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Kelley A Vinal Jun 2015
Liquids and lipids
North and south
Fatty and lean
Mouth-to-mouth
Resuscitation
Breathe
In and out
I think I need the Heimlich too
Compress my chest
Until I come to
Shelby LoAnn Dec 2012
My favorite quote would describe knowing even one life breathed easier because you have lived;
The meaning of life.

But when do I breathe easier?
How can CPR be performed if the life guard has no breathe?
Surely resuscitation would fail.

Yet, laughter originates from the larynx;
Our primary source of sound production.
Cords vibrating as air passes,
Laughter production.

Laugh often and much,
We are breathing.
Resuscitation!
Share the breathe,
Share laughter.

This is to be a success,
To resuscitate
leaving the world a better place
By whatever necessary method.
Ralph was right,
Just resuscitate when needed.

This coup
A new nation
Loyal dedication
Its classification

‘Species procreation’
Prevents us from facing
A human cessation
selective mutation
Gestation
Creation

It may help explaining
The reasons
Behaving
But not the foundation
Or actions
We’re basing


A simplification
is “continuation”
A checkbox
left vacant
Fulfillment
We’re chasing


We sweat
Eyes are gazing
A slight
palpitation
In need of hydration
Complete excitation
Without
hesitation
Intense stimulation
Deep urges
Heart racing

Driven
By sensations


Unbounded fixation
Pelvic
Undulations
Clothing
Perforations
Time no longer wasting

This capitulation
a Sanctification
****** gyrations
Hint of *******


The bedroom
Safe haven
For what
we are craving
Once out
and displaying

It all had been taken
Before
Feeling vacant
Freed imagination
A resuscitation
Indulged depravation

A rhythm
we’re setting
The giving and getting
Destroying
the bedding

All else I’m forgetting
Entwined
with each other
Like entangled netting
Both
on the same trip
In a unified heading


Now comes
the summation
A true
Revelation
Final
culmination
Smash all expectations
Volcanic
eruption

That lasts the duration
Loud gasp
We unlock

Filled with gratification
Written: July 8, 2018

All rights reserved.
Nat Lipstadt Aug 2013
What poem will you wear, when first we meet?

How will I recognition-you,
when you transverse my land?
Unknown our faces, our voices,
Only silent words electronic exchanged

Will lantern, it be: one, if by land, two, if by sea?
Will your ID badge, passport stamped and state,
Your chest bear a witness-sign?

The Arrivals Board flashes:
                    une poétesse est arrivé
                    eine Dichterin ist angekomme
                    a poetess has arrived
                    una poetisa ha llegado

Will there be a haiku in your hair,
A limerick exposed by raucous grin,
Or just ten words
allotted for your entire visit?

Desperate to locate
Urgent to sensate
Matters I take
Into two cupped hands,
On the shoeshine stand
Climb and recite-shout

Know me by my words,
Know me by the lilt lyrical
Of my American accented,
Canadian Tongue of my mother

Know me by my words,
Carved by time on my forehead,
Poetry is the blood of this fool's soul,
Hear me, find me, look upon me slamming

Poems are the thorns in my palms,
See me crucified, bleeding stanzas
Upon my shoeshine stand cross
Recitation resuscitation welcoming:

Benedicting Gloria, Gloria, Gloria

But if this should fail your attention to secure,
Or the TSA unappreciate my second coming,
Look for the crowd gathered round,
A man of moderate height, in a tall hat,
Beard scraggly, looking sorrowful
Reciting the Gettysburg Address

Either way,
Should be easy peasy to find me,
Grab your bag, off to short-term parking

This is how an Americana poet meets n' greets
Arriving poetess from a foreign land

Is there any other way?
------------------------------
Postscipt
Alas, five years on and I know in my heart
that you are not coming...
Aug 2013
Emme Apr 2013
They come to me for a kick start, a quick start, for a broken heart, or one that's stopped beating.
They come for spice, for ***, for connection, for healing.
They come to be seen, to be accepted with open arms, open mouth, open heart, and open *****.
They come to be renewed, rejuvenated, revived, resuscitated, reminded of what it is to love, and to be wanted.
And then they go.

Who heals the healer?
Jazzelle Monae Apr 2014
The way he mouths her name
His precise tone and articulation
sends her crazed and off the edge
a bliss with no resuscitation
Exploring every inch with callused touch and hesitation
Whispered moans in exclamations
His kiss. His body. Her adoration
They build their high in accumulation
Released in sync, their exhilaration
Silent physical communication
Coming down with slow deceleration
They meet eyes and mouths in gratification
to slowly fall in reveries
from their affair and liberation
© 2014 by Jazzelle Monae. All rights reserved.
JP Goss Jan 2014
To exhale
Compresses the chest
And in its place
Some chilblains,
Disgust for its being,
An annihilation
A ferocious hunger for itself,
Like the ouroboros
In every breath
Tempted by a life
For the moment gone.
To inhale
Invites it back,
A dispassionate process, no less.
The life thus stolen away
Impotent to the next breath
That I must exhale.
On this breath there comes a fear
A longing or
The urge
To lift my hands to my throat
And keep the life in my lungs
To quit exhaling
And never feel that way again.
Joseph S C Pope Feb 2013
Air fresheners killin' me softly about
judgment moments--days bruised hearts sing about
within the reach of hell--and she told me about her allergies

Of course Polaroids stalk what we don't see--those kisses
and the homeless starving, and flowers, and ****, and books, those tears,
and when she broke the fever from food poisoning. I bet we'll remember that

--And the exposed arms around your waist,
lips on midday, heart up early, breakfast for two underneath
the only red umbrella
left after Gabriel's tune
we remixed
the night before.

Standing on the brink of the Lazarus water-mark
--And the man behind you, and the lack of others behind us.
Gehenna before us
wiping away the unforgivable.

--And they make us forget you were allergic
to the pollen of spring--the death-throes of day flies.
Someone  Apr 2015
Resuscitation
Someone Apr 2015
You always spoke too fast,
And then stopped yourself, apologizing
Mumbling now
You always danced much longer than everyone else at the parties
Did you ever think you'd make it out alive?
I wish the answer was yes
((Even though I knew better))
You always stayed in bed for far too long
And cried much too hard
And loved people who couldn't feel the same
It started to wear on you,
Funny what love can do
It fades
Or did it never exist?
Why am I here? You asked me
You asked me often
I answered the same each time
'You and the universe are the same, and we need you here'
Maybe it wasn't good enough,
Maybe it was my fault,
Maybe It was my fault
You're breathing faster now
I try to calm you down,
It never works,
It never works
I got angry,
Impatient
Maybe it was my fault-
Is my fault
I don't know how to write anymore
Your hands always guided mine,
Your hands don't exist anymore
You always played your music too loud,
You were only yourself while you were drowning your thoughts out with song
People would yell at you,
And I'd try to sing along
Maybe I didn't sing loud enough
I'll never forget the day you turned your music off,
Both literally and figuratively
An allegory,
Or is it irony?
I don't know anymore
I remember you laying in the wooden bed-
Box
Skin soft, artificially pink
I showed up to your wake, drunk
((Wasn't much of a surprise, was it?))
You'd always told me that you would be the first one to go
Sadly it was true,
Should've been me
I punish myself everyday for it-
Trust me
I showed up drunk
Funny how my veins were filled with the same poison that killed you
Maybe I subconsciously meant to do that
I showed up drunk
I jumped in and tried to resuscitate you,
They dragged me out and gave me this look
This disgusted, disappointed look
And I realized that's how people have been looking at you your entire life,
And I finally understood
They threw me out and I fell to my knees
I understood why you took the blade
Took the blade to your--
I saw you laying in that box,
And wondered where your soul was
I remember those nights,
I remember those late nights
Clutching each other in the cold
Wanting out of this town,
Of this world
I stayed
You relied so heavily on me and
I'm sorry,
I'm sorry I couldn't stop you from lifting the bottle to your lips,
The blade to your wrist,
The gun to your mouth,
I'm sorry I couldn't quiet your thoughts
Now I know how evil they were
I'm sorry I couldn't stop you from lifting the bottle to your lips,
The blade to your wrist,
I made a home in your veins
so when you cut them,
I died with you
I fell to my knees and finally understood
Nat Lipstadt Jun 2023
(and I cannot live
from with-out)

<>
a poem in appreciation to Rossella Di Paolo

<>

I, too:
          - am an embryonic work in progress,
well into my seventh decade, with no ending in sight


                                I too,    
live in the house of poetry, the address likely differs,
but suspect the innards of the houses differs little,
the decor,  quite similar

         - my house shrewdly requests a rethinking,
                                    noting, it lives my artifice,

with in & with out

Then, we are a We:
                                  
          - my cavities house her, She, Poetry is of Ruth (1) born,

          - Poetry, She, reminds me, ”whither thou goest, I will go”


This duality:
          - where the haunting of words providential,
             emanate, both inhabiting & inhibits my breathing
              She, a fearsome creature, a fearful-something,
for it tears me and shreds tears its demands be wrung
from with in to with out

She, Poetry:
          - leaves me gaping, hollow, fills me with
            depressurizing boreholes exposed to the elements  of
            externalities of an admixed atmospheres, that nature demands             be refilled, fresh in, stale out,
for which the artifice trick is knowing which is which

when Poetry’s  birthing:
          - chest pounds, heart-rate beats heavy metal,
            abdomen contracts, there then, no languid in my language,
            no help untangling the alpha-bet jumbling,
            product of the screams of pushing,
squeezing it forth

you’re hoping to quick-catch newly formed combinations,
for if you fail, a poem
noisily crashes to and through the floorboard cracks,
where poetry’s chaotic glinting etes
maliciously glimmer~winks at me
with a sarcastic thank you

“ah, too bad, another creation stillborn,
gone to rest, biting the nether dust,
without hope of resuscitation…”*

just another unfinished work in progress

periodically
a survivor clean caught, transcribed, edited to be finished,
amniotic fluids cleared,
poem resurrected
blessed with eternal life,
readied to be shared and delivered,
affirmed

and you say to no one and to everyone:

this poem will be our poem,
wither it goes, ascending, descending,
all live in the house of poets,
one house,
many apartments,
each poem a god,
and
my God will be our God,
your God, my God,
in the House of Poetry
https://hellopoetry.com/poem/4717212/leave-if-you-can-ii-by-rossella-di-paolo/

(1) And Ruth said: “Entreat me not to leave thee, or to return from following after thee; for whither thou goest, I will go, and where thou lodgest, I will lodge. Thy people shall be my people, and thy God my God.

——
Leave if You Can II


I live in the house of poetry.
I ascend her stairs slowly
and leap back down.
I sit in the chair of poetry,
sleep in her bed, eat from her plate.
Poetry has windows
through which mornings and afternoons
fall, and how well she suspends a teardrop
how well she blows until I tumble / With this
I mean to say that
one basket brings
both wounds and bandages.  
I love poetry so much that sometimes I think
I don’t love her / She looks at me,
inclines her head and keeps knitting
poetry.
As always, I’ll be the bigger person.
But how to say it / How to tell her
I want to leave / honestly I want to
fry my asparagus…
I see her coming near
with her bottle of oil
and crazed skillet.
I see her,
her little bundle of asparagus
slipping out her sleeve.
Ah her freshness / her chaotic glint
and the way she approaches with relentless meter.  
I surrender / I surrender always because I live
in the house of poetry / because I ascend
the stairs of poetry
and also because
I come back down.

    — Translated by Lisa Allen Ortiz & Sara Daniele Rivera

— The End —