Dear previous flame,

For whatever you may feel, know we are mirrors.
For whatever insecurity you may look to cure, through searching hard and unsubtle in the profile I choose to share,
Know that I’m a shadow, searching hard through a shared room that was yours before it was mine—
Looking for any sign of superiority, a crack in the impenetrable armor I built for you.
I know you’re my reflection on the outside looking in.
You’re his past but my potential future and the empathy I feel runs deeper than the credit you’d dare give me.
The truth is I see you in every girl who could remotely fit your description, despite knowing your exact image.
You are not a threat, but a curiosity nonetheless.
Because after all, any record broken is only as good as above second place.

He offered a watery beer,
with a **** green half moon shoved in the can.
It tasted odd and was paid for
With the promise of conversation.
—The unspoken trade agreement that nothing is free.
Though strange he wasn’t a stranger and I thought (and there’s the problem)
See I thought I could gleam
A litmus test of jealousy,
After all you were there with me,
When he asked to buy me the drink.
But you were water,
A perfect neutrality that betrayed,
the indifference I’d been ignoring.

Brown jacket, chase it up the rocks.
Afraid to slip on the moss and fly without wings down the side.
Or is it lichen?
There's the sea, or bay or ocean.
It's salty, that's certain from the taste of the air.
Back down the hill through wet trees.
Everything is wet.
It's misting ice.
And radiating grey.
Chase the jacket, don't get lost.
Chase the
Wet haird and feeling wild, thoughts are finally scattered
and it feels like we're alive.

Forget Portland and Austin and Santa Cruz.
Those famously strange places,
where the tourists gawk at local weirdos.
Here is not there.

Here is the place of advice such as:
“When life gives you meatballs put a wig on a dog.”
—True story.

Here is the place where:
“With all good things in life you just have to wipe the bird **** off.”  

The place where steel and marble Confederate ghosts,
watch the wealthy renovate their westward homes along a cobblestone road.

Where paintings are propped to rot up in alleys,
and buzzing twenty-somethings on their way back from a show,
shake it and tilt it and carry it home.
—Gilded frame and all.

This is the place of painted concrete where walls are canvases,
and red bricks pop out of the ground,
the tree roots poking through to trip you.

Here’s where the People’s Beer comes from Milwaukee,
but we replaced the R in ribbon with here,
and sell it by the caseload when it rains and when it’s Tuesday.

Where young people go to find themselves getting lost becoming someone else,
remixing history to not admit naivety,
before they’ve been sandpapered through experience.
        —To a core.

This is an ink-stained but not splattered place.
Where lines are careful, permanent and abundant,
and on Fridays can cost 13 bucks.

Here is the place where people roam like that restaurant rabbit:
listless and nomadic and stuck.

Where there’s a wild streak in its heart that follows the tracks,
and cuts the city in half.

This is the place that Carvers itself out into cultures,
and you can be from the Bottom,
or proud to be a Rat.  

Here is where you night-drive over the bridge,
see the skyline and feel restlessly content.

Here is home.
—For now.

S’io credesse che mia risposta fosse
        A persona che mai tornasse al mondo
        Questa fiamma staria senza più scosse.
        Ma perciocchè giammai di questo fondo
        Non tornò vivo alcun, s’i'odo il vero,
        Senza tema d’infamia ti rispondo.

Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherised upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question…
Oh, do not ask, ‘What is it?’
Let us go and make our visit.

In the room the women come and go
Talking of Michelangelo.

The yellow fog that rubs its back upon the window-panes,
The yellow smoke that rubs its muzzle on the window-panes
Licked its tongue into the corners of the evening,
Lingered upon the pools that stand in drains,
Let fall upon its back the soot that falls from chimneys,
Slipped by the terrace, made a sudden leap,
And seeing that it was a soft October night,
Curled once about the house, and fell asleep.

And indeed there will be time
For the yellow smoke that slides along the street,
Rubbing its back upon the window panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to ****** and create,
And time for all the works and days of hands
That lift and drop a question on your plate;
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.

In the room the women come and go
Talking of Michelangelo.

And indeed there will be time
To wonder, ‘Do I dare?’ and, ‘Do I dare?’
Time to turn back and descend the stair,
With a bald spot in the middle of my hair—
(They will say: ‘How his hair is growing thin!’)
My morning coat, my collar mounting firmly to the chin,
My necktie rich and modest, but asserted by a simple pin—
(They will say: ‘But how his arms and legs are thin!’)
Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute will reverse.

For I have known them all already, known them all—
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room.
  So how should I presume?

And I have known the eyes already, known them all—
The eyes that fix you in a formulated phrase,
And when I am formulated, sprawling on a pin,
When I am pinned and wriggling on the wall,
Then how should I begin
To spit out all the ****-ends of my days and ways?
  And how should I presume?

And I have known the arms already, known them all—
Arms that are braceleted and white and bare
(But in the lamplight, downed with light brown hair!)
Is it perfume from a dress
That makes me so digress?
Arms that lie along a table, or wrap about a shawl.
  And should I then presume?
  And how should I begin?

     . . . . .

Shall I say, I have gone at dusk through narrow streets
And watched the smoke that rises from the pipes
Of lonely men in shirt-sleeves, leaning out of windows? …

I should have been a pair of ragged claws
Scuttling across the floors of silent seas.

     . . . . .

And the afternoon, the evening, sleeps so peacefully!
Smoothed by long fingers,
Asleep … tired … or it malingers,
Stretched on on the floor, here beside you and me.
Should I, after tea and cakes and ices,
Have the strength to force the moment to its crisis?
But though I have wept and fasted, wept and prayed,
Though I have seen my head (grown slightly bald) brought in
     upon a platter,
I am no prophet—and here’s no great matter;
I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.

And would it have been worth it, after all,
After the cups, the marmalade, the tea,
Among the porcelain, among some talk of you and me,
Would it have been worth while,
To have bitten off the matter with a smile,
To have squeezed the universe into a ball
To roll it toward some overwhelming question,
To say: ‘I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all’—
If one, settling a pillow by her head,
  Should say: ‘That is not what I meant at all;
  That is not it, at all.’

And would it have been worth it, after all,
Would it have been worth while,
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail
     along the floor—
And this, and so much more?—
It is impossible to say just what I mean!
But as if a magic lantern threw the nerves in patterns on a screen:
Would it have been worth while
If one, settling a pillow or throwing off a shawl,
And turning toward the window, should say:
  ‘That is not it at all,
  That is not what I meant, at all.’

     . . . . .

No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.

I grow old … I grow old …
I shall wear the bottoms of my trousers rolled.

Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.

I do not think that they will sing to me.

I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.

We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.

Gaia slammed the door and threw her phone across the room.
Her lover Humanity has done it again--
                  and again, and again.

That broken mess of a love with so much baggage,
it makes the raunchiest Olympians look like Astrea.

All night out, and Humanity ruins and disappoints,
                  once more.

Gaia screams into a pillow of earth in frustration.
Uranus thinks she's melodramatic,

But how can the Sky sympathize with the Earth?
And how in turn can the Earth fall so wholeheartedly,
                for a destroyer?

Who once more in turn, tries in vain, but will never
understand the complexity of it's own round habitat-lover.

So Gaia is left confused and hurt, though Humanity swears,
it never meant to hurt her; break her into pieces,
and turn from a collective of voices to Narcissus himself.  

               She sighs.

Perhaps next week will be different?
The texts between the two so hit or miss and fickle,
Only Fates could read what lies behind the tension.

An Aletia moth flits in and out the window,
and suddenly the butterfly poster on Gaia's wall feels pathetic.

An imitation of her own work.

Perhaps next week will be different?
Perhaps Zeus will vow celibacy,
perhaps the sky will fall into the sea,
and we'll all be mercifully crushed in between.

But what crushes is reality, and as Gaia falls asleep,
the phone lights up.

Humanity: "Drinks again next Thursday?"

The same empty connection repeated ceaselessly.
One generation on to the next until the last.

And of course Pandora's curse,
keeps Gaia suffering through them all.