Submit your work, meet writers and drop the ads. Become a member
Solent in Expiationem Animarum

Saint John the Apostle says: “Zefián, the computer of the Duoverse of the Verthian world, indicates the order of his creation of the world, according to the transcendental plant living matter, in the interstices of time itself that exists within sidereal time. Noting that matter and time, is governed by all mythological beings in a compartment with monotheism, will be defined by atavistic laws, which are the deity of the intense hiding place of procreation, endowing great contextual residences, for habitat and a world in which larger non-residential scales, which go from passerby between the lines of time, and cosmological phenomena, which in the Duoverse face vicissitudes of the stars and their physicality added to the arcs of memory and emotions. Thus the main task of how the structure of experience surpasses consciousness, to novelize the orthogonal movements of the Universe, but in a Vernarthian world with great explorations of matter, which are quantified and volatilized in the field of its ethereal existence. The laws will be governed by your Zefian computer, describing codes that will verify the fulfillment of pivots in the reactions of the universe, but with refractions when reasoning about the consummate phenomenon. Starting from here in the experienced biology that will overcome the laws of physics, since its value is above the limits that allow the bold line of gravity that bounces in the lines of time, and its distances promoting more discretion when resisting threats. of a possible tiring case, a product of some relative dominance not included in all worlds with each other, in some case that does not rescue us from loss of links of some omitted sidereal reminiscence, attracting us to a universe governed by hemicycles of merely material particles, and not existential biological ones. The dimensions emerge from the beginning of the same universe, but more delayed from the interval and the second limit of the space that rests, to inaugurate the one that comes. Being the orbit of translation twice rotating towards the sun, but nth times rotating on itself, to go out to another stellar dimension not present. Its geometry will be from the intendancy of the resumption of Cinnabar in Tsambika and Helleniká, to later cancel each other out, making their integration in Patmos, on the coast of Skalá, with curvatures that validate the nullity of successive expirations of material lives, between spiritual expirations alive.


Duoverso is born and will be reborn, every time the years are subject to the loss of everything quantifiable and not, under the light that will be lit on all the darkness, Zefián being, in paronymy in which they lack to appropriate the support and merit of to have it absorbed in the tabernacle of Vas Auric, in the privilege of nothingness itself and nobody, adding itself in what is preserved of the physical support of itself. For just sidereal speed, in which it will have to travel on its same axis of rotating time on itself, in paradoxical of the One-dimensional Beams, these coexisting with the same low and high universes, reconverted into angelic vital luminances, creating orbits and optics in the visions of Christian temporality. By empowering them to enable them in the overexcited that derive disorders of intermittency of memory and physics of time, to reinsert themselves in the sequence that inhabits the residual of the speed of the Beam, as a Theo-Philosophical entity, of cellular multiplicity or cells of seasonality. of retrograde times, for the independence of temporality, under the regime of the past made up of an unbelievable yesterday. Overcoming the conserved immediacy of conviction in the One-dimensional Beams (Kafersesuh), it is observed denser when every mortal admits to being due to integrating and later brooding, dissecting organic matter into inorganic matter, suspended in the richness of a world of Faith and Prayer, of the most anti-gregarious desert and lost in the world, but supported by hollow walls, which do not exist in Vernarthian emotional matter.

The movements being physical, they take us on conjectured layers to discern their magnitude, emphasizing the rigor of their measurement on us, instead, the ambivalence of Zefian, delivers in both chromatic the Dark and White Duoverse, under the reference of the behavioral alternations of the Diospyros, source of the arboreal, for the procreation granted in the hands of Leiak. Relying on this equational exercise, with less time to design for its genealogy, but rather on its apocalypse, reinstalled in abolished primary unknown spaces, to have it once again in the light of consciousness, recognized as an inert matter of the past, but living off the immanent eternity of nebulae that personalize the earring of the Caltrop, taking temporality, but not snatching any hand to tear it from his own.

Vernarth says: “In the rhetoric of the Universe-Duoverse theorem, it is worth noting the past with entity, present and future also, connected to the time of Verthian inspiration, Holderlin-Heidegger, on issues of physical habitability, as a complement to the entity, which anticipates the present/future in the vicinity of death in the past and future, but tangentially in lively whims of existentialism-mortality, for a way of being rented out at death, as a way of being, dwelling in death itself and in the act of embodiment having existed, but with its own mandate after having been rented. The Vernarthian World appears in this current, prolonging existence from non-existence, granting complementarity of more past existence, before an unlived death. Ontologically, This theory stems from the One-Dimensional Beams of Kafersesuh, in Ein Karem. Essentially Christian, as the matrix of existence between Ein Karem (Nativity of the Messiah) and Gethsemane, as an interconnection of materiality in metaphysical reflections, a product of the immaterial of life not lived, as an urgent sacrilegious death, and of the anticipated dimension of the life process- death-life of Christian Messianism.

Vernarth says: "with the slaves in my disparate hands, one picked up what the other was carrying. With my right hand, I took the Duoverso, and with the other my porter; I held my reins on the maxims of Elpenor, before falling to the cliff. One naughty day but with the worst pain in my chest, I went to see him in his room, and I structured him as an immortal, at the time of forming the world, "knowing not even being part of an identity" favoring him to be part of me. combustion and ignition due to the friction of the Universe on the Duoverse. Such was that fearlessness and affordability that it decorated me with unexpected tears of belonging by imprisoning me with superfluous boastfulness. But his courage will be mine, and he will have to anticipate being in the middle of grace, as in Gaugamela wounding my two hearts, one deleterious and the other not..., verbatim saying:

Says the Carrier: “I have to agree to your mandate my lord Vernarth, I have arranged my emetic knights to take him to the empyrean, more remote at nightfall. I know that my own death will also take him, for we are double lives loving death, which falls on a night given to the seventh Falangist soldier. In the midst of souls already disheartened by the misfortune of life, in the figure of eternal death that refuses to receive us discouraged "

Vernarth says: "I do not know if I am or will be brave, because I have forgotten to die, rather I do not know what it is ?, but in the midst of the horses and the hosts of the block, from the anvil of Gaugamela that I have not felt it again..., which is death after feeling my hands and legs severed, but not felt when appropriating some amputee. I know that among the Hypaspists we used umpteenth arrows to mobilize their war apparatus 665, but from the wasteland jump we gathered the delirium of the Falangist command in the Seleucid 666 row, rather detached from every man, in a substantial way in favor of the Alexandrian life, "Of course he was already in the hands of eternity, which hurts more than the tip of an arrow, even being unfaithful to his mortality"

and not in the Universe chained to its fractality, rather of its present-present of the new universe for those who make it negative of itself, towards a clone and neatness, granting it recklessness, who continues to sweep its entity, its dimension, its space, the distances, the matter to receive it in their being. Vernarth, besieges the discursive thinking, under the tides of the tenements and the fears of late emotionality, changing to all the best heroics of the follow and all the experiences of harassing flat lights of the target, in the necropolis that speak resurrected, not being chimera in the best leisure districts live, but immortal of a district..., with steps to constitutive slogans of "succumbed cities, but..., with eternity", connoting after all abolished transference, in eternity present between two beings of mortal rank, the Carrier and Vernarth, Vernarth and Heidegger, but here the last one bringing him the closest radiogram between expiration and eternity, with significant death (End and chaos) and eternity (creation), in the limbo-purgation ratio, as the source of the potion. His total contention and affinity in Heidegger's dialectic, passing through a moment that marks his reincarnation, in the rambling of finite eternity, moving away from Vernarthian ontological and metaphysical reasoning. It was attached magnetic in the Universe, feverish kiss in ambitions of the temporal Being, as substantial of perpetual objectivity towards the unworthy survivor of the Vernarthian theories. So far no similarity is compared to whoever wants it or not, it is part of any estimate or spreadsheet of a complex Duoverse, Within the emerging frontis of progeny, there are ranks derived towards the first to form compound swaths of shelters in the Camels Gigas, who from Jerusalem escorted them with their plantar consciences to Ein Karem, then returning to Gethsemane, to finish in the port of Jaffa. Originally arranged by the children of Israel and the strongholds; Vernarth, Saint John the Apostle, Eurydice, Raeder, and Petrobus with animality, Etréstles, and Kanti, to finally mention King David, who goes to his catafalque before leaving for Jaffa, to return winds to Patmos. Of this primogeniture, the legatee is Vernarth, being presented as co-first-born by giving his portion to Saint John the Apostle, for trust assets of the benefit of a third party for both, and granting the patriarchal and reimbursement to each of his inheritances, being of expeditious aim the liberation of the world that lodged them not authentically in the mediocrity of ascendant ancestors. This prerogative will be decisive to define the dimension of the Duoverse and the One-dimensional Beams as consanguinity, simultaneous nascent and mortal worldview, to radiate them in the beams that support the universe, and from this same, they are transferred to the vision of child-man, child-cherub., for the purpose of defining the Universe-Duoverse physically composed of four areas of its consistency. Time, Being, Divinity and the Four Wings of the Cherubim, as a concept of biodiversity in Lepidoptera, Bumblebees, Bees, Wasps, and Fireflies as tetra-winged animal entities, originating the warnings and impositions in cardinals and poles of their primogeniture, rising from chaos, up to now as mandatory Duoverso, constituting the alpha world, rising of the Animalia and the intermediate visions of the heights that guide the material essences of the imperishable spiritual elemental and structural physics. Being ineffable matter, in the stars that prostrate itself, before each pause of advent and of creations that ****** other creative flashes, in pursuit of a gnoseological doctrine, as a slavish instant, ending in another for the study of the meaning of conceiving in the diligently part of a new world, on the borders of the unknown and of repelled nothingness, suspecting itself in the living artery of nihilistic nothingness, without leaning towards nonexistence that endorses it, or perhaps from a twin Duoverso univitelino in the chaos of unfertilized nature..., rather empowered to the first heir by the law of the Messiah district. Allow yourself, in this way, in the face of this premise and history, to continue and be part of an establishing whole, looking for God in a new world and universe as well..., but shaking before the nothingness that sustains it, as a basic knowledge of value and of immobile Faith. The hypothesis Prosapy-Centric, defines blood lineage unifying the Duoverso as follows:

a)Eternal Existentialism:

He talks about how compassionate creation is and its factotum, that it will be better that way. At the entrance to the Vernarth mouth, within its buccal cubic meters, the Zig Zag Universe, the promoter that caused the Duoverse, broke out. Here your thoughts of eternity are born; not from your brain and discernment, psyche or mind. It exists in a present that will be distributed without end or beginning, in the holistic of the anticipated existence of the being itself, so that everything holistically arises from the mouth of Vernarth, becoming the light of his luminance-ejector thought, being in some way the Zigzag universe that emerges from the outgoing access of its mouth and that manifests itself in some change of quantum physics in a state of hyper-connectivity and always present. The Zig Zag, coexists in eclectic variability of angles, creating regularities in its time and displacement. For the sake of results and translational parallelism as a promoter of the Duoverse, based on the holistic that brings together the effect of the word-fact, but eminently aimed at the morphology of extra language of intellect, rather in the kinetics of the language of human zigzag and physical-material, typical in various line segments of lightning and space storms, resembling his lost and bleeding soul in full battle at the site of Arbela. The other meaning is his salvation from the Council of Patmos, being already Installed in the Eclectic and invisible portal of the Evangelist of Saint John, levitating in his sacred basaltic cavern in Katapausis, in the Patmos archipelago (Koumeterium Messolonghi, Chapter 16 / page 114. Editorial Palibrio- USA). They would find themselves in communion with the archaean clan, which would resemble its proper ectoplasm; thus each one forming a unique part in the masonry dictated to redirect them towards their messianic labors at this stage of the ascension. Vernarth; is aware that he will have to enter the cave, after having ceased his work on standby for three months. He continues to fester in myriad wars and parapsychological regressions, he will remain in a daze to dedicate himself to the beautiful landscapes open towards a horizon..., a neighbor to Palaeolithic and astronomical painting. In the flashes of mathematical prayer, you will capture the spiritual intensity that inspired Saint John to build the temple near his cave of the Apocalypse on the island of Patmos. The saint appears only on certain days looking at him from afar to encourage him in his progress..., Portal Eclectic and invisible is the facet of the face of light, after the invisible that manages to be appreciated with the principle of transferring its connectivity of the immaterial with the material, but done in the finished quality of "Merciful", deriving everything in what supports the splendor of the facts and their objective analysis, by no means the same, because the Zigzag universe, originates theory or thoughts from the perspective of external language and integrally unites it through the optimal results, always imponderable and categorical to follow them and attract them to eternal spiritual good. Being exhaustive of the fact of action, although it is subdivided into executability..., it will continue to be timeless, therefore eternal, in the hands of a universe of thick eternity and stationary death.

The final communion of Zig Zag with the Duoverse, will make this key momentum to replace the Universe of the former Vernarthian world, for inflections of the continuous present, more in the distance of the limits that have to originate than by a simple gesturing stupidity of disbelief, abounding more than a universe that is created in eternity, and that will never again resurface as a physical dimension. The successive potentiality of this theory of holism subtracts actions and not facts, since it always culminates in the limit of infinity, always beginning and never-ending, to then restart in a present that is reintegrated into the access of the oropharyngeal and non-cerebral embouchure, since it has of limiting itself in its shock and subsequent confusion of language-emotion and feeling, to change all eternal emotion, always going hand in hand with the unequivocal and assertive light,

b) Being Universal multi-evocation:

Over Rhodes the auroras could be seen retreating, to attract the new luminances crossing between the atmospheres of the ancient worlds, with stars that were ordered among others, descending at great speed from the Universe, fascinating all Greece, coming from celestial bodies that brought from great Relative distances and proximity between the Duoverso and its satellite widening, allowing to grant subsistence, and routes to the nascent species of the Vernarthian sub-mythology. The Sabbath energy Light is overbreathed repair; here Saint John the Apostle influences through the conduit of the Cinnabar towards the Light of the Mashiach, with the intemperance of life on drops of crystallized water as gifts of Taphoric Light, with synoptic signs of transformation of all the green grass growing like a beard on the slopes of the Willows, where Saint John the Apostle goes back to prayer prayers; so such in repetitive sentences and prayers towards the Universe, which were falling as it was on Mount Tabor in the Transfiguration. All this in the fervor of the willow chins that fell from the galaxies, with their cascades one after another in orderly colophons of fervor making the sky a great source of Moshaic and Elijah voices. (Moses and Elijah) to Christianize the holy oils of the radiant glory of the Universe that was complemented by the Heliac Ortho that was appreciated in different coefficients according to this new position of the parameter of Greece, observed from the Constellation of Pisces, being symbolized as piece as SOS, since Eratosthenes tells us about the fish that saved Derceto (Goddess of Assyrian mythology), after falling into a large lagoon. Seeing therefore in the sky as Fum Al Samakah, Arabic for “snout of the fish” (or Fomalhaut star from the Greek translation). Pisces being bright and of the great dimension to mold it as a whole iris, which was rooted from the formal pelagic accent, towards a spectral affinity of the Duoverse, like leaves of Willow temperatures, on the reflection of the Multi-evocation. For antithetical referendum of the Pleiades between light-years that diminish behind the stars of the magnetic field and its exo-planet. It is necessary to consider that in the wisdom of God, there would be his ordering conscience, on each constellation, and then detach itself before each other that guards each one in centuries of light-years, and in each one of the children as light-years of millions, but of numerical present time quantum; that is to say, all translation on average over ups and downs of spatiality and in remote ages, to zero or from null numerals in the integrality of millions of non-existent light-years, but accumulated and equidistant between the Universal Being and Multi-evocation. An example of cartographic observation shows us Greece at Latitude 39.074208 and Longitude 21.824312, influencing the Duoverse as a complement to the rise of Greece with the latitude of the Heliac Ortho, being Sirius eleven days after the Ekadashi and eleven days before the other at 10 °, Maximizing the light herbalism of the unconscious, to systematize the rise of the Universe imbuing Greece. Refulgent and small electromagnetic systems, led by the Divinity, are freeing themselves of all the units that bind in the minimal Units that can expand with the apostolic energy, rather than a trans-human receiver, in blocks of circulation of waves, related to a Defined spatiality, divine and with its own energy of opening of small worlds of provision of light, and radiation emitted by the deleterious convex of invisible essences in properties that are released from overflowing stagnations of creation, and from the skylights that are more distant than the wavelengths than from a breath of Demiourgy in the chemistry of all multidimensional hyper-existential between frequencies of energy widely displaceable by lines of how many..., in static energy of rest. Ultra colors intensify on the coasts of Rhodes, as a sulfur photoelectric effect of Cinnabar, formalizing mechanics in those sedimentary particles, which undulate in anticipation of the precise amalgamation of both universes, evolving towards the matrix of origin of physical and non-biological state and period, but of eternal divine inspiration, from the mouths of Vernarth, as a resurrected Being electro vigorous, dwelling spacious and sinuosities of curvature and psychic spiraling, The Vernarthian nature will call this phenomenon the Son, since it is the similarity of the halo in the Taphoric Light and in its effect of the baptismal of this Christian Universe called Duoverse, in accordance with the presence of Saint John the Apostle light, among the attending raptor niveous. strangers, arrival-departure and between the nebula of pendency in the nimbus gaseous clouds of fields that mutually heard each other recognizing each other..., leaving only Saint John the Apostle in the perfection of the sky as a universal and Duoversal shadow, first of all being of light being baptized, crucified and risen-ascended, in the metaphysical transfer of his body, as a universal body, as a quantum point between the earth and the sky, between the universe and the Duoverse as a complement of gaseous and spiritual atmospheric earth. Ministering in the judicious and prophetic occlusion, being a juridical part among the myriad bundles of Constellar Pisces that supported the transfigured and converted prophets, before a brand new universe, "Duoverso", witness to the amazement at the proximity of the multi-evoked Universal Being.

c) Reflection space (Light-matter)

The Duoverse having been pulled from its entrails from Vernarth's mouth, and objectual free fall is noticed after disengaging from the quantum Universe, rather than an elusive cacophony that unfolds separated from their bodies in all dimensions, except Vernarthian time, Alluding to the stoning him so that he ignores himself in agony and returns to look for him to revive him as Space-Light, in the presence of matter reflected from himself, which will unfold throughout the Hellenic Panagias, from Kímolos to Tsambika, to make the curves the direct passage that once again bends time towards a fragmented dimensionality. Barefoot was the apostle with Vernarth in the three quarters of the axioms and algorithms, where the conceptuality would overcome the low calculation of what was already ministered by them. Creating space for lapses in dreams of the Stairs, with steps of Topaz, in this particular case of Saint John the Apostle, "seeing open skies and angels of God go up and down on the son of man." Here some sidereal Solar gleams are illuminated that have nights for a sunny day, Vernarth resting on the side of the Monastery with a stone on its head and dozing to dream like Etréstles in the Hexagonal Baptistery of the Shepherds in Ein Karem, but of the compact sweetness of the famous luminous Cinnabar ascending vertically where the Yahvic Being, who was presented to him as the Abrahamic patriarchate nexus. Endowing him with celestial dreams about stones that inherit west and east towards the north noon, in space of hallucinations of Jacob's subconscious, for the satisfaction of the luminous pictorial ligament. Thus, a timid but decisive reflex pointer of space and reflection is detected, which includes fragments of spectrum and tonalities of a machine unconscious, to raise the Duoverse in a depressive day of the scathing moment.

d) Physical energy (molecular entropy)

From the bases of Theoskepasti, the physical system emerged in two sums after the movements of the pendular censers that exceed the elliptical of the Cinnabar and the potential of the ejectable force field, for ductility of its forces that emanated from the triad with the archpriest, helping him Etréstles and Kanti, who would take them to the Hellenika Necropolis. They make of their golden bodies the ephemeral speed mechanized in the originality of the homily system, to break in the guardian friction of the gravitational axial of the body of Light of the cinnabar, which received the sulfur kinetics of the defective organic matter that was wrapped in a bizarre alloy of sulfur light, and in all the forces gathered, not rubbing with the cinnabar obelisk, already invaded by the energy that made it superficial, between the shell of the Panagia Theoskepasti covering and the strange normality that made them physical-organic. No scrubbing would continue the movement of the fleeting angle of the anvil of Hephaestus, but the static on the surface, lay unchanged before the forces of the back and forth of the molecules that sank late, shooting from the pendular area of his bowl and then starting with full power for new angles that will take advantage of the mechanics of the forge and the friction clean and **** before the joint, and the resistance of the reactivation of the second period of the movement, to forward them to Tsambika in the response signal. Quantifying later between the inferiority and the intangible shock reaction in the light radiosities of the cinnabar re imparted towards Rhodes, forming resistance, but with immanent entropy, with a high degree of fineness, in such a way that once the conservation rays are fired, the response to Rhodes will come from Kímolos with the particles and combustions of sulfurous gas and mercury, generating entropy of two quantum and physical times between the Dodecanese and Cyclades, knowing that the inert matter is inactivated alive, thus envisioning the contingent presence of iron in the geology of both islands, with more than eighty percent, and of gravitating oxygen for the Vas Auric and its materialization, as a ****** impression reducing its physical dimension and enlarging its water content in pelagic beings of the Aegean. This would suggest the homogeneity of both island territories, appease the conception of substitutions that frolic from north to south, to break their normal balance, depleting what is island land towards oceanic land. In this way they will be mixed entropically for a new generation of fertile life that balances in chaos, already in the hands of Saint John the Apostle and Vernarth, in the main nave of the Monastery that seemed to oscillate atomized and vanished, but then atomically restructured, slyly dividing the canons of traditional entropy, and making it disproportionate to the biodiversity ordering of the sterile and the fertile, reordering itself as a mutable force excluding the reality of act-effect, invested in the integrity of life-death-life, as a molecular target in a double physical dimensional unit, making the prospective universe by splitting from any other format, to become another and another physical dimension. Universe-Duoverse, they shake like two spheres, almost joining each other, but separating into heterogeneous classics, as a panegyric, under the invocation of Conviction and Faith. The universes self-recomposed and redistribute themselves before our eyes, but before the consistent devotion of this homily, it makes them astonishing and phenomenal (everything that happens is recomposed - if the tree fractures, but then it straightens re-fractured, before our eyes being recomposed). Thus the chaos of the Universe is resolved, appropriating a new sequence of continuous creation, starting from the same creative property, but of molecular entropy, almost in adverse defect, but of constriction of the yielded body, to be incorporated into the Cinnabar beam of light. dynamic, generating ignition at the ends of each part of the structure obelisk, in order to release and stimulate on the absorbent..., of the Hexagonal Birthright in Tsambika,

e) One-Dimensional Beams

From the hexagon, everything is dimensioned on the peaks that can be seen in the starry nights from the curved kilometers of Bethlehem. Everything goes on top of the desert mountains and valleys, above the vagaries of climatic heights, and landslides of an entire believing community and its followers. In twelve advancing camels, of which the first six are exclusive to the Birthright, and then the seventh Giga camel is from King David of Bethlehem.

The beams are the architectural support portion of the physical-ethereal God and of his ethereal-physical word, supposedly of advent in grazing of the hardwoods, and the secret anomalies of a new Aramaic message, anticipating the vigor of insects and birds that were grouped together. in the journey that goes back and forth. The Beams are stars of heaven sustained by the Cherubim and the Archangels, through the paths of conversion and the support of the Christian time; haughty and implacable hegemony for the propaedeutic of phylogeny, but more on the very chemistry of creation carrying its winged Lepidoptera tetra, pheromones, and the obfuscation of an elemental nascent child in his own evangelical philosophy from an inter-sword dimensionality, and of the gloom of a manger shouted Kafersesuh, before compendiums of two pyramidal landmarks of inflection of his word in created animals, in the affinities of the world and the Animalia, personalizing shepherds carriers of pollinations, totalizing the generational of the language that is concealed so far, as well as the turns in the musks, and their legitimacies from the Baptistery of the Shepherds in Ein Karem, parabolizing their nomenclature and Polygonia of a child made man, already coexisting! but representing himself as a lifeless man in the fullness of a child of a distinguished canon. and his legitimacies of the Baptistery of the Shepherds in Ein Karem, already coexist! but representing himself as a lifeless man in the fullness of a child of a distinguished canon, that followed him towards the superlative moment of the bending near him, twisting and changing squeezable pressure in the cords that forged his path, towards the cornices and trusses of the upper celestial vault, where the shed of doubts was next to the Cherubs. Giving mechanics to the prism that arched the beams in the horizontal lines, taking them towards the amplitude of other lines, which remained solid before the variation, suspecting mutating to one of sudden two-dimensionality. The sections of the timber framework, which looked fatigued before the primary classification, which showed the attitude of the little Messiah, taking out effulgence from its beams, and rolling on other pillars, postponing the vectors of the tangential, contributing bits in rhomboid specialties, that blurred the cylinders of amplitude and field of vision of all those who remained in their nativity. Making diametrical glances so as not to be distracted and adore him with a broad and rectilinear heart, in transversal visualizing for all, the one-dimensional crossed wood, which in its geometry schematized letters and numbers of kabbalah, which differ in dissimilar resistance of Christic ambivalence, as a forerunner of martyrdom. on the wooden cobblestone of Golgotha. This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom. Making diametrical glances so as not to be distracted and adore him with a broad and rectilinear heart, in transversal visualizing for all, the one-dimensional crossed wood, which in its geometry schematized letters and numbers of kabbalah, which differ in dissimilar resistance to Christic ambivalence, like the anticipation of martyrdom on the wooden cobblestone of Golgotha. This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom. which differ in dissimilar resistance to Christic ambivalence, like the anticipation of martyrdom on the wooden cobblestone of Golgotha? This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom, pigeonholed him towards a pre-existing Hellenistic aspect in characteristics of patronage as a representative figure of a male, and a lady of Ptolemaic Egypt in great iconic religiosity, coexisting as a priestess of a female order in the Greek protocols with him. Becoming inseparable in the preeminence of mother and son, as unilateral gender, and of substantial element for the social and political order that reigned in the ancient era. Laying here the unilateral gender indispensable for the social and political order, which is substantiated at the dawn of the empires of all the time, and the patriarchal society? Symbolically Joshua in this cogitabundant providence, adds the feminine value in the society in the Kafersesuh's outlet of the Judah manger, dispensing mainly to women, A great Zohar light, gathered all towards a whole in those errors that Joshua felt in advance, as reversible entropy, giving back his wise existence to prepare them for the day of his sacrifice. Pre Existing in catharsis and substance of divinity connected with the phylogenetic species, classifying up to an Aramaic pontificate of pheromones settled in the lithospheric site of Gethsemane, in a biological sense and in close coincidence in lapse wading, or the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in characters of the vibrational timbre of the Beams, and its atavistic pedestal, readapting in evolutionary ellipticals of winged tetra species. Allowing to change the ancestral linguistic accouterments in processes of redesigning the divine genetic historical tree and increasing anomalies in the human earthly culture, and not human anthropomorphic in a reviving profanity of fruitive frequency amplitudes, for those who resort to it, monopolizing and synchronous in diachronicity of their specimens. The lights of Joshua's gazes are the Light of Christian Life and Time, in the entity of Joshua born and bloodless from the nature of Child-Man, but of mortal design in the same compulsion to see the luminescence of life in the manger Kafersesuh and only incorporeal unity. Being in exemption from Ego with its structure of living child and dead man, he rushes rebellious and ostentatious in the architecture of the One-dimensional Beams, yielding the glimpse of the aforementioned progenitor "Eye versus Eye", seeing himself like this..., son hovering in the arteries of a Universal-Duoversal life, from a single dimension of cyclical one-dimensional length, encompassing conjecture and biological, the symbolic-allegorical conception of extreme co-divinity, as an exclusive precept of the delicate infinity of the Being of a Messiah, with paraphrases or glosses of Aramaic exegetical affinity, tracing from a linguistic period. Here are the contortions of the Olive Tree Berna, transfigured into everlasting orality and refractory syllable, to incubate eternal rabbinic gifts of perpetual reluctance, beyond the reach of the ego-annihilating will and of apathetic, inert ultra-affections and of miraculous phenomena.

f) Hexagonal Birthright

Civilization has an arched inflection in its regency at the head of the favorable family caste in the blessing, whose hiding place will have to be entrusted to a clan, having to make inquiries that formerly only related to consanguineal minorities from the same family trunk, thus protecting the pantries and accessories in warfare to consolidate the economy, and invigorate its commercial coffers. The land would be and would be an essential partition insignia for the legitimate transmission of epochs and inter-seasons, which received them from its descendants for representation of geomorphological heraldry, given in its regional condition. In the noise of the seventh seal, heaven was silent for half an hour and the seven angels stood before God, and they gave seven trumpets, the other is to appear in front of the altar with a golden censer, to compile it in other prayers in all the saints, on the golden altar that was in front of and in front of the throne - And from the hand of the angel the smoke from the incense with the prayers of the saints - And the angel took the censer, and filled it with the fire of the altar, and threw it to the earth; and there was thunder, and voices, and lightning, and an earthquake - And the seven angels who had the seven trumpets got ready to blow them - The first angel sounded the trumpet, and there was hail and fire mixed with blood, which were thrown upon the earth ; and a third of the trees were burned up, and all the green grass was burned up - The second angel sounded the trumpet, and like a great mountain burning with fire it was hurled into the sea; and a third of the sea was turned to blood - And a third of the living creatures that were in the sea died, and a third of the ships were destroyed - The third angel sounded the trumpet, and a great star fell from heaven, burning like a torch, and it fell on a third of the rivers, and on the springs of the waters - And the name of the star is Wormwood. And the third part of the waters became wormwood, and many men died because of those waters because they became bitter - The fourth angel sounded the trumpet, and the third part of the sun, and the third part of the moon, and the third part of the stars were smitten, so that a third of them would be dark, and there would be no light in the third part of the day, and also at night - And I looked, and I heard an angel fly through the midst of heaven, saying with a loud voice: !!

"Being in six instants at the Golden Gate of Jerusalem with Saint John the Apostle, they reordered the majority for a protected subordination in the minor family descended from the eldest son, for the purpose of sustaining them to reach the possession of their theological morphology, in this door, being the only one that will remain closed…, until the second coming of the Messiah. The scheme of the camelids in their osteometry tells us that their heads before Advent! Distorted their calypso lights on the surface of their skeletons, locking the jaws of other camelids, thus bypassing the Apostle's strap, which through the foramen of the supraorbital, thickened the strides that pretended immobile before the opening of the Golden Door. Of course, they were prisoners of their self-denial for the length of their footsteps to the rhythm of the sensitive skulls, In the fourth camel Raeder, he cleared the margins that allowed them to increase their attempts to withdraw them from the golden doors, but the dislocation of the orbits of their ocher eyes, denoted their holes in the condylar fossa, distancing the vicinity of the Tehillim advocated by King David in the Seventh Seal of a stuck Giga Camel. The metric form innovates them of ubiquity, for omnipresence in the camels before the gates, and after the gates, thus leaving the site of the eighth gate, deserting the camels behind the gates and arcades pointing to the old cemetery. of the prophecies that Elijah holds, and in procuring generational stoning of inter camelids, which would be channeled into twelve plus another dozen, but behind all, appearing to be six, later joining King David, who would provide the parallelism of the Seventh Seal. This caravan was numbered from one to six, saving the vertices of the Golden Gate that joined modestly at the odd vertices, under the odd cross of the same vertex, which made the equilateral coherent according to the three angles where Vernarth and Etréstles went, and then joined other pairs of vertices in a crucified chain in the flat and secondary complementarily of the seventh angel, but with epilogue character of the Seventh Seal. Thus it would be numbered according to the Gigas Camels, the Golden Gate, governing them for a family of six family angles and a seventh seal, for the performance of the family sustenance of primogeniture in the reinsertion of Saint John the Apostle, since he was banished by Emperor Domitian. Making themselves succulent of the gold of the Seventh Seal, on the collective unconscious of the first-born, for the good of the sub-genitor son. Here the indication goes for the purpose of populating the consecration of granting greater goods to those who second and could lead forces of abandonment and secular sedentary, for the need to welcome sacrifices of goodness and preferences of lay annoyance and earthly secular strengthening. The kinetics would move the six numbered over the vertices of the Sun in three bevels, joining the pairs in vertices covered in the circumscribed mesh of vehemence, which is impacted with the solid Golden Gate of Jerusalem, depositing the concentric radii of the polarized magnet on the struts of the camel of the central ram, for the affinity of the contraption of a trajectory for all Judah, in six predestined latitudes to Ein Karem, in the Hexagonal Baptistery of the Shepherds".

With symmetrical scrupulousness at a certain time, the rounded bisector of the psychic lines of the peritoneum fold of the solitary flanks of the Camels Gigas, towards a vocal peritoneum set six times more than a seventh, was estimated, in the apothem of the two-dimensional figure of the Febo hexagon angel, with less centrality, for the foundation of the Apostle and Vernarth, regulating them by points and sides, on the perpendicular bezels, prostrating towards a more orthodox and straight line, mutinying with radials phases on the bisector..., giving a quotient of odd numbers, which cut the first round of anointing, among all those that were retained in the daydreams of catching them for involuntary deaths. From Gaugamela's stratagem, three thousand muscular Hetairoi descended, towards the implantation of heart nuclei in the camelids, on the Susa Gate and the oblique break marching towards the war site, creating a fissure between camels, and the sphinx of Alexander the Great breaking into the Left-wing of the Golden Gate. This was the casuistry of Vernarth's psychic advance impetus, who once was at the precise moment of stalking, hypnotizing the gap of the Achaemenides, but unaware of that mechanical moment, persists in going after the Giant Camels. He guided them with his right hand to both sides, equipped with heart irons that exorbitated the whispering of his pectoral canals, interrupting the dawn of the Cinnabar, with the antigen readjusting the hinges of the door before falling untimely. Vernarth, with his sinister, calls upon the Hindu family who tried to open the breach of Alexander with his Macedonian baggage, thus preventing him from lying in the reliquary in contrition towards Vernarth himself. The infamous moment must have passed through the swords of some who resisted when fleeing from the held Golden Gate, giving up the rear of Vernarth with the camels recovered and saved from the abandonment of their afflicted hearts, resigning themselves with empty hands and with an outpouring of victory, but with two units confronted in his Portal of Imagination.

g) Reflection temporality

In cavern series, the lava was converted into cations of hydronium, in underground pits that glowed in Tsambika's temporality when the homily was officiated. Some pieces and calcareous boulders rotated random by the humid and dark narrowness of the subterranean reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. The speculative rock icons expired of the symptoms, with albuminous cliffs of the genetics of the Theoskepasti chapel, Etréstles carried under his arm the expiration contract of the Universe, to deliver it with his signature, for the dimensional transfer will. Everything flourished with attractive mineralization systematizations, under an astral posology, In the cognitive, Kanti memorized his wanderings in Crete, imagining his physical body united with his mind on the paths of the shoulder of his ancestry, with batches of clockwork that went and passed through his physiognomic, bathing with the piece wind, but also with the hard shoulder that came straight towards him, showing him new encephalic pathways, which surrendered in epistemological globes, but levitating in excess of the hard shoulder and the unknowns, for states of temporality that became mentalized in pursuit of a supra desire..., disease or typologies long-standing who used the supposed ontological formalization, gave functioning the property of body with the memory of advanced towards a new Duoversality. The officialization of Ars Choralis, is solemnized for processes of emotional property; In this way the cave of Being and its Temporality is made haughty, self-isolating for intra-cave investigations, as corollaries and agility in those who yearned for identity, being able to attach themselves to deities in dozens of epicenes, which would be from tens to ten, thus being seventy tens and a half, which would be seventy-five of the seven tens, and of the unconscious of the syntagm that Etréstles carried away, separating the syntactic of the Vas Auric hypothesis, so that they coexist..., although the pestilential decays before the rolled-up syntactic of Kanti's head. Untreated and conscious-unconscious to his instinct, resorting and harassing the procedural bars, of the Ergo Sum parameter. The temporality of reflection, In momentum ac Diadem, it shone from the third trumpets of the Seventh Seal to the potential of the twilight corrodes and their regions that made the shoulder of the shoulder the awareness of temporality reflected in required dismayed collectivities, to transcribe exhortations to the behavioral pattern of the temporality of love Faust. Little remains immobile, little drive when two masses of consciousness withdraw to the storehouses of the Universe, already advantageous of their exhaustion, but inheriting them in precipitous emotions towards the pre-consciousness factors in the heights of the mountains of Crete and Kímolos.

Kanti the steed says: “Deus Nostri Pontificatus Annis et ad eum, God is my pontificate and my way to Him…, Adonis in the relative absence of credit, before Ephebos with absolute deafness, surprising me here in the Diospyros and neuro archetype flight. I ride farther than my physical-emotional, contributing in the micro-fusions of the tubules, in quantum, and interacting with the fineness of the minuscule substance, within themselves. Almost injuring the storms that vibrate in the mine of a risk prop of a steed, in pursuit of a trance that only ends up being the architect and augur of knowledge..., of when and where it agonizes more than once, but within the limit of the Duoverse crushed at his own peril, continually evaluating himself to transfer a genetic force into my hooves of solid steel, but ornamental and of Reflected Temporality.


h) Expansion and Aramaic Taxonomy

Organic taxonomy, as a pre-ordering order, classifies the harmlessness of language before the invasion of Alexander the Great. Although there were implosions of the Greek language, its transboundary taxonomy would be shifted towards Judea. Pre cited is its variant pharyngolaryngeal tracheo, in this assertiveness and occasionality, it predisposes emphasis on orthographic rather than phonetic incidents, citing Galilea as a precursor of the Aramaic and taxonomic thesis of Gethsemane, prior to its expansive conventionalism of enrapturing her in her differentiation, and in the expansive hotbeds necessary to channel the basic axons of commerce, between antiquity under the prerogative of supplied ethics and pre-classified inputs, such as food and geographic furnishings of economic arts, as well as, the syntax of words that could have curvature and geometry in the forms or linear designs of the time. Any letter could be interpreted as a physiognomic form or as tools of manifest imperialism, coexisting execrable or blessed as languages or keys of immunological communication, with symbolisms of languages spoken in rituals of systematization, and of obfuscation of a metaphysical Messiah, always an angel, for when this is the case. In other words, the water speaks to him in dialects and adults with an oriental language, appearing cryptic in the appointments that are related to the language of the great Extra Universal heritage.
Vernarth's Aramaic is an ***** composed of valuation graduation and generational expansion, opening evolutions combined with the matrix of “Ethereal Spatiality”, towards a channel or rib with a common end in what is done on the margin of Faith. and it is predestined on the basis of object and substance, as a regulatory organism, for groupings of species within the biological language or not, as well as in the fissure of a Cladia of lichen fungi, forming the optics of expression as spelling and not as a utilitarian concept. Amplifying what a camel is; this is how it is importunate, being its **** consensus with the "S" backward in a perfect camelid, the "T" also being a perfect Cobra approaching the three S's of the Syriac Aramaic alphabet. The “Y with L fused” of the Aramaic alphabet with a large elephant, and finally the “H” as a pelican simile, like the pelagornithids or Pelagornithidae, fossilized in the emotional collective of rock tribes, progressing from elephants, camels or pelicans in the search for a literate language and consonant shapes that are attributed to their jaws and pharyngolaryngeal substrates..., observing long vowels, as in the language of an organic universal alphabet. The matrix is timeless, branching out of the mechanics of natural and phenomenal selections, if it is metaphysical or is contributing Demiourgy on the infinity of the encodings or depending on the size of its geo-referencing, it will contribute energy exchanges with predictive purposes of information of orders, and adaptations of the calcified scientific space, Vernarth, dives into the ponds or Naídes of the Aegean and survives, just when the networked volcanoes were swallowing all the seas in the world. It braced being only part of the laps of the sea, tattooing with its gaze the chthonic nymphs, before envious and backsword ogres with gills, which multiplied more than any myth-poetic. Its power of convergence is inhibited by the poetic myths of primordiality and of cosmology as a natural branch in nautical miles traveled by its arms, without knowing who crossed them, survivor, in its advance, and treasuring the arm plunges on and under the scalded clay objects, perhaps as implantation of the muddy and hyper-flood lexicon, empowering itself in its translation from Syria to Patmos, and from linear B Mycenaean to Syriac Aramaic languages,


i)Sub - Verthian Mythology (Camera Obscura)

Adhered to the ancient parallels of the cult, the mythology of Horcondising lashes out. Stale and axiomatic source of pragmatic and rational earth that emanates from this constrained fusion of the Universe in the metamorphosis of Duoverso-Horcondising. Social and genealogical plates date more than seven hundred years from Lombardy and northern Venice in Italy, Spain, and France. The mission of the Horcondising is the transhumant myth, and Chaos of the ancestral family cenacle, in view of a family rule, succeeding in continuous litanies that consecrate rites beyond genetic archaeological death. The consolation of souls will revive and will be under the edict of the Sub-mythology in repose landing in successive parapsychological regressions, which will speak of deaths suffered at the edge of their test tube lives, Under the mythology, there is the sub-fable, prone to boundaries where the statement innovates the entire structure of hermeneutics, as a written notification and complacent verb, for lords of the grass and granaries of granaries, narrating myth-stories in messes of revived verbality. Thus in Rhodes and Patmos, Andronicus of  Rhodes will guard the doorway of his hobbies again, so that these disciplines are conducive to sponsorships of words under reasons of a nature concerning Saint John the Apostle risen in flesh and spirit, in contrast to the conclusions of the reason to leave breathless the destiny that the just cheer and disapproval of diction of not certain science, under ships that cover the commendable salvation in exegetical storms that go from a liberated shelter, as well as in what differs from the et Grammatica institutione arithmetica in that each one writes what it understands, and adds what humanistically makes existence in a biblical alphanumeric dimension, from the imaginary in some of its leaders such as Zefián, Borker, Leiak, Kaitelka, in Hyperdisis and the Zig Zag Universes. Making the mythical an ensemble with deities that rule the infinite, achieving more secular religiosities than in a radius of religion, founded by characters that are already pagan mythology. This is the raison d'être of the sub-mythology, which springs from one already narrated and rationalized, but in the contradiction of what underlies under the very observance that unites itself, forging itself creditor of very new myths within others, with characters that have never been or have been parasitizing on another source of cognition. Thus becoming extensive and prolonged in its passage liers sumptuousness of other arcane myths, within the same ones that inhabit the mythological lie, without blemish from veracity belonging to the living-lie in pursuit of a dead-truth. Even if it is in this way or hermeneutic method, continue to beat and go to meet the Castellar Imaginary del Horcondising and the Camera Obscura, which always live and revive in the sub-imagination, but from a mythical truth in a regime of multitudinous voice. and myth-poetics.

From the sooty Camera Obscura the spindle was obtained over the diameters of each edge, Vernarth of the same chaos, converged from the square but not the spherical world, from this sooty box together with his master Zefián, who polished and shot vines of light over the projection of the same box, and of the quantum ark on the acropolis of Leiak, simulating entelechy in its projection with the ultraviolet light of light similar to the earth, but not square, rather appearing to be a square sphere. After repeated intervals, Vernarth opened the slits of his hands, also hollowed, here other globules appeared but not spheroids, rather quadrilaterals at the end of the third phase in the last three series that showed the complete reflection of a tiny world, that just clamored for amnesty as a matter that had been beginning to form with another factor on a large scale, from this fractality that would appear as Vernarthian sub-mythology. Camera Obscura, in a combination with twelve atomic masses, stands out starting in the irradiation of sexagesimal nomenclature; imagining fractionality between sixty microseconds to sixty in the hexagonal polygon of the Primogeniture and the Baptistery of Ein Karem. Being used in the elevations of the stars and the Heliac Ortho of dawn, which would find the black box that was nailed in its twelve apostolate angles. The whole times were divided into more exact numbers that surrounded him in his Camera Obscura doing trigonometry with other rectangles of three equilateral, making multiples of twelve on the line of the hypotenuse of sixty, dividing by the hexagonal, which is the angular line of the six sides of progression of the Duoverse becoming a spheroid square, for an analogy of Hexagonal Birthright with the multiple of twelve for the sake of the Giant Camels, leading them to the obfuscation of the Horcondising fused with the Duoverse, by means of Pi (π), in the diameter equidistant between the Universe and the Duoverse disintegrated in two by the concentric radius of both geometric units. In the same way, Vernarth multiplied the existence of his new sexagesimal world in nths by sixty followed by infinite numbers of zeros, canceling the radical time of the masses of anodyne particles. The corondels or watermarks, overflowed with all the irregularities of the system, showing the decimal after the comma.


j)Verthian Apostolic Conception - Kashmar

Vernarth, was in Sardinia in the megalithic complexes Nuraga when he conceived his apostolate as a messenger, biologically entrenched in the taxonomic stasis, with a merely profane and urban framework. Whose classification he would transmit to his relatives after long periods in Macedonia, sailing and doing his falconry and philosophical avant-garde chores with Aristotle, in a laxity that invited him after long rejoices to record and sculpting messages with the doves of his village. Near Pella, in the central region of Macedonia, where his general Alexander the Great resided, south of the Axio River, his abode was nomadic and was on a hill near the lakes and mountains surrounded by Greco-Barbarian inhabitants, tracing the Chalkidian league., after the Peloponnesian War. He was in great campaigns in the former Pella, His will as an artist is precisely to be an apostolate of a thought that would intersect with the Yahwist gift to an apostolate of the Apostle Matías, whose connection would provide his transliteration of the post-mortuary link of the Jesus of Nazareth, replacing Judas Iscariot, due to his apostasy. Vernarth, distressed by this episode, became Commander of Alexander the Great, lying already primitive in his ranks of Hetairoi, transcending over the scourge of Judas Iscariot, to face in the arena of Pella. In a reverie near the Thermaic Gulf, he genuflected under the sacrosanct trees near some illustrious Kashmar Cypresses, channeling his furious and tramontane spiritual into the gulf, to take him out of a banal summer in the transition of an immolated soul, and make him walk for thirty days barefoot, without sweet potatoes in his hands to ego stone him, only naming him slavish stubble of the crops in the deleterious nesting places of the Ravens of Kashmar, bidding him so that his blood is ****** by the heels of the rooted trees of Thor forest, usurping his "Gift of Iahvé ”In dishonor of its Hebraic appellation, for the onomatopoeic of its rhetoric, resulting from the feckless roar of black lineage, which will emanate from the mouth of the Aulos, whistling inside the Cobra. In the aforementioned link, the group of twelve was recomposed, being in the gulf and in the incidences of the re-indoctrination of the twelve apostolates, he is with his prayer and atonement in the mystical character for the community worshiping the Kashmar; which roots hardened towards the silent immolation portent as Judas entered the black night, for excessive twists of the bifurcations, intertwining with the Beams of the Thermaic cliff, like a lynx observing the height and its prominence in that of Judas dwindling over the stained areas of hell..., thus its remains were scattered by the synod of bustard birds in the sprayed sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of sooty petrified poplar from Hecate boiling in the Underworld. We shoveled over the holm oak groves and their trees, sacralizing their factotum after the ritual of the sanctuary of the thus his remains were scattered by the synod of bustard birds in the sprinkled sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of Hecate's sooty petrified poplar boiling in the Underworld. We shoveled over the holm oak groves and their trees, sacralizing their handyman after the ritual of the sanctuary of the thus his remains were scattered by the synod of bustard birds in the sprinkled sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of Hecate's sooty petrified poplar boiling in the Underworld. We shoveled over the Holm oak groves and their trees, sacralizing their handyman after the ritual of the sanctuary of the Dodona, in uniformity towards a murmur in the leaves from oak in the spell of man towards an oracle, to consummate it with the mendicant count of the Ziziphus Spina-Christi; hawthorn of the crown of Jesus but with implants of Kashmar, on the crown of Judas already immolated.

Vernarth walked alone through the inlet of Skala, on Patmos, when he had to undertake a trip to Judah, even so, he also walked bi-location in the inlet of Sardinia, after being in the megalithic complex Nugarhe, Vernarth, Etréstles, and Walekiria, they approach matching Tuscany. Once they were instantiated in Sardinia, a coastal sailboat transported them in the middle of a stormy day, it was a great happy day to arrive in La Spezia. Here they parked at night following the Liturgy, standing out those that coincided with Lent of Holy Week, where one day they were seen talking with Petrarca and Laura de Noves. The olive trees keep pietism with the phantasmagoria of the Kashmar, who made the double murmur of the spell of the Duoversal man. Always in Tuscany, the tracks below the garden have been occupied, which has a distant view of the roofs and towers of Florence. The monumental fountain set on a steep hill on a side flank of the garden terrace has a seated god flanked by lions in relief of stucco from a niche decorated with pebble mosaics and padded masonry. " Here at the Verbena of a long feast day, all together with Vernarth get drunk with Corinth Wine, which they brought and did not stop swinging to the rhythm of the music that made them foresee multi-existence beyond limitless sensibilities, turning their role closer to from the instigated destiny to Patmos in the hands of the original Duoverso with translation, rotation and Duoversal Theurgic orbit, for the spell-dogmatic invoking ultra-sensory powers of angels and gods, in order to signify with his country land near Pella,

k)Fractality and Spirit-Cinnabar Dynamics

In the black camera obscura, certainly connected blues made other dark holographic areas that were enlarged super connected to the optical perspective, conceiving of the infinity of a luminescence that was fractalized, the black-blue pre-existing towards the Z pattern = Exp (Z / OB ^ 4), what is the equivalent to the set of the Bernese Olive Tree Rapa, on the border of its Lipogenesis, which would appear in the chromatic version and final maturity of the olive tree, for the fractal exponential of Z =; where all the points of the complex plane Z = (OB, iy) are iterated in the corresponding function Olives Berna in a set of IY, and in all the iterations where an arbitrary constant (Cx, iCy) is added Cinnabar in lines of orthogonal sets X and Y, in such a way that the choice of the constant "seed" will determine the unique shape of the profile and the color of the fractal, once the chromatic pattern has been defined. In the paradigms shown in this continuation, a constant has been chosen, as it will only produce divergence and will have been qualified with the escape velocity algorithm, to contract exact self-similarity stratagems in this, which is the most restrictive type of car. -similarity; requiring the fractal to appear identical at different scales.

The holistic spórtula of the Cinnabar in some pecuniary exercises, are impelled for a tacit and absent society, in Every night beginning at dawn, everyone retreats and the Cinnabar appears like a kaleidoscope apostolizing in glorious joy, where the Aramaic synergy between the Garden of Olives and Gethsemane, is concatenated with the entirety of the Phylogenetic species with the homily in Tsambika and Theoskepasti, such as the new relationship of the link between species that were improper and endemic to the region near the stable in Bethlehem de Kafersesuh, to be inter-inseminated in the banks of the slopes of Gethsemane, in such a way, that the linguistics would begin to be absorbed in Joshua, and it would go for a closer shortcut towards the classification of the traditional and omnipotent variants, which migrated through the Olives to renew and preserve the Aramaic or Aramaic languages, from a shared origin now, for the omnipotent salvific languages that were to be addressed in Gethsemane. Once starting the splendor in the city of the eight gates, and from such interference, involve the Lepidoptera taxon, inseminating the populations of organisms related to lexicons to shed life and language,

l)Vas Auric – Cinnabar (Φ)

The pecuniary prerogative of spórtula, makes the Vas Auric and the Mandylion its residence, tending towards an algebraic sense of the two diametral in a cross by the perpendicular, towards the tension of the shortest segment by the long, tracing a circumference of radius and a half. Homologating in the interposed eclipse of the golden or golden number, for the divine proportion in consequence of irrational fractioning numbers. Shortening the passage of the algebraic numbers with the infinite decimal towards the Cinnabar with seven arches in parentheses reflecting in the partition of the apse in both temples of the homily, making the period of antiquity, files registered in mega center of the quantum memory of Cinnabar, before disrupting the genesis of the Duoverso.

The First Treatise of the Vas Auric fell into the hands of Vernarth, one day of heavy plutonium sheets en masse of the golden number. The vertical avalanche was segmented when the dichotomy of another line that collided with the segments was not altered, or rather omitted by certain temporary blindness of the Duoverso world that it just boasted. Compositions of number Z are made, and subdivision in its cinematographic optics, divided into two slow shots of a small element that became part of the controversy of Vas Auric as a medallion and Auric as Mystic Gold, with distribution laws.

"Zeus wakes up shaky, full of headache saturated in Pro-headache Herbs
Jophiel is speaking this time in the Kabbalistic Torah language...
with its golden commoner and super zone of Organikon Sorousliston Papadikon….
secular music that supplies Zeus with protein albumin,
to make him more human... Zeus accepts Jophiel placing him in his discernment
over the house of Jophiel; divine island to throw cartomancy...
bring the second ray to the Sahasrara on his crown,
pacified love that is the suspicious and risky loser of everything...
risk in the head, especially when condemnation is born!

And the floristics, over the stolon of the veins, moves synchronously with the prolongations, speeds, and acceleration of the emancipated leaves of the first order of the upper crown, up to the lower ones, thickening the golden spirals of a certain type of inflorescence, confining the umbilical zones of Vernarth, and the plantar area of its feet between three and more than a hundred steps that come from certain metamorphoses, creating peduncular areas, acting as a support for Vernarth and its Elder areas, brought from the Bumodos stream, after a string therapy, creating psychic supports to endorse globalized neuralgic. Understanding that the line of his neuralgia oscillates the greater analog of the Messiah in the cross pierced by the Hastae Praetorian, in the most remote of the elliptical of pain, reduplicated by accumulated energy, almost like mystical suffocation. On the part of the growth of the tangent in growth and of the evolution of the reflection, where the attenuation of the opposite effect is unleashed, allowing convalescence zones in signs of propeller blades around the Vas Auric, crossing vertical and horizontal beams of lights, in search of Light Angled and refractory solar, for the palfrey of the Kanti Steed, abstracted from excessive rain, which uncrossed the tempos of the aura of the organic and aerial underground, towards the duplicity of curves of the multi-cloned numbers and angered by their industrious dynamics of skewed movement, towards the effective solar..., tending to the effects of successive trends of the vaporous numeral of Vas Áurico Cinnabar.

m) Psychic Trisomy

The species and somatic acquired deposits of DNA spirals, given their characteristics, will make transformations in more than one cellular taxon for a homologous pair. Here Kaitelka the whale down from Sub-Mythology, will circle in the Baltic Sea, compromising neuralgia in it as a superfluous essence due to its trisomy, making a comparison with psychic trisomies that Vernarth suffered at least four times a month, from the first and eleventh day, after his parapsychological regressions when he sailed over abysses and anesthetized zones on glacial plankton in the North Sea. Kaitelka individualized her cellular regressions, becoming a prehistoric cetacean and when she lagged beyond or before her creation, she transferred psychic trisomies due to her twenty-one chromosome. Kaitelka's karyotype was directed towards the crease of her eyes, due to an infection in the area of her basal inter fins, which disturbed her heart rate in a short interval where Poseidon magnified her coefficient in high amplitude, after being inseminated in a tempered state and gifted as a Super Goddess. Kaitelka in nativity in the transversal valleys sailed in the air atmospheres of Hyperdisis, and she was always seen in the company of Leiak; the omnipresent and vague spirit of the watery ductile dancer, living on the liquefied element with his astringent slimy chin..., seeing him with his grotesque back-breaking swampy lines between knuckles, and hedges of tricks collected before the first station, in one of the first of the three Remaining nights before reaching Joshua de Piedra del Horcondising volcano, that upset her heart rate in a brief interval where Poseidon magnified her coefficient in high amplitude, after being inseminated in a moderate state and gifted as a Super Goddess. About seven hundred meters high she becomes Kaitelka Down godmother, adding the psychic chromosome twenty-two that contracts in the connection with Vernarth, in the extravagant massifs when in the autumn afternoons they collect Ceratocystis fagacearum Fungi, and irradiating them with insects such as the borers. When   Kaitelka recovers its chromosome by detraction in the natural selection of Trisomy, express is spilling on the dry and gelatinous Laurus leaves of all its dead cells, which are promptly seeped from the retracted membranes in frank adhesion, causing regeneration of the disease. After wanderings and ringed symptoms of lesson in the atmosphere of the ecstatic Horcondising, the wooly will be magnanimous and challenged from the chromosome spilled in the emulsion, is contained in the alpha proteins in the transverted Vernarth genome, as a warned whole and abundantly diploid, before reaching the lethal processes of reciprocal adversity, both as a zoo-anthropoid or a triple zoo-anthropoid-botanical effect. Pre-Existing Kaitelka Down with forty-two chromosomes (22 pairs) and the Lepidoptera Agrodiaetus (134 pairs), in its haploid, that is, half remains vitalizing between two species of the sub-mythological world, and in its psychic cellular compound, and later implant it in germ cells for the effect of Venarthian ambivalent psychic transmission and vice versa. By discard, there are four fewer chromosomes than the hommo sapiens and 222 less than the Lepidoptera Agrodiaetus, for a meta sense of flourishing with the power of Poseidon, brother of Zeus, Meta sense and discernment, encephalic they will be cogitated by conscious where their sensory cognitive is interrupted, towards an unconscious through the photons of hypocaloric temperature, to define in the prehistoric psychological memory of their psychic, more than random brain, coexisting of habeas corpus content and remote brain energy, before the magistracy and power of Poseidon that confines him. Graduated from southern impassable seclusion, their memory is isolated in their E-Cloud. Namely; stored in electromagnetic and electrophysiological stimuli, incontinent and weighted in the square miles of floating Poseidon outbursts, in the category of super cetacean down, with only four meager chromosomes from the remnants of the human procedural genome. The trisomy field, On the fourth of August of the year of the Lord, 1617, when Klauss Rittke was cleaning the main stained glass window of the Cathedral of Avignon, he heard heated dialogues between a Friar and a Gentleman, who was once an assistant to the clergy. Klauss could come closer and listen to their conversation more clearly, until the Friar Andrés Panguiette, babbling, demanded of Raymond Bragasse indulgence or one or the other. (Compendium of Marielle Quentinnais). Relating in its narrative evolution, about some Albigenses of this work set in Avignon, time of the Antipopes, crossing with the psychic waves that have just been mentioned, and of prophecies of who precisely Guillaume Bélibaste was born into a Cathar family. Having noted that 1321 in 296 years apart from Marielle Quentinnais, it takes place in Carcassonne on the same day as Bélibaste was executed, given his licentious life breaking Cathar dogmas, incriminating himself with civilians from the region, marrying women in exile, etc., was condemned by the Holy Inquisition, where many were purged for the sole fact of holding biblical books in their abode. Among the flames of his bonfire the prophecy of the laurel will be homologated, whose shadow will fall on the centuries to come. Note the coincidence 3, 700 years ago, where the first signs of life were appreciated on our planet and in the Hylates Forest in Cyprus (700, 000 thousand souls) in the imprint that unifies the Christian scrolls, blowing gold dust on Walekiria's hair..., and being liberated, as a tantric body of physicality. No one spoke, not even the 700, 000 thousand souls who also claimed to be liberated (Vernarth, page 313 - paragraph 2). And finally the seventh portion of the sea, with Poseidon. Here the Psychic numeral of Vernarth and Kaitelka coincide, who appears with the laurel of Guillaume de Bélibaste after almost seven hundred years, facing the unification of the prophecy of the Laurel, whose shadow will hover over the centuries to come. Templars, perfect bone Hommes and Cathars meet, in this historical feat, through the secret path safe from traitors and conspirators thanks to the most surprising allies. Bélibaste's fast-paced story will allow us to get closer to the most unknown ceremonies and rituals of his confession, showing us his revelations in the flames and turning green in the Laurel of 1321 in sync with 2021. Given the little and nothing that exists of the revealing enthronement and the psychic environment, it should be noted that historical facts fly like pollen, with the waves in their same vibrations of the aeolian autogyro. This entails physical vibrational material, which is in every corner of existentialism, without beginning or end, only rewinding through the infinite axon of karma and samskara, for physical-ecological convulsed means and intermediates, in revealing semblances of the primitive psychic field before us, like the Aspís Koilé, as a shield or as an omnidirectional parabolic antenna, bringing us events after events that strangely interchange phases, and intertwined efforts over time in quantum physics and subsequent biophysical changes in the genome chain, especially in its Psychic Trisomy.

to be continued...
DUOVERSE
Julian Sep 2020
The Roulette of Fanfare by Imaginative Glare (A Cooperation of Timeless Synquest)
Sunken fortitude is the bailiwick of interminable eupathy that sustenance embezzles by minutiae of orange spectral linearity of bypass becoming a torus of tragic reprieve in repcrevel fashions of hyjamb. Thus we float above the carcass of syrts of certitude by cadasters of nostalgic drawls of malingering strawberry staddle for the scutage of pinhoked disaster. We renege on committed opalescence because tranquil dangles of vinsky are waged by trenchcoats of bluster for vector arrays of galvanized decorum that swirks for elegant synectics by dredged grains of agrarian sanity by the pleckigger of lopsided islands of creativity that are the notarikons of aleatory finite but equidistant largesse of not just a jumboism but a jetsetting travesty of traversed time mastered by ignoble ingenuity. I limn with piracy as a freebooter cordslave plugged by demitoilet reminders of the flyndresque alloreck of tinjesk spectral ultimatums that are the stretchgraves of a retrospective infinity that is a bystander to catapulted cohesive coherence found only in piecemeal culinary seditions against the drip of a turncock of roosted clarification in muted hindsights of foresight itself. The pleonexia of abeyance is the riddle of enigmatic promulgation that flickers even with partial compartmentalized servitude to the burlesque the burrows of an ophidiodiarium scare away any jaunty sleek car from the boosterism of a farmed collision with disjointed surgery of nimble reticence that braves the seismotic macadamized plutocracy of drift without sedition in sedimentary clairvoyance with a pointed amphigory that is actually a starved clarity for ommateums without spelunked trudges that occur in dovetails for disguise by synectic optimum at the zenith of the hive synergy of singularity.  The justified jest of aleatory flexes of finitude is a shambolic gesture of the limber of divergent interpretation ingeminating the world by sapient degrees of psychometry of divergence in piecemeal asseveration of the hindsight of the festooned not tepid or butchered by the obvious to the glaring cineaste but rather a gloaming glint of refracted ingenuity roosted beyond any alienesque erratic happenstance that is itself a beatific fortuity for the geotechnics of human emergence into supersensible planes traversed in a stereodimensional covenant with a compacted compost of DIVERGENT IMAGINATION OF CADASTER rather than the regelation of the obvious. Timmynoggies of cartels are regnant because of the repugnance of loyalty to the fricative frigates of superlunary mention of ratiocination divorced from husbandry of hyjamb for giant leaps in rigged ambsace maledictions of unfair pleckigger of the wrikpond relumed by huffs of impotent flairs of flambeaus beyond ecdysiast stretchgraves of perilous paralysis for the supererogatory of the accursed destruction of stoichomety of solipsism tremulous by biocentric levity above fastened redoubled pederasty. We maraud the rabble of nostalgia of rhinoplasty of penumbras that live on rainshod territorialism beyond the jolkers of everlasting foofaraw livid by betrayal but erratic in glamour without crackjaw costermongers vitiating the vociferous because of incumbent thermodynamics that affixes the stagnant to the latticework of riddle by sturdy integral derived fliphavens of shibboleths of solitude. Education is a fliction of robust derangement of nowhere men taxed by the celerity of traversed traipses of memory beyond encaged bridewells for recanted alchemy to prerogatives of the roomy expansive facsimiles of departed stigmas of bossy clairvoyance for martian glimpses at sunken waste. The bernaggles of brittle titanium are abrasive when they are alloyed with the compost of material dynamics of capital without avenged prediction cemented in sunken graves taxing the nostalgia of histrinkage that is affixed to boschveldt traindeque for venial consanguinity to dikephobia. We elevate the endpoints of abridged turriform clockwork provincial shibboleths that are the proctor and protectorate of insular robbery of crowned trounces of gravity for the gravitas of sepulchral vanity learned from famigeration of filial tithes of duty. A dutiful sedition is countermanded by the pews of turnstiles that enamor the enamel of rollercoasters because of vague vagaries of bedazzled contrition for wanton ambition on psaphonic psychology and therefore sustain the vibronic thrombosis of nonlethal inseminations of clear aqueous transfixed filigrees of demented notions of cheerful apocrypha of liturgical pride beyond the dungeons of prejudiced inquisition. The jolkers of insolent archipelagos of spinsters that levitate by parsed peril of delaminated parsecs of glazed parturition is the orchestra of a nonlinear grove of invented abecedarian witwanton notice of maddened cattle of gluttony forestalled by the clairvoyance of otiose operations of redoubled countenance that consequently is septiferous by degrees of sanguine rapacity the qwartion of endeared endeavor to surpass the gentility of brooked temperatures frozen to sustain but not mainline the congeners of the elective agenda to bypass the thornbushes of conflagration without knavery or cutthroat embellishments of bedlam. And without the din of simplicity occluding the transcendent goal of humane synoecy of fustilugs of fumatoriums endangered but not inflammed by controversy we witness the insubordinate university of hibernation becoming a specter of grisly bromidrosis of lackluster forswinked fortitude because the majestic sinew of the overwrought is a refrained luxuriance of pity of facetious glebes ringed around orbital planes of synthetic abridgement that supposes the sultry is actually the swelter of calenture but taxed by sicarians of the grandeval it meets no fanfare among elective privilege. Amphigory is not categorized as dross by shipwreck but only by synechdocial docility of groomed barren arcades of storged complication leading to regeneration of a world leaden with the epicurean epithets of agerasia that burden the wardens of poached intermission without remission because the drapes of the greatest art are thus created by the complete transfiguration of the soul bolted to ethereal expansive heights that dwarf all pithy gnomes of the gardens of prospective desiccation of the petty gripes of the gavel of idiocy rather than the astounding artform of the newfangled tabanids to supererogatory oceans of creativity. The benchmarks of sublime illusions of supremacy are a hidebound taxidermy of the rookery of greenhorns to summit the testy secrecy of inane drawl that scrabbles the miniature embellishments of petty sportive lunacy as a figment of the feral nature of proclivity recumbent upon its own gladdened prickly renegades that align with a gallywow cacophony rather than a merely epicene convergence of attitude for equity above polity that is hardly polite. As a penitent hibernal rejoinder against the clerical critics of religiosity becoming conflated with artistic masterworks of oligomania I offer my rogation for atonement because the melismatic art I fashion leads to the vogue enchantment of the noosphere for the soteriological bedrock of fastened intellectual endeavor that traverses planes of an engorged soul without a gulf of conscience leaden by distracted discernment leading to a hypostasized apostasy from the religious scruples I rigorously uphold but that I vacillate away from because I want to entrench an irenic world for the francketor dash towards a superlative enrichment of mind above matter for the victorias of soul above the pettiness of the dim humdingers of the banal lifeless squabbles of martexts beyond the hospitable welcome of martians. For the naysayers that don’t understand the ironic irenic circularity of gainsay becoming rebarbative to this artistic flourish of supersensible equipoise with an approximated histrinkage lagged by temporal deficiency they should not abhor the talisman of an ergotall genius but rather marvel at the burlesque cineaste connotation of enamored youthful spirits becoming novel because they stride above the cascades of crestfallen apathy of plodding languor. This is a definitive new artform for the niche crowd so don’t dismiss it as gobbledygook because it serves the purpose to enchant creative spirits and test minds that might be more nimble than resourceless. Wearisome by demiurges of distraction the thorny imbroglio of industry is a whiplash of nativism belonging to the throb of pulsated penury that is neither valedictory nor penultimate but tertiary in oblong variegated menageries of perfidy for collapsed enormities of jumboism lost on inclement stoichiometry that is sejungible from crambazzles of findrouement that are squaloid enthralled raptures of humdingers of rippled hunks of parched nebbich pataphysics because the circuit of conditioned reward is a rebarbative tether to the catchpole exploitative erratum of harbingers of hungry happenstance rather than continual enchantment. The crumple of squaloid sebastomania a distant figment of adscititious schadenfreude of dilettantism of flonky smardagine streaks of whemmled anxieties unduly provoked by calamities of presstungular intorgurent toonardical deprived cartels of repcrevel pursuit with labial senses embedded in deft incondite inquiries against seismotic jostle over the rubble of scaffolded jengadangle above the rot of contranatant sleek suffrage for the chattel of elemental realism becoming a heroic temple for glory without the vetust errundle of dismal disco attuned only to the spurts rather than a startled commerstargal of alienation leads to a plumber’s irony of atomic humdingers of natural equipoise with litotes of scrawny rings of gollendary piracy. The valorous incondite bricolage of a ****** cineaste barnstorm inoculated from conflagrations of the flagitious reprisal of prevenance of ferial fastuous feats of furlongs of brittle certainty above the tentative glaze of aced pokerish promenades to summit the craggy because the salebrosity of the pitch is also the venue for the sphairistic tentpoles of a new tabernacle of spectacular ecstasy in obvious punitive damage to puritan pilgrimage to mechanized obelisks of sardanapalian betrayal of histories of seizure rather than naturism of erasure that is a totemic recall of strollows of lonesome tributaries to tribunes of steam rather than saunas of lickerish leverage because the gladiatorial is a zugzwang with the deliberate infernal shibboleths of the disinclined people dislodged by carnality that depose sicarians of science because of militarized enmity against the whangams of taghairm becoming the outmoded dupe of dopamine that is now serotinous rather than flanged with glaring hearsay. The serpentine winds of windlass sometimes are a conclave of convex itineration against the steady husbandry of docile domiciles of mannequin sedentary postures for posterized infamy rather than manufactured oneiromancy that is the staddle for every phony contraption of qwartion obviously specious but interrogated by the dubiety of perseverance of inclement curiosity. Yet again we sweep the soaring ligaments of rigid ramshackle bletonism that hawkshaws countermand by division of enumerated nadirs pivoted against the perpended weight of the prolonged zeniths of grit above substance that infatuates myopia but glares against mountebanks of apothecary leverage. We fight against the boxcar traindeque of sejungible traipses through stereodimensional rebuffs of known drogulus surpassing unknowable reticence of citadels that are owleries for the seedy cities they sprawl with incontinence for a drab raft of intertesselation rather than a refined quintessence of alchemy achieved by allotment by brackish nescience becoming a blinding ray of destitution engraved by petrified decalcified rudiments of realism. The somber timbre of delirifacient ruinous rumination malingers in humdrum salience as it scrawls the tragedians lament of distal eventful frets of declassified nomenclature that swoon with lugubrious harbingers of burglary the licentious dolts affixed to the brays of pauperized regions of future proximity too remote to paralyze the morale of any cantonment on record by litotes of profound remembrance of a backfire delope for cineaste conflation of marstion slore for educated reprisal of desiccation. We spelunk in mimicry the dingy duplicity of double-takes in regelation that owe homage to the percolated hearsay of cartels that operate parsecs beyond our congeners of germane lustration in remission by deontology for soteriology alone but not vacated of the stilts of turnverein ragged mannequins of desolate remorse for the dearth of hived and hemmed hibernation in a fitful frenzy of revision above precision. We see abundant lactose intolerance as a sidereal lovelorn lament of sematic entrenchment without the scourge of roosted war against abrasive brawn exercised in flexible limbers of the novel filigrees of truth revelatory of consideration rather than impregnated with the perfidy of amaranthine static of regaled stagnation that flickers with the marinas of congregated leaps as a signature of the artistic license of byzantine traipses of contempered primacy in the soup kitchen of a lapse in sabotaged sobriety. Immune from displaced donnism is the resurgence of bonanza from checkered propinquities affixed to a finite placard of spacetime that owes to stretchgraves a profound depth of contrition that carmelized apocrypha lapse on lissome whilded dignotions of contrarian raillery of loose nihilism rather than anchor to the eremites of fact found in eclipsed culmination for momentous harps of the Jubal for new centuries inseminating the populated presence of spectral imagination with contorted melodies that spawn an ingenuous quest to swoon abiding heavens for celestial ears. It is conspicuous that artifacts for raiders elope with circuitous routes of heated sedimentary incubations with a comatose creativity that seeds the ferial junediggle with a supercalendar of confections that are intermittently apportioned in heydays of culture to the sad lament of the obvious rather than the obviated dare of audacity above conglomerations of spirited luxuriance in tasty memorial to a pinnacle above all other notions of sentinel apostasy. The greater atrocity of rogated ambitions against the gainsay of iconoduly of the rood and rude crucifixion of resurrected clarity found in the enamel of akashic answers to questions fashioned by kneaded cosmetology of delicate ***** cotqueans of limber above precedent and license beyond the finkly limp of lolloped saccharine blitzkreigs of the jalousies of the ajar vaticination of hurdled glaikeries of epicene impediment is that we ****** ink above the gesture of the quills of rocky abrasion found in limitrophes of yachted celebration because of rabid coherence above the wherefores of gadzookerie because the gladdest scaldabanco is the demented persiflage of collateral catastrophe beyond any humane degree of schadenfreude for persecution that backbites the anteric antlers of the jesters that mock the procession of liturgical secularism jeering at grapholagnia while lagging in imaginative spurts of lament for incalculable damage to the Pandora’s box of effluvia that meet stiff tabernacles of betrayal because of the Judaic foresight rather than as an alarmed Marxism scared of an agrarian interdependence of worlds cadged more prone to moral dogma exercised with latitude rather than unscrupulous brays of fisticuffs of shambolic shams of ruin. We glance at the perfidies of voyeurism with pertinacity and recalcitrant bellipotent bedlam that evokes the illicit grandeval whangams of quixotic whartonized arraigned estrangement from legalism to warp time to its own superlative turpitude that is reckless but contingent upon the consummation of destiny only to the extent of original witness rather than the decay of perpetuity wrought by the persiflage of envious militarized mandarisms of enmity aimed to derail the elevators of the noosphere from stratospheric emergence in now perspicuous clarity above the pother of the indelible sacrilege of the stygian polymathy of the astute enemies of the proper comstockery rather than the negligent butchers of an enantiodromia of oligarchies of lewdness that are severed appendages to Anti-Semitism and by extension a marginalized Islamophobia that demands by exigency the complete erasure of all attempts at sacrilege exercised in rampant dereliction of dutiful upkeep of the upright morality against the cadge of ulterior ploys of a broader hedonism that would only piggyback because of the license of ryesolagnus rather than because of a complete signatory endorsement of the liberated agenda of free thought conquered through the conquest of God but the ultimate conquistadors of time through sennet and even negligent rebec to memorialize the triumphant pantheon of growth rather than rankled regress into prolonged hatred ingeminated by atrocious tortfeasors that belong nowhere but the ashen heap of exorcised damnation. The perdition inherent to the system that craves chattel rather than sartorial versions of syncretic chatter is the malefaction of renegades bent on tornadic vulcanization to a demoralized wragapole of docility hitched to the vandalism of pilloried tarantisms of moral lapse leading the sheep into sheepish resignation over the accordion of Original Sin that annoys because the bridewells are brideless birds of the chavish of warbled uncertainty wicked because of snuffed tabacosis of mitigations of evil by the evildoers for the rejoinder against the Republic by rendering the **** a platonic ploy of karezza if only punctuated by solitary ******* reticulated by exsibilation that is contorted when you consider the ****** act a marvel rather than a condemnation of the vicarious involvement in normative ****** creations not of any higher artform but of an evolved theology that might perpend the issue of Christianized ******* that is videographic as a sanction worthy of charter and an impending simultaneous comstockery to protect the decency of the simultagnosia of a diverse and divisive mispronunciated time bent against its greatest heroes for the malice of schadenfreude built into the system of language itself by germane consideration to flagellate the wrong country for the  greatest wrongs known to the realm of religious observance. The pederasty of enclaves is the bailiwick of mutinies of selective mutism incurred by the vilified into compulsive shrieks of kallince as a ribbacle of protean ratiocination paralyzed by the coherent vulnerability incurred by the exchequer of polluted conditions of enslavement by the stretchgraves of the chavish of too many pulpits in the throng of a decisive jaundice against the victors of history because of the obsolescence of the historical fossils of outmoded jealousy. Now to the eupathy of all generations should we better conserve situations against the encroaching wesperm of the marstions of ulterior feminism grimacing at the pleckigger of manhood and decriminalizing the taboo against the enantiodromia of miscegenation to the folly of shepherds of idiotic ploys to rear the mediocre rebec of warbled intimations of cultural impotence that should proselytize both the oligogenics beyond ecbolic atrocity and the adoptive ****** of the anglosphere through its smart and dapper monopoly threatened by the commerstargal of retromorphosis exhibited by the demassification of culled syntalities into aboriginal epigenetic kennels of subservience to a piggybacked system where if you are among the attentive scrutiny of the audience that both perceives apperception metacognitively with francketor precision you are thereby inoculated from lean herbivores of cultish occultism metaphorically in the annealed agitprop for resourcelessness that never ends in the radioglare of revisionism because of the prevenance of the vergers who manage the Manciples rather than tend to the vainglory of the potagers around the hegemunes of an unwarranted and puritan celibacy of conceptual sterility in a world fashioned by engouements for sanguine hopes for a consanguinity that might portend into dynasty but lopsided in its contrite missives of scandal will never provide a valedictory rendition on politically checkered zugzwangs of ulterior scientism against the lettered freedom of bibliognosts to aggrieve against the gloaming vacuum of sartorial damages to Dagon among the populated metropolis of corporate servitude that will thus collapse out of rebarbative backlash for its diminutive economies of scope and pretenses of largesse of scaled down collectivism into a heap of corporate rubble rather than judicious bonanza. In every considered word in this Biblbical warning against the trekleador of the amazonian paradise against the travail of junediggles of obligation among the frenzied fretful tocsins of farcical utopianism meeting the inclement reprisal of sanctioned duplicity in frikmag beneath the truculence of mobilized alacrity to syndicalism endeared to capitalism rather than the converse logical apostrophes that are imponent overhangs of an already conquered feral sphere of nomadic imagination into a checkmate of a socially validated future clinched by foresight and the wragapole nature of the insensate docility of those prone to officious naturism before the attempted monolith of the mountebanks of the quixotic towers of panopticon that are a regelation of unchecked ambitions verging or diverging too valorously against themselves but also prone to a simultagnosia that berates the robust picaresque swandamos that curtail the curglaff of malcontent with the recoil of perseverance that reneges in tiresome defeat of a demilitarized population that should always be grisly rather than denatured by the overhang of the incumbent nudism of certain futures becoming to finicky in impetuous lurid specters of abhorrent exercises in chantage waged against sardanapalians in all countries regardless of merits or demerits. The redstrall of enlightenment is not otiose operatively in recursive backlash against nominalism which sweedles the weedledge of a new acquiescence timid enough to mangle a prosodemic wave of celibacy propitiated by the succedaneum of profligate vicarious lickerish ****** appetites that diminish that natural instinct into either barbarous experiments in lechery too inconvenient to apprise honestly but looming aghast at the moral tip-toes around the Original Sin that binds us to predatory lapse and retromorphosis rather than the maintenance of a mainlined trimpoline confidence in a normative wave of galvanized interface against the overpromiscuous provisions for the lackaday resentment of alienated millennialism relishing the sennet of nostalgia but bereft of the heave from moral slumbers of an invented celibacy intermediary to demassification but attenuated by the omphalism of astute gravitas in socially engineered balks at the emergence of singularity in personalized cacotopia becoming a metaphor for the broadsided shipwreck of an inured world pasteurized into acerbic jolkers of foofaraw rather than the real-life relish against still-framed ostentation that distorts the granular artifice of the natural into supernatural fixations with gaudy swarpollock indecently exposed. To the finkly flonky puritanism of the wiseacres of those who say sacerdotal duty cannot diverge from entelechies of secular insight I behold the marvel of timespun elegance as the marvel of God’s convergence for the happenstance of the serendipity of magnified time lived completely in the plenipotentiary pangs of evanescence that catapults subliminal meaning to memorialize this indelible seminal watershed in a clear visionary establishment of history. Most belong to oligomania but I relent in the completely sardonic intortions of aspects of sebastomania in complete equipoise with the clairvoyant clarity of centralized perspective but the dragomans will interpret that last phase with underminnow because it belies the granular intent of the fin de seicle advent of a new generation that is an homage to the hallowed Judaic theory of millennialism as the return of glorified entitlement yet tentative in its overhang but never malicious in its grapnel of the fewterers of amazing convergence of clairvoyance. The tangential rebuke of the absurd oxyholotron of paradoxical puritan superstition that assumes a fustilug generation will cement a farsighted clarity that subsumes generative prowess lingers with fixations on the figments of the apocryphal version of the truer version of revelations manifesting right before our eyes for neither the sinistral or the dexterous amplivagance of God’s universal message by the superorganism of messianic purpose belittled by the agents of humbled perdition not alone of martexts that are martles but also by the shepherded fears of the ignorant rather than the insipid because the will never be outmoded only enhanced by the acceleration of proliferative technologies that pave a macadamized future of prosperity rather than the tarnish of the miscreants of Tyre. I owe all providence to God because he fastened his scrutiny on my autodidactian romance clambered into restive ontocyclic peccadillo that points to Pinocchio more than to the truest compass of an omnified salvation of the piggybacked purpose of synergies of geotechnic mastery that elevates the cause of God and liberates us from the stings of dangerously vapid pauperization of the intellectual frontiers by dangled prevarications of desultory incontinence forestalled by avoidant developments in proper fewterers of ambition. By the axiomatic Brocards of time travel the unstated ignotism of deranged circuses of stupidity congregated around the swelter of dismissal is a barnacle to the mofussil fossilization of sentiment that remarks ironically about the petty indelible moments but not the entelechies of a unified front for liberated equity and considerate tender of diverse quorums that shepherd rather than intern the noosphere into the burgeoned resurgence of a humane endeavor for the everlasting enlightenment of an ameliorated humanity and beyond that. By the bailiwick exerted by the plenipotentiary omphalism still participant to the quorum I hereby declaratively implore the abrogation of pernicious grapholagnia as the peremptory sacrilege that needs exorcism for our times and yet delegated of stature I urge hortatory and imperative action for the expurgation of all tortfeasor illegally obtained ******* of unsolicited voyeurism to be completely regarded as the ultimatum of temerity against carnal restraint and banished from the human registry to uphold the strategic interests of the United States of America. I understand that there is not fricative monolith and never will I lean for that conquest but as a humbled member of the omphalism that constitutes the sacred endeavor of sociogenesis grounded on God with collegialism upheld that a geotechnically optimized species needs to refrain from lewd perfidies against commonplace justice to restrain the fumatorium of unwarranted envy from poisoning the pervious minds of people that congregate in defensive posture but not definitive gesture. I also beseech a portentous  settlement with  I relent from avarice but it is not a superposition of authority just a suggestive glance at requited justice but my grangull chavish of circumlocution naivety will meet the most deliberate Sardonic Sc(p)orn in these times of need. These next words are paused and already fathomed by the supernal recursion of the iterative metaphysics of recumbent retrospection hinged on hindsight to proclaim without any hints of attempted subterfuge of the clarity of a Democratic Republic that my words while forceful do not constitute a breech in public conduct even while vaulted with a minor rapacity I rebuke and atone for even when many others might find recourse to expiate my jalousies to the windowed world not of vindictiveness but out of the cursory and emphasis on cursory justice needed to vouchsafe my continued security and inoculation from the pothers of obviously shortsighted pleonexia which will obviously be fleered as a slight euthymia glazed on self-interest while tone-deaf to the checkered layers of entrapment by a confederate whiplash but a native grit never to enslave but to empower humanity. I am deeply lugubrious over the specter of the trembled quaky ground the penury of spiritual loss rejoinders against my candidacy for high esteem but not peremptory decisiveness in active service to yield to a supererogatory attempt for felicity to alight in my life not out of material greed but the gratuity of serviceable missions that play a dicey gamble with a frenzied manumission attempt that is essentially that a parsed manumission for eleutherian pragmatica to chide as naive but alarmed senectitude of the old order prevaricates with the din of postured hurdles of gladiatorial outrage that weans me away from the ataraxia for my fumbled stream brooking intolerance for years on the ballast of collective endeavor. Nevertheless, lets speak more on God’s providence because in this esteemed moment of watershed emergence of the fully engorged but rarely gluttonous soul I have found an equitable peace with supernal and superlative authority in God that grants stewardship and tutelage to the audience that will eventually through proper discrimination be delegated as higher than the ignorant bystanders of fleered snide disdain for the abnormous and bletcherous dimples of an otherwise circuitous dalliance with an unconventional path towards destiny rather than some windlass of opportunism for, if it were not for my unabetted genius and the provisions of divine appointment based on a kindly generous deference to preterition axiomatic in perceived time by the strictures of the convergent past and the divergent future, I would never find a role of partial authorship of a widely heralded tome I will one day publish to either the exsibilation of the antiquarians of hidebound irrefragable ontocyclic convictions or the cloveryield of an appreciative gratitude to the God I serve and I make no notions of any hostility towards any party of petty dismissal because I expect their recumbent recoil but I apologize for hubris and extenuate the follies of the refinery of character as I ascend into a figurative ennobled step into soulhood that exceeds my former dismal limits by such staggering orders of magnitude it magnifies the questions of ontology in sentience rather than beckons the alarmism of the swarpollock of tripwires that can easily withstand the tempests of scorn. The uproar of commotion of blood sanctified by the thirsty rain for the desiccated faucet of dramaturgy in reprisal for docimasy is the integral linchpin of the biocentric rebec reasting on the primitive hymns to festoon the curtains of defenestrated primitive relics of shady attempts at officious balks of the privatized empire of the alytarchs among the earwigs that simper the culled delicacy of sensible notions into the congeners of prioritization emphasized by quantulated concerns veiled by elaborative synquests that burrow the sulcate grooves of hidden hedonism for the chic magistrates of financial swoon or swayed vestiges of a forgotten calumny of betrayal by the coming-of-age sprouts of hedged dismal dismissal of a lugubrious prospect for an otherwise revitalized dressage of emoluments to glory that lurked in penumbras by rigged enumeration but found their prominence by the gravity of sensation-seeking frissons of alterations between benighted glory and the famish of artificial tethers to the yoke of caramel and chocolates as a dainty ploy of yearning persiflage also a dranger of camouflage for flagitious percolations of the invidious rumors of imposture and the groveling contempt of the known drogulus remiss in denial of its own requited date when the powers of miscarriage become ecbolic to their own lagging languor of lisps of linguistic ramparts of a revival of hypertrophy for hyperactive foibles in inclement weather. Ok beyond the absenteeism of the presence of perceived amphigory there is great heft in the nominal notion that dogma is mobilized in serviceable goods of merchandized mirrors of glazed remission of moral tender because of stoked curiosity unhinged from the pragmatica of duty. We need forbearance in empathy that loves the lovable rather than envies the deposed despotism of clever wiseacres veiled in delicate symmetry with conscience that is the quill of a wellspring deeper than any imaginary vagary can approximate because impossible events punctuate time with literacy rather than incontinence of drivel that is ambitious but ignoble by stately coherence. To the critics of the baragnosis of limited apperception my words are blatant amphigories but they only possess enough ken to fathom an average orbit of suboptimal outcomes rather than transdimensional chances at chess outnumbered by checkers by incidental design of clever ploys of rejoinder that is by design arcane for the arcadia of the pristine arcade of future possibilities  As I am purblind by psychorrhagy I am incompetent in my radiopresence because I am a departed spectral figment above fricative hisses and whorfian glares of mediocre rebec for primitive shibboleth above prized taurine anglophonic convictions that superimpose the dignified clarity of willpower above the dragnets of supersolid conflations of puffery. Ok I admit a lapse of transmission by the vesicles of numbered murders of henpecked owleries of the senectitude of sepulchral magnetism of slumber over awakened alacrity of mobilism fashioned in portentous flipcraves of additive immobility of fixed vectors seen through parvanimity that actually just swivel in circular retorts against themselves without the elaborative potential and the belabored traipse of the rabid taradiddles of sensationalism marauding as a defalcated burglary of emotion for useless psephology that predicates nothing but a slight budge in the autarky of structuralism which is never sclerotic but stammered by articulations of the overt when the covert aligns by an alien agenda that is subservient to magnified priorities of warped swirk of telescopic prevenance and hedged boschveldts of elemental and I stress the strain of the elemental for the drogulus of sensational proclamation by executive ****** but supererogatory minutiae of fascism cloaked by earwigs of repcrevel repute beyond memorialized reputation. We need to renege the southern pacts to the Argentine mandarism of reticular vitiations of cinematography waged against creative visionaries of free speech because of the succedaneum of furtive endeavors at optimization by compromised degrees of artistic licentiousness even that is never lewd about sacred roods but boorish in blockbuster rather than kempt in collectivist brunt of the timid bronteum of agitprop that lurks in the imminent future of cinema. America needs to retain the disclosed but still-frame inertia of catapulted declassification that ennobles the fliction but also the vilified distilled truths only the keen of acumen will sensibly identify so that the magnet of earwigs gravitates to the belabored analysis of astute congeners to relevant tributaries to the ocean of adventitious swarpollock in the procedural autopsy of the auditorium for neither a chattel nor a crystallized nurture against the matriotic insistence of decorum. Essentially the succubus of prosthetic protensive docimasy of imaginative logic predicated in visionary apperception of the unseen in immediacy is the longeur of reticent endeavors to pasteurize the oculus rifts of futurity to synergize with the entelechy of proactive somnambulism that sensitizes the profoundly capable but never bereaves the inept of direct interface with communicable dominion with fantasia that is an operative artifice of a beguiled lurch without purged retrograde immaterial delusion that endangers visceral momentum toward new directives of the outmantled zugzwang in elementary exercises of swaddled posterity free by irenic idolatry never orphaned by a widowed imagination. The swirk of hypostasized probabilities in an invented swipe at wide-eyed but star-crossed turnvereins for the imaginative leaps in the performative depend on the delicate swivels of declaration independent from culinary clarity of macroscian travesty rather than pinhokes of naufragues of maudlin laudable applause by the canned nurture of speculative intimation that sadly severs the curglaff of whispered intimacy over the confidence we have in artifice to teach the wragapole both matriotism and sensitive reninjasque poker without incurred damages beyond the clarified visionary potential of graphic protheses immediately perceptible to the acumen of judicious polymathy indoctrinated by the rigor of scientific grooms for melliferous parsecs of advanced minutiae of dark horses to nomadic license beyond ravenous **** palindromes of hushed vigor to the declared by scacchic deliberation to usher in crass but crestfallen synectics. The future of God is secure in the fathomed furlongs of cubic citadels of pasteurized paradise found in corralled reluctance without remonstrance of poetic belletrist resounding with clangor rather than swerved nimble potions to avert future calamities in war by the expansive frontier of a civilized metropolis of the mobilized imagination hypostasizing newfangled naturism that is neither mofussil nor a fossilized relic of scrappy schlep. The nonchalance of parlance swims in arenaceous bunkers of drivel that congregate in the turnverein of futuristic opportunism found in the muzzled directives of orchestras of departed clarity no longer so insular in its bossy imperatives but clarified with hearsay and blushed blarney not the blench of widened divulgence of minatory malice that incurs the punitive curglaff of frenetic retchallops of winsome specters becoming opportune pragmatics of a semantic network of dirigisme that through sheer horsepower overcomes the sting of ubiquity or the hollowed headless vesicles of urbacity disenfranchised by degrees of impertinent pertinacity of deposed disclosure rudimentary in sedentary simplicity against matriotic duty to remain guarded by an ommateum that fathoms the abyss but never wages reckless adventurism. Prevenance is the key to absolution but staggered implements of dearth preempt the ecbolic corrigenda of castigation by hindered lurches of veiled errundle belonging to a central trimpoline interposition of fungible felicity for not only a regional fanfare but a global scale of competitive endeavor of cleverage beyond scopes but beneath scrutinized mutiny of embanked polymathy stranded by the redstrall of industrious slavering dogmatism to a servile ***** rather than the boomerang of pressure to asseverate limitless bounds of planned obsolescence to engorge but not intimidate checkered reticence in the sinew of the musculature of creative parlance above petty finicky demiurges of latitudes in amphibious annealed glorification. Temperatures gauged by the thrombosis of thermolysis in psychotaxis gouged by hucksters of taciturn bamboozles of teetotalism are neither scourge nor foe of the strategic advent of the fascination of prospective investment a boondoggle that offsets the bonfire of retorted whimpers of foudroyant ripples of wildfire perspicacity strung by the catchpole of ubiquity in the time-honed decorum of genteel upright raconteurs of volleyed neglect by strict mandate will uproariously profit in remission from knowledgeable exacerbation rather than tomfoolery by filial tithes to foreign wardens of conspicuous levitation above gimcracks by the syrts of percolated filigrees of belabored chantage exerted over the tide of perfidy in contained discernment will stall and extinguish the prideful jostle of profane blasphemy against tacit covenants of blackguarded justice served by platitude better than by insubordinate quivers that quake because bears bounce checkered checks rather than anoint the sigillum of protective vouchsafes of exchequers smartly dapper rather than dimpled in flagrant brays of castigation and thus secure employment of instrumental advent rather than desecrated conventicles of remission.
Now it is time to ventilate divine knowledge that transfiguration means a humane liberation rather than a sanctimony of tirade against dumose proliferations of fluminous imaginary tracts of the probable rather than the certain for the elevators of sanitized wealth to bequeath greater moral clarity found in the contrary submission of authoritative parents to shepherd guarded wealth in proper husbandry of calendrical affairs to optimize the work-life balance so the biocentric imperative for sustenance renounces the moral obesity of groundless backlash in austerity and endless cycles of remorse rather than a tender mollification of sentiments away from universal kumbayas and in favor more stridently of a system that withholds the agitprop of statist indoctrination of a mollycoddle ****** within individual mandates of variable agendas of countries beyond the borderline fluid dynamics of the foibles of moral venial folly but insensitive to the dynamism of the robust virility of a wayspayed world swaying by riddled wildfires of conflated puerile stages of ludic indoctrination to the rampant perfidy of exemplary incontinence waged by Hollywood upon unsuspecting victims of inconsiderate indoctrination that doesn’t vouchsafe the prerogatives of heteronormative values that should outshine not a parochial vehement hatred or a clorence of unconditional tolerance but a chided quarantine of variegated syntalities divorced from integration rather than fostered in communal depths of bound lettered ambition found in the allegorical power of Biblical wisdom expounded by the florilegium of the religious and secular canon.
To serve God rather than the perceived taradiddle of speculative mammon deprived of classifiable certainties but hunched proclivities we need to exhort a proper seesaw between restraint in vision and exuberance in creative license so that the pivot of the moralized world leads to an insistent trust of watchdogs that through trust revolve the gravity of morale upon the upswing of liberty rather than incidental follies of imaginative demiurges of partition but blinkered hubris in stately objectives to the demur of participant malingering naysayers and nyejays. The moral gravity of the situation requires us to rotate our hype from the fervor of panic into the resolve of fortitude that relishes family and filial duty rather than resents because of breedbate instinct the flickers of smoldering rebels that are tamed in their revelry when they follow the moral prerogative of disciplined ambition in creativity not insubordinating against insurmountable limits but reasonable adjustments to a scaffold of potential that is skyscraping more than before even if its too close to the ground for comfort and consolation. Relativism is the enemy of progress because envy seeds alienation and comparison should be eschewed because we need to burrow in compassionate embrace of the cherished loves rather than the exaggerated proximity of provincial fears becoming global juggernauts of mercy upon the merciful and I convoke a global prayer for the attenuation of the virus that spreads sadly too far for comfort today. I purge out of solidarity with suffering as the milquetoast in me identifies the disconcerted avenues of avetrols trying to find a way through the forest of rumination without gingerly superlative prerogatives outweighing the poise of balance in shields of honor rather than badges of shame. We must by moral imperative greet strangers in public places like parks rather than strangulate the percolation of affection because of regnant distractions because in this congenial way we will find a common fraternity with fellow man while soldiering on to find truth in God’s word in the proper temperature for genuflection because I admit foibles but I relent not in the chase to redintegrate myself spiritually to lead a charge without trespass of fundamental dignity over the whoppers of indignation some of us might feel because of the penury of divergence rather than the private penalty of convergence for an ulterior solidarity of purpose. I need to emerge into the humanity of compassion to showcase that virtuosity can exist without obsession over one individual because God beseeches a pantheon of observation rather than the gripes of an envied nuisance independent from normal human concerns that ripple with ecstasy because of normative human contrition over the leeway on vacillated opinions that might underwhelm those disposed by prizes of inurement. We should shelve these notions of a supersolid conscience because only in the humility of the profound simplicity of elemental postulates can we achieve complete synchrony with a syndicate that enthralls both divergent and convergent movements that partially offset on the side of convergence in some communes while otherwise countermanded in others in contrarian ways and the favor of the balance depends on the perspective of the flanged acculturation of the participant in a world that doesn’t need flayed excoriation as much as it deserves proper exercise of adoration of the admirable rather than the desecration of the abominable. I return with the greatest jubilation of a reninjasque jaunty streak that hearkens the sennet and maybe the leanings of the senate to the fanfare of adoration for life and gratitude bestowed by the stewardship of God and his divine purpose to inseminate my life with purposeful meaning and happy happenstance that is a stroke of glory. I muster the resolve to traipse in the solitude of my cavern the blessings of divinity bequeathed by the departed forefathers who never intended bossy insularity of dogma to be a stricture of rigors of iconoduly but rather a consecrated wit with the persiflage of conversant tones of labile and lissome gallantry just waiting to alight upon the affectionate dance with dalliance of a philandered hope for a purified love hopefully never profaned by the pangs of scandal (note the sardonic pun) because rejoice is the gift of Heaven upon this culmination of purpose above the dross of shipwreck elevated in folly but stranded in the throes of rumination enough to hedge the boursocrats and try to inoculate the world from further panicky divisions of hypemongers of simpered precaution becoming a financial pandemic that deserves pause and poise but should not protrude above the glistening promise of the eternal wellspring of the vineyards of salvation blooming because enhanced sapience converted the flock of shepherds to tend to those sheepish in deficiency to wield a newer curiosity to replace a saddened lament not by acquiescent abandon but by the solidarity of interfaces of love replacing cast-iron idolatries I too am guilty of for the cordslave generation of itinerant distractions that wager on modicums rather than appraise bonanzas. Safety is predicated on the idea that resources should never be glazed but always apportioned with optimism because if you examine history irrational panics have always and always rebounded because of exigent actions taken by governments to restore confidence in liquidity rather than snide dismal dismissals of economic projections based on bounded rigged betrayals of primarily a global panic that a profoundly promethean intellectual verve could capitalize on its heyday to gouge people against the insensate balkanization of the future by an alienation of formidable scarecrow of invented fatalism imploding upon itself to obviate its own existence by the insistence on free thought to domineer and tower over the doldrums of a vacant man that is now occupied by the largesse of humane endeavor for a messianic voyage that consummates time itself its own captain and is partially centripetal around the juncture of All Saints Day 2008 because of its seminal significance in ushering in a new era of liberation. This justification is a gnomic axiomatic herculean ****** that catapulted generativity in creative endeavor to coalesce around an Army of Me not because of the futilitarianism embedded in its flagrant flagitious mockery of traipsed lyricism borrowed from Bjork but rather showcases the flavork of the flavenickers of ribald coarse revolution that is no longer balderdash to Bald Eagles but the prized retribution of the inviolable scruples demolished by deracinated moral relativism balking at raltention because of persnickety and tyrannical transparency that prepossesses over the lifeless livid Potemkin  Village  of Astroturf complaint malingering in pederasty over its own depraved sinuous course of diverted restraint cemented by the scythes of Village People politics benumbed over militarized betrayals that incur and invoke the diablerist prose of anonymuncle desperado mavericks that sizzle in hibernaculum to depose the autarky of seasoned growth rather than unseasonable diatribes of vitriol poisoning the posture of gentility by decree rather than by deeds of homogenized pasteurization against Lactose Intolerant Leftism and dogged doggerel of pasty subversive paranoiac hederaceous envy spawning a vituperative summation of a beatific felicity. We need to convene upon better tranceception in this axiomatic gratuity of God
RAJ NANDY Nov 2015
GREAT ARTISTS & THEIR IMMORTAL WORKS :
CONCLUDING ITALIAN RENAISSANCE IN
VERSE.  -  By Raj Nandy, New Delhi.

Dear Readers, continuing my Story of Western Art in Verse chronologically, I had covered an Introduction to the Italian Renaissance previously. That background story was necessary to appreciate Renaissance Art fully. Now, I cover the Art of that period in a summarized form, mentioning mainly the salient features to curb the length. The cream here lies in the 'Art of the High Renaissance Period'! Hope you like it. Thanks, - Raj.

                          INTRODUCTION
“Painting is poetry that is seen rather than felt, &
  Poetry is painting that is felt rather than seen.”
                                                        – Leonardo Da Vinci
In the domain of Renaissance Art, we notice the
enduring influence of the Classical touch!
Ancient Greek statues and Roman architectures,
Inspired the Renaissance artists in their innovative
ventures!
The pervasive spirit of Humanism influenced
creation of life-like human forms;
Adding ****** expressions and depth, deviating
from the earlier stiff Medieval norms.
While religious subjects continued to get depicted
in three-dimensional Renaissance Art;
Portraits, **** figures, and secular subjects, also
began to appear during this great ‘Re-birth’!
The artists of the Early and High Renaissance Era
are many who deserve our adoration and artistic
due.
Yet for the sake of brevity, I mention only the
Great Masters, who are handful and few.

EARLY RENAISSANCE ARTISTS & THEIR ART

GITTO THE PIONEER:
During early 13th Century we find, Dante’s
contemporary Gitto di Bondone the Florentine,
Painting human figures in all its beauty and form
for the first time!
His masterwork being the 40 fresco cycle in the
Arena Chapel in Padua, depicting the life of the
****** and Christ, completed in 1305.
Giotto made the symbolic Medieval spiritual art
appear more natural and realistic,
By depicting human emotion, depth with an
artistic perspective!
Art Scholars consider him to be the trailblazer
inspiring the later painters of the Renaissance;
They also refer to Giorgio Vasari’s “Lives Of
The Eminent Artists,” - as their main source.
Giotto had dared to break the shackles of earlier
Medieval two-dimensional art style,
By drawing lines which head towards a certain
focal point behind;
Like an illusionary vanishing point in space,
- opening up a 3-D ‘window into space’!
This ‘window technique’ got adopted by the
later artists with grace.
(
Giorgio Vasari, a 16th Century painter, architect & Art
historian, was born in 1511 in Arezzy, a city under the
Florentine Republic, and painted during the High
Renaissance Period.)

VASARI’s book published in 1550 in Florence
was dedicated to Cosimo de Medici.
Forms an important document of Italian Art
History.
This valuable book covers a 250 year’s span.
Commencing with Cimabue the tutor of Giotto,
right up to Tizian, - better known as Titan!
Vasari also mentions four lesser known Female
Renaissance Artists; Sister Plantilla, Madonna
Lucrezia, Sofonista Anguissola, and Properzia
de Rossi;
And Rossi’s painting “Joseph and Potiphar’s
Wife”,
An impressive panel art which parallels the
unrequited love Rossi experienced in her own
life !
(
Joseph the elder son of Jacob, taken captive by Potiphar
the Captain of Pharaoh’s guard, was desired by Potiphar’s
wife, whose advances Joseph repulsed. Rossi’s painting
of 1520s inspired later artists to paint their own versions
of this same Old Testament Story.)

Next I briefly mention architects Brunelleschi
and Ghiberti, and the sculptor Donatello;
Not forgetting the painters like Masaccio,
Verrocchio and Botticelli;
Those Early Renaissance Artists are known to
us today thanks to the Art historian Giorgio
Vasari .

BRUNELLESCHI has been mentioned in Section
One of my Renaissance Story.
His 114 meter high dome of Florence Cathedral
created artistic history!
This dome was constructed without supporting
buttresses with a double egg shaped structure;
Stands out as an unique feat of Florentine
Architecture!
The dome is larger than St Paul’s in London,
the Capitol Building of Washington DC, and
also the St Peters in the Vatican City!

GILBERTI is remembered for his massive
15 feet high gilded bronze doors for the
Baptistery of Florence,
Containing twenty carved panels with themes
from the Old Testament.
Which took a quarter century to complete,
working at his own convenience.
His exquisite naturalistic carved figures in the
true spirit of the Renaissance won him a prize;
And his gilded doors were renamed by Michel
Angelo as ‘The Gates of Paradise’!
(
At the age of 23 yrs Lorenzo Ghiberti had won the
competition beating other Architects for craving the
doors of the Baptistery of Florence!)

DONATELLO’S full size bronze David was
commissioned by its patron Cosimo de’ Medici.
With its sensual contrapposto stance in the
classical Greek style with its torso bent slightly.
Is known as the first free standing **** statue
since the days of Classical Art history!
The Old Testament relates the story of David
the shepherd boy, who killed the giant Goliath
with a single sling shot;
Cutting off his head with Goliath’s own sword!
Thus saving the Israelites from Philistine’s wrath.
This unique statue inspired all later sculptors to
strive for similar artistic excellence;
Culminating in Michael Angelo’s **** statue of
David, known for its sculptured brilliance!

MASSACCIO (1401- 1428) joined Florentine
Artist’s Guild at the age of 21 years.
A talented artist who abandoned the old Gothic
Style, experimenting without fears!
Influenced by Giotto, he mastered the use of
perspective in art.
Introduced the vanishing point and the horizon
line, - while planning his artistic works.
In his paintings ‘The Expulsion from Eden’
and ‘The Temptation’,
He introduced the initial **** figures in Italian
Art without any inhibition!
Though up North in Flanders, Van Eyck the
painter had already made an artistic innovation,
By painting ‘Adam and Eve’ displaying their
****** in his artistic creation;
Thereby creating the first **** painting in Art
History!
But such figures greatly annoyed the Church,
Since nudes formed a part of pagan art!
So these Northern artists to pacify the Church
and pass its censorship,
Cleverly under a fig leaf cover made their art to
appear moralistic!
Van Eyck was also the innovator of oil-based paints,
Which later replaced the Medieval tempera, used to
paint angles and saints.

Masaccio’s fresco ‘The Tribute Money’ requires
here a special mention,
For his use of perspective with light and shade,
Where the blithe figure of the Roman tax collector
is artistically made.
Christ is painted with stern nobility, Peter in angry
majesty;
And every Apostle with individualized features,
attire, and pose;
With light coming from a single identifiable source!
“Render unto Caesar the things that are Caesar’s,
and unto God things that are God’s”, said Christ;
Narrated in Mathew chapter 22 verse 21, which
cannot be denied.
Unfortunately, Masaccio died at an early age of
27 years.
Said to have been killed by a jealous rival artist,
who had shed no tears!

BOTTICELLI the Florentine was born half a
century after the Dutch Van Eyck;
Remembered even to this day for his painting
the ‘Birth of Venus’, an icon of Art History
making him famous.
This painting depicts goddess Venus rising out
of the sea on a conch shell,
And the glorious path of female **** painting
commenced in Italy, - casting a spell!
His full scale **** Venus shattered the Medieval
taboo on ******.
With a subject shift from religious art to Classical
Mythology;
Removing the ‘fig-leaf cover’ over Art permanently!

I end this Early Period with VERROCCHIO, born
in Florence in fourteen hundred and thirty five.
A trained goldsmith proficient in the skills of both
painting and sculpture;
Who under the patronage of the Medici family
had thrived.
He had set up his workshop in Florence were he
trained Leonardo Da Vinci, Botticelli, and other
famous Renaissance artists alike!

FOUR CANONICAL PAINTING MODES OF
THE RENAISSANCE:
During the Renaissance the four canonical painting
modes we get to see;
Are Chiaroscuro, Sfumato, Cangiante and Unione.
‘Chiaroscuro’ comes from an Italian word meaning
‘light and dark’, a painting technique of Leonardo,
Creating a three dimensional dramatic effect to
steal the show.
Later also used with great excellence by Rubens
and the Dutch Rembrandt as we know.
‘Sfumato’ from Italian ‘sfumare’, meaning to tone
down or evaporate like a smoke;
As seen in Leonardo’s ‘Mona Lisa’ where the
colors blend seamlessly like smoke!
‘Cangiante’ means to ‘change’, where a painter
changed to a lighter or a darker hue, when the
original hue could not be made light enough;
As seen in the transformation from green to
yellow in Prophet Daniel’s robe,
On the ceiling of Sistine Chapel in Rome.
‘Unione’ followed the ‘sfumato’ quality, but
maintained vibrant colors as we get to see;
In Raphael’s ‘Alba Madonna’ in Washington’s
National Gallery.

ART OF HIGH RENAISSANCE ERA - THE
GOLDEN AGE.

“Where the spirit does not work with the
hand there is no art.”- Leonardo

With Giotto during the Trecento period of the
14th century,
Painting dominated sculpture in the artistic
endeavor of Italy.
During the 15th century the Quattrocento, with
Donetello and Giberti,
Sculpture certainly dominated painting as we get to
see!
But during the 16th century or the Cinquecento,
Painting again took the lead commencing with
the great Leonardo!
This Era was cut short by the death of Lorenzo the
Magnificent to less than half a century; (Died in 1493)
But gifted great masterpieces to the world enriching
the world of Art tremendously!
The Medieval ‘halo’ was now replaced by a fresh
naturalness;
And both Madonna and Christ acquired a more
human likeness!
Portrait paintings began to be commissioned by
many rich patrons.
While artists acquired both recognition and a status
of their own.
But the artistic focus during this Era had shifted from
Florence,  - to Venice and Rome!
In the Vatican City, Pope Julius-II was followed by
Pope Leo the Tenth,
He commissioned many works of art which are
still cherished and maintained!
Now cutting short my story let me mention the
famous Italian Renaissance Superstar Trio;
Leonardo, Raphael, and Michael Angelo.

LEONARDO DA VINCI was born in 1452 in
the village of Vinci near the City of Florence,
Was deprived of a formal education being born
illegitimate!
He was left-handed, and wrote from right to left!
He soon excelled his teacher Varrocchio, by
introduced oil based paints into Italy;
Whose translucent colors with his innovative
techniques, enhanced his painting artistically.
Sigmund Freud had said, “Leonardo was like a
man who awoke too early in the darkness while
others were all still asleep,” - he was awake!
Leonardo’s  historic ‘Note Book’ has sketches of a
battle tank, a flying machine, a parachute, and many
other anatomical and technical sketches and designs;
Reflecting the ever probing mind of this versatile
genius who was far ahead of his time!
His ‘Vituvian Man’, ‘The Last Supper’, and ‘Mona Lisa’,
Remain as his enduring works of art and more popular
than the Leaning Tower of Pisa!
Pen and ink sketch of the ‘Vitruvian Man’ with arms
and leg apart inside a square and a circle, also known
as the ‘Proportion of Man’;
Where his height correspondence to the length
of his outstretched hands;
Became symbolic of the true Renaissance spirit
of Man.
‘The Last Supper’ a 15ft by 29ft fresco work on
the refectory wall of Santa Maria, commissioned
by Duke of Milan Ludovic,
Is the most reproduced religious painting which
took three years to complete!
Leonardo searched the streets of Milan before
painting Judas’ face;
And individualized each figure with competence!
‘Mona Lisa’ with her enigmatic smile continues
to inspire artists, poets, and her viewers alike,
since its creation;
Which Leonardo took four years to complete
with utmost devotion.
Leonardo used oil on poplar wood panel, unique
during those days,
With ‘sfumato’ blending of translucent colors with
light and shade;
Creating depth, volume, and form, with a timeless
expression on Mona Lisa’s countenance!
Art Historian George Varasi says that it is the face
of one Lisa Gherardini,
Wife of a wealthy Florentine merchant of Italy.
Insurance Companies failed to make any estimation
of this portrait, declaring its value as priceless!
Today it remains housed inside an air-conditioned,
de-humidified chamber, within a triple bullet-proof
glass, in Louvre France.
“It is the ultimate symbol of human civilization”,
- exclaimed President Kennedy;
And with this I pay my humble tribute to our
Leonardo da Vinci!

MICHEL ANGELO BUONARROTI (1475-1564):
This Tuscan born sculptor, painter, architect, and
poet, was a versatile man,
Worthy to be called the archetype of the true
‘Renaissance Man’!
At the age of twelve was placed under the famous
painter Ghirlandio,
Where his inclination for sculpting began to show.
Under the liberal patronage of Lorenzo de Medici,
He developed his talent as a sculptor as we get
to see.
In the Medici Palace, he was struck by his rival
Torregiano on the nose with a mallet;
Disfiguring permanently his handsome face!
His statue of ‘Bacchus’ of 1497 and the very
beauty of the figure,
Earned him the commission for the ‘PIETA’ in
St Peter’s Basilica;
Where from a single piece of Carrara marble he
carved out the figure of ****** Mary grieving
over the dead body of Christ;
This iconic piece of sculpture which along with
his ‘David’ earned him the ‘Superstar rights’!

Michel Angelo’s **** ‘DAVID’ weighed 6.4 tons
and stood 17 feet in height;
Unlike the bronze David of Donatello, which
shows him victorious after the fight!
Michel’s David an epitome of strength and
youthful vigour with a Classical Greek touch;
Displayed an uncircumcised ***** which had
shocked the viewers very much!
But it was consistent with the Mannerism in Art,
in keeping with the Renaissance spirit as such!
David displays an attitude of placid calm with
his knitted eyebrows and sidelong glance;
With his left hand over the left shoulder
holding a sling,
Coolly surveys the giant Goliath before his
single sling shot fatally stings!
This iconic sculpture has a timeless appeal even
after 500 years, depicting the ‘Renaissance Man’
at his best;
Vigorous, healthy, beautiful, rational and fully
competent!
Finally we come to the Ceiling of the Sistine
Chapel of Rome,
Where Pope Julius-II’s persistence resulted in the
creation of world’s greatest single fresco that was
ever known!
Covering some 5000 square feet, took five years
to complete.
Special scaffoldings had to be erected for painting
scenes from ‘The Creation’ till the ‘Day of Judgment’
on a 20 meter’s high ceiling;
Where the Central portion had nine scenes from
the ‘Book of Genesis’,
With ‘Creation of Adam’ having an iconic significance!
Like Leonardo, Michel Angelo was left-handed and died
a bachelor - pursuing his art with devotion;
A man with caustic wit, proud reserve, and sublimity
of imagination!

RAFFAELLO SANZIO (1483-1520):
This last of the famous High Renaissance trio was
born in 1483 in Urbino,
Some eight years after Michel Angelo.
His Madonna series and decorative frescos
glorified the Library of Pope Julius the Second;
Who was impressed by his fresco ‘The School
of Athens’;
And commissioned Raphael to decorate his
Study in the Vatican.
Raphael painted this large fresco between 1510
and 1511, initially named as the ‘Knowledge of
Causes’,
But the 17th century guide books referred to it
as ‘The School of Athens’.
Here Plato and Aristotle are the central figures
surrounded by a host of ancient Greek scholars
and philosophers.
The bare footed Plato is seen pointing skywards,
In his left hand holds his book ‘Timaeus’;
His upward hand gesture indicating his ‘World
of Forms’ and transcendental ideas!
Aristotle is seen pointing downwards, his left
hand holds his famous book the ‘Ethics’;
His blue dress symbolizes water and earth
with an earthly fix.
The painting illustrates the historic continuance
of Platonic thoughts,
In keeping with the spirit of the Renaissance!
Raphael’s last masterpiece ‘Transfiguration’
depicts the resurrected Christ,
Flanked by prophets
Connor Jul 2015
Trees, houses, Treehouses,
Abandoned.
                  beaches
                ­                 still
                                 appear the same as summer
but the sky's gone
                 Sunshine
to
                Windwine
                                  (Clouds and clouds, some much            
                                    larger than others, sometimes just one big cloud  
                                   mapped out between            
                                   us and rest of universe to the cascade horizon)

All the pets can tread cement
without
worry of burns and the two hundred calamities
of July are over.
                              Replaced with
                              rain and bums escaping to the
                              soup kitchens and
Churches
                                  (East side Vancouver, Pandora Victoria,  
                                                 astreet in a city astray)
Ashtrays freckled in the evening drizzle
common.

My hands are held by gloves and
                                 fingertips from half of
                                 Japan,
my lips are kissed by the                          comet
beauty mark on right side
bottom
                                                (Though this universe is attending
                                                  unive­rsity in a distant city
                                                  while I hold my own
                                                  practicing the Dharma,
                                                 or MAYBE none of this will happen!)
Everything is in its place
as it always was-
though circumstance has tried to
teach us otherwise the                        
                                     ­                            Blackbox
                                      made of star-rubber S T R E T C H I N G

Hasn't the concept
of          calendars or
                             Jesus or
                                medicine cabinets
                                                         Dentists and
                                                             ­               Saints.
Everything is in its place
as it will always be
        as it has never been...
(Ever)
SPONTANEITY of matter
                         Gliding thr-
                                          -ough matter.
What does it all matter anyway?
There's                    loving
and                    ­     experiencing,
                Music.
           Personsong.
         Do-no-wrong.
That        no-no           of making
             mistakes?
A falsity!
**** up

In blissful circles
to the         SOUND
                    OF SNOW
                    MELTING
on streetlamps front of my
House.
                                (A very silent orchestra performing
                                 Before collision and like dog whistles
                                 It's a sound we cannot hear.
                                The peoples got their poetry and
                                cognitive thought so the other
                                Animals get the REAL sensory
                                Inconceivables to write about
                                But the ******* can't)
In that
                        future
_____
basement house

Where the Van Gogh
                   Velvet Underground sit
P
O
S
T
E
R
E
D
on the wood-c
                        u
                          r
    ­                       v
                             e walls.
I'm in unfolding daydream
Thanking
HUNDRED THOUSAND YEARS
predating my
EIGHTEEN.
Thanking the
                              Beats and the Dadaists
                           and Buddhists and
                        Existentialists
                     ­ Post-modernists
                  Minimalists
                Expressionists
            FOR BEING.

Really, they aided
Me off
  the ^ ground
during
eight month unemployment induced depression where
I felt disassociated with myself
and the dynamo                                                       outside the front door..
Glowing via
         sunlight in the day window and
            headlights in the night window.
Either way
I filled up with
                                   (((Purposeless cynicism)))
The world bulb clicked ON
With/without me           there,
None of the corner stores
Or      airports
Or      hospitals
          courts and
          institutions
gave a rat's ***
what woes I be asphyxiated by
or that                 Farmquiet two lane
                                 tarnished path
In the country                       (in May)
      seemed fine a place as any
to     step a few feet to the          
                                               right
                            and
      left

of me and
                         .......DIZZY.......
by death traffic
old Buick polish
(Tragedy they'd say!)

While there midway in the firing line
I felt like
the wackos in      l o o s e
stone COLISEUM daisy cages
               Empty lots,
       Place where the beast of
  Emptiness cuffs to your sleeve
             and weeps
                      All over itself
                      that Sarte was right all along!
(No Exit! No exit!)

Autumn quartz moonlight                        O
Illuminated headstone repetition
circling musk fields.
  Skeleton wings
Of preceded seasons' timbers
Caught muttering the
Corpseconvo
as the               tumblecar
trembling             hot in
                           Music sauna HUM
Approaches life,
to the
                       paralyzed November air
of
Coffin bodies insulated
By roots N' six feet of terrestrial barrier.



Faces disappearing now
to Heavenly chandeliers of time
offering distant light future
and above my ponderous skull presently
                 dancing riverside to situations
                                                  and newness
                           (2016)
                  enigmatic spiral
  every                 color             every
                        possibility
every                rainbow          or
                      non-rainbow chromatically
                           webbed in Attic
                                          of secluded
                                Quantum Dimensions-

The big blue doors are opening to cosmic entirety,
cats everywhere are purring in their sleep,
somebody reads                          Murakami,
                                                      Picabia,
                                                      Joyce,
   ­                                                   W.C Williams,
                                                      B­erryman & Brainard too.
Big blue doors, rites of passage,
Aarti Varanasi twenty-seventeen,
             joyride to San Francisco (I wrote a poem on that once!)
Continuing self-exploration,
            reminding that soul to stay awake,
            the search for love-
Warmth when the year is
metamorphosed to cardinal leaves
       Sunset Summer!
      Autumnal transfiguration
      spiritual!
      Rearrangement of the concurrent reality!

I turn 19 in October and
a procession of kind-eyed children
will be born in the moments
I blow the cake candles.
Light goes out!
light comes in!
Hanoi expects me still.
Asim Javid Jun 2015
There are times when
you are not yourself.
You blend into something
unwantedly & unwillingly.
Something that is
too distant from your
psyche & guise.
The transfiguration makes
you a whole another person,
one beyond your bridle.
But you always hit back to
your archetypal persona.
The endeavor to recrudescence
is always tenacious,
summating unscrupulous inscriptions to your crasis.
People will judge you
on this substructure of your psyche.
But this is not who you are
& what you are!
It is mere an icky phase.
Your elucidation lies beyond
this transfigured self.
Never relinquish your
pristine pneuma.
We all face a transfiguration sometime.
jane taylor May 2016
erstwhile a halcyon extant universe incessantly ceaseless
cradled itself in hues of violet phosphorescence
laced with cobalt shimmering stars
perpetually whole it nonetheless
sought to know itself

encompassing all that is bubbling over in effervescent ebullience
intertwined with indescribable catastrophic splendor
it shattered into tens of millions of splinters
of eloquent efflorescent light
shining in the night

each splinter heretofore imbued with sempiternal felicity
began to conjure sumptuous dulcet elixirs
furtively seeking out savory emollients
to mollify the pique of separation
plummeting they fell

into monstrous competition seeking demesne they lost the purpose
of gaining awareness and intelligent consciousness
surreptitious estrangement overflowed
deluging them in excruciating agony
thus an epiphany was born

the carving of the beleaguered fragments inked with tremendous pain
created a transfiguration of splinters to crystals
hence enlightenment commenced as the gems
magnetized together constructing a world
where omnipotence shines

the ineffable beauty formed by the reintegration of crystals
far exceeds the original as they dazzle with universal light
bursting from diamonds etched in deep wisdom
flooding the firmament with kaleidoscopic
rainbow strobes cascading the sky

©2016janetaylor
Mysterious death! who in a single hour
Life's gold can so refine
And by thy art divine
Change mortal weakness to immortal power!

Bending beneath the weight of eighty years
Spent with the noble strife
of a victorious life
We watched her fading heavenward, through our tears.

But ere the sense of loss our hearts had wrung
A miracle was wrought;
And swift as happy thought
She lived again -- brave, beautiful, and young.

Age, pain, and sorrow dropped the veils they wore
And showed the tender eyes
Of angels in disguise,
Whose discipline so patiently she bore.

The past years brought their harvest rich and fair;
While memory and love,
Together, fondly wove
A golden garland for the silver hair.

How could we mourn like those who are bereft,
When every pang of grief
found balm for its relief
In counting up the treasures she had left?--

Faith that withstood the shocks of toil and time;
Hope that defied despair;
Patience that conquered care;
And loyalty, whose courage was sublime;

The great deep heart that was a home for all--
Just, eloquent, and strong
In protest against wrong;
Wide charity, that knew no sin, no fall;

The spartan spirit that made life so grand,
Mating poor daily needs
With high, heroic deeds,
That wrested happiness from Fate's hard hand.

We thought to weep, but sing for joy instead,
Full of the grateful peace
That follows her release;
For nothing but the weary dust lies dead.

Oh, noble woman! never more a queen
Than in the laying down
Of sceptre and of crown
To win a greater kingdom, yet unseen;

Teaching us how to seek the highest goal,
To earn the true success --
To live, to love, to bless --
And make death proud to take a royal soul.
Mateuš Conrad Nov 2018
.akin to a reply within the respect of Olivia Gatwood... these are not war chants... these are not war invitations... what deserves the hostile, is what bears an answer... these statements? they're only preliminaries; apparently two freedoms of the same argument, have the right / are expected to coexist: mind you, thinking, is the antithetic argument supporting talking... oh ****... right... i "sound" condescending... the clicking sound of my keyboard is condescending... at what point... did you arrive at the paradox... of hearing, before seeing? airplanes... i see, prior to the dragging "echo"... who said what who said who said what? i didn't say anything... i typed... keeping in line with: freedom of speech... what an exhausting right... esp. in a time when speaking is equated to thinking, and "speaking" is relegated to the opportunism, of writing being equated to "thinking"... talking... simply a tabloid freedom for the populace... i said ****... if this is not in the comment section... who said what who said who, who said when? when? maybe i delayed posting this... having thought it... a thinking, liberated from the cognitive schematic of a moral ought... a cognitive schematic to parody the enshrined freedom of speech, deviating from being forced to ask the moral ought? what is freedom of speech, by comparison? you are given the sort of freedom that implores you to speak... you are actually being given enforced rights to be compelled to speak... but not to think... to speak... at the exact same time... you didn't equate thinking with speaking... oh... right... this, "freedom"... was exacted when... quiet a large number of people were still deemed illiterate... and they were illiterate... but i'm literate... so... why would i need a freedom of speech... when, by writing, i have the higher right / freedom, to think?!

reworking a vindaloo recipe...
what sort of madman...
writes a recipe,
that includes 40 grams of
dried chillies?
i weighed them...
around 30 came in at 30 grams...
i had to revise...
the recipe...
a hopscotch chilli...
two fresh red chillies,
8 dried chillies,
and some Kashmir chilly
powder (much milder,
slightly sweet,
than usual)...
    it's a ******* meal...
it's not a competition as to
who can east the most spicy meal...
you play that **** while drinking
*****, not eating dinner!
mind you... vindaloo?
the most specifically scented
curry in the world...
you lift the lid off the...
baking tray? cooking utensil?
you're immediately hit by
a whiff of... sour spiciness...
can't describe it...
it feels like lime chilli...
hot & sour...
counter to the Chinese
sweet & salty...
   **** me...
     Indian cuisine...
                 it's like...
         what pepper,
salt and horseradish did to
European cuisine...
thank you England...
well... since i'm doing all
the cooking around this house...
i guess... a woman can just
sit pretty, and pretend to be
an ornament of the mantlepiece,
playing candy-crush saga...
works fine for me...
i wouldn't trust a woman
in the kitchen to begin with...
she might under-cook
the potatoes,
over-cook the pasta,
and over-salt a sauce...
so... yeah...
  women are not welcome
in the kitchen.

but, hell, they can bake, women can
do one thing right in the kitchen:
they can bake...
i hate baking, because it involves
waiting... i hate waiting...
a woman in a kitchen has
perfected the role of baking,
but that's about it...
figure this one out...
all this anti-white male rhetoric...
where are you going to
get your rhetoric...
when we die off, died out,
become the prime suspect
of the dodo project?!
    who's going to replace us...
and make the same argumentative
reprisals of your little,
tirade, symptom of
being borne by a real daddy,
and not a *****-bank
donation?!
   mother daughter relationships
must, really really work out
so well..
mind you, mind me...
i really need to ***...

when cooking, i hate waiting...
i don't like making
something, and then guessing /
waiting for the end results...
i want the whole fling...
the whole translation
of organic chemistry into
a heston blumenthal kitchen...
  i want...
the many aspect of transfiguration,
cooking no less an art,
but more a science...

women can bake,
they can also walk around pregnant...
can they cook?
you really want women
to return to the kitchen?!
seriously?!
under-cooked potatoes,
overcooked pasta,
following a vindaloo
recipe word for word?
you sure?
    in the army...
women didn't cook...
the men cooked for the men...
sure... a feminine role...
but...
   and this this is a pretty big but...

makes no fighter on an ill
stuffed gut...
           men cooking for men...
while the girls play the role
of the trophy mantlepiece...
"jogging" along to flirting
with candy-crush saga...

please, please... come into the kitchen
when you feel like
baking a banana bonanza...
otherwise... *******!
Mateuš Conrad Dec 2015
poet, or philosopher, it doesn't really matter which is which, or whether the two are indistinguishable, notable in the former scenario, when someone has an eclectic bounty of interest is simply not love-scorned or love-nostalgic, love-idealistic, does it really matter? i was once called a philosopher: a teenage girl said in third person (as if she was a puppet and some-thing was moving her tongue): 'talk to this philosopher'... not in that sarcastic way that philosopher is an misnomer or an abused term of: self-gratifying grandeour, it was quiet genuine, but: imagine my shock... i had an ambition in life, it was to perform a service to thinking: without doing as much as hammering a nail into a plank of wood, that's the ambition of any thinking man: to borderline on telekinesis or telepathy... that was Hegel's modus operandi, his categorical imperative... after all: ego is a metaphysical tool, while thought is its metaphysical canvas... the mere suggestion that a copernican inversion can happen in physics "contra" metaphysics... it's already apparent, any word can behave like a hand touching the sacred object / subject of transfiguration and become something else, even a misnomer can find itself given solace to the user... for now i've forged a belief in the ultimate: away from the absolute in relation to omni in unum - one first has to learn to think, before having to learn to feel... mind you, i don't like the current nietzschean inversion of the cartesian equation: (ego) sum ergo (ego) cogito... esp. among the youtube political commentators, too many examples to give: i'm a classical liberal, i'm a progressive, i'm a liberterian... i don't really like seeing: i am, precede i think... i don't even like the origin-argument of this inversion: i exist for the sole purpose of thinking... after all: i think prior to being, since i can also daydream and not be what my thinking suspects as a possible truth-outcome... that's the nature of the freedom of thought: i don't have to be what i think, i can find thinking to be a pleasure, when the senses do not offer me any pleasure derivative, e.g. eating can sometimes be boring, chewing, chewing, *******... i eat because i need to live: i don't live to eat... i really have under-appreciated Hegel, i should really visit my grandparents for two months and read the phenomenology of the spirit: i'm trying to replicate the saying attributed to him (verbatim), but i doubt that i will, i don't have the patience to sift through all the quotes, but it goes along the lines of: beware oh wordly man, to not be a pawn in a thinking man's game... hence my suggestion of philosophy entering into the realms of telekinesis and telepathy: you get to see things play out and people express the origin story, of your own memetic generation of the original idea... how are poets finally alligned to philosophers? good thing that i studied chemistry at edinburgh university: we return to atoms, words are no longer enough, sure, they are, contrary to the statement...  (why did i under-appreciate Hegel? ah... had my head stuck up heidegger's and kant's *****...

  integration? great!
but i'll meet you halfway...
    i'll eat your fish & chips,
your englush breakfast,
  i won't sing your anthem: god save the queen,
****** anthem, too short,
but i will whistle through:
the british grenadiers' fife & drum...
like i might through la marseillaise...
i'll meet you halfway...
i'm not a former colony member,
commonwealth,
   i'm not some ****- paying bribes
to the british powers
to join in on a world cup of cricket...
this is what happens when immigration
turns sour...
they either lesrn the host tongue,
or they don't learn it...
or they can't distinguish the two:
speak polonaise at home,
speak the hosts' sprechen outside of it...

   if the ******* aren't suspect:
by not being bilingual...
the arab beatles... jihadi john...
          ringo star h'ahmed...
  george ali...
                paul mecca rashid...
oh i'll settle for integration...
but don't you ******* think i'll give
up my mother tongue
for "c.c.t.v." close-ups back home,
home being my private lodge...
like ******* will...
  i'll speak your tongue in public...
but i'm not ******* former commonwealth
****- riddled with a need to play
cricket, "forget" my tongue in order
to compensate for olives
              and sun-burnt bananas!

a former colony ****-**** is about
to dictate the rules for fellow
europeans, on the tram-ride from
Birmingham to Nottingham?
seriously?
        but of course the englishman
will favor the former colony pet bush-monkey
from sri lanka...
since the brit can't really dictate
to a fellow european his superiority
complex... which he can...
with a petted copper skinned
toy-ting...
who brought 'im a korma curry!
nice one, ol' laddy...
        right on the plonker...
                 i'm not finished!
                        i'm just getting started!

gehirnablassen:

perfectly respected immigration,
given that so many english girls just love
the attention their **** minders,
sexually abused,
not really making it as nurses
or... ahem... karaoke superstars
worth the while of britain's got talent
or voice of britain,
or...whatever the ****** show was
that gave birth to one direction...

so a.... brain-drain? good immigration?
the best!

i can sit awhile by myself and count...
1. the sparrows,
2. the swallow,
3. the starlings,
   4. the crows,
5. the magpies,
6. the pigeons,
7. the woodland pigeons
(fatter, with dog collars),
8. kestrels
  (one is enough to begin
the count)...
9. the blackbirds....
10. seagulls... seagulls?! 25 miles from
romford to southend! seagulls?!
this far in-land?! fair enough...
11. a robin...
                   12. goldfinch...
i just sit and watch these birds
in my garden, i sometimes spot
a darting frog in the garden,
i'm more english than the english...
i actually enjoy owning a garden...
the "english" surrounding me
exemplify a bbq. as a luxury parade...
what's so luxury about marinating
some meat, and then grilling it?!
please! enlightend me!

    gehirnablassen...
                   brain-drain immigration,
the type asiatic tiger-mums brag about
at child olympics...
   for the required rubric stature...
******* mothers, basically...

1. χaron χaos - cha-cha-cha       khaos
2. theaetetus - so / ma   letters / syllables:
     graphemes: sz phi theta
      compound syllables (caron s) - Na (sodium)
3. music choice...
       brain damage perturbator ft. noir deco
    virga iesse floruit, gradual of eleanor of
britanny...
4. pride / stubborness (not equal to) honour,
tolerating islam is not the same
as respceting islam...
   german 19th century fascination
with islam...
     θought and φilosophy...
   greek in warsaw, giving him directions,
talks: sounds so much like spanish...
5. england a nation of singletons,
idiosyncracy... social pressures in poland
and even in h'america missing in england
to marry...

1.

chamaleon tongue,                    shape shifter,
bez akcentu w piśmie - więciej akcentu poza pismem
(trainspotting scottish), welsh, cockney,
east london altogether, pakistani english, etc.
e.g. rather, or raver, i.e. not rayver
(someone who parties at night on ecstasy pill)
but ra'ver, like verging on a new discovery,
it's not even the = ~v but is actually v...
english is a chamaleon tongue, you say 'nostic
when you write gnostic, i say diagnostic,
therefore say gnostic, you say 'nome, i say gnome,
as cf. with diagnostic;
then there's the case of the per se:
you say chamaleon - no kappa there apperent, eh?
but there's chappie, chap, chuckles,
no kappa in a millionth chance
to also say nough'ledge for knowledge,
a bit like that gnome of yours...
as i said before: a language without
a written insertion of stressors / distinctions
will produce a massive array of diacritical
stressors / distinctions outside the written format,
but it will also become as complex as to
allow adults with learning difficulties e.g. dyslexia,
and that horrid internet slang of shortcuts:
i ate my 8 when i was late for my disco date
with the cha cha cha melon.

p.s. if there's a hay patch at the beginning, the nasal flute
will ask larry 'the lynx' saxophone to hark it out with rasp
gritting of phlegm... but if it's somewhere else down
the piccadilly line... it will act like a nudist spy and resonate
less than expected; probably mingling with f, i think.
Larry Potter  Jul 2013
Vestige
Larry Potter Jul 2013
A cumulonimbus caused the gloom that day. It went shedding drops of rain that looked like bead of pearls glittering in the grey autumn sky, vanishing as they plunge on leafless laurel trees and solitary cypresses. He watched them dance to pitter-patter on every umbrella that opened towards the heavens, their colors of rich black calling out to such empathy. Finally, the drops kiss the graze of withered grasses and thirsty dandelions, reviving their foliage and greenness. Slowly, the rainfall collect to become one with soil and mud crawled down to the six feet depression where a coffin was laid. It was white like ivory and carved with elaborate insignias as a token of love and undying memories. Soon, it was all covered with crimson roses that carry the last parting words of the bereaved. The priest waved out his hands above with mournful eyes, lisping his beseeching of earnest favors while spades of loam filled up the burrow. He saw faces of despair around the pit, gasping for reprieve and sympathy. If only the rain could also bring back her life, he implored.

This, in his senses, was belongingness. This, in his heart, was death.

It had been two long weeks since Roxanne’s death and Vincent couldn’t get his feet back on the ground. He still couldn’t believe he had lost her and that their seemingly endless love has flown away from him for all eternity. He’d make believe that this was all just a dream and at some point of this nightmare he would finally be unchained and awakened. Days became niches of shackled memories that kept haunting his love-fletched soul and nights were nothing more than a requiem of lovelorn longings that still linger in his mind. He remembers it all, the feel of her name on his lips, the smell of her hair, and the sound of her laugh. Everything is still as fresh as the dewdrops of June and as vivid as the most cinematic imagery a mortal could immortalize. The ultimate fight of this melodramatic transition was to remain whole when all the strength Vincent has built up begins to crumble by a mere reminiscence of the tragedy that gets freeze-framed from beginning to end over and over again.

It was a rainy Friday evening on the 22nd of May and everyone’s feeling the smell of the weekend rush. Vincent was already at a friend's house party and called Roxanne that he’ll be waiting. Roxanne was driving the Lexus behind a small truck that seemed to plod toward the upcoming red light. She was a few minutes late on her way and watching these two people ahead of her jabber away in that truck was getting her out of her ecstatic  mood. The light turned green, but the truck too slowly moved forward. Roxanne became frustrated as the driver fixated to the right. He visibly gasped at what was just about to come into her view. A brand new grey-blue Chevy Silverado blazed through the opposing stop light to broadside his little truck. Roxanne tried to stop, but her car slid into the Chevy's rear side and went tossing down the highway to an explosion.

All these is what Vincent needs to drown himself to agony. It’s as if Atlas gave up the bearing of the world for him to endure. Wretched and perplexed was he, blaming the world for such a prejudiced conspiracy. How could an angel like Roxanne be bound to such an end? How could an invincible love become vulnerable on the visage of death? But then again, his heart starts to concoct a spell of phantasm, bringing back the most prized memories of him and her together, infiltrating his whole system and gaining power over the bitterness and pain. In this test of sensations, he himself wasn’t sure if this two-edged delusion is a boon or bane. But one thing was becoming clear to him-he cannot be like this for the rest of his life. If this nightmare must be proven real, he must find a way out. Whatever may lie ahead, he must keep going, recreate his own world and be able to break free from the fetters of this mishap that surely promises him nothing but living scars, frustrations and sorrow.

Two years have passed and the town of New Hope has undergone a lot of changes. New coffee shops and cafes run down a block away from the University premise as well as convenient stores and parlors. New establishments stood welcoming and billboards mushroomed the skyway. The streets are crowded with more and more busy people, indicative of a metropolitan evolution of lifestyle. Summer has ended and without a trace, the arid autumn and the frigid winter fluttered to oblivion.

The same is true for New Hope University which, in its current enrollment period, has its student population increased by two thousand. The institute’s remarkable performance rating in board examinations and national competitions attracted other towns to invest their education to the latter. It was nearly the start of class and everyone is busy catching up the enrollment pace. But not Vincent, who, in the first day of inception has already completed the enrollment process. He was ecstatic, more of curious how his life as a senior student could turn into this academic year. He met faces of different kinds-some familiar and some entirely strangers. Those he doesn’t recognize would just pause and pay a smile while others he knew jsut pass by and make him feel invisible. On a ledge in front of his course department’s office he sat. He in himself was New Hope town in human transfiguration- braver, brighter and better. He looked from afar, with eyes playing on the nimble of heads and shoulders of people passing through the corridor. He drenched himself to an illusion of how each head turns toward him with a infectious smile, that once in a while, happiness is sought even in the gallows of solitude. Solitude-it wasn’t a strange name to him anymore. It never was. He was entangled with it on that day the sickles of death took his love away. Somehow, through the passage of time, the wound that was scourged deep in his heart has mended and the thought of being alone became amusing that he has managed to laugh about it over the seasons. He is more human now, away from the devious portal of his mundane imagining.

The daydream was shattered when out of the blue a silhouette of a familiar figure took the stage. She was elegantly tall, with hair of pure ebony lolling on her shoulders. Each step enraptures, and each gentle sway of a hand is a compelling rhythm. She draws closer to where he was and he's left slack jawed. She entered the office and he was back to his senses. Maybe not. What he beheld was something farfetched, something that he cannot comprehend. Vincent saw it all coming back to him. A remnant of his long buried love has come to life. It was Roxanne and it is more certain than breathing. He couldn’t explain what he felt. It was a maelstrom of joy and surprise, of hope and fear. It was the face he yearned to see, so long that the yearning turned to hate and despair. But now that it came to pass, his humanity fell apart. Although he is a mere victim of his own circumstances, the serendipity took a shot straight to his heart and there is nothing he could do about it.

Perhaps there is, and he is now pretty preoccupied. He wanted to know her. He must unknot this puzzle that has challenged his whole conviction. He must find every answer and throw all of its questions behind. Whatever there is that the road has in store for him is not essential anymore. He couldn’t care less to fathom this enigma and once more, find something worth living. But now that he is hanging in midair, he planned to fall back. He jumped out of the ledge and headed out the campus, afraid that she might be at sight and all the strength in him shall subside. He was up all night, thinking of how he could get a chance to meet and talk to her. He had thoughts of crafting schemes, devising methods and inventing tricks.

And nothing of it worked.

The first day of class commenced. New Hope University is buzzing with ecstatic students. Vincent giggled with utmost excitement, carelessly bumping shoulders and brushing elbows with other students in the corridors.  He molested his tattered COR and skimmed for his first class. It is in room 101 scheduled 9:00. He reviewed through the digital clock and he hurried as it ticked to 8:58. Luckily, he is safe from prime tardiness, though he seemed to be the last comer. He seated at the back, knowing that after thirty minutes, he’d helplessly succumb to napping since it is his favorite subject-English 8, Technical Writing.

And so she happened.

It was her, Roxanne’s doppelganger who broke the charts. She was 15 minutes late and unforgivably beautiful with her sequined tee and skinny jeans. She realized what she has gotten into and apologized with the kindest gesture. The professor gave her a hand and led her to the seat beside Vincent. She felt awkward. He was worse. They both sat like lifeless puppets with the puppeteer gone until she broke the silence.

“I’m Katherine,” she muttered. “Katherine Evans, glad to be your block mate”. She took it off with a smile that sent Vincent to hyperventilation. He couldn’t shake her hands. They’re already shaking with butterflies. The poor guy mounted his strength. He could not afford to lose the chance. “Vincent, Vincent Smith”. That was all and a nod. It was rare for Vincent to survive the thirty-minute nap attack but he did this time, although the victory seemed unnoticed. They enjoyed the remaining hour sharing thoughts and ideas with Vincent succeeding in all his attempts to stint his best jokes. He has come to know who she is at the basics-a transferee from Dakota University, a cheerleader and an adventurist. He also looks forward to know more about her in the days to come- hoping that she likes cheese, watching live wrestling fights and attending Sunday mass.

Perhaps she doesn't.

Two weeks was enough a time for the two of them to get closer to each other. They were both open to let the affinity they share to grow and blossom. It was very apparent that the two knew where their relationship is going and they both seemed ready for it.

Months have passed and the two were no more than couples. But Vincent was too overwhelmed of what he had let enter his life. Katherine is no Roxanne. She doesn’t like cheese, wrestling or Sunday masses. She was more self-driven, conceited and unwelcoming. Sooner he realized that he isn’t in love with Katherine, nor will he ever be. He just created his Utopia by painting Roxanne’s memories on Katherine’s facade. He believed to have loved again and he believed in vain.

It was a candlelight dinner at Katherine's and it was all set. She suggested it herself. She would always do this, steering their affair on a one man tag and turning the tides whichever she likes it to be. She seemed obsessed about Vincent, about their friendship, about their bond. This was her biggest mistake: to let Vincent get drowned in her self-consumed devotion.

Vincent is on his way. To break her heart.

When he came, Katherine pranced in glee. She presented the menu. And the drinks too. She was on the midst of telling Vincent her summer getaway plans when he told her to stop and listen. He undid it to her gently by taking all the blames, that it was his butter fingered actions which led them both bruised and bleeding. It was a self-defeating battle preordained by the gods. A tear fell down from Katherine’s eyes, and she didn’t want to show him more. She fled her way out the dining room with a tormented soul, like Aphrodite torn by Adonis, and hurried to her room with the banging of the door. Vincent was left with only the deafening silence, keeping his severed heart together.

As he sat out there slowly losing substance, he began to notice a set of picture frames that showed two happy faces, one of them Vincent was able to recognize in just a matter of seconds. But what puzzled him most is the picture's relevance to Katherine. He thought of a reason to make his way out the riddle. He looked closer to the girl beside Roxanne and found a spot of mole that was identical to Katherine's.

Vincent stumbled to a discovery he wished he had never known.

On the night Roxanne met death, she was not alone. She was with company. The girl that happened to live is Vicky Duran, Roxanne’s best friend. She was secretly in love with Vincent. And she was prepared to change her entire life for a streak of a chance that she’ll have what she was living for.

And she almost succeeded.

Vincent, still staggered on how things turned out insane, went to Roxanne’s grave. He shattered from an implosion of mixed emotions and he cried out like a child who lost his treasured toy. He curled on the ground with so much pain and bearing contained inside him. He called out Roxanne’s name with pure longing, bringing back his old self and his memories of that grey autumn, of that unwanted Friday that took her life away.

Footsteps cracked from the ground and Vincent ceased his outburst of melancholy.

“Let me end your misery,” a trembling voice came from behind him. It was Vicky, whose face is neither Roxanne’s nor Katherine’s. It was a face of a hopeless woman, wretched and determined for something. She was wearing rugged clothes and she held a gun on her hand. To Vicky, living is no different from death. She has now understood why the very person she loves has turned away from her when she gave all that she never was. But the realization priced too much of her reality that she cannot anymore take back. She decided to **** him and then take her own life.

She pointed the gun towards Vincent. He jumped at her to take the gun away. They grappled on the ground, the weapon still on Vicky’s hands. Vincent managed to overpower her but she kicked him, tumbling back to the gravestone. A shot was heard from afar with a man’s cry.

It rained that day. Brown withered leaves of tall laurels hovered with the wind while branches of solitary Cypresses dance to every whirl. The breeze whispered to the clouds of grey, a mark of autumn’s return. Vincent crawled to Roxanne's grave. It was a weeping of a true love that echoed away. Raindrops keep descending from the heavens, washing away the blood that kept flowing to the ground of mud.  Perhaps, on the last moments of his life he found happiness, even from a love that was never his to keep.

 

- by Larry Potter
Mateuš Conrad Jan 2017
that's 3 weeks without a keyboard,
that's 3 weeks on a dual-detox -
         that's that: roughly: antagonism
of: once upon a time...
           there can only be one Hans Andersen,
and as the story goes: ol' granny
   passed on the tales, without which:
no talk of posterity, and seances at
the theatre; alternatively: what if Kierkegård
opted for opera, rather than theatre?
    well: horrid is the task of dropping names,
as if being a village idiot, in that
capacity: giving directions... no such thing!
  nonetheless: a horrid task...
3 weeks... without this horrid world-entanglement...
amphetamines in the wild west,
                   and yet... everything slows down...
that's 3 weeks without such ''luxury''...
    and would you believe it?
3 weeks went by: in a blink of an eye.
             strange, or what 21st century writers
fail to recognise: the ******* canvas has changed!
any-single-one-of-them bothered to scrutinise
this new canvas? anyone?
     ah yes, it's still in its adolescence -
it's still: Dostoyevsky, scuttering in the grand
dungeon: that's the Moscow underground.
             the canvas! the canvas!
                             and indeed, if this be some
bellowing horn, from the depths of some forsaken
place... i'll go into the street, and sabotage
civilisation with graffiti...
                     then again: i have the least
expectations, such that capitalism works...
poetry... and what investment have you made?
nil, or almost nil... evidently: zilch!
      ah, but to have invested in canvases,
a studio, paints, brushes... see... no one sees
investment in poetry: primarily because the poet
has done the minimal...
            unless of course it turns out to ****
with a hot poker something once resembling
nations... which now resides in the insane asylum
(even though those, have been abolished)
                           , nation - ooh! what a ***** word!
the left irksome sometimes uses it:
in theory: the nation-state...
                        and then there's the resurgence of
ancient Greece... in a sing-along:
maybe 'cos i'm a Londoner... brother! brother!
Athenian! Athenian!
                                       but we are born into
a Spartan wedlock... no one really bothers to
**** our gob with Shakespeare...
    then again that is the schizophrenia (alias
dualism) in humanity... thus, to be frank,
psychiatry can be congratulated, it has provided
one useful term... and i will use it, over and over again,
in a non-symptomatic way, because, i find,
it stands, as if the Olympic Graeae (Zeus, Poseidon
and Hades) eating the carcass of some inhabitant
of Tartarus...
                               evidently: tartar steak...
doubly evident: tartars, or the remnants of mongols,
settled in crimea, and elsewhere in the Ukraine...
   tartar                      tra-ta-ta-ta... ku ku ryku!
a ja fu! krecha! a ja znow... fu!       radowitą
uprzejmość... skłaniam...  
    or what i call: rising spontaneously from the depths...
polymaths applauded, the tribunal resides in
bilingualism... trenches... history... perspectives
and current affairs... wicker man media...
                        so... an example of pedantry?
ó....               that's an orthographic dignitary -
        an aesthetic muddle... as is
c-ha                               contending with samo-ha...
     ch                            came from antagonism of
cz                                   which was later antagonised
by č               in česka.... say that: hen party
bound to Prague... in the Czech republic...
                                          ch      k..­.
i am, quiet frankly... standing at the feet of the tower
of babel... and i'm looking up, and i see
correlations, and i see decimal marks,
which, when given enough geography,
can seem like England and the isles,
       and central Europe...
    Iberia? phantom of Seneca...
  eureka! let's begin, once again...
  why is there a continuum beginning with
Plato and Aristotle?
                                           we could become
reasonable people... told to deal with madmen...
we could claim beginnings with Seneca...
and Cicero...
                      and why? the Romans loved poetry...
the Greeks antagonised Homer...
            the Romans loved Horace, Virgil,
                           Ovid... perhaps we should really forget
beginning with Plato and Aristotle...
       the former has become a church,
the latter a dentist's assistant (minus the ancients'
concept of a joke).
                      evidently i have to finish off reading
Seneca... his educational letters to Lucilius....
      moralising ******* that he was, thus, perhaps
a nibble at Cicero? but i must say:
                           it has to begin somewhere,
so not necessarily in stale-bread Athens...
                      and having such perspectives helps
in claiming casual conversation?
   assuredly - if it doesn't involve talking about
the weather...
                                which is always a great mystery
   if it's given enough aurora.
   onto the mystery of dialectics,
as discovered by Alfred Jarry in his Faustroll
Pataphysics contraband...
                                                nag­ging agreement...
nodding without approval... (chapter 10) -
beginning with αληθη λεγεις εφη
        (you speak the truth, he replies) -
   and ending with ως δoκεì
                              (how true that seems)...
and then some dub-step...
        know nothing dROP! boom! jiggy jiggy,
get the rhythm.
   as i always find it hard to look at
    diacritical arithmetic...
                                  given the following
represent a prolonging: hangman:
       å, ā and ä...
                             esp. in Finnish -
stratum: hedningarna täss on nainen.
                        rolling yarn, plateau, two dips;
and i will never say something profound...
i'll just say something no one else has said,
benefit of the doubt? somewhere, someone,
                                      kneels at the same altar.
  such are the distinction - invaders from the
north, and invaders from the south...
                                           even with
crusading Golgotha mann -
the times? many bats, supers, spiders,
but not enough readings of thomas mann...
                              easily befallen into prune-nosed
high-airs... it comes with the diet of literature...
   unfortunately.
                              and with yet another book:
i have burried yet another living person
i could have had a beer with, and conversed.
it always happens, every time i read a book
i have to attend a funeral... by reading a book
i have burried someone alive...
                          shame, in all frankness...
    i will sit in a congested train, touch a breathing
body, and consecrate the touch with
a warring genuflect - harbringer of a Teutonic
passion for initiation: a komtur's slap across the cheek.
   chequers played with passions...
           and some have to be approached like
caged animals, their vocabulary as cages,
                and the whole world before them:
cageless!
             some have indeed become so encrusted in
their daily: routine, that it would take a zoologist
(thrice oh, begs some sort of diacritical marking)
rather than a psychologist to understand them...
    like the darting dupes they are, enshrined in
20% gratis! smile! have a nice day! boxing day sales!
all but pleasantries, fathoming the grave.
   stiff vocab and all other kinds of perfume...
                           a king and his charlatan knights,
who are merely ditto-heads.
                  and not of this world, afresh -
among the nimble hands prior to birth -
surely there is: more grandeour in birth
   that entry via a ******...
                            the greatest pain of ****...
and when the ancient treaty was signed
under the name: Augustus Cesarean - or
recommended for a need of aristocracy -
    it was, for a time, the mana magnetism:
and such was the rule of poetry:
rather than a crown, donned the laurel leaves...
donned the laurel leaves...
    and such was the covenant from ancient
foes when trying to assimilate the Jew...
three kings from Babylon,
                         the child in Egypt...
          no good tides from Nazareth...
         a crown of myrrh - later overshadowed
by dogmatic sprechen, simpler: thorns...
yella things... or rzepak, Essex is filled with it...
rzepak... so why bother adding a dot above
the z, when you get capricious and use rz to
denote the same?! thus a science:
voiced retroflex fricative... Stalingrad!
                       can you really stomach this kind
of jargon? if it wasn't for science fiction:
science would be twice removed from gott ist tot,
*******' worth of pondering, given the close
proximity rhyme... nothing that rhymes should
ever be taken seriously, it should be hymnal!
                         Horatio! mein lyre!
   mein Guinness leier! rabbi krähe -
     and they deem that ****** white when talking:
thinking? i'd prefer Cezanne in real life -
   maggot wriggling and all...
                                          as much eroticism
as bound to a dog slobbering its testicles:
which means ****-all in an almighty stance
   for a dollop of halleluyah in Nepal.
well: pretty talk, pretty pretty pretty: i feel pretty,
oh so butter-fly-e.
                                    2 week stance,
***** in autumn... but so many Swiss hues
coming from the same concentration of decay!
shweet!  zeit-ser!        and that's me talking
kindergarten german: innovation begins with
a fork and a spoon, should the tongue come to it...
            i see a poem,
i see something worth bugging... c.i.a.,
f.b.i., hannibal's lecture in Florence, Venice for
the rats... bugging... shoving...
  shovelling... necro grounding, rattling...
    windy via north... Icelandic...
drums along incisors of abstract gallop:
violins... fringes of the mustang... airy airy...
all regresses toward the Vulgate...
         like ****, like said, and the only pristine
stress comes with vanilla ice-cream,
or a medium-rare beef ****! hmph!
                         fa fa fa excesses with that hurling
puff...
                      and i did finish Kant's
critique of pure reason... minus two calendars...
but, so help me god, the 2nd volume was hiding
under some corner...
                           thus, from transcendental methodology
came plump apricots, plums and pears...
             sweet decay fruit baron...
              and it's called sugars in the intricacy of pulp...
lazily grown, dangling on that caricature of
a formerly known: full crop of wheat-crude fringe.
    2 years... honest to god!
         but so many books in between...
i was given a recommendation...
i cited it already... kraszewski's magnum opus...
29 books...
                       although that's history fictionalised...
but nonetheless, it really was about
     the cossack uprising in the 17th century...
   and it was, as i once said, something i can forgive
sienkiewicz - the film version,
as in: i will not read a book once it has been adapted
to a movie... it's self-evident that too many
people have read a piece of work and are gagging
for a conversation... but where's the playground?
           ******* cherades!
  chinese whispers and a Manchurian candidate!
  i thought as much.
                          and whenever it's not a preplaned
escapade, what becomes of the day?
     was it always about a stance for carpe diem?
  syllables: di                em.
                            carpe is said with more lubricant.
corpus diem. well, that's an alternative, however
you care to think about it.
                and whenever you care to think about,
the proof is there: mishandling misnomers:
poets as tattoo artists... although no one sees the ink,
signatures on a reader's brian (purposively altered,
toward a Michael Jackon he-he, and other:
albino castratos the church venerates!)...
   that's 3 weeks in a catholic country...
  3 weeks... if only the football was better,
      i'd be called Juan Sanchez...
               but, evidently, the football is bad...
     so it's catholicism on par with a sleeping inquisition...
no one really expected Monty Python to conjure
that one... because it never really took place,
not until a trans-generational exodus
postscript 2004... once western brothels were exhausted,
and the Arab started ******* a hippo...
              then it was all about lakes and rivers
and Las Vegas 2.0 in Dubai!
                     you say quack... i say:
                                                    easy target.
and they did receive a blessing from Allah...
enough ink to write out Dante's revision of the Koran,
and some Al-Sha'ke'pir to write a play called:
the Merchant of Mecca.
  last time i heard, when the reformation was
plauging Christendom, no one invited the Arabs...
these days i think the little Lutherans of Islam
watched too many historical movies...
me? pick up a crucifix and march to Jerusalem?
  and is that going to translate into:
   blame the populists! blame the nationalists!
it's like watching a circus... why is the Islamic
reformation asking for third party associates?
                  i was happy listening to
the klinik... albums: eat your heart out...
time + plague...
                             once again: the world narrative
gags for enough people to conjure up
     a placebo solipsism... and that's placebo
with a squiggly prefix (meaning? how far
that ambiguity will take you) - ~placebo...
well: since existentialists were bores...
it's about time to head for Scandinavia
   and ask: is that " ''                 for passing on
an inheritance, or better still: ripe for
acknowledging ambiguity?
                          and if you can shove this
  into your daily narrative... you better be
a connaisseur of chinese antiques...
                frailty... then again, theres: ******;
well hell yeah *****'h, it's a murky underwold
after all.
                     and yes: that's called a petting word...
some say hombre, and we'll all be amigos
and muskateers at the end of the story.
                                    finally... i feel like i'm writing
a poem that i'll never end...
              why? it was supposed to be about
how John Casimir of Sweden championed
  the crown away from his brother Prince Charles
(volume 1)...
                      the bishop of Breslau...
a recluse... couldn't ride a horse...
    then again: nothing worthy imitation...
beginning with a donkey...
                               the transfiguration of palms
into whips... 2000 years later
talk of Hercules is madness... that other bit?
complete sanity.
                              well... if that be the case...
the book is there... i signed it, 2nd volume of
Kant's critique...
  
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | Y| | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |

        an oak... in a forest of pine...
an oak in pine wood...

then onto the wood of sighs:

aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
          (somehow the surd escapes,
and later morphs into, but prior to)

a short script: variation on MW...

      pears' worth of blunting runes:
opulance s and ᛋ - versus z,
    congregation minor: the interchange, ß,
buttocks and *****, minus phantoms of erotica.
yet, taking into account trigonometry...
sine (genesis 0), and cosine (genesis 1),
or            M                                   W
(no Jew would dare believe the Latins have
the second 'alf of the proof: that loophole of all
things qab-cannibal-mystic - cravat donning
mystique - a flit's worth of sharpening,
or dental grit... flappy tongue,
flabby oyster, lazing for a crab's palette)...
so?

1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0

of course there's an
God slips from
tongue as phlegm
from lung post-
cigarette

back to back
reel to reel
sitting *** to heel
palm to palm

praying

I've spent paychecks
laying pavement
into bedsheets
bearing teeth

biting holes into
free time
me time
with myself

waiting

twenty one years
stacking unread
newspaper new with
news not bothering
with digestion

to treat the text
as words on paper

*******
transfiguration

sight unseen the
sight of me in
chapel pacing through
Peter as though
for penance

God is meant
a friend to
comfort but
recently its
felt dishonest

a masquerade
a malformation
Portions of this poem borrow from the poems "Back" by Christian Wiman and "Reel to Reel" by Alan Shapiro, as well as the song "The Transfiguration" by Sufjan Stevens.
Avondale Kendja May 2015
Fear is a constant friend for me in this old town,
It numbs, yet excites in the men's old tin drums.
Everything else runs away and hides in the imminent
  twilight.
It keeps us old folk happy, and us young folk safe, even if I'm
anesthetized in street dances.

The love of your life is in that next building, honey, looking over his footprints for the future.
  And if he's not it, live with it. Keep Him happy, so that you're safe.
  Never stop fearing...
Love was never in the cards for any of us;
why would it happen for me? I wasn't any more than us.
A distant longing quenches a soul with doubts for only so long though
...making the white hum and breed black.
  A lone sound amongst the silence with its soul thirsts for what has been hidden.
  There's no sign of true life without something more, bigger than you and us.
  How can there be, when true loss is unpredictable, our founders said.
  It has already been spoken in a prophecy...
    
   Perhaps, for me it is different, what then?
Do you pity me?
  them? I do.

But there's something wrong with the little party I didn't plan, yet didn't cancel.
There were people overseas, beside you and me that have died for what   I have been avoiding. Why?
    Perhaps my own parade needs a little rain,
    or a blazing hellfire to make way for the reality?
The transfiguration I've been dreaming for,
has watched me, and cried for me while I watched the town parade,
riding on my dad's shoulders.

But we have been anointed by the bravery and hope I've dreamed about when I saw us walk away.

We need to leave this ghost town,
where beasts of my blood  roam the streets. Where fear
overtook me and mated
with me in an incestuous ceremony.
  A true joining of true , lost ones
  Created in the beginning to love
  lost their way, found home
  with the one and only
Reason, not to fear....a goodbye.

— The End —