Submit your work, meet writers and drop the ads. Become a member
Logan Robertson Jul 2018
A black crow's darting eyes
spans the wheat field
and an orange pumpkin patch.
She sees
tall grasses of brown
seedlings,
bristling in the wind,
soon to be bushels of grain
and a pumpkin pie that she never savored.
She sits, atop her tree perch,
at times warm and storybook,
hidden by tree branches,
and at times out of harm's way
and infamy.
Her friends, the sun, and clouds in concert,
dancing along.
Her other friends bring alms and smiles.
Life is so good at times.
Down the road sits a mill
next to a waterfall
and a cabin,
with reindeer horns
hanging above the doorway.
She is in her element, happy,
carrying for her nestlings.
Back and forth her parental eyes dart
the hilly fields, a smoked filled chimney, and her babies,
all crawling with sustenance and awe.
Storybook.
A mother feeding a worm to her baby.
Storybook.
Off to her side is not a blind eye
watching her,
scary stick figures of
straw tucked under red shirts and hats,
with a tied tinfoil strips dotting
her eyes and tease.
Scarecrows, cease.
At times life is good nature, hand in hand,
knock on wood.
If only life could be circumspect.
Than darkness filling the light
and a stutter of life.
For a sad page is turned,
pause
... tears.
Then, feathers fall.
Hers.
The sound of a thud.
Silence and tears of her friend's swelling.
A baby's cry, missing her mother.
More orphaned tears.
Who would be this despicable?
On that rogue day.
A kick of a donkey,
an ***,
one bad rock on her path,
breaks the air,
as three little elementary kids were walking along
to school.
One, me, with a rock in his hand,
taking aim at her perch
and the death of the black crow's pages.
I confess.
... Bless me, Father, for I have sinned
it has been fifty years since
my last confession ...
a Tom Sawyer-like childhood gone worse.
I repent.
Some fifty years later I think of those first cairns,
including stealing the reindeer horns and milling
my brother and sister's storybook.
Waterfalls
stream tears, and a sorry boat
rowed downstream
sadly
thereafter.

Logan Robertson

7/25/2018
Valsa George May 2017
As the sun moves to the western horizon
Colors are skilfully blended in a palette
In an instant the sky becomes an exquisite canvas of art
Making even Van Gogh burn in jealousy

With the last glimmer of sunset
When the shadows chase the light,
The aerial folks fly back to their nests
Like black and white specks dotting the sky

With a dark drape stretched across the Earth’s face
The arrival of the night is a spectacular sight
Cicadas and crickets welcome her with their ceremonious band
And street lamps blink their eyes to catch a better view

While truant clouds still wander around aimless
The cerulean sky signals them to hurry
Stars slowly appear in the night sky
Like sequins stitched on to a blue brocade

The crescent moon smiles down
The empress of the night, proud and regal
She and her retinue keep guard over the slumbering Earth
The unpaid sentries of the night!

A gentle breeze makes a palanquin ride
Wafting in the scent of opening buds
The beauty of the night sends me to raptures
My heart exploding like foaming wine in a bottle

Yet I cannot but keep wondering
How many dark secrets
The night holds
Within her tenebrous folds!
What a pleasant surprise, this poem is made the daily. Thanks to everyone for making it possible through your likes and kind comments. These days I can't see the daily and I don't know where to look for it. The site is sometimes quite tricky.....Thanks a lot once again !
Nat Lipstadt Jun 2018
(from “A Love Song” by William Carlos Williams)

<•>

familiar that apple google and amazon
have me under 24 hour surveillance
e-specially now
as I am in their
geosphere of influence

but sending me a love poem of WCWs that isolates my locale, my intended inebriation status,
and is addressed to me personally (“you”),
that’s just creepy

so charged am I, obligated to oblige,
to counter-compose a love song of mine own,
under the pinot “influence,”
(in a manner of speaking)
which a love taught me to love

what if,
a new love song ecrit,
to an old and loverly land,
a woman-land designed to be desired,
no difference -
kissing a new girl first time,
a wet and unforgettable
compote
when falling
on the neck of your one beloved anew renewed

now I tremble-tread
for the line of great predecessors,
“the land lover scribes”
skilled in natures homaging,
is like a line out the door,
around the corner as if
a new flavor ice cream
has just been isolated and mined and I...
<•>

I,
but a novitiate
in a far away, wild untamed world
where my nature taken by her nature
cannot deny paying my just due:

selvage
late middle English, from self + edge

how perfect!
“an edge,
woven on a fabric during manufacture,
intended to prevent unraveling”

the pacific coast air
the irregular shoreline - expanding/receding,
god’s own forestry reserve,
the cascades, a goal on the horizon,
country roads where ancient wheat stalks grow wild
all a tonic intermingled, an alcohol to
imbibe through mouth nostrils eyes and skin

all will be my own selvage!
preventing the eastern unraveling disease,
a nearly incurable permafrost low grade
kate spaded infection,
brought along with me for decades,
my loon June companion, now stalling out,
lost from my happy head

a vineyard on every corner,
marijuana growing next door,
rivers that change like children growing up and down,
cheek to jowled property line
live the berries and the hazelnut groves,
god’s hay bales wrapped in plastic
like marshmallows dotting the landscape


all daring you to say

I could
love
it  here
A Love Song
William Carlos Williams, 1883 - 1963

I lie here thinking of you:—

the stain of love
is upon the world!
Yellow, yellow, yellow
it eats into the leaves,
smears with saffron
the horned branches that lean
heavily
against a smooth purple sky!
There is no light
only a honey-thick stain
that drips from leaf to leaf
and limb to limb
spoiling the colors
of the whole world—

you far off there under
the wine-red selvage of the west
jar  Oct 2013
three types of love
jar Oct 2013
a few months ago,
you asked me: "What is love?"
As you can see,
it had taken me a long time to understand the question myself,
but I think I've finally come up with an answer.
Unfortunately,
the English language
has only one word to describe something that has limitless interpretations.
In Greek,
there are three words for the three basic types of love.
Eros;
lust.
This type of love
is when you find yourself doodling their name
on the inside of your history textbook,
dotting the I's with hearts
as if you are 13 again and you were just asked on your first date.
You chose that textbook
because it will be the only place no one would ever think to look.
You think about everything you would be far too shy to say or act in person,
making out in the back of a movie theatre
not caring who would walk past,
sneaking off away from your friends just to have two measly moments of what you both call "peace."
Most often,
this type of love is encased in "I love you"
only to obtain a certain goal.
Virginty,
a picture,
or even just one more night
of having them in your arms.
Eros is not authentic,
it is emphemeral.
Phileo;
Brotherly Love.
The friend you would drop anything for in a heartbeat to make sure of their wellbeing,
but also the neighbor you see from time to time watering their garden.
They ask you
to tend to their garden while they are away,
and you do it
even though you've never spoken more than a paragraph to the man
because it is what you believe is right.
This type of love is the devotion of time and energy without any promise of compensation in return,
purely out of the good of heart.
Phileo lasts as long as the people do.
The final type of love
is Agape;
unconditional love.
In religion,
we are guided
or pushed
towards showing this type of love towards the diety.
Yet, very rarely
it is shown towards a human being.
Unconditional love
is the ability to say so much with only uttering a single word.
I have experienced this love,
it is great pain
and great sadness
but the feelings of pain will never leave my lips
in case they are transferred to the person i wish to have the least pain.
This kind of love
is when it is not only enough that you think about them every waking moment but every slumber-filled one as well. You have hung up your needs at the front door along with the key to your heart and devoted yourself entirely to them,
even if they don't reciprocate.
They have been adopted by your body and taken the form of a vital *****.
If you do not
pay absolute attention
to them at all times
you will run into many problems.
You need to keep them running smoothly in order to stay alive and healthy,
because without them you are nothing.
You are a sorry sack of bones with a beating heart with no purpose.
Unconditional love is taking all the lessons you have ever learned
all the rights and wrongs you have finally learned the difference between and throwing them out the window.
It is the thin line between sanity and insanity,
heaven and hell,
and safety and danger.
You walk the rope
from building to building
without the promise of a net.
Unconditional love
is authentic,
but not emphemeral.
((Love *****, don't do it.))
But some good Triton-god had ruth, and bare
The boy’s drowned body back to Grecian land,
And mermaids combed his dank and dripping hair
And smoothed his brow, and loosed his clenching hand;
Some brought sweet spices from far Araby,
And others bade the halcyon sing her softest lullaby.

And when he neared his old Athenian home,
A mighty billow rose up suddenly
Upon whose oily back the clotted foam
Lay diapered in some strange fantasy,
And clasping him unto its glassy breast
Swept landward, like a white-maned steed upon a venturous quest!

Now where Colonos leans unto the sea
There lies a long and level stretch of lawn;
The rabbit knows it, and the mountain bee
For it deserts Hymettus, and the Faun
Is not afraid, for never through the day
Comes a cry ruder than the shout of shepherd lads at play.

But often from the thorny labyrinth
And tangled branches of the circling wood
The stealthy hunter sees young Hyacinth
Hurling the polished disk, and draws his hood
Over his guilty gaze, and creeps away,
Nor dares to wind his horn, or—else at the first break of day

The Dryads come and throw the leathern ball
Along the reedy shore, and circumvent
Some goat-eared Pan to be their seneschal
For fear of bold Poseidon’s ravishment,
And loose their girdles, with shy timorous eyes,
Lest from the surf his azure arms and purple beard should rise.

On this side and on that a rocky cave,
Hung with the yellow-belled laburnum, stands
Smooth is the beach, save where some ebbing wave
Leaves its faint outline etched upon the sands,
As though it feared to be too soon forgot
By the green rush, its playfellow,—and yet, it is a spot

So small, that the inconstant butterfly
Could steal the hoarded money from each flower
Ere it was noon, and still not satisfy
Its over-greedy love,—within an hour
A sailor boy, were he but rude enow
To land and pluck a garland for his galley’s painted prow,

Would almost leave the little meadow bare,
For it knows nothing of great pageantry,
Only a few narcissi here and there
Stand separate in sweet austerity,
Dotting the unmown grass with silver stars,
And here and there a daffodil waves tiny scimitars.

Hither the billow brought him, and was glad
Of such dear servitude, and where the land
Was ****** of all waters laid the lad
Upon the golden margent of the strand,
And like a lingering lover oft returned
To kiss those pallid limbs which once with intense fire burned,

Ere the wet seas had quenched that holocaust,
That self-fed flame, that passionate lustihead,
Ere grisly death with chill and nipping frost
Had withered up those lilies white and red
Which, while the boy would through the forest range,
Answered each other in a sweet antiphonal counter-change.

And when at dawn the wood-nymphs, hand-in-hand,
Threaded the bosky dell, their satyr spied
The boy’s pale body stretched upon the sand,
And feared Poseidon’s treachery, and cried,
And like bright sunbeams flitting through a glade
Each startled Dryad sought some safe and leafy ambuscade.

Save one white girl, who deemed it would not be
So dread a thing to feel a sea-god’s arms
Crushing her ******* in amorous tyranny,
And longed to listen to those subtle charms
Insidious lovers weave when they would win
Some fenced fortress, and stole back again, nor thought it sin

To yield her treasure unto one so fair,
And lay beside him, thirsty with love’s drouth,
Called him soft names, played with his tangled hair,
And with hot lips made havoc of his mouth
Afraid he might not wake, and then afraid
Lest he might wake too soon, fled back, and then, fond renegade,

Returned to fresh assault, and all day long
Sat at his side, and laughed at her new toy,
And held his hand, and sang her sweetest song,
Then frowned to see how froward was the boy
Who would not with her maidenhood entwine,
Nor knew that three days since his eyes had looked on Proserpine;

Nor knew what sacrilege his lips had done,
But said, ‘He will awake, I know him well,
He will awake at evening when the sun
Hangs his red shield on Corinth’s citadel;
This sleep is but a cruel treachery
To make me love him more, and in some cavern of the sea

Deeper than ever falls the fisher’s line
Already a huge Triton blows his horn,
And weaves a garland from the crystalline
And drifting ocean-tendrils to adorn
The emerald pillars of our bridal bed,
For sphered in foaming silver, and with coral crowned head,

We two will sit upon a throne of pearl,
And a blue wave will be our canopy,
And at our feet the water-snakes will curl
In all their amethystine panoply
Of diamonded mail, and we will mark
The mullets swimming by the mast of some storm-foundered bark,

Vermilion-finned with eyes of bossy gold
Like flakes of crimson light, and the great deep
His glassy-portaled chamber will unfold,
And we will see the painted dolphins sleep
Cradled by murmuring halcyons on the rocks
Where Proteus in quaint suit of green pastures his monstrous
flocks.

And tremulous opal-hued anemones
Will wave their purple fringes where we tread
Upon the mirrored floor, and argosies
Of fishes flecked with tawny scales will thread
The drifting cordage of the shattered wreck,
And honey-coloured amber beads our twining limbs will deck.’

But when that baffled Lord of War the Sun
With gaudy pennon flying passed away
Into his brazen House, and one by one
The little yellow stars began to stray
Across the field of heaven, ah! then indeed
She feared his lips upon her lips would never care to feed,

And cried, ‘Awake, already the pale moon
Washes the trees with silver, and the wave
Creeps grey and chilly up this sandy dune,
The croaking frogs are out, and from the cave
The nightjar shrieks, the fluttering bats repass,
And the brown stoat with hollow flanks creeps through the dusky
grass.

Nay, though thou art a god, be not so coy,
For in yon stream there is a little reed
That often whispers how a lovely boy
Lay with her once upon a grassy mead,
Who when his cruel pleasure he had done
Spread wings of rustling gold and soared aloft into the sun.

Be not so coy, the laurel trembles still
With great Apollo’s kisses, and the fir
Whose clustering sisters fringe the seaward hill
Hath many a tale of that bold ravisher
Whom men call Boreas, and I have seen
The mocking eyes of Hermes through the poplar’s silvery sheen.

Even the jealous Naiads call me fair,
And every morn a young and ruddy swain
Woos me with apples and with locks of hair,
And seeks to soothe my virginal disdain
By all the gifts the gentle wood-nymphs love;
But yesterday he brought to me an iris-plumaged dove

With little crimson feet, which with its store
Of seven spotted eggs the cruel lad
Had stolen from the lofty sycamore
At daybreak, when her amorous comrade had
Flown off in search of berried juniper
Which most they love; the fretful wasp, that earliest vintager

Of the blue grapes, hath not persistency
So constant as this simple shepherd-boy
For my poor lips, his joyous purity
And laughing sunny eyes might well decoy
A Dryad from her oath to Artemis;
For very beautiful is he, his mouth was made to kiss;

His argent forehead, like a rising moon
Over the dusky hills of meeting brows,
Is crescent shaped, the hot and Tyrian noon
Leads from the myrtle-grove no goodlier spouse
For Cytheraea, the first silky down
Fringes his blushing cheeks, and his young limbs are strong and
brown;

And he is rich, and fat and fleecy herds
Of bleating sheep upon his meadows lie,
And many an earthen bowl of yellow curds
Is in his homestead for the thievish fly
To swim and drown in, the pink clover mead
Keeps its sweet store for him, and he can pipe on oaten reed.

And yet I love him not; it was for thee
I kept my love; I knew that thou would’st come
To rid me of this pallid chastity,
Thou fairest flower of the flowerless foam
Of all the wide AEgean, brightest star
Of ocean’s azure heavens where the mirrored planets are!

I knew that thou would’st come, for when at first
The dry wood burgeoned, and the sap of spring
Swelled in my green and tender bark or burst
To myriad multitudinous blossoming
Which mocked the midnight with its mimic moons
That did not dread the dawn, and first the thrushes’ rapturous
tunes

Startled the squirrel from its granary,
And cuckoo flowers fringed the narrow lane,
Through my young leaves a sensuous ecstasy
Crept like new wine, and every mossy vein
Throbbed with the fitful pulse of amorous blood,
And the wild winds of passion shook my slim stem’s maidenhood.

The trooping fawns at evening came and laid
Their cool black noses on my lowest boughs,
And on my topmost branch the blackbird made
A little nest of grasses for his spouse,
And now and then a twittering wren would light
On a thin twig which hardly bare the weight of such delight.

I was the Attic shepherd’s trysting place,
Beneath my shadow Amaryllis lay,
And round my trunk would laughing Daphnis chase
The timorous girl, till tired out with play
She felt his hot breath stir her tangled hair,
And turned, and looked, and fled no more from such delightful
snare.

Then come away unto my ambuscade
Where clustering woodbine weaves a canopy
For amorous pleasaunce, and the rustling shade
Of Paphian myrtles seems to sanctify
The dearest rites of love; there in the cool
And green recesses of its farthest depth there is pool,

The ouzel’s haunt, the wild bee’s pasturage,
For round its rim great creamy lilies float
Through their flat leaves in verdant anchorage,
Each cup a white-sailed golden-laden boat
Steered by a dragon-fly,—be not afraid
To leave this wan and wave-kissed shore, surely the place was made

For lovers such as we; the Cyprian Queen,
One arm around her boyish paramour,
Strays often there at eve, and I have seen
The moon strip off her misty vestiture
For young Endymion’s eyes; be not afraid,
The panther feet of Dian never tread that secret glade.

Nay if thou will’st, back to the beating brine,
Back to the boisterous billow let us go,
And walk all day beneath the hyaline
Huge vault of Neptune’s watery portico,
And watch the purple monsters of the deep
Sport in ungainly play, and from his lair keen Xiphias leap.

For if my mistress find me lying here
She will not ruth or gentle pity show,
But lay her boar-spear down, and with austere
Relentless fingers string the cornel bow,
And draw the feathered notch against her breast,
And loose the arched cord; aye, even now upon the quest

I hear her hurrying feet,—awake, awake,
Thou laggard in love’s battle! once at least
Let me drink deep of passion’s wine, and slake
My parched being with the nectarous feast
Which even gods affect!  O come, Love, come,
Still we have time to reach the cavern of thine azure home.’

Scarce had she spoken when the shuddering trees
Shook, and the leaves divided, and the air
Grew conscious of a god, and the grey seas
Crawled backward, and a long and dismal blare
Blew from some tasselled horn, a sleuth-hound bayed,
And like a flame a barbed reed flew whizzing down the glade.

And where the little flowers of her breast
Just brake into their milky blossoming,
This murderous paramour, this unbidden guest,
Pierced and struck deep in horrid chambering,
And ploughed a ****** furrow with its dart,
And dug a long red road, and cleft with winged death her heart.

Sobbing her life out with a bitter cry
On the boy’s body fell the Dryad maid,
Sobbing for incomplete virginity,
And raptures unenjoyed, and pleasures dead,
And all the pain of things unsatisfied,
And the bright drops of crimson youth crept down her throbbing
side.

Ah! pitiful it was to hear her moan,
And very pitiful to see her die
Ere she had yielded up her sweets, or known
The joy of passion, that dread mystery
Which not to know is not to live at all,
And yet to know is to be held in death’s most deadly thrall.

But as it hapt the Queen of Cythere,
Who with Adonis all night long had lain
Within some shepherd’s hut in Arcady,
On team of silver doves and gilded wain
Was journeying Paphos-ward, high up afar
From mortal ken between the mountains and the morning star,

And when low down she spied the hapless pair,
And heard the Oread’s faint despairing cry,
Whose cadence seemed to play upon the air
As though it were a viol, hastily
She bade her pigeons fold each straining plume,
And dropt to earth, and reached the strand, and saw their dolorous
doom.

For as a gardener turning back his head
To catch the last notes of the linnet, mows
With careless scythe too near some flower bed,
And cuts the thorny pillar of the rose,
And with the flower’s loosened loneliness
Strews the brown mould; or as some shepherd lad in wantonness

Driving his little flock along the mead
Treads down two daffodils, which side by aide
Have lured the lady-bird with yellow brede
And made the gaudy moth forget its pride,
Treads down their brimming golden chalices
Under light feet which were not made for such rude ravages;

Or as a schoolboy tired of his book
Flings himself down upon the reedy grass
And plucks two water-lilies from the brook,
And for a time forgets the hour glass,
Then wearies of their sweets, and goes his way,
And lets the hot sun **** them, even go these lovers lay.

And Venus cried, ‘It is dread Artemis
Whose bitter hand hath wrought this cruelty,
Or else that mightier maid whose care it is
To guard her strong and stainless majesty
Upon the hill Athenian,—alas!
That they who loved so well unloved into Death’s house should
pass.’

So with soft hands she laid the boy and girl
In the great golden waggon tenderly
(Her white throat whiter than a moony pearl
Just threaded with a blue vein’s tapestry
Had not yet ceased to throb, and still her breast
Swayed like a wind-stirred lily in ambiguous unrest)

And then each pigeon spread its milky van,
The bright car soared into the dawning sky,
And like a cloud the aerial caravan
Passed over the AEgean silently,
Till the faint air was troubled with the song
From the wan mouths that call on bleeding Thammuz all night long.

But when the doves had reached their wonted goal
Where the wide stair of orbed marble dips
Its snows into the sea, her fluttering soul
Just shook the trembling petals of her lips
And passed into the void, and Venus knew
That one fair maid the less would walk amid her retinue,

And bade her servants carve a cedar chest
With all the wonder of this history,
Within whose scented womb their limbs should rest
Where olive-trees make tender the blue sky
On the low hills of Paphos, and the Faun
Pipes in the noonday, and the nightingale sings on till dawn.

Nor failed they to obey her hest, and ere
The morning bee had stung the daffodil
With tiny fretful spear, or from its lair
The waking stag had leapt across the rill
And roused the ouzel, or the lizard crept
Athwart the sunny rock, beneath the grass their bodies slept.

And when day brake, within that silver shrine
Fed by the flames of cressets tremulous,
Queen Venus knelt and prayed to Proserpine
That she whose beauty made Death amorous
Should beg a guerdon from her pallid Lord,
And let Desire pass across dread Charon’s icy ford.
Yitkbel Sep 2018
There is a ghost in your voice
Haunting me through the silence



Through every droplet of memory
Dotting my otherwise starless night

I tried to gather them
With my words, my fear, my soul
And yet they remain forever bond
To a place I cannot reach
A being I cannot see
And a love I can never hear

Your flowering existence sheds invisible petals
I seem to be able to find
Yet, I'm ever uncertain
All these pieces of your soul
Did you left them for me to find
A breadcrumb trail leading only
To a chance in the future
To an uncertain promise
Or did I just stole the traces
Of your existence you left for the universe
Claiming them as something I could own

Should I keep them or scatter them

Or are they even yours
Could it be that they are the pieces of my soul
Still clinging on to you
That you're finally shedding away
To be complete on your own

What could I do
Standing in pieces
Holding someone's soul
That may or may not be my own
If they weren't
I'd still be missing all the chunks I've given to you
If they were
I'd still be empty
Because
I'm forever hollow without you
Outside Words Oct 2018
...All I remember was
Cancer and my hospital room,
My green gown, my bed,
My white hair and mustache
Until suddenly...

...Reality started to stretch…

…And flatten into a brief euphoric white…

…I felt a cathartic release
As I was encapsulated and bathed
In a glorious sensation…

...I floated for an eternity…

…Until I felt my euphoria lifting…


…As my eyes reopened
I found myself gazing
Upon a room of tiny lights,
Blue and pink specs
Dotting the inner workings
Of large wall sized machines…

…They lifted me upright
In a gray metal chair
And with sharp robotic groans,
A long arm from the wall
Held up a mirror to my face...

...In the reflection was a young man
I thought I would never see again…

…I had a wife back before,
But now I have a new one
Everybody in my situation,
("Reborns", as they are called)
Has brand new things and people
Filling their lives and concerns
They bring nothing with them
When they make their returns...

…Every morning I wake up
On the west 402nd floor
Of a residential tower
Next to my slim, youthful wife
And the trails of flying cars
That populate our view
From our wall-spanning window
As they soar through the city…

…I was told of technology,
Created and discovered
That could reawaken people
Who, like me, had died
In an earlier era and time…

…It’s strange that my past,
In all its importance and meaning,
Memories, friendships and scenery,
Seems to no longer be of concern,
Now that I have all this…

…I love what was, very dearly,
But the life I live now is for me.
I have new children, knowledge,
Friends and technology…

…I’m quite sure it’s possible
That old family members
That passed before me
Could exist in the same place
That I now live and find myself…

…But I can’t be certain,
Maybe they live further,
Deeper, in an unknown future
That I can’t even comprehend…?

…All I know is that, like me,
They have a new life somewhere
So I’ll do what I tried to do
My first time around…

…I’ll continue to grow and live on
In this new, world-spanning cityscape
Fueled by the love and memory
Of a past life remembered
only by me...
© Outside Words
1.

When I
was young
I listened to
Billy the Kid

I galloped
across the
living room floor
giddy upping
in an ecstatic
square dance
with my beloved
America

excitedly
enraptured
boundlessly
enthralled
in youthful
zeal
ebulliently  
yodeling
hymns
whistling
reveries to
America’s
heroic prairie
songs

a precocious
kinder beaming  
moved and illumined
by the broiling fanfare
of trilling trumpets

to uphold the promise
I pledged allegiance
to diligent  work
galloping onward
on ponies of
reverent faith
respectful duty
playful engagement
and guardianship

2.

expectation
never fell short
of resounding
supranaturalistic
optimism

energising
the sweep of
a nation’s
self evident
exceptionalism

our democratic
vista stirred
and steeped

a nation of
wheelwrights
building
wagon trains
to traverse
stratified latitudes
with sturdy ladders
erected with common
sense sensibility
of hands to work
and hearts to God

earthen
yeoman
dancing in
wheat fields
threshing sheaves
of prosperity
their exertions
elevating
families
raising
a glorious chorus,
a peeling crescendo
of horns of plenty
splayed across
landscapes of
an ennobled
nation
placing fruits
of labor upon
ascendent
alters to
to receive
the anointing
of abundance

the lighted grace
of infinite possibilities
shines for a grueling
world listening to the
clamouring drumbeats
sounding in the hearts
of all grace anointed
republicans


3.  

No lullabies
no quiet moonlit nights
we ardently
dance on keys
boasting soul
filled dexterity
the quick self
assuredness
extemporaneously
jazz tapping
across bold
hidden rondos
grasping
transcendence
squarely set
in the minds eye
of unbroken resolve
our cool countenance
an unassailable
righteous destination

any
spare sweeping
plaintive introspection
lends space to
affirm
an
affirmation
beginning
with the individual
unum to e pluribus

solitary dancers
incorporated into
fully enfranchised
troopers

the gyrations
the rhythms and steps
of individuated melodies
join to form a harmonious whole
a beautifully woven consensus

this democratic symphony
perfected in an intelligent
choreography of
separate people
sojourning  
toward
a mutually
constructed
shared destiny

aspirational desires
call forth generations
of spirits boldly engaging
the challenges upholding
the rights and privilege
of all citizens
the celebratory harvest
of a new nations
natural law


4.

As a man
I cruise
along
Main Street
in a joyless
joy ride
gliding by
disassembled
factories
moldering schools
defunct governments

surveying the
demolished ruins
of cities,
the decrepit
wrecking ball
of history
is busy,
rolling through
towns
not worthy
of cast iron
destruction
forged in
foreign kilns

we built palaces
to democracy
in the tiniest hamlets
dotting the granges
wholly assimilated
into a national congress
of freemen

today our
congress
is scattered
dialog seeking
resolution is considered
betrayal to holy
partisanship...

selfish insistence
masquerades as
high ideals

portraiture
of obstinance
is a grotesque
reflection
of virtue

we have
reduced
the peoples
house

to a battlefield
for tribes…..

once freemen
now captives….

soulless ghosts
wandering lost
inside grand
rotundas...

mocked
by murals
and inert
granite statuary
howling
expiration dates
of timeless
psalms

sojourning
the trail of tears
drinking from bowls
of anguish

our only
respite
the silent
ruins we
find impossible
to leave

fear fills our bellies
rust stains our hearts
abiding acrimony
ain’t easily brushed
from dust laden cloths

the deconstruction
of dead cities, mark
expired civilizations
centuries in the making
hammered by the blows
of the mightiest blacksmiths
with precision and deft craft


5.

the spareness of
Martha Graham's set
frame black shadows
of fortitude

it always starts
with the individual

then surely
sure footedness
measured footsteps
boldly dance about
the lily pads
of the keyboard
a resounding ballet
the arms wave
like swaying stalks of wheat
but hurry to respond
opportunity knocks
conditions change
the group awaits
to be joined

my pirouette
remains my solitary mark
on the weaving spindles
crafting the mosaic
of a complex American
complexion

the possibility
the promise
laid before us
wheat fields
of democracy
tilled planted
attended

the wondrous yields of
an Appalachian Spring
the promise
hectare of grace
apportioned to all
citizens

the promise
harvest of liberty
freedom
of opportunity
all anointed
freemen
conferred an
amazing grace

civil discourse
was once spoken
we can learn the
lost languages again
sitting on the porch
with neighbors
sipping ice tea
sharing thoughts on
hot summer evenings
caring too care

but scoundrels
became heroes
we fetishized
idiosyncrasies
of insisted
entitlement

we ******
the whole by
exalting the part

we dare not condemn them
lest we condemn ourselves




6.

the west was once woolly wild
I hear the sweeping sound
of my youth rustle again
the dramatic symphony
of a brilliant people
filled with courage
undeterred optimism
claiming a continent
manifesting a new
Pax Americana
a century
of immigrants  

coming to integrate
coming to assimilate
coming to believe in the promise
coming to make a new promise

I came to hear Copland
when I was young

when America was young
when promises were made
and sworn by a brilliant
fanfare of trumpets

when America was young
Copland composed
when America was young
a promise was made

come forth brothers
come forth sisters
come claim
the promise
of a simple gift


Aaron Copland:
Billy The Kid

11/29/11
Oakland
jbm
nish Aug 2018
when i was young
ammi packed me lunch
one strawberry jam sandwich
cut neatly into squares

as i grew older
and my tummy much bigger
(along with my appetite)
one turned into two
two to three
and finally
for some unknown reason
there were no strawberry jam sandwiches
but ammi still packed me lunch

it was tuna or chicken
maybe tomato and cheese
sometimes a pastry
i wasn't hard to please

and it never occurred to me
that my strawberry sandwiches
were gone

till one completely random day
i'm sitting with my friends
taking the first bite of my sandwich
a burst of strawberry fills my mouth
sweet, rich with sugar
it tastes red, good bright red
my strawberry jam sandwich came back
and i was bombarded by my childhood
playing on the swings sandwich in hand
red coated crumbs dotting my shirt
running out of class as soon as the bell rings
to munch munch munch
on my strawberry sandwiches

strawberry jam was never my favourite filling
but it filled me with memories
so occasionlly
when i'm feeling nostalgic
i'll pick up a slice, butter it up
spread my gooey, red friend
and share a sandwich with ammi.
I think that culture plays a huge part in any sort of creative work, in this case I decided not to use 'mom/mum' but 'ammi' which means mother in my language.
Something I remembered and wanted to share because I was eating strawberry jam with crackers just now.
Hope you enjoyed :)

'ammi' pronounced 'uhmmi'
Safana  May 2020
A pen
Safana May 2020
A pen a pen my little pen
Slowly, I took a little pen
To write a poem with a pen
A poem, to beautify my pen
It’s a bonafide my little pen

A bar-like, my woody pen
A new, and passion my pen
It’s a grey-hued and little pen
And, it has a green bark a pen
Quite soft to touch my only pen

It’s a sharpen, my little pen
An iroko wood made my pen
A yellow part covered a pen
It’s a red, strike on my pen
With a black, strike my pen

Its look like a bow my pen
To write a bit with my pen
Supple to draw on, my pen
Can be use as dotting pen
Enclosed no ink in my pen

A bit looks like my little pen
To write, like my little pen
To sketch well, like my pen
To beautify, like a baby pen
Not like my handsome pen
A pen, is a little pen
Z Apr 2014
Sorry.

Not for the bruises inscribed in my knees at six years old,
or gravel-shaped cuts dotting my palms
after being kicked off my bike like a rodeo bull,
or even the sliver of a scar on my right index finger
from closing it in a van door when I was seven.

No, I have no remorse
for the innocent;
not a twinge of sympathy regarding the unfortunate results
of relatively harmless careless actions
and playful worth-it memories.

I’m sorry for the other things.

I don’t mean running
or swimming
or dancing
until the soreness embedded itself in my muscles, my
heart racing, pulse pounding
in my ears.
I don’t regret that.

I’m sorry
for the other things.

I’m sorry for hating you.
I’m sorry for all of the
preening and plucking and
shaving and waxing and
hair burning.

I’m sorry for the countless repulsed glances at the spot
where my stomach puffs out
and all of the daggers I stared into the place
where my thighs meet.

I am sorry for getting slashed at
by the perfectly intact glass
of the bathroom mirror, for feeling severed,
just by seeing its reflective surface.

I’m not sorry for taking up space,
but I’m sorry I ever was.

I am sorry for
switch off the light,
lock the door,
the scratch of fingers in my throat
and the starkness of the cold linoleum floor
routines
I practiced because I loathed
the way you curved
and the fatness of my pseudo-waist.

I’m sorry for falling into patterns of self-hate
that I aimed at you. Patterns
not unlike that of an alcoholic,
commencing with afternoon drinks or slightly restricted meals
and ending with wildly depressing stories to tell
and crying on stranger’s floors—
but there is no Lackers of Self-Esteem Anonymous,
no chips to collect
for every time I tell myself I’m beautiful
or, better yet, value more
than my appearance.

I am sorry for thin red lines that ran deep into my wrists
and I am sorry for the faint-inducing heat
that followed,
caused by the oversized and long-sleeved sweatshirts I hopelessly donned
to cover you up.

I’m sorry for discarding that one dress
(that you looked stellar in, by the way)
because I had degenerated into such an unhealthy
and addictively abhorrent relationship with you
that I feared
even the slightest tightness
in my attire.

I’m sorry for habitual body monitoring. I’m sorry
for using my fingers to count calories
and not positive attributes. I’m sorry
for all of the aforementioned repugnant routines
I’ve picked up over the past few years,
whether I’ve stopped them or not,
I’m sorry.

I am.

So, body, when I say
that this is an apology note,
I don’t mean I’m sorry for  the time
I skipped salad and went straight to pizza,
or even the countless dinners when
I put an extra brownie on my plate.

No, I have no remorse for that.
I don’t regret that.

I’m sorry for hating you.

But, like a sinner coming up after sinking
in a blessed lake of holy water,
I am ready to fill my lungs with new breath. I will repent
with the radical act of self-love

and I promise that I will treat you better.

— The End —