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Marco Buschini Nov 2016
The pulsating, pearl moon
Harbours the last remnants of romance,
Scintillating, in the valourous sky,
As I ceremoniously call upon the gods
To bring her back to me.
I longingly strip, craving the vivacity of her caress.
Irresistible, I would yield to the perpetual
Power of her touch.
Immersed in the shadowy depths,
Rippling serenities of thought.
I glimpse at her reflective soul,
Shimmering upon the ravenous river,
Emanating from the stars
In all their graceful radiance.
Her heart illuminates
The benevolent evening.
The breath of inevitability
Stings my skin, as I dress,
Firing my arrows of impatience
Disconsolately, into the shivering azure,
Hoping for a way
To penetrate her very being.
ryn  Feb 2015
Flame
ryn Feb 2015
.
•    
re-
     kindle
    the spark
   that governed
    this game•the fire
  that once burnt as bri-
  ght as sun•all of this once
before, had a name•but now
is weak from the time it had be-
gun•there was a time when it wo-
uld consume•......it would defy the
odds....just so it could burn as one•
frantic and desperate for the magic
to resume•uncertainty has carved
itself into the heart that has come
undone•winds bearing ill no-
tions revealed as the enemy•
stitch up the gaps keep-
ing out the rogue
gust•
  pro
tect
  the
light that burns ever weakly•rejuve-
nate the spirit that harbours broken trust
•rekindle me now... i'm still in the game•
the heart                   save the     you will
isn't                              candle           need
ready                           and              to see
to make                         nur-              me    
sense                            ture             with
of the                             it                 this
dark•                             to                  in-  
                                    fla-              sig-  
                                   me•             nia
                                     ­                     as my
                                                         mark
                                                         •
.
Thomas Wood Dec 2019
At a desk, coffee sachets rest.
Long-life milk harbours
white dreams of expiry.
Shuffling in his forgetful nest
a grey man blinks
at the intruding light.

Americo, do you remember
your antique power,
that opened like a rose
on the walls of Hiroshima?
Ashley Chapman Sep 2018
Past our past,
Yours and mine,
My soul yearns,
As I walk by silver clad trees; 
A favourite parked orange vintage Saab;
And memories newly raw, too.


I

Then quite extraordinarily,
The Cosmic Whale,
Stirs in my solar-plexus,
And my objectivity dissolves,
As conscious consciously hears:
The song of my inner Gypsy,
And look!
My Narwhal,
Up among the stars,
Beyond days and nights,
Roaming free,
Scything milky ways in half,
Fireballs disrupting,
In infinite timelessness,
Beyond the pull of gravity,
Where no vortex holds:
The 'othering' whirlpool,
That keeps us compressed
- as a collapsed star -
Gone!
At last my Cosmic Leviathan blows
- ALL is released and falls away.

II

Such is my Cosmic Behemoth:
The funnel *****
And inside out,
Is turned.
As at last on course;
Whoo! Whoo! Whoo?
But no-one replies!
The navigation station is empty:
This is motion without traction,
And no acceleration,
Slipping atoms would only slow!
The flow,
No windows either on the view,
As even visual truths are but fleeting,
And words muddy the clear unconscious streaming,
As the journey beyond mind begins.

III

The worldly maze recedes,
A bird's-eye vision steers the empty ship;
No harbours are plotted,
From here on
- endless flight in night,
Without end,
Wings blaze occasionally nearby,
A host of fireflies pattern the cosmic pool,
A whole immensity in which to dance.
Space,
Growing,
Stretching,
Expanding outward,
Not as we would have it, but as it is beyond our eyes.
Where space is born,
Again and again,
And so!
Exults in nothing,
A self beyond understanding,
In silence thrives,
Where sense logic makes no waves.

IV

The Cosmic Whale is off,
All attachments gone,
Like a flake of skin,
A fold in time -
Falls off.
The anchor dropped,
Is not retrieved,
What use is I -
When the clock's monotony no longer counts!

V

The surface disappears,
The ocean depth submerges,
In the cabin
The lights are dimmed to monochrome,
As navigators know,
Blind sees the furthest.
Charts are soon forgotten,
The imagination leads:
Ueah, the Cosmic Mind,
Vast and free
In all directions!
No need to plot a line,
Instead like the humble earthworm,
Who in darkness fertilises:
Beauty, how unimaginable, how unknowingly,
Is by all that envelopes guided,
As from the cracked ***!
Which in Reality was suffocated,
The source is nourished.

VI

As my Cosmic Whale plunges the deeps,
Look to the expanse:

     The eternal behemoth whose flight
     Everywhere provides,
     Guileless and unobjectified.
     A subjectivity that knows no
     bounds,
     Is unto itself unknowable.

In brushstrokes.
The universe,
Is as it rolls Created.
Where logic has little to do,
As all,
Already simply is.
This poem is actually about the ego's death. How I will mourne it, and how the fight to let it go will be immense as it is for us all. Death in life comes in many shapes, not ultimate death, but our relationships, *le petite mort*. Of course, there is life beyond relationship death. Beyond a sense of end; and yes, ultimately all is good preparation for that all consuming final death. This poem was inspired by untenable love for another; by the paintings in bold, almost lurid, but zen-like brushstrokes of a fellow Tunnel member, Genevieve Leavold; and by my mate Chris Godber who alluded to whales. It also has to do with my Gypsy heart and Celine's Salon, in Soho at Troy 22, where we celebrated the traveller's soul. Finally, a YouTube clip of a talk given by Guru Mooji in which awareness is being conscious of conscious.

Bon Voyage!
The human soul was threshed out like maize
   in the endless
granary of defeated actions,
   of mean things that happened,
to the very edge of endurance, and beyond,
and not only death, but many deaths,
   came to each one:
each day a tiny death, dust, worm, a light
flicked off in the mud at the city's edge,
   a tiny death with coarse wings
pierced into each man like a short lance
and the man was besieged by the bread or by the knife,
the cattle-dealer: the child of sea-harbours,
   or the dark captain of the plough,
or the rag-picker of snarled streets:
everybody lost heart, anxiously waiting for death,
   the short death of every day:
and the grinding bad luck of every day was
like a black cup that they drank,
   with their hands shaking.
Don Moore Oct 2016
Winds from far foreign climes beats upon the Lizard rocks
Gulls driven towards the blackest of crags, yet pass over safely inland
In the darkest skies they wheel and spin as if torn by some giant’s hand
White horses gallop crests of waves as they rush towards tiny harbours
There to crash savagely and rend cut stones from their secured places
Men work to save their boats, fighting the storm which mothers sent
Nature conspires to take their very lives as they struggle with her might
Rocks gnash their teeth and boats not safe yet, pass near their faces
Hoping for the safety of their port, men’s white faces line their gunwales
Black, white, red, blue and yellow, boats colours lost within the spray
These same boats that forge the men they carry out upon the sea’s wrath
But now just seek to bring them safely home to their worried wives
Their women stand upon the quay or stare worried from their windows
Churchyards on the hills above seaside villages filled with headstones
Men’s deaths caused by storms in past times of fishing for their living
Leaving spouses, their children to carry on their traditions and religion
Headstones cut from the very granite of the weather worn Lizard cliffs
Menfolk deep beneath the Cornish loam, there to rest for all eternity
Whilst below in the thrashing storm, the families fight once again
Then as quickly as it came, the storm blows out, waters return to placid
Men stretch their aching backs, those hidden from storm turn out
The ******’s mission helps as it can the fractured families
And church maybe rings for those lost out to sea, never to be seen again
There will be time to mourn, and the village will then lament together
And those who are left, they return to their sacred craft of netting fish
Return to shining calm, to ply their trade, to bring food to this isles shore
Writing a Cornish Faery tale presently, and I felt parts of the book would benefit from some prose at the beginning of a chapter...
softcomponent Jan 2014
in the crazy clasp of a darker place is the beginning of a laughing statue and it was nothing like any of this as far as the ketamine kept me floating above every objectivity so who was I beyond the flattery becoming bespecalled across my essence by surrounding loveships in-order to my left-: Sibelle, a mysterious artisan I believe all writers with a habit to smoke most certainly would (or have) fallen in love with at some point after an introduction; she's got these feline eyes of curious enamour and curly, short hair like Picasso curls and a soft, tough speech to her (INTEGRITY!!) perhaps a hard nut to crack sometimes but worth the effort to sit and get to know her, highly definitley one of the most beautiful women I've ever met-- where the existential confusion in her eyes twists to a smile in-which manifested is happiness-of-the-absurd, she secretly loves everybody like we all do but won't quite venture forth into extradimension to mention (to mention) ((but she does now because drugs bring us into Mind At Large as Huxley called it))

Greg-- a well-spoken sage of preference to beautiful confusion, a legitimately happy Boddhisatva who has found his bliss in the random number generator of life.. he showers everyone with praise and every love he harbours is a very very true love you just want to hold him close and cuddle, me particularly in a way that forgets the ******* connotation that says 2 men can't hold hands as good friends.. who invented my mind anyway? a culture vulture? or culture as represented in sculpture? forget it, Greg is a good looking fellow but not just that he has the brains and brilliance, there is no doubt in my mind he is eternal. sometimes I wonder if he forgets me in the throng of university personages like Kelvin has, but what a beautiful place to start-- I'm glad I met him and he is already a best friend.

Hunter-- classiest person I have ever met he's got a crick in every step that softly whispers his manifestation of the human condition in an art-gallery frame for centuries of witness to come. He is quickly taking the place of a very best friend to me but I never like to say there is one above the rest as it's impossible to make love exclusive.. but he has always been in my life in his rusty little class-car Jerry (or so it feels) and I hope the four of us know each other unto death... a soft-hearted punk-rocker with a temporal soul of glowing brilliance and lucidity, I love the guy like a long-lost brother I intend to never lose again; he is somewhere between on-screen and behind-the-camera in all situations, like a movie character who appeared to show us all Holy Moments needn't be framed becuz yer eyes are cameras and this is the nature of reality (a filmmaker if I ever knew one).
excerpt- - 'the mystic hat of esquimalt'
MalaiDaisies Jun 2014
Aching with melancholic memories,
The sea stands, Freedom carving her wings, Beholden to nobody.
Each wave destroying the remaining morsels of empathy that she still harbours.
One cannot imprint themselves on water,
But footprints are etched onto the sand.
Here's a little secret though- the sand is but swallowed by the sea.
The colours contort from one gruesome grey to another.
The days she is blue, the beast lies dormant,
Waiting for the black to raise its ugly head.
So free I think,
Water turning to fire, defined only by her existence.
Everything pales in comparison, the sun, the sky, the clouds.
But then I realise- what is the sea? Where are her colours from?
She is nothing but a reflection of the sky.
Her moods influenced by the clouds.
Free? I laugh.
She is captured.
The sea is, and always will be my biggest inspiration.
Arthur Habsburg Jul 2018
Cockcrow harbour:
the gulls whining like tethered dogs
about rooftops
paliophobic cars and
grounded vessels..
Look:
on the hoary horizon
a glaucous strip
beguils
with backwater.
Not putting on a show
the frigid sea benumbed..
Easily,
with a tail of emerald jelly
skim a vanishing lane off that
lustrous sheet
and watch
the trailblazing mainland
scuttle.

Now,
Only scattered dreaming is possible.

In it's bachelor pad,
cradling over crinkles,
away from the meretriciosness
of validating the real by sharing it,
THE WIND
blusters off any veneer.
Here,
stale but spry,
fare your way around the inoffensive isle
to it's most shyest of harbours:
a mouth full of silver
saving it's breath.
The windows facing the sea
seem
black & white,
their wooden frames hooked to the wind,
the splattered gulls meow
your name
in a way
that's
personal.
Of course comes to mind.
The pines
are demanding a visit,
They're whispering
so you can hear them,
each as different as every snore,
these pines know
how to grow in the sand
and still reach for
the Nimbostratus with heads in unison.
The spaces
between their trunks illuminating
the blazing needles
raining down
painting the ground
familiar
to your lover's
skin texture:
Feel her closeness
from jilted borderwatchtowers
as she speads her mire
like no one's watching:
weedy and sugared
with bellflowers,
the waves in her shallow armpit
billeting a pair of white swans:
demurely they float
sometimes as pillows and sometimes
as question marks..
Go ask the seasoned locals,
they say the bones she parked
when she let her ice sheet melt
are portals
to her noble underbelly.

Hidden in the woods
reminiscent of your heart,
the red
tank-sized stone
is sealed,
but what the lighting reach cannot
the rain shall sluice apart
dumbly.
And though her hair has
come to be
the moss
black and hoarse
as sailor's beard,
there is still time.
The void says
her noisy neighbour is nothing
to die for.
The theadbear car with absent doors
incites
to drive her
in reverse gear
to the first few
days of holidays:
her golden locks a-blaze,
her arm around your
hind-sighted doppelganger.
Going to Prangli island.
As you set out for Ithaka
hope the journey is a long one,
full of adventure, full of discovery.
Laistrygonians and Cyclops,
angry Poseidon - don't be afraid of them:
you'll never find things like that on your way
as long as you keep your thoughts raised high,
as long as a rare excitement
stirs your spirit and your body.
Laistrygonians and Cyclops,
wild Poseidon - you won't encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.

Hope the voyage is a long one.
may there be many a summer morning when,
with what pleasure, what joy,
you come into harbours seen for the first time;
may you stop at Phoenician trading stations
to buy fine things,
mother of pearl and coral, amber and ebony,
sensual perfume of every kind -
as many sensual perfumes as you can;
and may you visit many Egyptian cities
to gather stores of knowledge from their scholars.

Keep Ithaka always in your mind.
Arriving there is what you are destined for.
But do not hurry the journey at all.
Better if it lasts for years,
so you are old by the time you reach the island,
wealthy with all you have gained on the way,
not expecting Ithaka to make you rich.

Ithaka gave you the marvellous journey.
without her you would not have set out.
She has nothing left to give you now.

And if you find her poor, Ithaka won't have fooled you.
Wise as you will have become, so full of experience,
you will have understood by then what these Ithakas mean.
Megan Sherman Mar 2017
Upon this wizened, ancient lyre
I'll sing the ballad of the Roses, till I tire
Each one of them a blessing true
Working diligently for the life of every one of you
A true Rose is a beating heart
In which lust for justice bubbles, brews

In Parliament, they call them Labour
But a Rose is anybody whose heart harbours
A love of life and all it's creatures
Considering the workers to be teachers
Imparting the wisdom of their experience
Marx, the most exquisite of their preachers

His words shine bright and cast a light
Upon the path of destiny, he predicts workers delight
But not before the struggle, toil
The quest for righteousness embroils
All human hearts in earnest endeavour
Across the worlds sands and soils

O rustic Roses, I worship and adore you
If you have time, allow me to implore you
To see yourselves the way I see
Creatures of brilliance and majesty
Who devote themselves to the truest fight
For workers wage and workers right
Long may your light shine at me

— The End —