degree of overcast

so the day begins
and so will reman,
the week predicted
the same, only one
variant, degree of cloudy,
mostly, partly or just...

it saddens me deeply for
I contemplate all the lives
with this whether forecast,
or rather,
the absence of
whether,
the only variant,
the degree of overcast

9:34 AM
Fri Jul 17
Year of the Covid

poetry with two spoons and a salt shaker

~for poet, writer, Lora Lee, unexpectedly~

my symphonic orchestral accompaniment today, musically
unlimited, except by lack of disowning skill, a voice unkempt,
spoons and salt shaker, there in-nate rhythmic opinions off key,
worse, my manly word-smithy, out o’town in June, July, August too?

He, having an affair with my she-muses, left me bereft & berated,
helplessly hoping, the timpani of my words clashing, overrated,
woeful under-something, betraying my need for spicy sriracha,
poetry, sans hamburger helper, no-tasty, even less-than-average

everyone comes rushing in to the kitchen, hearing my to-sky-voices
howling, thinking something wrong, the four instruments rack up a cacophony of rhythmic-less noises, words emerging, to-a-person, they announce, “you’re no Allen Ginsburg, ppp-please not so early next time”

alas, they don’t know the poems are coming hot and heavy, guess I’ll
go outside, serenade them birdies in the trees, the striped bass in the bay, the rabbits procreating/sleeping/eating under their (our) dock

the squirrels know better, have skedaddled to the next-door-neighbor who feeds them classical stuff with a dollop of jazz creme mixed in, but I don’t care, cause I got all day, the rest of my life, to amuse me & you too

to refine the qualitative, to improve my creative, I’ve gone “native” and the rush is the best, the wind beneath my spectacles (haha) drives my rhyming to lowlight heights of prosody, besides seems

everybody has gone to a different beach, so it’s just me and the giant blackbirds cawing holy hell noises, and I’m thinking seriously about baking pie, but they just don’t get the hint, how annoying is that!

harrumph!

BESIDES GOTTA WRITE SOME SERIOUS STUFF...

exactly,

for if not to mystify and to demystify,
why do we write, opine large, secretly confessing,
what is know to all soto voce in the chamber of secrets,
that lies between the brains four chambered ventricles,
that leads to a Grand Canal through which flow riddles,
all these thoughts, yours, mine, and overlapping crazy

solitary, they merge within the river of combination,
then known to all, colloquially named Ours, then too,
answers arrive in the scrivening, when each plain to see,
once the riddle posed, the answer is freed to exposure,
like veins blue to red, when oxygenated,all our mysteries,
becoming all colors, untied, there is but one color, reddened blood

what color is hate?

think hard, answer, not easily up-conjured,
obvious choices, careful be, exclude not, some voices,
no rush, think upon it careful, after all, hate hates variations,
it, as old original as the Garden of Eden

you desire answer, something quick, *****,
look to very nature of hate, so easy spewed,
after centuries of construction, yet, there is
nothing quick about hating, tho learnt early on

some variants of millennium length, eons short,
oh weep, at this great irony of ironies, hate is so
innate engrained, is it in the red blood, cells of the
white colored brain apparatus we all share?

unnatural impossibly genetic. don’t believe it.

hate is colorless like air, like clear water.
how else could it be so easy given, taken.
innocent innocuous is the color of hate,
easy transmitted, and never to be a vaccine

until it can be seen how we implant it within ourselves.


11:40pm
Sat Jul 11

what is the what, this simplicity, the great difference?


                                                ­  ~~<>~~
he reads certain words,^ then

the poet uncovered, stumbles upon, a rhythmic bearing, provoked,
his own bearing now  lost in contemplation, exits the cottage, wandering on the always wet grass, observed by animal menagerie,
espy him watchfully, a human directionless wanderer wondering, asking himself the meaning of it all, knowing answers reserved not him

we celebrate subtlety, process the minutiae of extracting an exactitude of  the precious précis of each momentary why, only when he honest confesses his ineptitude, can he truly begin to pluck words from the airy atmosphere to assemble them in format that mines the great difference in everything, the differential veins

the creatures, unshy, wish to contribute, suggesting editions, subtractions, this turn, this twist, this nuance, always clarifying, valuing utility beauteous, making the meaning perfectly clear in ways that make you gasp at words, their powerful, to define, then refine, then just plain be, be fine, finding, exploiting, drawing freehand the lines of distinction exacting
this great differences
                                                  ~­~<>~~
^
“and next to nothing is everything, all worth knowing,
you, write my poetry, as I write of you with breathless
ease and comfort, for the thoughts of all men in all
ages and lands, are original to where our eyes espy
each other, where our lips kiss to cross, cross to kiss,
what is the what, this simplicity, the great differences?”