlive
This fakakta rhyme scheme . . .
The Shrine To Me!
My final resting place:
My very tony, exclusive
Sub Zip Code?
The South Transept
Westminster Abbey
The so-called Poets’ Corner,
Of course!

Which brings me to my true purpose:
My true intentions for you this morning?
To publicize the strange Case of
CHARLES ROCKET:
(Go ahead, ******* Google him!)
“Charlie Rocket, found dead in a field near
His Connecticut home on October 7, 2005,
His throat had been cut.
He was 56 years old.
The state medical examiner
Later ruled the death a suicide.”
And if you believe the Coroner,
A Medicine Man &
Master of Self-Interest;
If you give that sharp-dealing,
Proverbial Connecticut Yankee his due,
Then you will probably also think
That millionaire Robert Durst
Didn’t **** Susan Berman,
Even as we see him
Getting away with ******.
Again.
Nigel Morgan Apr 2013
It took him a week to master thought-diversion. He would leave home to walk to work and the moment the door was shut it was as though she followed him like a shadow on snow. If he wasn’t careful the ten-minute walk would be swallowed up in an imagined conversation. He had already allowed himself too many dark thoughts of tears and silences. He saw her befreckled by weeks in a light he had only read about. She would be a stranger for a while, a visitor from another world (until she gradually lost the glow on her skin and the smell of Africa became an elusive memory). He was frightened that he would be overwhelmed by her physical grace enriched by   southern summer and the weight of her experience, having so little to offer in return. So he practised thought diversion: as her shadow entered his consciousness he would divert his attention to China of the Third Century and what he would write next about Zuo Fen and her illustrious brother.

Sister and brother Zou gradually took on a fictional life. This he fuelled by reading poetry of the period and his daily beachcombing along the shores of the Internet. He built up an impressive bibliography for his next visit to the university library. Even in the Han Dynasty there was so much material to study, though much of it the stuff of secondary sources.

One morning he took down from his library shelf Max Loehr’s The Great Painters of China and immediately became seduced by the court images of Ku Kai’chih. This painter is the only artist of this period of Chinese antiquity to be represented today by extant copies. There was also a possible original, a handscroll in The British Museum. It is said Ku was the first portrait artist to give a psychological interpretation of the person portrayed. Before him there seems in portraiture to have been little differentiation in the characterization of figures. His images hold a wonder all their own.

As David looked at the book’s illustrative plates, showing details from The Admonitions of the Instructress to the Palace Ladies, the world of Zuo Fen began to reveal itself. A ‘palace lady’ she certainly was, and so possibly similar to the image before him: a concubine reclines in her bamboo screen and silk-curtained bed; her Lord sits respectively at right-angles to her and half-way down her bed. The artist has captured his feet deftly lifting themselves out of square-toed slippers, whilst Zuo Fen drapes one arm over the painted bamboo screen, her manner resolute and confident. Perhaps she has taken note of those admonitions of her instructress. Her Lord has turned his head to gaze at her directly and to listen. Restless hands hide beneath his gown.

        ‘Honoured Lord, as we have talked lately of flowing water and the symmetry of love I am reminded of the god and goddess of Xiang River’.
       ‘In the Nine Songs of Qu Yaun?’
       ‘Yes, my Lord. The opening verse has the Prince of Xiang say: You have not come; I wait with apprehension / And wonder who makes you prevaricate on your island / When I am so splendidly and perfectly attired in your honour?
       ‘Hmm. . . so you favour this new gown.’
       ‘It is finely made, but perhaps does not suit the light of this hour’.
       ‘Let the Yangzi River flow calmly, / I look for you, but you have not come.’
      ‘I gaze at the distance in a trance, /  Only to see the grey green waters run by.

        ‘Honourable Companion, I fear you feel my mind lies elsewhere . ‘
       ‘I know you ride the cassia boat downstream.’
       ‘Indeed, my oar is of cassia and my rudder of orchid’.
        ‘I fancy that you build a house underwater, thatching it with a roof of lotus leaves . . .’
       ‘Well, if that is so, drop your sleeves into the Yangzi River and present the thin dress you wear to the bay of Li.’
       ‘I am in awe of my Lord’s recall of such verses . . . I love the Lady of Xiang’s description of the underwater house . . . with its curtains of fig leaves and screens of split basil.’
      ‘But will you send me all the spirits of Juiyi mountains to bring me to your side . . . will they come together as numerous as clouds?’
      ‘My Lord, my nose perspires . . .’
      ‘I offer my jade ring to the Yangzi River / and yield my jade pendant to the bay of Li. / I gather galingale fronds on an islet of fragrant grasses, / still hoping to present them to you. / If I leave, I might not have another chance. / So I’d rather stay here and linger a little longer.’
        ‘I gather the powerful roots of galingale / hoping to offer them to you who are still far away. / If I leave, I might not have another chance. / So I’d rather stay here and linger a little longer
.’
      ‘Even though your nose perspires and your ******* harden . . .’
        ‘Kind Lord, you have taken the wrong role in the dialogue. Surely it is the Plain Girl who gives such advise to the Yellow Emperor.’
        ‘And I thought only men read the Sunujing . . .’
        ‘You forget I have a dear brother . . .’
       ‘With whom you have read the Sunujing! . . and no I have not forgotten . . . he sought permission to travel to the Tai mountains, some fool’s errand my minister states.’
         ‘He may surprise you on his return.’
        ‘Only you can surprise me now.’
       ‘My Lord, you know I lack such gifts . . . I hear your sandals dropping to the floor’.
      ‘I sail my boat ever closer to the wind / and the waves are
stirred like drifting snow.’
     ‘I can hear my beloved calling my name. / I shall hasten so that I can ride beside him.



She seemed so child-like in that singular room of the garden annex. Her head had buried itself between the two pillows so only her ever-curling hair was visible. Opening a small portion of the curtains drawn across the blue metalled-framed French windows, he gazed at her sleeping in the dull light of just dawn. Outside a river-mist lay across the autumnal garden where they had walked yesterday before their tour of the estate. Unable to sleep he had sat in their hosts’ kitchen and mapped their guided walk in the rain, noting down his observations of this remote valley in a sprawling narrative. On the edge of moorland it was a world constrained and contained, with its brooding batchelor-owned farms and the silent legacy everywhere of a Victorian hagiographer and antiquarian. As he wrote and drew, snapshot-like images of her intervened unbidden. She both entranced and purposeful in a physical landscape she delighted in and knew how to read. Although longing to lie next to her he had sat gently for a moment on her bed, feeling the weight of her sleeping form move towards him as the mattress sagged, his bare feet cold on the stone floor. He placed his poem on the empty companion pillow, and returned through the chill of unheated rooms to the desert warmth of the Agared kitchen.


Lying in your arms
I am surprised to hear a voice
That seems in the right key
To sing what is in my heart.

After so many dark
inarticulate hours
I,  desperate
To express this love
That drowns me,
Suddenly come up for breath
(after floundering in
the cold water of night)
to find there were words
like little boats of paper
carrying a tea light,
a vivid yellow flame
on the black depths,
floating gently towards you . . .

Oh log of memory
record these sailing messages
So carefully placed, rehearsed,
Launched and found complete.

Knowing I must not talk of love,
Knowing no other word
(feeling the shape of your knee
with my right hand),
knowing this time will not
come again, I summon
to myself one last intimacy
before the diary of reason closes.


Zou Fen often wrote about herself as a rustic illiterate, country-born in a thatched hut, but given (inexplicably) the purple chamber at the Palace. As the daughter of a significant officer of the Imperial Court she appears to have developed a fictional persona to induce and taste the extremes of melancholy. Otherwise she is mind-travelling the natural world from her courtyard garden, observing in the growth of a tiny plant or the flight of distant bird, the whole pattern of nature. These things fill her rhapsodies and fu poems.

As a young man Zuo Si had wild flights of fantasy. He imagined himself as a warrior. In verse he recalls reading Precepts on the Art of War by Ssu-ma Jang Chu. With a scholar’s knife he writes of quelling the barbarian hordes (the Tibetans) in their incursions along the Yang-tze. When triumphant he would not accept the Emperor’s gift of a title and estate, but would retire to a cottage in the country. Then again, as a student scholar, he describes failure, penury and isolation ‘left stranded like a fish in a pond, without – he hasn’t a single penny in his account: within – not a peck of grain in the larder.’ He was never thus.

Like all good writers sister and brother Zou were the keenest observers. They took into and upon themselves what they saw and gathered from the lives of others, and so often their playful painted characters hide the truth of their real lives. David looks at his dishevelled poetry and wonders about its veracity. He always thought of Rachel as his first (and only) reader; but what if she were not? What would he write? What would his poems say?

*I lie on my back in her bed.
On her stomach, her arm on my chest,
She props herself against me
so that I see her face in close up.
She gazes
out of the window

I don’t think I have slept at all,
My own bed was so cold.
She warms me for a while.

All night
I’ve been thinking
what to say to her,
and now I am too weary
to speak.

I am in despair,
Yet I ache with joy
At having her so close.

I wish I knew who I was,
What I could be,
What I might become.

A voice tells me
that such intimacy
will not come again.
Sarah Nov 2016
If I could find the words to speak
and say them without getting weak,
it's all right there inside my head
thoughts just jumbled up instead.
Give me a chance to write them down
and I'll describe my world without a sound.
Vernarth sequence

Prophecy I -  “Eighth month of sailing in systemic plenitude”

“Since they will not hunt us down in all our Itheoi cycles…
nor in other lapses from where the fine eye could have sewn the buttonholes of the shroud, where there will be life and if there will be a short time without life...
dragged by you for a long time where the sun is melted over the word, staying stored and locked in your pocket to collect it blushing,
tomorrow's jump without a yesterday declining..., without a tomorrow in the heat of a bonfire...
lamb in bait handled being the portal of those who have been slapped inside their cheeks… who will not shorten the cycle that transcends all the oblong sepulchral vaults or who abound in the nonsense of sanitizing nights of ***** despot life having to measure themselves in your flourishing duel by Aiónius of the cleanest dew of its solid stroke and announced delineation of the new one that has been retraced again being more than a brief syllable created again fertile, in the biosphere mouth so as not to see you omnipresent mist, meditating not having you and that dares to meditate on your future that will have to be reserved for yourself by professing it when you are cold in front of you and insinuating if in living followed by letters to be flooded pondering like a paralyzed sleeping part that wants not to be covered with feigned warmth and that does not fit in all the parts of me being who wants to be consul of some shelter with all those who sleep also half dreaming in the company of the lost afternoon that never ends serving Saint John in Katapausis here, perhaps Aiónius del Ibico 1 as a magnificent and net unit that sees the luminous truth when we all come out of a prophecy alive even if it's dark ".

"What a reckless job of losing value,
I am already in Katapausis in the eighth month...,
I entered as the light opened with my hand turned into the light...
being already a katapausis meaning in Sabbatarianism.
Quasi-unit method exhibiting cohesion to the rest motif
With levers in my hands and intra-sabbatism in his dissertation...
of an exegetical and theological nature that has transpired soft insomniac light, We are a people who do not have to fear or air to deposit for a future warehouse above the Sycamore or birds that guard all the Gold above my hands on the Sycamore…”

"Stay in my house, if I don't come back it will be yours
stay at home, it will belong to everyone even in the apocalypse...
that more reckless will be silent as a work of losing value,
Katapausis is the threshold where my life enters and leaves at once,
stay at my house, if I don't come back it will be yours...
Open windows by meekly closing them to that confronted obverse to you...

He comes from a den relativized on reliefs in weathered beads...
they will be soluble mineral beings convened moving away from the most distant and closest to the least distant…, from waters of underground siphons… there we will all be floating… like vertebrate invertebrate animals”

Vernarth, after not entering the grotto not having found Saint John, goes outside where he goes on a campaign for three months before he can be received by God's law. Here he meets with Reader and his pelican, as well as Eurydice.


Prophecy II -  “Seventh, Inter-synergy energy”

“Three months I have waited in the middle of this mountain,
symmetrically arranging the steps to be taken, not going backward
prana of life walking in oceans of life walking…
us and them… how much must separate us to reach us?
what I have not tried to separate…, what I have not been able to achieve…

I think I died early in the worlds that haven't risen yet,
I think I was reborn late among dense curves that overwhelm us with straight lines
soul, principle, matter, and material distinctive ontology
Ghost god of parallelisms beings and activities in affinity...
starvation body of low energy ceasing creatures in embryo
incessant firstborn to infuse other confining souls
trails demons slip where my ashes hands are sore
wounded doctrines to engender and doctrines to ulcerate...

As the prophecy uses the sea carrying messages resolved from shore to shore
close to a Virtual why in the twilight your Faith that must be glandular… matter of soul and body exposed to predisposing theological and chemical, in pursuit of the corruptible whole in vice versa if he does not burst with atheistic impatience.”

Eurydice takes a zither and sings tempting stormy actions to Vernarth, Raeder and Petrobus put their souls in line in the first linear principle, Together with the matter of corporeal fire proceeding to the definition where all the parts are confirmed without distinction dancing next to them creating the greatest bond of faith in body and soul, thus spending the three months in a few words of light of the sated fire.

"In the eighth-month katapausis, eight times your permanent peace must rest in
cited state; once it is translated into Sabbathisms and it will be the same state… When everyone finishes their dance in the cave and enters believing they have the courage to enter eight times in connection with rest…, plus eight times in connection without rest.
In some verses, the urgency of the entrance will be accentuated. The main issue “is that history will be repeating itself exactly where the Israelites were at Kadesh-Barnea. A related term either synonymous with Kadesh or referring to one of two sites, is Kadesh (or Qadesh) Barnea. Various etymologies for Barnea have been proposed, including 'wilderness of travel' but none have produced a broad consensus. What is the consensus? will we stop believing or lean on the shores of a preacher rain of Jehovah or lean on the shores of a preacher sinful waterfall or lean on the shores of a preacher confessing rain or lean on the shores of a preacher wet wind inquisitor...? where ever the aromas of its faithful winds served will go sacred to everything named before and many before the confessing rainy…, waterfalls in favor of the temperamental inquisitor wind”.

Astheneiais”, in Greek is and will be a weakness, in Hebrews a moral connotation and will mean not only physical weakness but a conscious weakness and trembling in temptation. Our Lord also understands us in this weakness because he was tempted in every way as we are. Since he himself was tempted he knows from experience what it means for us to be tempted. He was not tempted in all the particulars of our life, for example, He was not tempted as a husband or father, owner or employer or soldier, because he was none of these things. But he was tempted in all three areas of human susceptibility: body, soul, and spirit.

Prophecy III -  “Sixth, Resilience…”

“They were on the perimeter trying to keep me together at his command,
I go every day for its pantry, food, groceries, bookstore supplies and ink, oils, and other essences for the environment in continuous handwritten obedience, I have to leave for Skalá where some residents are waiting for me who have ordered to bring materials from Gricos and Psili Ammos to project your home,
If this has been written like this, it is because my pleasure in walking has written it, in the company of the one, he has written for the one who walks next to me the god Ibicus!

They always asked me why to mention why I have to do this for them… I will tell you that I used to serve leaders who consolidate the Hellenic geography,
without them, everything would have been invaded by unled foreign hands… in that rest, I have to attend to the verse that precedes it...
which says that we have already entered where I already intend to argue the following…

Resilience and exhortation that from the beginning I have taken since it began... now I will abide by and present your messages in a very predominant note, I was Hoplite Commander of the Falange and Hetairoi, now a Christian who does not dispute living a life of obedience to those who are not and are not without his martyrs...
like those people to whom God swore they will not enter my rest
whose amen will be preached in the passive voice verse!

Remain as the verb indicates with the real facts, the word
independent of the present, independent of who and when…
Saint Gabriel my Abrahamic angel will give me white strength and frolicking lilies like baskets of hermaphroditic lilies procreating only-begotten forests at the altar.

Stand tall over the Abrahamic fire without knuckles or shields,
rethink your beloved woman and take a sudden step to heal your wounds there is so much grass to cut and so much poetry to chew...
up the mountain towards Skalá at night after drinking wine
Epitrapezios Inos setting fire with innocuous saffron atmosphere
lips of fire and bread, for a good offensive fight.
Greek fire naphtha, cinnabar, and anthracite.

Wake up united with the deep disorder
Grant the color that deserves to have your day as a constellation
with the image that rests on your angular and calloused hands.
stopping spaces of loss more than all the centuries that waited for the minimum incense to a good warrior, sweet wine for open bleeding wound not his… the thunder that hides baptisms in all hearts empty of blood...

“While Vernarth was praying in the oracle he felt a thunderous supra sound As if the gates of hell had opened...
As if millions of seconds of angels were to be dispersed from the sky
To reduce more seconds of silence to the thinnest pleading eardrum

A few days ago I saw a ghost that was chopping wood...
I couldn't realize that he was really Him...,
I also saw him cutting thousands of volumes from a library...
Also, not realizing it, I saw several, like more than eighty manuscripts..., of breaths that still did not prosper in the hands of San Marcos...

A gigantic door slam is felt again...!
again it was the angels that came
at the wrong time in his return..., but now in his repatriation
they climbed through and into the Garden of Eden.”

Vernarth, evicted from the habit of the unknown, was apprehended by his craftsmanship of him, he was still attentive to be received by San Juan. The longer he waited to be arranged for an audience, he did not postpone what his memory pointed out to be more than an experience plotting capacities in the face of his own limitations. From that moment on, a gigantic gate slam is felt again! the angels who went back one after another with their polished golden-white cloaks relapsed..., but now making the Garden of Eden their own,... being theirs in what was theirs, that they would be in the house of a wise gardener of Eden perhaps being the same Katapausis manger at once!

Raeder says: hugging him profusely! time has to fly like little angels, having them by your side as companions of the time that is leftover on their wings, giving it all to your enjoyment of living and feeling it lost in you without finding it. ! khaire mi Vernarth!, I have some karidopitas with nuts and yogurt accompanied by baklava with nuts in delicious syrup from Kalymnos. Petrobus jumped for joy and fluttered like a hummingbird to steal a few pieces! Eurydice and Vernarth did the same. That night they told militia stories while they ate the morsels, so they fell asleep as if it had been the first time they had fought such a great menu. Euridice assists in the same with his fresh clean face, creating an atmosphere of conciliation to renew the dream of a day that will dawn close to his waking up far from the criminals. Vernarth takes the staff from him from then on and divides books and manuscripts into two portions so that he has time to take steps to really feel that he can walk close to Saint John.

Prophecy IV -  "Fifth, Nature, Manuscripts and Jophiel"

“Zeus wakes up trembling, full of headaches saturated with Herbs for headaches Jophiel speaking this time with the Kabbalistic language of the Torah...with golden commoner super zone of the Organikon Sorousliston Papadikon….age-old music that supplies Zeus with protein albumin, to make him more human…Zeus accepts Jophiel by placing his head about the house of Jophiel; a divine island to throw cards…brings the second ray to the Sahasrara at the crown of your head, pacifying love that is the suspicious and risky loser of everything risk in the head especially when a feeling is born!

Zeus turns his head and Jophiel twists it to the opposite side
about the ruined zeros that he did not count from the plasma of his dependency, Zeus feared having albumin at risk of human transmutation... happy to be able to cry he imagines slipping into the middle of a lake and he sees that he falls on Hera's poultry harming none, Zeus pours brimstone from his mouth and milks inelegant prose from the scythe…

Trina flame whose son bears glorious her bearer,
thousands of lives being clumsy for the wisest destitute
being what in the present you were more than past trine
when you harbor from Hanael's Blue Sodalite quarry
the imperfect perfects when you listen to your
body how it beats, how it breathes... you realize that it is perfect
as is Jophiel and discerns repairing the wisdom in the decisive punt
where gum rosin myrrh and multi urban frankincense go
towards the soul plane architecture of the human plane.
Hardened Zeus overflows glazed sallow emulsion of war
coagulated exhausting guarantor of everything is well,
books of the silent world of nails that do not sound sheets,
Hanael in massive books divides sounding with her iris gel-colored nails encrypted library manuscript of a thousand years, the voluptuous organism of a thousand years…
flapping unpredictable millennia and wiry hands,
colossal capstans…, annihilated with a thousand years…
a silly propeller that spins like a sickle rolling over a certain holistic tabernacle of the small portion of the next day when Zeus awoke to the diaphanous threatening light with sunless cloud waistband…
His face is seen with frowns and he looks at his face as well
without seeing folds…but in front of the Aiónius.

The geranium appears in the representation of the natural whole kicking the Sickle, much more here lost of our spiritual being
Zeus Jophiel's hardened shoulder heats up only to lean on Him...
light on his shoulders fires on both of them…
how long it takes to save us perhaps twenty times what supports us even tired and much more unwrapped than the treachery of him alone and without being followed without knowing
nothing more than a thousand-year-old shell through which he would drain…perhaps a tortoise-like millennial angel walked up to the omega! joy preparing to give you live hopeful,
that if it would be timely to give you more life...
Here is Aiónius reordering the world together with Zefian…
He shares everything eternal of all your life that floats in the sea,
miserable mix space where capo dastro separates the end
where all the wheres cannonade the hoarse fire...
cement that joins brick wall and plenary adobes
love without nature that castrates your beautiful woman
that hides her face without mascara looking for it...
let's go outside says Vernarth..., we still have a few seconds in his solvent... sensible, full, and arc well-being...
as if you were floating in the air floating more
also needed me to teach you before your limits limit you,
and make you angry from the miserable sense,... Don't listen to me anymore...!!”

Vernarth puts his first three fingers on the capo dastro roosters crow with his skin vibrating beyond the sleep of Raeder and Petrobus. Reader wakes up and says…; My Vernarth I will make fire and heat water. Petrobus runs with his wings to look for sacred wood. Eurydice comments…, I will prepare the praiseworthy sacred breakfast.

When they were preparing to do all this, Jophiel and Hanael appeared to him, joining in the breakfast that would feed all the days and millennia of the world. Unleavened fruit, honey, and milk multiply above all, satiating hunger with satiated satisfaction.

Prophecy V – Fourth, Limbus Necropolis

“From so far away…, so far away that I listen to your sacrosanct cries…!
from the Koumeterium of Messolonghi…, rocking my elbows and hurting myself
moving in rare pleasant crypt upon crypts disconsolate stones
not so far away..., keys held in the eighth cemetery...
Who is to open the heavy door now...?
I come from Messolonghi 555 km in linear figures to Patmos...,
narrowing concave… doubtful in extension, passion princess cloud
He must welcome me benevolently in the night nymph consort...
Limbus N cloud, Cloud Cemetery lofty lofty hypogeum
soul of Limbo, before seeing the nut that girds the face in the graceful Grim Reaper resurrecting restless…, sinning… grail sacrament without Being or being…?
Necropolis Cloud, expectant mortuary technology...
amaze me if there is a byte for me...
narrow conscience, unseemly to amaze me?

Here the lost mist of the Nothofagus God phoneme-photon vanishes with divine mass light to build the Áullos Kósmos. The Sacrament of Limbus will provide spaces and assemblages of meters for thousands of areas of infamous wandering the Ouranos, approaching the Áullos Kósmos to host him and rescue the children of the meter that was missing in the numeral rule of the Megaron acroteria before going up to the Necropolis Cloud. Vernarth, mere body formalizing principle...
extinct delicate evocation of the shadow of Elpenor;
Achaean warrior of Ulysses grandiloquent who even has otitis
and verse where flu spreads influenza
heartbreak from far away reverberating in the elite of lexicons…
arriving equidistant ... the last one arrives threatening with his Kantabroi staying neither divided nor captured, taking refuge in outright failure twilight of megahertz, farce propaganda surrendered fear will not fall even after …

Vernarth falls from the Koumeterium Mesolonghi in the Necropolis cloud privileging his status, he falls from this gloomy digital platform with a high alcoholic degree! from the high heaven after drinking hours he came in the carriage that was from Zilos, with the passion of heaven depriving his understanding stunned on some branches of will of Ziziphus…, stunned on branches of mercy….

Vernarth in a contrite accident with Elpenor, his psyche flies to the realm of the dead, Hades was remaining prisoner in that world taking the form of a Homeric icon or shadow. Vernarth was asleep after his binge, and Elpenor asks him if he wanted to join him with some concoctions. He was with blurred vision, a headache, and still lying down. But in the passionate horror of his drunkenness, he gets up quickly, saying to Elpenor: For me, it was one less pain to drink after having fallen from such a distance without being able to request and have had the grace of my mother's lullaby. For this reason, I hug you! They went together to the Cloud Necropolis to continue in the Limbus trying to alternate their physical body to gaseous liquid. At that moment Eurídice hits her with a piece of wood on her legs so that she wakes up from the bite of that nightmare that overwhelmed her to finally be able to wake up. Raeder had gone with Petrobus to Skalá to seek inputs of gnosis and his own inspiration for accents before the welcome in Katapausis to come in the blink of an eye of San Juan, necessary redaction for licenses and to be admitted to his library.

Prophecy VI - “Third, Rethymnon City and State”

“Vernarth heard the sound of a bouzouki, spoke of a 40-day fast that Greece celebrates before Easter, at the Rethymnon carnival they come from all over Greece to attend as a family during the week with animations, evenings and concerts, dances…theatre, floats with Venetian art in the picturesque old town and modern city, in this ancient city …

Rethymnon Political Ellipsis

“Like territorial extension, past-future organized infamous scene…Vernarth imagines being with Etréstles in immediate predictions
with years and thousands…, clan hobbies, Rethymnon manuscript…
while he thus deliberated…, thus rejoicing in the immaculate extramural grotto thus being as if it were comparable to a Neolithic village; being together lost with eagerness to appear from political power... palaces, kings, pro-organized religions..., rancorous superlative temple, priestly-eucharistic, nationalized sovereign citizen... commanding Parliament of the Hellenic politai people
the competent anti-value entity of the substratum political state…
sedentary-agricultural or nomadic-livestock culture…, vertical Hoplite culture!”

In Thessaloniki street, he would meet his brother head-on...Imagining how he would be...? Well-dressed-shiny, he would be in a passing tavern usually naming himself tradition and terms of questionable validity rather than those of a retro-linguistic family, in the remarkable urban-city dialogue called seditious inns with networks of political territorial extension, reaching the colossal size of multinational ideals of a complex stratification, social meeting place, future ministries to whom to delegate?. They would arrive at the tavern in Rethymnon in Crete, they order coffee, biscuits, and Mosaikó chocolates. In an unexpected moment, he suddenly wakes up from this deep, hallucinating, and futuristic imagination! His brother appears immediately, not in Rethymnon but in Katapausis with the goddess Lepidoptera!

End Ellipsis Rethymnon

“At the moment his imagination breaks just when they were preparing to toast… Etréstles in this same interval appear in Katapausis Reader and Petrobus coming in a singular pilgrimage from Skalá…this is how the syllabic song of the arcane ***** is heard emitting from the grotto…, yellow lights and saffron…. Saint John and the Gospel celebrating the Eucharist…Vernarth would believe for the first time that the hermit would come, but No…!
his brother was to be in the intervening yellow-white light
in front of him nothing more than Etréstles visiting him”

Likewise, they would no longer be in Rethymnon,
but the carnival would already begin in the region of Patmos...
eating delicacies, and the Sousta towards the circle of the Sun in the hands…They have been two months with the sweetened Moon and the Sun posing its mass of light in her… soft palm next to her waiting for him in the proximity of a Hebrew silence

Estretles says Khaire Vernarth! from Piacenza who did not see your joyous lux! I can see now to the sound of yourself the stoic zither...
countenance light, the orbit of your eyes, pale asthenia without photon without light, expectorant suppuration of your sacred Lynothorax, Absent in front of the long and fatal transverse lapse!
Raeder makes a speech to Zeus Photon Child Lux
Fulminant spends time where it remains greater than the minimum...
Patmos is the time of the Messiah…, retrograde years…
polis Helennic city-states.

Culture-state… state time chorus in tune
Philosophical poetic-epic Olympian Aiónius global leader
Homeric poems..., Raeder I am..., a naughty Politai...
you Vernarth are Politai Hetairoi militia
candy wasted by me Raeder… sweetened in my memory
polytheistic, cultured and declined…
theocratic referendum or democratic right,
Exciting porridge of my Kourabiedes cookies
butter, icing sugar, flour, eggs from the icy cliff
vanilla or Mastica resin, ***, Ouzo, mastica liquor…
or other alcoholic beverages…, which bubble on the underside of Aiónius soaked in my mouth with water from petal buds
coated for you with sugar on the tip of my tongue…
reflective cops in a wonderful dialogue of a tasty recipe...
It's time for everyone else to snack too!!

In that second Raerder was choking on a Kourabiede biscuit,
but there was the guardian of the Petrobus who piloted the
throwing hieratic water on the inside of his mouth,
forcing him to take heart from the buttress of his speech
shooing thick crumbs from his skinny dialogue spitted...
Gerakis, ray, tabletop oak bull, scepter for those who rule with him and not...My Zeus friend I invite you to play marbles,
I invite you to tell us that we are friends...
we're both fine… only Space-separated us…?

Raeder runs towards Zeus' thunderbolt from his right hand.
he jumps up and takes it from her, in exchange for this she gives him his marbles...The entire earth tilts over the Aegean..., the earth's axis tilts eight degrees, altering the cerebrospinal fluid of the Hellenic geopolitical conception..., with Zeus poly infarcted over descending magnitudes of inter-politics, millennia and headless governments...

“Apokalypsis lightning restarted, emerged from a New World”
Prophecy VII -. “Second, Alikanto Aion, Quantum”
"Kalymnos, golden tetra steed Alikanto was grazing under the metallic moon...
transiting its quantum physics…, golden legs…, four golden domes
the super host being in Apoika Andros next to the villagers,
commemorating troupe and advent…, Heraklion next period
celebrant anniversary, progeny bearer of Kanti Cretense,
close cycles of the sacred fire, domestic environment, and private zeal...
funerary hidden cult… streets in the hieratic family dwelling
fertile women… totalized and lustful ****…
productive longevity and harvests…, family Apoika
next successor belligerence…, funerary plexus…
culty predecessor…, treatise and imprecation of law, theme and legible religion domestic scene, family civic servant ceremony

Goddess Hestia austere, head with eight sacred candles dressed
Olympus lacking without gods…, only Goddesses embargo!
Feminine Hestia Domestic Goddess, an emanation of the female oval to ovulating…Pritaneo, the central decree of the political harvests… foreign exchange grains to be minted monetary stock exchange of Athens… Pritaneo ford on the rise, ford on increase Aion... hesitant dart swoop into eternity,
Alikanto Perpetual Aion…Speaks with both hands
synchronized and tilted tongue…
stutters and swallows, in six paranasal sinuses
saturated with fiery saliva..., and an Internal voice saying say...
what makes sense to feel and what does not turn off...
sleeping waves in the poison of love igniting
intra-Vernarth love…, billing infected holy blood
methodical coupled time…, Gaugamela the bronze extremity,
of a lost leader…, won leader!

If I had to run to rewrite retro Adhoc poems and chosen trova,
With a shy Trojan verse, I would dare today if I kissed her in front of me… she!
she would jump from the hyperesthetic-Ouranos…, inhuman to the Aion world
aurora celestina, bleeds big and defiant today in your star
In herself Ella…, pestiferous condemnation sweetness and aura between her…she just be, she herself be supported be…, Oh… Goddess Hestia on your opposite leg unbraced arm, meadow and vein braid… assaulted by lost and thirsty love written everything if she tempts…, everything wields darkly if it took you to our Olympus… at night loving you whole..., emptying everything with no inappropriate hand singing don vine fissure and intimate company, may it be exterminated... passion outside with nailed stake..., iron embedding..., nails wounding...exhausted supra lips supra yours…, mid sand writing full to her…
tip of my Xiphos… blood made written with written maiden mythology,
letter sword Spatha…, cyclamen balm made whole if I had you!

“To the loves of the world I say…, cover your ears fungus of boredom, your torn ears squander ignoring more than sordid saying...my blood kills, my blood revives! I **** my blood and I **** everyone, with your blood scattered, ***** blood scattered…!
do not leave me alone until nightfall… I only ask for holy water,
emptied from your mouth goddess Hestia who flies tons over me...
I only ask for a spatha romantic blood sharp, ******, and scattered...
to write to the love wars that I have lost...
to the wars of love that I have won, slicing the jugular of the
treacherous and wicked emperor"

“… Alikantus, he remembered the Hoplite commander in Gaugamela, he remembered when he dodged arrows with his head so that they would not hit his body or his pectoral. From such a present moment falling by surrendering to the evocation of him. He goes down to a stream and confines himself to the vanity quagmire, continues on his path reaching a suspicious lagoon, drinks sacred water, drinking again manages to perceive the effigy of Vernarth in the mirror of Aion's Hydor... calling him from Patmos! Law reminded his master how he died for everyone in the world just as the world would not let him bring more than agonizing for him because there was no more space said Aionius ... "

Alikantus then clenched his jaws too hard, falling out all his molars, he asked the Gods in front of Hestia to restore them fifteen days before arriving at the Ekadashi in Patmos where his master, thus loving all the lives of the world, as well as the hidden cries behind the Dypilons hiding the power of God… or laugh at gagged iris flashes and mummified sighs with lives that subsist!

Vernarth from Patmos called to him so that his eyes looked invigorated like the swarms of green and gray vanadium fire, of mood in the predictive table and close prediction. AlIkantus bids farewell to Kalymnos spraying sorrel and hyper-odoriferous flowers of the Apoika in Kalymnos loving from above, very close, flying, loving everything so much that he forgot to fly. He sometimes fell hard but recovered retried as a baby steed in the womb of a mother new species to be born again in Apoika!


Prophecy VIII -  "First of Aionius, "Eleusis Prophecy of Hamor"
“Aiónius received news of Hamor's prophecy; cosmic orgiastic order
tyrannical snake victim throwing herself into her abyss and purpose..., banishment as an objective void to be decreed, even so ending the world from another world,
discontinuous terse march, slurred arpeggio, speech by Aiónius
there is no world left but if extermination…, undone threshold…, provoke in delicate chaos…!

As a child, I ran to the supreme world herding lions... I called them and they ran to me..., they came alone, some didn't...! Being young, one day Aionius went to the farm and counted the lions... Some came others No... Aionius..., in such a hamorio he was locking an earring from his ears, he hung them again, which happened the next day relaxed..., he saw a maiden who laughed hypnotized…, he sighed when she turned around saying with her poor gestures… Destroy it! The afflicted turned away not knowing what was coming… destroying the desolate world vilifying silky physiognomies, chipped and dandruff face slipping from yours being captive and arid…, tempts to flow libertarian imprint in foreign praxis, origin, and end,
me from the slime being born in my eighth life in nothingness ataxia…

The beloved Victim surrounded by snakes moved the stump of her arms
eaten away by the serpent that took refuge in thorns of forged steel...
she kept walking…, Aiónius pointed at her and kissed her gestures escaping frightened towards the valley in farewells... not fitting itself in valleys that were never anything she paraded with the current of her last word, the beloved again moved her arms following her in front of her the beast was on her, Aiónius buried from fleeing and coming… with fiery phenotype, abrupt vocabulary, says: “Strapping and interludes, after beings of impiety, the world of impiety, Hamor of the first wit… towards other refuges I will depart about a Yes devouring bare ring on it…”
escape curve that cuts the pelvis of my beloved
destructive be your curved world that before had to destroy me...
ultra pre-hellenic nymph Harpé passion spread on me…
Hailed libertarian praise, aristocratic vermilion accent, minority ruling? Overwhelming rigor expended, prophetic Hamor, prophetic expansive arsenal! It must come from all the supreme worlds with strokes and silhouettes conquering...true dream, confused hypothetical oscillate sweeping imploring and contracting popular decision, management and space of my Sickle…, sometimes uncontained… worse avenues in its radius and dark mourning badly wounded shadow! The vertex that finally launches opens the dawn and his Hamada flees... Leaving with the untidy serpent, about touching and causing rangers in the stuck earth.

Demeter and Persephone; based on Eleusis in ancient Greece
mystery myth of the abduction of Persephone daughter of Demeter…
by the king of the underworld of Hades, Abrahamanica's offspring
cabal, life in the descent, the search and the ascent…
Ascent of Indra lightning Vahana and lightning from her right eye,
Persephone to the reunion with her beloved daughter ascending.

Zodiac and mysteries involved, visions and sleight of hand
that of an afterlife, rain of seven trunks, long-lived Airavata
elephant, Eleusis jump psychedelic mystery, incision, and coherent rites, ceremonies and experiences of cold winters and life on earth
plants in gestation under the gift of Elitíaen and beings that
they are about to germinate and be born, beings in a chain of genes...
vegetable running on the earth, vegetable in March in its glory
September in the jaws of the purified phrase and inaccurate acropolis I…

Sacred obscenities, deadly tributes with the death penalty...,
wandering nights without clothes with obese and badly fragrant meats point and taco dances praising the harvest in honor of a dead Thracian bull, libating priestly vessels and bullfighting heads in a deliberately defined and improper triweekly ritual, revealed in Demeter and Persephone.

Only Hamor in his venerable pyx lies locked up knowing he is unable to open inside this lustful bewitching sparkles, the mystery of emancipated disenchantment that awakens from his slow consciousness without knowing how to go on passing in the sum of all happenings of Aiónius. ”

This is how he defined himself from the syncretism of Indra and the mystery of Eleusis, from Demeter and his daughter Persephone from the vile kidnapped underworld. Of the divine Goddess Elitia and the annual records of children born within a year in the germinating seed of the mystery of love that would begin with this prophecy with the initial "H" of the underworld exclaimed Hades and Greek heritage in this event. Vernarth and his companions listened to this prophecy, almost falling asleep, it seemed to them sweet pallor-bitter, love-heartbreak in the previous day before diagnosing having a presence in the hermitage of San Juan Apóstol for the superior company of a later day that was approaching as the greatest daring of all up in the mountains while disposing of Vernarth's Apologist obverse of Aiónius's.

Epilogue Prophecies - “Eleusis, Isadora Duncan to the Parthenon”

“Vernarth and Eurydice indulged in the jargon of agitated diasporas
of inhabitants fleeing the Rite of Eleusis, crossed hands and feet
They dueled on olive trunks with Theban thunder, vague Insurrection of the ancient world, and consonants of barbarian Pleiades,
acclaiming predilection of the Eremita San Juan to appear...
in a breath of peace resurfacing... but seeing that Vernarth was accompanied of Eurydice hid in front of them leaving only her aura near from the stream of a chrysalis!
In the dizzying succession of myths, good news reaches her sacred ears, waking up her trend and her high quarterly price outside the walls... being later received in the grotto of the hermitage in growing expectation and a link of longing that weaves to remind him of being a crusade piece.

The kidnapping of his reverie feared and timid frivolous crushing blizzard, he was walking surrounded by Falangists on horseback pointing at him and threatening him, scrutinizing in the distance loneliness of his past lives,
his regressive life, concerning key to origins of his illustrative Existence, stranded at this moment..., Vernarth makes a pact with himself to detach himself..., of his spirit, detach from their lives under a hypnotic and compelling law..., like a suspended index in the Sistine Chapel, homologous ship Ave Maria Messiah!

From Eleusis Vernarth vanished in aerial horse-dreaming,
he crossed through the pavilions with himself persevering some wake
riding his Alikantus ******* and standing with him to pillage the Empyrium niche Persephone's trace of herself and her ******* ******* them...
with devoted passion, milky way, and milky syrup chin howling...
Vanishing dancer, Athenian acropolis, Dionysian sanctuary of the acropolis… Stepdaughter-patron in the dance of Zeus and Themis lopsided frame of the season's wildness of all creation and defiance of Eleusis looking for her daughter and her children, priestesses safely taking off their corset and their pictures…
raging chastity, oligo blood, Itheoi music, outraged dance complaining, Possessed expressing being seductive but also a native *******... the underworld in darkness, free daughter, and iconoclastic Greek mythologist
inconvenient Victorian mania, a courtesan from Olympus, courtesan undressed! Isadora, Demeter, and Persephone… flooded with Aphrodite foam!

She “prayed songs with plexus and feet, plotting gardens around the world… full of baseboard feet where everything created in brief Apokálypsis was dying! By desolate Parthenons dancing in Muscovite ruins, maenades sweaty enclave and also throwing back his head as if possessed by ecstasy in her Bugatti and Leonidas…, enchanted by Aiónius! intoxicated and exorbitant with beautiful rosy placebo eyes... Hair with headbands vine petioles, her Nebris tight skin was wearing... in her hand's bunches of barberries to Dionysus with torches and live snakes a chaste crook naming Thirsus; rod topped with Kashmar branches wrapped in borders, vines and ivy, allusive link…, morbid ecosystem! covering her crotch in the Temple of her Kopanos dancing from the eternal fire cremated and in a romantic dimension remembering Byron's meritorious…
Hellenic passionate, and of Hölderlin poeticizing together with Aiónius.

Rudiment wound … ruinous on value exciting in those
of the imagined and creative in her perdition, Sicalipsis e impudicias
torn fire in the Metelmi and her ***** we are twisted,
epic worthy of greek tragedy dancing like waves of fire
in the forge in terrifying death of her children Deirdre and Patrick,
submerged and injured in the Seine in Paris in 1913, falling into the
water in the car that was traveling with her wet nurse… before…!
saying goodbye to them in urgent social commitments,
I Aiónius take you to the Empyrium.

What a dire tribulation in the prevailing misfortunes by not postponing it, retain the fate of whose children is quite a story with the kidnapping of theirs and merits of fulfilling commitments committed to solicitous artists... support, crestfallen inside a dresser or Bolshoi dancing statue, dancing empty with bare feet, frigid anemone, frigid Sea…

Arriving at the dawn of her last prophecy, Isadora Duncan accompanies her in full life beyond all limiting borders with the borders of her dance, the flat field of Eleusis receives her presumptuously associating in around for the dressings...
And left-handed dalliance self-indulging…, advanced barefoot to the Parthenon…!naked towards the world and the orb dug out of her before her undressed.

Reader and Petrobus jumped on this steep stone, emulating the meteorites that shone in the sky of Patmos such a party of nocturnal lights, such emery detached from a fleeting planet in the largest Hellenic scene saying: "Well-being to the Hellenic World all calm, dance and immunity to the firmament where Isidora rests in the Kantabroi of Aionius”
Prophecies of Aiónius
.....
Not an interesting metaphor
To Keep the brain on
Or just showing day dreams
Even an unnecessary composed poetry
Made to be happy for the king and queen
Decorated with false songs of a garland victory
Just defile your voice
Or Just a lie of fabricated cry
Acting as the heavy down eyes
Just showing forged mercy to love
Even a painting of an outward woman
While stupid men became tickle with a synthetic beauty

Then If composed a true poetry
However, So many illustrative metaphors
which have a form of sacred truth
Perched the purple nature into you
Knowing Spring with the aromas of mango buds
Saying the real life
Demonstrates the truth of death with death
Like inventions of science

Rendering with expressions and feelings
Owing water to thirsty men
Explain the friction between light and darkness
Dragging the stone of truth
Thousands of music grant the intangible beauty of life
Love became harmonious
And the dreams are to raise thousand colors of love
Life flows like spring water
Of course a poem calls an eternal love
There a hidden beauty craving all time
And an upstream pouring the pure love
............
@musfiq us shaleheen
.......
Jayanta Apr 2015
I was on the way to find out my destination,
It was a rugged terrain without shed of trees on the road side,
Burning Sun shine on the top of my head and
Stony patches below my foot,
On a junction of the two roads,
You came out!
With …..
“Generous green of forest in our face,
Deepest blue of ocean in your eyes,
Melodious wind of mountain valley on your hair and
Splendid light of the don on your smile”,
As if this new path after this junction
going to lead me to the nature’s own womb.
Conversely, when we face each other you asked
‘Who I am?’ and ‘where I am going to?’
I was surprised; no one poses such questions to me on this long walk,
But I have already comes a crossed the Security man with gun in their hand,
The Beggar with stony beggaring plate in their hand,
The Food vendors with hot food in their basket,
The Knowledge tycoon with bag of books on their shoulder,
The Political guardian with embryonic power in their muscle,
No one asked any thing!
Not even look at me!
Probably for them either ‘I was insignificant or invisible!’
But your questions,
Compel me to think about my identity,
I don’t have a search engine,
to take help  from  the world wide web of identity,
So, when observing you with sensors of Imagination, Emotion and Cognition,
I found my lost identity in you,
As your child everything rooted in you,
Than I started to walk with you
Just to get the aspiration of living planet and
To protect you from the spite of ownerships, rationality, consumerism,
and demonstrations humanity.
But after a while,
Every one started to pose question,
“Who I am?”
“Why I am walking with you?”
“How I get the right to do so?”
Than I replied my scruples enlighten me to do so!
No one understands ‘what I replied?’
Now the Political guardian of the society starts a campaign,  
The knowledge baron prepared software for this operation,
The beggar and food vendor distributing the literature with illustrative interpretation,
That…..  
“People like me are threat to the society”!
“This is an evil force of our society”!
Tomorrow…..
The security man going to declare a ‘decree’ on
Emotion, Conscience, Humanity and Love.
Catrina Sparrow Dec 2014
i stay awake late
contempleting the possibility of decoding the illustrative lyrics
      spoken between my head and my heart

my wheels keep turnin' circles

     still
it's a start

— The End —