Hailstorms with big winds, trees writhing in breezes
Coyotes howling in moonlight, dogs when they sneezes
Alloys and carved toys, stone gargoyles with wings
These are a few of my favorite things.

Skunk smells carried gently on nocturnal breezes
Sly double entendres and tickley teases
Beautiful salmon colored sunsets that make my jaw drop
Smell of pine 'n cedar in my sauna and wood shop!

Dolphins and doggies and toddlers and mooses
Saunas and cold plunges and honking V-flying gooses
Small mutts and storytellers and Pixar cartoons
Crazy call of the Maine dark of night loons
These are some of my nurturing tunes!

Volcanoes with lava and magma all oozing
Cross country skiing just gliding and cruising
Receiving massages unwinding and unbruising
I love my collections of adhesives and strings
These are a few of my favorite things!

So when the wasps sting
When the bored people whine
Wen I'm feeling dispirited and sad
I just think of a few of my favorite things
And I don't feel…so…bad!

like ****** driven samurai's & cerebral poisoned psychopaths we slay each other with words.
i choke you with my words and you hang me with yours, but we don't die.
instead all that pain lingers at the back of our eyes and it causes us to see red.

like sharp blades running through bruised skin from an injured soul, we silently dissect wounded minds. every one fights a battle.
s(words) are potent, carefully wield yours.

like lost swords in the wind.

im a samurai poet. i use words as oxygen to help you breath and by reading these words you breath again.

i use words as medicine to transfer positive energy to you, samurai reader.

im a samurai ****. im a lost blade in the wind.

i use words like Martin Luther King and set free, i. i set myself free with my own words, i can because im a writer.
words are freedom. words are captivity. words are destruction. words are peace. the tongue is mighty powerful.

i use words to tell dispirited women that their beautiful because they grew up with the idea that beautiful is factory made products. the idea of beautiful is you.

i use words to tell hurt men that they can cry because they grew up being told tigers don't cry. crying is human, and i was told tears are wisdom distilled.

i use words to tell the youth they can be themselves because they grew up thinking acting like a fake gangster is all there is to life. the world is bigger than that.

im a samurai poet. a samurai ****. these words are blades. **** life.

stay samurai cool.

Those you haven’t victimized fear you.
Mighty and dreadful you seem.
Little do they know, you only seize flesh and control the mind.
You seize not the soul.
Hence be not proud.

You’ve dwelled in me for many years.
Imprisoned me to anti-epileptic drugs.
You’ve dispirited me.
You attack, seize, and control my mind.
Your attacks are but brief.

Epilepsy be not proud.
For I fear not what rescind only flesh.
I fear what abolish both soul and flesh.
Proportional to gravitational force I fell.
I’ve always find the forte to rise.

Epilepsy be not proud.
For against all odds, I’m still alive.
https://m.facebook.com/EpilepsyandCpfriends

I'm making a pub pilgrimage,
A malted Mecca trip;
I'm leaving all I love at home
Crusading with the Picts.
I'll be alone with all my thoughts,
It's what must needs be done,
To keep the demons off.

Publicans meet me on the steps,
On Sundays by the side;
This trip of three thousand miles
May **** should I survive.

My altar's elbow worn,
The finest oaken wood;
I'll climb the stairs on knees,
Hear bells, raise cups of cheer.


There's games of chance,
Some romance,
With songs and several fools;
It has trappings of Canterbury
In pubs all called O'Tooles.

There's Highland mead,
And broken bread,
With harps from inner rooms,
I'll have dispirited spirits
And revel inside tombs.

My cave awaits on my return,
It's dark and hard and cold;
But I know the light's within my sight,
If I move this granite stone.
I'll bring with me a scapula
To make those visions stop,
The relics that I sought,
Those demons of a sot.

Our town was to have a rail-line
Circa the mid eighteen nineties
This story has surprised my ears
A local amateur historian apprised me just recently
Documents to support this claim are archived in Sydney

Not far out of our town
On a well know property in the district
Two surveyor pegs are still in existence
Marking the route the rail-line was to track
Though the Forefather's rail-line was never bedded down

The powers that be government leaders of the day
Shelved these impressive plans
They never saw the light of day
Ribbons of steel not coming to fruition
Leading to our town

Other town went ahead rail-lines were established to them
Out town alas and alack missed out
Look where Tamworth and Armidale are to-day
Rail being in their favor
Our town was left to languish and to be dispirited
Going no-where no-where to go

Our Forefather's now lay in their graves
Not quite resting in peace
Their rail proposal for our town unrealized
Good ideas die along with good intentions
Hence their unsettled repose

Our town could have been a regional town
Industry and population dotting the landscape
Rail would have assured our place
The Forefather's rail proposal long since shelved
Consigned into the passing vapor of time

Photographs by Avedon

This was written in a friend's home in the Berkshire Mountains, on a Saturday morning, a few years ago.  Up early, I went exploring their bookshelves and found a book of Richard Avedon's photographs of average Americans out west.  Google "richard avedon photos of the american west" - then read the poem.  Please, for without seeing the faces, for this will make all the difference.  In the Berkshires, it is always chilly there, even in the summer sun.  This and other obscure references are better detailed in the notes.


Join my warmth and
my chill,
as the nine o'clock sun,
a 45 degree steeplechase
warms,
but still not
strong enough
to dispense
the lingering,
residual, remaindered,
breezy chill
of the prior eve,
that hides in,
emanates from,
the shadows
of the
deep wooded hillocks
of the
Berkshire Mountains.

Join my warmth
and my chill!

Upright jolted,
head kicked awake,
entranced and revolted,
excited and repelled,
emotive, yet, stilled.

For oh so casually,
this heroic city dweller,
brave and fearless
bookshelf explorer,
retrieves a book,
to find a new route
thru time and space
to the center of his brain.

Photographs by Avedon,
of my fellow Americans,
the Have Nots,
his "Havedons"
of the
American West.

These uncommon people
with whom I share
uncommonly little,
these drifters, the carneys,
the would-have-been cowboys,
busted blackjack dealers,
rattlesnake gut n' skinners,
coal and copper miners,
the hay truck drivers,
dirt so deep in
their pores ingrained,
colors and bloodies their souls,
browns their veins,
are the ones that
too oft,
go off first to
fight wars
in my name.

Photos untitled,
words unneeded.

In this far corner of our
shared contiguous space
called the
United States of America,
top of the line here
would be
insurance agents,
secretaries and maybe even,
the waitresses.

But their eyes,
oh their eyes!

Words I do not own
to fair share with you,
the clarifying gaze
of measured dignity and
immeasurable ache,
heritage pride,
heretical heartbreak,
that marks and unites
these disparate and dispirited
vessels of humankind.

Disjointed,
the noon suns finally,
raises my body temperature
browns my surface...

Yet, nothing eradicates
this ******* chill
in my soul
or calms my consternation,
as black and white
eyes discolor
my comfortable existence,
as I ponder
Avedon's words:

All photographs are accurate but none tell the truth

Pass over,
pass by,
The Evil Son at Passover
asks ever so sly,
what have they to do with me?

It is the Sabbath.
We luxuriate in our rest.
Rest is the greatest luxury

What is this Sabbath?
Heschel's cathedral -
existant both
in space and time,
and one enters
when and where
one can.

Do my distant,
(both in space and time)
American cousins
share my Sabbath?

Are they allowed
this luxury,
or is it endless exertion,
severity and deprivation,
all and every day
of their lives?

Constant risk every day.

Who cannot fail to see the
precipitousness of life
edged in the lines of their
hearts and minds?

Day to day hardens them
and teaches the
discipline of
severity unended.

Is the prudence of
self-forgetfulness,
their morning bitter pill
they must swallow
to carry on?

Among the resolutions
I need
to claim a
life fulfilled is this:

How to end this poem,
close this can of worms,
accidentally kicked open.

Will sunset end these
troubling questions
of which you have
your own,
more personal variations?
(what about the ...)

Perennials flower everywhere,
in Auschwitz,
along the Tigris,
even in Kabul and Somalia,
along the highways
that lead
to the mecca of
Las Vegas.

Perennials flower everywhere.

In warmth and cool,
in time and space,
they flower in my heart and
my brain and in
my prayerful tears.
flowing down my cheeks,
as I lay me down to sleep,
to dream these of
impoverished words

Havdalah^^ thoughts,
separations celebrated.

Distinctions noted,
even celebrated tween
holy and common,
light and dark,
Sabbath and
the six weekdays
of labor,
between sacred and secular
and
between me and
my American Brothers
of the American West.

I know
just one thing
to be true:

The Sabbath Cathedral is
open to all,
whatever day
you choose to
abide there

I await you,
my American cousins,
with wine and bread
and the
holy of holiest words
of comfort and sooth.

I will wash your feet and
lay you down to
restful sleep
in the
Sabbath Cathedral
in my heart.

Together,
at last,
we will be joined,
in warmth and chill.



August 29, 2010
Lanesboro, Mass.

it is 1975 Saigon has fallen to North Vietnamese flower children resistance Watergate have all come and gone economy still in recession unemployment at 8.5 they sit on floor listen to Bruce Springsteen’s “Born to Run” then Patti Smith’s “Horses” Bayli rolls joint lights it passes to Odysseus he speaks “you know i ******* hate working for Dad what do you think i should do?” Bayli suggests “you love San Francisco why not move there? you’d fit right in with West Coast hippies.” he answers “what would i do in San Francisco? i don’t know anyone besides i don’t want to hang out with hippies i’ve got bigger plans” “you’re an artist Odys you’ll figure it out” he asks “would you come with me?” Bayli whispers “Yeah for sure once you’ve settled in” Odysseus tries to imagine becoming Bay Area painter thinks to listen to Bayli’s prompting remembers all the drugs craziness in Haight Ashbury Berkley that compelled him to return back east to school Mom and Dad would never support such a move he feels insecure about his abilities to survive as artist in business world easier to further his education with benefit of family’s sanction Bayli runs fingers through her hair Odysseus watches thinks how beautiful she is roar of jet engine passes he looks out window late afternoon shadows cut sharply he comments “Bayli it’s October already leaves are changing days getting shorter if i apply for January semester at Art Institute what will you do?” she answers “hang out with you? i don’t know do we have to talk about this right now?” he says “it’s going to get cold soon did you bring enough clothes?” she answers “no i need to buy some” he asks “will your parents help you?” she hesitates explains “i don’t know my father might be transferred to new assignment in D.C. my folks have their own worries i can’t burden them right now Odys you know i’ve been looking for a job something is bound to turn up soon” he stands paces her hands rub knees as she gazes up at him he says “Bayli i’m confused i wish we were older and knew what to do maybe we both need some time to consider things a little space to get perspective to be certain what we’re doing i’m getting pressure from my parents i can’t think clearly” one side of Bayli’s face makes strange grimace “Odys what do you want? Are you waiting for a sign from God? who are you searching for? is it me?” he answers “yes i love you you are only one for me” she asks “well then what are you saying? Odys what’s happening to us? i sense your thoughts drifting where were you last night in bed?” his voice grows stressed “i don’t know we were happy in Hartford Chicago is different tougher money security play more important roles maybe my doubting hasn’t anything to do with us maybe it’s environment around us character and weight of this city my parents figuring out how to pull this off” Bayli’s voice rises “did you ever consider maybe returning to Chicago and me coming here is mistake? if anything maybe we should have stayed on East Coast and faced challenges in New York City coming to Chicago is like a test a big ******* test! Let’s go back to Hartford” suddenly memory flashes through his thoughts remembers first time he brought Bayli to Toby Mantis’s loft on lower east side Toby stretches canvases for Warhol other times when Odysseus showed up with female art students Toby routinely pawed them Toby eyed Bayli and asked “Who’s she?” Odysseus quickly turned to protect but Bayli spoke up “i’m with Odys!” Toby still grabbed but Bayli pushed him away her devotion thrills Odysseus on numerous occasions she assures him “i’m happy just to be with you” he looks at Bayli holding breath as he speaks “no we can’t go back to the past there’s no opportunity in Hartford Chicago is home it’s what i know do you remember when we were partying on Rauschenberg’s roof? remember how all those New York artists sized us up like we were fresh meat? you looked so defenseless in white turtleneck i don’t trust Toby and all those people” Bayli cuts in “Toby Mantis is a drunken idiot!” Odysseus continues “maybe my thinking is all messed up there’s something else Bayli what if the more fame you achieve the more complicit you become with sin? what if reaching top means being used and abused by everyone? what if it requires betrayal deception whatever else it takes? once you sell your soul you can’t buy it back i don’t know if i’m ready to get that serious leap into heap maybe my talent isn’t as good as theirs i need time to develop grow returning to Chicago just makes more sense am i embarrassing myself? maybe you should run from me go find someone stronger i feel like i’m not good enough for you i hear what i’m saying and feel ashamed” tears well in Bayli’s eyes as she questions “Odys what are you saying?” he answers “i don’t know i don’t know what we should do i know i love you Bayli i apologize for upsetting you let’s talk tomorrow” he reaches holds her in his arms needle keeps skipping at end of Patti Smith record

planets and stars align at precisely certain times sometimes planets and stars meant to join pass by each other instead the universe balances within delicate loop a lot of forces influences are at work any hesitation or minuscule deviation in rotation can make all the difference in the world

his stomach knots eyes wet maybe he senses he will never again have chance like Bayli maybe not in morning he suggests she should find her own place for a while Bayli’s eyelids close heavily quietly complies he feels deep sadness sensing crucial innocence perishing cannot justify himself believes her moving is only temporary reasons if Bayli is truly the one then they will figure it out upsets him to see her go does not want to lose her does not comprehend how devastating his decision concerning Bayli will be in a way his life ends here Odysseus is never same Bayli moves into tiny studio apartment off Broadway and Surf gets waitressing job at fashionable restaurant on Halsted Street Odysseus wishes Bayli refused to leave she could have put up more fight if only she insisted “i'm not going i want to spend my life with you” why did she give up so easy? Bayli is not self-assured assertive like Mom and sister Penelope it is wrong of Odysseus to blame Bayli no one to blame but himself he should have stood up against Mom Bayli is right he is waiting for sign from God but God keeps silent glimpses his own cowardice near-north side of Chicago is small-town familiar in 1975 he hears rumor about tall strong **** who forces Bayli he goes to see her in tiny apartment does not mention what he heard Odysseus asks “are you all right?” sitting with legs crossed on floor Bayli speaks remote dispirited answers “yes i guess” their conversation is brief after he departs feels sorrow guilt is there a way back to Bayli? she seems so separate defeated far away some months later he hears she is engaged to marry shady guy who lives several doors south from restaurant where she waitresses Odysseus is stunned dumbfounded he did not realize how eager Bayli was to get married after Odysseus lets Bayli go he reasons Mom got her way not that Mom openly rejected Bayli rather she subtly snubbed showed no support he needs family’s approval Mom birthed him  he believes he owes her he recognizes losing Bayli is entirely his own fault vaguely ponders might never marry until Mom is out of picture what girl can stand up to Mom’s scrutiny demands? maybe Mom wants Odysseus all to herself? perhaps she fears girlfriend or wife will come between them? maybe his whole life is struggle to be free of Mom

All around me was a dark universe I cannot outrun
Endless rain of comets, parts of me strewn
Until you went and became my King Sun
And I, becoming your majestic Queen Moon

You filled my universe with eternal light
Passing through the dark recesses of my core
You made my faded spark ignite
Making me beam with delight forevermore

But the craters, they will never fade away
For they sometimes still remind me of darkness
Having me gone astray
Dispirited once again that I may never fluoresce

Yet, the King Sun illuminates ever so vigorously
And as long as he is there, I know we will reign endlessly

SONG-POEMS

These are poems that were written as songs, or as potential song lyrics, or that could easily become songs if someone were to set them to music (hint! hint!) …


Ave Maria
by Michael R. Burch

Ave Maria,
Maiden mild,
listen to my earnest prayer.
Listen, O, and be beguiled.
Ave Maria.

Ave Maria,
Maiden mild,
be Mother now to every child
beset by earth’s thorned briars wild.
Ave Maria.

Ave Maria,
Maiden mild,
embrace us with your Love and Grace.
Let us look upon your Face.
Ave Maria.

Ave Maria,
Maiden mild,
please attend to our earnest call—
When will Love be All in All?
Ave Maria.

Copyright © 2020 by Michael R. Burch



Faithless Lover
by Michael R. Burch

Well I met you darlin’ on a night like this;
the stars were fallin’ as I stole a kiss.

And I fell in love that very night,
as the moon above blessed us with its light.

But the moon was false, and your heart was, too.
Oh, I never dreamed you would be untrue.

'Cause you're a faithless lover, with a heart of stone.
One day you'll discover yourself all alone.

Well, we found a preacher and we said some words.
I should have noticed yours were well-rehearsed.

When I looked above, I saw the pale moon frown;
the sky burst open; I began to drown.

'Cause you're a faithless lover, with a heart of stone.
One day you'll discover yourself all alone.

Now, since that day, how you've run around.
You’ve been with every boy in town.

Well, I learned my lesson, and I learned it well:
how one night aflame left me cold as hell,
till my heart grew hard in its icy shell.

Now, I'm a faithless lover with a heart of stone.
I seek faceless lovers who leave with the dawn.

Copyright © 1991 by Michael R. Burch



Unlikely Mike
by Michael R. Burch

I married someone else’s fantasy;
she admired me despite my mutilations.

I loved her for her heart’s sake, and for mine.
I hid my face and changed its connotations.

And in the dark I danced—slight, Chaplinesque—
a metaphor myself. How could they know,
the undiscerning ones, that in the glow
of spotlights, sometimes love becomes burlesque?

Disfigured to my soul, I could not lose
or choose or name myself; I came to be
another of life’s odd dichotomies,
like Dickey’s Sheep Boy, Pan, or David Cruse:
as pale, as enigmatic. White, or black?
My color was a song, a changing track.

Copyright © 2001 by Michael R. Burch

Published by Bewildering Stories and selected as one of four short poems for the Review of issues 885-895



Through the fields of solitude
by Hermann Allmers
set to music by Johannes Brahms
translation by David B. Gosselin with Michael R. Burch

Peacefully, I rest in the tall green grass
For a long time only gazing as I lie,
Caught in the endless hymn of crickets,
And encircled by a wonderful blue sky.

And the lovely white clouds floating across
The depths of the heavens are like silky lace;
I feel as though my soul has long since fled,
Softly drifting with them through eternal space.

This poem was set to music by the German composer Johannes Brahms in what has been called its “the most sublime incarnation.” A celebrated recording of the song was made in 1958 by the baritone Dietrich Fischer-Dieskau with Jörg Demus accompanying him on the piano.



The Pain of Love
by Michael R. Burch

for T. M.

The pain of love is this:
the parting after the kiss;

the train steaming from the station
whistling abnegation;

every highways’ broken white bar
that vanishes under your car;

each hour and flower and friend
that cannot be saved in the end;

dear things of immeasurable cost ...
now all irretrievably lost.

Copyright © 2013 by Michael R. Burch
Originally published by The HyperTexts

Note: The title “The Pain of Love” was suggested by an interview with Little Richard, then eighty years old, in Rolling Stone. He said that someone should create a song called “The Pain of Love.” I've written the lyrics, now can someone provide the music?



Will There Be Starlight
by Michael R. Burch

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Will there be starlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?

Copyright © 2001 by Michael R. Burch
Published by The Word (UK), The Chained Muse, Famous Poets and Poems, Grassroots Poetry, The HyperTexts, Inspirational Stories, Jenion, Starlight Archives, TALESetc, Writ in Water, Grassroots Poetry and Poetry Webring



Indestructible, for Johnny Cash
by Michael R. Burch

What is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash is gone,
black from his hair to his bootheels.

Can a man out-endure mountains’ stone
if his songs lift us closer to heaven?
Can the steel in his voice vibrate on
till his words are our manna and leaven?

Then sing, all you mountains of stone,
with the rasp of his voice, and the gravel.
Let the twang of thumbed steel lead us home
through these weary dark ways all men travel.

For what is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash lives on—
black from his hair to his bootheels.

Copyright © 2006 by Michael R. Burch
Originally published by Strong Verse



Flying
by Michael R. Burch


I shall rise
and try the ****** wings of thought
ten thousand times
before I fly ...

and then I'll sleep
and waste ten thousand nights
before I dream;
but when at last ...

I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas ...

if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my very early poems, written around age 16-17. According to my notes, I may have revised the poem later, in 1978, but if so the changes were minor because the poem remains very close to the original.



Earthbound
by Michael R. Burch

Tashunka Witko, better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a floating and crazily-dancing spirit horse through a storm as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting ...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.

I believe I wrote this poem as a college sophomore, age 19 or 20. I did not know about the vision and naming of Crazy Horse at the time. But when I learned about the vision that gave Crazy Horse his name, it seemed to explain my poem and I changed the second line from "and yet I would fly" to "and yet I now fly." I believe that is the only revision I ever made to this poem.

Copyright © 1978 by Michael R. Burch
Originally published by The HyperTexts



Momentum! Momentum!
by Michael R. Burch

for the neo-Cons

Crossing the Rubicon, we come!
Momentum! Momentum! Furious hooves!
The Gauls we have slaughtered, no man disapproves.
War’s hawks shrieking-strident, white doves stricken dumb.

Coo us no cooings of pale-breasted peace!
Momentum! Momentum! Imperious hooves!
The blood of barbarians brightens our greaves.
Pompey’s head in a basket? We slumber at ease.

****** us again, great Bellona, dark queen!
Momentum! Momentum! Curious hooves
Now pound out strange questions, but what can they mean
As the great stallions rear and their riders careen?

Originally published by Bewildering Stories

NOTE: Bellona was the Roman goddess of war. The name "Bellona" derives from the Latin word for "war" (bellum), and is linguistically related to the English word "belligerent" (literally, "war-waging"). In earlier times she was called Duellona, that name being derived from a more ancient word for "battle."



Just Yesterday
by Michael R. Burch

Yesterday
she went a-way
and now I don’t know what to sa-ay,
'cause I loved her more than life
just yesterday.

[Descending notes: DUH Duh duh]

Yesterday
she held me tight
and our love lit up the night,
but then our flame was not as bright,
just yesterday.

[Descending notes: DUH Duh duh]

Yesterday
she left me a-lone
and now I don’t know what I wa-ant ...
I just listen to a song
called “Yesterday” ...

[Descending notes: DUH Duh duh]

Yesterday, oh Yesterday,
Yesterday, oh Yesterday,
I loved her more than life
just yesterday.

[Descending notes: DUH Duh duh]

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Stay With Me Tonight
by Michael R. Burch


Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.
And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine
and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.
And so lead me back tonight
through bright waterfalls of light
to where we shine as one.

Copyright © 2019 by Michael R. Burch
Originally published by The Lyric



This Train
by Michael R. Burch

To be sung to the melody of "This Train is Bound For Glory" up-tempo.

This train is goin’ my way, this train.
This train is goin’ my way, this train.
This train is goin’ my way,
gonna take me back
to my baby,
This train is goin’ my way, this train.

This train is flyin’, flyin’, flyin’.
This train is flyin’, flyin’, flyin’.
This train is flyin’, flyin’,
and my heart is cryin’,
cryin’.
This train is flyin’, flyin’, flyin’.

This train is chuggin’ on down the tracks now.
This train is chuggin’ on down the tracks now.
This train’s chuggin’ down the tracks
and it’s gonna have to
take me back now.
This train is chuggin’ on down the tracks now.

This train is flyin’, flyin’, flyin’.
This train is flyin’, flyin’, flyin’.
This train is flyin’, flyin’,
and my heart is dyin’,
dyin’.
This train is flyin’, flyin’, flyin’.

This train is goin’ my way, this train.
This train is goin’ my way, this train.
This train is goin’ my way,
gonna take me back
to my baby,
This train is goin’ my way, this train.

This train must run a little longer.
Oh, this train must run a little longer.
And although I did her wrong, her
love is only gettin’ stronger.
This train must run a little longer.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



The Vision of the Overseer’s Right Hand
by Michael R. Burch

“Dust to dust ...”

I stumbled, aghast,
into a valley of dust and bone
where all men become,
at last, the same color . . .

There a skeletal figure
groped through blonde sand
for a rigid right hand
lost long, long ago . . .

A hand now more white
than he had wielded before.
But he paused there, unsure,
for he could not tell

without the whip’s frenetic hiss
which savage white hand was his.

Copyright © 2001 by Michael R. Burch
Originally published by Poetry Porch



When I Think of You, I Think of Love
by Michael R. Burch

for Beth

When I think of you, I think of Love.
Oh, when I think of you, I think of Love
as magical as the moon and stars above.
And when I think of you, I think of Love.

When I think of you, I start to cry.
Yes, when I think of you, I start to cry.
And I think you know the reason why.
For when I think of you, I think of Love.

When I think of you, I start to smile.
Oh, when I think of you, I start to smile.
I think of you and, dreaming all the while,
when I think of you, I start to smile.

When I think of you, I have to laugh.
Yes, when I think of you, I have to laugh
because it’s certain: you’re my better half!
So when I think of you, I have to laugh.

I think of you as Eve, and at your feet
blooms everything that’s equally as sweet,
as magical as the moon and stars above.
And when I think of you, I think of Love.

I think of you with babies at your breast,
and does and fawns that come at your behest,
as magical as the moon and starts above.
And when I think of you, I think of Love.

I think of you and find myself at peace.
I feed the ducks, the turtles and the geese,
all as magical as the moon and stars above,
and when I think of you, I think of Love.

I think of you as Love, a Love that heals ...
the gentlest Dove that soars and flies and wheels
then looks down on the earth from high above.
And when I think of you, I think of Love.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Hill Down the Road
by Michael R. Burch

I imagine this song being sung to an upbeat tune like “Afternoon Delight” with an emphasis on the last word in each line. The song would come out as a sort of breathless rush — one long, run-on sentence.

There’s a hill down the road
where my babe and me would go
when the sun was sinking low
where the sparkling waters flow

and we’d sit there in the grass
and we’d watch the sunsets pass
and then I’d walk her home,
but we’d never walk too fast

and we’d sit there in the summer
when the sun was in the sky
and we’d talk of our tomorrows
and we’d watch the butterflies

and I loved her even then
although I was so young
and I’ll love her till the time
that my time on earth is done

I wrote this poem as an aspiring songwriter, around age 14. But alas, I was too shy to show my compositions to anyone!

Copyright © 1974 by Michael R. Burch
Originally published by The HyperTexts



Moon Lake
by Michael R. Burch

Starlit recorder of summer nights,
what magic spell bewitches you?
They say that all lovers love first in the dark . . .
Is it true?
Is it true?
Is it true?

Starry-eyed seer of all that appears
and all that has appeared—
What sights have you seen?
What dreams have you dreamed?
What rhetoric have you heard?

Is love an oration,
or is it a word?
Have you heard?
Have you heard?
Have you heard?

Copyright © 1976 by Michael R. Burch
Originally published by Romantics Quarterly



Tomb Lake
by Michael R. Burch

Go down to the valley
where mockingbirds cry,
alone, ever lonely . . .
yes, go down to die.

And dream in your dying
you never shall wake.
Go down to the valley;
go down to Tomb Lake.

Tomb Lake is a cauldron
of souls such as yours —
mad souls without meaning,
frail souls without force.

Tomb Lake is a graveyard
reserved for the dead.
They lie in her shallows
and sleep in her bed.

I believe this poem and "Moon Lake" were companion poems, written around my senior year in high school, in 1976.

Copyright © 1976 by Michael R. Burch
Originally published by The HyperTexts



How Long the Night
(Anonymous Middle English Lyric, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast—
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.

Copyright © 2013 by Michael R. Burch
Published by Measure, Setu (India), Poet’s Corner, Glass Facets of Poetry, Better Than Starbucks, Chanticleer, Poetry Brevet and Deviant Art



Sappho’s Lullaby
by Michael R. Burch

for Jeremy

Hushed yet melodic, the hills and the valleys
sleep unaware of the nightingale's call
while the dew-laden lilies lie
listening,
glistening . . .
this is their night, the first night of fall.

Son, tonight, a woman awaits you;
she is more vibrant, more lovely than spring.
She'll meet you in moonlight,
soft and warm,
all alone . . .
then you'll know why the nightingale sings.

Just yesterday the stars were afire;
then how desire flashed through my veins!
But now I am older;
night has come,
I’m alone . . .
for you I will sing as the nightingale sings.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Lullaby
by Michael R. Burch

for Jeremy

Cherubic laugh; sly, impish grin;
Angelic face; wild chimp within.

It does not matter; sleep awhile
As soft mirth tickles forth a smile.

Gray moths will hum a lullaby
Of feathery wings, then you and I

Will wake together, by and by.

Life’s not long; those days are best
Spent snuggled to a loving breast.

The earth will wait; a sun-filled sky
Will bronze lean muscle, by and by.

Soon you will sing, and I will sigh,
But sleep here, now, for you and I

Know nothing but this lullaby.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Let me sing you a lullaby
by Michael R. Burch

for Jeremy (written from his mother’s perspective)

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, my dear son, how you’re growing up!
You’re taller than me, now I’m looking up!

You’re a long tall drink and I’m half a cup!
And so let me sing you this lullaby.

Oh, my sweet son, as I watch you grow,
there are so many things that I want you to know.

Most importantly this: that I love you so.
And so let me sing you this lullaby.

Soon a tender bud will ****** forth and grow
after the winter’s long ****** snow;

and because there are things that you have to know ...
Oh, let me sing you this lullaby.

Soon, in a green garden a new rose will bloom
and fill all the world with its wild perfume.

And though it’s hard for me, I must give it room.
And so let me sing you this lullaby.

Copyright © 2020 by Michael R. Burch
Originally published by The HyperTexts



Swan Song
by Michael R. Burch

The breast you seek reserves all its compassion
for a child unborn. Soon meagerly she’ll ration
soft kisses and caresses—not for Him,
but you. Soon in the night, bright lights she’ll dim
and croon a soothing love hymn (not for you)
and vow to Him that she’ll always be true,
and never falter in her love. But now
she whispers falsehoods, meaning them, somehow,
still unable to foresee the fateful Wall
whose meaning’s clear: such words strange gods might scrawl
revealing what must come, stark-chiseled there:
Gaze on them, weep, ye mighty, and despair!
There’ll be no Jericho, no trumpet blast
imploding walls womb-strong; this song’s your last.

Copyright © 2006 by Michael R. Burch
Originally published by The HyperTexts



This is my translation of one of my favorite Dimash Kudaibergen songs, the French song "S.O.S." ...

S.O.S.
by Michel Berger
loose translation/interpretation by Michael R. Burch

Why do I live, why do I die?
Why do I laugh, why do I cry?

Voicing the S.O.S.
of an earthling in distress ...

I have never felt at home on the ground.

I'd rather be a bird;
this skin feels weird.

I'd like to see the world turned upside down.

It ever was more beautiful
seen from up above,
seen from up above.

I've always confused life with cartoons,
wishing to transform.

I feel something that draws me,
that draws me,
that draws me
UP!

In the great lotto of the universe
I didn't draw the right numbers.
I feel unwell in my own skin,
I don't want to be a machine
eating, working, sleeping.

Why do I live, why do I die?
Why do I laugh, why do I cry?

I feel I'm catching waves from another world.
I've never had both feet on the ground.
This skin feels weird.
I'd like to see the world turned upside down.
I'd rather be a bird.

Sleep, child, sleep ...



"Late Autumn" aka "Autumn Strong"
loose translation/interpretation by Michael R. Burch
based on the version sung by Dimash Kudaibergen

Autumn ...

The feeling of late autumn ...

It feels like golden leaves falling
to those who are parting ...

A glass of wine
has stirred
so many emotions swirling in my mind ...

Such sad farewells ...

With the season's falling leaves,
so many sad farewells.

To see you so dispirited pains me more than I can say.

Holding your hands so tightly to my heart ...

... Remembering ...

I implore you to remember our unspoken vows ...

I dare bear this bitterness,
but not to see you broken-hearted!

All contentment vanishes like leaves in an autumn wind.

Meeting or parting, that's not up to me.
We can blame the wind for our destiny.

I do not fear my own despair
but your sorrow haunts me.

No one will know of our desolation.

Keywords/Tags: song, songs, songs of life, lyric, lyrics, music, rock, love, lover, lovers

They said high school was a home of learning
Oh I learned alright
They said it would construct my future
All it did was destroy me with the past
They said it would be safe
They have no defense over the demons
They said it would develop me as a person
But I remain who I was... only shattered

They said so many things, yet understood so little

This goes to the pillow-clutchers
to the broken who carry soaked and salty handkerchiefs
to the flesh that thrive for streaks of red dripping out
to the souls that are constantly bombarded by screeches of lies
Lies that overrun every beauty in and out
Lies that lead to masochistic actions
Waiting for the second heartbeat after every punch
Hoping this would free the monsters trapped within
This goes to the insecure
No, we are not emo
How can one contain our being in just three letters?
We are not superficial pain lovers
We are violated, dispirited, downhearted, beaten, unsettled, splintered, forgotten
But we will never be merely emo

A high school is not filled with students
It is filled with labels, rumors, divisions and fake personas
filled with eyes that look straight into your soul
filled with whispers that spread like a virus
Getting worse and worse after every ear it has jumped into
Savages looking for the flaw that can destroy you
Until you break and mindlessly follow their example

High school is where you lose who you are
And be who everyone else wants you to be

Everyone thought I was just being vain
Always staring at the mirror, trying to be cute
Never did it come into their minds that I was already believing the lies
ready to accept the rumors
using FINE as my own maxim
**** I'm Never Enough
But I waited
Waited for someone to drive out the beasts
to heal my scars
to fill my emptiness
Yet until now I remain drenched in loneliness and fear

High school is worse than hell
A quick and small crack in your soul hurts more
Than an eternal burn of your flesh
This is why we're ready to see the light come out of our eyes
But I'm holding on
For you need pain before you're declared strong
For you need darkness before you see the stars
For you need death before you reach heaven
For where there are angels,
*there will always be demons