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What happens when the good girl goes bad
like the spoiled milk she left out?
Because I couldn't seem to get up.
I think it was something about acknowledging that I'm alive, I'm here.
Wouldn't it all be easier if I wasn't?

When the good girl goes bad
because she worked her *** off on that paper and only got a C.

When the good girl goes bad
because the world doesn't treat her right,
but I guess it must because that's
how come I'm the good girl.
Not my depressed sister sitting in her room;
not my other sister running around, destroying everything I had to work for;
most definitely
not my other sister who always seemed to be your favorite but is now smashing plates in our backyard,
'cause I guess that's what happens if you get too close to you.

When the good girl goes bad,
you get angry because
I'm supposed to be your perfect child
not supposed to be
your ***** up child
your lonely child
your lazy child
your anxious child
not supposed to be
your good for nothing child
your dysfunctional child
your doesn't give a **** about anything anymore child.
why don't I ******* give a **** about anything anymore?

When the good girl goes bad
your life falls apart,
because clearly
you had enough to deal with already,
because clearly
this is all my fault,
because clearly
you don't have the time to face your good girl
and
because clearly
that's all on me.

When the good girl goes bad
because you left her out on the counter all those years, sitting there to rot.
And though I know that you can't waste your time putting it away, 'cause you never cared for it anyway,
maybe you shouldn't have bought the milk if you didn't want to drink it.
And I know the milk should take care of itself
but I tried and that only works for a couple of years
before the good girl gone bad falls far off the counter, spills across the floor,
and the only thing left is to throw that nasty old milk away
because your bread, eggs, oil, etc. need your attention
and it's just too late for the good girl.

When the good girl goes bad
because she never asked to be the good girl
or maybe I did, I don't really remember,
but not like this.
I just wanted to be loved
but little did I know that
the good girl just sits there
keeping herself afloat,
but the boat can't guide itself if it wasn't given eyes.
The boat can't patch itself if you keep telling it its still brand new
when its really old, broken, and covered in holes.
You shouldn't put a boat in the water if you know its going to sink,
but I guess you only really need a couple good boats
so you can just toss the good girl.

When mama's little good girl goes bad,
she feels guilty
because she was told she'd always be
the good girl.
Though, its hard being the good girl when you don't have any windshield wipers for your tears at night.
But the tears at night aren't supposed to exist
because
I'm still mama's mother ******' good girl,
just...
please pretend I haven't gone bad.
I added to what was originally posted. I was having some technical issues and decided to just post what I had before, but this is the full poem (5/16/18)
Joe Wilson Mar 2014
Mud goes so stiff as it dries on the clothes
And it gets in the rifles and ammo
And men live in the mud for day after day
And they die there as the death tolls just grow.

The lads call it Wipers, but we know it’s called Ypres
And we don’t know the language but know mud
And the massive field guns that are firing this way
Causing lots of men to stay here for good.

In two months I’ve not heard the sound of a bird
With the fighting and dying you don’t listen
But I saw a dead blackbird lying out in the mud
And memories of home made my eyes glisten.

I’d rather be back at my home on the farm
Tending cattle and working the land
But I’m lying here shooting at men I don’t know
In a hard ****** war that I don’t understand.

We’ll soon be coming to the end of this year
We were told that it wouldn’t last too long
I don’t know how much longer the men can last out
The spirits willing but their bodies aren’t strong.

We’ve been pounded for hours, we’ve been pounded for days
It seems like so long and it’s so cold
There are men who've got frostbite and gangrene and sores
But it’s the dysentery that makes some men fold.

When will it end and who will make peace
They’re decisions that aren't made at the front
But by men back at home who think they know best
Not by poor dying men bearing the brunt.

©JRW2014
One in a group of poems recognising the centenary of WW1
JWolfeB Nov 2014
Light , curvy rays,
bending,
while traveling from air to water world.
My eyelashes - window wipers.
Crystalline lenses,
sending lovely
but blurry pictures
wait.. let me focus my retina,
underwater dream,
or is it really you?

Dark, straight silhouettes,
frightening,
falling from the busy water above
My chest - darkened vents
reaching far,
wanting lovely,
but faint pictures
I can’t wait any longer,
for the dark room to lighten
I need you to show me

I take a deep breath
And dive in again.
Debrees of scars
And piercing pain.
Your soul still mauve and blue.
I press my lips
respiring pure love into you.

Breathe your best
into the spine of my life
Expelling fortitude
And forgiveness
Hidden in this deep blue
Revitalized for the first time
This moment opened its eyes
to see the beauty
of what beneath the surface lies
An amazing collaborative  with Dajena M. Such a great writer and a true pleasure to write a piece together.
Richie Vincent Jul 2018
We are all in one way or another, bugs on a windshield,
Some of us are the bugs, some of us are the windshield, some of us are the car, some of us are all of these

We tattoo each other’s names in Braille on our chests to see how bumpy the roads are going to look, and how painful it’s actually all going to be,
We keep them there forever, or, long enough for our mothers to see

How much beauty and life comes to an abrupt end when we are flying fast and relentless, hitting a windshield,
I wonder how long the driver of the car will even bother to worry about it,
Just turn on the wipers and get the guts off of the view of the sunrises and sunsets

We are all in one way or another just, bugs on a windshield,
I am the windshield,
When I get ***** from someone else, I like to imagine that I can just turn my wipers on and wipe away everything they carried around with them for all of that time,
On my body, you can find stains left from all of the bugs that have killed themselves on my skin,
Their blood and juices, permanently a home in my creases, I stay awake trying to paint a better picture of the sunrises and sunsets for the people driving me

We are all in one way or another just, bugs on a windshield,
Other times, I am the car,
A soulless machine built to carry luggage from one point to another,
A hard shell built to protect everyone who finds solace in me,
Do not worry,
The bugs mean nothing,
That is what my windshield is for

Just keep listening to the radio,
I can turn my wipers on
SassyJ Aug 2016
My easel, has been asleep
for a while, like a whale
on the lost deep seas
finding a prey
to victimise
to sate the belly full.

Your easel, sees in my eyes
the robbers on the blink*
of an unruly end
finding recognition
in social media
to favor ego
to sate the belly full.

Your easel, is a mellow fine lens
Hands in line holding a gun
set a trigger, to silence the crowds
the doom in the public cruise
trollers and vipers with wipers
to sate the belly full

What have we come to dear friend?
we seek fame and lose our self
to the shadows of the masses
who denude our dignity
to gain their sanity
to sate the belly full

What have we come to dear friend?
in the spaces of the contours between
dehumanised by the social media
the medium of the century voice
the armageddon of currency
*that sate to fill it's belly
The poem is an accompaniment to an art piece called "Robbers". The piece is a two composition hue, with shadowy effects of a teenager holding a gun. In the shadows and the in-betweens, the dark streak of social media dehumanisation strikes. The art piece 'robbers'  is the work of "Joshua Ingram" aka Ezra Warhol. Thanks for inspiring me artistically, I am swapping walls for the canvas. Your artistic hand is beautiful and ethereal dear poet, musician and painter friend.
http://hellopoetry.com/atlasmarker/
Tulip Chowdhury  Oct 2016
Wipers
Tulip Chowdhury Oct 2016
Like wipers on windshield
we go left and right
alone or together
but never touch
even as rain pours
we just go
swish, swish
none listening to the other.

Same windshield
same car, yet
we are  far away
from each other,
speeding away
to a no where.
A Child’s Story

Hamelin Town’s in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.

Rats!
They fought the dogs, and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cook’s own ladles,
Split open the kegs of salted sprats,
Made nests inside men’s Sunday hats,
And even spoiled the women’s chats,
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats.

At last the people in a body
To the Town Hall came flocking:
“’Tis clear,” cried they, “our Mayor’s a noddy;
And as for our Corporation—shocking
To think we buy gowns lined with ermine
For dolts that can’t or won’t determine
What’s best to rid us of our vermin!
You hope, because you’re old and obese,
To find in the furry civic robe ease?
Rouse up, Sirs! Give your brains a racking
To find the remedy we’re lacking,
Or, sure as fate, we’ll send you packing!”
At this the Mayor and Corporation
Quaked with a mighty consternation.

An hour they sate in council,
At length the Mayor broke silence:
“For a guilder I’d my ermine gown sell;
I wish I were a mile hence!
It’s easy to bid one rack one’s brain—
I’m sure my poor head aches again
I’ve scratched it so, and all in vain.
Oh for a trap, a trap, a trap!”
Just as he said this, what should hap
At the chamber door but a gentle tap?
“Bless us,” cried the Mayor, “what’s that?”
(With the Corporation as he sat,
Looking little though wondrous fat;
Nor brighter was his eye, nor moister
Than a too-long-opened oyster,
Save when at noon his paunch grew mutinous
For a plate of turtle green and glutinous)
“Only a scraping of shoes on the mat?
Anything like the sound of a rat
Makes my heart go pit-a-pat!”

“Come in!”—the Mayor cried, looking bigger:
And in did come the strangest figure!
His queer long coat from heel to head
Was half of yellow and half of red;
And he himself was tall and thin,
With sharp blue eyes, each like a pin,
And light loose hair, yet swarthy skin,
No tuft on cheek nor beard on chin,
But lips where smiles went out and in—
There was no guessing his kith and kin!
And nobody could enough admire
The tall man and his quaint attire:
Quoth one: “It’s as my great-grandsire,
Starting up at the Trump of Doom’s tone,
Had walked this way from his painted tombstone!”

He advanced to the council-table:
And, “Please your honours,” said he, “I’m able,
By means of a secret charm, to draw
All creatures living beneath the sun,
That creep or swim or fly or run,
After me so as you never saw!
And I chiefly use my charm
On creatures that do people harm,
The mole and toad and newt and viper;
And people call me the Pied Piper.”
(And here they noticed round his neck
A scarf of red and yellow stripe,
To match with his coat of the selfsame cheque;
And at the scarf’s end hung a pipe;
And his fingers, they noticed, were ever straying
As if impatient to be playing
Upon this pipe, as low it dangled
Over his vesture so old-fangled.)
“Yet,” said he, “poor piper as I am,
In Tartary I freed the Cham,
Last June, from his huge swarms of gnats;
I eased in Asia the Nizam
Of a monstrous brood of vampire-bats;
And, as for what your brain bewilders,
If I can rid your town of rats
Will you give me a thousand guilders?”
“One? fifty thousand!”—was the exclamation
Of the astonished Mayor and Corporation.

Into the street the Piper stepped,
Smiling first a little smile,
As if he knew what magic slept
In his quiet pipe the while;
Then, like a musical adept,
To blow the pipe his lips he wrinkled,
And green and blue his sharp eyes twinkled
Like a candle flame where salt is sprinkled;
And ere three shrill notes the pipe uttered,
You heard as if an army muttered;
And the muttering grew to a grumbling;
And the grumbling grew to a mighty rumbling;
And out of the houses the rats came tumbling.
Great rats, small rats, lean rats, brawny rats,
Brown rats, black rats, grey rats, tawny rats,
Grave old plodders, gay young friskers,
Fathers, mothers, uncles, cousins,
Cocking tails and pricking whiskers,
Families by tens and dozens,
Brothers, sisters, husbands, wives—
Followed the Piper for their lives.
From street to street he piped advancing,
And step for step they followed dancing,
Until they came to the river Weser,
Wherein all plunged and perished!
- Save one who, stout a Julius Caesar,
Swam across and lived to carry
(As he, the manuscript he cherished)
To Rat-land home his commentary:
Which was, “At the first shrill notes of the pipe
I heard a sound as of scraping tripe,
And putting apples, wondrous ripe,
Into a cider-press’s gripe:
And a moving away of pickle-tub-boards,
And a leaving ajar of conserve-cupboards,
And a drawing the corks of train-oil-flasks,
And a breaking the hoops of butter-casks;
And it seemed as if a voice
(Sweeter far than by harp or by psaltery
Is breathed) called out ‘Oh, rats, rejoice!
The world is grown to one vast drysaltery!
So munch on, crunch on, take your nuncheon,
Breakfast, supper, dinner, luncheon!’
And just as a bulky sugar-puncheon,
All ready staved, like a great sun shone
Glorious scarce and inch before me,
Just as methought it said ‘Come, bore me!’
- I found the Weser rolling o’er me.”

You should have heard the Hamelin people
Ringing the bells till they rocked the steeple.
“Go,” cried the Mayor, “and get long poles!
Poke out the nests and block up the holes!
Consult with carpenters and builders,
And leave in our town not even a trace
Of the rats!”—when suddenly, up the face
Of the Piper perked in the market-place,
With a, “First, if you please, my thousand guilders!”

A thousand guilders! The Mayor looked blue;
So did the Corporation too.
For council dinners made rare havoc
With Claret, Moselle, Vin-de-Grave, Hock;
And half the money would replenish
Their cellar’s biggest **** with Rhenish.
To pay this sum to a wandering fellow
With a gypsy coat of red and yellow!
“Beside,” quoth the Mayor with a knowing wink,
“Our business was done at the river’s brink;
We saw with our eyes the vermin sink,
And what’s dead can’t come to life, I think.
So, friend, we’re not the folks to shrink
From the duty of giving you something for drink,
And a matter of money to put in your poke;
But, as for the guilders, what we spoke
Of them, as you very well know, was in joke.
Beside, our losses have made us thrifty.
A thousand guilders! Come, take fifty!”

The Piper’s face fell, and he cried
“No trifling! I can’t wait, beside!
I’ve promised to visit by dinner-time
Bagdat, and accept the prime
Of the Head Cook’s pottage, all he’s rich in,
For having left, in the Calip’s kitchen,
Of a nest of scorpions no survivor—
With him I proved no bargain-driver,
With you, don’t think I’ll bate a stiver!
And folks who put me in a passion
May find me pipe to another fashion.”

“How?” cried the Mayor, “d’ye think I’ll brook
Being worse treated than a Cook?
Insulted by a lazy ribald
With idle pipe and vesture piebald?
You threaten us, fellow? Do your worst,
Blow your pipe there till you burst!”

Once more he stepped into the street;
And to his lips again
Laid his long pipe of smooth straight cane;
And ere he blew three notes (such sweet
Soft notes as yet musician’s cunning
Never gave the enraptured air)
There was a rustling, that seemed like a bustling
Of merry crowds justling at pitching and hustling,
Small feet were pattering, wooden shoes clattering,
Little hands clapping and little tongues chattering,
And, like fowls in a farmyard when barley is scattering,
Out came the children running.
All the little boys and girls,
With rosy cheeks and flaxen curls,
And sparkling eyes and teeth like pearls,
Tripping and skipping, ran merrily after
The wonderful music with shouting and laughter.

The Mayor was dumb, and the Council stood
As if they were changed into blocks of wood,
Unable to move a step, or cry
To the children merrily skipping by—
And could only follow with the eye
That joyous crowd at the Piper’s back.
But how the Mayor was on the rack,
And the wretched Council’s bosoms beat,
As the Piper turned from the High Street
To where the Weser rolled its waters
Right in the way of their sons and daughters!
However he turned from South to West,
And to Koppelberg Hill his steps addressed,
And after him the children pressed;
Great was the joy in every breast.
“He never can cross that mighty top!
He’s forced to let the piping drop,
And we shall see our children stop!”
When, lo, as they reached the mountain’s side,
A wondrous portal opened wide,
As if a cavern was suddenly hollowed;
And the Piper advanced and the children followed,
And when all were in to the very last,
The door in the mountain-side shut fast.
Did I say, all? No! One was lame,
And could not dance the whole of the way;
And in after years, if you would blame
His sadness, he was used to say,—
“It’s dull in our town since my playmates left!
I can’t forget that I’m bereft
Of all the pleasant sights they see,
Which the Piper also promised me:
For he led us, he said, to a joyous land,
Joining the town and just at hand,
Where waters gushed and fruit-trees grew,
And flowers put forth a fairer hue,
And everything was strange and new;
The sparrows were brighter than peacocks here,
And their dogs outran our fallow deer,
And honey-bees had lost their stings,
And horses were born with eagles’ wings:
And just as I became assured
My lame foot would be speedily cured,
The music stopped and I stood still,
And found myself outside the Hill,
Left alone against my will,
To go now limping as before,
And never hear of that country more!”

Alas, alas for Hamelin!
There came into many a burgher’s pate
A text which says, that Heaven’s Gate
Opes to the Rich at as easy rate
As the needle’s eye takes a camel in!
The Mayor sent East, West, North, and South,
To offer the Piper, by word of mouth,
Wherever it was men’s lot to find him,
Silver and gold to his heart’s content,
If he’d only return the way he went,
And bring the children behind him.
But when they saw ’twas a lost endeavour,
And Piper and dancers were gone for ever,
They made a decree that lawyers never
Should think their records dated duly
If, after the day of the month and year,
These words did not as well appear,
“And so long after what happened here
On the Twenty-second of July,
Thirteen hundred and seventy-six”:
And the better in memory to fix
The place of the children’s last retreat,
They called it, the Pied Piper’s Street—
Where any one playing on pipe or tabor
Was sure for the future to lose his labour.
Nor suffered they hostelry or tavern
To shock with mirth a street so solemn;
But opposite the place of the cavern
They wrote the story on a column,
And on the great Church-Window painted
The same, to make the world acquainted
How their children were stolen away;
And there it stands to this very day.
And I must not omit to say
That in Transylvania there’s a tribe
Of alien people that ascribe
The outlandish ways and dress
On which their neighbours lay such stress,
To their fathers and mothers having risen
Out of some subterraneous prison
Into which they were trepanned
Long time ago in a mighty band
Out of Hamelin town in Brunswick land,
But how or why, they don’t understand.

So, *****, let you and me be wipers
Of scores out with all men—especially pipers:
And, whether they pipe us free, from rats or from mice,
If we’ve promised them aught, let us keep our promise.
ConnectHook Oct 2017
HEAR YE HEAR YE
It's a wedding bell for bedding well cause' we're crushin' the illusion of Russian collusion! CNN wets on Russian bedding but Trump bets on Russian wedding, and you're invited to the bridal shower. Punking the monkery, dig the debunkery; from Rasputin to Putin it's time for some straight shootin'. Hillary looks old and glowers at Donald's rumored golden showers. Our media owes US an explanation for streams of steaming urination, but we are willing to forgive and use their wet diapers as debt wipers. My poem's appeal may take a toll, but let its little peal now roll:

******, ******
rings the bell
A Fake News warning; time to spell
out what was wet with Moscow girls.
Putin's putas ?  Wisdom's pearls
were pried from Truth's reluctant shell,
banishing Hillary straight to hell.
None. It's what we want left over
from this hag. We now discover
beds were dry; it all amounted
(all those golden tricks recounted)
to less than a tepid bowl of kasha. . .
Russia laughed from her summer dacha.
InfoWars was on it first
while Dems spun lies from false to worst,
awarding cash for faked dossiers
embellished with the CIA's
well-trained performing circus-seal.
The FBI endorsed the deal
as RINOS horned in on the action:
Washingtonian distraction;
a democrat-concocted fuss—

. . . but we ALL paid Hillary to **** on us.
TRUMP / PENCE 2020
**** on the Fake News !
HILLARY for PRISON
SUBVERT GLOBALISM.
Hadley Oct 2013
I think about your stupid face
all the ******* time
I wish I knew how it felt
to have your lips on mine
But who would choose a clump of dirt
in a bowl of chocolate chips
I smell like cigarettes
look like death
**** like an animal
I'm a complete degenerate loser
I don't have the confidence to tell you how I feel
So I guess I'll stick to putting love letters
under your windshield wipers
I really like you okay
but I don't have feelings cause feelings are gay
Leah Rae  Oct 2012
Suicide.
Leah Rae Oct 2012
They Are Lost Love Letters. Written & Sculpted, Imprinted On The Palms Of Praying Children.

They Are Hauntingly Beautiful.

They Are The Silence Of The Storm, They Are The Emptiness Of Shallow Graves.

All She Left Was “I'm Sorry” On The Bathroom Mirror In Red Lipstick, She's Said It So Many Times Her Body Is Now Bent Into A Permanent Benediction Of Regret.

He Wrote Five Drafts Of His Suicide Note Crossed Every T, Dotted Every I.

Now They Wear Self Inflicted Scars, Like Road Maps To Their Own Insanity.

It Was Her Palm Across The Diner Table At 3am. Her Skin Like Rose Petals Pressed In Submission, Smiling, Teeth Pulled Taunt Across Her Chapped Lips, Smiling, Telling Me She Hasn't Eaten In Three Days, Says The Sounds Of Her Body Eating Her Alive Helps Her Sleep At Night.

His Eyes, Angry And Blue, Told Me He Put A Down Payment On His Coffin Today. He'd Been Saving His Pennies For Five Years Now, Don't Tell Me This Wasn't Premeditated.

It Was The Way Her Body Vibrated Aching In Every Joint, Throbbing, Screaming Into Herself So Loudly Her Palms Shook. On The Way To Work In The Morning, Says Sometimes She Can Hear The Wind Whispering To Step In Front Of That Train, Says She Can Lick Her Lips And Taste Heaven.

The Way He Wore A Crooked Half Smile, Pouring GunShot After Gunshot Down His Throat. The Sting Reminded Him Of Wintertime In The Midwest, Told Me Could Feel The Tubes Clawing Their Way Down His Throat. Someday He'll Met A Heart Monitor With The Guts To Tell His Mother Sorry For Him, Because He Never Could.

She Filled Her Bathtub With Ice, She Fantasizes About The Layers Of Flesh Shes Been Suffocating In For So Long, Finally Being Numb.

The Way He Begged The Stars To Call Him Home, Closed His Eyes, As His Right Foot Craved The Gas Pedal, Screaming Through This Red Light, So He Can Finally Come Face To Face With The Angry God So Many People Pray To.

She Wanted To Trace The Lineage Of Her Family Tree Deep Into Her Veins, Up The Length Of Her Riverbed Skin, Until She Can Kiss The Underside Of Her Own Touch.

In The Early Hours Of The Morning, He Finds Himself Crawling On Bruised Hands & Scraped Knees, Cradled Against Train Tracks, He Liked The Constant Thunder In His Ribcage, The Promise Of Something So Much Bigger Than Him Dwelling Inside The Body He Has Been Calling Home.

She Wanted To Wrap The Tether Of Regret Around Her Throat, Ring Her Lungs Breathless, Tighter, Tighter, Until The Time Between The Rise And Fall Of Her Chest Felt Like Centuries.

He Stood Face To Face With A Motionless Sky, A Shade Of Grey So Empty He Could Feel It Ache Inside Of Him. It Begged Him To Step Forward, Just Inches, The Call Of The Void, Bridge Jumper, Harlequin Lost Lover, So Close, So Close.

She Held The Barrel Of Life Between Her Lips, A Fine Line Between Here And There. Shes Walking A Boundary Built In Her Blood. It Doesn't Hurt Yet. A Trigger Happy Hand, Palms Sweating, Shes Counting Down In Her Head, 3, 2, 1,

He's Got “Wide Awake” Written All Over Him, The Bottle Says Take One, But He's Got 53 In The Palm Of His Hand, She's Got Gasoline Seeping Into Her Skin, The Smell Of Smoke Has Never Been This Strong.

They've Been Journaling Their Lives Deep Into Leather-bound Notebooks For Someone To Remember, They've Swallowed Their Own Self Pity, Call It Poison.

She  Never Knew I Would Have Used My Fingertips As Windshield Wipers For Her Tears. I Would Have Placed My Open Palms Against His Chest, And Told Him He Mattered, At Least To Me, In This Moment, Brash And Reckless Healing,

They Told Me They Found A Muse In The Lost. Hopeless Melodies, Kurt Cobain. Sylvia Path With Stones In Her Pockets. ****** With Cyanide Tablets And Silver Born Bullets. Anne Sexton With Carbon-Monoxide Lungs And A Padlocked Volkswagen. Marilyn Monroe Silver Studded In Sedatives, Pulled Down Deep, Until There Was Nothing Left. Hemingway With Shotgun Shells Littering His Skull.

To Them It Seemed Like A Right Of Passage. A Last Attempt To Leave This Planet Screaming. A Better Than Goodbye. Something Poetic To Carve Into Your Skin, Or Flip Top Wooden Desk, So Someone Somewhere Would Remember The Name, Because They Were Told Legends Never Die.
This one is real personal. Hope it resonates with you, like it does with me.
JR Potts  Sep 2014
The Long Drive
JR Potts Sep 2014
Streaks

from worn out wipers

dented cans, plastic wrappers

the glow of a cigarette ****

lying comfortably 
in the ashtray

white knuckles tight

on a weathered wheel

empty roads

cold and black

eyes tired but open

like trucker stops

or roadside diners

with the neons

still on

I keep driving

teetering between

my existence

and a sweet dream

I’d slip into that slumber

if not for the passengers

still fast asleep
in my back seat

So I keep driving

as quiet 
and as lonely

as it may be

I keep driving

because 
somebody

is putting
 their trust
 in me

— The End —