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  Jul 2020 Left Foot Poet
Thomas W Case
I like
my shoes; they are
the only pair
I have.
I've walked miles in
them.
They have
got me around for years.
My shoes are
falling apart.
They should have
quit on me a long
time ago.
Strangely enough,
people compliment
me on them.
They don't see
that the soles are
worn thin, or that they
smell like cat **** and
rotting flesh.
They don't see the
blood stains on
the canvas and the
piece of broken glass stuck
in the heel.
Nope,
they just say,
'Nice kicks;
they look good on you.'
I can't afford
another pair right now,
and even if I could,
I wouldn't spend
the money on them.
No, I like my
shoes, even with
all their imperfections.
They have seen
a thousand sunsets and
carried me away
from many heartbreaks.
My shoes have
run
walked
and sauntered through
snow
rain
and all kinds of ****.
My shoes have
saved me and
betrayed me.
And they have
tasted every type
of ***** known
to man.
When I'm dead and
gone
I hope someone
burns
my shoes and throws
the ashes in
that long lonesome
river, under the bridge,
where men
live and fight
and dream.
  Jul 2020 Left Foot Poet
lmnsinner
no fame, no claim, no name


who shall we say is calling?

I am a man of
no fame, no claim, no name,
an average sinner, absent glory


a few seconds of rustling bustle.

did you ever write poetry?

once. but everything of earthly substance,
destined to fade into the ignominy of forgotten
vaults, where time takes it time and erodes all
into dust.


here, every word preserved. there is no time
in the dominion of creators, and you friend
are numbered in their midst, enshrined in many
hearts and eyes, and with every reading, each
reimagination, you are a reincarnated being
.
Left Foot Poet Jul 2020
She,
my cutter,
my body, her cutting board

sliced by tongue and fingernail,
any handy human implement,
she sculpts me to
her eye's reconfiguring delight

she,
grabs my wrist,
and my face
in her hands grasp-embraced

unblemished once,
now becomes all scarred tissued,
no guise, no lies, no bearded mask,
no disguise - all forsaken

hidden hardened skin,
speckled red/white translucent,
she kisses with adoration her
heart designed
objet d'art

no better blade than she,
with every cut,
transformed, she becomes
my devotee,
I, her escapee,
I am her, she is me,
inseparable, my every command,
she obeys

for our love
cuts both ways
  Jul 2020 Left Foot Poet
ogdiddynash
you write of dismembered leaves,
pains too sweet,
using incontrovertible idiocies like
quiet rain, droplets shining like sunlight,
edible goodbye cheerios,
tastes that burn eyelids colored in
blood stained mustard yellow,
the gladness of sadness,
reversible rivers flowing heavenwards,

really?

dechambered hearts, ventricular mysteries,
brains wearing wooly sport jacket helmets
and others, more weirder too,
wonderfully inexplicable,
other jimmy olsonian beauties,
non-lexical non-commonsensical
ecumenical hysterical
chemical verbal reactionaries,
and then you wonder why,

PEOPLE ******* HATE POETRY?
  Jul 2020 Left Foot Poet
Nat Lipstadt
once again the fog draws me in,
speaking fog soft,
“of me, of me, you must,”
so write-birthing,
I am mustered out,
permissioned,
commissioned,
so ordered.

This fog is personal, in your face, changing by
masking/unmasking street and bay, slow burning,
this one, revealing a tableau, like a theater curtain
rising to audience applause for the set before them,
so unexpected, eye-delighting, pleasuring perspective.

why should you care? what matters this to you?

your fog likely little different, in the Cascades,
Everest, the California coastline morning burning off,
not costing anyone’s life, the Blue Ridges smoking meats,
the Quatse River saying, follow me to the Alaska glaciers,
(in the Midwest, some states, use rivers as boundaries,
so they like the fog to keep the ‘neighbors’ on the other side),
the twin Ghats, or mourning steam rising from the Ganges,
or the Zambales Mountains, guarding Manila Bay entrance,

all mine, here too, so slow retreating, gifting a quiet, wider
bay vista tween two islands, one Long, one sheltered.

so wrong, it matters so, none beyond compare!

these mountain or river comparison, white or gray,
listen friend, look closer, see my face, my words
fogging your soul’s view, full of carryover affection,
so deep, they borrow West Virginia coal miner~heroes
to dig it out, a different kind of mining,
but,
nonetheless,
mine.

so it is here, I see your multi-colored faces like
light flickers shedding clarity to these troubled times,
troubled waters, saying here we are, we are!


we here, outside your window, on waters calming,
see us dancing, but it’s so hard for me spot you in
the mists, for mine eyes are clouded, misted over too,
glasses fogged now, **** these **** tears.
8:53am
Jun 18th
Year of the Mask
You know where...


Eugene O'Neill

“The fog was where I wanted to be. Halfway down the path you can’t see this house. You’d never know it was here. Or any of the other places down the avenue. I couldn’t see but a few feet ahead. I didn’t meet a soul. Everything looked and sounded unreal. Nothing was what it is. That’s what I wanted—to be alone with myself in another world where truth is untrue and life can hide from itself. Out beyond the harbor, where the road runs along the beach, I even lost the feeling of being on land. The fog and the sea seemed part of each other. It was like walking on the bottom of the sea. As if I had drowned long ago. As if I was the ghost belonging to the fog, and the fog was the ghost of the sea. It felt ****** peaceful to be nothing more than a ghost within a ghost.”


― Eugene O'Neill, Long Day's Journey into Night
this silence of love is flawless
no interfering words necessary deemed,
sound without sound, no entry crack visible,
a great plain, a continental ocean, no horizon given,
this then the perfect diamond of humankind,
the glance cross a room, the grazing ******* upon a cheek,
the succinct serenity of perfect, this I grant you
  Jul 2020 Left Foot Poet
city of flips
the best thing you could teach two another

is how to love themselves,
so they can return the favor;
now that would be a refund!
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